The Private Life of Don Juan (1934)
Unrated | 1h 29min | Comedy, Drama, Romance | 30 November 1934 (USA)
Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. When a jealous husband kills a fake Don Juan, the real thing sees a way to retire with grace.
Director: Alexander Korda
Writers: Henry Bataille (play), Frederick Lonsdale (story)
Stars: Douglas Fairbanks, Merle Oberon, Bruce Winston
Unrated | 1h 29min | Comedy, Drama, Romance | 30 November 1934 (USA)
Don Juan is aging. He's arrived secretly in Seville after a 20 year absence. His wife Dolores, whom he hasn't lived with in five years, still loves him. He refuses to see her; he fears the life of a husband. She has bought his debts and will remand him to jail for two years if he won't come to her. When a jealous husband kills a fake Don Juan, the real thing sees a way to retire with grace.
Director: Alexander Korda
Writers: Henry Bataille (play), Frederick Lonsdale (story)
Stars: Douglas Fairbanks, Merle Oberon, Bruce Winston
Category
🎥
Short filmTranscript
00:00:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:00:30to get you out of here, I'm going to get you out of here, I'm going to get you out of
00:01:00here, I'm going to get you out of here, I'm going to get you out of here, I'm going to
00:01:30get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:02:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I
00:02:30I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I
00:03:00I'm going to get you out of here, I .
00:03:23Business! You care only for business!
00:03:27You know I've got to go. I'll be back soon.
00:03:32Nobody loves me. Nobody cares for me.
00:03:46Good night, Teresita.
00:03:48I said good night, Teresita!
00:03:54Who was that man?
00:04:14Who was that man?
00:04:23Who was that man?
00:04:25There was no man here.
00:04:26I saw him with my own eyes.
00:04:28I've never been so insulted in my whole life.
00:04:30I'll pack up immediately.
00:04:32I'll go home to my mother.
00:04:36I'm tired. I think I'll go to bed.
00:04:39All right.
00:04:40Nevermore, darling.
00:04:43Forgive me.
00:04:54Hey, Conchita!
00:04:56Who?
00:04:57Don Juan is in town.
00:05:17Señora, Don Juan is in Seville.
00:05:19Shall I bar the windows?
00:05:21No.
00:05:23Who am I that I should fly in the face of Providence?
00:05:33I must see him.
00:05:35I'll go to his house tomorrow.
00:05:37Go to your room!
00:05:39Go out! Go inside!
00:05:41Go out! Go inside!
00:05:46Anna, go back to your room.
00:05:51I'll walk with the bride.
00:06:21From the rose between your lips
00:06:23To your dainty fingertips
00:06:26You belong to Don Juan
00:06:33Don Juan
00:06:38Don Juan
00:06:52Oh, I can't! I can't!
00:06:55Oh, what's the matter with you now, Pepita?
00:06:58Some man.
00:07:00Some man?
00:07:01You stupid goose!
00:07:02What?
00:07:03You bloodless cow!
00:07:04There's only one man like that in all Spain.
00:07:07It was he.
00:07:08How do you know?
00:07:09You don't know him.
00:07:10I came down to rehearse my carnival dance this afternoon.
00:07:13I was all alone.
00:07:14And suddenly, a man walked in.
00:07:16His hat so...
00:07:18His sword so...
00:07:19His sword so...
00:07:22And I knew.
00:07:23What did he say?
00:07:24Nothing.
00:07:25He just took me in his arms and kissed me.
00:07:29Kissed you?
00:07:30Was that all?
00:07:31All!
00:07:33My eyes closed.
00:07:34My heart stopped.
00:07:35My...
00:07:36My everything stopped.
00:07:39What a kiss!
00:07:46What a kiss!
00:07:50What a kiss!
00:07:52What, a kiss?
00:07:54Certainly.
00:07:55One kiss from Don Juan, properly handled, mind you, by a clever manager, and you're a maid.
00:07:59By one kiss?
00:08:00From Don Juan.
00:08:01Oh, I've seen it done.
00:08:02A little actress with no more than two lines and a pretty uncle.
00:08:05He noticed her.
00:08:06Within the year, leaving daily.
00:08:08Married to a Marquis living with a Duke.
00:08:10Bring him here.
00:08:11Ah, that's very difficult.
00:08:12Oh, not when properly handled by a clever manager.
00:08:16Oh, if there is one man in Seville who knows how to play his cards properly...
00:08:20He will bring me this King of Hearts.
00:08:24But you are the King of Hearts, Don Juan.
00:08:26What are your symptoms?
00:08:28Well, nowadays, when I sit down to a quiet game with a lady, I'm no longer sure of holding the card.
00:08:35Well, Doctor?
00:08:36What's your age, Don Juan?
00:08:38How did you find the lungs?
00:08:39Splendid, and what's your age, Don Juan?
00:08:41What about the heart?
00:08:42Splendid, and what did you say was your age, Don Juan?
00:08:44How is the general condition, Doctor?
00:08:46After what you have said about your age, you're a miracle of youth, Don Juan.
00:08:49An enviable constitution and perfect health.
00:08:52But I told you the symptoms.
00:08:53There surely must be something wrong with your heart.
00:08:55I don't think so, Doctor.
00:08:56I don't think so.
00:08:57I don't think so.
00:08:58I don't think so.
00:08:59I don't think so.
00:09:00I don't think so.
00:09:01I don't think so.
00:09:02I don't think so.
00:09:03There surely must be something wrong with me.
00:09:06Aren't you going to give me any prescription?
00:09:07I shall.
00:09:08A very important prescription.
00:09:09Don't climb more than one balcony a day.
00:09:12I don't.
00:09:13Last night, you climbed at least ten.
00:09:15Since I arrived in Seville yesterday afternoon, I haven't moved from this house.
00:09:19One balcony a day, then slowly reduce that to four balconies a week,
00:09:23then reduce that again to two balconies a week,
00:09:26and in about 15 years, well, there won't be any more balconies.
00:09:30Then you can come and consult me again.
00:09:32How much do I owe you?
00:09:34Nothing, if it can be made known that you have consulted me.
00:09:38Three ducats if I have to keep it a secret.
00:09:41Look! The streets are full of women!
00:09:45Flowers again! Flowers!
00:09:47Eighty-nine letters.
00:09:49And at six o'clock yesterday evening, disguised, unknown to anyone, we brought him to town.
00:09:54And in a few hours, all Seville knows he's here.
00:09:57Which of you gave him away?
00:09:58Did I not give you my word?
00:10:00And did I not?
00:10:01Then how in heaven's name did they discover it?
00:10:14Well? What did the doctor say?
00:10:17He said I'd eaten something that disagreed with me. Passing indigestion.
00:10:21That's good news. But I've bad news for you, Don Juan.
00:10:23The whole town knows you're here.
00:10:26Delores! She followed us! I knew she would! Oh, how I hate that woman!
00:10:30She loves you.
00:10:31Loves me? Buying my debts, putting me in jail?
00:10:34You've only got to go back to her.
00:10:35Listen, I like jails. I've always wanted to go to jail. I insist I'm going to jail.
00:10:39She can keep you there for two years.
00:10:41Oh, my love is going to jail. I'm putting my love to jail.
00:10:46Don Juan, my love will be in jail.
00:10:50I don't understand you, my sweet.
00:10:52What did you say?
00:10:53You put him in jail.
00:10:54Do you remember when you were in love?
00:10:57I think very hard, my sweet. Well, think very hard.
00:11:01Was he unfaithful?
00:11:02Oh, I don't have to think hard. Every man is unfaithful.
00:11:07And when he was unfaithful, did you want to lock him up?
00:11:10Lock him up? Chains on his hands and feet and neck.
00:11:15You are right, my sweet.
00:11:17You're wrong there, Conchita, because if you put chains on his hands and his feet and neck,
00:11:22he wouldn't be able to embrace you.
00:11:25Are you going to see him in jail?
00:11:27Twice every day.
00:11:30I've been appointed the visiting governor.
00:11:32He'll see no other woman but me.
00:11:36How clever you were to buy up all his debts.
00:11:41Master.
00:11:43Is it true you're really going to jail?
00:11:46Why don't you go and see the lady?
00:11:48Because I hate her.
00:11:49During the year I was with her, she nagged me,
00:11:52watched me like a cat and accused me of being unfaithful.
00:11:54Were you?
00:11:55Yes, but she only guessed.
00:11:58Master.
00:12:00Aren't ladies pretty well all alike to you?
00:12:03What have you got against this lady?
00:12:05I adore women.
00:12:07I never was able to resist women.
00:12:10This is the one woman in the world that I'm determined to resist with my last breath.
00:12:13Why?
00:12:15That's my secret paper.
00:12:18Donna Delores, how did you discover we were here?
00:12:20How can I help discovering it when Don Juan has climbed every balcony in Seville?
00:12:24Don Juan has not left the house since we arrived yesterday evening.
00:12:27I know women whose balconies he's climbed.
00:12:30I swear to you Don Juan has not left the house.
00:12:33You swear as easily as Don Juan, leporello.
00:12:36Donna Delores, do you really want to send him to jail?
00:12:39What else can I do when I'm in love with him and he climbs every balcony in Seville?
00:12:43Can't that be forgiven?
00:12:45You know it can.
00:12:46He's only got to come and ask me for the bill.
00:12:49Is it so difficult for him to come and see me?
00:12:51He shall come and see you.
00:12:54Don't you believe it?
00:12:55No.
00:12:57Don't you think he dislikes you so much?
00:13:00I think he's afraid he may like me too much.
00:13:04But still if he comes, the bills will go into the fire.
00:13:07You're very generous, Donna Delores. Thank you.
00:13:10You don't think an accident might happen to Don Juan?
00:13:14No, I'll take good care of him.
00:13:16I'll take very good care of him.
00:13:17Balcony climbing is a dangerous sport.
00:13:20I'll be waiting all night.
00:13:47You've followed us again.
00:13:49I must see Don Juan.
00:13:51Why do you want to see Don Juan?
00:13:53I want to be like him.
00:13:54You dress like him?
00:13:55Yes.
00:13:56I do everything like him.
00:13:57Well, what do you want with him?
00:13:59The last trick.
00:14:00The last turn.
00:14:01The real victory.
00:14:03The mastery of women.
00:14:06I don't know how it's done.
00:14:08And until I do, it's no use for me to bother you.
00:14:12I don't know how it's done.
00:14:14And until I do, it's no use for me to go around climbing balconies and kissing women.
00:14:18Climbing balconies?
00:14:20Where were you last night?
00:14:21Oh, I had a grand time.
00:14:23I climbed nearly every balcony in Seville.
00:14:25I see.
00:14:26Don Juan would like to see you.
00:14:28Would he?
00:14:29Very much. Wait here, will you?
00:14:30Certainly.
00:14:33Is it true?
00:14:35He had 857 affairs in three years?
00:14:39To be exact, 903.
00:14:52What have you got there?
00:14:53Nothing.
00:14:54How many times have I told you not to eat anything starchy?
00:14:57I think it's disgusting. I can't eat what I want.
00:14:59Isn't your figure your only asset?
00:15:01There must be a lot of women that like fat men.
00:15:03Yes, rich fat men.
00:15:05I'll sack the cook.
00:15:09What do you mean by sending this up?
00:15:34Oh, he begged me so hard to. I hadn't the heart to refuse him.
00:15:37Very well. You're sacked.
00:15:38Sacked?
00:15:39Well, who's master here?
00:15:40Don Juan or you?
00:15:42I am.
00:15:43I look after his figure, his finances, his fame and his future.
00:15:45Get out.
00:15:46No.
00:15:47No, no, Senor. You can't come in.
00:15:48Oh, yes, do that.
00:15:49No, no, no.
00:15:50No, no.
00:15:51You can't come in.
00:15:52Ricardo.
00:15:53Pedro.
00:15:54Coming.
00:16:03Throw him out.
00:16:05Oh, forgive me, sir.
00:16:07It shall not occur again.
00:16:09I have a large family.
00:16:11Well, I have a soft heart.
00:16:13In the future, no starch.
00:16:15Remember, you're cook to Don Juan.
00:16:17Very well, sir.
00:16:28Who are you?
00:16:30What are you doing?
00:16:32Let me look.
00:16:38I won't disturb you anymore.
00:16:40Forgive me, Don Juan.
00:16:43Oh, no, stop.
00:16:48What did you come here for?
00:16:50All the women in Spain are dreaming about you.
00:16:52I had to see you.
00:16:54Well, now you have seen me.
00:16:56You're not disappointed?
00:16:59You're even more wonderful than I imagined.
00:17:07Are you married?
00:17:09Happily?
00:17:10Who is happily married nowadays?
00:17:12Oh, he neglects you.
00:17:16To neglect such a glorious creature.
00:17:19Oh, you're joking.
00:17:21No, no, I only wanted to see you.
00:17:30Ecstasy.
00:17:32Who could resist you, Don Juan?
00:17:35I found out how we were discovered.
00:17:37Dolores?
00:17:38No, not at all.
00:17:39There's a young man downstairs who's taken your place.
00:17:41Oh, nobody can take my place.
00:17:43Well, last night he gave such a good imitation of you
00:17:45that everyone is satisfied that you are in Seville.
00:17:47What did he do?
00:17:48Climbed balconies, kissed women, used wine,
00:17:50did everything you can do.
00:17:51That was a great success.
00:17:53Now you'd better go.
00:17:56Tonight, then?
00:17:58Tonight.
00:18:00Did they think it was me?
00:18:02They did.
00:18:03Well, there's only going to be one Don Juan in this world.
00:18:23He's gone.
00:18:33Look, he's taken your bird.
00:18:35I'll find him and I'll kill him.
00:18:41You can't get in his place.
00:18:43I'll get in his place.
00:18:44You can't get in his place.
00:18:45I'll get in.
00:18:46I'll kill him, I'll kill him.
00:18:47Who do you want to kill?
00:18:48That scoundrel, Don Juan.
00:18:53Don Juan?
00:18:54Why?
00:18:55He made love to my wife.
00:18:56When?
00:18:57Last night.
00:18:58Last night?
00:19:01Last night.
00:19:03I am Don Juan.
00:19:05Come on.
00:19:06What?
00:19:07I beg your pardon.
00:19:08Is your wife charming?
00:19:10She is lovely.
00:19:11Lovely?
00:19:12Thank you very much.
00:19:13Come on.
00:19:19Lovely?
00:19:20When did you tell her that she was lovely?
00:19:23When did you send her a basket of flowers?
00:19:26When did you whisper words that sent shivers up and down her spine?
00:19:30Not for years.
00:19:32Because you were married.
00:19:34You just owned her.
00:19:36Like a monkey, a fiddle.
00:19:38So that a miserable bungler could come and take her away from you.
00:19:42Why should a lovely wife be faithful to you?
00:19:45Clown.
00:19:47Yokel.
00:19:48Boom.
00:19:50Husband.
00:19:53How long have you been married?
00:19:56Six years.
00:19:57Six years.
00:19:59When did you tell her that she was lovely?
00:20:01Every day.
00:20:06When did you send her a basket of flowers?
00:20:08Every day.
00:20:12Are you romantic?
00:20:15Every day.
00:20:19Kick him out.
00:20:20He's a bore.
00:20:26Your impersonator must have been very busy last night.
00:20:29I wonder why he ran away.
00:20:31I'll find him and I'll kill him.
00:20:38We are sold out.
00:20:40And everybody hopes that Don Juan will come to visit you.
00:20:43And over there?
00:20:44At the black cat?
00:20:45Empty.
00:20:53Come along, darling, honey.
00:20:54Empty.
00:21:15Full?
00:21:16No, empty.
00:21:17They've all gone over to the golden pheasant to see Pepita.
00:21:18Pepita?
00:21:19That old battle horse?
00:21:20Old?
00:21:21Twenty-six at least.
00:21:22I'm nineteen and I can dance.
00:21:23She can't.
00:21:24No, but Don Juan kissed her yesterday afternoon.
00:21:25Don Juan.
00:21:26Even his kiss can't make her a good dancer.
00:21:27No, perhaps not.
00:21:28But what publicity.
00:21:29What publicity?
00:21:30Don Juan.
00:21:31Don Juan.
00:21:32Don Juan.
00:21:33Don Juan.
00:21:34Don Juan.
00:21:35Don Juan.
00:21:36Don Juan.
00:21:37Don Juan.
00:21:38Don Juan.
00:21:39Don Juan.
00:21:40Don Juan.
00:21:41Don Juan.
00:21:42Don Juan.
00:21:44But what publicity?
00:21:45Well, if Spain doesn't know anymore what good dancing is, then... then...
00:21:50Then what?
00:21:51Then... then it's no wonder that our fleet was beaten by the English.
00:21:55Oh, you can't argue with the public.
00:21:57They expect Don Juan at the golden pheasant.
00:21:59Don Juan.
00:22:00The man with the worst taste in Spain.
00:22:02Worst?
00:22:03The worst.
00:22:04Well, if you want my opinion, you'll get ready for your turn.
00:22:06And if you want my opinion, I refuse to dance to an empty house.
00:22:09Well, if you want my opinion, you'll get the sack if you don't.
00:22:20Here I am, darling.
00:22:21How wonderful of you, Don Juan.
00:22:24Yes.
00:22:31Are you hurt?
00:22:32No.
00:22:33No, it's nothing at all, really.
00:22:40Well, he can't be here.
00:22:41The place is empty.
00:22:42Well, let's sit down.
00:22:43I'm tired out.
00:22:46Good evening, gentlemen.
00:22:50Bring a bottle of herring.
00:22:52Antonita.
00:22:53Antonita.
00:22:54Don Juan is here.
00:22:56Don Juan?
00:22:57Don Juan.
00:22:58No.
00:22:59It isn't true.
00:23:00Oh, I knew he'd come.
00:23:01I knew he wouldn't go to see Peter.
00:23:03Oh.
00:23:04Oh.
00:23:05Oh.
00:23:06Oh.
00:23:07Oh.
00:23:08Oh.
00:23:09Oh, tell the officer to get ready.
00:23:11Oh, hurry.
00:23:12Hurry.
00:23:15Oh, let's go.
00:23:16No.
00:23:17It's easy enough for you to run about all night.
00:23:18You'll have two solid years rest in a nice, quiet jail.
00:23:21Jail?
00:23:22Didn't you settle that?
00:23:23Oh, you can do that.
00:23:24How?
00:23:25By going to see Doña Dolores.
00:23:26She's waiting for you.
00:23:27No.
00:23:38Right.
00:23:39Two years, the young masquerader will have a marvelous time.
00:23:45All right.
00:23:46I'll go see her.
00:23:47Please make me dance well.
00:23:48Oh.
00:23:49Oh.
00:23:50Oh.
00:23:51Oh.
00:23:52Oh.
00:23:53Oh.
00:23:54Oh.
00:23:55Oh.
00:23:56Oh.
00:23:57Oh.
00:23:58Oh.
00:23:59Oh.
00:24:00Oh.
00:24:01Oh.
00:24:02Oh.
00:24:03Oh.
00:24:04Oh.
00:24:05Oh.
00:24:06Oh.
00:24:08All right, ready, let's go.
00:24:25Let's go, I tell you.
00:24:26She's waiting for you.
00:24:30And you sit still a second.
00:25:07Oh
00:25:30You look awful by daylight
00:25:37Oh
00:26:07She's indeed a lovely dancer sir, we'd be highly honored if you would visit her in their dressing room for a minute
00:26:18Oh, no, you can't go a prison time. You're late already just for a second. Oh, you're hopeless
00:26:23Thank you very much. Thank you very much, sir. I'll be back in a minute a
00:26:28minute
00:26:37Oh
00:26:40What divine hair
00:26:44And those two lovely stars
00:26:48Just a little frightened
00:26:51gazing at
00:26:54You battle me
00:26:59Once again, I'm just a frightened child. I
00:27:04Could kill you for being so attractive
00:27:08What a fool I was what a fool why no, I thought I could resist you
00:27:15Can you?
00:27:17No woman
00:27:22Oh, why did you kiss that girl what girl but Peter at the Golden Pheasant yesterday evening. Oh
00:27:30Yesterday evening I didn't kiss her. Can you swear that?
00:27:35Can you swear that in this case with the easiest conscience
00:27:48What the liars I'm going to everybody
00:27:58So you wouldn't come
00:28:01Ah
00:28:03An accident, I'm afraid so he's he's sprayed. He he has to stay in bed
00:28:14Donna Delores
00:28:16You want to make him hate you? I'd rather he hated me didn't forgot me
00:28:19If he hates me at least he has to think about me. You want to punish him. Don't you love him? Yes, I do
00:28:25But I gave him the choice love
00:28:28Or the law aren't you afraid you may lose him entirely
00:28:33Yes, I might
00:28:38But I don't think so
00:28:41The man flees so desperately from a woman
00:28:45He must be desperately afraid of her. I'll compel him to see me and if he sees you and remains the same
00:28:55Then I'll give him up
00:28:57And he can have his bills and his freedom and all the women in the world, but he'll never see me again
00:29:06But that remains to be seen
00:29:09Oh
00:29:10That kiss of yours this morning was the greatest event in my drab life
00:29:15But I know that for you. I'm just one woman in a thousand just one more victim
00:29:20You're the only woman in the world for me. You really mean it. Yes Oh
00:29:25Don Juan
00:29:31Good night little one. Oh wait
00:29:34Wait and say that I'm not just one of a thousand women for you. Oh, no
00:29:38Do I really mean something to you?
00:29:41Certainly. Am I the one whose kiss you've been seeking on a thousand women's lips?
00:29:46I am the one the only one of course. Oh
00:29:50Don Juan, thank you. I've never really lived until this moment. That's splendid now. Good night little one
00:30:07Four o'clock
00:30:09And an eight o'clock jail or we go to France soon as he arrives. Will he consent? No, he'll never consent
00:30:16But he'll go all the same
00:30:20Three miles to walk
00:30:24The question I ask myself is are women worth it
00:30:38You may not know it but you've been sent from heaven you take me to my house and this is yours
00:30:43But my cat is full of cabbage. It's enough good. This is the first time I ever liked them
00:30:50I
00:30:58Say
00:31:00She told me that you've gone to the carnival Don Juan. I know you'll kill me
00:31:04But I'm an honorable man
00:31:06For my wife's honor. I must die or what would people say?
00:31:12No, Don Juan
00:31:15Are you ready? Oh
00:31:17Very well if you insist
00:31:20I
00:31:47Suppose it has its disadvantages but
00:31:50It saves a lot of walking
00:31:53Thank you, sir. Good night. Good night
00:31:55What
00:32:17Are you packing for a gentleman has to dress even in jail two years is a long time. I
00:32:24Forgot it. Did you see Dolores? Yes. Is she angry? Yes
00:32:30Well, you are an idiot. You don't know how to talk to an angry woman
00:32:33You are a genius, but you prefer to prove it to another woman now
00:32:37Listen, everything's arranged the coach at the door drive as fast as you can to the frontier and I'll join you in Paris
00:32:53She
00:32:56Said you wouldn't be arrested till the morning
00:32:59Well, what do you want in the middle of the night?
00:33:02We had to disturb you sir. I'm sorry to say your master's been killed
00:33:07Our must Don Juan isn't this his house
00:33:12Yes, this is Don Juan's house
00:33:14My name is leporello. I'm a steward
00:33:17Tell me what has happened to Don Juan Don Alfredo killed him
00:33:21I'm afraid. Oh, how did Don Alfredo recognize Don Juan?
00:33:30It's his
00:33:32All this is too too terrible for words
00:33:36There can be no doubt about poor
00:33:39poor Don Juan
00:33:41Oh
00:33:43Thank you. Thank you so much. We look after his body
00:33:46Good night
00:33:51The idea they really think you are dead I'll tell them shut up you have to the night
00:33:56Yes in a month or two or six whenever I want to whenever I have money enough to pay my debts
00:34:05Yeah, Providence is against the jealous woman
00:34:08Providence favors a man fighting for his freedom. How do you want to use your freedom? I want to rest
00:34:15I want to rest
00:34:17Leave the simple life for simple people
00:34:20Not to be a celebrity for a while
00:34:23To be unknown no women and alone
00:34:28To eat what I like to do what I like
00:34:33After all there comes a time in a man's life and he needs rest
00:34:38And I'm going to have it oh
00:34:41I'm so happy and so sleepy
00:34:49Good night. Let's run and don't wake me until it's time for my funeral
00:35:04Don't
00:35:06Wake up
00:35:36You
00:36:06You
00:36:18Why are all these women in mourning for you
00:36:21You
00:36:35I've never seen one of them before in my life. He must have come the wrong funeral. Oh, no
00:36:39Yeah, let's go now
00:37:10You
00:37:15Did you ever meet Don Juan never not once why are you in mourning because I've never met him
00:37:26It's amazing I had no idea my own funeral could be so delightful and certainly brought your career to a happy end
00:37:33And why and why not?
00:37:37Move off while they still think of you as you were where
00:37:41Ten years ago for these wrinkles these lines these gray hairs you'd spoil any party
00:37:47You
00:38:02Excuse me, madam. You ever see my poor friend on one
00:38:05No, sir
00:38:07But I had hoped to see him at my cousin's next month and you say no. Did you know him?
00:38:12You have no reason to be here then I have a very good reason sir, I've often dreamed of it
00:38:23Amazing I never knew I was such a great fellow
00:38:31The fat fellow Cardona the playwright
00:38:41I
00:38:57My friend this is a great sight women and women and women the eternal hunger of women for love
00:39:04Every woman must have a sense of gratitude to the man who brought love to so many of her sisters
00:39:09What would you say that was the cause of John Juan's great success first dull husband
00:39:15second a careful avoidance of all intelligent women I
00:39:20Must write a play about him one of these days you want me to collect all the details of his romantic life romantic
00:39:25What is there a man thing in spending his life telling women? They are everything they are not
00:39:30Only fools have the time to be great lovers
00:39:32Well at all events, I hope you have one good thing to say in favor of women one in most cases
00:39:37It is the man who has to walk home
00:39:42Look Antonita the dancer
00:39:57Courage be brave a little one
00:39:59Don't say what I want to die
00:40:16This has been the greatest day of my life, but there'll be one even greater when I come back
00:40:21If women grieve so at my funeral, can you imagine what's going to happen?
00:40:24Goodbye Leporello
00:40:54What right if you're going to be here same as you nobody asked you he never kissed you it was a different life
00:40:59Yes, it was a lie. Don Juan told me so himself. It was only publicity. He didn't know
00:41:03And who were you to give all this here? Who am I?
00:41:07Don Juan said I was the girl whose kiss he'd been seeking on a thousand women's lips. I was the only one
00:41:11He'd never loved anybody else in his life
00:41:13He loved you so much that he went straight from you to another woman. Oh, that was a previous engagement
00:41:18That's why they killed him. That's why they killed him because he loved me. He said good night, Antonita
00:41:22I'll tell her if I have to die for it. He loved me and no don't women like you
00:41:52So the funeral is over and he's gone in a blaze of glory rejoicing in his liberty
00:42:01All right, I don't understand you Donny Dolores what's your scheme I
00:42:07Have no scheme. What's your idea? I have no idea
00:42:11except a
00:42:13Woman must realize that she's not the only one who's in love with a man
00:42:17You might lose him for good
00:42:19Or win him for good. No other woman would have let him go
00:42:23No other woman understands him
00:42:25How should they after just having a week or a day out of his life?
00:42:30I had over a year. What can you know about him that thousands of other women don't?
00:42:37I don't know
00:42:40I don't know
00:42:42Over a year, what can you know about him that thousands of other women don't
00:42:47Tell me
00:42:49Has don one been very tired lately?
00:42:53How did you know?
00:42:57No great lover has any secrets from a woman after a year donna dolores you're bound to win I might
00:43:06Now I must wait he'll soon be tired of being tired
00:43:12Foreign
00:43:43Is
00:43:45Captain mariano's breakfast ready. Here it is
00:43:49Beef for the blunt fish for the brain and a dash of garlic for the imagination
00:43:58Captain mariano coming breakfast is ready
00:44:09Oh
00:44:13What a glorious day
00:44:16You look wonderful. Thank you. You too. You look wonderful. Oh
00:44:24Now there is a gentleman
00:44:31You look off why so gloomy
00:44:34Who wouldn't look gloomy after six months in this hole?
00:44:37What a place for donna. Why it's your food
00:44:43All right
00:44:45for captain mariano
00:44:47captain mariano
00:44:49retired from active service
00:44:52Private life of don juan ladies two centavos the private life of don juan
00:45:01The greatest lover who ever lived
00:45:04What's that all the secrets of his love life the number of his love affairs?
00:45:09Welcome the story of his lamentable death killed by an outraged husband
00:45:13They're selling a new book
00:45:15the private life donna
00:45:21Yes
00:45:39Is there a captain uh mariano living here, yes, sir, certainly sir, where can I find him?
00:45:45Captain mariano is having his breakfast, sir breakfast, but it's afternoon
00:45:50Captain mariano is not what you call an early riser, sir
00:45:53I always give him his lunch and his breakfast in one and I must say it's a pleasure to see the way he appreciates his
00:45:57Food marco is quite right that he should but there's nothing he asks for that. We don't give him
00:46:02I always say that if you give a customer what they like, they'll come back again
00:46:06So if you're the friend that he's expecting and you'll just tell me your favorite dish
00:46:09My favorite dish is a middle-aged woman's tongue cut out by the roots chopped very small and eaten raw
00:46:27Hello did you bring the money?
00:46:30Yes
00:46:34Did you see this
00:46:35See civil they sell it in 20 000 copies. Have you read it? I have it's all lies
00:46:40They give all the details of everything that never happened. You know, these authors are private lives
00:46:45No life is private to them. He thinks you're a hero and makes you a cat
00:46:48You know the public if he didn't think me a hero, he wouldn't write it
00:46:52And if he didn't make me a cat, he couldn't sell it. How long do you want to stay?
00:46:56Until I feel rested when do you think you will kill reason?
00:47:00I don't know. I've got to make up for 20 years of hard service
00:47:13Master the mistress says that if you won't come she will come tell her i'll come right away
00:47:20Good night, gentlemen. Good night
00:47:24Sentenced to marriage for the term of his natural life
00:47:30Oh
00:47:32Alonzo
00:47:33You're not married. No, but I hope to be
00:47:36Did you just see that poor chap? Oh, my girl's different. All girls are different. All wives are alike
00:47:43You lose your freedom. My girl's worth it
00:47:49Marriage is like a beleaguered city those that are out want to get in those that are in want to get out
00:47:54Yeah
00:47:55The private life of don Juan. Hey, give me one. Give me one
00:48:00Two centavos how much two centavos? Oh too much
00:48:07You can have it for nothing. Oh, you are a one for bargains, aren't you here here's your money
00:48:23Don't you want to play with me? I want to play with teresita. Good night
00:48:29You're not going
00:48:31Don't you want to play with me? I want to play with teresita
00:48:36Good night
00:48:58So
00:49:28So
00:49:38Well, what sort of a fellow was he
00:49:40I wish I could have taken his morning chocolate to him. Oh as good as that. What strikes you most about him?
00:49:46He seems to have given what they call in references
00:49:49great
00:49:50Satisfaction, you know, there's something wrong with nature to take a man like this from us
00:49:54Well, if he'd lived you possibly wouldn't have met him I would have hoped and that would have kept me going if he lived
00:50:01If you met him
00:50:05I would have hesitated but it would only have been acting
00:50:24What are you looking for I was just wondering whether i've ever seen a more
00:50:31Beautiful figure have you yes
00:50:35but only once
00:50:37If you said you hadn't I had an answer for you
00:50:40Tell it to me. No, it's rude. Tell it to me. No, not with the lights on
00:50:49Don Juan would have liked you
00:50:51Don Juan would have liked you. What do you know about don Juan?
00:50:56I knew him
00:50:58Whom don Juan? No, what was he like? How did he look? Well, he wasn't
00:51:04Unlike me
00:51:15Oh go on
00:51:17I
00:51:20Was exactly like me if I kiss you
00:51:29My kiss is like that one well
00:51:35When he seized her hand it was as though a stream of hot lava were running through her veins
00:51:41And when he kissed her she felt a trembling delight that swept away her senses
00:51:48Well hot lava, no
00:51:59I could kill you for being so attractive
00:52:02Don't stop say more
00:52:04Bring some wine up to my room. I can't you bring some up to mine when about half an hour. Don't know
00:52:18Good night captain. Mariano. Good night. Don't ya? Oh, you look wonderful
00:52:25Thank you. Captain. Mariano
00:52:29Rosita you can close up and go to bed
00:52:32If you were mine the rich man said with the golden spoon you should be fed and you go to sleep on a golden bed
00:52:39Until the sun came up in the morning
00:52:44The rich man said then what happened to you
00:52:48You were mine
00:52:50You were mine
00:52:52You were mine
00:52:54You were mine
00:52:56You were mine
00:52:58You were mine
00:53:00The rich man said then what have I that you could be attracted by the modest maid gave no reply
00:53:07Until the sun came up in the morning
00:53:22What divine hair
00:53:31And those two lovely stars just a little frightened gazing at me
00:53:38You you baffle me once again, i'm just a helpless child
00:53:47I could kill you for being so attractive. Oh, go on captain. Mariano. You certainly know how to talk
00:53:56There is nothing that I wouldn't say or do for you you mean it
00:54:03Are some in gold like this too much
00:54:08What
00:54:09There's a lovely pair in the shop across the road and they only cost five ducats
00:54:14And the other girl in the cafe has some
00:54:25You get the earrings in the morning
00:54:32Rub harder good master. We'll have it off in no time
00:54:36I'm, so happy
00:54:37You tell the cook. I only want boiled fish and stewed fruit for lunch. Bravo master
00:54:43Get out my best clothes bravo master at five o'clock. We run 10 miles. Bravo master
00:54:50It's too wonderful
00:54:53Here
00:54:55Take those to rosita. Yes master
00:55:00Send ricardo to dress me very good master
00:55:12Hi rosita with captain mariano's compliments
00:55:17Oh
00:55:18Did they cost five ducats six?
00:55:21Oh
00:55:23My oh my i've heard of men who wanted something for nothing
00:55:28And others who bargained something for something but a man that gives something for nothing
00:55:36For nothing
00:55:38That a poor girl should get something for nothing. Why the end of the world must be near
00:55:51So
00:56:06That's what I'll have out things packed immediately this is a pleasant surprise indeed surprise
00:56:11You didn't think I was going to spend the rest of my life in this miserable land
00:56:21So
00:56:29Hurry hurry
00:56:51So
00:56:55Pedro yes master see that carriage. Yes master find out her name and address very good master
00:57:07Do you have your winter clothes dispatched at once no
00:57:10You won't need your winter clothes. Ricardo is packing
00:57:13unpack
00:57:15Don't you want to leave?
00:57:17No stay
00:57:19You said you hated this place
00:57:28I adore this place
00:57:30So
00:57:47Most unhappy if he annoys you
00:57:50You rascal you clumsy lout. How often have I told you not to offend people get out of here. Yes master
00:57:57Oh
00:57:59I'm so sorry, sir, sir
00:58:01I apologize. Oh very kind indeed, sir
00:58:05I hope you will forgive me. Most certainly sir. Good day
00:58:11Are you ready go
00:58:13Oh
00:58:25What did she say that you're marvelous master what else she sent you this
00:58:33Does she know who I am? Oh look here
00:58:38Castle montoro west wing second tower room on the top floor
00:58:44master
00:59:00So
00:59:13So
00:59:44So
00:59:55Thank you, thank you thank me was such a reward
01:00:01For the fine hair
01:00:07And those two lovely stars just a little frightened
01:00:12Gazing at me
01:00:16You baffle me
01:00:20Once again, i'm just a frightened child
01:00:27How divine won't you come and sit down
01:00:34You look and speak just like my dear father did
01:00:38He would have been just about your age now, but he would never have been able to climb up here
01:00:43It's incredible at your age
01:00:49My guardian keeps me here as a prisoner and thomas doesn't know where I am thomas
01:00:55Yes thomas
01:00:57He's in seville
01:01:00So will you please send a letter to him?
01:01:07I
01:01:11Write to tell him to come because I love him. I'll never love anyone else in the world
01:01:17So
01:01:19So will you please send it to him?
01:01:21Or better still take it to him
01:01:24Oh, please
01:01:26please
01:01:28I love him and he loves me
01:01:33Oh, how can I fancy
01:01:36You kiss me
01:01:39You know, yes like my father would kiss me
01:01:48I shall love you till the last day of my life and I shall remember you the last day of my life
01:01:57Goodbye
01:02:05Foreign
01:02:20Did you say a lock of his hair very well then a lock of his hair
01:02:35Ah
01:02:43What have you been doing?
01:02:49What a shame to get such a cold dear dear dear men are like children they need to look after them
01:03:00Get me something to drink
01:03:06Because I know what you want
01:03:15You know captain mariano
01:03:18A man of your age ought to know
01:03:21That he needn't go out of the house
01:03:25To find something that he can get just as well in the house
01:03:32I beg your pardon
01:03:34You're a nice man
01:03:37Now, why don't you settle down and be happy?
01:03:41I'm all right. No, you're not you look miserable and you know it
01:03:47Now you ought to have a place of your own
01:03:49Do you know how much I make out of this inn and the farm and the vineyard?
01:03:54300 ducats a year
01:03:57And no relations to make our lives bitter
01:04:01our
01:04:02Well, if you don't know what i'm driving at all this time, I don't want to marry you at all
01:04:07Oh, but you do know very well
01:04:11Now what do you say?
01:04:14Signora, but why do you hesitate?
01:04:17You've no money
01:04:19No looks not very much brain
01:04:22And you're no chicken. Well, neither am I
01:04:26But you would help me in the business. You're a nice fellow. You make me a good husband
01:04:32We ought to be very happy
01:04:35Signora, it's impossible
01:04:38Men are so bashful. Why impossible? Signora. I'm a married man already
01:04:44Oh
01:04:48It needn't be
01:04:50Exactly married. Oh, no, no, no, no signora. It must be marriage
01:04:56I'm a man of morals. You shocked me
01:04:58No, no, no, no, no, no signora
01:05:01I'm going mad
01:05:11I can't stand it any longer. We're going back to seville
01:05:31So
01:06:02Seville what a city to come back
01:06:15What a setting for the return of don juan
01:06:26Including the secret of his sensational success
01:06:30In the city of seville only two centavos for a hundred scenes from the life of the world's greatest lover
01:06:36including the secret of his sensational
01:06:40Private life of don juan if one wasn't no i'm waiting for the second one, but there isn't one no, but there will be
01:06:59Sensational successes in the city of walk up walk up walk up and see the worldwide public show
01:07:06Showing now don juan in the harem walk up and see the man with a million mysteries
01:07:13continuous performance
01:07:15That's an exaggeration
01:07:18Walk up
01:07:26The private life of don juan
01:07:31Wonderful man don juan
01:07:33They don't make him like that nowadays
01:07:36If only he could come back god rest his soul. He'd make some of you young jackknapes sit up and take notice
01:07:42As for we women
01:07:45We'll never forget him
01:07:47The private life of don juan nice girl there she's right, too
01:07:54The question is how and where to come back to life
01:07:58It's got to be a sensation it's bound to be
01:08:01I have it
01:08:02The last girl that I kissed in seville. I think it's great dancer. She shall be the first girl that I kiss tonight
01:08:08I'm going to andronita
01:08:17Foreign
01:08:21There are seven gentlemen waiting senor
01:08:25Is the duke there yes, they take the flowers away and let the duke in very good senor
01:08:44Do you like them
01:08:47I adore them
01:08:49Oh, no, it's wednesday
01:08:54The day don juan kissed me for the first time
01:08:58No one must touch my lips on a wednesday. Forgive me tomorrow
01:09:05Maybe
01:09:10The flowers for the grave
01:09:17You
01:09:21Take them to the grave
01:09:35Every day you send flowers to don juan's grave you sweet loyal little soul
01:09:48Your lovely forms twin buds of passion's flower to cause such burning fever in my veins
01:09:55And so stir up my blood that I can scarce control me in settling arms. Stop stop stop
01:10:03Well what you want now? Oh, listen senor martin. You must not look out into space look at the ladies
01:10:11Why
01:10:13Because you are don juan
01:10:15You mean you want me to give the impression that don juan was able to make love to two women at the same time?
01:10:21two
01:10:22ten
01:10:2420
01:10:2630 50
01:10:28100
01:10:29You have to radiate such hot virility that every woman's hand goes trembling in search of her husband in the dark
01:10:34You are don one don one don one well, give me real women and i'll give you don one
01:10:41Send to the fish market for some women for him and you senorita. You are cold
01:10:46cold
01:10:48Me i'm not done and cold. You're the first man who's ever said so but you are cold
01:10:53Why stand there in frigid dignity and you too senorita? She's got all the lines. What can we do?
01:10:58Act show what you feel the surging blood in your veins
01:11:02The frightened longing to approach this gigantic symbol of padavu
01:11:06to touch him
01:11:08to inhale his breath
01:11:12To succumb to him
01:11:15To don one how can I shiver with desire for a don one who hasn't a much sex appeal as a broomstick?
01:11:24What?
01:11:25Me antonio martinez. You not a penny
01:11:33Inhale his breath indeed
01:11:35Senor martinez shouldn't eat garlic for breakfast. I'm fed up. If you want me to act give me actresses not kitchen maids
01:11:46Go to your places begin the scene again and do as the author tells you go
01:11:52Go
01:11:59Your lovely forms twin buds of passion's flower do cause such a burning fever in my veins
01:12:06And so stir up my blood that I can scarce control me in circling out. Bravo
01:12:12Bravo, ladies. Bravo martinez. You see
01:12:15That's done one
01:12:22Oh
01:12:25I could kill you for being so attractive
01:12:32If don alfredo hadn't killed him and we hadn't buried him I might have thought you were don't one
01:12:42They didn't kill me and they didn't bury me it pleased me to disappear for a while and now i've come back to you
01:12:48my little antonita
01:12:53You know, he he really is rather like don juan
01:12:55Oh, no don one was much taller and much younger. Yeah, six months younger. Oh 10 years younger
01:13:02And and he had blue eyes
01:13:05And and a noble presence
01:13:08Clear cut nose
01:13:11Oh in a different mouth
01:13:14A different mouth. Will you try it? What are you doing?
01:13:17How dare you?
01:13:18Not a bit like it don juan's kiss
01:13:22Get out of here. That's quite enough. Get out
01:13:25This is outrageous the real don juan would never have forced his attentions on a woman. I won't either
01:13:30I just want to teach your young man a lesson
01:13:45Oh lunatic calls himself don one
01:13:49Come drink a cup to folly as it flies
01:13:53Drain every passing pleasure to the dregs
01:13:56While yet the wine of life runs ruby red and women's kisses call us to the feast
01:14:02Is
01:14:23And
01:14:32Nemesis
01:14:41Oh
01:14:43Isn't he a darling? Yes
01:14:46Scoundrel, what is the news in hell?
01:14:50They want you there
01:14:52for the last time don one
01:14:55Repent, huh? Well, that's the repentance that for hell and you
01:14:59Ah
01:15:01Stop this foolery once and for all I forbid you to perform this nonsense
01:15:06Ladies and gentlemen the play is over
01:15:08Expect me to bid you a very good night
01:15:26Well, what do you want who are you who are you
01:15:29Don Juan
01:15:33Your very humble servant don juan the real don juan
01:15:54Ladies and gentlemen, you are under the delusion that don juan is dead
01:15:59He's not he's alive
01:16:13Yes, yes, of course
01:16:15Of course, but you see this is a theater you you must leave the stage now come with me
01:16:24Don't you understand that I am don juan
01:16:26Don't you believe me? Yes. Yes. Yes, of course, we believe you but look here since don juan died
01:16:33I can't tell you I did not die. Yeah
01:16:35Since we buried you a half a year ago
01:16:3823 men have tried to impersonate don juan
01:16:42I am the 24th and you are disgusting
01:16:45Get out
01:16:54Ladies and gentlemen, there's nothing more to see so good night. We want to see the end of the play get out
01:17:02Get out
01:17:03They want to see the end of the play. Who are you? I am the author of the play. Are you?
01:17:08Ladies and gentlemen, here is a man who has written the most insipid the most senseless the most slanderous play of our age
01:17:15Why senseless why stoneless because you lied about my life you threw mud at my character yours mine don juan
01:17:22Ladies and gentlemen, do you care that much about don juan's real life and real character?
01:17:28You make me behave like a fool
01:17:31You suppose that I ever made love to two women at the same time, you know, but don juan, what do you think ladies?
01:17:39He thinks it's impossible
01:17:41He couldn't even manage
01:17:45You see that's how much you know about being don juan and now get out i'll teach you all get out of here get out
01:17:53Bring down the curtain
01:17:58Ladies and gentlemen, ladies and gentlemen
01:18:02Six months ago. I was here for a few days 20 years ago. I lived here. Does nobody recognize me?
01:18:13No ladies
01:18:16She must recognize don juan
01:18:24I was don juan's first love
01:18:27But I can't remember you
01:18:29How could you remember me?
01:18:32Among half the male population of spain and south america sit down
01:18:36Oh
01:18:43Ladies and gentlemen, there's don alfredo who killed you
01:18:51Oh, so you're the man i've been just aching to meet you is he done one
01:18:56Is
01:18:59The whole world knows I killed don juan
01:19:02You killed a poor boy because a terribly bored wife mistook him for don juan
01:19:07How do you know how how could she?
01:19:10Because my dear sir, there are wives that will see don juan and any other man
01:19:15Alfredo, he insults my honor kill him. Yes. Come on. Kill me kill don juan
01:19:21I killed don juan and nobody can take that from us. I owe it to his memory not to soil my sword
01:19:26Fighting a swindler who tries to impersonate a great man. Come on
01:19:43My dear
01:19:51Wait
01:19:53Ladies and gentlemen, we can now settle this matter. Finally
01:19:56We have the honor to have in our midst the one person who can do it the widow of don juan the real don juan
01:20:02For years, she has lived on her estate for six months in seville
01:20:06She will now tell you whether this gentleman is don juan. Yes or no
01:20:12Now donia dolores, will you kindly tell us who is this man?
01:20:16Don
01:20:22Well
01:20:23There is a likeness to don juan
01:20:26But my poor husband was so much bigger
01:20:30and broader
01:20:32And far better looking
01:20:34No, i've never seen this man before in my life
01:20:46Foreign
01:20:59And now ladies and gentlemen the play can go on
01:21:02All right
01:21:10It's all right don juan
01:21:12Don't worry
01:21:14You found someone who understands
01:21:17But you see I am don juan, of course you are
01:21:22I am don juan
01:21:24He is don juan
01:21:27Everybody's don juan in seville when the bullfights are on and the wine is flowing sleep. Well
01:21:42Oh
01:21:45Will you take a message to captain mariano captain mariano certainly donna
01:21:51I should like to see it talk about poor don juan
01:21:55He may come to redirect his release from jail
01:22:03Come on don juan
01:22:07And I hope it's taught you a lesson you country folk have to learn manners in a town like seville go away and behave yourself
01:22:15Oh
01:22:23Captain mariano, I believe
01:22:25Yes, senora
01:22:27You knew my poor husband captain. Mariano. I did senora very well. Well, i'm glad you did because I never did
01:22:34You never knew your husband hardly at all. Imagine after a few months of love
01:22:40He avoided me
01:22:42I can tell you senora. He had absolute confidence in your loyalty
01:22:45Well, he couldn't have been such a fool
01:22:47A fool to have confidence in your loyalty
01:22:49Certainly, he never knew very much about women
01:22:52But he must have known that he couldn't offend and neglect a woman like me for years with impunity
01:22:58You are right senora
01:23:01In his heart he was always fearful of losing him. Well, why didn't he come back to me then?
01:23:07Men are very weak senora very vain
01:23:10During all his life. He was terribly afraid of intelligent women. Why?
01:23:15Well, they strip a man of his glory
01:23:18Tame the conquering male until he becomes just a husband. Oh, I see
01:23:24He was afraid he wouldn't be happy as my husband. Oh, no, no, no, no
01:23:30Laterally his only wish was to disappear from the scene of his
01:23:36Successes nameless and unknown to come and tell you
01:23:40Will you come to my estates don Juan is dead. I don't want to be anything but your husband
01:23:56Dolores
01:24:10Dolores
01:24:28Caporello what does she mean by this school for husbands don Juan?
01:24:39Bellamy!
01:25:01Dolores!
01:25:07Dolores!
01:25:09Dolores!
01:25:13Sir Don Juan is not dead.
01:25:15No, darling.
01:25:16What has he got to say to me?
01:25:18Oh, what a fool he was to forget all this.
01:25:21That divine hair.
01:25:23And those two lovely stars.
01:25:25Just a little frightened.
01:25:26Oh, no, no, darling.
01:25:27You told me all that six years ago.
01:25:30Tell me some of the wonderful things
01:25:33that made women dazed and intoxicated.
01:25:37Well, that was it.
01:25:39That's what I always told them.
01:25:41Well, then, tell me something
01:25:43you never told any woman before.
01:25:46I love you, darling.
01:25:48I don't want to be anything but your husband.
01:25:51Oh, won't you ever learn anything about women?
01:25:56Every woman wants something more than just a husband.
01:26:01Every woman wants Don Juan.
01:26:05But all to herself.