Косметика Paese.Презентация.Дневной макияж
Transcript
00:00 If you see, it flows, I call it, it drips.
00:05 And there is a completely different situation.
00:09 When you open it, and you have it right here.
00:16 Can you see? It's like a paste.
00:18 I can take it like this, see, it doesn't even flow anywhere.
00:24 You see, the difference in the degree of coating between them is colossal.
00:30 This option will even out your skin tone a little bit,
00:33 and maybe even make your eyebrows look a little bit more natural.
00:37 And with this product you can do everything you have on your face,
00:42 including tattooing your eyebrows, if you need to cover up your tattoos,
00:46 or for some event, remove them.
00:49 So you choose what you need for your skin, what is more comfortable.
00:54 We have a very convenient classification,
00:58 how to easily recognize the degree of coating.
01:02 Because if you came and it's hard for you to figure it out,
01:08 all this must be indicated on the packaging.
01:11 I'll bring the camera now.
01:13 Look, you can see these squares, see?
01:16 The more squares, here you can see 2, here you can see 3,
01:23 here you can see all the spots where they are painted.
01:27 The more these painted squares, the more the coating density will be.
01:33 Accordingly, this cream is the lightest, this cream is the densest.
01:38 On a beauty cream, which is generally 1,
01:45 I have some problems with coordination,
01:47 1, that is, 1 square is the lightest option.
01:52 That is, the first one is for skin types, the second one is for the coating density,
01:55 you already understood.
01:56 And the third option, how you distinguish the cream, is by color.
02:01 This is the biggest problem we usually have.
02:05 I'll show you.
02:08 It must be indicated somewhere.
02:10 Here we have, in particular, you see, on the caps,
02:13 this option is a quote, or this option.
02:27 Here are the numbers and colors.
02:29 The higher the color, here on this side I have 300, here it is, here 302.
02:38 The higher the number, the darker the shade.
02:42 That is, in this case, 300 will be the lightest,
02:45 300-4, 300-5 - the darkest.
02:48 And each line has its own colors.
02:50 You can look, you can see it all in the catalog.
02:52 Plus there is a name.
02:54 I advise you to do this.
02:56 In general, ideally, of course, ideally, you need to have,
02:59 if we want to look like professionals,
03:02 two tones.
03:04 One that will be a little lighter than yours.
03:08 We are now having a master class on the question,
03:10 and we cannot answer in time.
03:13 They just ask.
03:17 Look, one that is a little lighter,
03:19 and the second one is a little darker.
03:21 In order for you and me to be able to do a little bit of face modeling
03:25 at the level of coverage,
03:27 and the second one is so that during the year
03:31 we can mix them in different proportions.
03:33 In winter, we all have lighter skin,
03:36 and in summer, whatever, even if you just run somewhere from work to home,
03:40 it is still a little darker.
03:42 Maybe there is a sun or something else.
03:44 So, I can tell you that all our tonal creams,
03:48 except for the cream "Long Cover",
03:50 all mix with each other.
03:52 But, girls, be careful,
03:54 there is no point in mixing, as you understand,
03:56 a tone, let's say, a matte one,
03:59 and with a tone that is simultaneously moisturizing.
04:03 Within the same line.
04:05 It is better to mix anyway.
04:07 Everything else is mixed normally.
04:09 Why did I say that the tone "Long Cover" should not be mixed?
04:12 Because it is the only one we have based on silicone.
04:16 Everything else is water-based.
04:18 That is, everything is suitable for everyday use.
04:21 We will now take a tone of medium coverage.
04:27 I will now use the "Masturizing" cream.
04:30 I will take the color 300.
04:33 There is such a convenient spatula.
04:37 I will take the color 302.
04:42 The difference between them is quite obvious.
04:50 See, one is much lighter, the other is darker.
04:54 Well, one in a while.
04:56 I will cover the face as follows.
04:59 Look, my convex parts, where I have a forehead, cheekbones,
05:04 here, right, a little bit of the nose,
05:06 chin, above the upper lip,
05:08 I will do a little lighter tone.
05:12 The recesses under the cheekbones, temples, along the hairline,
05:20 the lower jaw, I will make the tone darker.
05:23 Well, I will mix the remaining gaps and cover.
05:27 I have a synthetic brush.
05:29 Here it is, such a fluffy enough.
05:32 It is convenient for me to work with such a brush as an option.
05:35 Your brushes can be like a duofiber for the tone.
05:40 That is, they are not flat at all.
05:42 Or vice versa, the brush is straight as a spatula.
05:48 You see, it is narrow.
05:50 It's already as convenient for you.
05:52 Everyone covers very well.
05:54 But do not forget that for the tonal means
05:57 you should have a single brush, only synthetic.
06:01 There is no absolutely no natural brushes.
06:05 Yes, no one will sell them, it does not happen.
06:08 For all cream products, we always use synthetic brushes.
06:18 If, for example, for the shadows, for powder, for blush,
06:23 brushes can be both synthetic and natural,
06:26 for dry products,
06:30 then in this case, for cream products, we use only synthetic.
06:38 Pay attention, I hold the brush, I still work with a plane.
06:42 That is, not like this, in no case, not in this place.
06:46 I stretch.
06:47 I'll tell you right away,
06:49 if you want the tonal means to be practically invisible on your face,
06:54 if you have perfect skin and you want to just a little bit to trim it,
07:00 you need to take some product like a beauty cream,
07:03 which will be very light,
07:05 oh, let's not close the door, please.
07:07 Which will be very light and will only face actually a little bit tint.
07:13 If there is a problem, take more dense.
07:16 But if you have a dense tone,
07:18 I'll tell you right away,
07:20 you do not need to wait for you to have it on your face will not be visible.
07:23 If you look at your face like this,
07:25 you will see it in any case.
07:28 - Can I ask a question? - Of course.
07:30 Russian makeup artist Olya Romanova,
07:34 she paints with this, applies the tone only with a goat.
07:38 Actually, I recommend applying only with a goat.
07:40 Personally, as for myself.
07:41 You said that only synthetic.
07:45 I think you need to look.
07:47 There is such, yes.
07:49 I do not think she speaks, or rather, how to say,
07:51 I think she does not speak nonsense.
07:53 Therefore, you need to look.
07:55 There is a synthetic goat, there is an imitation of a goat.
07:57 Do you understand what I mean?
07:59 Maybe you need to look.
08:01 I will not argue with you now,
08:03 because there is nothing in the subject, I am not in the topic.
08:05 Very often there is a synthetic,
08:07 imitation of a goat, imitation of a squirrel.
08:09 It is very soft.
08:11 The goat is like this,
08:13 in theory, we can say that this is also almost like a goat,
08:17 but it is synthetic.
08:19 Why, I have already taken a darker tone, girls, right?
08:23 Why do I say that you should not use natural brushes?
08:30 Explain why?
08:32 Because there is some kind of creamy base everywhere, right?
08:35 It can spoil the hair.
08:37 That's right, you answered yourself.
08:39 Therefore, I think that there is either a mixed hair, at least,
08:44 because brushes are mixed.
08:46 Mixed brushes, where there is a part of natural hair,
08:51 and a part of synthetic.
08:53 Or under the imitation, as I said.
08:58 Because synthetic, yes, it is plus such.
09:02 Imagine you smeared oil on your hair, right?
09:05 What do they become?
09:07 Like this, a little bit.
09:09 Like, like soples.
09:11 Therefore, if you take a brush,
09:13 you know, you can take a brush for the sake of experiments,
09:16 and completely natural brush,
09:20 apply it in a fat medium,
09:28 it will also become, it will stick together.
09:31 Well, as if she has a goat, great.
09:33 A little bit of relief, lifting it up like this.
09:37 That is, you see the bone?
09:39 The bone with volume.
09:41 And under the bone there is a failure.
09:44 I draw it in the failure under the bone.
09:48 Here, up, I never go up.
09:51 This is what I have left light.
09:54 Remember, I took a lighter tonal cream here.
09:59 Therefore, now, in order not to reduce the volume,
10:05 but to increase it only,
10:07 I draw where the natural shadow goes.
10:10 I pull it up here in small movements.
10:17 Where else do I have?
10:19 I want to make a little bit more relief visage.
10:23 You can come home and feel your face.
10:31 The whole structure of the face will tell you.
10:35 In fact, the day's makeup is very integrated into the face.
10:43 In fact, we do not draw anything new here.
10:47 Plus here, I want it to be more embossed.
10:50 We take and only emphasize our own reliefs.
10:56 One, two, a little bit here.
11:00 And along the hairline, I'll go through it too.
11:04 And look, with this brush, if you do not want to,
11:08 see how convenient it is to draw the nose.
11:11 I drew it like this, and I made it a little narrower.
11:15 And I fold the brush, it goes straight by itself.
11:18 In fact, such a brush shape, it draws everything for you.
11:23 - The nose collection, does it slightly lengthen the nose?
11:27 - How do you do it?
11:29 - You showed it.
11:30 - Like this? I have here ...
11:34 Look, see, Anya's nose.
11:37 She has a good nose in the nose bridge.
11:41 Let me show you like this.
11:43 Good nose in the back.
11:45 A little bit, he's a potato, a little bit.
11:49 I want to narrow it in this part.
11:52 Accordingly, I do not put the brush here.
11:56 Everything is fine here, why should I improve the good?
11:59 I draw here.
12:01 I want to have a little less
12:04 these wings of the nose were visible.
12:07 These bridges.
12:09 So I took it like this, once, and that's it.
12:12 And my nose will become visually a little longer.
12:15 And the main thing is already here, what interests me.
12:18 If I do not want to be longer, I'll do it like this.
12:21 I'll put the border.
12:23 That is, everything. I do not need it to be so rotund.
12:26 Therefore, you draw here, everyone as it is convenient.
12:30 All you do not need in your face, in your nose,
12:33 you effectively darken, hide in the shadow.
12:37 All you want to make more voluminous ...
12:40 I want such cheekbones, like Angelina Jolie.
12:43 What is a cheekbone?
12:45 A cheekbone is a bone.
12:47 I want cheekbones like Angelina Jolie, I want to make them bigger.
12:50 Accordingly, I hypertrophy my relief.
12:54 I darken the dark and now I will highlight the light.
12:59 Look, I never advise to do like this.
13:07 You can pay attention, I'm doing this movement here.
13:10 Look, understood?
13:13 Like this.
13:15 One, one, one, we smile.
13:18 Oh, oh, oh.
13:20 It's a cat to poke a stick in the hole.
13:22 See, I actually draw the cheeks.
13:25 Did you understand what I mean?
13:27 I make a correction in a feminine way.
13:32 If I do like this, it will be like a man, very fashionable.
13:36 This correction is very fashionable now, when we look down.
13:39 Well, yes, in the magazine.
13:42 We do not have a daily makeup here.
13:45 And I tell you that it will be very fashionable.
13:48 You can influence the audience with your makeup.
13:55 You came to a romantic date.
13:58 Everything is so cute.
14:00 Accordingly, we rounded everything, made pink cheeks.
14:04 I came to an interview.
14:07 I don't know, instead of the director of the company in some oil and gas processing.
14:13 Where are the men.
14:15 I need to show that I can manage.
14:20 I remove all this cuteness and roundness.
14:24 I do the opposite.
14:26 Maybe I do my eyebrows a little sharper.
14:28 I make the cheekbones sharper.
14:30 And so, again, I visually influence the audience.
14:34 Yes, go on.
14:37 We continue to work with relief.
14:40 We have deepened, deepened,
14:42 we have deepened, we have deepened.
14:44 Now we will deepen the bulge.
14:46 Look, what can we do to create bulge?
14:49 By highlighting and by creating a glare.
14:53 Imagine you have an apple on the window sill.
14:55 Yes, everyone imagined.
14:57 The brightest place, you see, it glows a little.
15:00 This is the glare.
15:02 It is in the most bulging place.
15:04 Therefore, I will now take such products as a reflective powder.
15:10 Here, I do not know how to show you.
15:15 Then you will come and touch.
15:17 Write down what you need to touch.
15:19 The first, the lightest option glows a little bit.
15:24 This is a reflective powder.
15:27 Let's say there is 1C, 2C, 3C,
15:31 Luminating Covering Powder.
15:34 By intense glow.
15:37 This is Glow Sheer Powder.
15:39 Number 11.
15:41 I advise everyone, I recommend everyone.
15:43 I'll take it.
15:45 I will have such an average option.
15:47 And there is a direct option when the evening, evening.
15:51 This is, for example, Diamond number 9.
15:54 See how it shines?
15:56 Agree, it's more for day makeup.
15:59 I'll take powder number 11.
16:01 Now for comparison.
16:03 See below.
16:05 Here, a little bit.
16:07 Very delicate.
16:09 Not like here, but straight.
16:11 Very soft reflection.
16:13 This is what I need.
16:15 Then I start to disassemble the face.
16:17 Where is my bulge?
16:19 1, 2, 3, 4, 5.
16:23 What will I take from this now?
16:25 Agree, if I put on a highlighter or some shimmer here,
16:29 it will feel like I have a fat forehead.
16:32 Therefore, I will skip forehead, I will skip nose.
16:35 I'll take to work.
16:37 Here is the cheekbone itself.
16:43 Look, here I have the maximum volume.
16:46 Let's go this way.
16:48 Here, right?
16:50 And I'm right here.
16:53 How to understand when good?
16:57 You take and twist.
17:02 Before the mirror, make-up,
17:05 always when you do,
17:07 always in childhood they said not to twist,
17:09 here you need to twist.
17:11 Because if you have a face ...
17:13 Well, twist our head a little bit.
17:15 Not very clearly visible.
17:17 But you see, there is a little bit of a glare here.
17:20 Then you come up and see.
17:22 If you sit straight and look in the mirror,
17:24 you should not be like a ball on a Christmas tree.
17:27 You should have a spectacular glow.
17:29 Why am I turning you here with my hand?
17:32 It's only on the bend.
17:34 When you have a beautiful reflection of light from the face,
17:38 then it gets ...
17:41 To be so glossy,
17:43 a feeling of a wet face, not a Christmas tree.
17:46 A little bit over the upper lip.
17:48 Here I want to do a little bit,
17:50 so that I have more volume.
17:52 A very fashionable option.
17:54 You can take a little amount on your finger.
17:57 And a little bit walk right on the checkmark.
18:01 Just look, girls,
18:03 do not draw a mustache here, for God's sake.
18:05 Put your finger right on your lip.
18:07 Understood?
18:09 With your hands.
18:11 Right on the lip.
18:13 You can see here.
18:15 Not here, otherwise you will have a funny mustache.
18:18 And a little bit,
18:20 a little bit, just a little bit.
18:22 That's it. I worked with it.
18:24 And the last thing I want to do is to apply blush.
18:28 Let's think together
18:31 what color we should have in this case of blush.
18:35 Let's do a make-up for him.
18:38 Let's.
18:40 Speak boldly.
18:42 Red or pink?
18:44 Who else thinks so?
18:46 Everyone thinks so.
18:48 Well, I see.
18:50 You all are great.
18:52 In general, the direction of thought is correct.
18:54 Who doubts and is silent,
18:56 now we will convince him.
18:58 Look, where does blush come from?
19:01 The simplest thing is that you ran to the bus,
19:04 or from the bus faster home,
19:06 came, winter, 30 degrees,
19:08 and look in the mirror,
19:10 what color cheeks?
19:12 Red-pink, yes?
19:14 That is, this is a natural color.
19:16 It is not a color of the skin.
19:18 Therefore, we will take the shade of pink.
19:20 In this case, even, I would say,
19:22 less peach, more pink.
19:25 From such successful colors,
19:27 you can also look at the blush,
19:29 it visually seems very scary,
19:32 but in fact the color is just cool.
19:34 This is 50, a little bit stronger 51.
19:38 And I also asked you to pay attention
19:40 to 35 tone blush.
19:43 I'll talk about it later,
19:45 additionally, separately,
19:47 within the selection of colors of lipstick.
19:49 Since we will have everything here natural,
19:51 we will move away from the idea
19:53 that in any case,
19:55 the tone of lipstick should somehow
19:57 correlate with the color of blush,
19:59 and take natural.
20:01 I'll take 50 color.
20:03 I have such a light one.
20:05 I take it just a little bit.
20:07 Further, the next moment.
20:09 Where to apply?
20:11 Also, so as not to draw too much.
20:13 We do very well.
20:15 You get a five.
20:17 We smile.
20:19 We have such a protruding apple of the cheek.
20:21 Everyone has it.
20:23 And we visually divide it
20:25 approximately diagonally.
20:27 Everything is approximate.
20:29 Here you do not need to measure everything in centimeters.
20:31 And we work with the lower half.
20:33 Here with this half of the apple.
20:35 And we divide it.
20:37 Here with this half of the apple of the cheek.
20:39 That is, let's think.
20:41 Here we darkened.
20:43 Right? Here we brightened.
20:45 And approximately between this
20:47 we get our blush.
20:49 The blush should be a little bit.
20:51 It should be such
20:53 an effect of a veil.
20:55 Is the camera not visible?
20:57 Then you come up and see.
20:59 That is, it should be,
21:01 who can see,
21:03 such a little bit of a light blush.
21:05 Do not do this.
21:07 I generally take and brush
21:09 I work just a little bit.
21:11 I even practically
21:13 see the hair is almost not pressed.
21:15 I seem to be stroking
21:17 with this cut.
21:19 A little bit here.
21:23 And here I have such a fresh.
21:27 Here I do not go into this triangle.
21:31 I do not go into this triangle.
21:33 I do not go into this triangle.
21:35 I do not go into this triangle.
21:37 I do not go into this triangle.
21:39 I do not go into this triangle.