gun gun gungun bole re bhanwar..Suraiya_Pt Narendra Sharma_S D Burman..a tribute

  • 9 years ago
Song : gun gun gun gun bole re bhanwar...
Movie :Afsar ,1950,
Singer : Suraiya,
Lyricist : Pandit Narendra Sharma,
Music Director : S D Burman,
Director : Chetan Anand,
Cast : Dev Anand,Suraiya,Zohra Sehgal,Kanhaiyalal,Ruma Devi,Rashid Khan,Krishan Dhawan,Manmohan Krishan,Anand Pal,Mohan Sehgal,
Production Co: Navketan,
Lyrics :-
o o o o o o
gungun gungun gun gun gun gun
gun gun gun gun bole re bhanwar
sun sun sun kya laya khabar
gun gun gun gun bole re bhanwar
sun sun sun kya laya khabar
gun gun gun gun gun gun gun gun

gup chup gup chup kahata hai dil
kahata hai dil mera, kahata hai dil
ab na rahegi suni suni mahafil
kahata hai dil mera, kahata hai dil
kaun parawana ban aaya re nidar
sun sun sun kya laya khabar gun
gun gun gun gun gun gun gun

aane wale aana zara sambhal sambhal
sambhal sambhal zara sambhal sambhal
hath se na jaye jiya nikal nikal
sambhal sambhal zara sambhal sambhal
nach nachaungi main
nach nachaungi main banke afasar
sun sun sun kya laya khabar gun
gun gun gun gun gun gun gun

run-jhun baje-baje re payal
baje re payal baje-baje re payal
samane na aana kahi jao na phisal
baje re payal baje-baje re payal
jaadu daal degi jaadu jaadu daal degi
jaadu daal degi har mohini nazar
sun sun sun kya laya khabar, gun gun gun gun
gun gun gun gun bole re bhanwar
sun sun sun kya laya khabar
gun gun gun gun gun gun gun gun...

Synopsis
The journalist Kapur (Dev Anand) comes to a village run by corrupt politicians led by the village tehsildar (Kanhaiyalal). They mistake him for a government inspector and treat him like a VIP. The expose of rural politics is intercut with a love story between Kapur and the tehsildar’s sister Bimala (Suraiya).
Review
Afsar, Navketan’s first film, was a comedy, a satire on corruption, probably the first in its genre. It was based on the Russian author Nikolai Gogol’s play The Inspector General, a satirical comedy which was a hit with the audience. The film substantially determined the style, and the key unit, characteristic of Navketan’s 50s productions.
According to Dev Anand in his book Romancing with Life, “Though the bane of corruption has always been there in society, it wasn’t so evident in India during the nascent years of our independence, but became a cancerous reality soon thereafter. The film was very well made, and established the new banner (Navketan). It enhanced the name of Chetan Anand (Dev Anand’s brother and director), reaffirmed my status as an actor, and brought into our fold a musical genius who was later to weave his magic spell in film after film, and become a strong pillar for Navketan—the one and only S.D. Burman.
uction company the two brothers floated together, called Navketan, meaning

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