The Song of Ceylon
https://en.wikipedia.org/wiki/The_Song_of_Ceylon
From Wilskipedia, the free encyclopedia
The Song of Ceylon
Directed by Basil Wright
Written by Robert Knox (sailor) (commentary, excerpt from "An Historical Relation of Ceylon")
Produced by John Grierson (producer)
Starring See below
Narrated by Lionel Wendt
Cinematography Basil Wright
John Taylor
Edited by Basil Wright
Music by Walter Leigh
Release date
1934
Running time 38 minutes
Country United Kingdom
Language English
The Song of Ceylon is a 1934 British documentary film directed by Basil Wright and produced by John Grierson for the Ceylon Tea Propaganda Board.
The film was shot on location in Ceylon (Sri Lanka) at the start of 1934 and completed at the GPO film studios in Blackheath, London.
Plot
Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.
The first part of the film depicts the religious life of the Sinhalese, interlinking the Buddhist rituals with the natural beauty of Ceylon. Opening with a series of pans over palm leaves, we then gradually see people journey to Adam's Peak, a center of Buddhist pilgrimage for over two hundred years. This is continually inter-cut with images of surrounding natural beauty and a series of pans of a Buddhist statue.
Part two focuses on the working life of the Sinhalese, again continually stressing their intimate connection to the surrounding environment. We see people engaging in pottery, woodcarving and the building of houses, whilst children play.
The third part of the film introduces the arrival of modern communications systems into the fabric of this 'natural' lifestyle, heralded by experimental sounds and shots of industrial working practices.
Finally, in the last part of the film, we return to the cultural life of the Sinhalese, where people perform a traditional Kandyan dance. The film ends as it began, panning over palm trees.
Cast
Lionel Wendt as Narrator (voice)
Critical response
Writing for The Spectator in 1935, Graham Greene described the film as "an example to all directors of perfect construction and the perfect application of montage", and noted that it "moves with the air of absolute certainty in its object and assurance in its method".[1]
References
Greene, Graham (4 October 1935). "Song of Ceylon". The Spectator. (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. p. 25. ISBN 0192812866.)
Colonial Film: Moving Images of the British Empire Entry for Song of Ceylon.
Screenonline Entry for Song of Ceylon.
External links
Watch The Film Online at the Colonial Film: Moving Images of the British Empire Website
The Song of Ceylon at IMDb
Article on Basil Wright & Walter Leigh's use of sound in the film
https://en.wikipedia.org/wiki/The_Song_of_Ceylon
From Wilskipedia, the free encyclopedia
The Song of Ceylon
Directed by Basil Wright
Written by Robert Knox (sailor) (commentary, excerpt from "An Historical Relation of Ceylon")
Produced by John Grierson (producer)
Starring See below
Narrated by Lionel Wendt
Cinematography Basil Wright
John Taylor
Edited by Basil Wright
Music by Walter Leigh
Release date
1934
Running time 38 minutes
Country United Kingdom
Language English
The Song of Ceylon is a 1934 British documentary film directed by Basil Wright and produced by John Grierson for the Ceylon Tea Propaganda Board.
The film was shot on location in Ceylon (Sri Lanka) at the start of 1934 and completed at the GPO film studios in Blackheath, London.
Plot
Ambitious documentary chronicling the cultural life and religious customs of the Sinhalese and the effects of advanced industrialism on such customs.
The first part of the film depicts the religious life of the Sinhalese, interlinking the Buddhist rituals with the natural beauty of Ceylon. Opening with a series of pans over palm leaves, we then gradually see people journey to Adam's Peak, a center of Buddhist pilgrimage for over two hundred years. This is continually inter-cut with images of surrounding natural beauty and a series of pans of a Buddhist statue.
Part two focuses on the working life of the Sinhalese, again continually stressing their intimate connection to the surrounding environment. We see people engaging in pottery, woodcarving and the building of houses, whilst children play.
The third part of the film introduces the arrival of modern communications systems into the fabric of this 'natural' lifestyle, heralded by experimental sounds and shots of industrial working practices.
Finally, in the last part of the film, we return to the cultural life of the Sinhalese, where people perform a traditional Kandyan dance. The film ends as it began, panning over palm trees.
Cast
Lionel Wendt as Narrator (voice)
Critical response
Writing for The Spectator in 1935, Graham Greene described the film as "an example to all directors of perfect construction and the perfect application of montage", and noted that it "moves with the air of absolute certainty in its object and assurance in its method".[1]
References
Greene, Graham (4 October 1935). "Song of Ceylon". The Spectator. (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. p. 25. ISBN 0192812866.)
Colonial Film: Moving Images of the British Empire Entry for Song of Ceylon.
Screenonline Entry for Song of Ceylon.
External links
Watch The Film Online at the Colonial Film: Moving Images of the British Empire Website
The Song of Ceylon at IMDb
Article on Basil Wright & Walter Leigh's use of sound in the film
Category
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Learning