Bridge over Troubled Water is the fifth and final studio album by American folk rock duo Simon & Garfunkel, released in January 1970 on Columbia Records. Following the duo's soundtrack for The Graduate, Art Garfunkel took an acting role in the film Catch-22, while Paul Simon worked on the songs, writing all tracks except Felice and Boudleaux Bryant's "Bye Bye Love" (previously a hit for the Everly Brothers).As Simon and Garfunkel were working busily on recording, they had to decline invitations to perform, including at the Woodstock Festival.[15][16] Simon wrote "Bridge over Troubled Water".[17] He wanted a gospel piano sound, so he hired session musician Larry Knechtel. The song was initially two verses long, but Garfunkel felt the song was too short and asked Knechtel to play a third verse, to which Simon would write more lyrics. Osborn played two bass guitar parts, one high and the other low. Blaine recorded the drums in an echo chamber, to achieve a hall effect. A horn section rounded off the track. Due to a series of factors, the duo had to work on a new tape; an arranger falsely labeled the song as "Like a Pitcher of Water" and wrote Garfunkel's name incorrectly (GarFunkel), and the string part was unsatisfactory.[18]
The duo then returned to New York to record the vocals.[19][20][21] The vocal style in "Bridge over Troubled Water" was inspired by Phil Spector's technique in "Old Man River" by The Righteous Brothers.[22] After two months the song was finalized. Simon himself admitted that it sounded like the Beatles' "Let It Be", stating in a Rolling Stone interview: "They are very similar songs, certainly in instrumentation ..."[23] The song has been covered by over 50 artists since then,[24] including Elvis Presley and Johnny Cash.
The duo then returned to New York to record the vocals.[19][20][21] The vocal style in "Bridge over Troubled Water" was inspired by Phil Spector's technique in "Old Man River" by The Righteous Brothers.[22] After two months the song was finalized. Simon himself admitted that it sounded like the Beatles' "Let It Be", stating in a Rolling Stone interview: "They are very similar songs, certainly in instrumentation ..."[23] The song has been covered by over 50 artists since then,[24] including Elvis Presley and Johnny Cash.
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