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00:01:11Miss Jordan?
00:01:12Yes, who is it?
00:01:13It's Hal Grayson. How about a swim?
00:01:15Yes, I'll be up in a minute.
00:01:17That's great. We'll be up on deck.
00:01:19Miss Jordan's a peach, isn't she?
00:01:21You've met her, haven't you, sis?
00:01:22Oh, yes. Last night with Mother.
00:01:24And when a girl gets Mother's approval,
00:01:26believe me, that's an achievement.
00:01:49Welcome.
00:02:03Enjoying yourself?
00:02:05You know, it's frankly embarrassing and all that sort of thing,
00:02:07but I've, uh, I've dropped a guinea.
00:02:10Did you drop it in my room?
00:02:12Oh.
00:02:15Oh.
00:02:17I say, I, I hope you didn't think that I...
00:02:20First I thought that, uh...
00:02:21Well, you shouldn't, should you, eh?
00:02:23No, I guess I shouldn't.
00:02:25Bye-bye.
00:02:26Uh, toodle-oo.
00:02:42Could you tell me what time we get into Los Angeles?
00:02:44About four o'clock this afternoon, Miss Jordan.
00:02:47But you're not leaving us yet, are you?
00:02:48Oh, no.
00:02:49For Panama.
00:03:18Hey, that dive was a beauty.
00:03:38Oh, by the way, Miss Jordan,
00:03:40I've arranged to have you with us at the captain's table.
00:03:43It might brighten it up a bit.
00:03:45Oh, that's thoughtful of you, Mr. Grayson.
00:03:47I'm sure I shall enjoy it.
00:03:50Were you hungry?
00:03:51Oh, so hungry.
00:03:52That looks actually good to me.
00:03:54I don't know what it ends up...
00:03:56Oh, mother?
00:03:57Yes, yes, of course.
00:03:58Hello, mother.
00:04:00Hello, darling.
00:04:01Hello, darling.
00:04:02How are you?
00:04:03I say, I hear that we're to have a little, uh, game this afternoon.
00:04:06Yeah, we're going to be up here quite a bit of time.
00:04:09Were you hungry?
00:04:10Absolutely.
00:04:11I believe you all know Miss Jordan.
00:04:13How do you do, Miss Jordan?
00:04:16Oh, yes, of course.
00:04:17Does Miss Jordan know Mr. Montmorency Upson?
00:04:20Oh, yes.
00:04:21We've met.
00:04:22It's a child.
00:04:25If I'm not too inquisitive, Miss Jordan,
00:04:27was it on the continent you met Mr. Upson?
00:04:30It was on a boat.
00:04:31You know how it is in life sometimes.
00:04:33You, uh, open a door, and before you know it,
00:04:36you bump into somebody.
00:04:38I say, old thing,
00:04:39do we take on any passengers at Los Angeles?
00:04:42Why, yes.
00:04:43As I recall,
00:04:44there's a group of passengers going through to Panama.
00:04:46The Trickster Snail Girl,
00:04:48now to perform in the Bull Ring Cabaret.
00:04:51You mean cabaret girls?
00:04:53Well, dancers, entertainers, hostesses.
00:04:55You can call them almost anything you like.
00:04:57Oh, uh, hoochie-coochie dancers, eh?
00:05:01Will they be permitted to mix with the passengers?
00:05:03They are passengers, Mrs. Grayson.
00:05:05The company cannot discriminate.
00:05:07Well, the passengers can discriminate, I assure you.
00:05:10Yes, I quite agree with you, Mother.
00:05:12That type should be kept in its place.
00:05:14Don't you think so, Dale?
00:05:16That depends on the type and the place.
00:05:20Hey, Red!
00:05:21Her hair's a different color every year,
00:05:23but they still call her Red.
00:05:25Hi.
00:05:26Hi.
00:05:27Hi.
00:05:28Hi.
00:05:29Hi.
00:05:30Hi.
00:05:31Hi.
00:05:32Hi.
00:05:33Hi.
00:05:34Hi.
00:05:35Hi.
00:05:36Hi.
00:05:37Hi.
00:05:38Hi.
00:05:39Hi.
00:05:40Hi.
00:05:41Hi.
00:05:42Hi.
00:05:43Hi.
00:05:44Hi.
00:05:45Hi.
00:05:46Hi.
00:05:47Hi.
00:05:48Hi.
00:05:50Clear out!
00:05:51Pan the chatter, savior pep from Panama!
00:05:57Say, you'd forget your rosy cheeks if they
00:06:00weren't slapped down with a paintbrush.
00:06:02I know I had them when I bumped into that traveling
00:06:04man last night.
00:06:05The breaks I get.
00:06:06Another farmer's daughter.
00:06:08Have you looked in the first national?
00:06:11Oh.
00:06:15Well, try the second branch, you simp.
00:06:20Hot dog!
00:06:29One side, sailor. You ain't seen nothing yet.
00:06:35In all the world, no trip like this.
00:06:39Hi, Skipper. How's your old company?
00:06:41Hello, Miss. I'm glad to see you again.
00:06:43I'll be so proud of all of us. Hey, Admiral.
00:06:48Hey, Admiral, are there any hot toppers on this tug?
00:06:51Scram, dumbbell. Pimp yourself until you get where you can use it.
00:06:55Hey, Jones. Hey, sailor. Look who's back.
00:07:06If you'll excuse me, Mr. Grayson, I think I'll go down to my cabin.
00:07:09Well, I'll see you later, won't I?
00:07:12Why, yes. Unless you look the other way.
00:07:20This it? I think it is.
00:07:23Oh, who's the roommate?
00:07:25Last time, you bumped me with a contortionist.
00:07:27Every time I looked at her bed, I thought I was having a nightmare.
00:07:30Oh, she's a kid I picked up in Frisco. Kind of green, but she can sing.
00:07:34Oh, amateur, huh? What are we supposed to do, wean her?
00:07:38Well, there's nothing like a little fresh meat.
00:07:40After all, customers get kind of tired of has-beens.
00:07:43You should know. Why, you low-down, plug-faced...
00:07:48Oh, as I was saying, dear, we're going to have a delightful trip.
00:07:51Why, here's Miss Jordan now. Jolly what?
00:07:55Oh, hello, Miss Jordan. Received my wire, eh?
00:07:58Yes, I did, Miss Snell. I didn't really expect to hear from you.
00:08:02This is Jerry Royal, your roommate. Been with me before, and she knows the ropes.
00:08:06How do you do, Miss Royal?
00:08:07Shake, Jordan. Hey, Trixie, when do rehearsals start?
00:08:10Not till this gang of slobs get their sea legs.
00:08:13And listen, you, keep your mitts off those sailors.
00:08:15They've got enough on their hands keeping this tub afloat.
00:08:21The last we'll see of Trixie till we get in the port.
00:08:24She's a good egg, except when she gets scrambled.
00:08:27Got a nail file, honey?
00:08:29What's the matter? Did you lose the key?
00:08:31No, I locked it in my trunk so they'll know where it is.
00:08:34First time in show business?
00:08:36Yes, it's my first appearance.
00:08:38Well, you sure picked a tough spot for a beginner.
00:08:41Well, you've got to begin someplace.
00:08:43Yeah? Well, you don't know the bull ring or Trixie Snell's technique.
00:08:47Have you been there before?
00:08:49Honey, I've been to Panama so often I feel like an isthmus.
00:08:53Well, if it's so bad, why do you and the other girls keep on going back again?
00:08:57Oh, different girls, different reasons.
00:08:59But mostly because it's just our speed.
00:09:02You know, you can't make a silk purse out of a horse's neck.
00:09:05Neck?
00:09:06And there's another reason.
00:09:08Good hunting for husbands.
00:09:10Say, there's 20 unmarried men to every woman.
00:09:12Why, it's a regular he-harem.
00:09:14I shouldn't think a good-looking girl like you'd have any trouble finding a husband.
00:09:19She wanted one.
00:09:20Thanks for them kind words, sister, but I am married.
00:09:24You are?
00:09:25Yeah, are, am, was, and is going to be.
00:09:28Oh, you're joking.
00:09:29No, sir. Three times loser.
00:09:31Trouble with me is I go ga-ga over tattoo marks.
00:09:34Three splices and three sailors.
00:09:36The kind of sailors I hitched up with ain't never seen an anchor.
00:09:40And how do you lose them?
00:09:41They don't just run away, do they?
00:09:43No, some of them get lost in the fog.
00:09:45The rest of them I just throw out.
00:09:48Well, it was open all the time.
00:09:50They forgot to lock it.
00:09:53Well, that was number one, Olaf Anderson.
00:09:56He was a pretty good guy.
00:09:58Not much to look at.
00:10:00But, oh, sister, what a man.
00:10:03What happened to him?
00:10:04Poor Olaf.
00:10:06He signed on one of those round-the-world cruises, lost his boat in Shanghai,
00:10:10and I guess that dumb dodo can't learn enough Chinese.
00:10:13I don't know.
00:10:14I don't know.
00:10:15I don't know.
00:10:16I don't know.
00:10:17I don't know.
00:10:18I don't know.
00:10:19I don't know.
00:10:20I guess that dumb dodo can't learn enough Chinese to ask his way home.
00:10:24Want me to help you put your things away?
00:10:26Nope, I don't need any help.
00:10:33Well, I'm all settled.
00:10:36Heaven help the poor sailors on a night like this.
00:10:39I thought you said you'd sworn off on sailors.
00:10:42Well, a gal's got to have some practice.
00:10:44Some of those sailors are pretty good at practice.
00:10:50So your girlfriend turned out to be one of Trixie Snell's hot numbers.
00:11:21Hal, I've a frightful headache.
00:11:23Will you see me to my cabin?
00:11:31Coming, children?
00:11:51Miss Jordan, I've been waiting for days to find someone to introduce us.
00:11:57Looks as though I'll have to take fate by the forelock and present myself.
00:12:01How do you do, Mr. Bayless?
00:12:03You knew my name.
00:12:04You knew mine.
00:12:06Would you dance?
00:12:21Aren't you afraid you'll lose your social standing?
00:12:25I haven't any.
00:12:26I might acquire some dancing with you.
00:12:37Phew!
00:12:38How many ports have you been in?
00:12:40A whole lot, baby, but I always go back to the same one.
00:12:43The same what?
00:12:45Back home where there's Mama and Gretchen and Mabel and Catherine and Isaacs and Aloysius
00:12:52and a baby I ain't even seen yet.
00:12:54And what am I supposed to be, the godmother?
00:13:05Do you realize that for the whole evening you've made me talk of nothing but myself?
00:13:09I certainly couldn't think of a better subject.
00:13:12Mr. Bayless, suppose you tell me the story of your life.
00:13:15You think you'd be interested?
00:13:17That depends on the story.
00:13:19It's a long one.
00:13:21Probably take all of tomorrow afternoon.
00:13:24Think you could stand it?
00:13:25I think so, Mr. Bayless.
00:13:26Tom.
00:13:27Tom.
00:13:35It must be very late.
00:13:37I think I'd better go.
00:13:43I've had a delightful evening, Tom.
00:13:46Good night, Dale.
00:13:47Good night, Tom.
00:14:12Oh, dear.
00:14:13My $10 gold piece.
00:14:15Allow me to help you, my dear.
00:14:17Do such embarrassing what?
00:14:19Here, here.
00:14:20I think the bowery thing rolled under my chair.
00:14:23Here.
00:14:24Oh, dear.
00:14:25Oh, dear.
00:14:26Oh, dear.
00:14:27Oh, dear.
00:14:28Oh, dear.
00:14:29Oh, dear.
00:14:30Oh, dear.
00:14:31Oh, dear.
00:14:32Oh, dear.
00:14:33Oh, dear.
00:14:34Oh, dear.
00:14:35Oh, dear.
00:14:36Oh, dear.
00:14:37Oh, dear.
00:14:38Oh, dear.
00:14:39Oh, dear.
00:14:40Oh, dear.
00:14:41Oh, dear.
00:14:52Still dropping things, I see.
00:14:54Oh.
00:15:11I guess you've been having quite a laugh at my expense, haven't you?
00:15:14Laugh? What do you mean by coming into my room?
00:15:16Oh, well, the joke's on me, all right.
00:15:18Here I was, being so very, very careful,
00:15:21and all the time you were one of Trixie Snell's girls.
00:15:28I think you've made a mistake.
00:15:30Good night, Mr. Grayson.
00:15:34Oh, come on, kid. That act's over.
00:15:38Oh, come on, kid. That act's over. Be yourself.
00:15:43Is your face red?
00:15:45Oh, I see. Just a couple of...
00:15:47Outside, bluebeard.
00:15:52Scram, bug, before I step on you.
00:15:57Say, you're no babe in rompers. You can take care of yourself.
00:16:01Only your technique's old-fashioned.
00:16:03Old-fashioned?
00:16:04Yeah, that face-slapping gag.
00:16:07They're mature-ish. It's all right for them parlor books and all that.
00:16:11But say, when a goof makes a pass at me,
00:16:13I ups to him and gives him a right hook to the kisser.
00:16:16You know, you gotta be prepared for things like that
00:16:18when you get in a troupe of Trixies.
00:16:20Maybe I should have studied boxing instead of singing.
00:16:23You think you're kidding? Maybe you'll wish you had.
00:16:26You're gonna meet plenty of palookas.
00:16:28Gee, you make it sound pretty terrible.
00:16:31Aw, gee, kid. I didn't mean to scare you.
00:16:35You just tie on to Jerry's apron strings and everything will be all right.
00:16:39You know, Jerry knows their onions.
00:16:41And their tamales, too.
00:16:54Why, Tom, what an odd curio.
00:16:56It's a sort of good luck charm.
00:16:58I got it from an Indian chap that I managed to pull out of the water
00:17:01down in the San Blas Islands.
00:17:03That's where your business is?
00:17:05I'm in the copper trade down there. It's pretty wild.
00:17:08Often I don't see a white man for months.
00:17:10Spend my days visiting native villages, sleeping outdoors.
00:17:13Sounds almost as exciting as the bull ring.
00:17:18Deal. Tell me.
00:17:20How much do you actually know about Trixie Snell and the bull ring?
00:17:23Not much. But I seem to be learning.
00:17:25But you must have known something about what you were getting yourself in for.
00:17:28Things are a little different from what I thought they'd be.
00:17:30But I think I'll be able to take care of myself, all right.
00:17:33Well, I hope so.
00:17:35You know, until I heard about your stage ambitions,
00:17:38I was a little puzzled at seeing a girl like you in Trixie's troupe.
00:17:42Most of the girls from the bull ring I've known signed up with Trixie
00:17:45either as a last resort or at most because they were hunting for sensations.
00:17:51I don't think I really belong to either class.
00:17:54I said...
00:17:56Hall.
00:17:58Say, what is this Hall business you're always getting on?
00:18:02Why, my dear, it's an expletive that is indigenous to my stratum.
00:18:07You don't mean it.
00:18:09Isn't there something a doctor could do about it?
00:18:12Hall.
00:18:14We're right back where we started.
00:18:16I say, you know, I was quite distressed over your losing your money last night.
00:18:22So after you'd retired,
00:18:24I went back to your chair and looked around for your gold piece.
00:18:28Quite sporting of you, old thing.
00:18:31Too bad you didn't find it.
00:18:33But I did, you know.
00:18:35Right under your chair.
00:18:37You know, I have remarkable eyesight.
00:18:40Remarkable eyesight?
00:18:42Why, you're a walking microscope.
00:18:45I think you're a honey.
00:18:47I say, old thing, I think you're a little bit of all right.
00:18:50You're a little bit of all right yourself.
00:18:52Quite spiffing.
00:18:53What?
00:18:55Say, what is this old thing and spiffing business?
00:18:58Are you trying to make fun of me?
00:19:01My word, old dear.
00:19:02So you're making fun of me, huh?
00:19:04Say, listen, egg,
00:19:06if you think you can make fun of me for ten bucks, you're screwy.
00:19:12Hall.
00:19:20Well, Tom, tomorrow we'll be in Panama.
00:19:24That's right.
00:19:26This is our last night out.
00:19:29I'd better hurry and dress.
00:19:36Oh, Lurch.
00:19:51What's the matter, Tom?
00:19:53You look as glum as one of those Indians on that island of yours.
00:19:56Oh, I don't know, Dale.
00:19:58The thought of you leaving is bad enough.
00:20:00Leaving with Trixie Snell and all that.
00:20:02That's awfully sweet, Tom.
00:20:04I'm really flattered that you should be worried about me.
00:20:07Worried about you?
00:20:09Why, Dale, I...
00:20:11I'm not worried about you.
00:20:13I'm worried about you.
00:20:15Why, Dale, I...
00:20:18Why, Dale, I...
00:20:33All right, kids, come up for air.
00:20:35Jerry!
00:20:38I didn't know you were here.
00:20:40I'd like to know how you do it.
00:20:42Do what?
00:20:43Turn a sphinx into a caveman in six days.
00:20:46Wish you'd loan me some of your technique.
00:20:48You seem to be doing all right with the men.
00:20:50How about your friend, Uppy?
00:20:52Oh, I dissed him two days ago.
00:20:55What?
00:20:57You know the ritzy way I talk when I try to impress someone?
00:21:00Yes.
00:21:01Well, Uppy tried the same thing on me, so I gave him the air.
00:21:06But, Jerry, that's the way Mr. Upson really talks.
00:21:10Oh, my gosh. Well, why didn't he say so?
00:21:16Come on.
00:21:35What a glorious night.
00:21:42Everlasting moonlight.
00:21:44The shades of the tropics.
00:21:47Face the truth, Dale.
00:21:49Half the girls who come down here never get home unless some man pays their way.
00:21:53You're exaggerating.
00:21:55I'm not exaggerating. I know what I'm talking about.
00:21:58I've seen how it goes.
00:22:00The girls start drinking. They forget how rotten and sordid the whole thing is.
00:22:04They show up some night too drunk to go on.
00:22:06There's a fight with Trixie, and she kicks them out.
00:22:08But, Tom, nothing like that's going to happen to me.
00:22:15It might, Dale.
00:22:17That's why I'm worrying.
00:22:21I'm crazy about you.
00:22:24I've even thought about selling my business interests.
00:22:27Oh, Tom.
00:22:28It might sound foolish, but...
00:22:30Well, maybe if you'd promise not to drink.
00:22:33After all, that's how the whole thing starts.
00:22:36You've cheapened me by even asking such a thing.
00:22:38Cheapened you?
00:22:40Well, you've cheapened yourself already by associating with Trixie's crowd.
00:22:43Tom!
00:22:44Why act like a child?
00:22:46Why put yourself in the way of temptations that thousands of women haven't been able to resist?
00:22:50Just a minute. I've had just about enough of this.
00:22:53It's going to take more than climate or a crowd to make me a wanton.
00:22:56I know, Dale, but...
00:22:57As for Trixie's crowd, I only really know one of them.
00:22:59I know, Dale, but...
00:23:00I know, Dale, but...
00:23:01I know, Dale, but...
00:23:02I know, Dale, but...
00:23:03I know, Dale, but...
00:23:04As for Trixie's crowd, I only really know one of them.
00:23:07If she's an example of the rest, I'll throw my lot in with him.
00:23:35♪
00:24:01We've got a full house, girls!
00:24:03Now, buckle up your brassieres and get ready for Jerry's memory.
00:24:14Ain't heard nothing from him yet, huh?
00:24:16No, not a word.
00:24:18Maybe he's out in front.
00:24:19Yeah, sipping her lemonade.
00:24:23Hey, handsome.
00:24:27Who's the stew at the end table?
00:24:30Uh, wait.
00:24:34All right, girls, let's go.
00:24:41See you later, kids.
00:24:42Good luck.
00:24:43Get out of the way, and let me in.
00:24:46Smile.
00:24:56Now, customers, I'm going to introduce 110 pounds of American Squab
00:25:01with a chili dressing and a tamale tone that'll knock you on your tortilla.
00:25:05Miss Jerry Royal.
00:25:07♪
00:25:37♪
00:26:07♪
00:26:37♪
00:26:47♪
00:26:57♪
00:27:07♪
00:27:17♪
00:27:27♪
00:27:37♪
00:27:47♪
00:27:57♪
00:28:07♪
00:28:17You'll be in a hotter place someday.
00:28:21Jerry, not so bad.
00:28:22But next time, give them all you got.
00:28:24No rainy days down here to save anything for.
00:28:27Jordan, you're on next.
00:28:29Come on.
00:28:34On the up and up, kid.
00:28:35You never played a cabaret before, did you?
00:28:37No.
00:28:38Only college shows.
00:28:40I knew you were lying.
00:28:41They all do.
00:28:43Well, you're on the spot now.
00:28:46Honey boy.
00:28:48There's the one I mean.
00:28:53Oh, you mean the one with the glasses.
00:28:58Well, that might be the case.
00:29:00All right, sucker.
00:29:01Now there's two of you.
00:29:04Hello, hikers.
00:29:06I'm going to introduce the answer to a traveling salesman's prayer.
00:29:10She can go up and down the scale faster than a Wall Street Van.
00:29:14She's been a hit in New York and Chicago and other foreign countries.
00:29:18So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:23So get a firm grip on your blood pressure and meet Miss Dale Jordan.
00:29:53Something makes me do things I oughtn't do.
00:29:59How I try to find my peace of mind.
00:30:03Say, listen to that kid sing.
00:30:08There's something in the air that's bringing a new desire.
00:30:16My senses are all on fire.
00:30:19Oh, tell me what can it be?
00:30:23That air of I don't care has something to me so thrilling.
00:30:30I feel oh so weak and willing.
00:30:33Oh, tell me what can it be?
00:30:37Something that makes a no man get busy with his feet.
00:30:45Something that makes a tall man get busy with the heat.
00:30:52There's something in the air that's holding me close and closer.
00:30:59I know that I can't say no.
00:31:02Oh, tell me what can it be?
00:31:06There's something in the air that's making me see things double.
00:31:13Making my feelings bubble.
00:31:16Oh, tell me what can it be?
00:31:20That air of I don't care has something beyond revealing.
00:31:27It's lifting me to the ceiling.
00:31:30Oh, tell me what can it be?
00:31:34Something that makes a teacher start acting like a clown.
00:31:42Something that makes a preacher just lay his Bible down.
00:31:49There's something in the air that takes everything it touches.
00:31:56It has me within it's clutches.
00:31:59Oh, tell me what can it be?
00:32:03Applause
00:32:26Good work kids, you sure put it over.
00:32:28Oh, thank you dear.
00:32:30Music
00:32:58I'll pack your hat sir.
00:33:01Music
00:33:25Will you see that Miss Dale Jordan gets this please?
00:33:28Yes sir.
00:33:29Music
00:33:34All right scallions, get out and make the customers thirsty.
00:33:37Okay.
00:33:38Music
00:33:44Well Goofus, what do you want?
00:33:46I could have this.
00:33:49Here Jordan, you've collected a dividend already.
00:33:54It's all right Nosy, take a run out pal.
00:33:56There's a guy at table 16 calling for Miss Royal.
00:34:01Maybe I'll get a break too.
00:34:04Hey, wait a minute.
00:34:05See that he buys plenty and don't let that whiskey tenor of yours catch up on you.
00:34:09Music
00:34:36Music
00:35:04Very royal.
00:35:05You've hung that picture in a different spot every week for three months.
00:35:08Every time you hang a crooked.
00:35:10That's the right stance for number one.
00:35:12Every time he came home he gave a list to the starboard.
00:35:15Well, we going to feed the flesh this morning or rehearse on an aspirin tablet?
00:35:20I don't feel fit for anything.
00:35:22Oh, snap out of it.
00:35:25I don't know whether it's the heat or what it is that's getting me.
00:35:29I'm so tired of the same old faces and the same old songs.
00:35:36Oh, it affects different people different ways.
00:35:38Now take me for instance.
00:35:40I like to get drunk and go on a toot and kick Trixie's cash register.
00:35:45Sometimes I wonder whether Tom Baylor wasn't partly right.
00:35:48Of course he was right, but don't give him a break and admit it.
00:35:52Well, it won't be long now baby.
00:35:53Keep a stiff upper lip.
00:35:55That's all we got to do is keep our head in the clenches.
00:36:00Well, how'd you like your hen fruit?
00:36:02Let's have them sunny side up.
00:36:04Atta girl, we'll have them.
00:36:10There's something in the air
00:36:13That's making me see things double
00:36:17Making my feelings bubble
00:36:20Oh, tell me what can it be
00:36:24That air of I don't care
00:36:27Has something beyond revealing
00:36:31It's lifting me to the ceiling
00:36:34Oh, tell me what can it be
00:36:38Something that makes a teacher
00:36:42Start acting like a clown
00:36:45Something that makes a preacher
00:36:49Just lay his Bible down
00:36:52There's something in the air
00:36:56That takes everything it touches
00:36:59It has me within its clutches
00:37:03Oh, tell me what can it be
00:37:14Say, Bill, that one's different.
00:37:17I'd like to meet her.
00:37:19That should be easy.
00:37:23Say, uh, Trixie.
00:37:25I'm off you for life, Bill Burr.
00:37:28Me with a brand new show, and it's taken you two, three months to get around here.
00:37:32Don't blame me, Trix.
00:37:34The boss has kept me jumping ever since he got in from Havana.
00:37:36Oh, Trix, uh, meet Jim Crosby.
00:37:39How do you do?
00:37:41General manager, Standard Airlines.
00:37:44And general nuisance round the Panama office, Trixie.
00:37:47Not Jimmy Crosby the flyer.
00:37:50Gosh, Jimmy, I saw you at the races last year, and you gave me heart saves.
00:37:55He's been doing that to girls for years.
00:37:58Say, Trix, how about the little girl that did the last number?
00:38:02Lay off, kid.
00:38:04She'd give a cold potato chill.
00:38:06Oh, come on.
00:38:08I've baked some potatoes before.
00:38:10Any of the others, Jimmy, but not this one.
00:38:13You'd only be wasting your time.
00:38:15Well, it'd be the first time I ever have.
00:38:18I've got a hundred bucks that says I won't be wasting my time.
00:38:21And I've got a hundred that says you will.
00:38:24It's a bet.
00:38:26Go buy yourself some lollipops.
00:38:28I like all-day suckers, too.
00:38:36Good night, Mr. Crosby.
00:38:39Say, um, how about a little supper with me somewhere after you're through here?
00:38:46No, thank you, Mr. Crosby. Not tonight.
00:38:50Well, Miss Jordan, how about breakfast at my hotel in the morning?
00:38:55Yes.
00:39:00You're very sweet, Dale.
00:39:02You've been very sweet, too, Jimmy.
00:39:06You know, if I'd had my way, we'd be drinking champagne up in my room.
00:39:10And I'd show up for rehearsal full of champagne and Trixie'd kick me out.
00:39:14Oh, come on, Dale. Couldn't you chuck rehearsal just for today?
00:39:19No, I'm afraid not, Jimmy.
00:39:22Well, how about tomorrow?
00:39:25I thought... I thought we might take a little spin in my car.
00:39:41Have a nice day.
00:39:43Oh, lovely. It's been like a dream.
00:39:46Feel like going back to the bull ring?
00:39:48Of course I don't, Jimmy. But I have to.
00:39:51You don't have to go back there, Dale.
00:39:53I could make life very happy for you.
00:39:56Make this day last forever.
00:39:58You don't believe that, Jimmy. Any more than I do.
00:40:01There's nothing I can do about it.
00:40:03Well, if you don't want to go back to the bull ring,
00:40:06You don't believe that, Jimmy. Any more than I do.
00:40:09There has to be a rude awakening sometime.
00:40:12I love you, Dale. I mean it.
00:40:17Oh, I admit I've said that many times before.
00:40:20I haven't been exactly a plaster saint.
00:40:23But you've made me realize for the first time what it means to say,
00:40:27I love you.
00:40:29Jimmy, no wonder you swept them off their feet.
00:40:33Do you know what I'd like to do?
00:40:35Hop into my plane with you and fly back to the States.
00:40:39It would only take a few hours.
00:40:41Mr. Cridby, am I to consider this a proposal?
00:40:45You can take this any way you want to.
00:40:47You name the terms.
00:40:54But I... I don't love you.
00:40:58I could make you love me.
00:41:06Well, Jimmy, if you can make me love you, I'll marry you.
00:41:10Of course.
00:41:12But if you don't take me right back to town,
00:41:14I'll be late for my number at the bull ring.
00:41:19You mean he actually asked you to marry him?
00:41:21Well, that was the general idea, darling.
00:41:23But I don't love him.
00:41:25Oh, baloney. I married three cluffs who couldn't give me anything but love.
00:41:29It's a high-class name for hooey.
00:41:32Say, are you still stuck on that bimbo from the Indian country?
00:41:36What did he ever give you?
00:41:38A worm-eating piece of coral nacked to his wigwam?
00:41:41Say, the big salami did you a favor.
00:41:44If you let that Crosby off the hook, you ought to be...
00:41:47Say, Passionflower, what's the idea of keeping that Dutch skipper waiting?
00:41:51Aw, nerd. He's so dumb, we have to talk in the sign language.
00:41:54He can't even recognize a stop signal.
00:41:57Your boyfriend's outside, Innocent.
00:41:59And listen, if you bail out of Panama with Crosby,
00:42:01I want a month's notice to get another singer. You savvy?
00:42:04I don't think you need to worry about it, Trixie.
00:42:06Well, I don't care, but I never allow love to interfere with business.
00:42:10I thought that in your case, they were the same thing.
00:42:13Say, listen, High Hat, did you ever get a stop on the visa?
00:42:17No. How does it feel?
00:42:30You better lay off that kid. You're on next, you know.
00:42:45Say, where is this Germany? Is it Switzerland?
00:42:48Switzerland? Nothing. It's just on the other side of Hoboken.
00:42:51Oh, that's it.
00:42:53That's it.
00:42:56Oh, what's the matter, Dale? You look worried.
00:43:00Trixie's been hitting the bottle lately, and the girls are all on edge.
00:43:05You know what I told you, over and over again.
00:43:11Yes, I know, Jimmy.
00:43:13I know.
00:43:15I know.
00:43:17I know.
00:43:19I know.
00:43:21I know.
00:43:23Yes, I know, Jimmy.
00:43:27Oh, don't, you're old man.
00:43:32Why, you old pretzel.
00:43:34What? You want a pretzel?
00:43:37No, stupid. I got one.
00:43:41He wants a bottle of champagne.
00:43:43Champagne.
00:43:46And now, folks, I'm going to introduce the sweetest little girl, Miss Delory.
00:44:02Jim Howell.
00:44:07Sit tight, honey. I'll be right back.
00:44:10Oh, midwife.
00:44:13You little pig. What do you mean by holding up my show?
00:44:16I can't go on. I'm homesick.
00:44:19You think this poison's going to cure you?
00:44:21I won't have you freaking before your numbers.
00:44:23I'm fed up with you and your rotten old show.
00:44:26Why, you dirty little ungrateful...
00:44:34Seven years, bad luck.
00:44:36I'll be right back.
00:44:39Seven years, bad luck.
00:44:43Fourteen years, bad luck.
00:44:45Excuse me, Jimmy. I might have to go on.
00:44:51Stay here, you fool.
00:44:53I'll beat some brains into you, you cheap little...
00:45:03Get out of my business, or I'll give you a dose of this yourself.
00:45:06I've never known a woman as low as you.
00:45:11Get out, Dale.
00:45:13You raise that bottle one inch,
00:45:15and I'll knock those false teeth of yours down your gizzard.
00:45:26Jimmy, get me out of this.
00:45:29Take me away. Anywhere.
00:45:31Well, what's happened?
00:45:37Don't.
00:45:39Don't.
00:45:41You don't have to go back there.
00:45:45Jimmy, do you still mean what you said about...
00:45:49marrying me?
00:45:53Why, yes.
00:45:55Yes, of course.
00:45:57Yes, of course.
00:45:59Yes, of course.
00:46:01Yes, of course.
00:46:04Yes, of course.
00:46:06All right.
00:46:08I'll fly to New York with you tomorrow.
00:46:11And I'll spend my whole life being grateful to you for taking me out of all this.
00:46:34Oh, Jerry, you got my note.
00:46:36Oh, yes.
00:46:38Jerry, dear, won't you come and visit me and my sweet at the Hotel Washington?
00:46:45Boy, what a dump this is.
00:46:48Never saw so much plush in Thatcher's pet horse, does he?
00:46:52Oh, no.
00:46:54Oh, no.
00:46:56Oh, no.
00:46:58Oh, no.
00:47:00Never saw so much plush in Thatcher's pet horse, does he?
00:47:04Oh.
00:47:09Boy, if I ever climbed into this, I'd never get out.
00:47:15Putting you up in style, huh?
00:47:17Oh, no, Jerry. I'm paying for this.
00:47:19That's the way it's going to be until after we're married.
00:47:22Well, you better get hitched in a hurry.
00:47:24Your bankroll won't stand this over a couple of days.
00:47:27When are the festivities coming off?
00:47:29They start to fly to New York late today or early tomorrow.
00:47:33When's the splicing going to be, before or after?
00:47:36I mean, before or after New York?
00:47:38Oh, I'm willing to leave that to Jimmy.
00:47:41The only thing I'm sorry about is leaving you, Jerry.
00:47:45I'm going to miss you, too, kid.
00:47:47I'm glad for your sake. You never were cut out for this kind of a racket.
00:47:51It's only for slobs like me.
00:47:54Oh, no, it isn't, honey.
00:47:56You've got to get out of it, too.
00:47:59Sure. When one of my ships comes in.
00:48:05Come in.
00:48:09Oh, good morning, Jimmy.
00:48:10Hello, darling.
00:48:11You remember Jerry, don't you?
00:48:12Oh, yes, of course. How are you, Jerry?
00:48:14Oh, topping.
00:48:21Well, I guess I'd better be going.
00:48:24I'll see you before you go, won't I?
00:48:25Well, of course.
00:48:26Jerry, I'm going out to buy some clothes.
00:48:28Why don't you drop in this afternoon and look them over?
00:48:30Okay, I'll do that.
00:48:32So long, Crosby. You're a lucky egg.
00:48:37How are you, darling?
00:48:38I'm fine, thanks, Jimmy.
00:48:40When do you think we'll be getting away?
00:48:42Well, I don't know just yet.
00:48:44I have some business affairs to attend to.
00:48:47And then I've got to test out that plane.
00:48:50Tell you what I'll do.
00:48:52I'll fly over the hotel.
00:48:53It'll be about four o'clock.
00:48:54I'll be watching for you.
00:48:56Why don't you sit down?
00:48:58Well, if you don't mind, dear, I've got to get back to the office.
00:49:01I'm expecting an important message.
00:49:05There's nothing else you need, is there?
00:49:07No.
00:49:08Money?
00:49:09No, thanks, Jimmy.
00:49:10I don't want to take it.
00:49:12Not yet, anyway.
00:49:15Bye-bye.
00:49:24Hello, Trixie.
00:49:25Hello, Baylor.
00:49:26I'm Sam Glassman, the red man.
00:49:28I've sold out.
00:49:29I'm going back to San Francisco.
00:49:31Well, I guess this place will struggle along without you.
00:49:34You never gave me much of a play, anyway.
00:49:36Listen, Trixie.
00:49:38Can you give me Miss Jordan's address?
00:49:40Sure, that's easy to remember.
00:49:42Washington Hotel.
00:49:44Just ask for Jimmy Crosby's suite.
00:49:48What?
00:49:49Sure.
00:49:51What?
00:49:52Sure.
00:49:53She's been playing around with him for a week.
00:49:55She's a smart girl.
00:49:57She'll do all right for Dale Jordan.
00:49:59But she ran out on me and left me in the lurch.
00:50:02And if I never see that snob again, it'll be years too soon.
00:50:17Hello, Miss Baylor.
00:50:18Want your key?
00:50:20Do you have a Miss Dale Jordan registered here?
00:50:22Yes.
00:50:23She's out now.
00:50:24Want to leave a message?
00:50:26I don't think so.
00:50:29She's checking out tonight or tomorrow morning.
00:50:31Flying to New York with Jimmy Crosby.
00:50:35When my luggage arrives, check it through to San Francisco.
00:50:38You have my forwarding address.
00:50:39Yes, sir.
00:50:41Why, Tom!
00:50:44Hello, Dale.
00:50:46I...
00:50:47I've been buying some new clothes.
00:50:49So I see.
00:50:50Doing all right, aren't you?
00:50:53I guess I was wrong about you.
00:50:55You're really doing better than I expected.
00:50:58What do you mean?
00:50:59Well, you moved up from the Bull Ring to the Washington Hotel.
00:51:03I understand the next stop is New York.
00:51:06And, I suppose, a Park Avenue apartment.
00:51:09Yes, Mr. Baylor.
00:51:11I'm afraid that if I stayed in this part of the world any longer,
00:51:14I might be contaminated by some of its filth.
00:51:20My key, please.
00:51:38Guess what?
00:51:39I saw Tom Baylor going out of the lobby.
00:51:41I know. I saw him, too.
00:51:43You did? And?
00:51:45I don't know, Jerry.
00:51:46Maybe it'll do me good to get away.
00:51:49I guess Tom Baylor's just one of those things that's in the air down here.
00:51:52Well, he won't be here much longer.
00:51:54He's checking out, bagging baggage.
00:52:02What is this? A new trousseau?
00:52:04Boy, it must have cost plenty of sugar.
00:52:06Everything I had but a couple of dollars.
00:52:08Hey, what is this? A marriage or a Dutch treat?
00:53:09Oh, I've been looking all over for you.
00:53:13What's up?
00:53:15Bill.
00:53:17I got myself into a tough spot.
00:53:21You know about me and Dale.
00:53:39You never told me you were married, Jim.
00:53:43It was years ago, Bill.
00:53:45Before I ever even knew you.
00:53:49It's just one of those things.
00:53:51A woman's impossible.
00:53:54Every son I've ever given has been just like blackmail.
00:53:57What are you going to do about, uh...
00:54:00about Dale?
00:54:03I don't know.
00:54:04That's what I've got to think of.
00:54:08Is my plane ready?
00:54:10It's ready now.
00:54:14You're in no condition to fly, old man.
00:54:16Don't you worry about me, Bill.
00:54:19That's where I've always thought things out.
00:54:22Solved all of my problems.
00:54:27I'm not going to die.
00:54:30Solved all of my problems.
00:54:35Up in the clouds.
00:54:39Boy, I could get myself an admiral in this, huh?
00:54:43There must be Jimmy now.
00:54:56Isn't it thrilling?
00:54:58You can have it.
00:55:14Well, I've got to go get Pac now.
00:55:18I'll pick him up in time in a bundle and throw him in like I do.
00:55:29I'll be back.
00:55:43The last $2.75.
00:55:46What shall we blow it in on?
00:55:48How about a bottle of scotch?
00:55:50Now, I'm liable to get sentimental
00:55:53and turn on the waterworks all over your new dress.
00:55:56I have an idea.
00:55:57Let's get some flowers to brighten up the room for Jimmy when he comes back.
00:56:01Okay, kid. Anything but heliotrope.
00:56:03Gives me hay fever.
00:56:10Hello?
00:56:11Yes.
00:56:13Mr. Barrett?
00:56:14Certainly. Send him right up.
00:56:16Oh, wait a minute.
00:56:17Will you please ask the florist to send me up some flowers?
00:56:20Oh, what?
00:56:21About $2.75 worth.
00:56:27Bill Barrett's on his way up.
00:56:29I wonder what he wants.
00:56:31Probably trailing me to find out why I didn't buy those lollipops.
00:56:35Come in.
00:56:38Hello, Mr. Barrett.
00:56:39How are you?
00:56:40How do you do, old thing? It's a topping day. What?
00:56:49Why, Mr. Barrett.
00:56:51Is there anything wrong?
00:56:53Jimmy.
00:56:55Crashed.
00:57:17Oh, gee, kid.
00:57:18He was a regular guy.
00:57:20You'll never know quite how regular he was.
00:57:27Here are your flowers, Miss Jordan.
00:57:41You got your nerve coming back asking for a job.
00:57:44Threw me down for a mug that was on the make for you.
00:57:47Please don't talk like that about Jimmy Crosby.
00:57:49Sure, he was going to marry Dale.
00:57:51Well, you poor sap.
00:57:53He bet me $100 on you.
00:57:55Looks like if he hadn't cashed in, I'd have to pay the bet.
00:58:00Now, listen, Trixie.
00:58:01You lay off of Dale.
00:58:02She's been through enough.
00:58:03Say, you get fresh with me and he'll go out on your ear too.
00:58:06Oh, yeah?
00:58:07Yeah, you, you sailor's delight.
00:58:11I know how you feel about this cobra joint, Dale.
00:58:15Gosh, we've got to eat, let alone earn enough dough
00:58:17to get out of this godforsaken old woman's land.
00:58:20I know, Jerry.
00:58:21But that man Berger that runs the place.
00:58:24It's revolting.
00:58:26Aren't there any more cabarets we haven't tried?
00:58:29Listen, I've tramped the streets until my pet bunion's
00:58:32gone on me.
00:58:33Oh, I'm sorry.
00:58:34I'm sorry.
00:58:35I'm sorry.
00:58:36I'm sorry.
00:58:37I'm sorry.
00:58:38I'm sorry.
00:58:39Your pet bunion's gone on strike.
00:58:41Trixie and the bull ring have all the high class trade
00:58:44and town's all sewed up.
00:58:46Well, the rest of the joints are just like the cobra.
00:59:09All right.
00:59:10All right.
00:59:13All right.
00:59:56Hey, lady, IÃvd like you.
01:00:00What's the matter?
01:00:01He's a good customer.
01:00:03You think you're too good for him.
01:00:04Huh?
01:00:05Who, I know, Mr. Vega.
01:00:07There's something in the air that's pulled all the world around me, with treasures of
01:00:26gold and silver and gold and gold and silver and gold and gold and gold and gold and gold
01:00:41and gold and gold and gold and gold and gold and gold and gold and gold and gold and gold
01:00:54inside, leaving your sagged passers with nothing at all
01:01:02to hide, there's something in the air that sings a lonesome
01:01:10tree, it's taken my very being, oh, tell me what has it seem
01:01:18$139, $140, $141, uh-uh, oh, and $0.85, only $65 to go, and we're on our way to San Francisco.
01:01:38Only 10 more days in that burger joint.
01:01:40Oh, stomach, be good to me now.
01:01:42Oh, Jerry, why don't you keep your own money?
01:01:44I don't like the responsibility for all of it.
01:01:46Oh, you don't know me like I do.
01:01:48A dreadnought's liable to come into port.
01:01:50I'll wake up to find I've been out in a binge and bought the grog for the whole fleet.
01:02:04Come on, baby, give us a sweet little kiss, huh?
01:02:08Give us a kiss, huh?
01:02:11You blame it on my customers and friends, or get out.
01:02:14I'm here to steal, not to be mauled by a lot of drunken sops.
01:02:17Is that so? Well, I don't want no lilies around here.
01:02:21You're through. Get out!
01:02:26Hello, Burger.
01:02:27Hello.
01:02:28Didn't enjoy around?
01:02:29Well, why are you one joke?
01:02:31Plenty. Another knife in about the dock.
01:02:40Come on.
01:02:54Come on, George, the captain wants to talk to you.
01:03:11Oh!
01:03:19Oh!
01:03:22Jerry! Oh, Jerry!
01:03:41You can come in for a minute, Miss Jordan, but please don't excite the patient.
01:03:45She's a little weak.
01:03:59Jerry, honey.
01:04:01How are you, Dale?
01:04:04Number one could only see me now.
01:04:06Number one could only see me now.
01:04:09You're feeling better, aren't you?
01:04:11Sure, I'll be okay.
01:04:15It's a knife, more or less, in your gizzard.
01:04:23Listen, kid, I want you to promise me something.
01:04:25Of course, Jerry. Anything.
01:04:28Don't you give old sore bones or this joint any of the dough we saved up.
01:04:32I want you to buy yourself a ticket and scram for Frisco.
01:04:35Oh, no, Jerry. I couldn't do that.
01:04:39Do what I tell you. You'll be a sap.
01:04:42This joint can't throw me out.
01:04:44Let them stand the gaffe.
01:04:52I'll come to see you every day, honey.
01:04:54All you have to worry about is getting well.
01:05:01Don't forget what I told you.
01:05:06She's still pretty weak, isn't she?
01:05:08Yes. I am afraid it's going to be a long convalescence.
01:05:11She lost a great deal of blood, you know.
01:05:14What do you think we ought to do for her?
01:05:16What she needs most is sunlight, proper nourishment, and treatment.
01:05:21The place for her is a sanitarium.
01:05:25How much will that cost?
01:05:27I don't know.
01:05:29I'm afraid it's going to be a long convalescence.
01:05:31She lost a great deal of blood, you know.
01:05:34How much will that cost?
01:05:35We have one near here, but the rates are rather reasonable.
01:05:38Somewhere around $50 a week.
01:05:43All right, Doctor.
01:05:45You make the arrangements.
01:05:51The hospital bills are payable in advance.
01:05:54The total is $174.
01:06:04Here's $150.
01:06:09I'll get the rest.
01:06:12Somehow.
01:06:33$154
01:06:34$154
01:06:35$154
01:06:36$154
01:06:37$154
01:06:38$154
01:06:39$154
01:06:40$154
01:06:41$154
01:06:42$154
01:06:43$154
01:06:44$154
01:06:45$154
01:06:46$154
01:06:47$154
01:06:48$154
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