The New Yorker
  • 3 years ago
A documentary—from the directors James Burns, who was previously incarcerated, and Shal Ngo—follows three former inmates as they revisit their traumatic time in solitary confinement.

Recommended

31:24
Up next
LOL Last One Laughing UK - Series 01 Episode 04
ozmartian
29:51
LOL Last One Laughing UK - Series 01 Episode 03
ozmartian
29:01
LOL Last One Laughing UK - Series 01 Episode 02
ozmartian
42:16
Непростимо 1 епизод
Rosalinda
16:24
The Maddening Disconnect of Phone Therapy in “Happy to Help You” featuring Amy Sedaris
The New Yorker
19:48
How an L.G.B.T.Q HotLine Became a Lifeline
The New Yorker
32:44
The Last of the Nightingales
The New Yorker
3:03
John Early Enters the New Yorker Cartoon Caption Contest
The New Yorker
22:47
One Conductor’s Mission to Diversify Music in "The Orchestra Chuck Built"
The New Yorker
15:10
Frank
The New Yorker
15:40
“Goodbye, Morganza” Follows the Legacy of a Black Family’s Property Loss
The New Yorker
24:55
Offering Dignity for Those Who Die Alone in “People Like Us”
The New Yorker
7:09
How the Artist Barry Blitt Turns Politics Into Cartoon Cover Gold
The New Yorker
30:24
A Family Reckons with a Father’s Wish to Be Preserved Using Cryonics in “Eternal Father”
The New Yorker
17:48
A Veterinarian’s Soothing Compassion in “The Passing”
The New Yorker
14:53
Zooey Zephyr’s Defense of Trans Lives in a Deep-Red State in "Seat 31"
The New Yorker
15:40
A Relationship and a Nation in Turmoil in “Bogotá Story”
The New Yorker
22:08
Denial
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker
8:07
A Woman’s Forced Marriage in Post-Invasion Afghanistan, in “Hills and Mountains”
The New Yorker
4:40
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker