• 4 years ago

Category

😹
Fun
Transcript
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00:02:25Gee, Bull, I got a stomach full of paper slips.
00:02:28What numbers do you have?
00:02:29Up to 54.
00:02:31That's all right. 54 don't win the day anyway.
00:02:35♪
00:02:43Pay off of that, Bull.
00:02:44Okay, Mr. Terrence.
00:02:45♪
00:03:00Dad, I think you're sticking your neck out.
00:03:02What guarantee have you got that you're not next?
00:03:04I know what I'm doing.
00:03:06You'd be much smarter if you'd string along with Terrence
00:03:08instead of the DA.
00:03:09This town ain't big enough for me and Terrence,
00:03:11and I don't want you mixing up in my business.
00:03:13That ain't what I sent you to law school for.
00:03:15I was only trying to...
00:03:16I don't want you to argue about it.
00:03:18Now run on down to that office of yours
00:03:20and dictate some letters to the girl.
00:03:22All right, if you won't listen to me.
00:03:24And I'll see you later.
00:03:26Tonight.
00:03:28All right.
00:03:36Now that's the size of it, Robbins.
00:03:39If you'll play ball with me,
00:03:41I can pin a rap on Frankie Terrence that will stick.
00:03:43What information do you want from me?
00:03:47I want the exact dope on how the numbers racket is operated.
00:03:51And a guarantee that you'll appear in court to testify
00:03:54after I invite Terrence.
00:03:56And if I do, you'll put him out of business?
00:03:58For keeps.
00:04:01Then I'll play ball.
00:04:03Oh, what a strange-looking car.
00:04:06That is the government's deluxe special for the prize suckers.
00:04:09Leavenworth and Points West.
00:04:11I don't understand.
00:04:12It's a prison car, honey, for little boys who are bad.
00:04:15They get a free ride.
00:04:16Oh, that's dreadful.
00:04:17Well, it's not exactly a streamliner,
00:04:19but I guess you don't get many complaints.
00:04:24Now...
00:04:25Now, now, now.
00:04:26Now, now, now.
00:04:27Now, now, now.
00:04:28Now, now, now.
00:04:29Now, now, now.
00:04:30Now, now, now.
00:04:31Now, now.
00:04:32Louise, you're going to have a great time at Lake George.
00:04:34Well, I won't enjoy it unless you visit me.
00:04:36I want the girls to meet my brother.
00:04:39Bye-bye.
00:04:40Bye.
00:04:41Have a nice time.
00:04:43Bye-bye.
00:04:44Bye-bye.
00:04:47Oh, that's, uh, that's, uh,
00:04:48Terrence Paul behind the policy racket.
00:04:50The Houston district attorney.
00:04:51Hey, get me one of those papers, will you?
00:04:53Hey, kid.
00:04:54Give me.
00:04:59Ha!
00:05:00Forgot your picture in the paper, boss.
00:05:02You're not a bad likeness.
00:05:03Trophy of two.
00:05:05The district attorney today made a bold statement
00:05:08in which he asserted that Frankie Terrence
00:05:10is behind the policy racket.
00:05:12A powerful system has been built up, he aversed,
00:05:14as rich terror to the head,
00:05:16with hundreds of underlings who operate the racket.
00:05:18Who's been talking?
00:05:20I don't know.
00:05:21But just for luck,
00:05:22you and I are making a call on Manny Robbins.
00:05:30Hello, Terrence?
00:05:33Just dropped in to say hello.
00:05:35I've been reading your publicity.
00:05:37You, uh, wouldn't happen to know
00:05:39where the DA's been getting his information, would you?
00:05:41Why, has anybody been talking?
00:05:42Let me give him the works, boss.
00:05:44Take it easy, Bull.
00:05:46Got anything to say?
00:05:47All I know is what I read in the newspapers.
00:05:50OK.
00:05:53But don't make any mistakes, Manny.
00:05:55If you're trying to frame me,
00:05:56you may meet with an accident.
00:05:58I wouldn't want that to occur.
00:05:59I got nothing to do with it.
00:06:01Well, of course not.
00:06:03You're too smart to want to ruin your health.
00:06:11Well, we got to be going now.
00:06:12Come on, Bull.
00:06:18Pardon the intrusion.
00:06:58Is Mr. Terrence here?
00:07:00No, honey.
00:07:01I haven't seen him.
00:07:02Looking for a job in the line?
00:07:03I beg your pardon.
00:07:04Skip it.
00:07:06He should be here soon.
00:07:07Why don't you sit down over there and wait for him?
00:07:10I will.
00:07:16What are you going to do about it, boss?
00:07:17No soap with the new DA, Bull.
00:07:19I can get out of this in just one way.
00:07:21Yeah?
00:07:22I'll chase uptown and contact the boys.
00:07:24Tell them to pull in their lines quickly.
00:07:26You mean we don't make no collections?
00:07:28Not a dime.
00:07:29That's orders.
00:07:30OK, boss.
00:07:31But it's got me all confused.
00:07:35No collections.
00:07:39Next time I catch you with one of those broken down
00:07:41little jeans, you'll be out of here.
00:07:43Louise.
00:07:46What are you doing here?
00:07:47I got off the train as soon as I read the papers.
00:07:49Took a cab downtown.
00:07:51I see.
00:07:52What are those papers?
00:07:53I took a cab downtown.
00:07:54I see.
00:07:55A little privacy, please.
00:07:56OK.
00:07:57Now let me get this straight.
00:07:58I put you on the train for Lake George,
00:08:00and the next thing I know, I walk into the club
00:08:02and find you here.
00:08:03Now what's the big idea?
00:08:05Don't pretend, Frankie.
00:08:06You were in trouble.
00:08:07I couldn't go away.
00:08:11That's nothing to worry about.
00:08:13Just a lot of newspaper noise.
00:08:15Frankie, you're not telling me the truth.
00:08:17Sure I am.
00:08:19It's just an investigation.
00:08:21There's a new DA, and he's making a grandstand
00:08:23play for publicity.
00:08:25He's got nothing on me.
00:08:26Please be honest.
00:08:28I suppose I should have known this all along
00:08:30when I didn't.
00:08:31You've been operating a numbers racket.
00:08:34It means going to jail, doesn't it?
00:08:37You don't have to worry.
00:08:39I'm washing it up.
00:08:40Do you mean that?
00:08:41On the level.
00:08:42I can afford to now.
00:08:44And you and I are going to get in a boat
00:08:45and go to Europe and stay there till it all blows over.
00:08:48And in the meantime, I'm passing the racket
00:08:50on to somebody who wants it awfully bad.
00:08:52I'll do anything you say, Frankie.
00:08:54That's a swell little sister.
00:08:55Now, we'll be out of here in 48 hours.
00:08:57First, I'm going to check you into the hotel,
00:08:59and I've got a few things to do myself.
00:09:01And after that, we're going to go out
00:09:02and have a swell dinner.
00:09:03Oh, thanks.
00:09:04And after dinner, we're going to drop
00:09:06into the swing club.
00:09:07I've got some business to discuss with a friend
00:09:09of mine down there.
00:09:18Hiya, Manny.
00:09:19How's the old timer?
00:09:20Am I going to make you a bankroll?
00:09:21You here with that phony stock again?
00:09:23Now, just a second, Manny.
00:09:24Now, I'll admit that this stock is phony
00:09:26and this stock is phony.
00:09:28But this stock?
00:09:29Sure.
00:09:30That's phony, too.
00:09:31How'd you guess?
00:09:32Take a walk.
00:09:33How's that, Manny?
00:09:34Get out.
00:09:35Well, before I go, let's take a couple of bucks
00:09:37for a cup of coffee, will you?
00:09:38Clam.
00:09:39OK, Manny.
00:09:40I can take a hint.
00:09:41So long, kid.
00:09:42Murder.
00:09:43Can't score.
00:09:44You're doing all right.
00:09:46Hiya, honey.
00:09:47Get out.
00:09:48Great sign, isn't it?
00:09:52Want to wait inside?
00:09:53Hello, Frankie.
00:09:54I wasn't expecting you here again.
00:09:56This is my kid sister.
00:09:57I'm showing her the town.
00:09:58Louise, this is Manny Robin.
00:10:00How do you do?
00:10:01Fine thanks.
00:10:02Suppose we step into my office for a little refreshment.
00:10:04What do you say?
00:10:07Well, um, all right.
00:10:09I wanted to have a little talk with you anyway, Manny.
00:10:12Oh, yeah?
00:10:13That's great.
00:10:15Say, Terrace, you're just the guy
00:10:17I've been wanting to see.
00:10:18Have I got a proposition for you?
00:10:20Why don't you tell us about it?
00:10:22OK, anything you say, partner.
00:10:24Well, my friend.
00:10:25Yeah.
00:10:31Well, this is my son.
00:10:33Joe, meet Mr. Terrace.
00:10:34How do you do, Mr. Terrace?
00:10:36My sister, Louise.
00:10:37How do you do?
00:10:38How do you do?
00:10:39I didn't know you had a son, Manny.
00:10:41Sure, and he's just as smart as his old man.
00:10:43That's, uh, quite a recommendation.
00:10:45Would you care to dance, Mr. Terrace?
00:10:47Oh, I'm sorry.
00:10:48She's a little tired tonight.
00:10:49Not at all, Frankie.
00:10:50I'd love to.
00:10:51It'll give you and Dad a chance to talk things over.
00:10:53Well, we can talk while they're dancing.
00:10:55See you again sometime.
00:10:57Here, hold this till we get back, all right?
00:11:01That's, um, quite a fresh kid you got there, Manny.
00:11:05I like him.
00:11:07Just a second, Bo.
00:11:08Is that a chocolate soda you're drinking?
00:11:11Yeah, why?
00:11:18I thought so.
00:11:19They haven't improved upon a chocolate soda in 20 years.
00:11:22Yeah?
00:11:27Never forget the first chocolate soda I ever tasted.
00:11:30I was five years old.
00:11:32What happened?
00:11:33Nothing.
00:11:34I was too young.
00:11:36But that's besides the point.
00:11:38Say, how many of these chocolate sodas
00:11:39do you get away with in a day?
00:11:41Oh, 15 or 20.
00:11:4515 or 20, eh?
00:11:47Just an amateur.
00:11:48What do you mean, amateur?
00:11:49Now, just a minute, Bo.
00:11:51You're a fellow that's got plenty of intelligence.
00:11:55See it written all over your face.
00:11:57Now, listen, I got something here
00:11:59that's going to interest you.
00:12:01See those stacks?
00:12:02Manny over there wants to give me
00:12:04$6 a share for all this stock I can get.
00:12:08Yeah?
00:12:09Yeah.
00:12:10Say, what would happen if I gave you $8 a share?
00:12:14$8?
00:12:15Yeah.
00:12:16I'd stick your picture on it.
00:12:21A little too much chocolate, my boy.
00:12:26Manny, I got something for you.
00:12:29Say, you dance beautifully, Louise.
00:12:31Thank you, kind sir.
00:12:32I've got an idea.
00:12:33There'll probably be quite a while in there.
00:12:34Why don't we go someplace where there's a real orchestra?
00:12:36Have you ever been to the Peacock Room?
00:12:38No, but I've heard of it.
00:12:39Would you like to go there?
00:12:40I'll tell my brother.
00:12:41Well.
00:12:45While you and Mr. Robbins are talking,
00:12:46Joe and I are going to the Peacock Room.
00:12:48What for?
00:12:49Why, to dance, silly.
00:12:50Forget it.
00:12:51No, you don't.
00:12:52But I'll take good care of her.
00:12:53You haven't finished your talk with Mr. Robbins, have you?
00:12:55No, but...
00:12:56Well, then I've seen it all.
00:12:57All right.
00:12:58But phone me the minute you get back
00:12:59to your apartment, understand?
00:13:01I'll be home.
00:13:02Of course.
00:13:03Good night, Mr. Robbins.
00:13:04Good night.
00:13:16Manny, you've been trying to chisel in
00:13:18on my policy racket for a long time.
00:13:21I don't like chiselers.
00:13:23You know what I'm going to do?
00:13:25What?
00:13:26I'm giving you the whole blooming racket.
00:13:28You could have it.
00:13:29Who are you trying to kid?
00:13:31On the level.
00:13:32I'm getting out.
00:13:33For good.
00:13:34There's a catch in this someplace.
00:13:36Mm-mm.
00:13:37It's a present from me to you.
00:13:55It's terribly late.
00:13:56I should have called my brother hours ago.
00:13:58Why worry about him?
00:14:00You're not a baby anymore.
00:14:02You can take care of yourself.
00:14:04Oh, please don't.
00:14:06Oh, come on.
00:14:07Be a good sport.
00:14:08Now stop it, Joe.
00:14:09I mean it.
00:14:13I'm sorry.
00:14:19I'm sorry.
00:14:25And now good night, Joe.
00:14:27You don't mean you want me to go home?
00:14:29Yes.
00:14:30Oh, that's no way to say good night to a fella.
00:14:32No, please.
00:14:33Now let me handle this.
00:14:35You invite me in for a little while,
00:14:37and we'll sit down and talk things over.
00:14:39See?
00:14:40No, don't.
00:14:41Beat it.
00:14:43OK.
00:14:46Come in, Louise.
00:14:50Come in.
00:14:55I don't like that kind of talk, Louise.
00:14:57Oh, forget about it, Frankie.
00:14:59You'd better get some sleep.
00:15:00I'll talk to you about it in the morning.
00:15:02Good night.
00:15:03Good night.
00:15:11Frankie!
00:15:25Frankie!
00:15:55Hey.
00:16:19Hey, you.
00:16:21What do you want?
00:16:22I want to talk to you.
00:16:24What about?
00:16:25What's the idea of getting fresh with me?
00:16:26I didn't do anything.
00:16:27And what's more, I don't want to argue with you.
00:16:29I suppose I ought to slap you around
00:16:31just to teach you a lesson.
00:16:32I'm not a bit scared of you, mister.
00:16:34Oh, tough guy, huh?
00:16:54Hey, kid.
00:16:55Kid!
00:17:16Hey, kid.
00:17:17Kid!
00:17:24You guys leave me alone.
00:17:28Get out of here.
00:17:30Get out.
00:17:34He didn't do nothing.
00:17:36And he killed him.
00:17:39Joe didn't do nothing.
00:17:43Joe was going to be a big lawyer someday.
00:17:48I'm not going to let him do that.
00:17:52Now he's dead.
00:17:56I'm going to square this for you, Joe.
00:18:01Me.
00:18:03I'm going to square this.
00:18:07Nobody else.
00:18:11Nobody else.
00:18:22I'm going to square this.
00:18:25Now he's dead.
00:18:27Nobody else.
00:18:29Now everybody's going to die.
00:18:33I'm going to square this.
00:18:36Joe, I'm sorry.
00:18:38I'm not going to leave here.
00:18:41I'm going to square this.
00:18:43Now everybody's going to die.
00:18:46Joe!
00:18:46Joe!
00:18:47Joe!
00:18:48Joe!
00:18:49I'm sorry.
00:18:51I think the boss has gone up his nut about all of this, look at him.
00:19:15We don't need a jury, we don't need a jury, I got to fix him myself, he fixed my boy, he fixed my child, we don't need a jury.
00:19:45Ladies and gentlemen of the jury, have you reached a verdict?
00:19:54We have your honor, guilty of murder in the second degree.
00:19:58How could you do this to me?
00:20:28I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:20:58Well, I've been looking forward to a trip to San Francisco
00:21:01They tell me they're going to have a wonderful World's Fair out there
00:21:04I'm afraid you won't make it, Red
00:21:06No?
00:21:07There's about 10 years waiting for you in Frisco for peddling phony oil stock
00:21:12Well, I'd sure be there if I had the cash
00:21:15Well, if you're a little short, I could let you in on a gilt-edge proposition
00:21:19All you have to do is get in touch with Nick Roberts down on 4th Street
00:21:22He's got some grade-A snot that you can pick up mighty cheap
00:21:26No kidding?
00:21:27Yeah, of course you'll have a little trouble passing this, doc
00:21:31As our engraver put a mustache on Lincoln
00:21:36Hiya, Matty! Hiya, Nick!
00:21:37Hiya, Red!
00:21:43Why Alcatraz? Why are they sticking me on the rock?
00:21:46What's the matter with Atlanta or Leavenworth? They're plenty tough
00:21:49The judge simply figures you won't be able to do business from the rock
00:21:51Oh, I get it
00:21:54And I got to tell them I was washing it up
00:21:57Well, my friend Matty's instilled with me
00:21:59That's some consolation
00:22:01He's getting out on bond
00:22:03Getting... when?
00:22:04They're springing him tomorrow morning
00:22:06Listen, Al, get a hold of the boys
00:22:08Tell them not to let my sister out of their sight for a minute, understand?
00:22:12All right, Frankie
00:22:13I don't want anything to happen to her
00:22:16Okay
00:22:28Hey, Nick!
00:22:29Red!
00:22:30Yes, Matty?
00:22:31I'll be out of here in an hour
00:22:32Remember what I told you
00:22:34Sure, Robbins
00:22:36We'll remember
00:22:51Frankie!
00:22:52Hello, how are you?
00:22:53I'm all right, dear, how are you?
00:22:54Well, let me look at you
00:22:55Frankie, I'm going to do everything I can for you
00:22:57Maybe the appeal will...
00:22:59Not a chance, honey
00:23:00It was denied this morning
00:23:01Oh
00:23:03Louise, I've been thinking
00:23:05Remember that trip to Europe we were planning?
00:23:06Yes
00:23:07Well, why don't you take it now?
00:23:09Oh, no, Frankie, I couldn't
00:23:10Why, it'll be the best thing in the world for you
00:23:12You need a rest
00:23:14You wouldn't be just trying to get me out of town, would you?
00:23:16What would I want to get you out of town for?
00:23:18Well, I thought perhaps with Manny Robbins out of jail, you...
00:23:22Thought perhaps with Manny Robbins out of jail, you...
00:23:25might be afraid something might happen to me
00:23:28No, nothing like that could happen
00:23:29Then that wouldn't be why Bull and the rest of them
00:23:31are keeping such a close watch on me, would it?
00:23:34Why, no, they're just around in case you want anything, that's all
00:23:36I see
00:23:37Then you will take that trip?
00:23:39I will if you want me to, Frankie
00:23:41Oh
00:23:43Now, look, don't start crying until I get out of here
00:23:45Will you, honey, please?
00:23:47I won't cry
00:23:48That's a good kid
00:23:49Bye, Frankie
00:23:52So long, Louise
00:24:22Hiya, peewee, what are you doing?
00:24:33Some rubberneck in the day?
00:24:34Okay, kid
00:24:35Shut up
00:24:36Are you addressing me?
00:24:39Shut up
00:24:40Now, just a second
00:24:41Before we go any further
00:24:42I want you to understand that I'm not an ordinary prisoner
00:24:45But I'm a government prisoner
00:24:46And I want to be treated as such
00:24:48What are you doing?
00:24:49Getting hostile?
00:24:50Okay, if that's the way you're going to pull out
00:24:53Frankie
00:25:11Frankie
00:25:23Well, there's nothing wrong with the train crew
00:25:25They're all old employees, I'd trust them anywhere
00:25:28Looks like you're going to have a pretty soft trip to the coast
00:25:31Thanks for your trouble, Stephen
00:25:32Any time, Mr. Wilson, any time at all
00:25:35Keep your eyes open, Adams
00:25:36Robbins may actually try to fulfill his threat
00:25:39The terrorists won't reach the Rock alive
00:25:41I don't see how anything can happen, Chief
00:25:43These prison cars are no set-up
00:25:44Yes, I know, but this has been an important case for me
00:25:48I'm putting you all on the line
00:25:49Because I don't want anything to go wrong
00:25:52Keep me posted
00:25:53Yes, sir
00:26:01Don't let her get you, Miss Louise
00:26:03Hey, look
00:26:03What do you want?
00:26:04Manny's going around talking big
00:26:06He says Frankie will never get to the Rock
00:26:07Shut up, you dummy
00:26:09Hey, where are you going, Miss Louise?
00:26:14Over
00:26:16Over
00:26:18Over
00:26:45Conductor, I've been looking for you
00:26:47Yes, ma'am
00:26:48This is very important
00:26:49I must get a message into the prison car
00:26:51That's absolutely impossible, miss
00:26:53Couldn't you possibly?
00:26:54We have no connection with the prison car
00:26:57None whatever
00:27:19So, at last, the great Frankie Terrace is going to the Rock
00:27:23Yes, sir, going to Alcatraz
00:27:26Just like ordinary folks
00:27:30Ladies and gentlemen
00:27:31Sit down, Tramp
00:27:33Quiet, low-life
00:27:34I now give you the great Frankie Terrace
00:27:37Better known in our intimate circles
00:27:39As Frankie the Rat Terrace
00:27:41Oh
00:27:42Now, remember, my popularity is overwhelming
00:27:45Thank you
00:27:46If you don't keep quiet, I'll knock your brains out
00:27:49You can't knock my brains out
00:27:51Is that the way you feel about it?
00:27:53Sure
00:27:54If I had brains, do you think I'd be riding in here with these baboons?
00:27:57Quiet
00:27:59Yes, quiet, fellas, and we're not kidding
00:28:01I'm with you, partner, a hundred percent
00:28:03You shut up
00:28:05All right, all right
00:28:07You'll be a guard all your life
00:28:17Ticket, please
00:28:27You're moving right through to the coast, sir
00:28:29Right you are
00:28:35Ticket, please
00:28:37Oh, well, I'm afraid I'll have to buy one
00:28:39You see, I just decided to get on at the last minute
00:28:41How far are you going?
00:28:43I'm going to Alcatraz
00:28:45How far are you going?
00:28:47To San Francisco
00:28:49Well, let's see
00:28:51That will be
00:28:53$107.66
00:28:57Including an upper berth
00:28:59I'd prefer a lower
00:29:01Sorry, I haven't a single one left
00:29:03Until Kansas City
00:29:05Oh, but I can't
00:29:07Oh, the young lady can have mine, conductor
00:29:09Thank you, but I...
00:29:11Oh, I don't mind an upper, really
00:29:13You can take care of that later
00:29:15Thank you, you're very kind
00:29:17It's perfectly all right
00:29:31If I were you, Muggs, I'd take a peek at the scenery
00:29:33You won't be seeing it for a long time
00:29:35Right, you shut up
00:29:37You know, the last time I took a trip to the coast, I didn't see a bit of the scenery
00:29:39Why not?
00:29:42I was riding inside of a boxcar
00:29:44Have a fellow
00:29:46I say, neighbor, may I...
00:29:48Shut up!
00:29:50I want a glass of water
00:29:52You'll get bread and water to the coast if you don't stop annoying me
00:29:54Yeah?
00:29:56What'll that be, white or rye?
00:29:58Move over, Slim, I'm going to take a proper row
00:30:08Lay off that phony snowing
00:30:10Piddle the big shot, eh, Terrace?
00:30:12Big shot?
00:30:14There ain't no big shots where he's going
00:30:16Yeah, those tough guys on the rock
00:30:18don't like big shots, from what I hear
00:30:20Yeah, Terrace
00:30:22You're living on borrowed time
00:30:24and somebody might foreclose on you
00:30:26No kidding
00:30:28That's right
00:30:30I heard you're never even gonna reach the rock
00:30:32A certain party
00:30:34is gonna see to that
00:30:36I thought you knew
00:30:38Everybody knows
00:30:40you ain't gonna get away
00:30:42with what you've done
00:30:44It just ain't in the cards
00:30:46You're gonna get yours
00:30:48Stool pigeon
00:30:50Why you...
00:30:56Get back in your seats there
00:30:58Everybody quiet
00:31:00I said quiet
00:31:02Yes, fellas, quiet
00:31:05Who started that?
00:31:07It's him that started it, the big shot
00:31:09That's who started it
00:31:11Big shot? He isn't even a camp pistol now
00:31:13We don't want any more trouble with you, Terrace
00:31:19You get yours, Terrace
00:31:35...
00:31:37...
00:31:39...
00:31:41...
00:31:43...
00:31:45...
00:31:47...
00:31:49...
00:31:51...
00:31:53...
00:31:55...
00:31:57...
00:31:59...
00:32:01...
00:32:03...
00:32:05...
00:32:07...
00:32:09...
00:32:11...
00:32:13...
00:32:15...
00:32:17...
00:32:19...
00:32:21...
00:32:23...
00:32:25...
00:32:27...
00:32:29...
00:32:31It was on Frederiksberg, it was in me.
00:32:38I had a girl, and it was you.
00:32:45The old memories, I never forgot.
00:32:52It was on Frederiksberg, it was in me.
00:33:01It was on Frederiksberg, it was in me.
00:33:31Don't remember seeing you on this run before. What's your name?
00:33:35Just plain Sam. Now don't ask me Sam who, or Sam what. Just Sam.
00:33:41Well, you is new ain't you?
00:33:43That's right. Signed yesterday, working today.
00:33:47Yeah?
00:33:48Yeah, I use my political connections. I know how to push the right button.
00:33:55Hmm, look what's coming.
00:33:58Prisoners.
00:34:00Gentlemen, we is waiting on prisoners this trip.
00:34:04That's interesting.
00:34:10Get on that train and wait for orders. We're applying to Kansas City.
00:34:15You'll hear from me there. Lay low.
00:34:18Okay, boss.
00:35:18Sorry, miss, but you'll have to move along.
00:35:47Hold up.
00:36:10They tell me the government is going to put a swimming pool in on the rack.
00:36:13Yeah?
00:36:14Yeah.
00:36:15Well, why shouldn't they? They're catering to a better class of people.
00:36:19Now take careful over there.
00:36:23Boom.
00:36:24Yeah.
00:36:25You're a guy after my own heart.
00:36:26Hmm?
00:36:27You've got plenty of nerve. That's what I like about you, Red.
00:36:30All right, step along, boys.
00:36:31Hiya, neighbors.
00:36:36What are you down in the dumps for?
00:36:38You'll be down in the dumps too if you've got 90 years.
00:36:4190 years, that ain't much.
00:36:43No?
00:36:44No.
00:36:45And I'll tell you why.
00:36:47Now there's 365 days in a year.
00:36:50There's 52 Sundays you don't work.
00:36:52You take time off for shaving.
00:36:54Five national holidays.
00:36:56Eight hours sleep every night.
00:36:58And three months off for good behavior.
00:37:01Yeah, but all the time I'm still in prison.
00:37:04I never thought of that.
00:37:06I don't know why they give me 90 years.
00:37:08I'll never do it all.
00:37:10Give me a can.
00:37:33Coffee and toast?
00:37:34If you please.
00:37:35Madam, may I point out the advantages of our combination breakfast at number two?
00:37:39Thank you, but all I want is coffee and toast.
00:37:41Ah, but consider, madam, for practically the same price,
00:37:45our combination breakfast number two, of which we are very proud,
00:37:50consists not only of coffee and toast,
00:37:53but a large glass of chilied orange juice,
00:37:56some strips of bacon,
00:37:58and last but not least, a nameful serving of marmalade.
00:38:02Very well, then.
00:38:03Bring me number two by all means.
00:38:05Thank you, madam.
00:38:09Good morning.
00:38:10Good morning.
00:38:22This number two breakfast looks mighty fine.
00:38:25Splendid, sir.
00:38:27But on second thought,
00:38:29I think I'll have the number five.
00:38:40You know, I'm not one to talk.
00:38:43In fact, I'd rather have my tongue cut off
00:38:45than spill anything a pal has given me in confidence.
00:38:49But something's really going to happen on this rattler
00:38:53before we get to Frisco.
00:38:55Right down, my dopey friend, you're dreamin'.
00:38:58Yes, sir.
00:38:59You know what?
00:39:00I'll tell you.
00:39:02Some friends of mine are going to take care of Frankie Terrace.
00:39:10I say, old fellow, could I trouble you for the menu?
00:39:12Yeah, why don't we see?
00:39:13Yeah, why don't we see?
00:39:14I don't know.
00:39:15I don't know.
00:39:16I won't get nothing.
00:39:25Better go through and see if the food is ready.
00:39:27I'm hungry myself.
00:39:28Okay.
00:39:30Good morning.
00:39:31Good morning.
00:39:42Have you heard anything about this new prison car yet?
00:39:44No, ma'am.
00:39:45That is not as I know.
00:39:47Do you think you could get a message in
00:39:49to one of the prisoners for me?
00:39:51I could try.
00:39:53In fact, I could make it a special delivery.
00:40:15No, don't fail me.
00:40:16No, ma'am.
00:40:18I haven't seen one of these since the fall of 1929.
00:40:41Hey, waiter!
00:40:42Shh!
00:40:43I am not a waiter.
00:40:44I am the steward.
00:40:46Well, no hard feelings, I hope.
00:40:49I have no courage, sir.
00:40:51Is the jar ready for the prison car?
00:40:53The oatmeal for the criminals isn't real.
00:40:59I'll need some help.
00:41:01I'll let you have some fun.
00:41:10Take George with you and go with this gentleman.
00:41:14Yes.
00:41:41Permit me.
00:41:42Oh, thank you.
00:41:46I don't know what I would have done on this trip without you.
00:41:49Oh, don't mention it.
00:41:50It's my daily good deed.
00:41:52Won't you sit down?
00:41:55My name's Bill Adams.
00:41:57I'm Louise Terrace.
00:41:58I'm very glad to meet you, Miss Terrace.
00:42:05Morning, Captain.
00:42:06Morning.
00:42:10Still taking them morning exercises, eh?
00:42:16All right, boys.
00:42:37Wait a second.
00:42:48I wouldn't eat that if I were you.
00:42:50They may have put something in it.
00:42:52No.
00:42:53Certainly.
00:42:54You're doing 90 years, aren't you?
00:42:56Yeah.
00:42:57Well, get hip to yourself.
00:42:59It may be trying to bump you up or something.
00:43:01Wait a second.
00:43:06It's not rat poison.
00:43:11It's not aspirin.
00:43:15What is it?
00:43:16It's oatmeal.
00:43:19Glutton, I'll eat my own.
00:43:28I don't mind taking this away.
00:43:29I can't eat it.
00:43:30Oh, a softie, huh?
00:43:33Can I have some coffee, please?
00:43:35Does he get it, Captain?
00:43:36Okay.
00:43:37Let him have it.
00:43:38Here you go.
00:44:08If I'd have been you, I'd have eaten that oatmeal.
00:44:11Maybe there won't be any oatmeal where you're going.
00:44:23You really ought to meet my Aunt Agatha.
00:44:25She's a card.
00:44:26Oh, you mustn't forget to thank her for me.
00:44:28She came to the rescue just like the Marines always do.
00:44:34Is everything all right?
00:44:36Fine.
00:44:37Just fine.
00:44:39You're very welcome.
00:45:03We were going to pull a mail job a couple of years ago.
00:45:29Here's the layout.
00:45:30Right here, Junction City, the train pulls up for orders.
00:45:34I'll put you guys on that.
00:45:36You see, the highway parallels the track for about 75 miles.
00:45:3975 miles?
00:45:40You're away from everybody after the train pulls out of Junction City.
00:45:45Understand?
00:45:47Yeah.
00:46:08It won't be long now.
00:46:36What's up?
00:46:37Here's the layout.
00:46:53Frankie!
00:46:54Frankie!
00:46:57You'll have to move along.
00:47:22Just two more days to the rock, Frankie.
00:47:45That's all.
00:47:46But don't worry.
00:47:48You ain't never going to get there anyway.
00:47:50You lay off me or I'll...
00:47:51You ain't doing nothing anymore.
00:47:53Your number's up.
00:47:54Sir, you two guys better cut that out or that guard down there will come out here and pull you both apart.
00:47:59Cut it out.
00:48:00Yeah.
00:48:03Say, when's the break coming off?
00:48:06Soon now.
00:48:07Keep your socks on.
00:48:16Now get this straight.
00:48:33At the junction, Doc and Mike hop the locomotive.
00:48:35We'll follow.
00:48:37About 50 miles down is a switchover.
00:48:40That's where we go to work.
00:48:47You're worried about something, aren't you?
00:48:50What makes you think that?
00:48:51Just a hunch.
00:48:53It's about someone in the prison car, isn't that right?
00:48:56Oh, don't go yet, Miss Terrace.
00:48:58What are you after?
00:48:59Nothing at all.
00:49:01I happen to know that your brother's in that car.
00:49:03That's worrying you, isn't it?
00:49:05How do you know that?
00:49:06Oh, you don't have to be afraid of me, Miss Terrace.
00:49:08My job is to protect your brother.
00:49:10I don't understand.
00:49:12It's very simple.
00:49:13The government intends to get your brother to Alcatraz alive and to keep him there.
00:49:17You see, I'm to help if necessary.
00:49:20Oh, I see.
00:49:22You know what gets me is how a sweet girl like you happens to have Frankie Terrace for a brother.
00:49:27I don't care to talk about that.
00:49:28Oh, I know I've got no right to sound off this way, but I can't help saying it.
00:49:32You're much too good for him.
00:49:34He isn't worth it, Miss Terrace.
00:49:36You've got no right to say that about him.
00:49:38You don't know my brother at all.
00:49:40I do have a will for him.
00:50:07You ain't doing nothing anymore.
00:50:10Your number's up.
00:50:12You fixed my boy.
00:50:30Get ready. She'll stop about there.
00:50:32Doctor and Mike, drive that engine and we'll go ahead to the switch tower.
00:50:35Okay. Come on.
00:50:58Come on! Pull her out of here!
00:51:00Get going, lug!
00:51:05Come on!
00:51:23Good night.
00:51:24Try and get some sleep, won't you? It'll make you feel better.
00:51:28Good night.
00:51:35Good night.
00:52:05Sammy, take a gander out there.
00:52:07What is it?
00:52:08It's a car. He's keeping up with us.
00:52:10This is it, all right.
00:52:13Oh, boy, look at him go.
00:52:15It won't be long now.
00:52:36Guard! Guard! Guard!
00:52:39Guard, come here! Look!
00:52:40What's going on here?
00:52:41You've got to save me. They're trying to get me.
00:52:44There's a car outside. Look!
00:52:46Look outside. Right outside there. See it?
00:52:49The car!
00:52:51There ain't nothing out there.
00:52:53You'll see it.
00:52:55You'll see it.
00:52:57You'll see it.
00:52:59You'll see it.
00:53:01You'll see it.
00:53:03There ain't nothing out there. You're seeing things.
00:53:06Sit down!
00:53:23Boston's prison guards want some coffee.
00:53:26For years, I have studied the culinary arts.
00:53:30I have worked and slaved to become a master.
00:53:32Oh, now what happens?
00:53:34I ask you.
00:53:35The ignominy of it all.
00:53:37Catering to a car full of criminals and their keepers.
00:53:41Just the keepers want coffee.
00:53:43Well, let them have it.
00:53:44But you are going to make it.
00:53:46And while you're at it, why don't you bake them a cake?
00:53:50They didn't ask for cake.
00:53:52Go on. Get out.
00:54:02Everything seems to be all right, doesn't it?
00:54:29Yes, sir. Everything's okay.
00:54:31Good night.
00:54:32Good night, Mr. Adams.
00:54:33Good night.
00:54:38We're well ahead of them.
00:54:39We have plenty of time.
00:55:01Hey, why don't you look where you're going?
00:55:03Sorry.
00:55:24What's this?
00:55:25I just thought you gentlemen might like to have some hot coffee.
00:55:28No, it'll keep me awake.
00:55:30Oh, this is that good coffee.
00:55:32The kind me and the steward drink.
00:55:34Come on, Scotty. Let's have some.
00:55:36Well, as long as you brought it okay.
00:55:38Give me a cup.
00:55:40I've got a hunch that that jabber will never keep those guards awake.
00:55:47I'll just stick around and wait for the cops, you know.
00:55:49Sort of saves me a trip, huh?
00:55:51Sure, that's all right.
00:55:59Those guards are going into the land of Morpheus.
00:56:02Do you get me?
00:56:04No.
00:56:05That's what I thought.
00:56:06Thanks.
00:56:13Ring low.
00:56:16We can't yet.
00:56:23Come and go together.
00:56:31Ring low.
00:56:38Now, about that coffee.
00:56:40They'll hear no more about that coffee.
00:56:43Now, I suppose they don't like it.
00:56:45Well, I didn't make it.
00:56:47In fact, I hope they choke on it.
00:56:49Who is it for?
00:56:51Why, those keepers.
00:56:53Who made that coffee?
00:56:55Why, that new man, that Sam fellow.
00:57:01Just a minute, sir.
00:57:03There's something peculiar going on.
00:57:05That young lady you were with, Miss Terrace.
00:57:08What about her?
00:57:09She seems to have disappeared.
00:57:10Why, isn't she in the dressing room?
00:57:12No, that's just it.
00:57:13The maid was fixing her hair and stepped out to get some curlers.
00:57:16When she came back, Miss Terrace was gone.
00:57:18Well, have you looked in the other cars?
00:57:19Yes, but we can't find her.
00:57:20Now, I thought perhaps she was...
00:57:21Let me see your passenger list.
00:57:22Yes, yes, here it is.
00:57:29Get out your keys and come on.
00:57:30Yes.
00:57:37I have definitely made up my mind to accept that position at a health resort.
00:57:54He's there.
00:57:55Stand back.
00:57:56Keep him covered.
00:58:25Come on, let's get out of here.
00:58:28Wait a minute.
00:58:33Come on in.
00:58:41I looked over Jordan and what did I see?
00:58:49My belt a hundred aces.
00:58:50Oh, he sure is holding to life.
00:58:53I've got a headache.
00:58:54Must be the moon.
00:58:56No, it's Jonesy's dumb plan.
00:59:01Forty-P, that's all.
00:59:04Now, here's the dope.
00:59:06We stay here with Terrace until the boss gets in here.
00:59:09Then we take it on the lam.
00:59:41Hey, Scotty.
00:59:42What are you going to sleep for?
00:59:43I guess a little train sick.
00:59:44I'm not feeling so good myself.
00:59:46Go to the kitchen.
00:59:47Leave Spacey for me.
00:59:48What do you mean, leave Spacey for me?
00:59:49I'm talking to you.
00:59:50You're not listening.
00:59:51Signorine.
00:59:52I need to speak with you.
00:59:53Now.
00:59:54Signorine.
00:59:55Signorine.
00:59:56Signorine.
00:59:57Signorine.
00:59:58Signorine.
00:59:59I need you to sign a check and don't leave me hanging.
01:00:00Signorine.
01:00:01Signorine.
01:00:02Signorine.
01:00:03Signorine.
01:00:04Signorine.
01:00:05Signorine.
01:00:06Signorine.
01:00:07Signorine.
01:00:08Signorine.
01:00:09Signorine.
01:00:10I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you
01:00:40They're putting her on a sidetrack Things are going to start popping real soon
01:00:52Yeah
01:00:53I don't know what happened to me, I'm too smart.
01:01:15Stand back, Dawson.
01:01:19Don't move anybody.
01:01:22You all right?
01:01:52Stand back, or I'll give you the works.
01:01:59Hey, hey, hey, what are you doing?
01:02:03I don't know what I'm saying, what are you...
01:02:07Hold still there, don't move.
01:02:12Get going.
01:02:14All right.
01:02:22It had to end that way.
01:02:35I think Frankie knew it all along.
01:02:37You've got to start thinking about yourself now, Louise.
01:02:40Yes.
01:02:42I've got to make up for, for all the things that Frankie did.
01:02:46I'd like to help, if you'll let me.
01:02:49I'll need help.
01:02:51You can count on me.