Escape by Night (1953)
79 min | Crime, Drama | December 1953 (UK)
An Italian racketeer on the run in London holes up in a disused theatre with a hard-drinking journalist out to get the full story.
Director: John Gilling
Writer: John Gilling
Stars: Bonar Colleano, Andrew Ray, Sidney James
79 min | Crime, Drama | December 1953 (UK)
An Italian racketeer on the run in London holes up in a disused theatre with a hard-drinking journalist out to get the full story.
Director: John Gilling
Writer: John Gilling
Stars: Bonar Colleano, Andrew Ray, Sidney James
Category
🎥
Short filmTranscript
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00:05:20that I might say goodnight, goodnight, until it be tomorrow.
00:05:27But tomorrow never comes.
00:05:30What a bore.
00:05:33I'll lay a tender one in peanuts, and the only score they can settle with Gina Rossini is income tax.
00:05:37A couple of small murders.
00:05:38I'm talking about something serious.
00:05:40Whatever it is, they're ready to move in. I'll get them in the next 24 hours.
00:05:43You guys make a lot of noise.
00:05:45I won't take it easy.
00:05:46Now, give me a double stats, will you?
00:05:47What do you know about Gina Rossini, anyway?
00:05:49Very good to his mother.
00:05:51What are you trying to do, ride me?
00:05:53Well, yes, because they fired you from the comet.
00:05:55All right, all right. Any more trouble and out you go.
00:05:58Okay, okay, Alf, okay.
00:06:00But I'll tell you guys something.
00:06:02Nobody fires me from any paper.
00:06:04When I feel like it, I quit.
00:06:06I can walk into the mail or the news and take the jobs right out from under your feet any time I like.
00:06:11I'll show you some real reporting.
00:06:13And I'll show you right now.
00:06:15Yes.
00:06:16Yes.
00:06:18Alf.
00:06:19Yes.
00:06:20Give me some paper, some white paper.
00:06:22I can give any one of you guys a 10-mile start and a scoopie before the ink's dry.
00:06:27Go ahead, order yourselves some drinks and stand around and wait for something to happen.
00:06:32I make it happen.
00:06:37You guys look for the news.
00:06:39But in this paper jungle,
00:06:42I make it.
00:06:44Excuse me, Junior.
00:06:46Oh, very good.
00:06:47Crazy yank.
00:06:57Be cooking up.
00:06:59You should jump off the Eiffel Tower and ride that up.
00:07:05Good afternoon.
00:07:06Good afternoon.
00:07:07Good afternoon.
00:07:08Good afternoon.
00:07:09Good afternoon.
00:07:10Good afternoon.
00:07:11Good afternoon.
00:07:12Good afternoon.
00:07:13Good afternoon.
00:07:14Good afternoon.
00:07:15Good afternoon.
00:07:32Here comes trouble.
00:07:34Alf.
00:07:35Hello.
00:07:36Get that over to the counter for me, will you?
00:07:38I'll send the boy.
00:07:39Right away.
00:07:40Hey!
00:07:43So you think they'll get Gino, huh?
00:07:53Hello.
00:07:54Hello, get me Gino Rossini.
00:07:56Hold on.
00:07:57This is for you.
00:08:01Oh, Gino?
00:08:02This is a friend.
00:08:03I'm tipping you off.
00:08:04Yes.
00:08:05You're going to get some visitors.
00:08:07Better get out before it's too late.
00:08:11Gino.
00:08:12Hmm?
00:08:13How long before you get the stones?
00:08:15We're waiting for the money to come through.
00:08:17Must be good stones.
00:08:18Must be the best diamonds you can buy.
00:08:20Don't worry.
00:08:21The stones I'm going to get will give you a passport anyway.
00:08:23You sell everything?
00:08:24Hmm.
00:08:25Everything negotiable.
00:08:26The stones are ready to pick up.
00:08:27All we need is the money.
00:08:28When it comes through, we buy the stones.
00:08:30Good.
00:08:31I've signed everything.
00:08:33You can fix the rest.
00:08:34Where are you going?
00:08:35I will come back.
00:08:37Better you tell everybody, Gino.
00:08:39And you, Pietro.
00:08:40You tell them I come back.
00:08:41I'll let them think Gino is finished.
00:08:43They're coming for you?
00:08:47They're here now, Gino.
00:08:49I'll send you a message.
00:08:51Have the stones ready.
00:08:53I didn't expect it so soon.
00:08:55Who did?
00:08:56Except maybe the man who telephoned, whoever it was.
00:09:00I'll talk.
00:09:07CID.
00:09:08Has this Gino Rossini's flat?
00:09:10Yes.
00:09:11All right.
00:09:12I'll see you there.
00:09:13I'll see you there.
00:09:14I'll see you there.
00:09:15I'll see you there.
00:09:16I'll see you there.
00:09:17I'll see you there.
00:09:18I'll see you there.
00:09:19I'll see you there.
00:09:20I'll see you there.
00:09:21Yes?
00:09:22All right.
00:09:23Where is he?
00:09:24I don't know.
00:09:26He said he was going for a little holiday here.
00:09:29Bournemouth, I think.
00:09:30Yes.
00:09:31Yes.
00:09:32Bournemouth.
00:09:33Search the place.
00:09:34Martin, try the front bedroom.
00:09:41No sign of him, sir.
00:09:43Send out his description.
00:09:44I want him picked up right away.
00:09:45Very good, sir.
00:09:46Inspector.
00:09:47Well?
00:09:48I presume you had a search warrant.
00:09:50You want to see it?
00:09:51Certainly.
00:09:52Show him.
00:10:10I wonder how far he'll get.
00:10:12I wonder.
00:10:13It would be a pity if something happened to him before he got those stones.
00:10:17Night, boys.
00:10:47Tom!
00:10:48Hello, Tom.
00:10:49McNaughton here.
00:10:50What time are you getting in?
00:10:55I'm not getting in.
00:11:10You've fired me.
00:11:16Ah, now look here, Tom. Let bygones be bygones.
00:11:19Ah, it was a great story you handed in last night.
00:11:22But take back everything I said.
00:11:46Tom, Tom, that was a great story of yours. You've got to follow it up.
00:12:15Follow it up.
00:12:41Hiya, Red.
00:12:42Going all conservative on us, huh?
00:12:46Hiya, Johnny.
00:12:47It was a nice stick-up you pulled last week. Smart boy.
00:12:50I was in Brighton.
00:12:51So was the stick-up.
00:12:54Want to watch your step, Pete? Big Tony's looking for you.
00:12:56You no kidding.
00:13:00Hiya, Tom.
00:13:02What do you want?
00:13:06I heard you might know where Gino is.
00:13:10What'd he say?
00:13:11I've forgotten.
00:13:13It was a pretty raw deal you gave Big Tony, Tom.
00:13:15What do you want Gino for?
00:13:17Tony got out last week.
00:13:19You'll have to know who squealed on him.
00:13:22You want to turn Gino in?
00:13:24I know Tony pretty well.
00:13:27Do you know the Painted Smile Club?
00:13:29No.
00:13:30It's in 4th Street. I'm surprised you don't know it.
00:13:32OK, you're surprised.
00:13:33It belonged to Gino.
00:13:35There's a girl called Rosetta Matania. She sings there.
00:13:38Does she listen?
00:13:41She'll know where he is.
00:13:43Watch your eyes, Con.
00:13:55Why did he leave me?
00:13:59Why has he gone?
00:14:02Where are his kisses?
00:14:06Luring me on
00:14:11I want his nearness
00:14:14His lips and his touch
00:14:18Haunting me, taunting me
00:14:22I want him so much
00:14:26Why did he leave me?
00:14:30Why can't I forget
00:14:34Those midnight caresses
00:14:38Thrilling me yet
00:14:42Scotch, please.
00:14:44Who's the girl?
00:14:45That? That's Miss Matania, sir.
00:14:48Where are the dressing rooms?
00:14:49Did you wish to see somebody, sir?
00:14:51Yeah.
00:14:53Here, keep the change.
00:14:56Through that door by the bandstand.
00:14:58Dressing rooms are on the first floor.
00:15:00Thanks.
00:15:02Why, oh why, oh why
00:15:33What do you want?
00:15:35I'm looking for Gino.
00:15:36You better go before I call the management.
00:15:39I'm still looking for Gino.
00:15:41Don't you read the newspapers?
00:15:43I am the newspapers.
00:15:44Then you must know he's on the run.
00:15:46The run's a big place.
00:15:51Take it easy, I'm only trying to help him.
00:15:53Take your hands off me.
00:15:54Look, lady, I'm not a cop, I'm a newspaper man.
00:15:57That makes it worse.
00:15:58I'd like you to find Gino if only for one thing.
00:16:00He'll kill you the moment he sets eyes on you.
00:16:03Where is he?
00:16:05You won't find out from me.
00:16:09Sounds like a raid.
00:16:10You ought to know about raids.
00:16:15All right, keep your seats, please, ladies and gentlemen.
00:16:17Nobody's to leave, nobody.
00:16:20Miss, do you know where Miss Matania lives?
00:16:23I might.
00:16:25Come on, give.
00:16:26Mandalay Court, flat 15.
00:16:29Give my regards to Mother.
00:16:59Hello, Gino?
00:17:19You won't use that.
00:17:21Somebody will have to explain a dead body,
00:17:22and they take a lot of explaining when they got lead in them.
00:17:24Turn around.
00:17:26There have been some ugly things said about you in the newspapers, Gino.
00:17:28Nobody ever mentioned you'd shoot a man in the back.
00:17:30So?
00:17:32You kill me, you lose a friend.
00:17:34I got other friends.
00:17:36Yeah?
00:17:37They tip you off?
00:17:39All right, if it wasn't me who telephoned you, who was it?
00:17:41How would I know about it?
00:17:44What you want with me?
00:17:46What do I want with you?
00:17:48Your news.
00:17:49That's what I want, news.
00:17:51That's why I tipped you off.
00:17:53Made a nice story for the evening comic.
00:17:55You're smart, eh?
00:17:57I try hard.
00:18:00Look, I want a story.
00:18:01Straight from the stable.
00:18:02Fair exchange?
00:18:04I tipped you off, so I want your story.
00:18:05What do you say?
00:18:08Maybe we can talk.
00:18:13Gino, the police have raided the club.
00:18:16What's he doing here?
00:18:17It's all right.
00:18:18Get my coat.
00:18:20Come with you.
00:18:24I will send you a message, Rosetta.
00:18:27When you know where to find me, you get in touch with Giulio.
00:18:29All right.
00:18:31He will have something for me.
00:18:35All right, Rosetta?
00:18:36Yes, Gino.
00:18:37Come on, you.
00:18:39Where to?
00:18:40You want your story, no?
00:18:42Is she coming with us?
00:18:43No, she don't come.
00:18:47Pity.
00:19:05Where are we going?
00:19:06Some quiet place to talk.
00:19:16Wait.
00:19:25Inside.
00:19:37Just like home.
00:19:39Pilot's license?
00:19:41Yes, thanks.
00:19:42You fly, eh?
00:19:44I used to.
00:19:45Good.
00:19:46Maybe you fly me some place, eh?
00:19:48In what?
00:19:49I find a plane.
00:19:51What do I get out of this?
00:19:53Story.
00:19:54My story.
00:19:57Okay, but I want that first.
00:19:59Everything.
00:20:00How you got started, how you became a big shot, right up to now.
00:20:03I'm going to put you on the front page.
00:20:05Then if you like, I'll fly you to the moon, but I want that story first.
00:20:08Is it a deal?
00:20:09You fly me to Italy, with this story, without this story.
00:20:15Yeah, it's a deal.
00:20:16Come on.
00:20:21So this is what happened to Vaudeville.
00:20:50Well, I've slept on softer beds.
00:21:04Boy, I could use a drink.
00:21:07How long we stay here?
00:21:09So long as I say.
00:21:11Sleep well?
00:21:12I don't sleep.
00:21:14Oh.
00:21:16Get a light?
00:21:19You know, right now I could use a great big juicy steak.
00:21:23Two fried eggs, sunny side up, French fried potatoes.
00:21:26A beautiful cup of hot black coffee.
00:21:31Mmm, I could just smell that coffee.
00:21:33Shut up, you.
00:21:34You talk too much.
00:21:36And you think too much.
00:21:38Such men are dangerous.
00:21:41Look at Caesar.
00:21:42Look at Napoleon.
00:21:43I don't mean now, of course.
00:21:44Incidentally, I'm still waiting for your story, but take your time, don't force yourself.
00:21:47I'd like to make my own day of...
00:21:48Shh.
00:21:50Bang.
00:21:52Bang.
00:21:53Bang, bang.
00:22:00Are you crazy?
00:22:06I never knew that grown-ups played at being gangsters.
00:22:12They do when they can't think of anything better, son.
00:22:16Do you really like playing at gangsters?
00:22:18It's not so hard.
00:22:19Go on, you're kidding.
00:22:21You're not gangsters.
00:22:23I'll let you in on a little secret.
00:22:24But you've got to promise not to tell anyone.
00:22:26Sure.
00:22:27We're secret service agents.
00:22:28This here's Hank.
00:22:29Oh, hello, Hank.
00:22:31I'm Tom, MI2.
00:22:33I'm Joey.
00:22:34Pleased to meet you, Joey.
00:22:35I'm glad to meet you, Hank.
00:22:39I'll bet you're a secret service agent, too.
00:22:40Yes, that's right.
00:22:43Well, these are my headquarters.
00:22:46Are you staying here long?
00:22:47That depends.
00:22:49Well, I may see you again.
00:22:50Joey.
00:22:52If you promise not to tell anybody we're here, we'll make you MI3.
00:22:55Won't we, MI1?
00:22:57Well, I won't tell anyone, MI2.
00:22:59Agent's honor.
00:23:02Agent's honor.
00:23:09How long do you figure on staying on this dump?
00:23:12Rosetta.
00:23:13I must get a message to Rosetta.
00:23:14Well, the kid could have taken it.
00:23:16He will come back.
00:23:31All right.
00:23:33He's coming.
00:23:34Don't scare the kid.
00:23:41Joey.
00:23:43Joey.
00:23:45That's funny.
00:23:46He must have come in this way.
00:23:47Look, the door's open.
00:23:48Other people leave doors open also.
00:23:50Go on.
00:23:59Inside.
00:24:04Put him up.
00:24:08And you.
00:24:10Better play ball.
00:24:11This kid looks trigger happy.
00:24:14Now walk.
00:24:15You first.
00:24:17Yes, Daddy.
00:24:21Okay, keep him up.
00:24:23Go on, keep him up.
00:24:30How's it feel, Walter?
00:24:31Shut up, Will.
00:24:32Come here, son.
00:24:33I got something to tell you.
00:24:35We got a job for you.
00:24:37A secret service job?
00:24:38Yeah, that's it.
00:24:39Sure.
00:24:40From now you work for us.
00:24:41Okay?
00:24:42Yes, sir, but I'd better get another gun.
00:24:44I don't like this one much.
00:24:45Well, ask Hank if he'll lend you his.
00:24:47Will you, Hank?
00:24:49It's a good gun you got there, but you don't hold it right.
00:24:51Like that.
00:24:52So.
00:24:53This?
00:24:54Sure, that's better.
00:24:55Now look, here's what you gotta do.
00:24:56We wait for a guy.
00:24:57See, he's a spy.
00:24:58We want trapping.
00:24:59Give him the note.
00:25:02Very secret.
00:25:03You take this to the Painted Smile Club in Ford Street.
00:25:05You know it?
00:25:06Yes, I know it.
00:25:07Good.
00:25:08You ask for a lady called Rosetta.
00:25:09Yes?
00:25:10Is she a spy too?
00:25:11Yeah, but she's a good spy on our side.
00:25:14You better be very careful.
00:25:16She's being watched.
00:25:17And you tell nobody about us.
00:25:19Nobody.
00:25:20Sure.
00:25:21Oh, Joey, just one more thing.
00:25:23We both need a shave.
00:25:25Do you think you can get a razor and a piece of soap and a towel from somewhere?
00:25:27Okay, that'll be all right.
00:25:29Attaboy.
00:25:30Oh, and a bottle of...
00:25:32Never mind.
00:25:34Nice kid.
00:25:35You know something?
00:25:36Hmm?
00:25:37He reminds me of myself when I was a little boy.
00:25:39Yeah?
00:25:40He's got about 10 years, eh?
00:25:41Ah, so something.
00:25:42When I was 10 years, I had many adventures.
00:25:44I robbed a bank in Italy.
00:25:47Precocious, weren't you?
00:25:50Come on, Danny, come on!
00:25:52Come on!
00:25:54Come on, Danny, come on!
00:25:56Come on, Danny, come on!
00:25:58Come on!
00:26:00Oh, Mum?
00:26:01Eh?
00:26:02Can I have my tea?
00:26:03Give me a chance.
00:26:04I'm in a hurry.
00:26:05Where do you think you're going?
00:26:07I can't tell you.
00:26:08It's a secret.
00:26:09Yeah, what's it supposed to be now?
00:26:11Well, I want not to tell you.
00:26:12All right, don't then.
00:26:14It's awfully secret.
00:26:15Well, keep it to yourself.
00:26:18I'm an agent.
00:26:19An estate agent?
00:26:20Oh, don't be silly, Mum.
00:26:22A secret agent.
00:26:23Oh.
00:26:24I've got a job to do after tea.
00:26:26Look, the only job you're doing is your homework.
00:26:28I've got to go out, Mum.
00:26:30When you've had your tea, you're going to settle right down and do your homework.
00:26:32Oh, Mum!
00:26:33Don't start with your mouth full.
00:26:42Maybe the kid couldn't get in to see her.
00:26:43Maybe.
00:26:45Why don't you get some shut-eye?
00:26:47Huh?
00:26:48Sleep.
00:26:49Oh.
00:26:50Oh, sleep.
00:26:51It is a wondrous thing.
00:26:53Beloved from pole to pole.
00:26:55Sanko.
00:26:58Forget it.
00:27:00You know, you're going to get very tired.
00:27:02And very hungry.
00:27:03I'm hungry.
00:27:05You think I used to wonder how people could eat rats.
00:27:08How about a nice fat juicy rat, do you know, huh?
00:27:11Oh, for Pete's sake, get some sleep, will you?
00:27:13Before I sleep, I shoot you.
00:27:15Just to be safe.
00:27:18Forget the sleep.
00:27:21You know, I wish you'd put that thing away.
00:27:23We made a bargain, remember?
00:27:25Makes you nervous, huh?
00:27:26No, Gino, no.
00:27:28I am a man of peace.
00:27:30The pen is mightier than the sword.
00:27:32Listen.
00:27:34Relentlessly pursued by the hounds of justice,
00:27:38Gino's proud head is raised with dignity
00:27:40above the tumult clamoring for his destruction.
00:27:42Like it?
00:27:43Mm.
00:27:44I go on to say, uh,
00:27:46I am Gino's prisoner, the hostage of a hunted man.
00:27:49No.
00:27:50What's the matter?
00:27:51I don't like this, hunted.
00:27:52Why not?
00:27:53Sounds like finished.
00:27:55I'm not finished.
00:27:56I got big friends.
00:27:57Just you go out in the street and see how many friends you got.
00:27:59They're my friends because they're afraid.
00:28:01Okay, so you're not hunted.
00:28:03They will never get Gino Rossini, the big shot.
00:28:06The little man with the big...
00:28:07Shut up.
00:28:12You won't do that.
00:28:13I still got time.
00:28:14And still you won't do it.
00:28:16You know why?
00:28:17We're the same, Gino.
00:28:18We come from the same jungle stock.
00:28:21The only difference between you and me now is that gun.
00:28:24And that's the only difference there is.
00:28:28If they get me, first you are dead, my friend.
00:28:36No.
00:29:06No.
00:29:37And yet I know beyond the shadow of a doubt
00:29:43For me there's no escape
00:29:47There's no way out
00:30:07What do you want Miss Vitania for?
00:30:09I'm going to speak to her.
00:30:10You're a bit young to be out of bed this time of the night, aren't you?
00:30:12Well, listen, mister.
00:30:13It's awfully important.
00:30:14Who gave you the message?
00:30:17I can't tell you.
00:30:18Come on, it's about time you went home to bed.
00:30:19Let go of me.
00:30:22Hey, you're in a hurry.
00:30:23What is it?
00:30:24Are you Rosetta?
00:30:25Yes.
00:30:27I've got a message for you.
00:30:29From Hank.
00:30:30Who?
00:30:31Hank.
00:30:33All right, Rosetta?
00:30:34Yes, I'm all right.
00:30:36Where is the theater?
00:30:37I'll take you there.
00:30:38All right.
00:30:39You wait here.
00:30:40Don't talk to anyone.
00:30:41Just wait.
00:30:57Hello?
00:30:58Hello?
00:30:59Yes?
00:31:00Julio, is it all right for me to collect Jane Esposo?
00:31:02Sure.
00:31:03Sure, as early as you like.
00:31:06Goodbye.
00:31:08Well, I think we can start packing now, okay?
00:31:10Yes, but you've forgotten one little detail.
00:31:13A divvy.
00:31:14There's a bird of prey called a vulture.
00:31:16Yes, I've heard of it.
00:31:17It feeds on dead flesh.
00:31:20You should remember one thing.
00:31:21Gino's still alive.
00:31:23That's why I want my share now.
00:31:25In case anything should happen to you while he's still alive.
00:31:29We're all in the same boat now, Carl.
00:31:31Not quite.
00:31:33Gino trusts me.
00:31:49Rosetta!
00:31:53Maybe she's got some news for me.
00:31:58He's a good boy, Joey.
00:31:59Come on.
00:32:02I had to wait till Mom and Dad was in bed.
00:32:04That's okay, son.
00:32:05How are you?
00:32:06I'm all right.
00:32:07Did you bring the parcel?
00:32:08Not yet.
00:32:10You better get back home, son.
00:32:11Oh, that's okay.
00:32:13I'm a little bit tired.
00:32:14Did you bring the raisin?
00:32:15Oh, yes.
00:32:16And a bottle of milk.
00:32:17Well done.
00:32:18And some food.
00:32:19Attaboy!
00:32:20How are you going to open it?
00:32:21Easy.
00:32:22We'll do it with our teeth.
00:32:23He's tough, aren't you, Gino?
00:32:25Who's Gino?
00:32:26I mean, Hank.
00:32:28Boy, I can use some of this.
00:32:30See you, Hank.
00:32:31Supplies up under fire.
00:32:34I'll tell you what, Joey.
00:32:35You're just about due for promotion.
00:32:36What, already?
00:32:37Sure.
00:32:38We promote fast in our army, huh, Hank?
00:32:41Look.
00:32:42If he gets this over before he goes to school in the morning,
00:32:44we can make the midday edition.
00:32:46What do you say?
00:32:47What is it?
00:32:48It's a story of two great men.
00:32:50My friend here and myself.
00:32:52How we met, how we escaped.
00:32:54And it tells of some soul-stirring incidents in our lives.
00:32:57Particularly in my friend's life.
00:32:59Touched up with a little imagination, didn't it?
00:33:02Read it, Rosetta.
00:33:04Maybe he tries to trap me.
00:33:06Trap you?
00:33:07Why should I try and trap you?
00:33:08Without you, my story's dead.
00:33:09So are you, my friend.
00:33:14Hmm.
00:33:15Joey.
00:33:16Arise.
00:33:17I hereby promote you to the rank of agent MI-3-1-2.
00:33:21And now I'm going to tell you something very confidential.
00:33:23Those papers are of a highly secret nature.
00:33:26Gosh.
00:33:27And it is your proud duty to deliver them to headquarters.
00:33:29Here.
00:33:30Expenses.
00:33:31Now you're to ask for the editor.
00:33:33I've written the address for you on the front.
00:33:35If it seems all right.
00:33:37What do you mean, it seems all right?
00:33:38It's the finest piece of propaganda we could have.
00:33:40Three million people are going to read it.
00:33:42And you're going to ask for the editor.
00:33:44I've written the address for you on the front.
00:33:46Three million people are going to read that.
00:33:47And you know what they're going to feel?
00:33:48Sympathy.
00:33:49Sympathy.
00:33:50Sure, we play on their emotions.
00:33:52That bit about your childhood.
00:33:54A lost, lonely boy that wouldn't tread on a snail.
00:33:56When they read that, they'll be sending you food parcels.
00:33:58And what's more important,
00:34:00they'll see the real you.
00:34:01A great man.
00:34:05That's good for me.
00:34:08All right.
00:34:09I'm going to make you famous.
00:34:11MI-3-1-2.
00:34:12Guide this with your life.
00:34:14I'll take it first thing in the morning.
00:34:15Before school.
00:34:16Sure.
00:34:17All right, now take it straight to the editor.
00:34:19Answer no questions,
00:34:20and beat it the moment he's got it in his hands.
00:34:22Okay, Hank?
00:34:24And you don't let nobody see this.
00:34:26Oh, no, sir.
00:34:27Because if you do, then you are MI-3-1-2.
00:34:29No more.
00:34:31And you make sure nobody follow you.
00:34:32Nobody.
00:34:36It's all right.
00:34:42You know something?
00:34:43The little Joey reminds me of the little Gino.
00:34:45You like Joey, huh?
00:34:47He's a good boy.
00:34:48Him, I trust.
00:34:52Well, Rosetta?
00:34:54Julio says he will have the stones tomorrow.
00:34:56I am going to his flat to collect them.
00:34:58Good.
00:34:59You know something?
00:35:00Hmm?
00:35:01Julio.
00:35:02I don't trust him.
00:35:03But he's your brother.
00:35:04Si.
00:35:05Gino, you can only trust the people who are afraid of you.
00:35:08Maybe Julio isn't afraid of you.
00:35:10And you?
00:35:11Me, I'm scared to death.
00:35:13Fear is a wonderful thing, Gino.
00:35:15If you handle it right, you can build an empire.
00:35:17But you got to stick right with it.
00:35:18What do you mean?
00:35:19Soon as you go on the run, the Jackals start taking your part.
00:35:21No.
00:35:22Maybe they haven't shown their teeth yet.
00:35:24But they will, Gino.
00:35:25They will.
00:35:27Rosetta knows I'm right.
00:35:29Don't you, Rosetta?
00:35:32But go ahead, kid yourself if it makes you feel good.
00:35:36Right now, Gino, your empire consists of two people.
00:35:40Me, because I'm scared of you.
00:35:42And Rosetta, because she loves you.
00:35:44You can always trust a woman who loves you.
00:35:47Until she stops loving you.
00:35:51Gino.
00:35:54Don't worry.
00:35:55I will come back with the stones tomorrow.
00:35:57You see.
00:35:58You tell Julio to be quick.
00:35:59I will.
00:36:04Get some sleep.
00:36:11Okay.
00:36:12Now for the next install.
00:36:15We got to the part where you were muscling in on that hijack gang in Rome.
00:36:19Let's see.
00:36:20How old were you then?
00:36:22Fourteen.
00:36:28Come on, Joey.
00:36:29Help me out.
00:36:30It's in my razor, Mum.
00:36:31That's where you left it.
00:36:32Can't find it.
00:36:33Who do you think's taking it?
00:36:34The fairies?
00:36:36Go on.
00:36:37Have a good look around.
00:36:38Go on.
00:36:39Have a good look around.
00:36:40I'd spit this on your nose.
00:36:41Do you want a little milk, Joey?
00:36:42Yes, please.
00:36:44No, it's all right, Ma.
00:36:45Oh, well.
00:36:46I'll have to go without a shave, I suppose.
00:36:47Oh, that's funny.
00:36:48I've got a sore head and not a bottle of milk.
00:36:50It's all right, Ma.
00:36:51Really.
00:36:52Well, it had to be.
00:36:53Can't understand where the bloomers are going to go to.
00:36:54The way things disappear in this house, it makes you sick.
00:36:57Is it about time you were off to school, son?
00:37:00I'm just going, Dad.
00:37:01I'll drop you off in the truck.
00:37:03No, it's all right.
00:37:04Come on.
00:37:05Get your things.
00:37:06I'll wait for you.
00:37:07I'd rather use my bike.
00:37:08The bike?
00:37:09It's away being repaired, isn't it?
00:37:12I'll just assume more.
00:37:13Oh, go on.
00:37:14You go with your dad.
00:37:15Make sure you get there.
00:37:16I've had enough complaints from your teacher about you being late.
00:37:19Come on.
00:37:20Get your skates on.
00:37:21I'll wait for you downstairs.
00:37:22Come on.
00:37:23Hurry up.
00:37:24Your dad won't wait.
00:37:28Bye, Ma.
00:37:29Bye, Duck.
00:37:30Oh, make haste now.
00:37:33All set?
00:37:34Yes.
00:37:38Maybe we ought to stall her off for a while.
00:37:40How?
00:37:41Tell her we're still waiting.
00:37:43No.
00:37:45If she can't find us, she's got nothing to tell Gina.
00:37:48This way is better.
00:37:49It'll take him longer to jump to the wrong conclusion.
00:37:52You mean the right conclusion.
00:38:02I'm sorry.
00:38:03I'm sorry.
00:38:04I'm sorry.
00:38:05I'm sorry.
00:38:36Stop!
00:38:54What made you come to England?
00:38:56England is a good country.
00:38:58Very moral.
00:38:59Good for my business.
00:39:00She don't want to see something, she closes her eyes.
00:39:03So I open up.
00:39:04For a while, Gino. For a while.
00:39:07Pretty soon everybody will forget this business.
00:39:09I got friends, they'll fix it.
00:39:14All the time you want to know so much.
00:39:16I want to know something.
00:39:18Why you come to find me?
00:39:19I told you, you're a news item.
00:39:21You get a story, you take a chance to get a bullet.
00:39:24Handle it forever, Gino.
00:39:27Use this?
00:39:29No, I don't never shave myself.
00:39:31No, I don't never shave myself.
00:39:33That's okay, Gino, I'll shave you.
00:39:37You joke?
00:39:41Let's see what you mean.
00:39:52I tell you, I've no more idea where he is than the man on the moon.
00:39:55I haven't seen him since Wednesday and I'm beginning to hate the sound of the name bucket.
00:40:00What is it, boy?
00:40:01Are you the editor?
00:40:02I am.
00:40:03Honest?
00:40:04But not in here. What do you want?
00:40:06I've got this for you.
00:40:08Oh, no, sir. No, sir.
00:40:10No news of Bucking yet, sir.
00:40:12I'm doing everything I can, sir.
00:40:14The police share our views.
00:40:16They think that Gino might well be responsible for his disappearance.
00:40:20Oh, no, sir.
00:40:22Oh, a very good man, sir, very good.
00:40:24I'd be sorry to lose him.
00:40:26I'll report immediately if I hear anything, sir.
00:40:28Very good, sir.
00:40:37The scene is by Tom Bucking.
00:40:39Hey, stop that boy!
00:40:41Hey, stop that boy!
00:40:43Where did he go?
00:40:44A young boy?
00:40:45Of course, a young boy, you fool.
00:40:46A young boy?
00:40:47A young boy.
00:40:48Hey, stop that boy!
00:40:49Where did he go?
00:40:50A young boy?
00:40:51Of course, a young boy, you fool.
00:40:52Yes, he went that way.
00:40:53This way?
00:40:54I didn't just say so.
00:40:55You panned that lyric show last night, didn't you?
00:40:57Yeah.
00:40:58How was it like?
00:40:59Pretty good.
00:41:08Look out where you're going.
00:41:19Rosetta.
00:41:22What happened?
00:41:23Did you go to the fight?
00:41:24Yes, sir.
00:41:37So?
00:41:41There is something you have to tell me.
00:41:44What is it?
00:41:45What is it?
00:41:47Tell me!
00:41:48Take it easy, Gino.
00:41:54Giulio and Pietro were not there.
00:41:56I called twice.
00:41:57The porter said they had moved out.
00:42:07Oh.
00:42:09You liar, Rosetta!
00:42:16Gino.
00:42:22Rosetta.
00:42:24You find them, then you come tell me.
00:42:26I will try.
00:42:27I will seek on.
00:42:28You seek on.
00:42:29Tell him to find them.
00:42:31Want a drink?
00:42:32No.
00:42:34Eat?
00:42:35Give me a cigarette.
00:42:37You.
00:42:39Write a letter to Giulio.
00:42:40Me?
00:42:41Yes, you.
00:42:43Okay.
00:42:45You.
00:42:46Dear Giulio.
00:42:47This is from your brother, Gino.
00:42:48Wait a minute.
00:42:49Not so fast.
00:42:52Gino, yes?
00:42:57You give Rosetta the stones pretty damn quick.
00:43:01Stones?
00:43:02What with?
00:43:04Or else?
00:43:06Or else I come to shoot you.
00:43:09Shoot you?
00:43:11Your affectionate brother, Gino.
00:43:15Boy, what a family.
00:43:16It's worse than mine.
00:43:18Rosetta.
00:43:21You give this to Giulio.
00:43:27He must sleep, Gino.
00:43:30I'll watch him while he sleeps.
00:43:34Don't you trust me, Gino?
00:43:41All right.
00:43:42All right.
00:43:45All right.
00:43:51Did you bring the paper?
00:43:52Yes.
00:43:53It is very good.
00:43:55It says you are a great man.
00:43:57This is what he writes.
00:43:59I did not know you were such a nice man, Gino.
00:44:05It says that...
00:44:07What do we do now?
00:44:08I do not know.
00:44:13I'm glad you got him to get some sleep.
00:44:14I was getting a little anxious.
00:44:15So was I.
00:44:17For my sake.
00:44:18For Gino's sake.
00:44:20What about Giulio?
00:44:21Has he run out of them?
00:44:22I think so.
00:44:23And Conn?
00:44:24Conn works for the hand that pays him.
00:44:26Right now, it isn't Gino's.
00:44:28Or the jungle.
00:44:30How do you know that?
00:44:31I've seen him.
00:44:32I've seen him.
00:44:34Or the jungle.
00:44:35Are you trying to help him or are you like the others?
00:44:38I'm a newspaper man.
00:44:40So?
00:44:41Don't help me.
00:44:42Look.
00:44:43Give a message to Conn.
00:44:45Tell him to have Giulio give you the diamonds or...
00:44:48Well, he'll know what I mean.
00:44:51Do you love him?
00:44:53He is very kind.
00:44:56When he found me, I was very poor.
00:44:58He helped my parents and brought me from Naples.
00:45:01Local girl makes good.
00:45:02What does he get out of all this?
00:45:04For me, loyalty.
00:45:06It's a nice word.
00:45:07Very rare.
00:45:10Look, you don't have to worry about that thing.
00:45:11I'm not going anywhere.
00:45:13I wouldn't miss the last act for worlds.
00:45:33You're very beautiful.
00:45:37I knew someone like you once.
00:45:40A long time ago.
00:45:43She was loyal, too.
00:45:46She had your eyes.
00:45:49Same color.
00:45:52And they were kind, too.
00:45:55And she was beautiful.
00:45:57She was beautiful.
00:45:59She was beautiful.
00:46:01They were kind.
00:46:03And you tried to forget her.
00:46:06The way she wanted it.
00:46:08I only wish she could know it wasn't possible.
00:46:16Why don't you tell her?
00:46:18It's not possible, either.
00:46:20I was late for an appointment.
00:46:21I was always late.
00:46:24She was always there.
00:46:27I saw a crowd in the street corner.
00:46:28A couple of cops with an ambulance
00:46:30turning into the main street.
00:46:32I thought it might be a story, so I stuck around.
00:46:36She knew how I felt about a story.
00:46:40Anyway, I pushed my way through the crowd.
00:46:44And I saw her.
00:46:49She died a little later.
00:46:53She was my wife.
00:46:58I'm sorry.
00:47:02Funny thing.
00:47:05Her eyes stayed the same color.
00:47:10We kept the same eye.
00:47:18Shut up!
00:47:20Shut up.
00:47:21Get out.
00:47:23What's got to show him?
00:47:26He's a guy.
00:47:27He's a guy.
00:47:29It's all right.
00:47:31It's all right.
00:47:44It's all right.
00:47:46It's all right.
00:47:57It's all right.
00:48:24Come in, McLaughlin. Sit down.
00:48:25I've just been reading this latest story from Buchan.
00:48:28Good man, MacNorton.
00:48:29Yes, sir.
00:48:30This is what I call reporting.
00:48:32I always said he's the best man on the street.
00:48:35Yes.
00:48:36Now, I've been thinking.
00:48:38Buchan's got himself in a tight spot.
00:48:40In the interest of the paper, sir.
00:48:41Oh, quite.
00:48:42So we are going to help him.
00:48:44MacNorton, the Comet's offering a reward of 500 pounds
00:48:49for any information that may lead to his whereabouts.
00:48:51You don't seriously mean that.
00:48:53What are you talking about?
00:48:54Of course I mean it.
00:48:55It will increase circulation.
00:48:56What about Buchan?
00:48:58What do you think this will do to him?
00:49:00When Rossini hears about this, Tom's life won't be worth a red cent.
00:49:03Oh, nonsense.
00:49:04I can't do it.
00:49:05What do you mean you can't do it?
00:49:06I'm ordering you to do it.
00:49:08Buchan's job is to find news.
00:49:09It's our job to protect him.
00:49:10He's quite capable of looking after himself.
00:49:13Don't argue.
00:49:14Put that in hand right away.
00:49:15Very well, sir.
00:49:16I'll do it.
00:49:17But if anything happens to Buchan, I'll...
00:49:20Playing truant, eh?
00:49:22Nice goings-on.
00:49:23I think he's a blinking limit.
00:49:24You ought to give him a darn good talking to.
00:49:26Oh, well.
00:49:27Boys will be boys, I suppose.
00:49:28All very well for you to talk, but it's me that's got the worry of it.
00:49:30All that secret service stuff, things disappearing out of my larder.
00:49:33He's up to something, that boy.
00:49:35I should like to know what it is.
00:49:36Hello, Mum.
00:49:38Hello, Dad.
00:49:39Hello, son.
00:49:40How's everything at school today?
00:49:42Oh, all right.
00:49:43Thanks, Dad.
00:49:44Well, go on.
00:49:45Aren't you going to talk to him?
00:49:46All right.
00:49:47What's this I've been hearing from your mum?
00:49:49What's that, Dad?
00:49:50Reports from school.
00:49:51You've been playing hooky by the sound of things.
00:49:53Oh, that's nothing.
00:49:54Reports from school?
00:49:55I don't call that nothing.
00:49:57Well, you see, Dad, I...
00:49:59Reports from school?
00:50:01You heard what your father said.
00:50:02You ain't got cloth ears.
00:50:03Dad?
00:50:04Yes, son?
00:50:05Can I talk to you private-like?
00:50:06Private?
00:50:07Without Mum listening.
00:50:08Elijah.
00:50:09Well, I'm blowed if that isn't the blooming limit.
00:50:11You see, Dad, it's...
00:50:13It's sort of confidential.
00:50:16You don't mind, do you, Mum?
00:50:17All the same if I do, isn't it?
00:50:18Oh, go on.
00:50:19Get out of my sight and talk somewhere else.
00:50:21I don't know what they teach the kids at school nowadays,
00:50:23but if that's all it does,
00:50:24then might as well not send them at all.
00:50:28You promised not to tell Mum.
00:50:29I was not.
00:50:30Well, I met a couple of fellas.
00:50:32Yeah?
00:50:33You won't let on, will you?
00:50:34No.
00:50:35Where'd you meet them?
00:50:36In an old theatre.
00:50:38They're Secret Service chaps, Dad.
00:50:40Are they?
00:50:41And they made me a member.
00:50:43I'm in my three and a half.
00:50:44Go on.
00:50:46Just a sec.
00:50:53That's all I can tell you, Dad.
00:50:54Now, come off it.
00:50:56Honest?
00:50:57Yeah.
00:50:58What are their names?
00:51:00One's name is Hank.
00:51:01Yeah?
00:51:03And the other's Tom.
00:51:05Tom what?
00:51:06I don't know.
00:51:07I've got to go now, Dad.
00:51:09I'll see you later.
00:51:10Now, wait a minute.
00:51:11I've told you everything.
00:51:12I can't do more than that.
00:51:13Now, I'm going to tell you something.
00:51:14You stop playing hooky, do you understand?
00:51:16But with your mum in one of her moods,
00:51:17I've got enough to worry about, see?
00:51:19I won't, Dad.
00:51:21I've got to go out for a minute.
00:51:23A Secret Service meeting.
00:51:25Well, if I were you, I'd go out quietly.
00:51:31All clear.
00:51:33All clear.
00:51:43Where's he gone now?
00:51:44Hmm?
00:51:45Gone to see a pal of his, I think.
00:51:46He won't be a minute.
00:51:47What was all that about, anyway?
00:51:48Search me.
00:51:49You know, you make me positively sick.
00:51:52Twists you round a little finger, that boy does.
00:52:03Sit down here.
00:52:05I don't like you to sit behind me.
00:52:14Am I being half-reported, sir?
00:52:17Is Patrick delivered?
00:52:18Yes, sir.
00:52:19You're doing fine, son.
00:52:20Anything else?
00:52:21Nothing.
00:52:22Well, I've got to go.
00:52:23I've got to go.
00:52:24I've got to go.
00:52:25I've got to go.
00:52:26I've got to go.
00:52:27I've got to go.
00:52:28I've got to go.
00:52:29I've got to go.
00:52:30I've got to go.
00:52:31Anything else?
00:52:32Nothing.
00:52:33You know something?
00:52:34What?
00:52:35They're looking for a real gangster.
00:52:36Who?
00:52:37Name Geno.
00:52:38It's in the papers.
00:52:40You see it?
00:52:42No, I didn't see it.
00:52:44Mom and Dad were talking about it.
00:52:46Shall I get you a paper?
00:52:47No.
00:52:49I said I'll get him in a day or two.
00:52:51You don't come back here no more.
00:52:53I thought I was in the Secret Service.
00:52:54You don't come back.
00:52:55I don't want him here.
00:52:57I tell you, I don't want you here.
00:52:59I want it.
00:53:01Hank just thinks you've got to play with boys your own age, son.
00:53:05We're all grown up and Hank's a little tired.
00:53:12I'm not in the Secret Service.
00:53:14Well, you're a bit too young, son.
00:53:16You've been a great help.
00:53:17Thanks a lot.
00:53:19So long, Joe.
00:53:31Hello?
00:53:32Connor, I've got a message from Tom Buchan.
00:53:34Buchan?
00:53:35Where is Giulio?
00:53:36Search me, I'm not his keeper.
00:53:38Find him, Connor.
00:53:40What is this message from Buchan?
00:53:42He says that if you don't tell me where Giulio is,
00:53:44you will understand what he will do.
00:53:46Do you understand?
00:53:50Where's Geno hiding?
00:53:51I'm asking you questions.
00:53:53I'm his friend, I can help you.
00:53:54You mean you were his friend.
00:53:57Yes.
00:53:58You were his friend.
00:54:00If the boys have run out on him, I'll try and find them for you.
00:54:04Is Buchan with Geno?
00:54:06You find Giulio, Connor.
00:54:08I'll give you until tomorrow morning.
00:54:13Hello, Dad.
00:54:14I've got time too.
00:54:15Get the paper, son.
00:54:17Come on, get on with it.
00:54:32I see the comet is offering a reward for this Geno fellow.
00:54:34How much?
00:54:36500 quid.
00:54:37Pity you can't lay your hands on it.
00:54:41I'm sure it's worth it.
00:54:42500 quid.
00:54:43Pity you can't lay your hands on it.
00:54:49Come on, get on with it while it's hot.
00:54:58Where is he, son?
00:55:01I don't know what you mean, Dad.
00:55:02Where is he?
00:55:04Dad.
00:55:06I didn't know who he was, honest.
00:55:07That's all right, son.
00:55:10Just tell me where he is.
00:55:11Don't get on to her, will you?
00:55:12No.
00:55:15Come on, tell me, Dad.
00:55:16You know the Grand Theatre?
00:55:17In Seymour Street?
00:55:18Yes.
00:55:20Here, what are you two whispering about?
00:55:23We weren't whispering, Ma.
00:55:24Oh, yes, you were.
00:55:25I could hear you.
00:55:26Come on, out with it.
00:55:27Something you don't want me to hear, I suppose.
00:55:30Well, what is all this?
00:55:31Blowing conspiracy, I should think.
00:55:32I've got to go out for a minute.
00:55:33Something I forgot.
00:55:34Well, what about your breakfast?
00:55:35Oh, stick it in the oven.
00:55:36I'll be back in a minute.
00:55:37Oh.
00:55:38What with you and your father, I don't know.
00:55:40Really, I don't.
00:55:41Oh, I do wish you'd stop messing with your food.
00:55:43You don't get a fresh egg every day, do we?
00:55:45Oh, Joey.
00:55:48Here, Joey.
00:55:49Joey!
00:56:10He's at the Grand Theatre in Seymour Street.
00:56:11And don't forget the 500 quid.
00:56:13The information is correct.
00:56:14The check will reach you by the morning post.
00:56:16Scotland Yard.
00:56:17Right away.
00:56:38Well, that brings us just about up to date.
00:56:42Hank!
00:56:43Hank!
00:56:44Hank, Hank!
00:56:45The cops!
00:56:46Come on!
00:56:47Come on!
00:56:49This way!
00:56:54Hurry up!
00:57:10This way!
00:57:14This way!
00:57:33Come on, Joey!
00:57:34Go!
00:57:44This way!
00:58:09Miss Mattania?
00:58:10Yes?
00:58:11We're police officers.
00:58:12Do you mind?
00:58:13I understand you're a friend of Gino Rossini?
00:58:15Yes.
00:58:16When did you last see him, Miss Mattania?
00:58:17About two weeks ago.
00:58:19Wasn't in more reason.
00:58:21If you don't mind, I'd like you to come down to the yard with me.
00:58:23Just a few questions.
00:58:24We won't keep you long.
00:58:34Rossini!
00:58:35Dramatic escape.
00:58:36Read all about it.
00:58:37Extra.
00:58:38Read all about it.
00:58:39Rossini's escape.
00:58:40Rossini escape.
00:58:41Dramatic news.
00:58:42Read all about it.
00:58:55They decided to operate.
00:58:57When did you first realize the boy was receiving his medicine?
00:59:00We'd been getting notes from his school saying that he'd been staying away lately.
00:59:03He'd been acting a bit mysterious, but we didn't take much notice of him.
00:59:07He was like any other boy, I suppose.
00:59:08Meets adventure and doesn't realize when he might be in trouble.
00:59:11But if this Rossini's responsible...
00:59:12Yes, I know.
00:59:13I'm leaving one of my men here in case he recovers consciously.
01:00:08Let's go.
01:00:09Let's go.
01:00:37One hook could have tipped off the cops.
01:00:39If it wasn't for Giulio or Pietro, they didn't know where you were.
01:00:41Where can I find Giulio?
01:00:43How should I know?
01:00:44I've got to find Giulio.
01:00:45Okay, go out and find Giulio, but I wish you'd stop pacing up and down like a caged animal.
01:00:48Shut up, you!
01:00:51You're losing your nerve, Gino.
01:00:52Shut up!
01:00:58Maybe it was you, huh?
01:01:01Now, when do you think I got around to it?
01:01:03Maybe you put something in your storage so they know where to find me.
01:01:05You're nuts.
01:01:07I thought you were a big man, Gino.
01:01:09That kind of talk makes you sound small.
01:01:12Maybe you're not as big as I cracked you up to be.
01:01:15You started out fine.
01:01:17You don't look so good now.
01:01:19But don't worry, Gino.
01:01:20However small you get, you're still news.
01:01:23By the time I'm through with you, I'll be news too.
01:01:26You're not afraid of me no more.
01:01:28Yeah?
01:01:30Yeah, I'm afraid of you.
01:01:31I'm scared now because you're scared.
01:01:33No.
01:01:35Go on kidding yourself if you want to, Gino.
01:01:38But if you crack up, I'm a dead duck.
01:01:40There's a telephone box.
01:01:41You go phone Rosetta.
01:01:43Ask her about Julia.
01:01:44Maybe she has heard something.
01:01:46Yeah.
01:01:48Maybe she's heard something about the kid too.
01:01:53Remember Joey, Gino?
01:02:04Come on.
01:02:21Hello?
01:02:24Hello, Rosetta. It's Tom here.
01:02:26Where are you?
01:02:27At the telephone kiosk.
01:02:28And Gino?
01:02:30He's with me, in the spirit.
01:02:32He had a guy kind of drafty, so we moved.
01:02:34You must get away from Gino.
01:02:36Why?
01:02:37If they take him, he may kill you.
01:02:39Okay, we'll worry about that later.
01:02:40Now listen, honey, have you found Julio yet?
01:02:41No.
01:02:43Right, now here's where we are.
01:02:46Listen, if you get anything out of con, get over here right away.
01:02:48Tom.
01:02:49Yes, honey?
01:02:50Good luck.
01:02:52Mac, Bucking here.
01:02:53Bucking!
01:02:55For heaven's sake, man, am I glad to hear your ugly voice.
01:02:57Where are you?
01:02:58Never mind where I am.
01:02:59I want to know how that boy is.
01:03:01He may be all right.
01:03:02How'd it happen?
01:03:03Did Gino throw him?
01:03:04No, you fool.
01:03:05It was an accident.
01:03:06And here's something else.
01:03:07I got a story coming up that'll pin your ears back.
01:03:09Do I give it the tall boy?
01:03:10No, sir.
01:03:11As far as I'm concerned, it's the tall boy.
01:03:13I'll give it the tall boy.
01:03:15I'll give it the tall boy.
01:03:17I'll give it the tall boy.
01:03:18I'll give it the tall boy.
01:03:19I'll give it the tall boy.
01:03:20No, sir.
01:03:21As far as I'm concerned, he can go and jump in a lake of printer's ink.
01:03:24Here, Tom.
01:03:25Tom, come back here.
01:03:27Hello, sir.
01:03:28Come along.
01:03:29I've got you now.
01:03:30I've got you now.
01:03:31I've got you now.
01:03:32I've got you now.
01:03:33I've got you now.
01:03:34I've got you now.
01:03:35I've got you now.
01:03:36I've got you now.
01:03:47Man answering Backen's description reported near telephone kiosk in Gilmore Street.
01:03:53G-27 to proceed to this area.
01:03:55Did you say where to find us?
01:03:57I told you 50 times, she's still trying to find Giulio.
01:03:59Then she'll come and tell you where he is.
01:04:00That was a long time.
01:04:02She's the only one who knows we are here.
01:04:03She'll come through, Gino.
01:04:06So?
01:04:10Something you say about a woman, remember?
01:04:13I talk a lot.
01:04:15You say you can trust a woman so long as she stays in love with you.
01:04:17Now, what are you trying to make out of that?
01:04:19Maybe Rosetta is tired of love.
01:04:20Maybe she thinks Gino is finished.
01:04:22You're not crazy enough to think she tipped off the cops, are you?
01:04:24She's the only one.
01:04:25Look, I told you, she'll come when it gets safe.
01:04:26Now it's safe.
01:04:27All right, so it's safe.
01:04:29A lot of things could happen.
01:04:30Maybe she's being watched.
01:04:36You're getting all jazzed up inside, Gino.
01:04:39This is it.
01:04:52I'm going.
01:04:53Don't you think you better wait until it quietens down?
01:04:55No.
01:04:59What about Rosetta?
01:05:00She won't come.
01:05:03I'm going to visit someone.
01:05:05Don't forget me, Gino.
01:05:06I'm your passport.
01:05:09Come on.
01:05:10Can we go again?
01:05:22Just walk.
01:05:36Walk slow.
01:05:38Walk slow.
01:06:08Gino.
01:06:10Gino, you're crazy to come here.
01:06:11So?
01:06:12They've been watching her.
01:06:13There are some of them around now, I think.
01:06:15Where is Giulio?
01:06:18I don't know.
01:06:20In the country, I think.
01:06:21Why you not tell Rosetta?
01:06:24I did.
01:06:25You lie.
01:06:26No, Gino.
01:06:27You fixed this thing together.
01:06:29You and Giulio and Pietro.
01:06:31No, no.
01:06:32It was Rosetta.
01:06:33I tried to find her to tell you.
01:06:34It was she and Gi...
01:06:38Gino.
01:06:57Rosetta.
01:06:58You and Rosetta.
01:06:59You don't believe what Khan told you, do you?
01:07:01He was only trying to save his own skin.
01:07:03Rosetta is the only one who knows about the theater.
01:07:08No.
01:07:09There is also the house.
01:07:11You talk to Rosetta on the phone.
01:07:13Give her the address.
01:07:14The police come.
01:07:15But Gino, Rosetta wouldn't...
01:07:16No!
01:07:17You and Rosetta fixed this.
01:07:19You talk together when I sleep, you talk.
01:07:23Now, first you.
01:07:25Walk.
01:07:38Come on.
01:07:39Come on.
01:08:07You know the painted smile club in 4th Street?
01:08:08No.
01:08:09Okay, I'll show you.
01:08:19Telephone call for you, sir.
01:08:32Hello, yes?
01:08:33Stevens?
01:08:34Yes, sir.
01:08:35Is the girl in the club?
01:08:36Yes, sir. I'm keeping an eye on her.
01:08:37Just a minute, sir.
01:08:38Button, what the...
01:08:39Hiya, Stevens.
01:08:40That's the yard you're on to.
01:08:41Better tell him to get some men over here.
01:08:42I got an idea.
01:08:43Rossini's on his way.
01:08:44Tom Button's just shown up, sir.
01:08:45He thinks Rossini's coming over here.
01:08:46I'm sending some men over.
01:08:47But watch that girl.
01:08:48She may be in danger.
01:08:50Car.
01:09:03Rossini may show up.
01:09:04No panic.
01:09:05Just pass them up your by.
01:09:35What makes them think that Gino is paying a call?
01:10:06Somehow my thoughts return to your memory unbidden
01:10:15And now I know my love is in vain
01:10:21I've had my share of this torment
01:10:27So why should I care?
01:10:36Although I know my love had to stay ever hidden
01:10:45Somehow my thoughts return to your memory unbidden
01:10:55And now I know my love is in vain
01:11:01I've had my share of this torment
01:11:07So why should I care?
01:11:31I've had my share of this torment
01:11:41So why should I care?
01:11:51I've had my share of this torment
01:12:01So why should I care?
01:12:11So why should I care?
01:12:21So why should I care?
01:12:31So why should I care?
01:12:41So why should I care?
01:12:53So you want to be in the news?
01:12:57We're both going to be in the news, Gino.
01:13:01We're both going to be in the news, Gino.
01:13:31So you want to be in the news?
01:14:01Parker!
01:14:05I want a word with you.
01:14:07Mind if I call my paper first?
01:14:09When you finish telling your editor what a hero you've been, we've got quite a lot to talk about.
01:14:13Okay. Thanks.
01:14:18I'll stand by, sir.
01:14:31Evening, Colin.
01:14:33Hello, get me McNorton. Hurry.
01:14:37Hello, Mac?
01:14:38Here it is.
01:14:39Rossini shot after attempted murder of former sweetheart.
01:14:44The last act in the drama of Gino Rossini's escape took place tonight in an alley...
01:14:48...in an alley...
01:14:58The film for next week stars Jack Warner, Anthony Steele and Joy Shelton.
01:15:02That's Emergency Call in the early hours of next Tuesday morning at twenty to three.