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00:02:46Good evening.
00:02:48Good evening.
00:02:49Is there anything I can do for you?
00:02:51I don't happen to have a small penknife or an axe.
00:02:54No, no, no.
00:02:56Well, may I use the end of your cigar?
00:02:59But what for?
00:03:00Thereby hangs the table.
00:03:03I left half of it in my room and the keys with the porter.
00:03:07Perhaps my key will fit your door.
00:03:09That's hardly like that.
00:03:10But this is a continental hotel, you know.
00:03:16Ah, you've done me a great service.
00:03:21Now, if you ever need a little brimstone...
00:03:23I will come down and see you.
00:03:25You'll get a warm welcome.
00:03:29You're not going to the carnival by any chance?
00:03:31Oh, no, no, no.
00:03:33Neither am I.
00:03:35Carnivals are a waste of time.
00:03:39A wicked waste of time.
00:03:42Absolutely.
00:03:44Ha, ha, ha.
00:04:05I'll be seeing you.
00:04:06Have a good celebration.
00:04:15Stick them up.
00:04:17Hand over everything that's safe.
00:04:25Oh, Mr. Arwood, you will have your little joke.
00:04:28A fine night for the fireworks, Ethelred.
00:04:31The fireworks?
00:04:32Yes.
00:04:33Have you heard anything of the gentleman?
00:04:35I'm expecting one.
00:04:36Oh, let me see.
00:04:37Oh, yes, missy.
00:04:38That will be Mr. Fennick.
00:04:39No, no, no.
00:04:40Fenton, Fenton.
00:04:41F-E-N-T-O-N.
00:04:42It's very important.
00:04:43No, sir.
00:04:44We should be here by now.
00:04:45Yes, sir.
00:04:46Did you make our reservations on the Riviera Express tonight?
00:04:49Oh, monsieur, leave it to the last moment.
00:04:51All I get is a two berth sleeper.
00:04:53The last on the train.
00:04:54OK, what's the damage?
00:04:551,600 francs.
00:04:57I'll toss you double or nothing.
00:04:59Oh, but, monsieur...
00:05:00Come on, come on.
00:05:01Give me a franc.
00:05:02Give me a franc.
00:05:03Oh.
00:05:04Kale.
00:05:05Pat, you win.
00:05:06Ha, ha.
00:05:08I seem to be unlucky with the tails tonight.
00:05:10Oh, monsieur, but never before in my life have I gambled.
00:05:14Never?
00:05:15Never, monsieur.
00:05:16Well, I won't be the first to push a woman downward path.
00:05:19I can't do it.
00:05:21Ethelred, I've saved you from a life of folly.
00:05:30From now on, my movements will be very uncertain, Ethelred.
00:05:33From now on, my movements will be very uncertain, Ethelred.
00:05:36I will have just one more little drink, and we'll all do what go home.
00:05:58Just one more little drink, and we'll all do what go home.
00:06:08Myra, I beg your pardon.
00:06:10My sense of direction disappeared sometime.
00:06:19That face seems distinctly familiar.
00:06:22Don't tell me it's coming back.
00:06:25I know.
00:06:26You're the fellow who emancipated my tail.
00:06:29Ha, ha, ha.
00:06:30Any fellow who makes you emancip...
00:06:34Any fellow who pulls my tail out of the door is my friend for life.
00:06:40This definitely calls for a little drink.
00:06:45Pardon me.
00:06:55What's yours?
00:06:56Is this any good?
00:06:58Huh?
00:06:59Silence means consent.
00:07:00Absolutely.
00:07:07Say when.
00:07:10Say when.
00:07:15You've been drinking, sly dog.
00:07:17I'll give you a little counsel.
00:07:19It's the wrong bedroom.
00:07:22Which, in my experience, is always the right bedroom.
00:07:25Ha, ha.
00:07:26Come on.
00:07:27Come on!
00:07:29Drink!
00:07:30Ha!
00:07:51Excuse me, are you in a hurry?
00:08:10Yes.
00:08:11So am I.
00:08:12Speed it up a little.
00:08:15Hey, you can't do that.
00:08:17This is a matter of life and death.
00:08:20You're pretty.
00:08:21You're drunk.
00:08:29Is that all?
00:08:31Well, since you've been so polite, perhaps you could tell me which is Mr. Harwood's room.
00:08:35Oh, right over there.
00:08:37Did you say Harwood?
00:08:38Yes.
00:08:39That's a funny thing.
00:08:40That reminds me of something.
00:08:41I'm Harwood.
00:08:43Here's my tail.
00:08:44Well, how do you do?
00:08:45I'm from the Worldwide Insurance Company of New York.
00:08:47Well, at the moment I'm fully insured, but you ought to clean up in this place.
00:08:50I'm supposed to meet you here.
00:08:52I'm called Fenton.
00:08:53I'm sorry I'm late.
00:08:54Fenton?
00:08:55Yes.
00:08:57Oh.
00:09:05Why aren't you a man?
00:09:07For usual reasons.
00:09:09Why didn't you say in your telegram you were a woman?
00:09:11Never occurred to me.
00:09:12You can't be very observant.
00:09:15I just found a body.
00:09:17Really?
00:09:18You know, a body with a beard.
00:09:20All the best bodies have beards.
00:09:21No, this is serious.
00:09:22I'm going down the hall to report it.
00:09:27Now, don't take this too big.
00:09:29I don't want to scare anybody, but I found a dead body in the room next to mine.
00:09:34A body?
00:09:35That's right.
00:09:36Which room, sir?
00:09:37210.
00:09:38210?
00:09:39Oh.
00:09:40That will be part of Mr. Wagner's suite.
00:09:42Thank you very much for telling me.
00:09:43I will have the chamber made.
00:09:44Take it away at once.
00:09:45This is on the level.
00:09:46Get the police.
00:09:47Fine night for the fireworks, Ethelred.
00:09:50Wise guy.
00:09:52Get me the manager.
00:09:53Your name really, Ethelred?
00:09:55Yes.
00:09:56No.
00:09:57Who is it?
00:09:59A dead body.
00:10:01Where?
00:10:03Mr. Wagner's room.
00:10:05I'll come at once.
00:10:12There.
00:10:14It's gone.
00:10:17The body's gone.
00:10:18The body's gone.
00:10:19Did you hear that?
00:10:20The body's gone.
00:10:21I'm sure we'll feel better in the morning.
00:10:25He thinks I'm drunk.
00:10:26Tell him.
00:10:27He's drunk.
00:10:29I mean about the body.
00:10:30Well, I didn't see it.
00:10:32Listen.
00:10:33I belong to Tankerton's American Detective Agency.
00:10:36I'm their European representative.
00:10:38Mr. Harwood must have his little joke.
00:10:40Am I or am I not a detective?
00:10:42I don't know.
00:10:43How do you feel about it?
00:10:44Now, listen.
00:10:45I'm sick of this.
00:10:46I came here as a perfectly peaceable visitor.
00:10:48I find a body,
00:10:49throw no fault of my own,
00:10:50and everyone treats me like a lunatic.
00:10:52A man was sitting in that chair murdered.
00:10:54I saw him.
00:10:56Well, monsieur, if you'll excuse me.
00:10:57Get this.
00:10:58I'm not leaving here until you call the police.
00:11:01Take my advice.
00:11:02Forget it.
00:11:03Let's see.
00:11:04He was sitting there.
00:11:06I brought a drink down from that table.
00:11:09When I was ill,
00:11:10I don't think monsieur will require us any longer.
00:11:12We have a train to catch.
00:11:15We have a train to catch.
00:11:18Bonsoir, mademoiselle.
00:11:19Bonsoir, monsieur.
00:11:21Bonsoir, monsieur.
00:11:22Exceptionally fine night for the fireworks.
00:11:26Yes, isn't it?
00:11:27Mademoiselle.
00:11:33Qu'est-ce qu'il y a?
00:11:34Il me jetait par la porte.
00:11:35Oh, c'est vrai, hein?
00:11:36Allons, allons, allons.
00:11:37Pourquoi?
00:11:38Allons, allons, allons.
00:11:39Next time I discover a body,
00:11:40I'll get the police.
00:11:41Next time I discover a body,
00:11:42I'll get the sign of the affidavit.
00:11:43We have exactly 15 minutes to get to the station.
00:11:45Station?
00:11:46Scotland.
00:11:47I can't go to Scotland like this.
00:11:48The Scots would never understand.
00:11:49We must catch that train.
00:11:51Lady Belton is expecting us.
00:11:53Belton?
00:11:57Lady Belton is the lady who's lost the jewelry
00:11:59that you and I have got to find.
00:12:01Does that penetrate?
00:12:03Oh, yes, I remember.
00:12:04You're snooping around for some insurance company.
00:12:06Ah, the alcoholic clouds are clearing.
00:12:08How long will you be?
00:12:09Like that.
00:12:10One minute to strip, one minute to dress.
00:12:12I'll be back in a minute.
00:12:13Hey, make it two minutes.
00:12:16I'll finish packing for you.
00:12:17Make it snappy now.
00:12:20Why did you come all the way to the East to meet me?
00:12:23I waited three days in London,
00:12:25sitting on my hotel chair.
00:12:29Oh.
00:12:30Then I cabled your New York office.
00:12:33What did they say?
00:12:34They said there's only one way to get Hollywood.
00:12:38Fetch him.
00:12:40I knew they'd speak highly of me.
00:12:42Um, have you got any spare underwear?
00:12:46Why, are you sure?
00:12:48Try the top drawer.
00:13:11Say.
00:13:12Yes?
00:13:13Why did the old dame send for a tankerton man?
00:13:15Lady Belton is 100% American.
00:13:18Third husband, Lord Belton,
00:13:19first two disposed of by tankertons.
00:13:22Well, I suppose we've got to go.
00:13:23But what an opportunity to miss.
00:13:25It's a perfectly good dead body, and...
00:13:27This is a very commonplace world.
00:13:29Bodies don't disappear,
00:13:30and when a man has had too much to drink,
00:13:32he's drunk.
00:13:33Is that clear?
00:13:34Perfectly.
00:13:36Here you are.
00:13:39So, uh, have you got everything?
00:13:42Everything.
00:13:44Everything.
00:13:45Huh?
00:14:04Here you are, madam.
00:14:05Merci, monsieur. Merci.
00:14:07This is a double sleeper.
00:14:10Oh, you forget, I thought you were a man.
00:14:12I hoped I'd removed that impression.
00:14:14You have.
00:14:15Um, where are you going to sleep?
00:14:18Well, that's easy. Right here.
00:14:20Well, everything's taken. Where am I going to sleep?
00:14:21Oh, I don't care.
00:14:24Well, that's very sweet of you, dear.
00:14:26Ah, just a minute.
00:14:28Oh, uh, scratch my back, will you?
00:14:31Can I do anything for you, monsieur?
00:14:33Yes, scratch his back.
00:14:34Oui, madame.
00:14:36Where are we, monsieur?
00:14:37Outside.
00:14:38Oui, monsieur.
00:14:42Hope you find crumbs in my bed.
00:14:46Well, I've always got the other one.
00:15:36Hello? Hello?
00:16:03Hello?
00:16:06Hello?
00:16:12Hello?
00:16:37Hello?
00:16:42Hello?
00:16:50Hello?
00:16:54Hello?
00:17:06Hello?
00:17:32Now listen, écoute, écoute.
00:17:34F-E-N-T-O-N.
00:17:37F for fiddle.
00:17:39E for henry.
00:17:40N, never mind.
00:17:41T, turtle.
00:17:45Long legs is right, but I can't help it.
00:17:47Asseyez-vous, monsieur.
00:17:48Asseyez-vous, monsieur.
00:17:49Asseyez-vous.
00:17:50Oh, no, no.
00:17:51Asseyez-vous.
00:17:52Écoutez, si on savait seulement le nom, monsieur, peut-être on pouvait la trouver.
00:17:55Oui, peut-être la jeune dame américaine.
00:17:57Cal Fenton.
00:17:59Cal Fenton?
00:18:00F-E-N-T-O-N.
00:18:02Fenton, Fenton, Fenton.
00:18:03Oui, oui, oui.
00:18:04Oui, oui, oui.
00:18:05Oh, il est dans la chambre, à côté.
00:18:07Oui, à côté.
00:18:08À côté.
00:18:09À côté, qui?
00:18:10Oh, you mean Cody.
00:18:11Well, we'll let them wait.
00:18:12I've got to see her first.
00:18:13Bonjour, merci, bonjour.
00:18:15I mean, beaucoup.
00:18:22Hello.
00:18:26Oh, why the face?
00:18:28What's the idea of not being heard?
00:18:30You disappointed?
00:18:31Well, you might have been heard a little bit.
00:18:33How'd you come out?
00:18:34Well, I didn't quite come out, but I was on my way.
00:18:38Oh, how's your knee?
00:18:40Pretty good.
00:18:44What are you doing?
00:18:45I'm looking up the trains to Scotland.
00:18:48In a 902 timetable?
00:18:50They've all got that by now.
00:18:54Get me the police.
00:18:55What are you calling them for?
00:18:57Curiosity.
00:18:58Get me the police.
00:19:00Well, that's service.
00:19:01Oh, uh...
00:19:07Oh, Monsieur Turbet, Assistant Prefect of Police?
00:19:09Yes, I am.
00:19:11You've lost some of your property?
00:19:13Well, it wasn't exactly mine, although I did see it first.
00:19:16Perhaps Monsieur will explain.
00:19:18My name is Harwood, of the Tagerton Detective Agency, New York City.
00:19:21Oh.
00:19:22Very glad to see you, Mr. Harwood.
00:19:24They transferred him to Europe so they could get some work done over there.
00:19:27The witty lady on my left is Miss Fenton of the Worldwide Insurance Company of New York.
00:19:31One of their major risks.
00:19:33Delighted to meet you, Miss Fenton.
00:19:35How do you do?
00:19:36How do you do?
00:19:37Please sit down.
00:19:38Oh, thank you.
00:19:39You know, Monsieur Turbet, I have a theory.
00:19:41I believe the Paris Express was deliberately wrecked.
00:19:44That's more than a theory, Mr. Harwood.
00:19:46We have proof that the signals were tampered with.
00:19:50Have you any idea who did it?
00:19:52Not yet.
00:19:53The most difficult type of criminal to find is a madman without a motive.
00:20:00Always supposing he is a madman and hasn't a motive.
00:20:03Why do you say that?
00:20:07Last night at the Hotel Gallico in Nice, I found a dead body.
00:20:11You would bring that up.
00:20:14A body of a man with a beard.
00:20:16Later on, it disappeared.
00:20:18The beard?
00:20:19The body!
00:20:20After the smash, I saw that body in the wreckage.
00:20:23What?
00:20:24I swear, I saw the same body twice.
00:20:26I don't doubt it.
00:20:28In my opinion, the murderer tried to conceal it.
00:20:30But why wreck a train to do it, Mr. Harwood?
00:20:33What better place to hide a leaf than in a forest?
00:20:35Huh?
00:20:36And where is the body now?
00:20:38Fortunately, it was burned in the wreck.
00:20:40Very unfortunate.
00:20:41But leave it to me, Mr. Harwood.
00:20:42In France, we work different to America.
00:20:44And you can rely on me.
00:20:46I shall leave every stone turned up.
00:20:48That's right.
00:20:49Don't turn down anything.
00:20:52I'll give you a little proposition, Mr. Turbey.
00:20:55I'll bet you $5,000 even that I catch the man who wrecked this train.
00:20:59You're betting me, Paul Turbey, $5,000,
00:21:03that you will catch this maniac?
00:21:05That's the idea.
00:21:06It's a lot of money, Mr. Harwood.
00:21:09But how is it you say in English?
00:21:11Never look in the gift of a horse's...
00:21:14I know what you mean.
00:21:15Well, I accept.
00:21:17Fine. Good.
00:21:19I cannot talk any longer.
00:21:20That's all right. That's all right.
00:21:21Goodbye, Mr. Harwood.
00:21:22Goodbye.
00:21:23Oh, uh...
00:21:24I think we ought to start even.
00:21:28Clue number one.
00:21:30Plucked from the bearded body.
00:21:36If you will pardon me for turning up the first stone, come on.
00:22:07I hope you realize I'm making a great concession
00:22:09in letting you crawl here.
00:22:10Thank you, Carol.
00:22:12My name's Fenton.
00:22:13Thank you, Fenton.
00:22:17Sir?
00:22:18Good afternoon, Penevesi.
00:22:19I'd like to see the gentleman who lives here.
00:22:21What name should I tell you?
00:22:22Oh, well, he wouldn't know it,
00:22:23but I think he'll see me
00:22:24if you tell him it's in connection with Wagner.
00:22:26Heinrich Wagner.
00:22:28Very good, sir.
00:22:29If you'll come inside.
00:22:31I'd like to.
00:22:33After you, little woman.
00:22:34After you.
00:22:43So you're digging up that body again,
00:22:45and you told me you were going to visit a sick friend.
00:22:47Maybe he is sick.
00:22:48Well, I'm going.
00:22:49No, you don't.
00:22:50Oh, yes, I am.
00:22:51Listen, behave yourself.
00:22:52If you'll come this way, madam.
00:22:53It's an old French custom.
00:23:15Oh, I hate disturbing you like this,
00:23:22but it's rather important.
00:23:23Won't you sit down?
00:23:27I ran across a friend of yours yesterday,
00:23:29Heinrich Wagner.
00:23:30Oh, yes.
00:23:31And I gathered that he was on his way here to see you.
00:23:33Have a cigarette.
00:23:38I don't exactly know how to tell you this, but...
00:23:40A light?
00:23:41Thanks.
00:23:43It may be a bit of a shock to you.
00:23:46Heinrich Wagner was on the Paris Express last night.
00:23:51Well?
00:23:53The train was wrecked.
00:23:54Wrecked?
00:23:56But Wagner.
00:23:58Killed.
00:24:01Dear, dear, dear, dear, dear.
00:24:03I did not even know there had been a wreck.
00:24:06This is a great shock to me.
00:24:08Yeah, it was a great shock to us.
00:24:11It must have been a shock to you, too.
00:24:13It certainly was.
00:24:15It must have been.
00:24:17Particularly to...
00:24:18My wife?
00:24:19Oh, yes.
00:24:20Yes, wasn't it, darling?
00:24:21Oh, yes.
00:24:23See, I'm afraid she's not quite herself.
00:24:25I spoiled her night's sleep, and she's a little upset.
00:24:28How unfortunate.
00:24:32Poor Wagner.
00:24:34He was to have visited me here today.
00:24:37I was wondering why he had been detained.
00:24:40Of course, you understand he is only a business acquaintance.
00:24:43A friend of a friend.
00:24:45Oh, quite, quite.
00:24:47Nevertheless, it is not very pleasant to hear these things.
00:24:51Will you have a drink?
00:24:53Oh, no thanks, no thanks.
00:24:54No, no, he dare not.
00:24:55It goes to his head immediately.
00:24:57Doesn't it, darling?
00:24:59Yes, darling.
00:25:00Well, we won't trespass on your time any longer.
00:25:02It was most considerate of you to come.
00:25:03I hate to spring an idea like this, but I thought it best to tell you.
00:25:06I am extremely grateful.
00:25:07Goodbye, Mr.
00:25:08Goodbye, and thank you.
00:25:12That's a fine print you have there.
00:25:15Buenos Aires Racecourse, isn't it?
00:25:17Do you know South America well?
00:25:18No, not at all.
00:25:19I have taken this place furnished.
00:25:21Goodbye again, and thank you.
00:25:23Goodbye.
00:25:38Fenton, do you wear corsets?
00:25:40I do not.
00:25:41I thought so.
00:25:42Are you wired up in any way?
00:25:44What?
00:25:45Any hairpins?
00:25:46No.
00:25:47Why?
00:25:48I'm going to pick his lock.
00:25:49Pick his what?
00:25:50His lock.
00:25:51Tonight, all being well.
00:25:53All being well, we should be in Scotland by now.
00:25:56Roaming in the gloaming with you, Fenton,
00:25:58appeals to me much more than breaking haggis with Lady Belton.
00:26:00Yes, but we...
00:26:01But, gin a body, meat a body, especially a dead body.
00:26:04Something must be done.
00:26:06Hence, I'll have to bust into that gent's flat.
00:26:08Hence, you bust into it alone.
00:26:10Of course, this is a man's job.
00:26:11Oh, is it?
00:26:12Well, I'll go and find one.
00:26:14I knew I could count on you.
00:26:35Careful!
00:26:38Stupid!
00:26:40I thought you weren't coming.
00:26:42So did I.
00:26:43I know, it's the mother instigating.
00:26:44Uh-huh.
00:26:50Dead right.
00:26:53Lift him up, lift him up.
00:27:00Call this fellow tomorrow.
00:27:01Tell him to insure with the Worldwide.
00:27:03Tomorrow, I'll be in jail.
00:27:17Shut the door.
00:27:32Careful.
00:27:38Have you got another one?
00:27:39No.
00:27:42I've got it.
00:27:45Yes, you've got it.
00:27:48We certainly came prepared.
00:27:49Let's go.
00:27:50Shh.
00:27:51Well, I'm going.
00:27:53I'm going.
00:27:55I'm going.
00:27:56I'm going.
00:27:57I'm going.
00:27:58I'm going.
00:27:59I'm going.
00:28:00Well, I'm going.
00:28:01No, you don't.
00:28:03What was that?
00:28:05Your beads.
00:28:07Get away, stupid.
00:28:15Where are you?
00:28:18Ethelred, where have you gone?
00:28:21Ethelred!
00:28:27All right, I did it, I did it.
00:28:28Oh, well, if you think you can scare me.
00:28:30Well, they're gone.
00:28:43Same in the bedroom.
00:28:44Everything moved.
00:28:47I wonder why that fellow wanted to get out so quickly.
00:28:49Maybe his lease was up.
00:28:52Fenton, I'll do the thinking.
00:28:59Five minutes past.
00:29:14Find our missing friend and we'll have the solution.
00:29:16To what?
00:29:19No.
00:29:21What's this?
00:29:28The Lord Mayor elect and the sheriffs of London
00:29:30request the honor of the company of Axel Hoyt and party
00:29:34at dinner at Guildhall on Saturday, the ninth day of November, 1931.
00:29:391931, we're a bit late for the party.
00:29:42Well, we know four important facts.
00:29:44Our friend's name is apparently Axel Hoyt.
00:29:46Yes.
00:29:47His address was on Wagner's cuff.
00:29:49Yes.
00:29:50He runs away, why?
00:29:51I don't know.
00:29:52Because he thinks I know something.
00:29:53Yes.
00:29:54I'm going.
00:29:55Where?
00:29:56To Scotland.
00:29:57I've got a hangover.
00:29:58I am going.
00:30:03I really am.
00:30:05The old place won't be the same without you.
00:30:10Oh, forget this wild goose chase and come with me to Scotland.
00:30:18It's getting a little chilly out there.
00:30:20After all, we are supposed to be doing a job together.
00:30:22What do you say?
00:30:24Let's sit down.
00:30:25What?
00:30:26What was that?
00:30:28It's the neighbors complaining again.
00:30:30It was somebody shooting at us.
00:30:32You wouldn't fool me.
00:30:34Ethelred, you were right.
00:30:36There was a body, it was put on that train,
00:30:38and all those people were killed just...
00:30:40You're not going through with this.
00:30:42Of course I am, but I've got to get you out of here first.
00:30:44I'm staying.
00:30:45Oh, you're not.
00:30:46Oh, you think I'm scared, do you?
00:30:47Well, you're wrong.
00:30:48I'm...
00:30:49Oh, Ethel!
00:30:50Are you dead?
00:30:51Yes.
00:30:52How do we get out of here?
00:30:54Well, they say an army marches on a stomach.
00:30:56Let's join the army.
00:31:01And then what?
00:31:03Find Axel Hoyt.
00:31:05But you haven't got a clue.
00:31:06You forget, Fenton.
00:31:08Axel Hoyt was at the Guildhall five years ago.
00:31:20And so, ladies and gentlemen,
00:31:22we leave the most ancient room in the Guildhall.
00:31:26Noting, as we pass along,
00:31:28the beautiful dark oak paneling on either side.
00:31:31See description and official guidebook.
00:31:33Obtainable from myself,
00:31:35priced sixpence.
00:31:37Follow me, please.
00:31:40Gather round, please, just gather round,
00:31:42and I'll endeavour to explain.
00:31:45Now, hanging on the walls,
00:31:47we have a series of photographs
00:31:49of the annual Guildhall banquets
00:31:51for the past 15 years,
00:31:53from 1921 to 1922.
00:31:561921 to 1935, inclusive.
00:31:59At these banquets,
00:32:01as many as 3,000 guests
00:32:03have been known
00:32:05to sit down to table at one time.
00:32:08Follow me.
00:32:10The Guildhall was rebuilt in 1411
00:32:12and was damaged in the Great Fire in 1666,
00:32:15which emanated, as we know,
00:32:17from pudding lanes
00:32:19and finished in pie corn.
00:32:21Now, this, of course, was before my time,
00:32:23but I might as well tell you
00:32:24that according to history,
00:32:26this old place originally
00:32:28was an old manor.
00:32:33You see before you
00:32:35several handsome portraits
00:32:37of former London mayors,
00:32:39aldermen, and city officials.
00:32:43There is an amusing story told
00:32:45of the gentleman in the portrait
00:32:47now facing us
00:32:49and known to posterity
00:32:51as one of the first Lord Mayors of London.
00:32:54It is related that
00:32:56as he was in the act
00:32:58of stepping from his coach,
00:33:00one of the horses,
00:33:02excited by the occasion,
00:33:04reared up and stamped heavily
00:33:06into a puddle,
00:33:08splashing the mayor's robes
00:33:10and casting a cloud
00:33:12over his inauguration.
00:33:14Undismayed, he turned to his attendants
00:33:16and remarked,
00:33:18Is this how my worthy city greets me?
00:33:21A bon mot, which not only
00:33:22saved an awkward situation,
00:33:24but caused him to be known
00:33:26ever afterwards
00:33:28as a man of ready wit and humor.
00:33:30And that ends our little tour today,
00:33:34ladies and gentlemen.
00:33:36In the course of my day's work,
00:33:38I walk three and three quarter miles
00:33:40and am not due for pension
00:33:42until 1941.
00:33:44I thank you.
00:33:49Thank you very kindly.
00:33:59This way out, miss.
00:34:11Lock that door.
00:34:23Nice work.
00:34:26Nature in the raw.
00:34:28700 faces waiting to be fed.
00:34:30So that's a guild hall banquet.
00:34:33Look, there's a boar's head.
00:34:35No, that's the mayor.
00:34:37Look.
00:34:38Where?
00:34:39See that fellow?
00:34:40Yes.
00:34:41He owes me five dollars.
00:34:43Look at this.
00:34:45Wagner.
00:34:47Before he was a body.
00:34:49Note the beard.
00:34:50Benton, the plot thickens.
00:34:52Axel Hoyt.
00:34:54In person.
00:34:56So Hoyt knew Wagner five years ago.
00:34:58Let's see what the others can tell us.
00:35:00Look here, exhibit A.
00:35:02Strapping wench with comhither eyes.
00:35:05Definitely has style.
00:35:07Next tour.
00:35:11What would you say would be in C?
00:35:16B, typical pillar of the British Empire.
00:35:17C, might be anything from a cabinet minister
00:35:20to a Portuguese sanitary inspector.
00:35:22It couldn't be that.
00:35:23It has no epaulets.
00:35:25Well, look here.
00:35:27Oh, definitely a personage.
00:35:29Member of the male sex.
00:35:31Obviously an untidy smoker.
00:35:34There you are, Fenton.
00:35:36This group is our only link to Hoyt.
00:35:38Question is, how are we going to trace them?
00:35:41Fenton, you're not attending.
00:35:42I'm studying the gown exhibit A is wearing.
00:35:44Don't be feminine.
00:35:46I'm thinking.
00:35:48You better leave the thinking to me.
00:35:52A gown as smart as that one can be traced.
00:35:56Fenton, you're a genius.
00:36:01Madame, I can trace this very gown.
00:36:05The Maison Popette supplied it to me.
00:36:08I can trace it.
00:36:10The Maison Popette supplied it to Miss Elizabeth Wentworth
00:36:14Grantley House Buckley.
00:36:17Buckley?
00:36:19Yes, Buckley.
00:36:21A little village in the West Country.
00:36:23Thank you so much.
00:36:25Cut that out.
00:36:27Good afternoon.
00:36:29Good afternoon.
00:36:40It's time for Lady Belton's telegram.
00:36:42What are we going to tell her today?
00:36:44Tell her the plane was delayed by the fog.
00:36:46What fog?
00:36:48The fog that delayed the plane.
00:36:50What plane?
00:36:52That's right.
00:36:54Is this the way you're going to look
00:36:56for Elizabeth Wentworth?
00:36:58Yeah.
00:37:00Well, where are we going to find her?
00:37:02Look.
00:37:04I'm delighted to see so large an assembly tonight.
00:37:08Of course, as you know,
00:37:10the proceeds will go to aid the funds
00:37:13of that splendid organization,
00:37:15the Pilgrims of Peace.
00:37:17It is a special honor to us tonight
00:37:20that the prizes will be presented
00:37:23by the President of the Pilgrims,
00:37:25none other than our old friend,
00:37:27Sir Charles MacDonald.
00:37:30None other than our old friend,
00:37:32Sir Charles Webber.
00:37:40Who, together with our dear Miss Elizabeth Wentworth,
00:37:49and her band of loyal helpers,
00:37:51are so soon setting forth
00:37:53on their voyage of charity and goodwill
00:37:57on the peace mission ship
00:37:58the John Murdoch.
00:38:04Two birds with one stone.
00:38:07Excuse me.
00:38:09Now.
00:38:12She's gone.
00:38:17She's sitting at the third table.
00:38:19She's going to play.
00:38:21Remember, please,
00:38:23the losing lady will move up.
00:38:25The losing gentleman
00:38:26will move down.
00:38:28The winning couples will keep their seats.
00:38:43Hearts up.
00:38:57That means the losing gent moves down, doesn't it?
00:39:00Which way is down? I'm a stranger here.
00:39:02That way.
00:39:04Good.
00:39:06And the winning couples keep their seats.
00:39:08I know.
00:39:13What did he say were trumps?
00:39:15Hearts.
00:39:17And I don't think we need trouble to play this hand.
00:39:23Oh.
00:39:24Oh.
00:39:26That makes me the losing gent, eh?
00:39:28It does.
00:39:30You move down.
00:39:32I know, thank you.
00:39:34And I move up.
00:39:36Correct.
00:39:38I'll be seeing you.
00:39:43Well, I move down, eh?
00:39:45Yes.
00:39:47Yes.
00:39:49You must be lucky in love.
00:39:51One moment, please.
00:39:52Have you ever played this game before?
00:39:55No.
00:39:57You know nothing whatever about it.
00:39:59That's funny.
00:40:01That's what they said at the last table.
00:40:03Now you go down and I'll go up.
00:40:05Goodbye.
00:40:11All change, please.
00:40:13Final game.
00:40:17Say, how are you doing?
00:40:19Fine. Follow me along now.
00:40:20This is my table.
00:40:22Goodness, this game's hard on your feet.
00:40:24On your what?
00:40:26Scram, scram, go on.
00:40:29Hearts are...
00:40:31your cards.
00:40:35How do you do?
00:40:37How do you do?
00:40:39How do you do?
00:40:41Three points will make me safe for first.
00:40:43I've just been comparing notes with Mr. Crocker.
00:40:46Excuse me, but haven't we met somewhere?
00:40:48I think not.
00:40:50If you play sensibly, young man,
00:40:52the pig is mine.
00:40:54I'll do my best.
00:40:56Your lead, I think.
00:40:58See, what was it?
00:41:00I've got it.
00:41:02Guildhall Banquet, 1931.
00:41:04Yes, I'm sure it was 1931.
00:41:06We had soup.
00:41:08I've certainly been to banquets at the Guildhall.
00:41:10You were with a business acquaintance of mine.
00:41:12You know, that fellow, the limp.
00:41:14What's his name?
00:41:16Hoyt. Hoyt.
00:41:18Axel Hoyt, that's it.
00:41:20Young man,
00:41:22I only need three points for that sucking pig.
00:41:24Now, if there's any more talking,
00:41:26I shall call the vicar.
00:41:28I'm sorry.
00:41:30Funny thing, I ran across Hoyt in Paris a few weeks ago.
00:41:34I think not.
00:41:36Oh, yes, yes, I'm sure of it.
00:41:38You see, Mr. Hoyt died three years ago.
00:41:41Died?
00:41:43Yes, in the district.
00:41:45I was present at the funeral.
00:41:50Oh, you've trumped my ace.
00:41:52Where's the bigger?
00:41:54Where's Mr. Penny?
00:41:56It's a scandal.
00:41:58I only needed three points.
00:42:00I only needed three points.
00:42:02Don't let your passions rise over a game of cards.
00:42:05Yes, but...
00:42:07Remember, Mrs. Forsyte,
00:42:09that life is not a highway's tour of flowers.
00:42:11I lost the pig.
00:42:13You can console yourself with a cask of cider.
00:42:15I won't. I won't.
00:42:17I want my pig.
00:42:18I want my pig.
00:42:20He's in league with Mr. Crocker.
00:42:22It's all a plan to get my pig.
00:42:35Who is he?
00:42:37I don't know.
00:42:39Says he saw Hoyt in Paris.
00:42:41Didn't you tell him Hoyt was dead?
00:42:43Yes.
00:42:45I wonder how much he knows.
00:42:46I wonder.
00:43:01You see, monsieur,
00:43:03owing to the signals being reversed
00:43:05and to the curve in the line,
00:43:07the driver had no time to pull up.
00:43:09Then it was a deliberate wreck.
00:43:11Yes, that is my opinion.
00:43:13Have you any idea who did it?
00:43:14Oh, you will pardon me, monsieur,
00:43:16but that is what you call in English
00:43:18a leading question.
00:43:20May I say that the characteristics of this wreck
00:43:22are similar to those of the Bordeaux Express
00:43:24and Harvill Smash?
00:43:26Bordeaux? Harvill?
00:43:28Yes, positively.
00:43:30Thanks. And the motive?
00:43:32Motive? Motive? Who can say?
00:43:34I take it special precautions have been taken
00:43:36on every French railway.
00:43:38On French railways? Yes.
00:43:40But a madman of this kind
00:43:42may turn up anywhere.
00:43:44Well, thanks very much, monsieur de Bordeaux.
00:43:46Good day.
00:43:48Bonjour, monsieur.
00:43:55C'est marqué urgent.
00:43:57Urgent, voyons.
00:44:15Donnez-moi mon par-dessus et mon chapeau.
00:44:17Bien, monsieur.
00:44:23Voilà , monsieur.
00:44:25Merci.
00:44:27Ah, c'est américain.
00:44:30Nous partons en Angleterre.
00:44:32En Angleterre? Mais où, monsieur?
00:44:40LÃ .
00:44:45First I meet a dead man who was alive,
00:44:47then I meet a living man who died three years ago.
00:44:49There appears to be some minor oversight.
00:44:51Well, if you're trying to get a look
00:44:53at Hoyt's death certificate in here,
00:44:55you're wasting your time.
00:44:57It takes days of filling out forms.
00:44:59Leave it to me.
00:45:01You better let me handle it.
00:45:03Non, non, tout.
00:45:05Listen, I know.
00:45:07I was brought up in the insurance racket.
00:45:09I'll do it.
00:45:15Good morning.
00:45:17Good morning.
00:45:19Won't you sit down?
00:45:24Now, what can I do for you?
00:45:26Well, I came here to make an inquiry.
00:45:28I'll do the talking.
00:45:30As a matter of fact...
00:45:32It's all right, it's all right.
00:45:34I know.
00:45:36There's no need to be bashful.
00:45:38Is it a girl or a boy?
00:45:40Oh, a boy.
00:45:41Your first experience?
00:45:43Oh, no, no.
00:45:45No, we have a little girl as well.
00:45:47Yes.
00:45:49Really?
00:45:51And what is the new baby's name?
00:45:53Huh?
00:45:55Oh, uh, um, Heppelthwaite.
00:45:57Axel Stanislaus Hoyt Heppelthwaite.
00:45:59Well, that's rather strange.
00:46:01There was a Mr. Axel Stanislaus Hoyt
00:46:03died in this district, you know.
00:46:05Oh, yes, uh, uh,
00:46:07Mrs. Heppelthwaite's hunk, uh, uncle
00:46:08on, uh, uh, wasn't he, dear?
00:46:10Yes, on mother's side.
00:46:12Yes.
00:46:16So you're naming the new baby after him?
00:46:18Well, we want to, but, uh,
00:46:20we're not quite certain how to spell Stanislaus.
00:46:22There are two ways of spelling it,
00:46:24I believe, aren't there, dear?
00:46:26Yes, there are.
00:46:28There's S-T, um, O, or is it A?
00:46:30Never mind, dear, I'll do the talking.
00:46:32Yeah, well, that's very simple.
00:46:34Oh, Pilgwey.
00:46:36Yes, sir?
00:46:38This is the index of deaths for 1933.
00:46:40Yes, sir.
00:46:42You know, the pleasantest part of my duty
00:46:44is the registering of births.
00:46:46Deaths depress me.
00:46:48Marriages, I, I'm not so sure about.
00:46:50But I always say it takes a birth
00:46:52to brighten up my morning.
00:46:54Oh, thank you.
00:46:56Now then.
00:46:58Height, height, height, height.
00:47:02I've got it.
00:47:05Here we are.
00:47:08You know, dear, his death was certified
00:47:10by our old friend Dr. Evans.
00:47:12He helped our little Henriette into the world.
00:47:14Remember, darling?
00:47:16Yes, we must look him up.
00:47:18He's moved, you know.
00:47:20Yes, he's at Bellevue now, just outside Bexford.
00:47:22Oh, really?
00:47:24Yes, I'll give you his address.
00:47:26Well, thank you.
00:47:28He's, uh, he's retired now.
00:47:30Yes, about, um, about three years, I think.
00:47:32Yes.
00:47:34He's, um, he's come into money.
00:47:36Oh, well, I, so, so I understand.
00:47:38Well, there we are.
00:47:42Well, well, I, goodbye.
00:47:44Goodbye.
00:47:46Goodbye.
00:47:48Goodbye.
00:47:50I hope this isn't the last time I'll be seeing you.
00:47:52Oh, you young people.
00:47:54You young people.
00:47:56Oh, yes.
00:47:58Thank you very much.
00:48:00Goodbye.
00:48:02Goodbye.
00:48:04Goodbye.
00:48:06Is Dr. Evans in?
00:48:08Dr. Evans left the house a quarter of an hour ago
00:48:10to catch the train for Southampton.
00:48:12When will he be back?
00:48:14I don't know.
00:48:16It was very sudden.
00:48:18A telephone call.
00:48:20Does the train go direct to Southampton?
00:48:22No, the doctor left a change at Farwell.
00:48:24Farwell, thanks.
00:48:26Is he expecting?
00:48:28Can't say.
00:48:30He's a doctor.
00:48:32He ought to know.
00:48:34Come on.
00:48:36Let's go.
00:48:44Look, I can see the train.
00:48:46Yeah, there she is.
00:48:48We've got to get to Farwell before her.
00:48:54Are you sure you've got the brake off?
00:48:56Quit being funny.
00:48:58This is the only car they have in the garage.
00:49:00They must be doing over 100 by the smell.
00:49:06We're gaining, good boy.
00:49:08What have you done to her?
00:49:10We must be going downhill.
00:49:12Level crossing.
00:49:18Obviously you can't drive.
00:49:21Must you do that?
00:49:23Very uncomfortable.
00:49:25Don't talk to me while I'm driving.
00:49:27You make me nervous.
00:49:32Look.
00:49:34What?
00:49:36I saw a lorry once in Pittsburgh.
00:49:38Yes, but it's right across the track.
00:49:40What?
00:49:42Yes, look.
00:49:44The train.
00:49:46Do something.
00:50:02Too late, honey.
00:50:07The driver's been killed.
00:50:14And before we could reach Dr. Evans,
00:50:16he was killed in the wreck.
00:50:18That's all.
00:50:20As Chief Constable of the County,
00:50:22the next move is yours.
00:50:24So I take it, you're suggesting foul play?
00:50:26Suggesting.
00:50:28I had that in mind.
00:50:30How do you suppose that motor lorry got there?
00:50:32What do you think exactly?
00:50:34By the way, did my telephone call
00:50:36It is a long way.
00:50:40Well, about that lorry.
00:50:42When I was looking over the wreckage, I made a discovery.
00:50:45Yes?
00:50:46The license on that lorry expired ten days ago.
00:50:50So what?
00:50:51Well, it's no offence, you know.
00:50:53Of course, you're going to call in Scotland Yard.
00:50:55No, I don't want any interference from those jacks in office.
00:50:58Look!
00:51:00Hello, my friend.
00:51:01Monsieur Turbey.
00:51:03How are you, my friend?
00:51:04I'm fine, thanks. How are you? Come right in.
00:51:06Hello, Mr. Hinton.
00:51:07Well, this is a pleasant surprise seeing you.
00:51:09Yes, you are surprised to see me so soon.
00:51:11But the French police are very quick, you know.
00:51:14I have just come up from the wreck.
00:51:16All the time, I am only a step behind you.
00:51:19Well, I hope you haven't tripped.
00:51:20Well, this is Captain Fitzgerald, Chief Constable of the county.
00:51:22Monsieur Turbey of the French police.
00:51:24I've heard a lot about you.
00:51:25He's been investigating that big French wreck I was talking to you about.
00:51:28Well, we should be glad of your assistance, though I have the matter well in hand.
00:51:31But he slipped.
00:51:33No doubt you have already found the wrecker.
00:51:35Come, come, Mr. Turbey.
00:51:37Rome wasn't built in a day, was it?
00:51:39No.
00:51:42Wait a minute, my friend.
00:51:43Oh, sit down, please.
00:51:44Get us a drink.
00:51:45What?
00:51:46No, not you. Sit down.
00:51:47Let's have some drinks. Bring them over here, will you?
00:51:52Now, I'm sure that both these wrecks are the work of one man.
00:51:55Someone who wanted both Wagner and Dr. Evans put out of the way.
00:51:59Go on.
00:52:00Now, this man Axel Hoyt knew both of them.
00:52:02He also had a definite motive for bumping off Dr. Evans.
00:52:05Bumping? Oh, yes.
00:52:07A fake death certificate fixed up by the doctor for him.
00:52:11You mean Evans knew too much?
00:52:13Sure.
00:52:14Probably Wagner did, too.
00:52:16It's my belief that they're all running some racket together.
00:52:19Oh, la, la, la, la.
00:52:20My $5,000 are in danger.
00:52:23Well, are you putting out the description of this man Hoyt?
00:52:27Certainly.
00:52:29What does he like?
00:52:30What does he like?
00:52:31That is he.
00:52:35But until we know a little more, it is better to say nothing of the wreck
00:52:40or of the death of Evans.
00:52:42Certainly.
00:52:43Well, I must be getting back to the station.
00:52:46But don't lose any sleep over this.
00:52:49We'll catch the blighter.
00:52:51Well, I must go, too.
00:52:55I am following up a little idea of my own in London.
00:53:02Say, Mr. Howard, you played fair with me.
00:53:05I will do the same with you.
00:53:07How is it you say?
00:53:08Honesty is the best politics.
00:53:10Try it for true.
00:53:11Come on.
00:53:12Let it go, let it go.
00:53:13Ah.
00:53:14Well, you recognize this?
00:53:19That's the leg from Wagner's cuff.
00:53:21Yes, which you gave me.
00:53:22Mm-hmm.
00:53:23Now, look.
00:53:27They're exactly alike.
00:53:29But this one I found on the body of Dr. Evans a few minutes ago.
00:53:34Hmm.
00:53:36Have you any idea what this design stands for?
00:53:39Perhaps, perhaps not.
00:53:41But it might prove what you said just now,
00:53:44that they were both in the same tennis racket.
00:53:48Oh, not a racket.
00:53:49Yes.
00:53:50Keep it.
00:53:53Au revoir, mademoiselle.
00:53:55Au revoir, monsieur.
00:53:56Au revoir, au revoir.
00:53:57Your telephone call from South America, sir.
00:53:59Oh, thank you.
00:54:00Come on.
00:54:01This way, sir.
00:54:05Where does it belong now?
00:54:07Hello?
00:54:08Hello, is this the Buenos Aires police?
00:54:11Can you hear me?
00:54:12This is Howard of Pankerton's here.
00:54:15Oh, is that you, Gonzales?
00:54:17Did you get my cable?
00:54:19Good.
00:54:21Say, listen.
00:54:22Did you get anything on Axel Hoyt?
00:54:27Fine.
00:54:28Fine, I thought you'd know him.
00:54:30Here, hold on.
00:54:31I'll take it down.
00:54:32Give me a pencil, quick.
00:54:33Come here.
00:54:34Gun running.
00:54:37What?
00:54:39Yes?
00:54:42All right, that'll do nicely.
00:54:45Thank you, Gonzales.
00:54:46Thank you very much.
00:54:47Bye.
00:54:48Come on, now, don't be funny.
00:54:49Hey, look.
00:54:59That's what the cuff link stands for, don't you see?
00:55:03Pilgrims of Peace.
00:55:06So that's their racket.
00:55:08Yes.
00:55:19All right?
00:55:50For me?
00:55:52Hey, there's Lizzie.
00:55:54Yes, with her boyfriend.
00:55:55And all the other dogs.
00:56:00Take a look around, I'm going to stay here.
00:56:05Ladies and gentlemen, Sir Charles Webber would like to say a few words.
00:56:18My dear friends,
00:56:20no effort has been spared in this great endeavor by our people
00:56:25to bring relief to the oppressed victims of war.
00:56:30In a few moments, our little band will be en route for Bordeaux.
00:56:36We greatly appreciate the kindness of those who are seeing us off at the boat train.
00:56:41Miss Elizabeth Wentworth will be sailing with us on the peace ship from Bordeaux
00:56:45to organize the nursing staff.
00:56:55While Father Blanchard of Paris will come with us
00:56:59to take charge of the spiritual side of our mission.
00:57:11I myself will superintend the organization of supplies.
00:57:15Now, I don't want you to think that your task is finished.
00:57:21There he is.
00:57:22Who?
00:57:23The man who saw you in Paris.
00:57:26Yes, yes, that is the man.
00:57:28It rests with you to further the cause of peace at home
00:57:33until, by the very force of public opinion,
00:57:37disarmament, and by that I mean total disarmament,
00:57:42is brought to this war-weary world.
00:57:45That's all.
00:57:53Good speech, don't you think?
00:57:55Yeah, yeah, fine, fine.
00:57:58Our American friend here again.
00:58:00Again?
00:58:03He won't bother us anymore.
00:58:09Are you a newcomer?
00:58:10In a way.
00:58:11Then you haven't heard my little poem.
00:58:13Oh, thanks.
00:58:14I dedicated it to the sailing of the peace ship.
00:58:16I'll recite it to you, if you like.
00:58:17No, no, don't bother.
00:58:18No, it's no bother. I call it man.
00:58:20Oh, humanity in thy name,
00:58:22is such desecration wrought that thou must bow thy head in shame,
00:58:25blush at the very thought of it.
00:58:29Oh, man.
00:58:30Oh, man, if you don't mind.
00:58:32Grimms awake, dawn streaks a-popping.
00:58:34Throttle the war-gods while they're sleeping.
00:58:36You throttle them, you wrote it.
00:58:38Strangle these pestilent puppets of fate.
00:58:40You strangle them.
00:58:41Fill our simple souls with hate.
00:58:43Come here.
00:58:44Aren't these poets too?
00:58:45No, but there's a lot more yet.
00:58:47I see the clash of symbols cease.
00:58:48All right, all right.
00:58:49Don't be over here.
00:58:50Ah, yes.
00:58:51I see the clash of symbols cease.
00:58:53Humanity, renew its lease.
00:58:55A million voices whisper peace.
00:58:57Peace in our time.
00:58:58Perfect peace.
00:59:02Oh, no, no, no.
00:59:04No, no, no.
00:59:06No, no, no, no.
00:59:07No, no, no, no.
00:59:29Come on, somehow!
00:59:32Don't lose your temper
00:59:35The boys won't be playing. Yeah, we might as well do this thing. Right take the pin out
00:59:40Here you are boys. There's something to play with. Who's the lucky fellow?
00:59:45catch
01:00:02I
01:00:24Haven't had a solid meal for days. When do we eat?
01:00:26I
01:00:29Win that $5,000 you can stop yourself sick. You seem very confident. Mr. Howard. Don't tell me I know that
01:00:37Well, Mr. You see I turn up again. So do I
01:00:42Looks like it's going to be a very interesting trip to see a turbine. Yes, and what's more?
01:00:46I have to Scotland young men with me. Look they're outside. Oh
01:00:51Fine hey, you think of everything don't you I will be honest. I have not yet the evidence. I've got plenty. Oh, mr
01:00:58Howard
01:00:59Suspect is not enough. You must rule. I tell you I'm in the right track
01:01:02Give me an hour and I'll satisfy you that I've won the $5,000
01:01:08Very well, mr. Howard if you do that, I will be very glad to pay you $5,000
01:01:20You
01:01:30Where are you man, it's an excavation good now the moment I like a cigarette you won't bring them in maybe
01:01:44You mind if we join you sit down
01:01:51Well, I see you've embraced the church since we met in Paris father Hoyt, my name is
01:01:57What's the meaning of this boy? I'm glad you're not like father. Well, he's wanted in Buenos Aires
01:02:06Yes, I came to this country three years ago as you can see from these
01:02:12The Argentine police got wise to the fact that he was in England and applied for his expedition
01:02:17So Hoyt decided to die
01:02:19It's well known that you can't expedite a dead body, but Hoyt needed a cover so he found something quite above suspicion
01:02:28the pilgrims of peace
01:02:30What on earth are you talking about? Listen to this cable from the chief of police of Bordeaux
01:02:38I've searched John Murdoch cases aboard contain arms and ammunition a weight full information
01:02:45You know our father my good sir, if you imagine we are going to sit here and all right, it's no use
01:02:54What are you going to do nothing at the moment I'm not interested in ships I prefer trains
01:03:00Yes, Hoyt. I'm looking for the man who murdered Heinrich Wagner
01:03:04Murdered him and put his body aboard the Paris Express
01:03:08This morning. Dr. Evans was also killed in the train smash
01:03:12Evidence
01:03:13to train wrecks to pilgrims
01:03:16Now listen Hoyt whoever killed these men was someone who knew they were dangerous to someone who had something to conceal
01:03:23Someone who was in France at the time of the first wreck and in bowel on the scene of the second
01:03:29someone who was
01:03:41What are you doing?
01:04:11Come on now, what was terribly doing with you at the guildhall? Okay. Yes turbot. Why there he was on the same racket
01:04:19Wasn't he getting arms out of France for you? Why for a high police official?
01:04:23It'll be easy
01:04:24Toby was on the scene of the French wreck and present just after the bar will smash this morning and he's here now
01:04:29Yeah to around this tree. Yeah, you mean he murdered Wagner and Evans. I'm sure
01:04:42You
01:04:57Tell me what was the matter did Terry try to back out?
01:05:02So you instructed Bogner to exercise pressure Wagner obeyed instructions and to obey killed him
01:05:07But you can't win a war by wiping out one regiment he had to kill the rest of you
01:05:11But why because pretty soon you would have found out that he'd been double-crossing you
01:05:16That the arms weren't a boy of the John Murdoch the cable says the arms are aboard
01:05:21Read this Fenton way
01:05:23Shall not require your services local policemen found jewels behind bars Lady Belton
01:05:29Why did he kill him to throw me off the Senate yes, but why did he give you those covers?
01:05:39To get us on this train, he knew we'd follow it up. That's why he sent me the passport
01:05:45See it. Her big wreck this train. He'd
01:05:49Tell me wouldn't wreck a train. He was traveling on himself. He might get off off a train going any miles an hour
01:05:54It's practically stopped
01:05:59It has stopped what's happened
01:06:06We're cut off
01:06:23I
01:06:53I
01:07:23I
01:07:36Restaurant coat slipped from the boat express in the Pitmore Tunnel brought about a collision which resulted in death and injury for many in the express
01:07:42which followed
01:07:44Early reports state that among the killed in the restaurant car was the Charles Webber miss Wentworth and father Blanchard
01:07:50Organizers of the Pilgrims of Peace Movement who were on their way to embark upon their mission and to American citizens
01:07:56Mr. Edward Howard and Miss Carol Fenton
01:07:58This week a local train was derailed at Marvel in the West Country
01:08:02And only the week before was the disaster which enveloped the Riviera Express in the south of France
01:08:07In that case it has already been established that the signals were deliberately reversed by some man or men whose ghastly trade is wholesale murder and butchery
01:08:16Mr. Howard and Miss Fenton it is now revealed, but unofficially investigating the other wrecks
01:08:23One naturally asks whether the malice of the wrecker was in this case directed against them
01:08:45Asking the same question who is the insane criminal responsible for these most ghastly crimes of our century
01:08:52When and how will he be brought to justice?
01:09:00You again so soon sooner what is it this time we want to get married married
01:09:06I'm not married
01:09:08I'm not married
01:09:10I'm not married
01:09:12I'm not married
01:09:15The children insisted on it. Oh, that's right
01:09:19You young people
01:09:21You young people