Mario Lopez - Magic with Cigarettes
Category
🦄
CreativityTranscript
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00:21 Hi, I'm Mario López and this is Magic with Tinkerbell
00:27 [Music]
00:36 Content, in the little while we will be together
00:39 we will see the bisagra and the alcayata applied to the magic with cigarettes
00:45 are techniques that already existed but that I put my personal touch
00:50 and I want to share them with you and I hope you enjoy them
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01:08 The bisagra, the bisagra is the name I have put to this action
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01:18 that is what allows me, just like carpentry, is that something turns around a ring
01:23 and only around a ring, this was previously achieved by rubbing the cigarette
01:31 then the tobacco is loose and that allows you to bend the cigarette
01:36 to one side and the other without the paper breaking, a nice detail
01:41 but when I do the bisagra and I turn, here a alcayata is created
01:48 and formerly there was a production or some movements with an alcayata
01:53 nailed inside a cigarette that with the slightest movement of the alcayata
02:02 the cigarette was produced, with very little, with half a turn of the thumb
02:09 the cigarette was produced, fantastic
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02:21 The bisagra, how to create the bisagra in a cigarette, you look for the middle
02:29 with the base of the finger and the nail also, it is supported and against the index
02:36 it is pressed firmly, without fear but firmly
02:43 and now that allows you to bend the cigarette 90 degrees without the cigarette breaking
02:58 to the other side this is very difficult, not here and not here
03:02 which then allows you to play with the straight cigarette
03:07 that otherwise could not
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03:24 A cigarette to which we have already made the bisagra allows us several things
03:33 if I grab it here I show almost the empty hand and only show half a cigarette
03:43 only half or if I show this side I would show a piece of filter
03:50 that is one of the qualities that allows us the bisagra
03:56 and the other here comes the alcayata, the technique that I call the turn of the alcayata
04:04 which is when you are in the position of holding the cigarette here, that you have it in your hand
04:12 the thumb and the index finger that are free, turn the cigarette making it come out
04:30 and then now the turn of the alcayata, the qualities that allow you are
04:38 hand to hand transfer or allows you to make a cigarette take a piece
04:48 that puts it with the minimum movement, just moving here a little the cigarette
04:56 a detail to keep in mind if we want the cigarette to come out straight
05:01 is that the ring does not support the cigarette, from being patted until it comes out
05:14 and that's it, that's it, that's all friends
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07:17 Explanation, you need a cigarette and a half, this cigarette we have it here
07:24 half a cigarette and this cigarette we have it with the bisagra made inside the pocket
07:33 in advance, prepared at home, inside the pocket, here let's say that the triangle is where
07:40 ends the pocket, where the fabric ends, because I put the cigarette and adjust it to the bottom
07:46 well adjusted, hooked, then that will allow you to move, enter where you have to enter
07:53 or do what you have to do without the cigarette moving and so then when you need to recover it
07:59 you will put your hand, you can touch where it is in the center and with this you put it and taking the hand
08:08 from the pocket you know for sure that the part that wants to appear will appear and the pad
08:15 once you have this you have to take the cigarette you have in your ear, then transfer
08:23 ok, boom, take the ear while if something happened here you can relocate it well, the other hand
08:32 while you take here you can relocate, now make the turn to the pad, show the other piece
08:40 you put it between the two fingers, the place where you can easily pad it, then show the other piece
08:50 and when you put it together, simulate fitting it, at that moment this comes out, this cigarette would be
09:09 padded and here you just have to put the rest and it is mounted, we put our hands a little
09:21 to unload this cigarette, you can take a lighter out of your pocket, you can start a routine
09:30 or you can pass it divinely
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10:34 Applications of the bisagra and the alcayate, with the bisagra and the alcayate we allow broken and recomposed
10:49 allows the photo to have two cigarettes, then I will tell ways to break the cigarette or
10:57 to recompose the cigarette so that you choose, so that you compose the way you want
11:07 first way, for example, I could have a cigarette previously patted on the hand and now
11:15 take a cigarette out of my package, I take a cigarette out of my package, I prepare it with the alcayate
11:22 while I talk about something and I put it in this hand, now I'm going to simulate breaking this piece
11:31 but just when I come here the thumb will retract the cigarette, just by the alcayate
11:44 the thumb will throw back the cigarette and this will simulate breaking, that would be a type of break
11:55 shows the cigarette, this hand with the patted is put just above and when put on the cigarette
12:03 the thumb throws back the half cigarette and now this is shown and it breaks
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12:49 second type of break, cigarette, cigarette extra, but this time the extra cigarette
12:56 is patted on the hand, it is hidden in the hand, between the little finger and the ring finger
13:04 and now this cigarette that is prepared with the alcayate, the cigarette points out
13:11 the alcayate points out, empty hand comes, covers a cigarette and simulates breaking
13:21 so now what happens is that it stays with the alcayate in the other hand, the cigarette is here
13:32 I could even take it between the middle finger and the thumb and just this above
13:41 and that would hide the other fingers, this hand would come, hides the cigarette that is left over
13:52 bends it and simulates breaking
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14:20 Application, third break, the third break is an idea that comes from the strings
14:29 of a rope routine that when you cut this big finger makes you jump a piece of rope
14:35 then placing the extra piece on the ring and the filter pointing out, I can simulate
14:46 that I cut the filter at the same time that I am going to turn and at that moment, people look at the filter
14:56 with these two fingers that have been left to me and next to me I put the alcayate and I can show
15:03 that a cigarette has been broken with a scissors, a little embarrassing but I repeat here
15:15 I would jump and now I have to turn
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16:08 Another application, always, well many times we need half a cigarette, half an extra cigarette
16:18 a way to get it is to ask someone for a box, you have your hands empty, ask for the box
16:24 and come to get your cigarette, but the action is the action of taking the cigarette
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16:35 a cigarette has been bent and almost broke, then the other cigarette goes to the mouth
16:41 and this would only have to stick a little strip while closing, the cigarette would be in the hand
16:50 while returning the tobacco, you can do the routine and then also know this cigarette
16:59 I can use it for the game you need but also know that you have inside the package
17:04 that gives the viewer loaded a piece in white, that is, at a given moment I could do
17:11 I don't know, break, say and now this is going to be mounted here, there it goes, it has disappeared
17:17 and then say look inside your box and that it appears inside your box for example
17:22 that is, it is a load and a wonder
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18:09 Problems and solutions, a problem that we can find when making the bisagra or the alcayata
18:16 is that the cigarette they lend us or the cigarette we carry depends on the place where we are doing magic
18:21 if it is very hot the cigarette may be very dry and if it is very dry the sticks sometimes break the paper
18:30 not being so dry the sticks break, that is noticeable if you rub a little or pressing above
18:38 and sometimes you hear the "crrr" it may be that it is dry, if you don't hear it, it's wet
18:43 and it's always good that it's wet for the bisagra and the alcayata
18:48 if at any given moment you find a cigarette that is dry, you are going to squeeze it and you notice that it is not going well
18:54 to the mouth and blow through it, you throw it as it goes and so it stays a little more wet
19:02 and that will solve things for you
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19:17 What I like about magic with cigarettes is that you can get a lot of advantage of the impromptu character
19:24 to impromptu things since people carry a pack of tobacco, lighter, maybe ash, but they carry elements
19:32 that you can use for your magic and it will be much stronger if I take your cigarette and make it disappear
19:38 than if I take it out
19:40 and when composing, when composing games, when creating, you also have to think about that, right?
19:46 that I'm not going to go out with my pack of tobacco and my cigarette, no, it may be that
19:51 the best thing would be to take the pack of tobacco of yours and make the effect
19:56 then I have to think, now I need a half cigarette, now I need a whole cigarette, how can I load it, right?
20:02 and the ideas that are going to arise, they will arise around that impromptu character that they have, right?
20:07 so much, for example, if I want a fake cigarette for a letter to the cigarette, it is better that I take out the cigarette
20:16 to ask you, I would ask you, I would take the cigarette here, let me cigarette, yes, pop, take out the cigarette, close the box
20:22 and I'll give it back to you, and you've got the fake one, that's not what you think about if you don't think about that impromptu character
20:27 that cigarettes can have, right?
20:29 I think it's a good way to create, to investigate, people have abandoned it, you have to give it a little love
20:35 a little
20:37 well, if you are there, it is because you want, and thank you very much for being there, thank you very much
20:57 and I have to thank Dua, a magician of Ceuta, of the best I've seen with cigarettes in my life
21:04 thanks to Dua for that, he is a magnificent guy
21:07 and now it's time to say goodbye, thank you very much everyone, and I also go
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