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Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar. Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persian, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam. They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
Oppana (ഒപ്പന) is a popular form of social entertainment among the Mappila community of Kerala, south India, prevalent all over kerala especially in Malappuram. The Malayalam word Oppana Pattu is the derivation of Tamil word 'Oppanai Pattu'. In Tamil 'Oppanai' means make up.[citation needed]. Oppana was originated on the occasion of make of Muslim brides. Now Oppana has been extinct in Tamil Nadu. But in Kerala this art form has been revived with much popularity in performing stages of Youth Festivals of student community.
Oppana is generally presented by females, numbering about fifteen including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of mylanchi (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move around the bride using simple steps. Two or three girls begin the songs and the rest join in chorus.
Sometime Oppana is also presented by males to entertain the bridegroom. It usually takes place just before the bridegroom leaves for the bride's residence where the Nikah (marriage) takes place or at the time he enters the Maniyara.
Harmonium, Tabla, Ganjira and Elathaalam are the musical instruments employed for this performance. Only the Mappilapaattu will be sung on the occasion.
The word Oppana may have been derived from an Arabic form Afna. There are two types of Oppana, one is Oppana chayal another is Oppana murukkam. When Oppana chayal is performed, they do not clap their hands. If it begins with Chayal it would also end with Chayal only.
their relatives. Marriage The Mailanchi Pattu, the Oppana Pattu Maniyarapattu and the Ammayi Pattu belong to the category of Mappila Pattukal dealing with love and marriage
http://www.youtube.com/subscription_center?add_user=MalayalamMappilaSong
Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar. Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persian, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam. They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
Oppana (ഒപ്പന) is a popular form of social entertainment among the Mappila community of Kerala, south India, prevalent all over kerala especially in Malappuram. The Malayalam word Oppana Pattu is the derivation of Tamil word 'Oppanai Pattu'. In Tamil 'Oppanai' means make up.[citation needed]. Oppana was originated on the occasion of make of Muslim brides. Now Oppana has been extinct in Tamil Nadu. But in Kerala this art form has been revived with much popularity in performing stages of Youth Festivals of student community.
Oppana is generally presented by females, numbering about fifteen including musicians, on a wedding day. The bride dressed in all finery, covered with gold ornaments and her palms and feet adorned with an intricately woven pattern of mylanchi (henna), sits amidst the circle of dancers. She is the chief spectator sitting on a peetam (chair), around which the singing and dancing take place. While they sing, they clap their hands rhythmically and move around the bride using simple steps. Two or three girls begin the songs and the rest join in chorus.
Sometime Oppana is also presented by males to entertain the bridegroom. It usually takes place just before the bridegroom leaves for the bride's residence where the Nikah (marriage) takes place or at the time he enters the Maniyara.
Harmonium, Tabla, Ganjira and Elathaalam are the musical instruments employed for this performance. Only the Mappilapaattu will be sung on the occasion.
The word Oppana may have been derived from an Arabic form Afna. There are two types of Oppana, one is Oppana chayal another is Oppana murukkam. When Oppana chayal is performed, they do not clap their hands. If it begins with Chayal it would also end with Chayal only.
their relatives. Marriage The Mailanchi Pattu, the Oppana Pattu Maniyarapattu and the Ammayi Pattu belong to the category of Mappila Pattukal dealing with love and marriage
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