Horror / Sci-Fi (1959) 73 minutes ~ Black & White
The founder and owner of a cosmetic factory, Janice Starlin (Susan Cabot), is concerned with the dropping sale results of her company. The scientist Eric Zinthrop (Michael Mark) offers to her his research with wasp enzymes that makes animals younger, and she immediately accepts to hire him, provided she becomes his human subject. She decides by her own to accelerate the treatment injecting additional serum trying to see earlier results, becoming the lethal "Wasp Woman".
Director: Roger Corman, Jack Hill
Writers: Leo Gordon (screenplay), Kinta Zertuche (story)
Stars: Susan Cabot, Anthony Eisley and Barboura Morris
The founder and owner of a cosmetic factory, Janice Starlin (Susan Cabot), is concerned with the dropping sale results of her company. The scientist Eric Zinthrop (Michael Mark) offers to her his research with wasp enzymes that makes animals younger, and she immediately accepts to hire him, provided she becomes his human subject. She decides by her own to accelerate the treatment injecting additional serum trying to see earlier results, becoming the lethal "Wasp Woman".
Director: Roger Corman, Jack Hill
Writers: Leo Gordon (screenplay), Kinta Zertuche (story)
Stars: Susan Cabot, Anthony Eisley and Barboura Morris
Category
🎥
Short filmTranscript
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00:05:38ToAsia, come practicing, please.
00:05:43Good morning, Doc.
00:05:44What you got there?
00:05:46nothing.
00:05:47I found some new friends.
00:05:49Let's...
00:05:53Wasp, you better be careful ...
00:05:56or they can sting a man to death.
00:05:57Don't worry.
00:05:58I have no fear of them, my boy.
00:06:00No fear.
00:06:29Hey, you! Give us a hand here!
00:06:31Hello there, Mr. Barker.
00:06:33Yeah, surprised to see you out here in the field, sir.
00:06:36How? How are things running at the front office?
00:06:38Smooth as honey, Renfro.
00:06:42I see here you turned in over a thousand pounds of orange blossom honey,
00:06:45and 400 of beeswax last month, Renfro.
00:06:48Congratulations. You've made the top of the list again.
00:06:51Thank you, sir.
00:06:54I'll say honey needs your kind of man, Renfro.
00:06:57You stay with it, and I can see a bright future for you and the company.
00:07:01Well, I do try to do my best, Mr. Barker.
00:07:04I try to take my inspiration from the bees.
00:07:06Always busy, busy, busy.
00:07:10Yes.
00:07:11What about this fellow, Dr. Zinthrop?
00:07:14Zinthrop?
00:07:16Boy, there's a nut. Him and his bees.
00:07:18You know, wouldn't it surprise me someday to see him
00:07:20flapping his arms, taking off after some queen bee with the rest of the drones?
00:07:24Well, he's paid to do research on royal jelly.
00:07:27Haven't had a progress report from him in a month.
00:07:31He has a little workshop up there back of the orange grove.
00:07:34Keeps a few colonies.
00:07:36I suppose I'd better go up there and take a look.
00:07:45Hey, you! Where's this fellow Zinthrop?
00:07:49He's up where the extractor is. Up there.
00:07:52Hey, hey.
00:07:54This isn't a honey bee.
00:07:56These are wasps.
00:07:58Wasps? Who's responsible for this?
00:08:01Most likely Dr. Zinthrop, sir.
00:08:03I told you he was a crackpot.
00:08:05Zinthrop, huh?
00:08:07Zinthrop.
00:08:22Zinthrop.
00:08:34Zinthrop!
00:08:37Zinthrop!
00:08:39Zinthrop.
00:08:50Alec Mears, Zinthrop, what's all this nonsense about wasps?
00:08:53I'm so glad you dropped in, Mr. Varka.
00:08:56Mr. Varka, I'm on the verge of a great discovery.
00:09:00Discovery? What do you mean?
00:09:02Well, sir, I almost perfected a new method
00:09:05of extracting royal jelly from the queen wasp.
00:09:08According to my figures,
00:09:10you're better at extracting funds from the company.
00:09:12Now look here, Zinthrop,
00:09:14over $1,000 last month for miscellaneous.
00:09:16Yes, yes, I know.
00:09:18But, Mr. Varka, let me just show you something.
00:09:20Just let me show you something.
00:09:22Already I've learned to slow the process of aging.
00:09:26Soon I shall be able to reverse it entirely.
00:09:31What are you getting at, Zinthrop?
00:09:35Look, what do you see?
00:09:38I see a big dog and a little dog.
00:09:41Let's say an old dog and a young dog.
00:09:45All right, so what?
00:09:47Well, they're exactly the same age.
00:09:50You see, the little one, Greta,
00:09:53has been given regular injections of my compound
00:09:56from the queen wasp.
00:09:58Just like I told you, Mr. Varka.
00:10:01Now look here, Zinthrop.
00:10:03I understand about science and progress and all that,
00:10:07but you were obtained to extract queen bee royal jelly.
00:10:11Now, it's a health food, a cosmetic.
00:10:14It's not a miracle drug or an elixir of youth.
00:10:17That sort of thing is impossible.
00:10:19Oh, but, Mr. Varka...
00:10:21Zinthrop, I'm sorry, Zinthrop,
00:10:23but I'm going to have to let you go.
00:10:26You just don't seem to be one of the team.
00:10:29You understand.
00:10:31Good luck.
00:10:32I'm sure you'll fit in somewhere.
00:10:38Fit in... somewhere.
00:10:42Oh, now, now.
00:10:44Don't worry, my friend.
00:10:46We shall find a home somehow, somewhere.
00:10:51Oh, it's a sound imitation.
00:10:54I know.
00:10:55I know.
00:10:56I know.
00:10:57I know.
00:10:58I know.
00:10:59I know.
00:11:00I know.
00:11:01I know.
00:11:02I know.
00:11:03I know.
00:11:04I know.
00:11:05I know.
00:11:06I know.
00:11:07I know.
00:11:08I know.
00:11:09I know.
00:11:10I know.
00:11:11It's your babies, huh?
00:11:12They're hungry and they must be fed.
00:11:16Now, now, how would you like a nice, juicy little cattle, huh?
00:11:21You'd like that, wouldn't you?
00:11:23There.
00:11:25Now, you must eat them.
00:11:27Be strong, because, well,
00:11:29you've got a lot of work to do together.
00:11:32Yes, sir.
00:11:35A lot of work.
00:11:41As you can see, gentlemen,
00:11:44sales for the last fiscal quarter have dropped 14.5%.
00:11:54There's not been a corresponding drop in our competitive sales.
00:11:59I trust one of you gentlemen has a satisfactory expectation.
00:12:06Not one little suggestion, gentlemen.
00:12:09We'll start with you, Thompson.
00:12:12As public relations manager, no doubt you have some faint glimmering
00:12:15of what's happening to Starlin Products.
00:12:18Well, Thompson?
00:12:20Well, you see, I, uh.
00:12:22I had no idea you were such an excellent public speaker, Thompson.
00:12:25Oh, I'm sorry, Miss Starlin.
00:12:26I guess I'm not feeling well.
00:12:28Well, I'm sorry, Miss Starlin.
00:12:30I guess I'm not feeling well.
00:12:33Well, I'm sorry, Miss Starlin.
00:12:34I guess I'm not feeling very well this morning.
00:12:37I'm sorry what?
00:12:39I think I can tell you why Starlin Products are falling off so badly, Miss Starlin.
00:12:43We're listening, May.
00:12:45Where would you put the responsibility for this decline?
00:12:50On you, Miss Starlin.
00:12:53I imagine you have arguments to support that contention.
00:12:59We've all been looking at it for the past 20 minutes.
00:13:02The most convincing argument is right on that graph.
00:13:07May I show you?
00:13:12Now, right here in April is when Starlin sales started falling off.
00:13:17Very clever of you, Lane.
00:13:21Would you mind waiting until I finish, Miss Starlin?
00:13:23That's enough, Lane.
00:13:24Relax, Willis.
00:13:26My apologies for the interruption.
00:13:32Now, as I said, sales began to fall in April.
00:13:34But the reason for the fall was back here in February.
00:13:39Starlin Products have always been thought of as something of a modern miracle in the cosmetics trade.
00:13:46A firm built to a multimillion-dollar-a-year business on the strength and appeal of one person, Janice Starlin.
00:13:53From the beginning right through until February of this year, only one woman's face was used to advertise those products.
00:14:00Your face, Miss Starlin.
00:14:02The public has come to accept you as a symbol.
00:14:06Well, now, after 16 years, they see a different face.
00:14:09They don't trust it.
00:14:11They feel cheated.
00:14:13The simple fact is that Starlin Cosmetics should have Janice Starlin's picture advertising them.
00:14:19Well, that's about all I've got to say.
00:14:22Darn good job of saying it, Phil.
00:14:24I agree.
00:14:25The lady makes a lot of sense on that score, Miss Starlin.
00:14:28I think I've had enough flattery for one morning, gentlemen.
00:14:35This is a very convincing argument, Lane.
00:14:37There's only one small factor you've overlooked.
00:14:41Not even Janice Starlin can remain a glamour girl forever.
00:14:46Miss Starlin.
00:14:48Yes, Mary.
00:14:49There's a Mr. Ziptrip in reception.
00:14:51He says he has an appointment.
00:14:55Well, it's been a very informative get-together.
00:14:59That'll be all for now.
00:15:11Hello, Arthur.
00:15:12Yes, Miss Starlin.
00:15:13I'd like to see you in my office, please.
00:15:15Sure, Miss Starlin.
00:15:18Take it easy, hotshot.
00:15:25Something on your mind, Miss Starlin?
00:15:27You've done some work on royal jelly, haven't you?
00:15:31A little.
00:15:33Are there any real therapeutic values in it?
00:15:36I'd say so.
00:15:38Of course, a lot depends on each individual's reaction to the stuff.
00:15:43What do you mean?
00:15:44Just that no two people react in precisely the same way.
00:15:48One man's meat's another man's poison.
00:15:51Oh.
00:15:53But you think royal jelly can be beneficial in some cases.
00:15:58Queen Bee said a lot of stuff, I heard.
00:16:02I'll accept that as an affirmative answer.
00:16:06Supposing a more powerful form of royal jelly could be obtained.
00:16:11From the queen wasp, for example.
00:16:14I mean, do you suppose that might have some rejuvenating effect on a human being?
00:16:19I'd stay away from wasps if I were you, Miss Starlin.
00:16:22But socially, the queen wasp is on a level with a black widow spider.
00:16:26They're both carnivorous.
00:16:28They paralyze their victims and then take their time devouring them alive.
00:16:32They kill their mates in the same way, too.
00:16:35Strictly a one-sided romance.
00:16:40Well, I'm not exactly interested in the love life of the queen wasp.
00:16:47I want your opinion on the possibilities of using enzyme extracts from royal wasp jelly commercially.
00:16:55Well, if you want an honest opinion, Miss Starlin...
00:16:58Of course I want an honest opinion.
00:17:00Then my advice is forget about it.
00:17:06Thank you, Arthur.
00:17:08Anytime, Miss Starlin.
00:17:19Have Mr. Zinthrop come in.
00:17:21Yes, Miss Starlin.
00:17:23You can go in now, Dad.
00:17:25Oh.
00:17:26Oh, God.
00:17:31Janice Starlin, Enterprise.
00:17:34Miss Starlin?
00:17:36Yes.
00:17:37How do you do?
00:17:38I'm afraid I won't be able to give you much time, Mr. Zinthrop.
00:17:42But it is I who give you the time, Miss Starlin.
00:17:45Oh, yes.
00:17:46Plenty of time I give you.
00:17:47Ten, maybe 15 years I give you.
00:17:53I want you to understand one thing very clearly, Mr. Zinthrop.
00:17:58I expect absolute proof of what you claim in your letter.
00:18:01Tangible proof, not words.
00:18:03Such proof you shall get, madame, and more.
00:18:07But I think I'd better show you in the laboratory, yes?
00:18:13All right.
00:18:14Come in.
00:18:16Look.
00:18:18They look terrible.
00:18:20Why don't you put them out of their misery?
00:18:22Madame, you ask for proof.
00:18:24Please be kind enough to look at proof you ask for.
00:18:27May I proceed?
00:18:35Mr. Zinthrop.
00:18:36Yes, sir?
00:18:37I'd like to ask you a question.
00:18:39Yes, sir.
00:18:59Now, come, come, come, come, little girl.
00:19:11In a few minutes, madame, you shall see a miracle
00:19:14you shall not believe.
00:19:16Oh, no tricks.
00:19:18You may look if you like.
00:19:20I have no tricks.
00:19:21Well, don't look at me.
00:19:23I'm not changing.
00:19:41I don't believe it.
00:19:43It's not possible.
00:19:48I see you do not believe one animal, so I bring two.
00:19:53I, uh, I show you again, yes?
00:19:57Yes, I must be sure.
00:19:59Yes, madame.
00:20:00I, uh, I show you again, yes?
00:20:03Yes, I must be sure.
00:20:05Yes, madame.
00:20:31Well, Miss Darling, does my, uh, secret have interest for you, yes?
00:20:36What are your terms, Mr. Zinthrop?
00:20:39First, I must have a laboratory equipped with everything I need for my research.
00:20:44If we're successful, well, I ask for a little percentage.
00:20:48But I must get full credit for my discovery.
00:20:51That is most important to me.
00:20:53I'll have Gordon draw up the contract.
00:20:55Oh, contracts, contracts.
00:20:57Oh, contracts, contracts.
00:20:59I don't need to give you your word.
00:21:01Good enough for me.
00:21:06You amaze me.
00:21:08Frankly, when I received your letter, I thought you were just, uh, another eccentric.
00:21:13But there's always a chance you might not be.
00:21:16Then you walk in here and show me nothing short of a miracle.
00:21:19Two miracles.
00:21:21And you say that you'll accept my word that I won't cheat you.
00:21:24You won't.
00:21:26You know, you're a good woman, even if you do not like other people to know it.
00:21:31However, uh, my formula may not be good for human beings.
00:21:36I have not tested yet.
00:21:39You will on me.
00:21:41Oh, no, no, no, no. There might be danger.
00:21:44Those are my terms, Mr. Zinthrop.
00:21:46Janice Darling will be your next guinea pig.
00:21:50Very well.
00:21:52Take a little time to prepare sufficient extract.
00:21:55A week, maybe more.
00:21:57I'll make whatever arrangements you may need for your equipment.
00:22:00Thank you, madame.
00:22:02Now I see how you built all this.
00:22:07I'm very close to losing it, Mr. Zinthrop.
00:22:10Maybe working together, we can save Janice Darling Enterprises.
00:22:16Maybe even make it bigger than ever before.
00:22:18Yes.
00:22:20I'm sure the next three months will see a rise in Starlin sales
00:22:25that will surpass anything we've dared imagine.
00:22:28Mr. Zinthrop is working on the final stages of a development
00:22:34that will revolutionize the cosmetic industry.
00:22:36He's to have a free hand in his experiments
00:22:39and will be answerable to no one but myself.
00:22:42At the moment, I cannot divulge the nature of Mr. Zinthrop's experiments,
00:22:47but I can assure you it will bring worldwide recognition
00:22:52to Janice Darling Enterprises.
00:23:18I don't know.
00:23:19This Zinthrop must be the granddaddy of all confidence men
00:23:22to taking a gal like Starlin.
00:23:24Why doesn't somebody wise her up?
00:23:28Like you, for instance?
00:23:30Phil, what makes you think Zinthrop really isn't on the level?
00:23:35After all, we don't even know what he's working on.
00:23:37It could be very legitimate.
00:23:39Well, I don't know.
00:23:41I don't know.
00:23:43After all, we don't even know what he's working on.
00:23:45It could be very legitimate.
00:23:47You are as bad as she is.
00:23:49Oh, women.
00:23:54Men.
00:23:56Every time you're stuck to an answer, you always come up with women.
00:24:01You're not getting out of this one so easily.
00:24:04I'd like to know why you think Zinthrop really hasn't got something.
00:24:08Well, you can call it male intuition if you like.
00:24:11It's just that there's something about this whole business that doesn't smell right.
00:24:14A private laboratory.
00:24:16A secret experiment.
00:24:17Zinthrop himself.
00:24:19The only thing that's missing is a genie with a lamp.
00:24:23You better leave the intuition to me.
00:24:27I'll let you buy me dinner.
00:24:29Buy you dinner?
00:24:31What's happened to your sporting blood?
00:24:33I thought we were going to toss for the check.
00:24:35Oh, no.
00:24:36You won the last three times.
00:24:39All right.
00:24:40Look, I'll make a deal with you.
00:24:41Dinner is on me if you promise to keep an eye on what goes on in there.
00:24:46What do you want me to do?
00:24:47Read her mail and send her messages and keep her post?
00:24:50You could do worse.
00:24:52Oh, no, Mr. Cooper.
00:24:54Not you, too.
00:24:55I've been trying to tell Bright-Eyed here that I think Zinthrop is a phony and a confidence man.
00:25:00If I were sure of that, I wouldn't be worried.
00:25:02I think he's a lot more dangerous.
00:25:04A quack.
00:25:05Well, I don't follow you, Coop.
00:25:06Well, a confidence man would just be interested in your money.
00:25:09The only damage they can do is to your pocketbook.
00:25:12A quack can be fatal.
00:25:22So I said to him, I said, listen, Ivy, I'm getting sick of this TV every night.
00:25:27I mean, you know, we can do the same thing in a nightclub.
00:25:30Well, almost.
00:25:33Good morning.
00:25:35Janice Darling Enterprises.
00:25:39I got two words for you.
00:25:41Drop dead.
00:25:43Twice.
00:25:44Irving?
00:25:46Calls me to tell me Dr. Cyclops is on Channel 9 tonight.
00:25:50Oh, trust.
00:25:51I've seen it twice already.
00:25:55Good morning.
00:25:58Is, uh, is Miss Darling in her office now?
00:26:02Miss Darling's in conference.
00:26:04Would you like to speak to her secretary?
00:26:06Oh, no, no, no.
00:26:07Just say to Miss Darling I should like to see her when she has time, huh?
00:26:11Yes.
00:26:16Well, is there something else, Mr. Zinthrop?
00:26:18No, no, no.
00:26:19Get back.
00:26:21What a character.
00:26:23A regular two-eyed Dr. Cyclops.
00:26:25Even the bow.
00:26:27Good morning.
00:26:28May I see Miss Darling, please?
00:26:31He's a real womanizer.
00:26:33Oh, yes.
00:26:34Oh, yes.
00:26:35Oh, yes.
00:26:36Oh, yes.
00:26:37Oh, yes.
00:26:38Oh, yes.
00:26:39Oh, yes.
00:26:40Oh, yes.
00:26:41Oh, yes.
00:26:42Oh, yes.
00:26:43Oh, yes.
00:26:44Oh, yes.
00:26:45Oh, yes.
00:26:46Oh, yes.
00:26:47Oh, yes.
00:26:48Oh, yes.
00:26:49He's a real weirdy.
00:26:50I wonder what his game is.
00:26:52Who cares?
00:26:53You know, Morton thinks he's a crackpot.
00:26:55I heard him telling Cooper so.
00:26:58Old Bug Eyes really has the execs worried.
00:27:01About what?
00:27:02That's just it.
00:27:03They don't know.
00:27:04Oh.
00:27:05So anyway, back to Irving.
00:27:20Good morning, Miss Darling.
00:27:22Good morning.
00:27:23Good morning.
00:27:24I couldn't get away any sooner.
00:27:26Is it important?
00:27:27Miss Darling, do you remember the big cat
00:27:31I showed you last week?
00:27:33No.
00:27:34What about it?
00:27:36Well, I want you to look at him.
00:27:39Come.
00:27:50No.
00:27:51Quite a difference, yes?
00:27:55That's incredible.
00:27:58Say, Mort.
00:28:00A cat.
00:28:01You're young again.
00:28:03Can you realize what that means?
00:28:05You're a kitten again.
00:28:07Your whole life to live over.
00:28:10How does it feel?
00:28:12I think perhaps you'll be able to find out for yourself,
00:28:15Miss Darling.
00:28:17Today, today will be your first injection.
00:28:23Come.
00:28:39Sit down, please.
00:28:47Sit down.
00:29:18Mr. Gleeson of Accounting, on line three.
00:29:24What is it, Gleeson?
00:29:26I sent you a memo.
00:29:28Mr. Zinthrop has carte blanche to order anything he requires.
00:29:32It is no concern of yours, Gleeson.
00:29:35Make out a check for the full amount.
00:29:42Bill?
00:29:45Bill?
00:29:46Mary.
00:29:48Can I talk to Mr. Lane a minute?
00:29:55Bill?
00:29:56Hey, listen.
00:29:57Gleeson just got a bill for $2,300.
00:30:02Zinthrop.
00:30:06Enzyme extracts.
00:30:15Oh.
00:30:21Yes, yes, yes.
00:30:23We are making progress.
00:30:24There's great improvement in the tissue.
00:30:28Why is it taking so long?
00:30:30It's the third week.
00:30:32You forget, my dear, there's more to you than a little kitten now.
00:30:37Besides, there's a difference in metabolism.
00:30:41Why not increase the dosage?
00:30:43Wouldn't that step up the process?
00:30:45Patience, my dear, patience.
00:30:48You must tread lightly.
00:30:49With care, you're on me.
00:31:07There.
00:31:09You know,
00:31:10I've been experimenting with a concentrate solution of the enzymes.
00:31:14Oh, a great deal more powerful than the solution I've been using in your injection.
00:31:19Oh?
00:31:20Yes.
00:31:21And I think, I think it will be better for lotions.
00:31:25There's an emollient lotion that'll make estrogenic creams and all such products old-fashioned.
00:31:30My dear, Starlin will be world famous, bringing you to millions.
00:31:36You're right, Zinthrop.
00:31:39There are going to be a few red faces in my advertising department.
00:31:43But I am right.
00:31:44Why, your own mirror will tell you that I am right.
00:31:47Why, you look at least five years younger than you looked three weeks ago.
00:31:51I know.
00:32:08Oh, thank you.
00:32:35Would you like me to talk to you about it, sir?
00:32:37Thanks.
00:32:40Bill, I think I've got it.
00:32:43Yeah, I'm a nervous wreck.
00:32:46At lunch, at lunch.
00:32:49You'll have to translate for me, Coop.
00:32:51I'm not very good at that technical stuff.
00:32:53Pseudo-technical.
00:32:55Now, Mr. Zinthrop's a very capable confidence man, from what I read in his letter.
00:32:59He claims he can stimulate the processes of rejuvenation through the use of enzymes extracted from wasps.
00:33:06Oh, for...
00:33:08Well, what are you two Sherlocks going to do about it?
00:33:12Right now, I don't know.
00:33:13Frankly, I'm getting tired of the whole business.
00:33:15That woman's so intent on holding back time, she's ready to fall for the first phony line she hears.
00:33:19Wasps.
00:33:20Bill.
00:33:21Face the facts.
00:33:22Mary Janice Starlin has built her whole life on youth and beauty.
00:33:26Now that she's losing them, she's scared to death.
00:33:28Right now, she's on cloud nine with that quack Zinthrop that I'd hate to be around when she comes back down to her head.
00:33:34Maybe we can let her down easy.
00:33:36I think we owe her that much.
00:33:37Yeah.
00:33:39What are we going to do?
00:33:40We can't just let Zinthrop build up her hopes and then knock the props out from under her.
00:33:44How can he do such a terrible thing?
00:33:47Poor Jan.
00:33:49There must be something we can do before it's too late.
00:33:52He's got a mighty convincing argument.
00:33:55Very impressive to the layman.
00:33:57Ten to one, he's got a record just as impressive.
00:34:00There are ways to find out.
00:34:02The answer might be right here in our hands.
00:34:06Ted.
00:34:10I'm going to keep this letter for a day or two.
00:34:12Wait a minute.
00:34:13Suppose she finds out it's gone.
00:34:15I'm the only one with access to that desk.
00:34:17She'll know I took it.
00:34:18Well, it's a chance you have to take, Mary.
00:34:20I think we can be pretty sure the troupe knows what he's doing, honey.
00:34:24Well, come on, young lover.
00:34:32Come on.
00:35:02Come on.
00:35:33Come on.
00:35:34Come on.
00:36:02Come on.
00:36:03Come on.
00:36:04Come on.
00:36:05Come on.
00:36:06Come on.
00:36:07Come on.
00:36:08Come on.
00:36:09Come on.
00:36:10Come on.
00:36:11Come on.
00:36:12Come on.
00:36:13Come on.
00:36:14Come on.
00:36:15Come on.
00:36:16Come on.
00:36:17Come on.
00:36:18Come on.
00:36:19Come on.
00:36:20Come on.
00:36:21Come on.
00:36:22Come on.
00:36:23Come on.
00:36:24Come on.
00:36:25Come on.
00:36:26Come on.
00:36:27Come on.
00:36:28Come on.
00:36:29Come on.
00:36:30Come on.
00:36:31Come on.
00:36:32Come on.
00:36:33Come on.
00:36:34Come on.
00:36:35Come on.
00:36:36Come on.
00:36:37Come on.
00:36:38Come on.
00:36:39Come on.
00:36:40Come on.
00:36:41Come on.
00:36:42Come on.
00:36:43Come on.
00:36:44Come on.
00:36:45Come on.
00:36:46Come on.
00:36:47Come on.
00:36:48Come on.
00:36:49Come on.
00:36:50Come on.
00:36:51Come on.
00:36:52Come on.
00:36:53Come on.
00:36:54Come on.
00:36:55Come on.
00:36:56Come on.
00:36:57Come on.
00:36:58Come on.
00:36:59Come on.
00:37:00Come on.
00:37:01Come on.
00:37:02Come on.
00:37:03Come on.
00:37:04Come on.
00:37:05Come on.
00:37:06Come on.
00:37:07Come on.
00:37:08Come on.
00:37:09Come on.
00:37:10Come on.
00:37:11Come on.
00:37:12Come on.
00:37:13Come on.
00:37:14Come on.
00:37:15Come on.
00:37:16Come on.
00:37:17Come on.
00:37:18Come on.
00:37:19Come on.
00:37:20Come on.
00:37:21Come on.
00:37:22Come on.
00:37:23Come on.
00:37:24Come on.
00:37:25Come on.
00:37:26Come on.
00:37:27Come on.
00:37:28Come on.
00:37:29Come on.
00:37:30Come on.
00:37:31What is it, William?
00:38:00It is you, Miss Starlin.
00:38:02Of course it's me.
00:38:04Who did you think it was?
00:38:06You look so different.
00:38:10Finish your mail.
00:38:16Maureen.
00:38:18I think your phone is ringing.
00:38:20Oh. Yes, Miss Starlin.
00:38:24Good morning. Janice Starlin, Enterprises.
00:38:28Gentlemen.
00:38:30Janice Starlin, Enterprises
00:38:32is about to start on the most
00:38:34widespread publicity campaign
00:38:36in the history of the cosmetic industry.
00:38:38Our slogan will be
00:38:40Return to Youth
00:38:42with Janice Starlin.
00:38:44When Mr. Simsrup arrives,
00:38:46there will be a press interview
00:38:48and all questions regarding the rejuvenation
00:38:50process will be referred to him.
00:38:54That will be all for now, gentlemen.
00:38:56It's amazing.
00:38:58It's wonderful.
00:39:00I said that will be all for now, gentlemen.
00:39:02Good morning.
00:39:08Oh, not you, Mary.
00:39:10Wait a moment, please.
00:39:12Yes, Miss Starlin.
00:39:22Mary, isn't it wonderful?
00:39:24It's a miracle.
00:39:26A wonderful, incredible miracle.
00:39:28We were so worried about you.
00:39:30We really thought you were in danger.
00:39:32We even went to plotting
00:39:34how to rescue you from Mr. Simsrup.
00:39:38It all seems so silly.
00:39:40It seems ridiculous.
00:39:42Oh, Mary.
00:39:44Mary, how old do I look?
00:39:46Tell me. How old?
00:39:48How old do I look? Tell me!
00:39:50How old?
00:39:54Twenty-three.
00:39:56Maybe twenty-two.
00:40:00That's how old I was
00:40:02when I started Janice Starlin Enterprises.
00:40:04Do you realize what that means?
00:40:06I'm back where I started.
00:40:08Eighteen years ago.
00:40:10With what it took eighteen years to accomplish.
00:40:14It's like a dream.
00:40:24It's like a dream.
00:40:54A few years ago, a bunch of quacks were treating people with monkey glands.
00:40:56It seemed to work for a while.
00:40:58Then the deterioration set in.
00:41:00It's awful.
00:41:02It's awful.
00:41:04It's awful.
00:41:06It's awful.
00:41:08It's awful.
00:41:10It's awful.
00:41:12It's awful.
00:41:14It's awful.
00:41:16It's awful.
00:41:18It's awful.
00:41:20It's awful.
00:41:22It's awful.
00:41:24It's awful.
00:41:26It's awful.
00:41:28It's awful.
00:41:30It's awful.
00:41:32We got the gas right on time.
00:41:34We got the gas right on time.
00:41:36We just had to
00:41:38and then the deterioration set in.
00:41:40and then the deterioration set in.
00:41:42That's awful.
00:41:44Do you think that will happen to Jan?
00:41:46I don't know.
00:41:48If I could just get inside of his lab
00:42:50Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:43:20I'm sorry, I'm sorry, I'm sorry.
00:43:37Mrs. Inthrop?
00:43:47Mrs. Inthrop?
00:43:59Mrs. Inthrop?
00:44:04I'm going to get a drink.
00:44:34I don't care what it costs.
00:44:54We'll find him, all right.
00:44:56Sooner or later, we find them all.
00:44:59Time is vital, Mr. Hellman.
00:45:02Every hour he's gone, it means more than you can possibly imagine.
00:45:06Well, you haven't given me very much to go on.
00:45:09No home address, no former employer, no phone.
00:45:12This is just like starting from scratch.
00:45:16Mr. Zinthrop wasn't a conventional employee.
00:45:21He didn't go through regular personnel.
00:45:23Uh-huh.
00:45:25You say he came here about a month ago.
00:45:27Well, how did he come here, Miss Starlin?
00:45:29He just didn't walk in off the street, did he?
00:45:33The letter.
00:45:35Right here in my drawer.
00:45:41Maybe, uh, one of the other drawers.
00:45:45So that's what she meant.
00:45:47What who meant?
00:45:53Miss Starlin.
00:45:56The letter was taken, and you think you know who took it.
00:45:58Is that right?
00:46:01My secretary, Miss Jennings.
00:46:03You got her address handy?
00:46:05Her phone number.
00:46:07It might be better if I busted in on her cold.
00:46:09This way, she'll have a chance to prepare a story.
00:46:11I know what I'm doing.
00:46:13All right.
00:46:15Mary?
00:46:16Janice Starlin.
00:46:18Before I went to lunch, I made a duplicate copy of Mr. Zinthrop's letter.
00:46:22I was going to take that one to Bill and Mr. Cooper at first.
00:46:26But then I thought that the original would be better.
00:46:29Have you got the copy?
00:46:31Yes, it's in my desk.
00:46:33Get that copy, Miss Denison.
00:46:36Uh-huh.
00:46:37946 West 73rd Street, Manhattan.
00:46:40Yeah, that's right.
00:46:42Get right on it, Jerry, and check back with me as soon as you can.
00:46:47All right.
00:46:48See you later.
00:46:49Bye-bye.
00:46:50Bye-bye.
00:46:51Bye-bye.
00:46:52Bye-bye.
00:46:53Bye-bye.
00:46:54Bye-bye.
00:46:55Bye-bye.
00:46:56Bye-bye.
00:46:57Bye-bye.
00:46:58Bye-bye.
00:46:59Bye-bye.
00:47:00Bye-bye.
00:47:01Bye-bye.
00:47:02Bye-bye.
00:47:03Bye-bye.
00:47:04Bye-bye.
00:47:05Bye-bye.
00:47:06Bye-bye.
00:47:07Bye-bye.
00:47:08Bye-bye.
00:47:09Bye-bye.
00:47:10Bye-bye.
00:47:11Bye-bye.
00:47:12Bye-bye.
00:47:13Bye-bye.
00:47:14Bye-bye.
00:47:15Bye-bye.
00:47:16Bye-bye.
00:47:17Bye-bye.
00:47:18Bye-bye.
00:47:19Bye-bye.
00:47:20Bye-bye.
00:47:21Bye-bye.
00:47:22Bye-bye.
00:47:23Bye-bye.
00:47:24Bye-bye.
00:47:25Bye-bye.
00:47:26Bye-bye.
00:47:27Bye-bye.
00:47:28Bye-bye.
00:47:29Bye-bye.
00:47:30Bye-bye.
00:47:31Bye-bye.
00:47:32Bye-bye.
00:47:33Bye-bye.
00:47:34Bye-bye.
00:47:35Bye-bye.
00:47:36Bye-bye.
00:47:37Bye-bye.
00:47:38Bye-bye.
00:47:39Bye-bye.
00:47:40Bye-bye.
00:47:41Bye-bye.
00:47:42Bye-bye.
00:47:43Bye-bye.
00:47:44Bye-bye.
00:47:45Bye-bye.
00:47:46Bye-bye.
00:47:47Bye-bye.
00:47:48Bye-bye.
00:47:49Bye-bye.
00:47:50Bye-bye.
00:47:51Bye-bye.
00:47:52Bye-bye.
00:47:53Bye-bye.
00:47:54Bye-bye.
00:47:55Bye-bye.
00:47:56Bye-bye.
00:47:57Bye-bye.
00:47:58Bye-bye.
00:47:59Bye-bye.
00:48:00Bye-bye.
00:48:01Bye-bye.
00:48:02Bye-bye.
00:48:03Bye-bye.
00:48:04Bye-bye.
00:48:05Bye-bye.
00:48:06Bye-bye.
00:48:07Bye-bye.
00:48:08Bye-bye.
00:48:09Bye-bye.
00:48:10Bye-bye.
00:48:11Bye-bye.
00:48:12Bye-bye.
00:48:13Bye-bye.
00:48:14Bye-bye.
00:48:15Bye-bye.
00:48:16Bye-bye.
00:48:17Bye-bye.
00:48:18Bye-bye.
00:48:19Bye-bye.
00:48:20Bye-bye.
00:48:21Bye-bye.
00:48:22Bye-bye.
00:48:23Bye-bye.
00:48:24Bye-bye.
00:48:25Bye-bye.
00:48:26Bye-bye.
00:48:27Bye-bye.
00:48:28Bye-bye.
00:48:29Bye-bye.
00:48:30Bye-bye.
00:48:31Bye-bye.
00:48:32Bye-bye.
00:48:33Bye-bye.
00:48:34Bye-bye.
00:48:35Bye-bye.
00:48:36Bye-bye.
00:48:37Bye-bye.
00:48:38Bye-bye.
00:48:39Bye-bye.
00:48:40Bye-bye.
00:48:41Bye-bye.
00:48:43Bye-bye.
00:48:44Bye-bye.
00:48:45Bye-bye.
00:48:46Bye-bye.
00:48:47Bye-bye.
00:48:48Bye-bye.
00:48:49Bye-bye.
00:48:50Bye-bye.
00:48:51Bye-bye.
00:48:52Bye-bye.
00:48:53Bye-bye.
00:48:54Bye-bye.
00:48:55Bye-bye.
00:48:56Bye-bye.
00:48:57Love-Lay by Columbia Records
00:48:58Yeah?
00:48:59No.
00:49:00You're sure he's our boy?
00:49:02Uh-huh.
00:49:03Is he?
00:49:04Central Emergency.
00:49:05Uh-huh.
00:49:06Right.
00:49:07Well, it looks like we've got him.
00:49:10we've got him the John Doe down a central emergency auto accident there's no
00:49:14identification on him but he was wearing a lab smock and fills in from the
00:49:17description Mary get my coat and let me get
00:49:20a cab down to. That injury general contusions of the body.
00:49:31He's had
00:49:31a severe injury and there's definite brain damage just how much we can't tell us
00:49:35yet how long before you know it's hard to say Mr. Who's the best man for this
00:49:42kind of injury well there's several top specialists get the best I'll take full
00:49:47responsibility for the. Yes Mr.
00:50:01I don't know. I think it best we wait.
00:50:05It's been three days since the accident chance and no sign of improvement he's
00:50:10still in
00:50:10a coma you heard what the doctor said he may never regain consciousness and even if
00:50:15he does who knows how badly his brain has been damaged.
00:50:24I'll give it another forty eight hours. And regain consciousness by then.
00:50:29You can take over the laboratory.
00:50:59And.
00:51:15Credible. Right in front of our noses.
00:51:21I can't have used it all. I could run
00:51:25a qualitative analysis.
00:51:55Of.
00:52:25Of.
00:52:56The. Thing. Always goes on a fridge right in the middle of
00:53:03a good program.
00:53:25And. I want to be the biggest advertising campaign in the history of cosmetic
00:53:33advertising. Every newspaper magazine in the country will be flooded with
00:53:38a new slogan return to you with Janice Don excuse me Miss Donna.
00:53:46I think we should be a little conservative. Cosmetics are one thing medications
00:53:51another we're liable to run into trouble yes. All advertising copy will be
00:53:58cleared through your office to touch your business you know Max is right Mr Don't
00:54:03have to second the motion.
00:54:11I want one thing understood very clearly now.
00:54:15Janice Don and enterprise. Is going to bring the most fantastically sellable
00:54:20product ever developed. By modern cosmetics to the public and I don't intend to be
00:54:27restricted by community. On the part of my own staff is that clear.
00:54:37Are you all right. Just a little headache.
00:54:44Can I get you.
00:54:46A lot. I have to ask for that my friend.
00:54:55That'll be all for now.
00:54:55To.
00:55:15Hi hi sweetie. Gee I sure hope they get the girls working it's down for
00:55:21a crack at that new stuff that's been eighteen again. I guess if they can take fifteen
00:55:27years of darling you can take ten of you mean to face that I
00:55:33mean this is Maureen you're talking to yeah well if I were you I'd take
00:55:38a double dose then maybe everything wouldn't watch television so much so who says he
00:55:42looks at it I can't imagine what else he does we get.
00:55:48That Cooper come in yet. Mr Board meeting this morning I bet darling having
00:55:53a fit. He should wear. The letter by hand.
00:56:05I pretty boy. You know where.
00:56:09You know where. The style of the office is.
00:56:17Sweet number one. The Dutch is
00:56:21a flat with yourself but you like to have this phone wrapped around your ear why
00:56:26guys like it.
00:56:35Sweet number one.
00:56:39Thank. You so
00:56:46much for what is it. If there anything I can do. Yes
00:56:52it is Mr Simpsons room ready. The nurse is fixing the emergency
00:56:58equipment now and the ambulance is due in a minute. Be sure to let me know when it
00:57:03arrives. Oh Mary please before you go could you see if you could work that.
00:57:10Oh sure. I feel.
00:57:20Simple enough that'll be all right thank.
00:57:27We've had a room specially made over for you didn't and it's Warren has
00:57:31a room adjoining yours so there'll be someone near you at all times. When you're
00:57:38feeling better Mr Simpson there are a few things I'd like to discuss.
00:57:55We'll do everything we can to make you comfortable Mr Simpson. I'm going to spend
00:58:00the night here in my office so if anything develops I'll be at hand.
00:58:08Thank you. For.
00:58:12All the other stuff. I must tell you.
00:58:19Something important but important but.
00:58:27Can't remember. I'm sure. Right now the main thing is to get
00:58:34you back to help. Take good care of him. Sure
00:58:41it's funny about old. One day work and you're ready to call. Well he's
00:58:47a pretty conscientious guy and I need to be felt sick or something he called in.
00:58:53Probably the right. We were just having
00:58:59a little coffee class Mr Allen we were talking about Mr Cooper. What about Mr
00:59:04Cooper well about his missing the meeting this morning nobody's been able to reach
00:59:08him all day I wouldn't worry about that. It's been a long time.
00:59:14Probably here he's in time to take
00:59:16a day for himself now and then that's what I've been trying to tell Mr Lane Oh by
00:59:20the way Mr Allen how is Mr Zinthrop. Oh fine.
00:59:26A few days we'll try to lay out the campaign I'm ready when you are boss.
00:59:35Now. I'll go get any ideas about the boss for me I'll be silly I just wanted to
00:59:41know that I'm an eager member of the team. Still she is looking a lot younger these
00:59:46days and. You think that would give you any of those treatments.
00:59:51You don't break the watch or something.
00:59:58You know this too.
01:00:21You know.
01:00:32What's that what I've got now just had
01:00:36a bad dream lie down now.
01:00:40This horrible show but I can take me back to.
01:00:52Tell Mr Green that personnel is his responsibility. Of other things to think about
01:00:58and worrying whether the night watchman walked off the job with that just didn't
01:01:01miss darling Mr Greenfield but the watchman never left the building his lunch pail
01:01:06and his raincoat is still in the basement. I don't want to hear anything more about
01:01:12it.
01:01:12About it. When you see.
01:01:25She swears she heard
01:01:26a scream from one of the other floors of the party to which he convinced him he was
01:01:30having
01:01:31a bad dream. That they both were. Funny anymore Mary there's
01:01:38something going on in that building. I'm going to find out what it is. Have
01:01:44a look around Cooper's lab for one thing. After that.
01:01:52Hold it steady. Well this is crazy we can really get in trouble.
01:01:58I.
01:02:04I won't. But. It is important. For
01:02:10a strong I'll be in my room.
01:02:18Since I've got to help me something's happening. Something's happening to me I can't
01:02:24control it. I must remember.
01:02:31Try to think. The extract you were experimenting with before the accident.
01:02:45Sent for snow for Mary no from his experiments with Jan. Well how did Cooper get
01:02:50a hold of it. Only Cooper to show up. Mary look.
01:03:03Cooper's pipe don't you get it he's going to go out of his pants I leave that pipe
01:03:06behind. He's still somewhere in the building I've got
01:03:10a year's salary on it. Is dead.
01:03:15And the night watchman.
01:03:21Is only enough left for one more injection one more. You've got to make more than.
01:03:28Help me.
01:03:32This.
01:03:45Way.
01:04:15If you sleep. I don't know.
01:04:26No touch if anybody knows what's behind all this it's him.
01:04:32This isn't.
01:04:45It's.
01:05:15It's.
01:05:24Her coat purse and everything else is still in there she wouldn't go out without
01:05:28a purse you know get out of here I don't like it.
01:05:37Much more. This isn't.
01:05:40It. Was nothing to be alarmed about this just under
01:05:46a fine bill lane and this is Miss Dennis and Miss Starlin secretary. What about
01:05:53a cat. Must not take
01:05:57any more injections if it's not an endangered terrible danger I was taking
01:06:04still pretty weak Mary didn't get down on the phone.
01:06:20No answer.
01:06:25Is that you Mary. We're in the building. Something's happened here let me talk to
01:06:32a lot of problems like why you and Mary still in the building. I was up.
01:06:43I was going to. Must not hold me back.
01:06:56Going on down there stay in your office I'll be right up.
01:07:02Even I don't think the money I'm going upstairs I know. Take it easy.
01:07:08You do not understand Miss Darnie. I must warn God I hear you go for
01:07:14a chance. When you get up there call the police you can't get outside on this
01:07:18phone.
01:07:27I'm not.
01:07:31I'm.
01:07:49Very.
01:07:50Sorry.
01:08:01What is. Please would you please call the police. I don't have time to.
01:08:13I'm sorry I had to do that there's no time for
01:08:15a. Man.
01:08:22They're going to break. You just relax and take it easy everything will be all
01:08:27right we'll take care of those what I don't understand you don't understand that
01:08:31girl you shouldn't have sent her upstairs she's in danger you must stop her before
01:08:35it is too late OK as soon as the cops get here we'll call you a fool you fool
01:08:39Miss Darling will kill her and tear her body to shreds Stalin kill Mary.
01:08:46Miss Darlene is not a human being any longer the enzymes have changed she'll
01:08:51destroy the girl as if it was for destroyer enemies and then the power of the
01:08:56remains. Then they'll found
01:09:01Mr Zinthrop's notebook in Cooper's death. There's no mistake we've got to call the
01:09:09police now now Mary you're just getting a little excited who could possibly want
01:09:15to hurt Mr Cooper. Not only Mr Cooper.
01:09:45.
01:09:58I don't you were correct Mary.
01:10:00.
01:10:14I don't like it. I can't wait to.
01:10:20Just go to. The safe.
01:10:30Area.
01:11:00.
01:11:30.
01:12:00.
01:12:30.