Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:12 What a friend we have in Jesus, all our sins and ways to bear.
00:00:25 What a privilege to carry everything to God in prayer.
00:00:38 Oh, what peace we often forfeit. Oh, what needless pain we bear.
00:00:51 All because we do not carry everything to God in prayer.
00:01:05 [Music]
00:01:25 When this bloody war is over, no more soldiering for me.
00:01:34 When I get my civvy clothes on, oh, how happy I shall be.
00:01:43 No more church parades on Sunday, no more begging for a pass.
00:01:51 You can tell the Sergeant Major to stick his passes up his...
00:02:01 Oh, no, don't mind me. I've had much worse.
00:02:08 Two years on the front line, language.
00:02:12 At first I couldn't stomach it, but then I thought...
00:02:16 They're just words.
00:02:19 Exactly. They really don't mean anything.
00:02:30 It's actions that matter. That's what we're judged on.
00:02:35 Don't you agree?
00:02:46 Everyone can be saved.
00:02:50 [Music]
00:03:02 [Siren]
00:03:05 [Music]
00:03:32 I can industrialize the murder of half the civilized world,
00:03:35 but try making a decent golf ball.
00:03:37 It's more complicated than murder.
00:03:40 That's rich coming from you, Mrs. Christie.
00:03:44 The reason I'm here...
00:03:45 I hate talking shop on the fairway. Let's play a few holes.
00:03:49 I hate golf.
00:03:50 Then what are you doing at a golf course?
00:03:52 Trying to talk to you, Sir Arthur. I need help with my writing.
00:03:59 Well, I'm not going to talk unless you play.
00:04:03 Assuming you can, of course.
00:04:07 Yes. My husband loves golf.
00:04:14 [Music]
00:04:43 What's that, Detective?
00:04:45 Your Flemish dandy.
00:04:48 You learn to despise him.
00:04:51 Likewise your readers.
00:04:55 They'll think your creation is theirs.
00:04:58 If I can't write anymore, none of that will matter.
00:05:01 Well, that's probably for the best.
00:05:07 I'd be far happier if I never started again.
00:05:10 You'd be much poorer.
00:05:12 Yes.
00:05:13 And everyone would hate you.
00:05:15 That's true.
00:05:17 What if Sherlock Holmes had never existed?
00:05:21 Good riddance to an intolerable dick.
00:05:40 He's not a character I'm talking about. It's me.
00:05:46 All right. What's the problem?
00:05:51 Why can't you write?
00:05:55 People are solving my murders.
00:05:58 Yes?
00:05:59 They're assuming it's the most unlikely candidate and guessing correctly.
00:06:03 And?
00:06:04 Well, what would be the point in reading 300 pages of clever insight and deduction
00:06:08 if the audience knew who the killer was in the first five?
00:06:10 Ah.
00:06:12 Clever bastards, aren't they? Your readers.
00:06:15 I'm not sure that guesswork is clever.
00:06:18 You spend months and months plotting and subplotting.
00:06:21 Flaring subterfuge and sewing misdirection.
00:06:25 Then the buggers find a shortcut and chop you off at the knees.
00:06:29 Exactly.
00:06:31 But what do I do?
00:06:34 I stop writing.
00:06:35 I've only just started.
00:06:46 I've never told anyone.
00:06:49 But I did to start writing again.
00:06:52 If you tell anyone, I'll deny it.
00:06:55 And I'll make sure your name is thoroughly dragged through the mud.
00:06:58 I understand.
00:07:00 You're not going to like it.
00:07:01 At this stage, I'd do anything.
00:07:05 Design a golf course?
00:07:10 That's what I did.
00:07:12 It's like channeling the hand of God.
00:07:41 [music]
00:08:05 You said an hour. It's been two.
00:08:07 The writing's going to have to wait.
00:08:09 I hope you make this fly properly.
00:08:12 I must have an answer. I can't wait any longer.
00:08:14 Can we talk about this later?
00:08:16 There's nothing to talk about.
00:08:18 I want a divorce.
00:08:19 I just need you to agree.
00:08:20 Well, I won't.
00:08:24 Nancy and I, you know how sorry we are.
00:08:28 But the quicker this is done, the less pain for everyone.
00:08:32 Nancy is suffering, too.
00:08:38 Yes, Carlo. Everything all right?
00:08:42 There's a lady to see you.
00:08:44 Who is it? I've no appointments.
00:08:46 A Miss Rogers. She says it's important.
00:08:48 Since when did I receive fans at home?
00:08:51 She's a nurse.
00:08:53 She can come back another time.
00:08:55 It's okay, Carlo. It's not your fault.
00:08:57 Why don't you see what she wants?
00:08:58 If it's anything that can wait, I'll send her on her way.
00:09:04 God, I hate you.
00:09:06 Then give me a bloody divorce.
00:09:07 No.
00:09:08 Why not?
00:09:09 Because I love you.
00:09:10 But I don't love you.
00:09:13 I know.
00:09:26 This is Miss Rogers.
00:09:28 Hello, Mrs. Christie.
00:09:30 Is this a professional visit? I don't remember any medical appointments.
00:09:34 No, no, nothing like that.
00:09:36 Then why are you here?
00:09:38 I need your assistance.
00:09:40 How so?
00:09:43 I want you to help me solve a murder.
00:09:46 What?
00:09:48 Six years ago, my friend was bludgeoned to death on a train.
00:09:51 They never caught the killer, and I've been investigating ever since.
00:09:56 I'm sure you know the case. It was famous.
00:09:59 She was called Florence.
00:10:01 She was Nurse Nightingale's goddaughter.
00:10:03 I'm sorry, Miss Rogers, but whatever fantasy you've been indulging, I'm a writer, not a detective.
00:10:07 Let me just outline the details. It's a mystery, like one of your books.
00:10:11 No doubt, Miss Rogers, but still, there are a hundred reasons why I can't.
00:10:18 Please, could you see Miss Rogers out? I must return to my work.
00:10:24 Please, I've nowhere else to turn. She deserves justice.
00:10:43 Miss Rogers insisted on leaving this. I tried to...
00:10:55 Thank you.
00:11:01 You'll find a way through.
00:11:04 I'm not sure that I will.
00:11:06 Shall I type the manuscript? Seeing it printed always helps you.
00:11:09 No, not this time.
00:11:12 A read-through, perhaps? A field trip?
00:11:16 I'll do anything to help.
00:11:18 I know, and I'm very grateful.
00:11:21 But I think I need to see a professional.
00:11:29 Mrs Christie?
00:11:30 Sissy, we'll see you now.
00:11:31 Thank you.
00:11:40 Mrs Christie, I am flattered you should turn to me for research purposes.
00:11:46 So many writers ride roughshod over their source material.
00:11:49 I'm very keen to understand the emotional dynamics of course design.
00:11:53 You mean...
00:11:54 Thank you.
00:11:56 How one would go about murdering someone on a golf course.
00:12:02 No, what makes one enjoy playing a round of golf.
00:12:07 As an alibi.
00:12:09 How could one be playing golf, but not playing golf?
00:12:14 No, this has nothing to do with my writing.
00:12:16 I want to design a golf course.
00:12:19 I see.
00:12:22 Really?
00:12:23 Yes.
00:12:24 Well, in that case, I'm afraid my answer's quite short.
00:12:30 You can't.
00:12:33 Excuse me?
00:12:34 There isn't a golf club I know that would commission a design from a woman.
00:12:39 I understand there has been a trend of late for ladies to golf.
00:12:44 But really, the sheer complexity of a designer's task is beyond the capabilities of a woman.
00:12:51 No matter how capable that woman is.
00:12:56 I see.
00:12:58 I hadn't realised.
00:13:00 But thinking about it, how could I have been so stupid?
00:13:05 Imagine a woman being able to design the preamble to putting something small in a hole.
00:13:10 A woman might just present the hole and have done.
00:13:14 And where would be the fun in that?
00:13:16 There'd be nothing to groom for a start.
00:13:20 Well, thank you for your time.
00:13:22 It's been pointless.
00:13:24 Mummy, will you play hide and seek?
00:13:44 Yes, dear.
00:13:45 What are you doing?
00:13:47 Working.
00:13:48 That's not work.
00:13:50 Where's Carlo?
00:13:52 She's hiding.
00:13:54 Shouldn't you find her?
00:13:57 How long will she hide for?
00:14:00 I imagine until you find her.
00:14:03 But what if I don't find her?
00:14:06 She'll starve.
00:14:08 Really?
00:14:09 Carlo!
00:14:21 Rosalind!
00:14:22 I'm coming!
00:14:23 Ready or not, here I come!
00:14:25 Rosalind!
00:14:26 I'm coming!
00:14:27 Ready or not, here I come!
00:14:28 Rosalind!
00:14:29 I'm coming!
00:14:30 Ready or not, here I come!
00:14:31 Rosalind!
00:14:32 I'm coming!
00:14:33 Ready or not, here I come!
00:14:34 Rosalind!
00:14:35 I'm coming!
00:14:36 Ready or not, here I come!
00:14:37 Rosalind!
00:14:38 I'm coming!
00:14:39 Ready or not, here I come!
00:14:40 Rosalind!
00:14:41 I'm coming!
00:14:42 Ready or not, here I come!
00:14:43 Rosalind!
00:14:44 I'm coming!
00:14:45 Ready or not, here I come!
00:14:46 Rosalind!
00:14:47 I'm coming!
00:14:48 Ready or not, here I come!
00:14:49 Rosalind!
00:14:50 I'm coming!
00:14:51 Ready or not, here I come!
00:14:52 Ready or not, here I come!
00:14:53 Ready or not, here I come!
00:14:54 Ready or not, here I come!
00:14:55 Ready or not, here I come!
00:14:56 Ready or not, here I come!
00:14:57 Ready or not, here I come!
00:14:58 Ready or not, here I come!
00:14:59 Ready or not, here I come!
00:15:00 Ready or not, here I come!
00:15:01 Ready or not, here I come!
00:15:02 Ready or not, here I come!
00:15:03 Ready or not, here I come!
00:15:04 Ready or not, here I come!
00:15:05 Ready or not, here I come!
00:15:06 Ready or not, here I come!
00:15:07 Ready or not, here I come!
00:15:08 Ready or not, here I come!
00:15:09 Ready or not, here I come!
00:15:10 Ready or not, here I come!
00:15:11 Ready or not, here I come!
00:15:12 Ready or not, here I come!
00:15:13 Ready or not, here I come!
00:15:14 Ready or not, here I come!
00:15:15 Ready or not, here I come!
00:15:22 Ready or not, here I come!
00:15:27 Ready or not, here I come!
00:15:31 Ready or not, here I come!
00:15:34 Ready or not, here I come!
00:15:37 Ready or not, here I come!
00:15:40 Ready or not, here I come!
00:15:43 Ready or not, here I come!
00:15:46 Ready or not, here I come!
00:15:49 Ready or not, here I come!
00:15:52 Ready or not, here I come!
00:15:55 Ready or not, here I come!
00:15:58 Ready or not, here I come!
00:16:01 Ready or not, here I come!
00:16:04 Ready or not, here I come!
00:16:07 Ready or not, here I come!
00:16:10 Ready or not, here I come!
00:16:13 Ready or not, here I come!
00:16:16 Ready or not, here I come!
00:16:19 Ready or not, here I come!
00:16:22 Ready or not, here I come!
00:16:25 Ready or not, here I come!
00:16:28 Ready or not, here I come!
00:16:31 Ready or not, here I come!
00:16:34 Ready or not, here I come!
00:16:37 Ready or not, here I come!
00:16:40 Ready or not, here I come!
00:16:43 Ready or not, here I come!
00:16:46 Ready or not, here I come!
00:16:49 Ready or not, here I come!
00:16:52 Ready or not, here I come!
00:16:55 Ready or not, here I come!
00:16:58 Ready or not, here I come!
00:17:01 Ready or not, here I come!
00:17:04 Ready or not, here I come!
00:17:07 Ready or not, here I come!
00:17:10 Ready or not, here I come!
00:17:13 Ready or not, here I come!
00:17:16 Ready or not, here I come!
00:17:19 Ready or not, here I come!
00:17:22 Ready or not, here I come!
00:17:25 Ready or not, here I come!
00:17:28 Ready or not, here I come!
00:17:31 Zaggy Hennatchy. One of Florence's wastes and strays.
00:17:36 He came to see her two weeks before she was murdered.
00:17:39 He wouldn't leave her alone. He wanted money, I'm sure.
00:17:42 Florence had money?
00:17:43 Oh yes. The police thought it was a robbery gone wrong.
00:17:46 There was a boxer.
00:17:48 But really, he's a thief.
00:17:50 Travis Pickford. Nasty piece of work.
00:17:53 He was arrested, but they said he didn't do it.
00:17:56 His gun was covered in blood.
00:17:59 And then there was the nurse.
00:18:02 Daphne. Florence's report would have seen her barred from nursing.
00:18:06 That boy would have died.
00:18:08 It has to be one of them. I just don't know which one.
00:18:12 Mabel?
00:18:13 Yes?
00:18:15 Is that Florence?
00:18:19 Yes.
00:18:22 Yes, it is.
00:18:26 [sobs]
00:18:31 Look, I... I know how this must look.
00:18:35 You were right.
00:18:37 What you said when I came to see you, this is a fantasy.
00:18:41 But you've got to believe me.
00:18:44 Florence wasn't killed by a stranger.
00:18:46 She was murdered for a reason.
00:18:52 Let's start at the beginning.
00:19:08 Florence always took a corner seat in the last carriage facing forwards.
00:19:13 She didn't like trains.
00:19:16 A friend of hers died in Italy.
00:19:18 Suffocated in a tunnel.
00:19:20 She died cold, I think.
00:19:23 The day she was attacked, I found her seat in the compartment next door.
00:19:27 But a woman told us it was taken, so we came in here.
00:19:30 What woman?
00:19:32 I don't remember.
00:19:34 And the man in the brown suit?
00:19:36 He got on just before the train left.
00:19:39 But I don't remember his face.
00:19:41 The police were convinced he was the killer.
00:19:44 If only I could give them a description.
00:19:46 You're sure it was a man?
00:19:48 Yes.
00:19:50 I mean, he looked like a man.
00:19:53 Did Florence recognise him?
00:19:57 I can't remember.
00:20:00 You must try.
00:20:13 Murdering someone is easier if you know their routine.
00:20:17 What about Florence's train habits?
00:20:20 They were everyone.
00:20:22 I mean, she wasn't embarrassed about her fears.
00:20:25 She'd always make a point of explaining it.
00:20:29 Florence didn't believe in pretending to be something she wasn't.
00:20:36 This is the tunnel where it happened.
00:20:39 That's what the police thought.
00:20:42 It seems harder to kill someone when you can't see them very well.
00:20:47 It took her four days to die.
00:20:50 Bits of skull stuck in her brain.
00:20:54 Everyone's saying it was all right that she didn't feel anything.
00:21:00 But I'd seen it too many times before with the soldiers.
00:21:05 The mind finds a way through.
00:21:11 She knew that she was broken.
00:21:14 She knew that she was dying.
00:21:18 But she also knew that I was there.
00:21:24 And that I loved her.
00:21:30 How long were you together?
00:21:32 26 years.
00:21:36 15 more than Archie and I.
00:21:44 I'm very sorry.
00:22:03 This is where the person in her carriage got off.
00:22:06 The man in the brown suit?
00:22:07 Yes, but witnesses described someone else.
00:22:10 Heavier bills and different clothes.
00:22:12 And the man you saw getting in the compartment with Florence had nothing with him?
00:22:15 He couldn't have been concealing a disguise?
00:22:17 It was a cold day, but he had no coat or bag. I remember that.
00:22:21 So, one man got in the compartment with Florence and another man got out.
00:22:25 Yes, that's right. Impossible.
00:22:28 Who was Florence visiting?
00:22:29 Mrs. Pamela Rose. Her son James died in France. Florence tended to him.
00:22:34 What happened?
00:22:36 He was shot after armistice by some madman who should have been in front of a firing squad.
00:22:41 Could she have blamed Florence for not saving him?
00:22:43 Oh, no. He was dying by the time he got to Florence.
00:22:46 All she could do was make him comfortable.
00:22:49 Have you met Mrs. Rose?
00:22:51 This would have been their first meeting.
00:22:53 She'd only just discovered that Florence had helped her son.
00:22:56 She wanted to hear about his last few days.
00:22:58 So she knew the train Florence was on?
00:23:00 She was to collect her from the station.
00:23:02 But you can't think...
00:23:04 She's a suspect. The same's true for anyone who knew what train she was on.
00:23:08 So that makes five.
00:23:10 Unless you count me.
00:23:12 [train whistle]
00:23:14 [footsteps]
00:23:16 [music]
00:23:30 Don't worry. I'm not going to berate you.
00:23:33 I think it's time for a truce.
00:23:35 You do?
00:23:37 This is a course I'd like to play.
00:23:41 Where did you get this?
00:23:43 I made it.
00:23:46 Bollocks. You hate golf.
00:23:48 I hate playing it.
00:23:50 I don't understand.
00:23:52 I enjoyed the challenge.
00:23:54 You made this for me.
00:24:00 No, I didn't.
00:24:01 You're a terrible liar.
00:24:03 But look, I was supposed to be going to a suicide club reunion.
00:24:09 Why don't I forgo an evening's exaggerated fly and heroics and stay here?
00:24:14 We can look at this together.
00:24:16 I've already seen a couple of small improvements.
00:24:20 With a bit of work, we could make this something special.
00:24:24 You really like it?
00:24:28 Yes.
00:24:30 It's fabulous.
00:24:32 That means a lot.
00:24:35 [music]
00:24:46 But I really must be getting back to my work.
00:24:49 [music]
00:24:58 [door opening]
00:25:00 [door closing]
00:25:02 [footsteps]
00:25:21 Anything else, Mrs Christie?
00:25:23 No, thank you. That's lovely.
00:25:25 [footsteps]
00:25:27 [door opening]
00:25:29 [footsteps]
00:25:35 [music]
00:25:57 [car horn]
00:25:59 I haven't seen Florence in years.
00:26:02 How is she?
00:26:04 She died, I'm afraid.
00:26:07 Oh, that's terrible.
00:26:09 I'm surprised Mr and Mrs Williams didn't tell me about it.
00:26:13 Then again, maybe they did.
00:26:16 My memory's not what it was.
00:26:18 I'm borrowing the house for a sort of memorial.
00:26:22 They were very fond of Florence.
00:26:25 Florence was the only good person I ever met.
00:26:28 Hmm.
00:26:30 [car engine]
00:26:36 [car door opening]
00:26:38 [car door closing]
00:26:41 [car door closing]
00:26:43 [footsteps]
00:26:47 It's been a while since the family have been in country.
00:26:51 I'm afraid I'm finding it harder to keep on top of it.
00:26:55 I hope your guests don't mind a bit of mess.
00:26:58 [sigh]
00:27:00 [lighter flicks]
00:27:02 [sigh]
00:27:04 [birds chirping]
00:27:13 Oh dear.
00:27:15 I must have forgotten to get this cleared.
00:27:20 Don't you worry, Miss, I'll get right on it.
00:27:23 You won't forget to collect our guests from the station.
00:27:26 All the important things get written down.
00:27:29 [footsteps]
00:27:31 [sigh]
00:27:33 [footsteps]
00:27:39 [sigh]
00:27:41 [music]
00:27:57 Rosalind, dear.
00:27:59 Rosalind?
00:28:03 I'm going away for a little bit.
00:28:09 I need to solve a murder.
00:28:11 I have to pretend to be someone else.
00:28:16 What colour is the bunker?
00:28:20 Yellow.
00:28:21 Carlo will take you to see your father.
00:28:26 Will Nancy be there?
00:28:28 I expect so.
00:28:30 Nancy's pretty.
00:28:32 My great-aunt told me it's better to be pretty than clever.
00:28:38 Was she pretty?
00:28:40 She was clever.
00:28:41 Can I meet her?
00:28:43 She died a long time ago.
00:28:45 It's better to be alive than dead.
00:28:48 That's right.
00:28:50 Do you have a disguise? Can I see it?
00:28:52 When I get back.
00:28:54 [music]
00:29:00 Are you going somewhere?
00:29:03 [music]
00:29:08 When I finish this, I'm going to draw a picture of me,
00:29:11 so you always know where I am.
00:29:13 Here you go, Mrs. Westbacott.
00:29:22 Thank you.
00:29:24 Is there anything else? Some stamps, perhaps?
00:29:29 Is it true there's a writer of detective novels who lives nearby?
00:29:33 Yes, Mrs. Christie. She's famous.
00:29:36 Are her novels any good?
00:29:38 Not as good as Stevenson, but better than Conan Doyle.
00:29:43 Thank you.
00:29:47 [music]
00:29:52 [music]
00:29:58 Florence, here. I'll look after you.
00:30:07 I was beginning to think you'd changed your mind.
00:30:09 I've had a terrible journey.
00:30:10 My car broke. The train got stuck.
00:30:12 I spent last night in what I think was a brothel.
00:30:14 Are they here?
00:30:15 Yes, and they've started to talk to one another.
00:30:17 I'm terrified they'll make a connection.
00:30:19 We'd better get to it. Any surprises?
00:30:21 Miss Miller has brought her father with her.
00:30:23 Or should I say he's decided to come?
00:30:25 I don't think his motivation is paternal.
00:30:27 Mrs. Rose is with her son, Franklin.
00:30:29 I get the impression he's not completely taken in by our lies.
00:30:32 Mr. Hamerty is so nervous I'm wondering if it's an act.
00:30:35 And Mr. Pickford looks capable of just about anything.
00:30:38 Any other surprises?
00:30:40 The luggage is missing.
00:30:42 Oh, and...
00:30:43 What? What is it?
00:30:46 Oh, God!
00:30:48 I'm not missing. I've only got 48 hours.
00:30:51 We'll have to try and keep our suspects away from the newspapers.
00:30:54 At least there isn't a picture.
00:30:56 Mrs. Westmacott.
00:31:00 Assuming you are Mrs. Westmacott.
00:31:02 Yes, that's correct.
00:31:04 I must apologise for the delay.
00:31:06 I'm sure you all have a lot of questions.
00:31:08 Why are we being kept in the dark?
00:31:10 Are you the secretary?
00:31:11 When do we get our money?
00:31:12 Who's the secretary?
00:31:13 When do we get our money?
00:31:14 Who's in charge?
00:31:15 Where's the lawyer?
00:31:16 Good morning.
00:31:29 My name is Mary Westmacott.
00:31:31 I am the representative of Messrs. Can't Hope Delaney.
00:31:34 We thought you might want to change that to Can't Help Delay Me.
00:31:41 Firstly, I would like to reinforce what was stated in the letters you were sent.
00:31:45 No one is under any compulsion to stay.
00:31:48 Our firm has no legal power or responsibility,
00:31:50 other than that conferred on us as executors of Mr. Dow's will.
00:31:54 Mr. Dow's legacy is valued at £186,000.
00:31:59 This total, minus our fees,
00:32:01 is to be distributed proportionately amongst you, his relatives.
00:32:05 Tracing Mr. Dow's bloodline has been very difficult.
00:32:09 The purpose of calling you here is twofold.
00:32:11 To check our findings regarding your lineage,
00:32:13 and to satisfy a couple of specific conditions of the will.
00:32:16 We weren't told about any conditions.
00:32:18 No. These are matters to be discussed privately.
00:32:21 There is a good deal of work to be done,
00:32:23 and I have no wish to increase your fees through wasted time.
00:32:26 If anyone is unhappy with these arrangements,
00:32:28 or feels they no longer wish to engage in this process,
00:32:30 now is the time to let me know.
00:32:37 Given my late arrival, I won't start formal interviews until the morning.
00:32:41 Prior to that, are there any questions which require an immediate answer?
00:32:45 Yes?
00:32:47 Do you know where my suitcase is?
00:32:49 No, Mr. Hanachi. Luggage is not my responsibility.
00:32:52 (FOOTSTEPS)
00:32:54 Like Christmas with the family.
00:33:20 Only without anything to drink.
00:33:22 And trapped in a festive morgue.
00:33:30 You know what? You're absolutely right.
00:33:33 We are family.
00:33:35 We're related.
00:33:37 Yeah, well, go back far enough, I'm related to the king.
00:33:41 Hmm. Or a shoe-shiner.
00:33:44 (MELANCHOLIC MUSIC)
00:33:46 Mr. Hanachi, would I be right in thinking you served in the war?
00:33:56 How did you know?
00:33:59 My other son fought at Verdun.
00:34:01 Are you Algerian? Or perhaps Moroccan?
00:34:06 I'm French. Born in Constantine.
00:34:09 Ah.
00:34:10 (MELANCHOLIC MUSIC)
00:34:12 Your English is excellent.
00:34:16 I was a translator.
00:34:18 As I remember it, howitzer sounds the same in English as in French.
00:34:23 (CHUCKLES)
00:34:24 You fought?
00:34:25 No, I was a chaplain.
00:34:26 Ha! I knew it.
00:34:28 I had the feeling we were in the presence of God ever since I got here.
00:34:32 How funny to think we're all related.
00:34:35 I hardly know anyone on my mother's side.
00:34:39 When she died, there was just her half-sister.
00:34:42 Imagine all this family I never knew I had.
00:34:45 How did you track us all down?
00:34:48 It was done by a specialist, fam.
00:34:50 With a pin and a telephone book by the looks of it.
00:34:52 Do feel free to take your leave.
00:34:54 A quarter's share is preferable.
00:34:56 My daughter will get hers.
00:34:59 Your letter stated that Mr. Dower spent most of his life in America.
00:35:05 What was his line of work?
00:35:07 He sold cars.
00:35:08 All that money from cars?
00:35:10 I'm in the wrong business.
00:35:12 What is your business, Mr. Pickford?
00:35:14 Removals.
00:35:15 Little like you, Reverend.
00:35:17 I no longer serve.
00:35:18 God or country?
00:35:19 Both.
00:35:20 Shame. I could have used your help.
00:35:22 What happened to change your mind?
00:35:25 I stopped believing in either.
00:35:27 Surely you don't mean that.
00:35:29 What did you do during the war?
00:35:34 Administration.
00:35:36 Mm-hm.
00:35:37 You never saw the trenches?
00:35:39 I read a great deal concerning them.
00:35:42 A million crimes.
00:35:44 Enabled by my country.
00:35:47 Unpunished by my God.
00:35:49 Ah.
00:35:55 Any sign of our trucks?
00:35:56 Yes, sir. I'm afraid they went back to the station,
00:35:58 but they'll be with you again in the morning.
00:36:00 Well, I suppose I should thank God for that.
00:36:04 What time did the interview start in the morning?
00:36:07 10am.
00:36:08 Perhaps you and your daughter would like to go first?
00:36:11 Yes.
00:36:12 How much of our inheritance is locked in this pile?
00:36:19 None of it.
00:36:20 Mr. Dow's gift to his relatives is a cash asset.
00:36:23 Good job, too.
00:36:25 This castle's built of paper.
00:36:27 I spent last night listening to the Frenchman snore.
00:36:33 So, we're not inheriting the whole estate?
00:36:36 No.
00:36:37 The bulk of it is being handled by Mr. Dow's American representatives.
00:36:41 I thought that might be the case.
00:36:43 There's a great deal more at stake here than a couple of hundred thousand, isn't there?
00:36:47 When all's said and done, we might be due a bigger share.
00:36:52 A much bigger share.
00:36:55 [clattering]
00:36:57 We're safe. They're in their rooms.
00:37:09 That greedy bastard.
00:37:11 He's already got the trust he inherited from Florence.
00:37:14 Imagine being offered all that money, and his first thought is to want more.
00:37:18 It doesn't make him a killer.
00:37:20 He's watching us.
00:37:21 I know.
00:37:22 He's no fool.
00:37:23 He thinks people are foolish.
00:37:25 Wade's a bastard, too.
00:37:27 Mr. Hannity certainly thinks so.
00:37:29 His poor daughter.
00:37:31 Imagine living with such a brute.
00:37:34 His poor daughter is one of our suspects.
00:37:37 Pamela seems nice. Maybe she did it.
00:37:40 How are you going to conduct the interviews?
00:37:43 By keeping their minds on the inheritance.
00:37:45 What did you find in their luggage?
00:37:46 Come with me.
00:37:48 [music]
00:37:53 So, um, Wade has a cleaning kit for a pistol, but no pistol.
00:38:00 Daphne has enough makeup to put on a show.
00:38:05 Pamela and Franklin's cases are unremarkable.
00:38:09 A couple of books, a copy of the Bible.
00:38:12 Zaki's case has a few clothes and a tin of coffee.
00:38:19 Travis has a doctor's case, which is empty.
00:38:25 And, um...
00:38:26 And Randolph?
00:38:29 Smart.
00:38:31 And not the artistic kind.
00:38:34 Could Florence really have ended Daphne's career?
00:38:37 Oh, yes. Her report would have seen Daphne barred from nursing.
00:38:40 But she was killed before she could write it.
00:38:42 That girl's scared of her own shadow.
00:38:45 Imagine Daphne killing in cold blood.
00:38:48 [music]
00:38:51 [birds chirping]
00:38:54 [footsteps]
00:38:58 Will this take long?
00:38:59 I hope not.
00:39:00 [clears throat]
00:39:03 Your mother's maiden name was Stone.
00:39:07 She died on June 24th, 1922.
00:39:09 You already know that.
00:39:10 You have the death certificate.
00:39:13 Everything is exactly as stated in my daughter's letter.
00:39:16 Your mother's father, Joshua Stone, lived in Richmond.
00:39:20 Her grandfather, William Stone, died in Aberdeen.
00:39:23 I don't see how this has got anything...
00:39:25 The man found in our searches was James Stone, not William Stone.
00:39:28 It's a different person.
00:39:29 Well, clearly there's been a mistake.
00:39:31 William was probably a middle name.
00:39:34 It was definitely William.
00:39:36 My mother used to tell me stories about him.
00:39:38 He was a cavalry trooper.
00:39:39 He fought at Waterloo.
00:39:41 Well, you can't take my wife's word for it.
00:39:43 She was a drunk.
00:39:45 If I remember correctly, his name was James William Stone.
00:39:50 Yes, that's it.
00:39:56 Well, that would be unfortunate.
00:39:58 Why?
00:39:59 Because I've discovered a mistake.
00:40:01 James Stone was the half-brother of Mr. Dower's great uncle, Andrew Dower.
00:40:05 William Stone was the second cousin.
00:40:07 If Daphne is correct and her great-grandfather is William Stone,
00:40:10 she is the only surviving direct descendant of Mr. Dower.
00:40:14 I'll have to check no similar mistake has been made in regards his other relatives,
00:40:19 but if I might, Daphne would inherit the majority of Mr. Dower's estate,
00:40:23 with a much smaller proportion going to his other ancestors.
00:40:27 Daphne's bound to be right.
00:40:29 She always is.
00:40:31 I'm no good with these things.
00:40:32 Once removed, twice removed.
00:40:34 It's all Greek to me.
00:40:36 However, before we can progress, there's something I need to establish.
00:40:39 Of course. Anything.
00:40:41 You finished your nurse's training in February 1920?
00:40:44 Yes.
00:40:45 Shortly after completing it, you went in front of the regional superintendent.
00:40:48 They were looking into a complaint serious enough to have you removed as a Queen's nurse.
00:40:52 What in God's name has that got to do with this?
00:40:54 As I said yesterday, there are certain conditions of the will that must be met.
00:40:57 She was exonerated. No evidence against her.
00:41:00 Just unfounded allegations by a bulldagger who got what she deserved.
00:41:04 Look, I don't mean to fly off the handle.
00:41:11 It's just...
00:41:13 It's a very unpleasant time for my daughter.
00:41:16 That woman almost raped her life.
00:41:18 Miss Miller?
00:41:21 I was cleared.
00:41:24 And the allegations were incorrect?
00:41:26 Yes.
00:41:27 Then I have everything I need to proceed.
00:41:30 I'll explain the situation to the others.
00:41:32 Thank you.
00:41:33 Come along, darling.
00:41:35 Is there something else?
00:41:39 There's a line of people outside who've been none too pleased about the turn of events.
00:41:42 Let's not waste any more of their time.
00:41:45 Mrs Westmacott. Who do you want to talk to next?
00:41:48 I'm afraid there's been a change of circumstances.
00:41:51 What does that mean?
00:41:53 Why are you grinning like a Cheshire cat?
00:41:57 What has that man got to be so happy about?
00:41:59 I don't know.
00:42:01 I'm just a bit worried about him.
00:42:03 I'm sure he's got a lot of other things to worry about.
00:42:05 I'm sure he's got a lot of other things to worry about.
00:42:07 I'm sure he's got a lot of other things to worry about.
00:42:09 I'm sure he's got a lot of other things to worry about.
00:42:11 I'm sure he's got a lot of other things to worry about.
00:42:14 I'm sure he's got a lot of other things to worry about.
00:42:16 I'm sure he's got a lot of other things to worry about.
00:42:18 I'm sure he's got a lot of other things to worry about.
00:42:20 I'm sure he's got a lot of other things to worry about.
00:42:22 I'm sure he's got a lot of other things to worry about.
00:42:24 I'm sure he's got a lot of other things to worry about.
00:42:26 I'm sure he's got a lot of other things to worry about.
00:42:28 I'm sure he's got a lot of other things to worry about.
00:42:30 I'm sure he's got a lot of other things to worry about.
00:42:32 I'm sure he's got a lot of other things to worry about.
00:42:34 I'm sure he's got a lot of other things to worry about.
00:42:36 I'm sure he's got a lot of other things to worry about.
00:42:38 I'm sure he's got a lot of other things to worry about.
00:42:40 I'm sure he's got a lot of other things to worry about.
00:42:42 I'm sure he's got a lot of other things to worry about.
00:42:44 I'm sure he's got a lot of other things to worry about.
00:42:46 I'm sure he's got a lot of other things to worry about.
00:42:48 I'm sure he's got a lot of other things to worry about.
00:42:50 I'm sure he's got a lot of other things to worry about.
00:42:52 I'm sure he's got a lot of other things to worry about.
00:42:54 I'm sure he's got a lot of other things to worry about.
00:42:56 I'm sure he's got a lot of other things to worry about.
00:42:58 I'm sure he's got a lot of other things to worry about.
00:43:00 He's supposed to be here.
00:43:02 But there's no connection to any other aspect of the murder.
00:43:04 We just need to keep digging.
00:43:06 There must be something here that links him to the crime.
00:43:10 See if you can find it.
00:43:12 I'm going to talk to him again.
00:43:14 He'll help us if he thinks it's going to make him rich.
00:43:16 What if you're wrong?
00:43:18 I'm not.
00:43:20 But we have to find the proof before we can set a trap.
00:43:22 But we have to find the proof before we can set a trap.
00:43:24 You're looking for someone?
00:43:46 Mr. Miller.
00:43:48 Last I saw him, he was on the terrace.
00:43:50 He went upstairs.
00:43:52 He's got a gunshot.
00:43:54 Gunshots don't sound like that.
00:43:56 Travis probably found some champagne.
00:43:58 I'm afraid I have some other pressing business.
00:44:00 It's Wade.
00:44:10 Someone tried to kill Daphne.
00:44:14 How?
00:44:16 Daphne said she was in her room.
00:44:28 The door opened and a pistol was pointed at her.
00:44:30 Wade jumped in front of the bullet, stumbled backwards and fell through the window.
00:44:32 Turns out that deeply unpleasant man was a bit of a hero.
00:44:34 Has anyone checked for signs of life?
00:44:40 No.
00:44:42 Has anyone checked for signs of life?
00:44:44 He looks like all the other dead people I've seen.
00:44:50 Are you a nurse?
00:44:54 Oh, no. I used to work in a hospital.
00:44:56 You're right. He's dead.
00:45:00 I think.
00:45:02 It must have been a big gun.
00:45:06 I'll call the police.
00:45:10 Where's Travis?
00:45:12 I wouldn't put it past him to kill someone for a bigger share of the pot.
00:45:14 Mabel, when you get back, could you help Daphne?
00:45:18 She has a nasty cut from the glass.
00:45:20 Yeah.
00:45:22 Poor man was trying to get dressed.
00:45:34 Poor man was trying to get dressed.
00:45:36 A bit of food will do you good.
00:45:48 Believe me, I know.
00:45:50 Thank you.
00:45:52 I couldn't bear to be on my own.
00:45:56 Never talk to the police on an empty stomach.
00:46:02 Is that so?
00:46:04 Not really.
00:46:06 Never talk to the police, full stop.
00:46:08 You take that woman writer that's topped herself.
00:46:10 Yeah.
00:46:12 If everyone in her books had kept their mouth shut, that Poirot couldn't catch a cold.
00:46:14 You mean Agatha Christie?
00:46:16 Golden rule. Like my cousin says.
00:46:18 Says what?
00:46:20 Keep your fucking mouth shut.
00:46:22 She's a very good writer.
00:46:30 But rather predictable.
00:46:32 I read
00:46:34 The Murder of Peter Aykroyd.
00:46:36 Guess the end within a few pages.
00:46:38 It's easy when you know how.
00:46:40 Roger.
00:46:42 Excuse me?
00:46:44 Roger Aykroyd.
00:46:46 I'm pretty sure it was Peter.
00:46:48 So, how are we going to guess who knocked off Wade?
00:46:52 No offence, but none of you lot look like the killing type.
00:46:54 That's how it is in her books.
00:46:56 The last person you'd ever suspect.
00:46:58 If Mrs. Christie were writing this,
00:47:00 Mrs. Westmacott would be guilty.
00:47:02 More like that caretaker, Mr. Todd.
00:47:04 Police can talk to him all they like.
00:47:06 He'll have forgotten he did it.
00:47:08 Murder isn't like a detective novel.
00:47:10 Of course.
00:47:12 Sorry.
00:47:14 Your father was a brave man.
00:47:18 He had his faults.
00:47:24 He was a good man.
00:47:26 He had his faults.
00:47:28 But after my mother died, he came home to look after me.
00:47:32 He was abroad?
00:47:36 In New York.
00:47:38 He left in June '16.
00:47:40 I didn't see him for six years.
00:47:44 So many of my friends lost their fathers in the war.
00:47:46 I suppose
00:47:48 I should be grateful
00:47:50 for the years that I had.
00:47:52 Someone tried to kill Miss Miller.
00:47:54 Until the police get here,
00:47:56 I will keep watch outside her room.
00:47:58 Oh, very brave.
00:48:00 You sure you're French?
00:48:02 That's very kind, Mr. Hannachy.
00:48:04 Our room is next door.
00:48:06 Franklin and I will be sure to look after you.
00:48:08 It will be reassuring to have a man who served keep watch.
00:48:12 I served my country.
00:48:16 I served my country.
00:48:18 I served my country.
00:48:20 I served my country.
00:48:22 Served them sugar, meat, cigarettes.
00:48:26 Much more of a service
00:48:28 than donating my bollocks to French agriculture.
00:48:30 The police will be here shortly.
00:48:36 I've been asked
00:48:38 to request that no one leaves.
00:48:40 Even if I did kill him?
00:48:42 I'm not leaving
00:48:44 until I get my money.
00:48:46 I said I was cleaning.
00:48:48 We don't have long.
00:48:50 It couldn't have been Wade.
00:48:52 He was in New York.
00:48:54 We got an innocent man killed.
00:48:56 I don't think he was innocent.
00:48:58 That's hardly the point.
00:49:00 They were our lies.
00:49:02 But someone else's bullet...
00:49:04 Does it make any difference?
00:49:06 I know what it's like
00:49:08 to kill by proxy.
00:49:10 This isn't it.
00:49:12 During the war,
00:49:14 Florence and I worked at the clearing stations.
00:49:16 It's where the wounded are assessed.
00:49:18 You can wait.
00:49:20 It was critical.
00:49:22 I knew it was pointless to help.
00:49:24 I was good at it.
00:49:26 I never dwelled
00:49:28 on the hundreds of people
00:49:30 I sent to die.
00:49:32 Florence wanted to save everyone.
00:49:34 She was a remarkable woman, wasn't she?
00:49:40 Towards the end of the war,
00:49:42 a German called Keller
00:49:44 came in with a treatable wound.
00:49:46 I was told he'd done something awful
00:49:48 and she'd be left to rot.
00:49:50 When Florence found out,
00:49:52 she threatened to contact headquarters
00:49:54 and then treated him herself.
00:49:56 She was better than me.
00:50:02 She was better than me.
00:50:04 We can't give up.
00:50:12 The police are coming.
00:50:14 They'll see through this charade in a few hours.
00:50:16 Then we don't have long.
00:50:18 I was wrong about Wade.
00:50:20 But that doesn't mean we're wrong about everything.
00:50:22 I was thinking about my writing,
00:50:24 not the evidence.
00:50:26 What evidence?
00:50:28 We've got to continue the interviews.
00:50:30 How?
00:50:32 I think I know who killed Wade.
00:50:34 Who?
00:50:36 I'm not making the same mistake twice.
00:50:38 But if I'm right about Wade,
00:50:40 Florence's killer can be found in the same way.
00:50:42 We can still solve this.
00:50:44 What are you doing?
00:50:50 I had some work for Miss Rogers. What are you doing?
00:50:52 The police are here.
00:50:58 You all received the same invitation from...
00:51:00 Yes, she's the one who...
00:51:02 And you all arrived at the house at the same time.
00:51:04 Yes, we were certainly not there.
00:51:06 Oh, very well.
00:51:08 And now that you're all here,
00:51:10 I will introduce myself.
00:51:12 My name is Detective Inspector Dix.
00:51:14 This is PC Spencer.
00:51:16 I'd rather not shout.
00:51:18 As you may know,
00:51:26 the author Agatha Christie has gone missing.
00:51:28 There are currently 5,000 police personnel
00:51:30 searching for her.
00:51:32 And as a consequence,
00:51:34 my usual complement of 13 officers
00:51:36 is running at three,
00:51:38 myself and PC Spencer included.
00:51:40 So because of
00:51:42 Mrs. Christie,
00:51:44 I do not have enough officers to take her to the station.
00:51:46 So I'm forced to question you here.
00:51:48 We'll start
00:51:50 with your personal details.
00:51:52 These will be thoroughly checked.
00:51:54 Any false information will get you arrested,
00:51:56 which, to be honest,
00:51:58 will make my job a little easier.
00:52:00 Accommodating you in the cells is not a problem.
00:52:02 Although I would rather
00:52:04 be here than searching
00:52:06 for authors in bushes,
00:52:08 I do not like working
00:52:10 with one hand tied behind my back.
00:52:12 This process will
00:52:14 take some time.
00:52:16 But please do not keep asking me
00:52:18 how long. The more annoying
00:52:20 you are, the more of a bastard I'll be.
00:52:22 And please do not even think
00:52:24 of asking to leave.
00:52:26 Now, Mrs. Westmacott,
00:52:28 I've been told that you're the person
00:52:30 responsible for bringing everybody here,
00:52:32 so I'll start with you. If you could follow me, please.
00:52:34 Now,
00:52:36 if you don't mind.
00:52:38 Name?
00:52:46 Mary Westmacott.
00:52:50 Date of birth?
00:52:52 September 1st, 1890.
00:52:54 Occupation?
00:52:58 Legal representative.
00:53:00 Employer?
00:53:04 Canthope Delaney,
00:53:06 26 York Street, W1.
00:53:08 Telephone number? Mine or theirs?
00:53:12 What would be the point in having
00:53:14 your number? I'm trying to verify
00:53:16 this ridiculous story I've just been told.
00:53:18 Are you always this rude?
00:53:20 Yeah.
00:53:22 I'm fully aware of my rights.
00:53:24 Well, that makes one of us.
00:53:26 Are you going to answer the question?
00:53:28 My office number is London
00:53:32 7734. The secretary's name is
00:53:34 Miss Fisher. She'll confirm everything.
00:53:36 That'll do.
00:53:38 Am I allowed to continue my work?
00:53:40 Does your work involve undermining my investigation?
00:53:42 Of course not. Then do what you like.
00:53:44 Thank you. I will.
00:53:46 [music]
00:53:48 The I. Dix.
00:54:04 What a charmer.
00:54:06 I do hope you're going to be a bit more gentle.
00:54:08 Do you have the documents?
00:54:14 Lawyer goes to the dentist.
00:54:16 When he comes round from the ether,
00:54:18 it's dark.
00:54:20 He asks the nurse, "What's going on?"
00:54:22 She says,
00:54:24 "There was a fire across the road, so we drew the blinds."
00:54:26 Didn't want you to
00:54:28 wake up and think you'd died.
00:54:30 That's very good.
00:54:36 Maybe you're not such a scratcher after all.
00:54:38 You were arrested for murder
00:54:40 in January 1920.
00:54:42 Is that true?
00:54:44 You don't have to answer my questions,
00:54:50 but it means I can't do my job,
00:54:52 which means you won't get your money.
00:54:54 I don't know what you're talking about.
00:54:56 A nurse called Florence.
00:54:58 She was beaten to death.
00:55:00 It was a highly publicised case.
00:55:02 You've made a mistake.
00:55:10 No benefit of any kind
00:55:12 can be transferred to an individual charged
00:55:14 with a capital offence.
00:55:16 Oh.
00:55:20 In that case, there's no problem.
00:55:22 I was never charged.
00:55:24 But you were arrested.
00:55:26 Sure.
00:55:30 They tried to pin it on me.
00:55:32 You just said you didn't know anything about it.
00:55:34 What do you expect?
00:55:36 I expect to be told the truth.
00:55:39 As well as the requirements
00:55:41 to confirm identity,
00:55:43 Mr Dower gave his executors a discretionary power
00:55:45 with regards to the moral suitability
00:55:47 of his heirs.
00:55:49 I'm suitable.
00:55:51 Just careful.
00:55:53 But now I don't know if you are who you say you are.
00:55:55 You've got my papers.
00:55:57 Papers can be forged.
00:55:59 Given the sums of money involved,
00:56:01 I'm sure you can appreciate the need for thoroughness.
00:56:03 Fair enough.
00:56:07 Does your firm have any dealings with Scotland Yard?
00:56:09 Of course.
00:56:11 Ask them why they let me off.
00:56:13 For what purpose?
00:56:15 They'll tell you something they never told the papers.
00:56:17 The killer left a footprint in the blood.
00:56:19 And?
00:56:23 And there's no way I could know this
00:56:25 if I wasn't arrested.
00:56:27 It took me all of five seconds to point out
00:56:29 my feet were three sizes too big.
00:56:31 They even tried to squeeze me into an old trench boot,
00:56:33 like I was fucking Cinderella.
00:56:35 A trench boot?
00:56:37 Yeah.
00:56:39 Another thing they never told the public.
00:56:41 Doesn't look good when our boys come home
00:56:43 and start murdering civilians.
00:56:45 Oh.
00:56:51 Guess that means I've passed.
00:56:53 I'll need to confirm this.
00:56:55 Confirm away.
00:56:57 The longer we wait,
00:56:59 the more chance another member of my family
00:57:01 has an accident.
00:57:03 [kiss]
00:57:05 Say what you like about the Germans.
00:57:17 They know how to make coffee.
00:57:19 Thank you.
00:57:23 That's the first time I've heard a Frenchman
00:57:25 compliment a German.
00:57:27 After you got over the fact
00:57:29 they were trying to kill you,
00:57:31 some of them are pretty decent,
00:57:33 in my experience.
00:57:35 Your experience doesn't amount to much.
00:57:37 I lied before.
00:57:41 I'm not really French.
00:57:43 No, you're a bloody traitor.
00:57:45 Come now, dear.
00:57:47 We all have different experiences.
00:57:49 Clearly.
00:57:51 I did not mean to offend.
00:57:53 Mr. Hatchie,
00:57:59 you're in private.
00:58:01 I have nothing to hide?
00:58:03 No, but some of the details of your case are personal.
00:58:05 It does not take a great detective
00:58:09 to work out my connection
00:58:11 to Mr. Dower
00:58:13 is illegitimate.
00:58:15 Unfortunately, my notes are upstairs.
00:58:17 Okay, I'll come.
00:58:21 But only if Miss Miller promises to stay here.
00:58:23 I promise.
00:58:27 Don't say another word!
00:58:29 She is a fraud.
00:58:33 Her and that sorry excuse for a maid.
00:58:35 We've been set up.
00:58:37 But there's no inheritance.
00:58:39 That's the least of it.
00:58:41 This whole charade is...
00:58:43 A murder investigation.
00:58:45 Oh, God, Elmley.
00:58:47 You admit it?
00:58:49 Of course I do. I'm amazed it took you so long to work it out.
00:58:51 I'm a private detective hired by Miss Rogers.
00:58:53 You are all suspects in the murder
00:58:55 of Florence Nightingale Shaw.
00:58:57 Florence? But how dare you?
00:58:59 My beautiful cousin.
00:59:03 What possible reason could I have for killing her?
00:59:07 The same reason that brought you here.
00:59:09 Money.
00:59:11 Well,
00:59:13 I suppose that makes sense of things.
00:59:15 No, it doesn't.
00:59:17 What has this got to do with me?
00:59:19 She was killed by someone wearing service boots.
00:59:23 This is ridiculous.
00:59:25 Florence was the only nurse
00:59:27 who looked after us, Bunyu.
00:59:29 She didn't care who we were
00:59:31 or what we'd done.
00:59:33 She was perfect.
00:59:35 I would never...
00:59:37 You killed her. Now then.
00:59:39 Murderer or not,
00:59:41 Mr. Henarchy is right about one thing.
00:59:43 This is ridiculous
00:59:45 and a monumental waste of my time.
00:59:47 Spencer!
00:59:51 I've already got one murder to deal with
00:59:53 and I couldn't give a rat's arse about another one.
00:59:55 When this bloody author's found,
00:59:57 I'm taking you all in.
00:59:59 In the meantime, you'll stay in your rooms.
01:00:01 Anyone ignoring this
01:00:03 will be considered a suspect and arrested.
01:00:05 That is completely unacceptable.
01:00:07 My mother and I have nothing to do
01:00:09 with this absurd game.
01:00:11 Daphne can attest to our whereabouts when Wade was killed
01:00:13 and we never met that bloody nurse.
01:00:15 I insist that we be allowed to leave.
01:00:17 I'm happy to put you in handcuffs right now,
01:00:19 if that's what you want.
01:00:21 Look at it from the inspector's point of view.
01:00:23 This is an intolerable situation.
01:00:25 Well,
01:00:27 we can agree on that.
01:00:29 Wade and Mrs. Spencer
01:00:33 have gone missing.
01:00:35 Travers and the fake maid,
01:00:41 Miss Rogers, have gone missing.
01:00:43 PC Spencer will escort you to your room
01:00:45 whilst I will amuse myself playing hide and seek.
01:00:47 I advise you to use your confinement wisely.
01:00:49 If any of you has any information
01:00:51 about the only murder that I'm interested in,
01:00:53 do yourself a favour and come forward.
01:00:55 Now is a good time to remember
01:00:57 that there is a difference
01:00:59 between a cell and the gallows.
01:01:01 Right.
01:01:09 (door opens)
01:01:11 Are you really trying to find Florence's killer?
01:01:29 I'm sorry I got so heated.
01:01:35 It was a great shock seeing...
01:01:37 material.
01:01:39 I was never shown the pictures of...
01:01:43 what was done to her.
01:01:47 How well do you know Mabel?
01:01:53 I bet she told you
01:01:57 how awful I was.
01:01:59 How the family hated her relationship with Florence.
01:02:05 (sighs)
01:02:07 Truth is, I couldn't care less
01:02:09 that my cousin preferred women.
01:02:11 I just didn't like the fact
01:02:13 that the woman she preferred
01:02:15 was such a...
01:02:17 controlling, malign influence.
01:02:19 You have strong feelings
01:02:23 for a woman you never met.
01:02:25 Because Mabel always refused.
01:02:27 It was easier to keep her distance
01:02:29 and pour poison
01:02:31 into my cousin's ear.
01:02:33 For all her experience,
01:02:35 Florence was very naive.
01:02:37 She had strong convictions
01:02:41 but was blind to manipulation.
01:02:43 You didn't know her.
01:02:47 Mabel hates me because
01:02:53 she was always jealous
01:02:55 of anyone Florence cared for.
01:02:57 Can you pop?
01:02:59 (footsteps)
01:03:01 Do you know what always struck me
01:03:05 about Florence's murder?
01:03:07 The police
01:03:09 never questioned
01:03:11 the last person to see her alive.
01:03:13 Mabel Rogers.
01:03:17 (door opens)
01:03:21 (door closes)
01:03:27 (footsteps)
01:03:29 (paper rustles)
01:03:31 (eerie music)
01:03:33 (footsteps)
01:03:35 (door opens)
01:03:49 (eerie music)
01:03:51 (footsteps)
01:03:53 PC Spencer?
01:04:17 Mr. Pickford is in the garden talking to Mr. Todd.
01:04:19 (footsteps)
01:04:21 I can see Mr. Todd but not Mr. Pickford.
01:04:27 It was only a minute ago.
01:04:29 I'm sure Mr. Todd can tell you where he's gone.
01:04:31 Or should we wait for Inspector Dix?
01:04:33 You better not be lying.
01:04:37 (footsteps)
01:04:39 (footsteps)
01:04:43 (footsteps)
01:04:45 (door opens)
01:04:51 (door closes)
01:04:53 Why are you out of your room?
01:04:55 I could ask you the same thing.
01:04:57 What are you doing?
01:04:59 What does it look like? I'm crying.
01:05:01 Is there something I can do to help?
01:05:03 Find me somewhere to sleep where my father wasn't killed?
01:05:11 You were so denied about your job, didn't you?
01:05:13 Leave me alone.
01:05:17 You almost killed a young boy.
01:05:19 Then Florence was murdered and your career was saved.
01:05:21 What's wrong with you?
01:05:25 It's a good motive for murder.
01:05:27 I couldn't murder anyone.
01:05:29 I'm weak and I'm stupid.
01:05:31 I'm a pathetic little girl.
01:05:33 Zaki was right.
01:05:35 Florence was better than all of us.
01:05:39 That maid is responsible for all of this.
01:05:41 She deserves everything she gets.
01:05:43 And so do you.
01:05:47 (footsteps)
01:05:49 (door closes)
01:05:51 (footsteps)
01:06:07 (footsteps)
01:06:09 I didn't do it!
01:06:25 What are you doing in there?
01:06:27 Hiding.
01:06:29 From whom?
01:06:31 The police.
01:06:33 Where did you get that?
01:06:35 You mean it?
01:06:37 Yes.
01:06:39 Oh, for God's sake, unload it!
01:06:41 (gun cocks)
01:06:43 (gun cocks)
01:06:45 The soldiers used to love showing me their guns.
01:06:47 Where have you been?
01:06:49 I saw Randolph with our folder.
01:06:51 I panicked and hid in here.
01:06:53 Then someone came into the room and when they'd gone,
01:06:55 I found this.
01:06:57 I'm being set up.
01:06:59 Seems so.
01:07:01 But by whom?
01:07:03 (music)
01:07:05 She killed her father.
01:07:07 Oh, why?
01:07:09 He beat her, she broke.
01:07:13 The belt.
01:07:15 Oh, the makeup.
01:07:17 His work will be under it.
01:07:19 Oh, she was terrified of him.
01:07:21 So this is Wade's gun?
01:07:25 Yes.
01:07:27 Why blame me?
01:07:29 The person who benefits most
01:07:31 from your arrest is Florence's killer.
01:07:33 But surely Daphne didn't kill Florence.
01:07:35 It doesn't make sense.
01:07:39 It does.
01:07:41 We're just missing something.
01:07:43 I need Florence's diaries.
01:07:45 Did Randolph take them?
01:07:47 Um...
01:07:49 No.
01:07:51 I've looked through them a hundred times.
01:07:59 I've looked through them a hundred times.
01:08:01 Keller.
01:08:11 That's it.
01:08:13 He killed Florence.
01:08:15 This isn't what it looks like.
01:08:19 Well, that's good because what it looks like
01:08:21 is a murder suspect pointing a gun at two police officers.
01:08:23 It's not loaded.
01:08:25 Don't worry.
01:08:27 You haven't done anything wrong.
01:08:29 Everything will be all right.
01:08:31 Get her to the station and bring some bloody help.
01:08:33 You couldn't make it up.
01:08:35 I can explain.
01:08:37 No, I mean it.
01:08:39 So do I.
01:08:41 No, you couldn't make it up, could you, Mrs. Christie?
01:08:43 How did you know?
01:08:47 I spoke to Miss Fisher.
01:08:49 She was very convincing,
01:08:51 but her name rang a bell.
01:08:53 Carlo Fisher.
01:08:55 I mean, you know, the appearance of Mrs. Christie
01:08:57 and your disguise.
01:08:59 I mean, it's good,
01:09:01 but it's not that good.
01:09:03 You know they've had aircraft out looking for you.
01:09:05 Parliament practically demanded it.
01:09:07 Parliament?
01:09:09 You've no idea, have you?
01:09:11 No.
01:09:13 If it was up to me, I'd make you pay for it.
01:09:15 I'd be writing till the end of your days
01:09:17 to settle the accounts.
01:09:19 Policemen don't get paid much,
01:09:21 but $5,000 soon adds up.
01:09:23 I don't even know what to charge you with.
01:09:25 I mean, a £10 fine for wasting police time
01:09:27 hardly seems to cover it.
01:09:29 Daphne killed her father.
01:09:31 I won't give you that.
01:09:33 You knew?
01:09:35 Well, of course.
01:09:37 She was the only one in the room when he got shot.
01:09:39 It doesn't take Sherlock Holmes to work out
01:09:41 she was the most likely.
01:09:43 Speaking of which,
01:09:45 there's another person you need to make reparations to.
01:09:47 Sir Arthur Conan Doyle held a séance
01:09:49 to try and track you down.
01:09:51 Used one of your gloves, apparently.
01:09:53 Was the cut to her hand from the recoil?
01:09:57 Probably.
01:09:59 A gun this size shouldn't be shot from the hip.
01:10:01 She killed him because of what he did to her.
01:10:03 That's a defence.
01:10:05 The jury will understand if she'll talk.
01:10:07 But I doubt she will.
01:10:09 If I was right about Daphne,
01:10:11 don't you think I might be right about the other murder?
01:10:13 No.
01:10:19 (SIGHS)
01:10:21 No more playing detective.
01:10:23 Don't you want to know what's going on?
01:10:25 That's why I arrested Miss Rogers.
01:10:27 Have you ever been obsessed with something, Inspector?
01:10:33 Just the law,
01:10:35 Mrs Christie.
01:10:37 A while ago, I realised that's what I write about.
01:10:39 Obsession.
01:10:41 The inability to clear something from one's mind.
01:10:43 I'm not in the mood
01:10:45 for philosophising.
01:10:47 Philosophy and obsession, just feeling.
01:10:49 Usually pain.
01:10:51 I mean it. Let's go.
01:10:53 Mabel is obsessed with finding the killer of the person she loved.
01:10:55 I dare say she's been obsessed with Florence
01:10:57 since the day they met.
01:10:59 That's what it's like, in my experience.
01:11:01 My husband is leaving me.
01:11:05 He's been having an affair with a 24-year-old.
01:11:09 They consummated their relationship on a golf course.
01:11:13 (CHUCKLES)
01:11:15 But I didn't come here to escape him.
01:11:19 If I could,
01:11:23 I'd spend every minute by his side.
01:11:25 I recognised that obsession in Mabel.
01:11:31 I came here to help the both of us.
01:11:41 (SIGHS)
01:11:43 When I came back from the war,
01:11:53 my wife gave me the clap.
01:11:57 In my experience,
01:12:05 obsession's like getting caught in no man's land.
01:12:09 You...
01:12:11 You'd get out if you could,
01:12:13 but you don't know where the bullets are coming from.
01:12:15 So you're better off
01:12:19 sitting in a shell hole and covering your ears.
01:12:21 You never know. You might get lucky.
01:12:25 Do you really know who killed Florence?
01:12:37 I don't, but I need your help.
01:12:39 Well,
01:12:51 it's the first time I've eaten with a pig.
01:12:53 That offends.
01:12:55 This is the first time I've eaten with a group of people
01:12:57 who've gotten together under false pretences
01:12:59 with the promise of an inheritance.
01:13:01 (CHUCKLES) When can we leave?
01:13:03 When PC Spencer gets back, he'll start ferrying you to the station.
01:13:05 A short statement,
01:13:07 then you're none of my concern.
01:13:09 Unless, of course,
01:13:11 your impatience is the sign of a guilty conscience.
01:13:13 Don't worry.
01:13:17 I have my killer.
01:13:19 I still do not understand
01:13:21 why Miss Rogers tried to murder Daphne.
01:13:23 Well, I wouldn't normally discuss a case,
01:13:27 but under the circumstances,
01:13:29 Miss Rogers thought that Miss Miller
01:13:31 had killed her friend Florence.
01:13:33 This whole debacle
01:13:35 is an elaborate act of revenge.
01:13:37 Unbelievable.
01:13:39 What is it they say about revenge?
01:13:43 Dig two graves.
01:13:45 She'll hang, for sure.
01:13:47 I want to apologise.
01:13:51 When I take jobs,
01:13:53 I tend not to think about the consequences.
01:13:55 In my experience,
01:13:57 the greatest harm is done by people who pursue a course of action
01:13:59 despite being told of the damage it will do.
01:14:01 When I was in Verdun.
01:14:03 Oh, not the bloody war again.
01:14:05 Get us to the family
01:14:11 that never was.
01:14:13 Where's Daphne?
01:14:19 She's not feeling very well.
01:14:21 I said she was going to stay in her room.
01:14:23 I'll check on her,
01:14:25 given what I've put that poor girl through.
01:14:27 For the record,
01:14:29 I think you should look again
01:14:31 at the murder of my cousin.
01:14:33 It's quite possible this Rogers woman
01:14:35 is some sort of
01:14:37 homicidal maniac.
01:14:39 Yes, it's true.
01:14:41 Some people do get a taste for murder.
01:14:43 Inspector Dix said you'd be coming to see me.
01:14:57 What's going on?
01:14:59 Pamela said
01:15:01 Miss Rogers has been arrested.
01:15:03 Yes.
01:15:05 She was found
01:15:07 with the gun you used to kill your father.
01:15:09 I can't imagine what you've been through.
01:15:17 I should have used that gun on myself.
01:15:21 All that matters now is that we find the people
01:15:25 who blackmailed you to frame Mabel.
01:15:27 None of this is your fault.
01:15:29 Did your father leave England to escape conscription?
01:15:35 He beat my mother and I
01:15:41 our whole life.
01:15:43 And then he ran away from the fight.
01:15:45 If you tell the truth, they'll understand.
01:15:49 The truth is
01:15:53 I killed that bastard years ago.
01:15:55 I killed him.
01:15:59 I know.
01:16:01 But you didn't plan it.
01:16:03 You're not a murderer.
01:16:05 We'll help you.
01:16:07 Someone else knew it was me.
01:16:19 Yes.
01:16:21 Why did you say people?
01:16:23 How is Daphne?
01:16:35 As good as can be expected.
01:16:37 Perhaps you might take her something to eat.
01:16:39 Not very subtle, is he?
01:16:47 I suppose
01:16:49 you're right.
01:16:51 I still have some of Miss Rogers' material.
01:16:53 Given that most of it
01:16:55 relates to your cousin, perhaps you would like to take it.
01:16:57 Assuming the inspector doesn't mind.
01:16:59 That would be kind.
01:17:03 That awful woman kept so much
01:17:05 that was personal to the family.
01:17:07 It would be very gratifying to get it back.
01:17:09 Oh, I wouldn't worry about
01:17:15 the inspector.
01:17:17 He's got other things on his mind.
01:17:19 He's with Travis, who seems to have forgotten
01:17:21 his cousin's golden rule.
01:17:23 Daphne asked if you would check in on her after dinner.
01:17:29 I will.
01:17:31 [door opens]
01:17:33 [sighs]
01:17:39 [knocking]
01:17:43 [music]
01:17:45 [music]
01:17:47 Where's Daphne?
01:18:09 I was starting to worry.
01:18:11 [sighs]
01:18:13 When you beat Florence to death, what did you think about?
01:18:17 I've always wondered.
01:18:23 During the act of murder, is there anything
01:18:25 but the act itself?
01:18:27 Does the brain reject what the body is doing?
01:18:29 Or is there gratification?
01:18:31 Did you enjoy it?
01:18:35 Did Florence even understand why you were doing it?
01:18:39 She was being killed for saving a man's life.
01:18:41 I don't know what you're talking about.
01:18:43 Your son James would be alive were it not for Florence.
01:18:45 She saved the man who murdered him, Captain Dieter Keller.
01:18:47 A man everyone told her should be left to die, a monster.
01:18:51 But, as Mr. Hanacci said, Florence helped everyone.
01:18:55 Regardless of who they were
01:18:57 or what they'd done.
01:18:59 We're leaving.
01:19:01 Was it you in the compartment next to Florence,
01:19:03 making sure she was alone with your son?
01:19:05 This is as insulting as it is stupid.
01:19:07 Not as stupid as leaving a bloody footprint
01:19:09 at the scene of the crime.
01:19:11 If you'd had the stomach to kill her yourself,
01:19:13 I doubt such a mistake would have been made.
01:19:15 You planned everything so carefully.
01:19:17 Florence told you which train she was travelling on,
01:19:19 which carriage she'd be in.
01:19:21 You hid a coat and cap underneath the bench seat
01:19:23 for Franklin to wear when he escaped.
01:19:25 If I were you, I'd stop.
01:19:27 You left evidence in the compartment.
01:19:29 Evidence the police still have.
01:19:31 Evidence that will send you and your mother to the gallows.
01:19:33 The footprint.
01:19:35 There's a million servicemen it could have come from.
01:19:37 And a million crimes left unpunished.
01:19:39 How did you feel when you found out that Florence wasn't dead?
01:19:43 That despite all your mother's plans,
01:19:45 you'd failed?
01:19:47 I didn't want to kill her.
01:19:59 Franklin.
01:20:03 I bashed her skull just enough
01:20:05 to get her attention.
01:20:07 I wanted her to understand
01:20:11 why it was happening.
01:20:13 I explained that her death was the result
01:20:17 of her sanctimonious morality.
01:20:19 Then I bashed her skull a bit more.
01:20:25 As an ex-priest, I'm compelled
01:20:29 to offer confession and absolution
01:20:31 to someone approaching death.
01:20:33 But as I told Florence
01:20:37 before I beat her into a coma,
01:20:39 not everyone can be saved.
01:20:45 Oi!
01:20:51 (Glass shatters)
01:20:53 Something else I didn't learn in the army.
01:21:05 We were in the next room.
01:21:07 We heard every word.
01:21:09 Who'd have thought that the walls in this place would be so thin?
01:21:13 But you knew that, didn't you?
01:21:17 I don't know what you're talking about.
01:21:19 You and your son listened to what happened to Mr. Miller.
01:21:21 And then you blackmailed Daphne into framing Miss Rogers.
01:21:25 Really?
01:21:27 Yes.
01:21:29 And you've implicated yourself in a premeditated murder.
01:21:31 The only thing that's happened here
01:21:33 is a vicious assault on my son.
01:21:35 Whatever you think you've heard,
01:21:39 I'd like to know what evidence you have to back up
01:21:41 these scandalous accusations.
01:21:43 A murder weapon, perhaps?
01:21:45 Maybe an item of clothing?
01:21:47 I heard something about a pair of bloody boots.
01:21:49 That sounds incriminating.
01:21:51 You have them, I assume.
01:21:53 I didn't think so.
01:21:59 Nothing that was said here can be used in court.
01:22:03 This pathetic attempt at entrapment is over.
01:22:05 You've failed.
01:22:09 Pamela Rose,
01:22:13 you are under arrest
01:22:15 for the murder of Wade Miller.
01:22:17 You do not have to say anything,
01:22:19 but if you do say anything,
01:22:21 it will be taken down and may be used in evidence.
01:22:23 You wouldn't.
01:22:27 Is that he?
01:22:33 I saw Mrs. Rose
01:22:39 take the gun from Wade's luggage.
01:22:43 That's a lie.
01:22:45 It was Mabel.
01:22:49 She deserves it. You know that.
01:22:51 Mrs. Rose left this note
01:22:57 in Daphne's room.
01:22:59 There's been a horrible misunderstanding.
01:23:07 Whatever they've told you, it isn't true.
01:23:11 I caught a glimpse of the killer through the door.
01:23:13 It was him.
01:23:15 You can't do this.
01:23:21 Let me know if his balls don't recover.
01:23:23 I'll say a prayer.
01:23:25 Or two.
01:23:27 All right?
01:23:29 I'll say a prayer.
01:23:31 Or two.
01:23:33 All right?
01:23:57 All right.
01:23:59 Will you be all right?
01:24:07 I hope so.
01:24:09 I'm sorry.
01:24:17 About Mabel?
01:24:19 I was wrong about her.
01:24:21 She surprised you?
01:24:25 Yes.
01:24:27 People don't often surprise in a good way.
01:24:29 No.
01:24:31 I suppose not.
01:24:33 Would you do me a favour?
01:24:53 What?
01:24:55 I'd like to ask Mabel to tea.
01:24:59 Tea?
01:25:01 That's what he said.
01:25:03 Her family have spent 20 years
01:25:05 pretending I didn't exist.
01:25:07 Inspector Dick says if I'm not found in the next 24 hours
01:25:17 they'll call out the army.
01:25:19 Will he go home?
01:25:21 What will you say?
01:25:23 Can't remember.
01:25:25 One minute I was driving my car,
01:25:27 the next...
01:25:29 Amnesia?
01:25:31 Really?
01:25:33 It's like something from a bad novel.
01:25:35 Dick's told me to keep it simple.
01:25:37 He's going to help.
01:25:39 What will you do?
01:25:43 Finding Florence's killer
01:25:45 is all I've thought about for six years.
01:25:49 How do I stop?
01:25:51 I have no idea.
01:25:55 You have your family?
01:26:11 The police questioned Archie about my disappearance.
01:26:13 They probably think he knocked me off
01:26:15 in order to marry Nancy.
01:26:17 And get an inheritance.
01:26:19 I'd better change my will.
01:26:21 I'll agree to a divorce.
01:26:31 And I'll stop living my life
01:26:35 through Florence's death.
01:26:37 I don't want to.
01:26:41 Me neither.
01:26:45 No, then.
01:26:47 Bloody hell.
01:26:51 Should have put you two on suicide watch.
01:26:53 We're discussing the future.
01:26:55 That, is it?
01:26:57 Worse than being hanged for a crime you didn't commit?
01:26:59 Or being caught up in a scandal so spectacular
01:27:01 you'd want to settle down with an arsenic nightcap?
01:27:03 Knowing that things could be worse
01:27:07 is not much comfort, in my experience.
01:27:09 Well, that's true.
01:27:13 Still.
01:27:15 It'd be good for your writing.
01:27:17 The novel I'm working on is terrible.
01:27:19 It won't help that.
01:27:21 With the sensation you've caused,
01:27:23 you could publish a book on concrete ratios
01:27:25 and it'd still be a bestseller.
01:27:27 Just have to have the right title.
01:27:29 Make it simple.
01:27:31 Murder on the building site.
01:27:33 I don't think my publishers would agree.
01:27:37 Well, as well as the people who are going to read it.
01:27:39 I'm not going to.
01:27:41 I don't think my publishers would agree.
01:27:43 Well, as we're sat here talking,
01:27:45 they're busy getting everything together they've got
01:27:47 just in case you turn up dead.
01:27:49 Oh, thanks. I feel much better.
01:27:51 Did we do the right thing?
01:27:57 Well, I am glad I joined this conversation.
01:28:01 They'll hang.
01:28:05 They murdered in cold blood. That's what it's for.
01:28:07 Does it feel like justice?
01:28:09 Yes, but...
01:28:11 it's a funny kind of justice
01:28:13 that's carried out by a group of strangers.
01:28:15 If she were alive, Florence would be helping strangers.
01:28:17 If she were alive, Florence would be helping strangers.
01:28:19 If she were alive, Florence would be helping strangers.
01:28:21 If she were alive, Florence would be helping strangers.
01:28:23 If she were alive, Florence would be helping strangers.
01:28:25 If she were alive, Florence would be helping strangers.
01:28:27 If she were alive, Florence would be helping strangers.
01:28:29 If she were alive, Florence would be helping strangers.
01:28:31 If she were alive, Florence would be helping strangers.
01:28:33 If she were alive, Florence would be helping strangers.
01:28:35 If she were alive, Florence would be helping strangers.
01:28:37 You never told me why you suspected Franklin and Pamela in the first place.
01:28:39 You never told me why you suspected Franklin and Pamela in the first place.
01:28:41 Apart from you, they were the only people who knew which train and carriage Florence was in.
01:28:43 Apart from you, they were the only people who knew which train and carriage Florence was in.
01:28:45 Once I stopped indulging fantasies, they were the most likely suspects.
01:28:47 Once I stopped indulging fantasies, they were the most likely suspects.
01:28:49 It's a shame the truth of murder doesn't lend itself to detective stories.
01:28:53 It's a shame the truth of murder doesn't lend itself to detective stories.
01:28:55 It won't be much good if the person most likely to have done it actually did it.
01:28:57 It won't be much good if the person most likely to have done it actually did it.
01:28:59 No. That would never work.
01:29:01 No. That would never work.
01:29:03 No. That would never work.
01:29:05 Time to go.
01:29:07 I've just got comfrey. Is it something I said?
01:29:09 No, Inspector.
01:29:11 Something I thought.
01:29:13 [Music]
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01:30:17 (film reel clicking)
01:30:26 (upbeat music)
01:30:31 ♪ Just think tonight is Thanksgiving ♪
01:30:39 ♪ Everyone's going somewhere ♪
01:30:43 ♪ Nobody knows that I'm living ♪
01:30:47 ♪ Life has me bored, I wonder why ♪
01:30:52 ♪ I'm all alone every night ♪
01:30:57 ♪ How I moan and how I bite those big city blues ♪
01:31:02 ♪ I walk from my place to place ♪
01:31:13 ♪ No one smiles to help me chase those big city blues ♪
01:31:18 ♪ Each evening at 6 p.m. ♪
01:31:26 ♪ Lights light and I look at them ♪
01:31:29 ♪ I'm hoping that some nice person will meet me ♪
01:31:34 ♪ Great safety for I know it is 12 o'clock ♪
01:31:40 ♪ I feel like jumping right off a dock ♪
01:31:43 ♪ Because I haven't found a person to cheer me, fill me ♪
01:31:48 ♪ No one ever comes near me ♪
01:31:54 ♪ I'm all alone every night ♪
01:31:59 ♪ How I moan and how I bite those mean old big city blues ♪
01:32:04 ♪ Old big city blues ♪
01:32:08 ♪ Big city blues ♪
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