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Show: The Crown
Season number: 2
Episode number: 1
Air date: December 8, 2017
The title of The Crown’s season-two premiere is “Misadventure,” which is such a perfectly British summary of the situation that I can hardly handle it. (“Mmm, yes, there have been some misadventures lately. It’s been quite unfortunate.”) Philip is off on a world tour and seems to be in the middle of an incredibly humiliating affair with a ballerina. The Egyptians are seizing control of the Suez Canal in a crisis that feels like the death rattle of European imperial power. Prime Minister Anthony Eden is bungling the whole thing in a remarkably thoughtless manner. And our dear Elizabeth is stuck in the middle of it all, essentially powerless to do much of anything except to try to grip the hoary, staid image of monarchy she inherited from her father as hard as she possibly can.
Last season, it took The Crown a while to get its shoes on. We spent some time in the preparatory stages, as Elizabeth’s father died, she married Philip, and they dealt with the overwhelming events of the coronation. A lot of that stuff was great, but it also meant that the show had to figure out if it wanted to be a series about becoming Elizabeth, or being Elizabeth. (Or, with pretty frequent regularity, if it wanted to be a show about Winston Churchill. Which was fine, but not necessarily the show I wanted to watch.)
Season two is off to a more eventful start. It’s February 1957, and we leap right into a humdinger of a fight between Elizabeth and Philip, which we later learn comes at the conclusion of his five-month grand tour. They are absolutely at odds with one another, with Philip lashing out at having been “sent away” and Elizabeth completely disappointed and disgusted with him. He calls their marriage a prison. She tells him they can never get divorced. Just in case you didn’t pick up on the tone of it all, there are highly pointed peals of thunder rolling under every loaded rejoinder. And if the thunder isn’t enough, we also get the metaphor of the monarch on a literal boat in a storm. It’s a boat that creaks ominously from side to side while Elizabeth and Philip spit accusations at one another, so yeah, things are not looking good for Britain.
Let’s just make this clear from the get-go: I understand that Philip is in a tough position. His own father was a nightmare, and he’s been raised with a muscular Christianity that translates into literal exercise routines in the morning and a need to dominate everything he sees, so playing sidekick to his more powerful wife is a hard row to hoe. I’m sure it’s frustrating to have your whole life dictated to you by ancient traditions. But Philip, you pursued her from a young age. You chased her. You were well-positioned to know precisely what you were getting into. You married her! Your complaints about h
Show: The Crown
Season number: 2
Episode number: 1
Air date: December 8, 2017
The title of The Crown’s season-two premiere is “Misadventure,” which is such a perfectly British summary of the situation that I can hardly handle it. (“Mmm, yes, there have been some misadventures lately. It’s been quite unfortunate.”) Philip is off on a world tour and seems to be in the middle of an incredibly humiliating affair with a ballerina. The Egyptians are seizing control of the Suez Canal in a crisis that feels like the death rattle of European imperial power. Prime Minister Anthony Eden is bungling the whole thing in a remarkably thoughtless manner. And our dear Elizabeth is stuck in the middle of it all, essentially powerless to do much of anything except to try to grip the hoary, staid image of monarchy she inherited from her father as hard as she possibly can.
Last season, it took The Crown a while to get its shoes on. We spent some time in the preparatory stages, as Elizabeth’s father died, she married Philip, and they dealt with the overwhelming events of the coronation. A lot of that stuff was great, but it also meant that the show had to figure out if it wanted to be a series about becoming Elizabeth, or being Elizabeth. (Or, with pretty frequent regularity, if it wanted to be a show about Winston Churchill. Which was fine, but not necessarily the show I wanted to watch.)
Season two is off to a more eventful start. It’s February 1957, and we leap right into a humdinger of a fight between Elizabeth and Philip, which we later learn comes at the conclusion of his five-month grand tour. They are absolutely at odds with one another, with Philip lashing out at having been “sent away” and Elizabeth completely disappointed and disgusted with him. He calls their marriage a prison. She tells him they can never get divorced. Just in case you didn’t pick up on the tone of it all, there are highly pointed peals of thunder rolling under every loaded rejoinder. And if the thunder isn’t enough, we also get the metaphor of the monarch on a literal boat in a storm. It’s a boat that creaks ominously from side to side while Elizabeth and Philip spit accusations at one another, so yeah, things are not looking good for Britain.
Let’s just make this clear from the get-go: I understand that Philip is in a tough position. His own father was a nightmare, and he’s been raised with a muscular Christianity that translates into literal exercise routines in the morning and a need to dominate everything he sees, so playing sidekick to his more powerful wife is a hard row to hoe. I’m sure it’s frustrating to have your whole life dictated to you by ancient traditions. But Philip, you pursued her from a young age. You chased her. You were well-positioned to know precisely what you were getting into. You married her! Your complaints about h
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