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00:00:00Oh!
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00:00:04Ooou!
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00:00:20Oooh!
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00:00:24Ha!
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00:00:28Come on, let's go.
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00:05:47It's becoming quite a thing, these letters from England.
00:05:50I reckon the squire's in love.
00:05:52You're a cheeky blighter, Simeon.
00:05:55Why, don't nobody laugh no more at Bratley,
00:05:58or are you all too scared of that loony up in the attic?
00:06:00Shh, Simeon!
00:06:01Oh, don't worry, Annie, nothing you'd be scared of,
00:06:04as long as I'm around.
00:06:06I. Think
00:06:17about the party tonight any.
00:06:36The last
00:06:51one. Looks like it's going to be
00:06:53a good vintage. I've got to be bad. Yes I know young but
00:06:59the practice of how to run a bad years. Make up a good luck charm.
00:07:06Take more than I catch magic spells to change the fortunes of the practice.
00:07:13Can I have the stamps when you don't. Yes of course. Then I think too much not
00:07:18young so I want your lunch I'm Michael I you have it I may see you later at the
00:07:22party.
00:07:29You're shaking your head for. I don't know how you can be so happy he's got
00:07:33a loony for
00:07:34a brother. I saw him in the woods this morning something in
00:07:38a sack. And it was alive. You better keep your mouth shut if you want to keep your
00:07:44job. Not only me. The folks a Mr Breck's
00:07:51fooling around with magic up there. I'm more scared of him than out of that old
00:07:54which I had kept.
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00:10:03If I was you my love.
00:10:05I'd go and find her.
00:10:33And the other one in the back.
00:10:35Oh, I see.
00:10:36Oh, yes.
00:10:37Oh, yes.
00:10:39And you, where was the last time you saw a dog?
00:10:41Oh.
00:10:42Oh, yes, I saw a dog.
00:10:44Oh, yes.
00:10:45Oh, yes.
00:10:46Yes, yes.
00:10:48Yes.
00:10:49Well, I'll see you later.
00:10:50Bye-bye.
00:10:52Bye-bye.
00:10:53Bye.
00:10:54Bye.
00:10:56Bye.
00:10:57Bye.
00:10:58Bye.
00:10:59Bye.
00:11:00Bye.
00:11:02Bye.
00:11:03Annie!
00:11:04Annie!
00:11:05Annie!
00:11:06Annie!
00:11:07Annie!
00:11:08Annie!
00:11:10Annie!
00:11:11Annie!
00:11:12Annie!
00:11:13Annie!
00:11:14No!
00:11:15Sammy!
00:11:16Annie!
00:11:17Annie!
00:11:18Annie!
00:11:19What was it I did...
00:11:28Annie.
00:11:30Annie.
00:11:44Annie.
00:11:48Here's to me.
00:11:54Annie.
00:11:58Come on, that's enough now, Annie. Come on.
00:12:05Jimmy?
00:12:06A home!
00:12:26Let go! Let go of her! Let go of her!
00:12:32She was trying to hit you, sir.
00:12:35Go back to the party. Go on. Go!
00:12:40Lina?
00:12:44It's alive. It's to protect you.
00:12:49Give it to me. Give it to me, Lina.
00:12:53From what and from whom are you trying to protect me?
00:12:59Witchcraft's a bit of a brattling, Lina. You know that.
00:13:02Evil got to be fought with evil.
00:13:06There is no evil at Brattling Isle. Not anymore.
00:15:02Oh, no.
00:15:33Simeon?
00:15:35Must have been Saracen.
00:15:39Why?
00:15:43Why?
00:15:44Force is due to unkill us, sir.
00:15:51Get him back to the house. Quickly.
00:16:02John!
00:16:22John!
00:16:27So that's what spooked Saracen.
00:16:29Snake will spook any horse.
00:16:31He kicked down the door.
00:16:34No.
00:16:36Someone let him out. Deliberately.
00:16:39I want him found, John. Quickly.
00:16:42Get rid of this, will you?
00:16:46Yes, sir.
00:17:01Rick?
00:17:03Rick?
00:17:31Rick?
00:18:01Rick?
00:18:32Mother.
00:18:34Marianne has consented to marry me.
00:18:39Is that what the letter was about?
00:18:41Yes.
00:18:43But it's been more than a year since you last saw her.
00:18:46And then only for a short time in London.
00:18:49I'm sorry.
00:18:51I'm sorry.
00:18:53I'm sorry.
00:18:55I'm sorry.
00:18:57I'm sorry.
00:18:59I'm sorry.
00:19:01How do you know she hasn't changed?
00:19:03We love each other. That's all we need to know.
00:19:06You, Rick, and I are the last of the Bratles.
00:19:10We should make sure there will be no more.
00:19:15If you marry this girl,
00:19:17you'll only be adding another tragedy to the history of Bratling.
00:19:22It's because of Rick that you don't want to hear, isn't it?
00:19:25What do you suggest we do with him?
00:19:27Brush him under a carpet like unsightly dirt?
00:19:29Rick is my brother. I love him as much as you do.
00:19:35Mother, can't you see?
00:19:37He's sick and needs proper care.
00:19:39He's a Bratly as much as you or me.
00:19:42He has a right to stay here as long as he lives.
00:19:47It's Marianne who has no right here.
00:20:00Marianne.
00:20:21I'm afraid I have some rather bad news.
00:20:23Michael?
00:20:25No, not Sir Michael. Rick.
00:20:27His brother?
00:20:28It appears that a runaway stallion that killed a man six weeks ago
00:20:31attacked Rick while he was out on a walk.
00:20:34Oh, no.
00:20:47I'm sorry I had to bring you such distressing news.
00:20:53Did you know Rick, Doctor?
00:20:55He was an undergraduate while I was at Dublin.
00:20:58I only met him once or twice after he qualified
00:21:00and that was many years ago in London at a medical conference.
00:21:04I believe he returned to the Cape shortly after that
00:21:06and gave up his practice in London.
00:21:09Michael never mentioned that his brother was a doctor.
00:21:12He had some rather extraordinary ideas which he published
00:21:17but I'm afraid they had a mixed reception in medical circles.
00:21:22Oh. Why was that?
00:21:25He believed the soul was an organic entity
00:21:27which could be isolated and kept alive
00:21:29outside and independent of the human body.
00:21:34The time has passed most pleasantly thanks to you, Doctor Collinson.
00:21:42I do hope you have a pleasant stay with the deputies.
00:21:51Doctor Collinson?
00:21:52Yes?
00:21:53You must have heard she sent me to meet you, sir.
00:21:55Ah, my bags are over there. I'll be with you in a minute.
00:21:59Don't worry, Miss Carew.
00:22:01If Sir Michael doesn't arrive,
00:22:03I can always drop you on my way to the de Fruits farm.
00:22:06I'm sure he'll be here soon.
00:22:09Will you excuse me while I look for my luggage?
00:22:11Yes.
00:22:16That one and that one.
00:22:17Yes, sir.
00:22:48Michael!
00:22:53Michael!
00:23:04You've been very kind, Doctor Collinson.
00:23:07My pleasure, Miss Carew.
00:23:16Marianne!
00:23:18Hello.
00:23:21Dearest.
00:23:24Oh, this is Doctor Collinson.
00:23:27He's been my guardian angel.
00:23:29How do you do?
00:23:30I'm very grateful to you, Doctor.
00:23:31He's going to visit your neighbours, the de Groots.
00:23:34I've asked him to come and visit us.
00:23:38Yes, of course. We'd be delighted, Doctor.
00:23:40Thank you, Sir Michael.
00:23:41Miss Carew?
00:23:43Goodbye.
00:23:44Goodbye.
00:23:49Oh, Marianne, this is Lena.
00:23:51She'll be your personal maid at Bratling.
00:23:55How do you do, Lena?
00:23:56Ma'am.
00:23:57Come, my dear.
00:24:00I beg your pardon, Sir Michael.
00:24:01Yes?
00:24:02That case that's addressed to Doctor Brett,
00:24:04will you take it now or have it sent for later?
00:24:09We'll take it with us if we might as well.
00:24:12Load it up, would you?
00:25:21How much further is it to Bratling, Michael?
00:25:23About another mile.
00:25:24I can hardly wait to get there.
00:25:27You're much thinner, Dearest.
00:25:29That's one of the changes at Bratling since I wrote to you.
00:25:31You mean Breck's accident?
00:25:34You know about that?
00:25:35The stationmaster told Doctor Collinson.
00:25:38How is he?
00:25:39Well, at first we thought he might die.
00:25:41His head was badly crushed.
00:25:43Oh, Michael, how awful.
00:25:45Your poor mother must have been very upset.
00:25:47She still is upset.
00:25:49She doted on Breck.
00:25:51Can't we go a little faster, Michael?
00:25:53I can hardly wait.
00:25:55Yes, of course.
00:25:56Get up, go on.
00:25:57Get up.
00:26:15Michael, I think it's...
00:26:16It's beautiful.
00:26:19Beautiful is hardly the word for it.
00:26:21The house is run down, the garden's overgrown.
00:26:23Well, all except for one part, which is Mother's pride and joy.
00:26:27It's been such a long time.
00:26:29Remember when we talked about this day?
00:26:31Woo, woo.
00:26:32Yes, I remember.
00:26:33Woo, woo.
00:26:36But then I wasn't sure you were going to marry me.
00:26:38Excuse me.
00:26:40Michael?
00:26:41Michael, do you think your mother will like me?
00:26:44Of course she'll like you.
00:26:46How could anyone not like you?
00:26:53Welcome to Bracklin.
00:27:09It is rather grim, isn't it?
00:27:12But everything will change now that you're here.
00:27:15Let me introduce you.
00:27:16This is Bland, our butler.
00:27:17Ma'am.
00:27:18And behind you is Annie.
00:27:22Welcome, ma'am.
00:27:24Thank you, Annie.
00:27:25The inner will show Miss Marriott in her room.
00:27:27My dear, when you're refreshed, I'll introduce you to Mother.
00:27:36Thank you, Bland.
00:27:40I simply will not allow you to marry this girl.
00:27:45You will allow whatever I say, Mother.
00:27:49Then you intend to go through with it, despite my wishes?
00:27:56Not despite anything, but because I am master of Bracklin.
00:28:10I can hardly believe it.
00:28:13It seems incredible that this is Africa and not England.
00:28:16Cape Colony, my dear, not Africa.
00:28:19But if you will listen carefully, you will realize there is a difference.
00:28:30What is that drumming, Michael?
00:28:32Nothing that need concern you.
00:28:35You might call it the sound of Africa.
00:28:38You should not permit it.
00:28:39Your father never did.
00:28:41What should Michael not permit, Lady Bracklin?
00:28:44Witchcraft.
00:28:46Mr. Bracklin, here is his tray.
00:28:48Thank you, Bland.
00:28:49That will be all.
00:28:54Excuse me, my dear.
00:28:55Bracklin and I usually have a few moments together at this time.
00:28:59Can I come with you?
00:29:00No, Marianne.
00:29:02Michael can take the tray and you and I will have coffee in the drawing room.
00:29:07It's better this way, for the moment.
00:29:10Yes, my lady.
00:29:58They are very much alike, Lady Bracklin.
00:30:01They were then.
00:30:04But not anymore.
00:30:08I'm such a blunderer.
00:30:10Please forgive me.
00:30:14Has Michael told you about the accident?
00:30:17Only that Breck was attacked by a stallion while out walking.
00:30:21He also said that Breck refuses to see anyone except you and Michael.
00:30:27You both look so upset.
00:30:29Surely there is something I can do to help.
00:30:32This is a family matter.
00:30:34Michael has no right to tell you about it.
00:30:37But I am family.
00:30:40Not yet, my dear.
00:30:42Not yet.
00:30:57I love Michael, Lady Bracklin.
00:30:59And everything that is part of him.
00:31:02Even if you don't care for me,
00:31:04you'll never change what I feel for him.
00:31:07Nothing will ever change that.
00:31:26Come in.
00:31:47Come in.
00:31:57May I turn back the bed, Miss Marianne?
00:31:59Yes, thank you, Lina.
00:32:05What's he like, Lina?
00:32:07Who, Miss?
00:32:08Mr. Breck.
00:32:10I haven't seen him since the accident, Miss.
00:32:13Nobody has.
00:32:14He never leaves the upper floor.
00:32:16Oh, how dreadful.
00:32:20I'm so sorry.
00:32:23Oh, how dreadful.
00:32:26Poor Breck.
00:32:53What was he like, Lina, before the accident?
00:32:56Did you know he was crippled, Miss?
00:32:58Yes, Sir Michael told me.
00:33:00Ayakat says he's marked by the devil.
00:33:03He used to play the organ sometimes late at night.
00:33:07We could hear down in the servants' quarters.
00:33:10Lonely.
00:33:12I don't know what he was doing.
00:33:14I don't know.
00:33:16I don't know.
00:33:18I don't know.
00:33:20Yes.
00:33:21Lonely.
00:33:23Terrible music.
00:33:25Like this wind.
00:33:27Come in.
00:33:30Leave us, Lina.
00:33:43You're retiring rather early, aren't you?
00:33:47I don't...
00:33:48I don't think your mother wants me here at Bratley.
00:33:51Oh?
00:33:52Did she say that?
00:33:53She told me not to interfere in family matters.
00:33:56My mother's had a terrible shock.
00:33:58Breck is more than just a son to her.
00:34:01You'll have to be very patient with us, my darling.
00:34:03All of us.
00:34:04Mother, Breck, even me.
00:34:10Who is Ayakat?
00:34:15Oh, just an old Malay woman.
00:34:17People believed to have supernatural powers.
00:34:20Did Lina tell you about her?
00:34:22Yes, but why are you so angry?
00:34:27I'm... I'm not angry.
00:34:30I just don't want you listening to servants' gossip, that's all.
00:34:32Especially from Lina.
00:34:34I'll speak to Mother tomorrow about a new maid for you.
00:34:36Oh, please don't, Michael.
00:34:38I like the girl.
00:34:39All right, my love.
00:34:41Good night.
00:34:44Sleep well.
00:34:48You'll be cold at that time.
00:35:43Oh, my God.
00:36:43Good night.
00:37:13Good night.
00:37:43Good night.
00:38:13Good night.
00:38:43Did you lock my door last night, Lina?
00:38:45No.
00:38:50And the organ music.
00:38:53Did you hear it?
00:38:56Lina.
00:38:58I saw Mr. Breck with my own eyes
00:39:00limping along the path beneath my bedroom window.
00:39:03Then he must be bitter, miss.
00:39:06Lina, please trust me as I now trust you.
00:39:09I promise you that whatever you tell me
00:39:11will remain a secret between us.
00:39:14There's nothing to tell, miss.
00:39:16I've told you everything I know.
00:39:20You haven't told me why,
00:39:22whenever you speak of Mr. Breck,
00:39:24you behave like a frightened child.
00:39:26I'm not afraid of Mr. Breck.
00:39:28I'm afraid of you.
00:39:30I'm afraid of you.
00:39:32I'm afraid of you.
00:39:34A frightened child?
00:39:36What is it that he does or used to do up in that attic?
00:39:40Nobody knows for sure,
00:39:42but Ayakat says he's doing what no man has the right to do.
00:39:46What is Mr. Breck doing, Lina?
00:39:51Collecting the souls of living creatures.
00:39:55Lina!
00:39:57Lina!
00:40:05Good.
00:40:07Very good.
00:40:13Living in England all these years
00:40:15has not robbed you of your skill, I see.
00:40:17I used to practice on Hampstead Heath.
00:40:19To keep up with you, Hugo.
00:40:25You're not sorry you've given up your London practice
00:40:28to take up this lecturing post at the medical school, are you?
00:40:32Good heavens, no.
00:40:34I was intended to return to the colony.
00:40:36What makes you think that I have any regrets?
00:40:39Sometimes you look like a man who has a profound regret,
00:40:42as if he has lost something.
00:40:45It's the girl you met on the boat coming out,
00:40:48isn't it, my friend?
00:40:50Miss Carew is engaged to be married to Sir Michael Bratley, Hugo.
00:40:54Yes.
00:40:56But somehow I think that she's in great danger.
00:41:00She's in great danger.
00:41:04Let's go and have some tea.
00:42:01DOOR CLOSES
00:42:24Hello, Annie.
00:42:26Is Sir Michael back from the field yet?
00:42:28No, I haven't seen him, Miss.
00:42:30Thank you, Annie.
00:42:48WHISTLE BLOWS
00:42:53WHISTLE BLOWS
00:42:59SCREAMS
00:43:17SCREAMS
00:43:28WHISTLE BLOWS
00:43:34No! No!
00:43:36No!
00:43:58WHISTLE BLOWS
00:44:28WHISTLE BLOWS
00:44:58WHISTLE BLOWS
00:45:28WHISTLE BLOWS
00:45:39GASPS
00:45:45Why are you and Michael hiding Brett from me
00:45:47as if he were some dangerous animal?
00:45:50I've seen him staring out of the attic window.
00:45:54My son does not wish to see you.
00:45:56He's been ill, very ill.
00:45:59Can't you understand that?
00:46:02Then why was he walking in the garden last night?
00:46:06That's impossible.
00:46:08It was your imagination.
00:46:10And the organ music?
00:46:12Was that also my imagination?
00:46:14CROWD CHATTERS
00:46:44CROWD CHATTERS
00:46:55Leave, Brettley, Mary, Anne, leave, before it's too late.
00:46:58I'll never leave here, not as long as Michael loves and needs me.
00:47:02CROWD CHATTERS
00:47:06Jan!
00:47:10What is it? What's happening?
00:47:12I'm coming to tell you, sir, Iacocte is dead.
00:47:14They all want to leave.
00:47:16CROWD CHATTERS
00:47:24What do you want?
00:47:26It isn't safe to work or live here any more.
00:47:28Is that damn horse that's killed her?
00:47:30Jan! Jan is no longer on Brattling. He's disappeared.
00:47:34You all know that. He's probably dead.
00:47:37Then his soul ain't dead. He's out there somewhere.
00:47:40That's him. That's Hex's place.
00:47:42Your crazy brother. Up there.
00:47:44Let's go get him.
00:47:48Those of you who wish to leave can go.
00:47:50HORSE NEIGHS
00:47:56HORSE NEIGHS
00:48:00HORSE NEIGHS
00:48:05HORSE NEIGHS
00:48:10HORSE NEIGHS
00:48:40WATER BUBBLES
00:49:10HORSE NEIGHS
00:49:19Marianne?
00:49:36What is it?
00:49:40You're angry with me.
00:49:42Is it unreasonable for a woman who's come 7,000 miles
00:49:45to join the man she loves
00:49:47to expect him to spend a little of his time with her?
00:49:53You saw what happened last night.
00:49:56Brattling is like a ship that's sinking.
00:49:59And no one can save her except me.
00:50:01You and me, Michael.
00:50:03Or have you forgotten you asked me to marry you?
00:50:07Last night, your mother begged me to leave Bratley.
00:50:12Is that what you want, too?
00:50:14Mother begged you to leave Bratley?
00:50:16Why?
00:50:19Maybe because of Breck.
00:50:21I mean, I thought...
00:50:23Breck?
00:50:25Why does everyone blame poor Breck
00:50:27for everything that happens in this house?
00:50:30I spent an hour with him this morning.
00:50:32I can get nothing from him.
00:50:34He just sits there, staring into space.
00:50:39A shattered mind and a shattered body.
00:50:43Oh, my dearest, I'm sorry.
00:50:46I've been so selfish and thoughtless.
00:50:50I promise never to speak about it again.
00:50:54I promise.
00:50:59I promise.
00:51:01I promise.
00:51:27Seems we have a visitor.
00:51:30Will you be all right on your own, my love?
00:51:32Yes, you go.
00:51:34I'll lie down for a while.
00:51:39The horse.
00:51:41Was it Saracen?
00:51:43Yes, it was Saracen.
00:51:45I'm sorry, Michael.
00:51:59I was out with my son, Captain Zurn.
00:52:04Good to see you, Tana.
00:52:06What brings you to Bratlin?
00:52:08One of your farmhands put in an appearance at the castle
00:52:10the day before yesterday.
00:52:12With a rather incredible story, Sir Michael.
00:52:18As long as he's up there in that attic,
00:52:20none of us is safe.
00:52:23Oh, please, miss, let's go to Cape Town.
00:52:26I will work for you there.
00:52:28Stay calm, Lena.
00:52:30You must think.
00:52:32I have thought, miss.
00:52:34I'm leaving Bratlin.
00:52:38How far is Grutwood from here?
00:52:40About eight miles by road, miss.
00:52:42But there's a short cut through the field.
00:52:44Then will you do one last favor for me
00:52:46before you leave Bratlin?
00:52:48Oh, yes, miss.
00:52:49Take this letter to Grutwood and hand it to Dr. Collinson.
00:52:53Yes, miss.
00:52:56God protect you.
00:53:03It may well be as you say, Sir Michael.
00:53:06Superstitious servant's chatter.
00:53:10Nevertheless, two particularly brutal killings have occurred.
00:53:13And I'm quite sure none of us here really believe
00:53:15that the stallion was responsible.
00:53:18And who do you suggest is responsible?
00:53:20Perhaps after I've looked around the property
00:53:22and questioned a few people,
00:53:24I might be able to give you the answer.
00:53:28With your permission, Sir Michael,
00:53:30I should also like to have a few minutes with your brother.
00:53:35You realize, of course, Lieutenant,
00:53:37that Breckenridge has not yet completely recovered
00:53:39from the stallion's attack.
00:53:41It is this that I need assuring of, Lady Bratlin.
00:53:43That is why I should like to see him
00:53:45when I return from speaking to your field workers.
00:53:47Now if you'll excuse me, Lady Bratlin.
00:53:50Sir Michael.
00:53:54Oh, Michael.
00:54:24Sir Michael.
00:54:54Sir Michael.
00:55:25Ah!
00:55:27Ah!
00:55:29Ah!
00:55:31Ah!
00:55:33Ah!
00:55:35Ah!
00:55:54Ah!
00:56:02Ah!
00:56:04Ah!
00:56:06Ah!
00:56:22Ah!
00:56:24Ah!
00:56:28Ah!
00:56:30Ah!
00:56:32Ah!
00:56:34Ah!
00:56:40Ah!
00:56:45Ah!
00:56:48Ah!
00:56:50Ah!
00:56:52Ah!
00:56:54Ah!
00:57:05Ah!
00:57:08Help! Help me!
00:57:13Dr. Collinson!
00:57:15Dr. Collinson!
00:57:22Dr. Collinson!
00:57:24What is it? What is it?
00:57:25He tried to kill me!
00:57:27Hugo!
00:57:28He tried to kill me!
00:57:29Hugo!
00:57:30It's all right. You're safe now.
00:57:32Oh!
00:57:35It's one of the servant girls from Bratlin.
00:57:37Let's take her into the house.
00:58:02Oh!
00:58:09Where'd you drop the napalina?
00:58:11There.
00:58:20It's not here.
00:58:21It must be there.
00:58:23That's the only place I could have dropped it.
00:58:25And the trap?
00:58:27Further down.
00:58:32Further down.
00:59:02Where'd you see the killing, Nina?
00:59:05Down in the south vineyard.
00:59:15There! There it is!
00:59:17Oh! Oh!
00:59:19Steady, that. Steady.
00:59:33There's nothing here.
00:59:35I don't understand.
00:59:37Never mind, Nina.
00:59:39Now, listen.
00:59:40I want you to go back to Bratlin
00:59:42and stay with Miss Mary Ann till I get there.
00:59:44Tell her I'm on my way, but nothing else.
00:59:46Not to her or anybody.
00:59:48Do you understand?
00:59:49Yes.
00:59:50Come on, now.
00:59:58Come on. Up now. Up. Come on.
01:00:00Nasty business, this, Sir Michael.
01:00:03I thought when that farmhand of yours
01:00:05came here with a wild story
01:00:07of ghost horses and killings,
01:00:09it was a mile of tripe.
01:00:11Turner, I thought he should be looked into.
01:00:14Good officer.
01:00:17Great pity.
01:00:19Take him away.
01:00:23Now I shall have to look into things myself.
01:00:26Now I shall have to look into things myself.
01:00:30Could you spare me your visit, Colonel Pringle,
01:00:33for a few days?
01:00:35Something wrong, Sir Michael?
01:00:38My... my brother threatened it.
01:00:43He died suddenly this afternoon.
01:00:52Sir Michael, just a minute.
01:00:56I'm sorry, Colonel Pringle. Please try and understand.
01:00:59We're all very upset.
01:01:01Can I let you know when we can see you?
01:01:03Certainly.
01:01:05My condolences to you and your mother.
01:01:10Dr. Pollardson?
01:01:12I'm afraid you've just missed my son.
01:01:15He left for Cape Town over an hour ago.
01:01:20Was there anything important?
01:01:22No, Lady Bradcliffe. May I?
01:01:26Sir Michael invited me to visit
01:01:28when I got back from Cape Town.
01:01:30I'm afraid I can't come.
01:01:32I'm afraid I can't come.
01:01:34I'm afraid I can't come.
01:01:37Sir Michael invited me to visit whenever I was passing.
01:01:40My son never mentioned having met you, Dr. Collinson.
01:01:43Perhaps because of the brevity of our encounter.
01:01:46Miss Carew and I were fellow travellers as far as Bratling.
01:01:49She introduced me at the station.
01:01:54It's your other son, Wettenridge, whom I knew.
01:01:57We met while he was studying at Dublin.
01:02:00I was most impressed by some of his theories.
01:02:07It was kind of you to call, Dr. Collinson.
01:02:10Should you miss Michael in town, I'll tell him you've called.
01:02:15How is Miss Carew, Lady Bradcliffe?
01:02:18When I last saw her, she was walking with her maid in the garden.
01:02:22Then she appeared to be perfectly well.
01:02:25You wouldn't object if I spoke to her before I left.
01:02:28Why should I object, Dr. Collinson?
01:02:32Miss Carew.
01:02:33How good of you to come, Dr. Collinson.
01:02:36I wish I could prevail upon you to leave immediately.
01:02:39Come back to Cape Town with me.
01:02:41Until we can establish exactly what's going on here at Bratling.
01:02:48No, I can't, Dr. Collinson.
01:02:51I'm afraid I can't.
01:02:53I'm afraid I can't.
01:02:55I'm afraid I can't.
01:02:57I'm afraid I can't.
01:02:59Dr. Collinson.
01:03:01I'm engaged to be married to Michael.
01:03:04My place is here with him.
01:03:07I'm not afraid.
01:03:09Then why did you send me that letter with Lena?
01:03:12Because I thought you might be able to persuade Michael to allow you to examine Breck.
01:03:16If they won't allow you to see him, how do you expect them to allow me?
01:03:23I thought that you being a doctor...
01:03:26They would listen to you.
01:03:29Miss Carew.
01:03:31I sincerely believe you should come with me.
01:03:43I still think you should change your mind and come to Cape Town with me.
01:03:46I've explained to you, Dr. Collinson, that I must stay here.
01:03:52Then stay close to Lena.
01:03:55I promise.
01:03:59CAPE TOWN
01:04:24Yes, I made it.
01:04:28And the boot that goes with it.
01:04:31I've been making it for years.
01:04:34I can't understand how it came off.
01:04:37Who is the customer, Mr. Hill?
01:04:40Dr. Breckenridge Bradley, sir.
01:04:44His brother, Sir Michael, brought the boot in this afternoon to be repaired.
01:04:48How can you be so sure this heel comes off Mr. Breckenridge's boot?
01:04:53Easy, sir.
01:04:55Do you know how high the heel is?
01:05:01It was Lady Bradley's idea.
01:05:04With the boot on, he walked as normal as Sir Michael.
01:05:08Here's his last.
01:05:15Just there.
01:05:18Now the heel there.
01:05:22Yes, you see, sir, he doesn't have a true foot.
01:05:26More like a hoof it is, without toes.
01:05:30But with my boot on, you'd never know.
01:05:52Thank you, Bland.
01:05:58Will there be anything else, Miss, before I go into town?
01:06:02Don't tell me you're deserting us too, Bland.
01:06:05I'm taking Annie in, Miss.
01:06:07I understand she's not very happy at Bradley.
01:06:11Will that be all, Miss?
01:06:14Yes, thank you.
01:06:17Oh, Bland, by the way, have you seen Nina anywhere?
01:06:21Not since this morning, Miss.
01:06:27Breckenridge Bradley is dead.
01:06:30Sir Michael told me so himself.
01:06:33Breckenridge Bradley is very much alive, Colonel.
01:06:36God knows if it's time enough to prevent him committing another insane crime.
01:06:42How do you know he is?
01:06:44Believe me, Colonel, I do.
01:06:47Very well, Coles.
01:07:12Michael?
01:07:14Michael?
01:07:41Michael?
01:08:06Michael?
01:08:12Michael?
01:08:21Marianne!
01:08:23You must leave Bradley before it's too late.
01:08:26You're in danger. Terrible danger.
01:08:35Marianne!
01:08:37Marianne!
01:08:45You're trying to frighten me into leaving.
01:08:47It's a lie. A mad, vicious lie.
01:08:50But the Bradleys are mad.
01:08:56Look at them.
01:08:58All of them died of some sort of madness.
01:09:08Do you see what marriage to a madman and giving birth to one can do to a woman?
01:09:14Is that what you want, Marianne?
01:09:16I beg you, for the last time, leave Bradley.
01:09:22I won't listen to you. I won't!
01:09:25I won't listen to you. I won't!
01:09:47Lamb?
01:09:49Yes.
01:09:51Take the other horse out of the trail.
01:09:54Come on.
01:10:07Hang on a minute.
01:10:18Come inside!
01:10:20Come inside!
01:10:50Look!
01:11:20Look!
01:11:50Look!
01:11:52Look!
01:12:16Rick? Rick?
01:12:18Rick!
01:12:22Rick!
01:12:52Rick!
01:12:54Rick!
01:12:56Rick!
01:13:26Rick!
01:13:50Let her go. You must let her go.
01:13:57The wedding, Mother. Have you forgotten the wedding?
01:14:00No. No, I won't let you.
01:14:03Marianne!
01:14:05Run! Run for your life!
01:14:27Michael!
01:14:29Michael!
01:14:31Michael!
01:14:41Michael!
01:14:56No.
01:14:59No!
01:15:03Rick!
01:15:16No! No!
01:15:18Please! Please!
01:15:21No!
01:15:24Please! Please!
01:15:28No, Rick!
01:15:31Rick, let me go!
01:15:34No, please!
01:15:36No! No!
01:15:38Please, no! Rick, let me go!
01:15:40No! No!
01:15:42No! No!
01:15:44Rick, let me go!
01:15:46No!
01:15:49No, please, let me go!
01:15:53No, please!
01:15:55Let me go!
01:15:57No!
01:15:59No! Let me go!
01:16:02Help me! No! No!
01:16:06Help!
01:16:08No!
01:16:10No, please!
01:16:13No! No!
01:16:15Let me go! Let me go!
01:16:18Let me go! Let me go!
01:16:21Let me go!
01:16:23Rick, oh, my darling, please. Please.
01:16:26Out of my way, Mother.
01:16:28There's been enough killing, Brattling.
01:16:34No!
01:16:36No!
01:16:38No!
01:16:40Help! Help!
01:16:42Help! Let me go!
01:16:44Please!
01:16:46Let me go!
01:16:48Let me go!
01:16:56Help!
01:16:58Let me go!
01:17:00Let me go!
01:17:02Do what?
01:17:03Do what?
01:17:04Michael.
01:17:07Michael.
01:17:08Michael.
01:17:09Michael.
01:17:10Please help me.
01:17:13Michael.
01:17:14Help me.
01:17:15Michael.
01:17:16Help.
01:17:17Michael.
01:17:18Michael.
01:17:19Michael.
01:17:20You want Michael?
01:17:22Michael's upstairs, waiting for you.
01:17:25This must be fast.
01:17:27We must make huge Ibuprofen.
01:17:28make you beautiful for him.
01:17:34Put it on.
01:17:35Put it on!
01:17:39Put it on!
01:17:42Put it on!
01:17:43Put it on!
01:17:44Do you want me to help you?
01:17:45No!
01:17:59No!
01:18:01No!
01:18:03No!
01:18:05No!
01:18:07Oh, God!
01:18:13No!
01:18:14No!
01:18:15No!
01:18:16No!
01:18:17No!
01:18:26That's better.
01:18:28That's more like Michael's Marianne.
01:18:33I shan't harm you.
01:18:35I shall make you very happy.
01:18:39Now let me explain.
01:18:42You see, I've always maintained
01:18:45that the soul is not something destined for a mythical paradise,
01:18:49but a force that can be isolated and contained here on this earth.
01:18:55My colleague said I was insane.
01:18:57But here is the proof.
01:18:59Not only one, but many.
01:19:01Not only animals, but human beings.
01:19:04This one's Saracen.
01:19:06Poor Saracen.
01:19:08So powerful, so arrogant.
01:19:10Now look at him.
01:19:12All that strength and arrogance contained in this one little jar.
01:19:17This one's Simeon.
01:19:19He called me a loony.
01:19:21And this one...
01:19:22It's not true!
01:19:24How is it possible?
01:19:26Isn't it?
01:19:28Michael!
01:19:29Where is Michael?
01:19:31Michael?
01:19:32Michael, my father's favorite son.
01:19:34Your bridegroom.
01:19:36Here he is.
01:19:39Michael's alive.
01:19:42You're insane.
01:19:44Insane, am I?
01:19:47Insane, am I?
01:19:50Alive is he!
01:19:54I killed him six weeks ago.
01:19:59Two days after you got this letter.
01:20:02Your own brother.
01:20:04Your own brother!
01:20:05In this letter, you said your love goes beyond this world.
01:20:09Well, now we'll see if you're right.
01:20:11At last, I shall have the opportunity to see two souls join together.
01:20:17Two souls join together in spiritual love.
01:20:21Think a bit, Marianne.
01:20:23Spiritual love.
01:20:25Free from the nastiness of your perfect body.
01:20:47Take me to Brackley, quickly!
01:21:17The water is so clear.
01:21:19The water is so clear.
01:21:21The water is so clear.
01:21:23The water is so clear.
01:21:37Marianne!
01:21:38Vic!
01:21:47Vic!
01:21:56Look, look.
01:21:57You and Michael, together.
01:21:59The river.
01:22:01Marianne!
01:22:07Still.
01:22:08Still.
01:22:09Still.
01:22:10Still.
01:22:11I'm sending you to Michael.
01:22:14Still.
01:22:15I'm sending you to Michael.
01:22:37So it was you, wasn't it, Brack?
01:22:39Yes.
01:22:48No!
01:22:49No!
01:22:50No!
01:22:51No!
01:22:52No!
01:22:53No!
01:22:54No!
01:22:55Oh!
01:23:05No!
01:23:06No!
01:23:07No!
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01:25:15Why'd you do that?
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