Approved | 1h 19min | Crime, Drama, Film-Noir, Thriller | 10 May 1949 (Argentina)
This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.
Directors: Alfred L. Werker (as Alfred Werker), Anthony Mann (uncredited)
Writers: Crane Wilbur (story), Crane Wilbur (screenplay)
Stars: Richard Basehart, Scott Brady, Roy Roberts
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.
Directors: Alfred L. Werker (as Alfred Werker), Anthony Mann (uncredited)
Writers: Crane Wilbur (story), Crane Wilbur (screenplay)
Stars: Richard Basehart, Scott Brady, Roy Roberts
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
Category
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Short filmTranscript
00:01:00This is Los Angeles, our Lady the Queen of the Angels, as the Spaniards named her, the
00:01:26fastest growing city in the nation.
00:01:28It's been called a bunch of suburbs in search of a city, and it's been called the glamour
00:01:33capital of the world.
00:01:34A mecca for tourists, a stopover for trenchants, a target for gangsters, a haven for those
00:01:40fleeing from winter, a home for the hard working.
00:01:44It is a city holding the hopes and dreams of over two million people.
00:01:48It sprawls out horizontally over 452 square miles of valleys and upland, of foothills
00:01:54and beaches.
00:01:57Because of that vast area, and because of a population made up of people from every
00:02:01state in the union, Los Angeles is the largest police beat in the country, and one of the
00:02:07toughest.
00:02:09We're going to take you into the city hall, where police headquarters are located.
00:02:13Here in communications are the ears and voice of the police.
00:02:17The lights on the complaint board flash 24 hours a day, citizens reporting a prowler,
00:02:21a lost child, a man molesting a woman, an auto accident, a wild party.
00:02:27Spend an hour or two here and you will think the whole city has gone berserk.
00:02:31Minute by minute, the orders go out to the radio cars in the far flung divisions, Watts
00:02:35and Wilshire in West Los Angeles, Hollywood and Hollenbeck Heights in North Hollywood.
00:02:40The work of a police like that of woman is never done.
00:02:45This is the case history of a killer, taken from the files of the detective division.
00:02:51The facts are told here as they happen.
00:02:53The story properly starts here in the Hollywood division headquarters at 1 o'clock of a June
00:02:58morning last year.
00:02:59Officer Robert Rollins had finished his tour of duty and signed out.
00:03:03It had been a tough day, he'd be glad to get home.
00:03:06His wife would be waiting up for him as she always did.
00:03:36I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:04:05I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:04:35Hey, fella, come here.
00:05:02What were you doing back at that radio shop?
00:05:07Just looking.
00:05:08I was on my way home.
00:05:09Live around here?
00:05:11Yeah, a couple blocks down.
00:05:13Let me see some identification.
00:05:16Sure.
00:05:17Yeah, I guess I forgot my wallet.
00:05:21Look, lad, I've got to see some identification.
00:05:25How about my army discharge?
00:05:27I got it right here.
00:05:28I got it right here.
00:05:58Police Department, Operator 27.
00:06:09I want to report the shooting of a policeman.
00:06:11Hold on, please.
00:06:13Give me that again, please.
00:06:15I'm calling to report the shooting of a policeman.
00:06:17What's the address?
00:06:185057 State Street, just west of Santa Monica.
00:06:21Just a minute.
00:06:23Receiving hospital, Operator 2.
00:06:26Operator 27, 5057 State Street.
00:06:295057 State Street, an officer has been shot.
00:06:32Send an ambulance.
00:06:33All units, all units in the vicinity of State Street and Santa Monica Boulevard,
00:06:37proceed at once to 5057 State Street.
00:06:405057 State Street.
00:06:42An officer shot.
00:06:43Code 3.
00:07:0780K to Control 1.
00:07:09Control 1 to 80K, go ahead.
00:07:11This is Breen.
00:07:12Instruct Homicide to throw out a dragnet
00:07:14and pick up all suspicious characters in the area of the shooting.
00:07:17Also notify Sergeants Marty Brennan and Chuck Jones
00:07:20to report to me at the scene of the crime.
00:07:22Control 1 to 80K, roger.
00:07:37I see. Well, what have you got so far?
00:07:39Well, not much, Captain Breen.
00:07:41A couple of cartridge cases.
00:07:44Hello, Marty, Chuck.
00:07:45Hi, Captain.
00:07:46Eyewitnesses?
00:07:47Who was first on the scene reported it?
00:07:49I was.
00:07:50I live here.
00:07:51I'm a light sleeper, but my hearing is good.
00:07:54Did the officer say anything before he collapsed?
00:07:57Yeah, he gave a description of the fella.
00:07:59On the shooting of the officer,
00:08:01suspect is a white male American,
00:08:03age 26 or 7,
00:08:055 feet 10 or 11,
00:08:07155 to 165 pounds,
00:08:10brown hair,
00:08:12regular features,
00:08:13pencil mustache.
00:08:16Repeat broadcast.
00:08:18All units.
00:08:19Is that about it?
00:08:20Yes, sir, exactly.
00:08:21And the officer kept saying,
00:08:23he looked like such a nice kid.
00:08:25He looked like such a nice kid,
00:08:27as if he couldn't believe what had happened to him.
00:08:31I see. Is that all?
00:08:33Yeah.
00:08:34Thank you very much.
00:08:35Yeah, well, anything else I can do,
00:08:37I'd be glad to help you.
00:08:38We may call you.
00:08:39Get his name and address for you, Bob.
00:08:44This door been checked, Lee?
00:08:45Yeah, it's okay, Captain.
00:08:51Find anything?
00:08:52Nothing but some smudges so far.
00:08:55Found this in the glove compartment.
00:08:57I think it's nitroglycerin.
00:09:00It doesn't look quite right.
00:09:02Well, check it down at the lab.
00:09:04All right.
00:09:12Open this up, Joe.
00:09:14No key, Captain.
00:09:15Try it open.
00:09:16Give me that bar, Frank.
00:09:34Regular arsenal.
00:09:35Yeah, get a load of that.
00:09:37What is it?
00:09:38I don't know.
00:09:39It looks like some kind of an electrical device.
00:09:42United States Navy.
00:09:45It's either stolen or war surplus.
00:09:48Send all this stuff down to the lab
00:09:49and check the serial number on that Navy equipment.
00:09:51Yes, sir.
00:09:52Captain Green.
00:09:54We found these in the weeds over by the radio store.
00:09:58What have you got?
00:09:59A pair of cloth gloves, Captain.
00:10:01Well, he thought of everything, didn't he?
00:10:03All right, give them to one of the technicians.
00:10:05Yes, sir.
00:10:06Marty, you and Chuck come along with me.
00:10:08Let's go downtown and see what they picked up in the dragnet.
00:10:10Right.
00:10:25You know him, Marty?
00:10:27Yeah.
00:10:29I know his wife, too.
00:10:30Ever since high school.
00:10:34Captain, I wish you'd let Chuck and me handle this case.
00:10:41All right.
00:10:42I don't want any dead heroes.
00:10:45I just want the man who shot Rawlins.
00:10:50The suspects began to arrive at headquarters in droves.
00:10:53The police tossed every motel and hotel
00:10:55and many private homes in a four-square mile radius.
00:10:58Every available radio car and patrolman and detective
00:11:01was out on the dragnet.
00:11:02The strings were being drawn tighter and tighter.
00:11:05Many a man returning from a date or a late party
00:11:08or a poker game, surprisingly, found himself in a squad car,
00:11:12its siren screaming as it brought him to the detective bureau.
00:11:16The dragnet gathered in some strange fish
00:11:19and many ordinary ones.
00:11:21All the rest of that night, the detectives probed.
00:11:24Everything was checked.
00:11:25Fingerprints, names, addresses, stories.
00:11:29Every fish in the net was examined.
00:11:31Most of them thrown back into the sea, not worth keeping.
00:11:34Except a few parole violators and slightly shady characters
00:11:38whose stories needed a lot of verifying.
00:11:40I wasn't prowling no cards.
00:11:42Just taking a walk.
00:11:43You know, getting in condition.
00:11:45You were running with the fish.
00:11:46I was.
00:11:47I was.
00:11:48I was.
00:11:49I was.
00:11:50I was.
00:11:51I was.
00:11:52I was.
00:11:53You were running when the radio car picked you up.
00:11:55Yeah.
00:11:56Maybe that's why the guy's called me Punchy.
00:11:59He's got a point there.
00:12:00Two felony convictions, no want, no warrant.
00:12:03He's on parole.
00:12:04Book him, violation of parole.
00:12:06Let's have the next one, Joe.
00:12:08What were you doing in that vacant lot?
00:12:11The vacant lot?
00:12:13Lot?
00:12:14What were you doing in it at that time of night?
00:12:17Don't ask me so many questions.
00:12:19I've been in this business for a long time.
00:12:21I've been in this business for over 30 years.
00:12:23I've never been arrested.
00:12:24My last name is Chen.
00:12:26My family, my father's business.
00:12:30You say your name is Ralph Henderson.
00:12:32So what?
00:12:33Well, you know, it's a funny thing, Ralph.
00:12:35There's a guy around this town that's been wearing your fingerprints.
00:12:38Only his name is Pete Hannan.
00:12:40Okay.
00:12:42So I'm dead.
00:12:44So what's one more confession in my life?
00:12:47Now you're talking, Hammond.
00:12:49Okay, Andy.
00:12:52Hello, Harry.
00:12:53What have we got here?
00:12:54Oh, some robbery suspects.
00:12:56Candidates for San Quentin.
00:12:58Handsome here is the big shot.
00:13:00He runs the outfit.
00:13:03Avogadro at his record.
00:13:05Car theft.
00:13:06Escape from reform school.
00:13:08Robbery.
00:13:09Assault with a deadly weapon.
00:13:11Not bad.
00:13:12Look at the heater we found on him.
00:13:14German Luger, fully loaded.
00:13:16Redhead here tried to carve up one of the arresting officers with this pretty toy.
00:13:21Nice boys.
00:13:23By dawn, many minor wrongdoings had been uncovered.
00:13:26And a few incipient felonies.
00:13:28The checking of the suspects had been thorough, painstaking, and tedious.
00:13:32But all the work was for nothing.
00:13:34The man who had shot Officer Rollins was not among them.
00:13:37He remained no more than a description.
00:13:39A shadow of a man.
00:13:41Mysterious, elusive, deadly.
00:13:44Hidden away somewhere in the vast city.
00:13:48As for Rollins himself, he couldn't help.
00:13:52He was in a coma at receiving hospital.
00:13:55Mrs. Rollins waited out the long, tense hours while her husband fought to live.
00:14:00Many another officer's wife had so waited.
00:14:03Many another will.
00:14:05The word came shortly after sunup.
00:14:18Oh, no.
00:14:30A white male American.
00:14:3226 or 7.
00:14:345 feet 10 or 11.
00:14:36155 to 165 pounds.
00:14:39Brown hair.
00:14:41Regular features.
00:14:42Pencil mustache.
00:14:45This was no frightened fugitive.
00:14:48What went on in his mind?
00:14:50Why had he set his hand against his fellow men?
00:14:53Taken the life of another.
00:14:55Of a stranger.
00:14:56Of a man who is merely doing his duty.
00:14:59He must have some plan.
00:15:01Some goal that called for sudden death to anyone who got in his way.
00:15:14Oh, oh oh.
00:15:20Oh, oh oh.
00:15:22I don't know.
00:15:52Good morning, boys.
00:15:53Good morning, Lee.
00:15:55Hi, Professor.
00:15:57Well, I thought this was safecracker soup.
00:16:00You gonna drink it, I hope?
00:16:02I'm really a nice guy.
00:16:04Stick around. I'll prove it.
00:16:06Come over here.
00:16:23Hold this for me, will you, Chuck?
00:16:30Now, if you'll hand me that hammer, Marty.
00:16:45Yeah?
00:16:48Yeah.
00:16:50Yeah.
00:16:52Nitroglycerin.
00:16:53I didn't ask for a collection of fingers, just fingerprints.
00:16:57All those nice fingerprints on the car belong to the man it was stolen from, Cap.
00:17:01Nothing on the guns or picklocks.
00:17:03Not even an interesting smudge.
00:17:05The gloves.
00:17:06Common type, worn by undertakers.
00:17:09I'll check on them. They won't show anything.
00:17:12What did your scientific test show?
00:17:14A couple of little things.
00:17:15Tool identification on these picklocks.
00:17:17I got one under the scope. You wanna take a look?
00:17:19Yeah.
00:17:30Take a look.
00:17:34Oh, I see.
00:17:36Well, that seems to tie the tool up with the lock.
00:17:41If that microscope could only tell us who did it.
00:17:44I'm working on that.
00:17:45Not only an amateur would carry that liquid dynamite in a car.
00:17:49This boy's no amateur.
00:17:51Took the precaution of desensitizing it so it'll take normal shock.
00:17:54Took a lot of other precautions, too.
00:17:56No fingerprints, no identification.
00:17:58Nothing definite.
00:18:00Except he's scientific.
00:18:03Knows electricity.
00:18:05He's inventive.
00:18:06Yeah.
00:18:07And happy on the trigger.
00:18:09This is Captain Breen.
00:18:10Get me Captain Stevens of burglary, will you?
00:18:13I hate to disappoint you, Lee, but I think you've come up with something.
00:18:17Uh, hello, Steve?
00:18:19How are you?
00:18:21Did your daughter's marriage come off all right?
00:18:24Good.
00:18:25Look, Steve.
00:18:26On those burglaries of electrical equipment lately,
00:18:30were there any where picklocks were used to get electricity?
00:18:34No.
00:18:35Good.
00:18:37Well, let me know if there's another report of one, will you?
00:18:40I've got an idea the Rawlins killer may be tied in with those.
00:18:44Fine.
00:18:45And, uh, give my regards to the newlyweds, too.
00:18:48So long, Steve.
00:18:51Well.
00:18:52What are you waiting for?
00:18:53You've got a job, haven't you?
00:18:54Get going.
00:18:55Yeah, let's go, Junior.
00:18:57See you later.
00:18:58See you later.
00:19:00See you later.
00:19:02See you later.
00:19:03See you later.
00:19:04See you later, Junior.
00:19:06Hold this for me, will you, Lee?
00:19:07Thanks.
00:19:11And so, with no fingerprints and only a vague description to go by,
00:19:15Sergeant Brennan turned to the modus operandi file.
00:19:18A criminal, like any human being, has his own habit patterns,
00:19:21unconscious traits that can lead to his downfall.
00:19:30Here they are, Junior.
00:19:31A list of burglars who use pick locks for entry.
00:19:33Oh, great.
00:19:34This narrows it down to just a couple of hundred suspects in this area.
00:19:38Give me a match, will you?
00:19:42That may not be so bad.
00:19:44This guy's improved on the system.
00:19:45Maybe he's left his trademark on some other job.
00:19:48Well, here we go.
00:19:49Legging it all over town, asking a million questions.
00:19:52What you paid for, isn't it?
00:19:53Am I paid to associate with you, too, Junior?
00:19:56You could do worse.
00:19:57Not this year.
00:19:58Come on.
00:20:02Car 12.
00:20:03Car 1-2.
00:20:05In the 10,000 block on Mississippi.
00:20:07A 394-15 disturbance.
00:20:15Car 80-K.
00:20:17Code 1.
00:20:25Car 80-K.
00:20:27Code 1.
00:20:31Code 1.
00:20:33Code 1.
00:21:00All units.
00:21:01on the broadcast of the suspect arrested in the shooting of patrolman Rollins.
00:21:05Cancel the cancellation.
00:21:07Suspect released from custody.
00:21:25Oh, hello, Mr. Martin.
00:21:27You'll find Mr. Reeves in the machine shop.
00:21:46Hello, Roy. Glad to see you.
00:21:49How are you, Mr. Reeves?
00:21:50Fine. I was hoping you'd drop in.
00:21:52I wanted to thank you for showing us how to handle that repair job.
00:21:56Helped a lot.
00:22:02Oh, what have we got this time?
00:22:10Oh, a silhouette.
00:22:16There are plenty of these around, Roy.
00:22:19Not like this one.
00:22:21Yes, I see.
00:22:23I suppose, as usual, you've added your own improvements.
00:22:26You know, it seems wrong that a man of your talent
00:22:29should bother consigning equipment for rental.
00:22:33I'd like to see you devote yourself entirely to experimental electronics.
00:22:38It'll come one day.
00:22:41I'll have a place like this.
00:22:43Why wait?
00:22:45I've got a pretty good setup here.
00:22:47You'd have modern equipment to work with,
00:22:49a lab,
00:22:51and my company.
00:22:53Thanks, Mr. Reeves.
00:22:55I have other plans.
00:22:56But, Roy, you can't tell where to lead.
00:22:58Might even work your way around to a percentage of the business.
00:23:03I like it this way.
00:23:05You just rent out my equipment.
00:23:07All right, Roy. All right.
00:23:09But if you should change your mind...
00:23:11I'm not likely to change my mind.
00:23:14I suppose you want me to set this up for rental, too.
00:23:17Mr. Reeves?
00:23:19You've already got five pieces of my equipment.
00:23:22And you'd like to know what results I've had from the rental so far, hmm?
00:23:26Well, I can't say as I blame you.
00:23:29I think you'll find this satisfactory.
00:23:33Satisfactory.
00:23:35Goodbye, Mr. Reeves.
00:23:37And you'll come back again soon, won't you?
00:23:39Sure.
00:23:41I'll see you later.
00:23:43Goodbye, Mr. Reeves.
00:23:44And you'll come back again soon, won't you?
00:23:46Sure.
00:23:48Oh, incidentally,
00:23:50how's that television projector coming along,
00:23:52the one you said would reflect a 12-foot image?
00:23:54Still working on it.
00:23:56I just wanted you to know I've already set up a rental on it.
00:23:59In fact, I think they'd like to buy.
00:24:02It'll come pretty high.
00:24:04Oh, money's no consideration with this customer.
00:24:08Tell him he can pick it up tomorrow.
00:24:10I thought you said it wasn't finished yet.
00:24:12It'll be finished.
00:24:22It uses an image fixer and then projects by ordinary incandescence.
00:24:28Roy,
00:24:30this is the best television projector I've ever seen.
00:24:33Let's hope that your customer thinks so.
00:24:35He will.
00:24:39Yes?
00:24:41Send him right in, Charlotte.
00:24:44There, you see, our customer is here,
00:24:47begging for the privilege of buying.
00:24:50I'd better be running along.
00:24:52I'm not much good at business.
00:24:54Oh, but Roy, he'll want to congratulate you.
00:24:57Just see that the price is right.
00:25:00Just see that the price is right.
00:25:03All right, Roy. I'll get you a good deal.
00:25:06So long. See you.
00:25:12Well, Mr. Dunning, come in.
00:25:18Isn't it a beauty?
00:25:31It's a beauty, all right.
00:25:33You like it?
00:25:34I certainly do like it.
00:25:36You see, it's mine.
00:25:37What do you mean?
00:25:38Let me have the police.
00:25:40I built it. Spent years on it.
00:25:42Oh, you must be crazy. Roy built this machine himself.
00:25:45Your friends are crook, Paul. You've been taken in.
00:25:48Hello. Give me the burglary detail.
00:25:52Dear Jim,
00:25:54regarding your inquiry on a .38-caliber Smith & Wesson...
00:25:57Oh, come in, boys.
00:26:00Burglary detail just sent this report through.
00:26:03It's a man named Dunning.
00:26:04Reports tracing a stolen television projector
00:26:06to the Reeves Electronics Lab.
00:26:09Think it's a tie-in with the Rawlings case?
00:26:11Well, take a look at this fellow Reeves and see what gives.
00:26:14I'll notify burglary. We're following up on it.
00:26:17Right. Come on, Junior.
00:26:21What else did he place with you for rental?
00:26:23Oh, a number of things.
00:26:25All war surplus that he bought on his veteran's radio.
00:26:28Oh, is this more of his equipment?
00:26:29Yes. Yes, he left it here on consignment.
00:26:33I'm sure that Roy can explain everything.
00:26:36Well, maybe he can, Mr. Reeves, if you'll tell us where he lives.
00:26:39But I don't know.
00:26:41Mr. Martin's on the phone, sir.
00:26:44I'd better talk to him.
00:26:45I think so, Mr. Reeves.
00:26:47I'll take it in the superintendent's office.
00:26:58Tell him that you sold the set.
00:27:00His money's waiting for him here.
00:27:01Find out what time he's coming by.
00:27:07Put Mr. Martin on.
00:27:13Hello, Roy?
00:27:17Yes. Yes, I've sold it.
00:27:19Your money is waiting here for you.
00:27:23Yes, I'll be working late tonight.
00:27:25What time will you be by?
00:27:27First thing in the morning.
00:27:29Well, maybe you'd better come in tonight, Roy.
00:27:31A couple of things I want cleared up.
00:27:34Like what?
00:27:36Oh, technical things.
00:27:38Besides, I don't like to leave the money in the plant overnight.
00:27:45How about 8.30?
00:27:46Fine. Fine.
00:27:48I'll see you then.
00:27:50I'll leave the front door unlocked.
00:27:57He'll be here at 8.30.
00:28:07Well, I'll just run along home and get some dinner.
00:28:10Uh, we'd like you to stay, too, Mr. Reeves.
00:28:13Why?
00:28:14For company.
00:28:15You want to cooperate, don't you, Mr. Reeves?
00:28:17Certainly.
00:28:18Good. Now, you just wait in your office.
00:28:20We'll be around.
00:28:22Very well.
00:28:24This way, gentlemen.
00:29:27Reeves.
00:29:49Reeves.
00:29:54Is that you, Roy?
00:29:57Yes.
00:30:04Go outside and block that alley door.
00:30:21Where are you, Roy?
00:30:27Who's in here?
00:30:29No one.
00:30:30I'm alone.
00:30:37Come on in. I've got your money for you.
00:30:40Bring it out here.
00:30:44All right.
00:30:48Just a minute.
00:30:57All right.
00:31:27All right.
00:31:57All right.
00:32:27All right.
00:32:57All right.
00:33:27All right.
00:33:57All right.
00:34:28No.
00:34:30None of them even looks like Roy Martin.
00:34:34He had such a fine face.
00:34:38Didn't keep you from carrying a gun.
00:34:40Or didn't you know that?
00:34:42No, I didn't.
00:34:44I've told you all I know.
00:34:46All he ever told me.
00:34:47What about his friends?
00:34:48Didn't he have a girl?
00:34:50No.
00:34:51No.
00:34:52No.
00:34:53No.
00:34:54No.
00:34:55Didn't he have a girl?
00:34:57No.
00:34:58No, I don't think so.
00:35:00He had no interest in anything but electronics.
00:35:04Where did he pick up the subject?
00:35:06Books.
00:35:07Magazines.
00:35:09Mostly from the signal core.
00:35:10He was attached to a radar unit.
00:35:13Get a teletype off to the War Department.
00:35:15That might help.
00:35:18Yes?
00:35:19Ready on your call to receiving hospital, Captain Breen.
00:35:22Hello.
00:35:23This is Captain Breen.
00:35:25I have a blazed report on Sergeant Jones.
00:35:33I see.
00:35:36Well, let me know if there's any change, will you?
00:35:41Thanks.
00:35:44Chuck's in pretty bad shape, Marty.
00:35:47He's paralyzed.
00:35:49May never walk again.
00:35:56Oh, I'm sorry.
00:35:58It's funny that Martin showed up at 7 when he told you he wouldn't be there until 8.30.
00:36:02I don't know why.
00:36:04Except he was always unpredictable.
00:36:07I'll tell you why.
00:36:08Because you warned him.
00:36:09That's why he came early.
00:36:10That's why he came in the back way.
00:36:11But you heard me tell him the front door would be open.
00:36:13And the key to let him in the back way?
00:36:14He must have had one made.
00:36:15Why don't you tell us the truth?
00:36:16Marty.
00:36:26Now look, Paul.
00:36:28You can make it a lot easier for us to believe your story if you'll just give us some facts.
00:36:33Something that might help us.
00:36:35I've told you all I know.
00:36:39I've been gullible, all right.
00:36:40Letting him make a fool of me.
00:36:43But I'd do anything to make up for what he did to Detective Jones.
00:36:49Sure.
00:36:50Sure you would.
00:36:52You can go now.
00:36:53Oh, thanks.
00:36:56Thanks.
00:36:59My friend.
00:37:01Ouch, my character.
00:37:02That's good.
00:37:03We'll call you if we need you.
00:37:04Thank you very much.
00:37:06I think he's telling the truth, Marty.
00:37:08I think he's just gullible like he said.
00:37:10What about the stolen stuff he was trying to peddle for Martin?
00:37:13We'll use it for bait.
00:37:14Maybe Martin will come back for it.
00:37:16Then we can ask him.
00:37:19Here.
00:37:20Here.
00:37:21Nevertheless, I want a 24-hour tail put on Reeves and I want a watch on his home and his factory.
00:37:26Right.
00:37:28You can keep those.
00:37:30Okay, Cap.
00:37:36And now the killer changed his tactics, his modus operandi.
00:37:41It would baffle the police.
00:37:42They always expected burglars to remain burglars, not go in for stick-ups.
00:37:47They'd never tie this up with him.
00:37:50Now wearing a variety of disguises, coming and going like a shadow, ready to kill if cornered,
00:37:55he struck the bottle stores in a one-man blitz that had the robbery detail dizzy.
00:38:01Ah!
00:38:20The killer, always resourceful, always thinking along lines that would baffle his hunters,
00:38:24had discovered an ideal avenue of escape.
00:38:27Under Los Angeles is a vast and intricate system of huge storm drains
00:38:31built to siphon off the flash floods of the rainy season.
00:38:35Many of the tunnels are large enough for two cars to drive abreast.
00:38:38Here were 700 miles of hidden highways.
00:38:42Ideal for the use of someone who needed to hurry from place to place without being seen.
00:38:47Ideal as a hiding place for guns and supplies in case of emergency.
00:38:52What is it, Lee?
00:38:53Well, the reason I asked you to come over is I think I've hit on something.
00:38:55An identification?
00:38:56No, not quite, but a tie-up.
00:38:59Now, these are the shells from the gun that killed Rawlins.
00:39:03These were fired in the liquor store holdup in which the bandit got away.
00:39:07And these were fired at Chuck.
00:39:10Now, as you know, every ejector, even in guns of the same model and caliber, is different.
00:39:15Each one leaves its own markings on the cartridge cases.
00:39:18Now, look at these fine striations.
00:39:21This deep gouge.
00:39:24The same on all three.
00:39:28Hmm.
00:39:30In other words, the man who killed Rawlins and the man who shot at Jones and Brennan,
00:39:35the stick-up who's bits in the liquor stores are all the same man.
00:39:38Right.
00:39:40All we need to know is what that man looks like.
00:39:42Get me Chandler and robbery, will you?
00:39:45I've got an idea about that.
00:39:47Also, it'll give us a chance to see if Reeves is on the level with us.
00:39:51Uh, Steve.
00:39:52Green.
00:39:54About those bits holdups you're on.
00:39:56Round up all the victims and have them down here tonight, will you?
00:40:00Oh, it's just a little scheme.
00:40:04You're welcome.
00:40:06Well, I'll see you later.
00:40:07Good-bye.
00:40:08Good-bye.
00:40:09Oh, it's just a little scheme.
00:40:11Thanks, Steve.
00:40:16Hmm, that's good.
00:40:18Now sketch another one of the same type, only this time thin it out a little, huh?
00:40:21All right.
00:40:22Hi, Lee. How's it coming?
00:40:23You ready for tonight?
00:40:24We'll be ready.
00:40:25Think it'll work?
00:40:26It should.
00:40:27Where'd you get the idea?
00:40:29From a kidnapping case in Chicago.
00:40:31But I thought these slides might be an improvement over the method they used.
00:40:34Could be.
00:40:35Captain thinks so.
00:40:40Good evening, ladies and gentlemen.
00:40:42May I have your attention for a moment, please?
00:40:45You've all been asked to sit in on a little experiment tonight.
00:40:48We're going to try to build a picture of a face.
00:40:52A face of a man who's cunning, resourceful, and deadly.
00:40:57He's a man who killed a police officer.
00:41:00Now, some of you, he held up at the point of a gun.
00:41:03You may have seen his face, remembered something about it.
00:41:06And we want you to tell us exactly what you remember.
00:41:10Whether it's his hair, eyes, nose, or mouth.
00:41:15And we're going to try to put those pieces together
00:41:18so that they add up into a picture of the face of the man we want.
00:41:22Now, you can see how we're depending on you.
00:41:26Right?
00:41:28Now, first, we're going to concentrate on the type of hair our man had.
00:41:32And if the picture looks anything like his hair,
00:41:34I want you to speak right up.
00:41:37All right, the first slide, please.
00:41:46His hair had waves in it.
00:41:47Well-groomed.
00:41:48That's the idea, Miss Smith.
00:41:57Is that any closer?
00:41:58No, it was parted on the side.
00:42:06Oh, that's more like it.
00:42:07Except it was thicker.
00:42:16Oh, that's very close.
00:42:18Yes, that's the way his forehead looked.
00:42:20It was broad and high.
00:42:22All right, hold that slide.
00:42:24Now, the next series of slides will take into account his eyes.
00:42:36Oh, one minute, please.
00:42:37Wait.
00:42:38One minute.
00:42:39His eyes were a little like that.
00:42:41Maybe a little smaller.
00:42:43Like beads.
00:42:46Go on, Lee.
00:42:48Now.
00:42:49Now you've got it.
00:42:51Now, hold that slide, Lee.
00:42:53Anyone else?
00:42:56That looks like him, only a little madder.
00:42:58He had a patch over one eye when he came into my dive.
00:43:00That's my place of business.
00:43:01I remember noticing that the one showing was blue.
00:43:04Well, the guy that stuck me up had on a whole bunch of blue.
00:43:07He was a little madder.
00:43:08He had a patch over one eye when he came into my dive.
00:43:10That's my place of business.
00:43:11I remember noticing that the one showing was blue.
00:43:14Well, the guy that stuck me up had on horn-rimmed glasses.
00:43:16He was wearing a band-aid across his nose when he knocked me over.
00:43:19He was wearing a band-aid across his nose when he knocked me over.
00:43:21Uh-huh.
00:43:22Uh-huh.
00:43:23All right, hold that, Lee.
00:43:24All right, hold that, Lee.
00:43:25Not so much for the eyes.
00:43:26Not so much for the eyes.
00:43:29Go ahead.
00:43:45Señor Capitán.
00:43:47Yes, Miss Montalvo.
00:44:02Like that, Captain, but more snubbed, wider.
00:44:05Try another one, Lee.
00:44:07Como aquella.
00:44:08Casi la misma.
00:44:09She says that's about it.
00:44:11Thank you very much, Miss Montalvo.
00:44:14Get Reeves.
00:44:17Any more comments?
00:44:18That's pretty close, all right.
00:44:20Pretty close.
00:44:21Perfect.
00:44:22All right, now we'll start on the mouth and chin.
00:44:24The next series, Lee.
00:44:29I think his lower lip stuck out more.
00:44:31The mouth was thin enough.
00:44:33I think his lower lip stuck out more.
00:44:35The mouth was thin and mean, like it never laughed.
00:44:40Go ahead.
00:44:42Something like that, but thicker lips.
00:44:48There.
00:44:49That's it.
00:44:50That's him.
00:44:51All right, now hold that right there, Lee.
00:44:55Oh, come in, Mr. Reeves.
00:44:58Good evening, Captain.
00:45:00Did you ever see that face before?
00:45:04Why, it's Roy.
00:45:06Except for the hair being a little lighter and the eyebrows heavier.
00:45:10It's Roy.
00:45:12You're sure?
00:45:13I'm positive.
00:45:14I'd know him anywhere.
00:45:17Lee, I want a retouched photograph.
00:45:20Now lighten the hair and give more body to the eyebrows.
00:45:23Right.
00:45:24Lights.
00:45:27That's all.
00:45:28Thank you very much.
00:45:29You've been a great help.
00:45:30It's positively amazing.
00:45:32Positively amazing how you found out what he looks like.
00:45:35Well, we're looking for an amazing criminal, Mrs. Johnson.
00:45:38Thank you and good night.
00:45:39Good night, Captain.
00:45:41And so the face of the unknown killer, built up from fragments of evidence,
00:45:45was sent out all over the country.
00:45:47To chiefs of police, to sheriffs, to county constables and county jailers.
00:45:53To the wardens of prisons.
00:45:56To all postmasters and postal inspectors.
00:46:00To the agents of the treasury department.
00:46:04To the FBI.
00:46:06They showed that picture to the inmates of jails and prisons.
00:46:10To men with a wide acquaintance among the cat burglars and the violence boys.
00:46:14Informers and con men and sharpshooters were quizzed.
00:46:17Those on the fringe of crime and those deep in the rackets.
00:46:20Many wanted to help.
00:46:22Nobody could.
00:46:24No one in the underworld recognized that mysterious face.
00:46:27He was as unknown as if he had lived in the 16th century.
00:47:58Reeves.
00:48:01Roy.
00:48:03Listen carefully, Reeves.
00:48:07Control yourself.
00:48:09I know you're alone in the house.
00:48:11Act like you're alone.
00:48:13Cops are watching every move you make.
00:48:15The police are here?
00:48:17They got you staked out like a muskrat.
00:48:19I'm not a muskrat.
00:48:21I'm not a muskrat.
00:48:23The police are here?
00:48:25They got you staked out like a muskrat, Hyde.
00:48:27Watching you around the clock.
00:48:29Here at your plant, tailing your car.
00:48:33Sit in that chair.
00:48:39Pick up three books.
00:48:45Don't look up and don't answer me.
00:48:49All right.
00:48:52A glance at the books.
00:48:59Pick one of them.
00:49:05Okay.
00:49:07Now, that's the book you want to read before you go to bed.
00:49:11Now, get up and turn off the lamp.
00:49:14Come here.
00:49:20Come here.
00:49:22Come here.
00:49:32Go in the den.
00:49:34Go in the den.
00:49:42Pull those drapes tight.
00:50:05Take it away from him.
00:50:12What do the cops know about me?
00:50:15Not very much, Roy.
00:50:17No fingerprints.
00:50:19They haven't even got a picture of you.
00:50:21They're trying to make one.
00:50:27How much cash you got in the house?
00:50:29None.
00:50:31I never keep any cash in the house.
00:50:33It isn't good business.
00:50:35I suppose you think it was good business, letting me walk into that trap.
00:50:38No, Roy, no. Don't do anything you'll regret.
00:50:40Now, listen to me. It isn't too late.
00:50:42Give yourself up. Come to your senses before you kill someone else.
00:50:53What do you mean, someone else?
00:50:55What do you mean?
00:50:57Nothing. The two officers, they said one of them might die.
00:51:00He's still alive, isn't he?
00:51:04Reeves?
00:51:06I never thought you'd stooge for the police.
00:51:10You almost got me killed.
00:51:12Roy, you know the police are right outside.
00:51:14You'd never get away with it.
00:51:21That's right.
00:51:23Now you're being sensible.
00:51:30I know there's money here.
00:51:32Where is it?
00:51:34Don't worry. I'll get it.
00:51:55It's not enough.
00:51:57The stuff you've got of mine is worth thousands.
00:51:59I'll get more.
00:52:02Get it and keep it handy.
00:52:04I'll be back next week and next month.
00:52:06But get it and have it ready.
00:52:08Just give me time.
00:52:20Look.
00:52:22I don't want policemen outside my house following me around.
00:52:25That's what made Roy suspicious.
00:52:27I'm leaving in the morning.
00:52:29I'm afraid I'll have to disappoint you, Paul.
00:52:32Unfortunately, you're our bait.
00:52:35I won't do it.
00:52:37I've done enough.
00:52:39Look, no one's done enough until we find this killer.
00:52:44I asked you to keep a sharp lookout on this house, Marty.
00:52:47I did.
00:52:49Two of the best undercover men in the department were assigned here.
00:52:51That didn't keep Martin from getting in.
00:52:54What's the matter? Are you tired?
00:53:06Have you got any idea how long you've been on this case, Marty?
00:53:09Months.
00:53:11Long enough to have come up with something by this time.
00:53:16Do you know any more about the Rawlins killer than you knew the first week?
00:53:19Yeah.
00:53:21He's about the toughest nut I've ever had to crack.
00:53:25That's what I told the chief when he called me in this afternoon
00:53:27and wanted to know why the case hadn't been broken.
00:53:31Look, Captain.
00:53:33Rawlins was a friend of mine.
00:53:35So was Chuck.
00:53:38I've got a bigger stake in this than the chief knows.
00:53:41I'm doing everything I can.
00:53:45Well, I'm afraid it's not enough, Marty.
00:53:50Maybe you're too close to it to see it clearly.
00:53:52Maybe it needs a fresh team, a new viewpoint.
00:53:57I think you'd better take a couple of weeks off, Marty.
00:54:00Starting tomorrow.
00:54:04Anything you say, Captain.
00:54:22Hiya, Marty.
00:54:24Hi, Chuck.
00:54:26Meet Miss Scanlon, my new bodyguard.
00:54:28He's the one I've been telling you about.
00:54:30Oh, you mean the one with the steel trap brain?
00:54:32How do you do?
00:54:34Hello. Has this guy been behaving?
00:54:36After a fashion.
00:54:38See, she takes me out in my go-kart, puts me to bed, wakes me up, dresses me.
00:54:40You're perfectly capable of dressing yourself now, Mr. Jones.
00:54:42I'll be back in a few minutes.
00:54:46Well, how's it been going, Junior?
00:54:48Oh, pretty good, Chuck, pretty good.
00:54:52Is that why you're off the case?
00:54:54How'd you know?
00:54:56Breen was in to see me this morning.
00:54:58Oh.
00:55:00I suppose he also told you they'd put a new team on the case.
00:55:02He told me everything.
00:55:04Yeah. Let's see what his new boys dig up.
00:55:06Well, maybe they'll examine the facts of the case a little more carefully.
00:55:09What facts?
00:55:11That our man's sharp?
00:55:13That he's intelligent and works alone?
00:55:15That he has no record, never leaves a fingerprint, knows every move we make?
00:55:17Sure, plenty of facts, only they add up to nothing.
00:55:19Sure, forget it.
00:55:21You got yourself a ten-day vacation.
00:55:23Go on down to the beach, get a suntan.
00:55:25By the time you get back, the case will be broken.
00:55:27Isn't that what you want?
00:55:29You know it better than that.
00:55:31All I know is what I hear.
00:55:33You sit there batting your gums about how the old man let you down.
00:55:35Maybe he's trying to wake you up.
00:55:37He's got a funny way of showing it.
00:55:39There you go, flying off the handle, always taking things for granted.
00:55:41I wish I could get up and boot some sense into you.
00:55:43He knew what this case meant to me.
00:55:45He still does.
00:55:47That's why he's trying to get you mad enough to do something about it.
00:55:51You don't really figure that's his idea, do you?
00:55:53I know it is.
00:55:57Ah, it's a tough case, Chuck.
00:55:59Not an angle, nothing to go on.
00:56:01You'd know what I meant if you were out working with me.
00:56:03I have been working with you.
00:56:05That's all I've had to do lately.
00:56:07Just sit around studying what little facts we have.
00:56:09Trying to figure out who he might be.
00:56:11You know the kind of a guy we're up against, then.
00:56:13I tell you, Chuck, this guy's a genius, the way he operates.
00:56:17As if he were right there with us every time we go out after a lead.
00:56:19Oh, sure.
00:56:21Breen's been tipping him off just to make you look bad.
00:56:23Hey, almost like that.
00:56:25Boy, he beats us to the punch every time.
00:56:27There's your angle.
00:56:29You just hit it on the head, but you don't see it.
00:56:31Look, start at it.
00:56:33One, he's unknown to the underworld.
00:56:35Two, he beats you to the punch, right?
00:56:37And three, it's almost as if he were with you.
00:56:39Isn't that what you said?
00:56:41Yeah.
00:56:43Well, tie that up with a lot of other little things, like the fact that he uses a police gun.
00:56:45And the accuracy of the shooting.
00:56:47Anybody could buy a police gun,
00:56:49or the army could have taught him how to shoot.
00:56:51Yeah, but who taught him how the police operate?
00:56:55Oh, I know what you're driving at, Chuck.
00:56:57What a cop.
00:56:59Those things happen.
00:57:01Yeah.
00:57:03Now, if I were still in the case,
00:57:05I'd start with our own department first,
00:57:07and then I'd go to America, Culver City, Burbank, Pasadena.
00:57:09See you later, Junior.
00:57:11Hey, don't let him out of your sight, beautiful.
00:57:13It's the first time in years he's used his head.
00:57:23Did you get a print of every mug we take?
00:57:25We always send L.A. a copy, Sergeant.
00:57:27It's personnel photos I want.
00:57:29You mean of our boys?
00:57:33That's Roland's killer, isn't it?
00:57:35That's right.
00:57:37You've checked your own department.
00:57:39We did that first.
00:57:45And so the tedious quest went on.
00:57:47Sergeant Brennan wore out his shoes
00:57:49and his patience,
00:57:51going from police station to police station,
00:57:53checking photos until his eyes were blurry.
00:57:55For police work is not all glamour
00:57:57and excitement and glory.
00:57:59There are days and days of routine,
00:58:01of tedious probing,
00:58:03of tireless searching,
00:58:05fruitless days,
00:58:07days when nothing goes right,
00:58:09when it seems as if no one could ever think
00:58:11his way through the maze of battling trails
00:58:13of criminal leads.
00:58:15But the answer to that is persistence
00:58:17and the hope that
00:58:19sooner or later something will turn up,
00:58:21some tiny lead that can grow
00:58:23into a warm trail and point
00:58:25to the cracking of a tough case.
00:58:33Well, that does it, boys.
00:58:35Can't say I'm sorry you didn't find him in here.
00:58:37I'd hate to think it was a cop.
00:58:39Doesn't seem to be anybody.
00:58:41Just a lot of pieces of a face
00:58:43that never existed.
00:58:45Do you mind if I see that again?
00:58:47Sure, frame it.
00:58:49Put it on your dresser.
00:58:51Wait a minute.
00:58:53He wasn't a cop.
00:58:55He was a radio technician right here.
00:58:57He was a radio technician.
00:58:59He was a radio technician.
00:59:01He was a radio technician right here
00:59:03in our dispatch office.
00:59:05What did you say?
00:59:07I'm saying he worked here in 42.
00:59:09Well, come on, give.
00:59:11I remember the kid well.
00:59:13He was sort of strange, never bothered with anyone
00:59:15in the department, just kept to himself.
00:59:17But he was in line for a promotion
00:59:19when he was drafted.
00:59:21Where was he living at the time?
00:59:23I don't remember.
00:59:25Try the dead files.
00:59:31He asked for his job back after the war.
00:59:33I remember writing to him about it, though.
00:59:35He was an excellent worker.
00:59:37Oh, yeah, here we are.
00:59:39Yeah, this is it.
00:59:41Took a while before he answered,
00:59:43but like he says in the letter,
00:59:45he wasn't interested.
00:59:51Hmm?
00:59:53Postmarked Hollywood.
00:59:55No return address.
00:59:57What do you want us to do, call the work?
00:59:59Thanks a lot, Freddy.
01:00:01Remember, he was a civilian employee.
01:00:13Well, how about it? Anybody recognize him?
01:00:15Not on my route.
01:00:19I never saw him before.
01:00:21Yeah, okay, fellas.
01:00:23Thanks very much.
01:00:25Hmm.
01:00:27I thought for a minute...
01:00:31No.
01:00:33And yet that face...
01:00:35I wonder...
01:00:37Yeah?
01:00:39Well, this may not mean anything,
01:00:41but he looks like a guy that's on my route.
01:00:43He never gets any mail, but I see him around here all the time.
01:00:45He lives in one of the courts.
01:00:47Where?
01:00:49Come on, I'll show you.
01:00:51It's not that easy.
01:00:53He lives in one of the courts.
01:00:55About nine o'clock? Why?
01:00:57Just thinking.
01:01:13You got any chocolate milk?
01:01:15Sure have, buddy.
01:01:17Here you are.
01:01:19Thanks.
01:01:21Straight on back.
01:01:25The second in the yellow.
01:01:27Number seven.
01:01:29Right.
01:01:31Kind of warm today, huh?
01:01:33Oh, it's not too bad for this time of the year.
01:01:39Good morning.
01:01:41Morning.
01:01:43You're new on the route, aren't you?
01:01:45We had a substitute.
01:01:47What happened to the other fellow?
01:01:49What's the matter with him?
01:01:51I don't know.
01:01:53I catch everything.
01:01:55Hear about it on the radio, and next morning I got it.
01:01:57Too bad.
01:01:59You aren't very social.
01:02:01The regular fellow always stops and talks to you.
01:02:03Sorry, lady, I'm a little late this morning.
01:02:05I was hoping maybe you could help me.
01:02:07There's something very funny going on in this court.
01:02:09Yeah?
01:02:11I was scared to go to the police with him.
01:02:13I thought maybe I might be poisoned.
01:02:15What?
01:02:17By the manager.
01:02:19She's a witch.
01:02:21She's a what?
01:02:23A witch. She puts poison in my milk.
01:02:25Oh, I see.
01:02:27Look.
01:02:29Switch the bottles once she isn't looking, see?
01:02:31Drink her milk.
01:02:33Then you'll be safe, right?
01:02:47Ah!
01:03:05Well, I...
01:03:07I had a little accident.
01:03:09Got a mop, I'll clean it up.
01:03:11Leave it be. I'll clean it up myself.
01:03:13Okay, mister.
01:03:45The place is called Bellevue Court.
01:03:47I drew this to memory, but it's pretty close.
01:03:49That's where he's hiding out, right there.
01:03:51You're sure he's our man, Marty?
01:03:53Captain, I couldn't go wrong on that face.
01:03:55He's our man.
01:04:03Now, there are five cottages in this area.
01:04:05And two, number six and seven,
01:04:07in the L at the end of the row.
01:04:09Our man lives in number seven.
01:04:11This building department plan will show you the whole layout.
01:04:13It's bounded on three sides
01:04:15by Fuller, Santa Monica, and Poinsettia.
01:04:17Now, the court is partly surrounded by a high wall.
01:04:21Breen, homicide.
01:04:25Good, you keep your eyes open until we get there.
01:04:27Morgan has just gone into his bungalow alone.
01:04:29Any questions?
01:04:31All right, you all have your instructions.
01:04:33Let's go.
01:04:45All right, let's go.
01:05:15All right, let's go.
01:05:45Oh!
01:05:59Oh!
01:06:15We're out on time.
01:06:17Wait five minutes.
01:06:19Go around and block the side entrance.
01:06:21Keep your lights off.
01:06:45Oh!
01:07:15Oh!
01:07:45Oh!
01:08:15Oh!
01:08:45Oh!
01:09:01Oh!
01:09:03Oh!
01:09:05Oh!
01:09:07Oh!
01:09:09Oh!
01:09:15Oh!
01:09:45Oh!
01:09:53Oh!
01:09:55Oh!
01:10:13He's loose.
01:10:15I want a radio car in a hurry.
01:10:25Oh!
01:10:27Oh!
01:10:31Oh!
01:10:33Oh!
01:10:35Oh!
01:10:37Oh!
01:10:45All units, all units in the vicinity of Santa Monica and Fuller,
01:10:47the murder suspect in the Rollins' killing
01:10:49is at large.
01:10:55I
01:11:22want a map covering the storm drain system in this area. Get it and meet me at Bennis
01:11:25and Garfield. Jones, Miller, you stay here in case he comes up for air. I want a man
01:11:31at every other drain entrance along this line. He's got to come up somewhere. Come on, Marty.
01:11:36You're driving.
01:11:52Keep this drain covered. He's liable to pop out anywhere.
01:12:23Why Bennis and Garfield, Captain? It's the main intersection of the system. We can head
01:12:31him off that way. ADK to Control 1. Clear frequency 7. This is an emergency. Control
01:12:361 to all cars on frequency 7. Standby. Control 1 to ADK. Go ahead. Notify homicides. Send
01:12:43the following to Bennis and Garfield. Four squads. Battle lanterns. Gas mask. Tear gas.
01:12:49Urgent. This is a code 3. Control 1 to ADK. Roger.
01:13:15And he'll probably head down this main drain to where it comes out at the Rio Hondo.
01:13:18Now you take your squad and cover that exit. Right. Keep all spare radio cars cruising
01:13:22back and forth along this main street. Watch the curb inlets. We'll go in here.
01:13:39Any sign of him? No. We've searched every foot between here and the Rio Hondo outlet.
01:13:44Then he must be up ahead. Let's go.
01:14:14Go ahead.
01:14:44Go ahead.
01:15:14Go ahead.
01:15:44Go ahead.
01:16:14Go ahead.
01:16:44Go ahead.
01:17:14Go ahead.
01:17:44Gas gun.
01:18:14Go ahead.
01:18:44Go ahead.
01:18:45Go ahead.
01:18:46Go ahead.
01:18:47Go ahead.
01:18:48Go ahead.
01:18:49Go ahead.
01:18:50Go ahead.
01:18:51Go ahead.
01:18:52Go ahead.
01:18:53Go ahead.
01:18:54Go ahead.
01:18:55Go ahead.
01:18:56Go ahead.
01:18:57Go ahead.
01:18:58Go ahead.
01:18:59Go ahead.
01:19:00Go ahead.
01:19:01Go ahead.
01:19:02Go ahead.
01:19:03Go ahead.
01:19:04Go ahead.
01:19:05Go ahead.
01:19:06Go ahead.
01:19:07Go ahead.
01:19:08Go ahead.
01:19:09Go ahead.
01:19:10Go ahead.
01:19:11Go ahead.
01:19:12Go ahead.