Zakopane Tajne Epizoda 65 Zakopane Tajne Epizoda 65
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00:00 [music]
00:11 Dear colleagues, as you have already heard, this is our new colleague.
00:17 Well, really nice, so let's have a nice act.
00:21 No, this is the costume designer Vera Kucinar.
00:24 I don't remember there being a contest for the costume designer.
00:27 Well, it wasn't even written for you, so you didn't hesitate.
00:31 Welcome, beautiful.
00:33 Vera Kucinar, that's my name.
00:35 Well, there you are.
00:37 I'm really glad that Vera will be doing the costume for our show.
00:41 And which shows have you done so far?
00:44 Actually, this is my first.
00:46 Actually, you're definitely not going to do my costume.
00:50 You're just going to sew the costume, right?
00:52 No, but I don't even think I'm an experimental tailor for some person who knows how to appear in this show.
01:01 I'm not considering you for the role anymore, just so you know.
01:03 We'll see about that.
01:05 You've thrown her out of the show, despite everything.
01:08 Despite what?
01:09 Well, despite the fact that... I mean, yes, that.
01:13 Please, don't get carried away by these threads.
01:15 This show has a lot of threads.
01:17 I think there are more threads than art.
01:19 And what qualifies you to work on such a big project?
01:24 The faculty that has graduated, for example.
01:27 Talent.
01:28 Emotions.
01:30 You feel beautiful.
01:32 A nice slogan. Thank you.
01:34 Let's hear from you, gentlemen, individually.
01:36 What qualifies you to participate in this project?
01:39 Let's hear it.
01:41 What do you want?
01:45 Let's go to the other room.
01:46 Yes, yes, let's go there.
01:49 What's up, Mr. Actor?
01:52 Good afternoon.
02:11 Good afternoon.
02:12 I need a reliable photocopy.
02:14 Excuse me?
02:15 A photocopy, Milo.
02:17 Hey, don't look what's inside.
02:20 I'm not interested in that.
02:23 If I looked at everything I photocopy, I'd go crazy.
02:26 Come on, come on, less talk, more work.
02:29 Yes.
02:30 Give me your postcard, Vasil.
02:52 Here.
02:53 Here, it's done.
03:00 How much?
03:01 100 dinars.
03:02 How much?
03:03 100 dinars.
03:04 Thank you.
03:08 We won't pay.
03:21 Son, I have good news for you.
03:25 The doctor says you're better.
03:31 And that you'll recover completely.
03:34 I didn't doubt that.
03:39 I know you're a fighter.
03:43 You're a great fighter.
03:49 I hear Dora is coming.
03:52 Let her, son, let her.
03:56 I have nothing against her.
03:59 Whatever you want.
04:03 I'm completely unimportant.
04:06 I just want you to be well.
04:10 You can do whatever you want.
04:15 I won't stand in your way.
04:18 You're on your way.
04:19 I only need you, son.
04:23 Everything else is completely unimportant.
04:26 All my fights are unimportant.
04:32 Only your daughter is important.
04:36 I'm only interested in her victory.
04:46 I know I wasn't a good father.
04:49 But what I'm about to tell you...
04:52 I'd like you to remember.
04:56 I love you, son.
05:02 I love you so much.
05:05 I love you.
05:08 I love you.
05:10 I love you.
05:12 [door opens]
05:14 [door closes]
05:16 [door closes]
05:42 How long do I have to wait?
05:44 I'm waiting to get to know you.
05:49 I've already taken some steps.
05:52 And...
05:54 They respect me in the company.
05:57 I need you to talk to your father.
06:01 I talk to him every day.
06:04 What did you do?
06:06 I'm waiting to get respect.
06:11 You're a professional.
06:12 When it comes to my father, I'm done.
06:16 I'm still closed.
06:18 You promised me.
06:20 Fanny promised me.
06:22 You want to say that her word is in your darkness?
06:26 I need her to find out something.
06:30 Then hurry up.
06:32 I'm trying to slow it down.
06:36 Who are the best people in the company?
06:40 Uuu...
06:42 With Mrs. Renato.
06:44 She's a nice woman.
06:46 She's always happy.
06:48 And I'm surprised.
06:51 Did you just say that you have a fish?
06:55 Listen to me.
06:57 You asked me, I answered.
07:00 Don't tell me you're doing something behind my back.
07:06 Fanny would kill me.
07:09 I would pull you through the needle in your ear.
07:11 You think I don't know that?
07:15 And Renato?
07:17 She's a nice woman.
07:19 She's a colleague, an architect.
07:22 You could introduce me to her.
07:26 What?
07:28 Let's cut to the chase.
07:31 You tell me when and where.
07:34 I'll try.
07:37 Fanny, something...
07:38 That will be our secret.
07:40 Then I'll tell you.
08:05 Go outside.
08:06 But...
08:08 Outside.
08:09 Ex-girlfriend, final style.
08:16 How aggressive.
08:19 Are you aware of what you're doing?
08:23 Uglješa will...
08:26 Uglješa will pull your head off
08:29 if she finds out what you're doing with a guy named Serdar.
08:34 If he's working for him.
08:36 Did I miss a name?
08:39 But only Kosta.
08:41 But you know what he's up to.
08:46 I do.
08:48 I do, I do.
08:50 A visit to...
08:52 the student house.
08:55 Student days.
09:03 You have no proof.
09:05 How would I know?
09:09 You're lying.
09:11 You want me to tell you what kind of a man you were
09:16 when you put him back in bed after a long time?
09:20 You're a psychopath.
09:22 Oh, yes.
09:24 I know that.
09:26 My husband bought me that diagnosis for a lot of money.
09:32 What do you want from me?
09:34 Three things.
09:36 I'm afraid that...
09:38 I didn't ask you anything. Just listen.
09:41 I want my husband to come back to me with everything he's got.
09:47 That's not possible.
09:49 I don't care. It's about to happen.
09:52 Oh, yes.
09:54 And when we mentioned the diagnosis my husband bought me,
10:00 he took it off.
10:02 What do you think I am?
10:05 A damned whore who can do anything.
10:10 Whenever she wants.
10:12 But you...
10:14 Silence. I'm not finished.
10:17 When my little servant calls you,
10:21 you'll bring me...
10:25 Jakov.
10:29 Jakov.
10:30 That's not possible.
10:34 I don't care.
10:37 You'll bring him here when I want it.
10:43 I'm so glad you came.
10:58 You and who? - Me and Koko.
11:00 But if this conversation can stay between us...
11:04 I can't even say "yes".
11:06 It would be good.
11:08 Good, no problem.
11:10 Tell me, what's bothering you?
11:14 You know she got this job in the theatre.
11:18 I know.
11:20 I don't know what to think.
11:22 I think it's wonderful.
11:24 She trained herself for it.
11:27 She trained herself to finish that faculty.
11:31 I know, but...
11:33 Yes?
11:35 There's a director there.
11:37 Tadija.
11:39 Yes, the one who knows him since before.
11:41 That's what worries me.
11:43 He's a very loveable man.
11:45 I know. He's pathologically loveable.
11:47 Like a juggler.
11:49 I think if Vera divorced him,
11:52 she'd be playing cards in the middle of the city for three days.
11:56 And non-stop.
11:57 Oh, dear.
11:59 Who would cure him then?
12:02 I know. I understand you. I'm sorry.
12:06 That's why Svetozar is making me even more nervous.
12:09 But...
12:11 I mean, Svetozar didn't support her intentionally.
12:17 Yes.
12:20 I didn't think about it either.
12:22 But I guess he's not that stupid.
12:26 Although, when I think about it,
12:28 Svetozar is worse than the craziest idiot.
12:33 You should go back to the theatre.
12:39 Me? Why me?
12:42 To see with your own eyes what's going on there.
12:45 I'm alive. I don't want anything bad to happen.
12:47 But, Ljubica, what are you talking about? What bad?
12:53 I don't know, dear. I'm so anxious.
12:55 As if something's going to...
12:57 break.
12:59 What's going to break?
13:01 I don't know, but it won't be good.
13:03 Please.
13:07 Alright.
13:10 But, damn it, what am I supposed to do now?
13:20 I'm doing everything I can, but things are getting complicated.
13:23 I don't care about the complications.
13:25 I don't care if you come to me with that story.
13:27 How many times do I have to tell you that I don't have time to wait for you in that little bar?
13:32 I'm afraid that's impossible now.
13:35 You're thinking about me, huh?
13:41 And you're still trying to make me laugh, Ljubica.
13:44 No, brother, I'm just...
13:47 I'm just...
13:48 She's trying to...
13:51 Take a risk.
13:55 She's serious.
13:57 With whom?
13:59 With her husband.
14:01 No, no, no. He's a poor kid.
14:03 They took him to prison. Now he's in a coma in a hospital.
14:06 The little one loves criminals.
14:10 The kid stole the medicine for his mother, who died of cancer.
14:16 So, he's a virgin.
14:17 And they managed to sell that story to the mother of Doder.
14:22 It's true.
14:25 So, she loves criminals, and that's great news.
14:32 Great.
14:34 I'm telling you, it's hard, and she's going to give birth to that baby.
14:37 Then we have to hurry up so the baby doesn't give birth.
14:44 How do you think I'm going to get old?
14:46 Have you ever heard of spontaneous birth?
14:51 I don't understand.
14:53 Like this.
14:56 Something happens,
15:00 the baby is born,
15:03 and then there's no worry for me.
15:06 I'm not worried.
15:07 Where have you been, you bastard?
15:29 I'll bury you in the ground, and I'll get rid of Steve.
15:32 And you forced me to dig up these fascicles.
15:35 I know, but I don't know if we chose the right time for that.
15:39 The man has a child in the hospital.
15:41 If we had waited a little longer, they wouldn't have taken him.
15:44 Put yourself in the right place.
15:46 A woman has the right to know the truth.
15:48 Stop talking, have you seen what's written?
15:50 I haven't.
15:52 I didn't want to talk to you, we'll talk together.
15:54 What if something surprises me and I fall into a state of unconsciousness?
15:56 Someone has to bring me back.
15:58 You're talking like a woman, here, dig up those fascicles.
16:04 Wait, wait.
16:29 Where is that brain of hers?
16:32 She let me wait on purpose,
16:35 so that I wouldn't wait.
16:38 God forbid she did what she shouldn't have done.
16:42 Oh, my.
16:44 A dead end.
16:46 Where are you?
16:50 Do you want me to go crazy from worry?
16:52 She called me, so she hung up.
16:58 Sit here, sit here.
16:59 Sit down, I'm telling you.
17:01 Did she wake up again?
17:06 Not for a while.
17:08 But she called me, I was tired.
17:12 Are you a liar or a self-made murderer?
17:17 A liar.
17:19 But when I see him, my legs are shaking.
17:25 Something is moving around my body, like some kind of ant.
17:28 I'll give you an ant, you crazy.
17:32 You should have told me what you found out.
17:36 There's an aunt.
17:39 Okay, there's two.
17:41 One.
17:43 There's two aunts, Jakov, there's two aunts.
17:46 One is after her father, one is after her mother.
17:49 How do I know?
17:51 What are you trying to hide?
17:54 What aunt?
17:56 I'll give you an aunt, what do I care about her?
18:01 We talked about her.
18:03 About the aunt?
18:05 Yes, the orphan.
18:08 Listen to me, say another word.
18:12 I'll cut your tongue off.
18:15 Tell me what you found out about the Doders, about Jakov.
18:22 I need something big for the price.
18:26 Something from the rich, not from the poor aunt.
18:30 Nothing for now.
18:32 I'll tell you when we meet again.
18:35 You didn't find out anything about the Doders?
18:39 I need to start from the bottom.
18:45 From his aunt, a little bit lower.
18:51 So you found out.
18:52 So the bottom is the rich aunt for starters.
18:57 Yes.
18:59 She's hiding something, she loves him a lot.
19:03 What is she hiding?
19:05 That she has nothing to do with the Doders?
19:07 She's in a relationship with her aunt.
19:09 What are you saying?
19:11 Get out!
19:13 Get out, I don't want to see you ever again!
19:17 Oh God, tell me you replaced her at the orphanage.
19:21 Send me the real, smart one.
19:24 Who did they replace at the orphanage?
19:27 Not this weirdo, this isn't mine.
19:30 Ciro, are you kidding me?
19:39 I don't know what's going on.
19:42 I'd kill you now if I could.
19:46 You're so scared, and you bring this.
19:50 I don't know what happened.
19:53 Photos of the punishments and the mentions.
19:59 Infostand, electricity, taxes.
20:04 What is this, you incompetent?
20:07 I don't know, I don't know, it's like someone's been tricking us.
20:11 You took the wrong fast-cycle, you idiot.
20:15 At least don't look at it.
20:17 I didn't want to do it without you.
20:19 I'm alive and well because of this.
20:23 And what did we get?
20:25 We became criminals who steal other people's copies,
20:29 accounts and mentions.
20:31 We're maniacs, Ciro!
20:33 We're not maniacs, we're just crazy.
20:36 Speak in your own name.
20:38 Who knows when we'll have the chance to get to those fast-cycles again.
20:44 What?
20:45 Don't worry, you have a smart husband.
20:48 Here's your smart one.
20:51 And this?
20:53 What is it?
20:55 The keys, Caco.
20:57 The keys to the apartment, their house.
21:00 I took them, cut them up, just in case I have a spare.
21:03 As if I knew I'd need them.
21:05 You're a serious criminal, Ciro.
21:08 You're the one who put me on this.
21:12 I want the truth about Kosar.
21:14 Not to be a failure, and we'll end up in prison.
21:17 We'll be on all the front pages and in all the newspapers.
21:21 The police, Ciro.
21:28 Open up.
21:40 What's up, my dear?
21:42 Come to my place for a coffee.
21:45 I could use a little help getting back to work.
21:52 What?
21:54 I have a problem to solve.
21:57 It's not a problem, it's just strange.
22:00 I'll be back by the way.
22:04 I'm coming to your office.
22:06 We agreed to meet.
22:09 What's the problem?
22:10 I'd like to thank you for not knowing anything about it.
22:15 Why?
22:17 Well, because I don't want to be a part of all the stories in the news.
22:23 Because it's the worst of all the stories.
22:28 Is it that bad?
22:31 It's the worst you can imagine.
22:34 Okay, if that's the case.
22:36 I have to tell you something.
22:38 I should never forget.
22:41 What?
22:43 These days, you come with me to a business dinner.
22:47 I really don't like that.
22:49 And I still have my husband.
22:52 I see.
22:54 There are things that are very important, and that are our duty.
22:59 And to pretend that we're fine even when we're not.
23:05 I would never give up my name, my reputation, or my money.
23:09 Okay.
23:11 But I don't even have to ask who we're going with.
23:14 You don't.
23:16 And you don't know anyone in the company.
23:19 Whatever you say.
23:21 You're beautiful.
23:28 Come here.
23:31 Not now. I really don't feel well.
23:34 But you'll never feel well.
23:35 Maybe.
23:38 Thank you, guys.
23:54 For what?
23:58 For being true brothers.
24:01 Dora told me how important your support is.
24:03 That's understandable.
24:05 Unfortunately, nothing is understandable today.
24:08 Times have changed.
24:10 You sound like an old man.
24:13 That's because I know some things that you don't.
24:18 You could share some things with us, so it's easier for you.
24:21 If I could.
24:23 Yes, but...
24:28 You didn't call us, so we'd be late.
24:31 I call you only when I need you.
24:34 Everything that's happened is scary.
24:41 This thing with Vimonka...
24:44 I'm scared for Dora.
24:46 She's so fragile.
24:48 I'm afraid of her hardship.
24:50 How will it all end?
24:55 This is the first time you admit that you're afraid of anything.
24:58 Every time I was afraid of something,
25:03 you'd grow up in fear.
25:06 Sometimes you have to talk about it.
25:09 I have to.
25:11 I wanted to tell you something that really touched me.
25:16 You're good brothers.
25:23 You're much better Dora brothers than we were,
25:25 Bogdan and I, the Kossars.
25:28 I'm sorry, I...
25:43 Welcome.
25:45 Thank you.
25:47 The doctor said that...
25:50 that your visit has made you feel better.
25:53 And that your words were like medicine.
25:57 I don't know what you told him, but...
26:01 Please, I beg you, heal my son.
26:04 With your words.
26:06 Can I hug you?
26:09 You and my grandson.
26:11 Forgive me, Dad.
26:18 I'm sorry it all happened so fast.
26:20 I just wanted to see if I was invited to the meeting.
26:30 Sit down.
26:32 Did you talk to Dora?
26:37 No.
26:40 Why?
26:42 Is there a problem?
26:44 Maybe you should have told her how much you love her,
26:47 how you're with her.
26:48 That's it?
26:50 Just like that?
26:52 Not just like that, but...
26:54 if you really feel it with your heart.
26:57 Oh, with my heart?
26:59 She's my sister.
27:02 Yes, yes, she's your sister.
27:05 You have one sister.
27:10 And you should be with her when she's in the worst.
27:13 So that she wouldn't regret it later.
27:16 I'm sorry.
27:17 I have two good news.
27:28 The doctor said you're better, and I know you'll wake up soon.
27:33 The other good news is...
27:36 I talked to your dad.
27:39 He even hugged me.
27:41 And I'm his.
27:45 He's very worried about you.
27:46 You have to get over him.
27:49 He loves you so much.
27:51 You're the only one who can't disappoint him.
27:54 And...
27:59 when you wake up...
28:01 if you want...
28:04 I'll be here.
28:06 Do it, because there are many of us who love you.
28:13 And when you wake up, if you don't want to see me...
28:16 know...
28:22 that I'll always love you from afar.
28:26 And invisibly.
28:30 [♪♪♪]
28:59 Have you calmed down a bit?
29:00 I calmed down right after talking to you.
29:03 I'm only interested in which patient is behind this.
29:07 I gave Spiljan the order to investigate it.
29:12 I first suspected the health of the worker.
29:16 I'm sure it's not him.
29:18 A man whose child is struggling for a living...
29:22 doesn't do such things.
29:25 You're right.
29:28 I'm glad I thought of something like that.
29:30 Who could it be?
29:33 We have two possibilities.
29:37 Who is it?
29:39 Or Damir.
29:41 Damir?
29:43 Vorin, the ex-boyfriend?
29:45 Is he...
29:48 really such a psychopath?
29:50 We don't know that. We'll find out.
29:53 And the other possibility?
29:55 Someone from the underworld.
29:58 We'll focus on this while they're planning some kind of evil.
30:02 Are our children safe?
30:05 Of course they are.
30:07 I just hope this agony ends...
30:12 and that guy gets out of the coma.
30:15 I don't think I'll be born again.
30:18 Oh, Lala, you worry so much about everything.
30:21 I worry about you, too.
30:24 Why about me?
30:26 Why about me?
30:27 Maybe you're their target.
30:33 I've had enough of the bigger "what ifs".
30:37 I'm going to bed.
30:38 Where have you been all day?
31:00 We're here.
31:02 We went to our apartment.
31:05 It seems you didn't agree on where you were.
31:08 I had some errands to run.
31:11 You're so annoying.
31:13 You act like you robbed a bank.
31:18 The police would always
31:21 get you first.
31:24 What did you say?
31:30 He's so happy when someone mentions the police.
31:33 What about you?
31:34 Why are you so nervous?
31:37 You're like a little loser.
31:42 You're like a little loser.
31:44 She knows everything.
32:09 She's a liar.
32:10 I'm going to get you.
32:12 What's going on?
32:24 You're not available.
32:26 What's wrong?
32:28 What happened?
32:30 It doesn't matter.
32:32 It doesn't matter?
32:34 It doesn't matter?
32:36 I beat you, no! (gasps)