Transformers Rise of the Beasts Movie 2023
Category
🎥
Short filmTranscript
00:00:00 [thunder]
00:00:08 [music]
00:00:19 I dream of love, the ray of sun, of hope, and then the empty dawn awakens the lonely heart broken.
00:00:39 A warm embrace, a fleeting smile, a whisper, and then the dream has gone with most of the words left unspoken.
00:01:01 Each lonely day when I awaken, I too must face the empty dawn, for I know that my heart has been forsaken.
00:01:22 I dream of love was all I knew, and hovered before the empty dawn, awakened my lonely heart broken.
00:01:50 [baby crying]
00:02:01 Keel up.
00:02:06 You having a dance?
00:02:08 Five-A's chord player.
00:02:17 [baby crying]
00:02:34 Five dollars, he doesn't last another minute.
00:02:41 Turn down.
00:02:43 You stay out of this, Yank. We'll cut him down when he quits kicking.
00:02:59 Here I come.
00:03:13 [gunshot]
00:03:25 Where you been, Billy?
00:03:31 [gunshot]
00:03:37 [gunshots]
00:03:42 You better ride with us.
00:03:43 Say, there ain't no yellow-legged Yankee boys going with us.
00:03:46 I hear they got a new bank and an old marshal over at Gila City.
00:03:52 That Pete's cheating at cards, you know.
00:03:55 Let's go.
00:04:20 Town looks quiet.
00:04:22 Yeah, I bet the marshal's asleep.
00:04:25 Never shoot a man in his sleep, Yellow Legs. You being a Yankee, that is.
00:04:29 He ain't very sociable, is he? Been with us a week and ain't lost his temper once.
00:04:34 I never did trust a man who didn't lose his temper once in a while. Come on, let's go.
00:04:37 We ain't taking the bank today.
00:04:40 You giving the orders now?
00:04:42 Looks that way, don't it?
00:04:48 You better get him in the bank.
00:04:50 I'll take you out of here my style.
00:04:51 Come on, he's asking for it, boy.
00:04:53 Any man that turns his back on you is just a dad-blamed fool.
00:04:58 I kind of like him.
00:05:00 Never knowed a Yankee before.
00:05:14 Me, me, gorgeous me.
00:05:32 Your horse needs a shoe.
00:05:34 There's a blacksmith shop.
00:05:36 How long you figure that money's gonna keep?
00:05:38 Till I tell you when.
00:05:40 I'm kind of anxious to get my hands on it. Get over to old Max.
00:05:43 I'll let you kill your horse first.
00:05:45 I'm figuring on having a couple of drinks with you fellas.
00:06:12 I sure hope, sure hope this town has some pretty girls in it.
00:06:17 Well, you get this far out in the brush, they're all pretty.
00:06:23 Billy, take the horses around and let them stay.
00:06:30 Are you talking to me?
00:06:33 Well, your name's Billy, ain't it?
00:06:37 I'll take the horses for you, mister.
00:06:41 You look like an honest man.
00:06:51 You know, some folks is just born lucky, I guess.
00:06:56 Doggone it, yellow legs, don't push yours.
00:07:08 What's going on here?
00:07:10 These don't look too pretty to me.
00:07:12 I told you you ain't been out here long enough.
00:07:17 Hey.
00:07:19 I can see.
00:07:22 Hey, hey, hey, wait a minute, wait a minute. Put that thing back up.
00:07:25 I'll have to wait, Jim.
00:07:26 Wait, wait for what?
00:07:29 Church is about to start.
00:07:32 Parsons don't like to look at it during his sermon.
00:07:36 Well, this ain't Sunday, is it?
00:07:39 That's a matter of opinion in Gila City.
00:07:41 We haven't seen a gathering in two years.
00:07:43 Some folks hold it Monday, but these folks, they hold it Sunday.
00:07:47 You gents looking for a drink?
00:07:49 I'm looking right at it.
00:07:50 What's in that bottle?
00:07:52 Best we've got.
00:07:54 Even the mayor drinks it.
00:07:56 That'll have to do.
00:07:58 Tell me something.
00:08:00 How about the bank, how they hold it?
00:08:02 The bank's open. They're Monday folks.
00:08:04 The bar's closed when the parson walks in.
00:08:14 Hi, mister.
00:08:15 Hello, boy.
00:08:17 Hey, that's what I call pretty.
00:08:36 Who's she, the redhead?
00:08:38 Words hold her to dance all across the street.
00:08:40 Imagine, coming in here like she was respectable and bringing her woods cold with her.
00:08:45 Imagine. She wouldn't know his father if she saw him again.
00:08:49 Poor boy.
00:08:50 I imagine it's as close as she ever was to a parson,
00:08:53 and her holding a prayer book like she was respectable.
00:08:57 If they're going to heaven, let you and me not go.
00:09:03 Bar's closed.
00:09:16 Number 23.
00:09:21 Rock of ages, clap for me.
00:09:25 Let me hide myself in thee.
00:09:28 Let the water and the blood from thy wounded side which flowed
00:09:35 be of sin the double cure.
00:09:39 Make from death and make me pure.
00:09:43 Could my tears forever flow?
00:09:46 Could my zeal no longer know?
00:09:50 These my sins could not atone.
00:09:54 Put your old ring in.
00:09:56 Don't do no good. Bar's closed. On account of the church meeting.
00:10:00 Whiskey.
00:10:01 I give ransack, boss.
00:10:02 Really sure of how fast you pull over six shooters.
00:10:05 See how fast you can take the cork out of that bottle.
00:10:09 I want to tell you something. He's fast. I'm a whole blade six shooter.
00:10:11 This boy's a real coming boy.
00:10:13 I want to tell you I taught him everything I know.
00:10:20 What's the matter?
00:10:22 I guess you're just going to stand here and look at that bottle all the way through the sermon.
00:10:26 I might help in thee.
00:10:34 Lord, I see you sent us some new faces today.
00:10:38 Male and female.
00:10:43 Lord, I thank you.
00:10:46 And folks, I welcome you.
00:10:51 And I'll be dishing out the gospels in a minute.
00:10:54 But first I've got to say a word to you gents with your hats on.
00:11:01 This here's the preach house, gents, and you'll take your hats off to the Lord.
00:11:16 Mister, I never met a man who wouldn't take off his hat to the Lord.
00:11:21 Let's get it off.
00:11:24 You get on with your preaching.
00:11:34 He's kind of touchy about that hat, ain't he?
00:11:36 He never seen nothing like it.
00:11:37 Don't even take it off to sleep.
00:11:40 We'll have a moment of silent prayer.
00:11:58 Yes.
00:12:00 Oh, that money just sitting out there across the street.
00:12:05 I never met a man who's only for money.
00:12:07 You know, I think you're studying up to be a miser.
00:12:09 Studying up to buy us an army.
00:12:11 Do you remember?
00:12:12 What do you mean about that?
00:12:13 Such a dream, Billy boy.
00:12:15 We could set up our own republic out in this country.
00:12:18 It's wide open.
00:12:19 Nobody could stop us.
00:12:21 They'd get bank money and the Comancheros would sell us a hundred,
00:12:24 maybe 200 slave Indians.
00:12:26 We'd put uniforms on them.
00:12:28 Yeah, fix us up an army.
00:12:31 I could drill them.
00:12:33 Johnny come marching home again, hooray, hooray.
00:12:38 Johnny come marching home again.
00:12:42 Left face, right face, hey.
00:12:45 Strong foot.
00:12:46 Johnny come marching --
00:12:52 Raise this arm.
00:12:54 Raise it.
00:12:55 Higher.
00:12:58 Mm-hmm.
00:12:59 All right.
00:13:02 Did all this pain you that way?
00:13:04 Most always.
00:13:06 Well, that ball ought to come out of there.
00:13:09 That's what I'm here for.
00:13:14 Have you ever been in Springfield, Ohio?
00:13:17 No.
00:13:20 I swear I've seen you someplace before.
00:13:23 Yeah.
00:13:25 How long would this lay me up?
00:13:28 Well, it was pretty close to the collarbone.
00:13:31 A thing like that won't heal overnight, you know.
00:13:33 What, a week?
00:13:36 More like a month.
00:13:39 Well, I got a little business to attend to.
00:13:42 I don't think you can wait that long.
00:13:44 Then stop wasting my time.
00:13:57 Wait a minute.
00:14:00 Missouri.
00:14:01 That's where it was.
00:14:03 A fellow just about your size.
00:14:04 A yellow-legged sergeant.
00:14:06 Somebody had tried to scalp him.
00:14:08 A liquored up Johnny Reb with a Bowie knife.
00:14:11 He cut the sergeant up pretty badly before he was scared off by something.
00:14:17 You know, if you take off your hat, you can make me out a liar.
00:14:26 It's you all right.
00:14:33 You certainly went out of your way to look me up, didn't you?
00:14:37 Take off the hat.
00:14:41 I kind of got used to keeping it on.
00:14:43 Why?
00:14:45 You don't have anything to hide with a few battle scars.
00:14:47 A lot of the boys came out of it with worse than that.
00:14:50 What'd you do after the war ended?
00:14:52 What would you do?
00:14:53 I'd go after that rib.
00:14:55 I found it.
00:15:03 Here's that rib and tom.
00:15:11 What are you waiting for?
00:15:14 I'm waiting to get him along.
00:15:17 See, I want him to know who I am.
00:15:20 I want him to know he's going to get what he gave me.
00:15:23 You sure you found the right man?
00:15:25 Yeah, I'm sure.
00:15:27 I left my teeth march in his scalping hand.
00:15:30 And I'm asking you, my friends, any man, woman, or child that reckons that he wants to go to hell,
00:15:40 I say let that man, woman, or child stand up and be counted.
00:15:51 Count him, Parson.
00:15:53 Get up, Perkins.
00:15:57 Why, you white-livered coyote, you mean to stand there and say you intend to go to that place?
00:16:02 I sure do, Parson.
00:16:04 Tell you something else.
00:16:06 Any man in this room that don't get his feet right now and join me is going there pronto.
00:16:12 [gunshots]
00:16:24 Well, nice to meet you, ma'am.
00:16:27 My name's Billy, Billy Kaplinger.
00:16:29 Get out.
00:16:39 Turkey.
00:16:50 Sure is a pretty girl.
00:16:56 Ma'am, I want to thank you for your fortitude.
00:17:00 We'll all close with a prayer now for those poor, misguided men.
00:17:07 All that money just sitting there, waiting on a yellow-legged Yankee.
00:17:12 Never saw a man so patient about robbing a bank.
00:17:15 Oh, church meeting's over.
00:17:17 It's very nice seeing you here.
00:17:44 [music]
00:17:50 Let me know when that Yankee's patient runs out.
00:17:57 This patient never does wear out.
00:18:10 Pretty redhead just went in and holds it today's Sunday.
00:18:14 How do you lovely creatures feel about that?
00:18:16 I take it's Monday.
00:18:19 Get your horse.
00:18:20 Huh?
00:18:22 Get your...
00:18:24 Billy!
00:18:30 Hey, Billy!
00:18:31 Yellowleg's ready.
00:18:59 Something wrong with that Yankee's shooting arm.
00:19:02 [music]
00:19:30 Somebody get in the dock.
00:19:43 He's dead.
00:19:50 It was them outlaws, Kit.
00:19:51 They did some wild shooting.
00:19:59 No.
00:20:03 It was me.
00:20:24 Is she the dance hall woman?
00:20:26 That's her.
00:20:27 Imagine, coming in here like she was respectable.
00:20:30 And bringing her woods cold with her.
00:20:32 Imagine.
00:20:33 She wouldn't know his father if she saw him again.
00:20:36 Poor boy.
00:20:37 I imagine it's as close as she ever was to a parson.
00:20:40 And her holding a prayer book like she was respectable.
00:20:43 [music]
00:21:11 That Yellowleg sure has been trying to get herself drunk.
00:21:14 Ain't quite making it though.
00:21:16 Some men are like that.
00:21:18 Give it to.
00:21:19 Boy's leaning awful hard on him.
00:21:22 Reckon the mayor will be able to talk that redhead into changing her mind?
00:21:26 Ain't nothing gonna change her mind.
00:21:28 She got Doc Axon to take care of the body.
00:21:31 Rented herself a wagon.
00:21:33 She's going tonight.
00:21:35 Going alone if she has to.
00:21:59 Come to change your mind, kid.
00:22:01 We've decided to have a nice funeral for the boy right here in Gila City.
00:22:05 The whole town will come.
00:22:06 As mayor, I'll see to it.
00:22:09 Mead will be buried in Siringo.
00:22:11 Next to his father.
00:22:14 Now, kid.
00:22:17 Bury him here.
00:22:19 You think I haven't heard all the whispering?
00:22:21 You and your gossiping little wives with their pinched little faces and their noses in the air.
00:22:26 Now, Miss Kidd.
00:22:27 That dance hall woman with her freckle-faced woods cold.
00:22:31 No telling who the father might be.
00:22:35 They smelled brimstone every time I walked by.
00:22:39 They hated us both, me and the boy.
00:22:42 Well, he's dead now.
00:22:44 And you can tell your wives that there was no sinning.
00:22:48 And there'll be no funeral.
00:22:50 I'm taking him to Siringo.
00:22:53 You can't do that, Miss Kidd.
00:22:55 It's smack in the middle of Apache country and there ain't nobody willing to go with you.
00:22:59 Besides, there's not much of it left but the weeds.
00:23:03 I've tried, Kidd.
00:23:05 I've asked everybody.
00:23:09 I'm not asking anybody to go with me.
00:23:14 Poor Kidd.
00:23:15 She's trying mighty hard to make folk believe about the boy's pa.
00:23:19 He was single, man.
00:23:20 Married.
00:23:21 I didn't know that, Cal.
00:23:24 Well, almost married.
00:23:26 Me and Emma, she wouldn't let me go with Kidd.
00:23:28 Not that way.
00:23:30 Not to mention the Apaches.
00:23:39 I ain't never seen a town so full of cowards.
00:23:43 I ain't never seen a town so scared of Indians.
00:23:49 That's true.
00:24:14 Kidd?
00:24:18 I hate to think what all that sun will do to your face.
00:24:21 Will you take this?
00:24:23 No, thanks, Cal.
00:24:25 Take it.
00:24:26 I got no use for it.
00:24:27 I can't sell it.
00:24:29 We poured it all away from St. Louis.
00:24:50 Get down from there.
00:24:54 I said get down.
00:24:56 Somebody's got to dry this for you.
00:24:58 Not you.
00:25:00 I'm asking to.
00:25:02 I said get down.
00:25:08 Need any help, ma'am?
00:25:12 Get out of here, Billy.
00:25:14 Didn't mean to butt in.
00:25:18 Your place.
00:25:22 Get down.
00:25:51 Bet she don't get 20 miles before she turns around.
00:26:05 $50.
00:26:11 Cal.
00:26:13 What do you got?
00:26:16 Size?
00:26:18 You lose to four aces.
00:26:27 We're leaving town.
00:26:28 You a little premature, yellow leg?
00:26:30 Get your horses.
00:26:33 Billy, me like this town.
00:26:34 Got a homey place, ain't it?
00:26:36 Think we'll stick around?
00:26:37 You better leave alone, 'cause we ain't leaving.
00:26:45 You wouldn't mean to shot that boy.
00:26:48 Yeah.
00:26:49 Get up!
00:26:50 Looks like you and me is going to go to Seringo.
00:26:53 Billy, you not picking a fight.
00:26:55 You're beating me out of here.
00:26:59 I'm just backing him up.
00:27:01 Yeah, I kind of like the idea of going to Seringo with that redhead.
00:27:05 (Music)
00:27:28 Come on, what's the matter?
00:27:38 Come on.
00:27:43 I guess you don't mind a yellow leg all year round, but I don't like it.
00:27:51 But if I could handle a six-shooter like you, Billy boy.
00:27:54 His back's pointing right at you.
00:27:58 What's the matter?
00:27:59 Scared?
00:28:00 Scared he might hear your gun come out of the holster and whirl on you?
00:28:04 Well, that ain't no fit way to kill a man.
00:28:08 Not even a Yankee.
00:28:09 (Music)
00:28:38 There she is.
00:28:41 (Music)
00:29:01 Yah! Yah!
00:29:20 Morning, ma'am.
00:29:23 Kill your horse pushing him like that?
00:29:25 Will you let me drive that wagon for you?
00:29:27 I don't want your help.
00:29:29 Well, I'd be mighty proud to ride in that wagon with you, ma'am.
00:29:34 Leave me alone.
00:29:42 Both of you.
00:29:47 Well, now, you know what ain't exactly safe out here for a woman?
00:29:51 Well, it ain't exactly safe for you either.
00:29:54 Any of you.
00:29:56 Now get!
00:29:57 Why don't you leave this woman be and let's head back?
00:30:05 Yah!
00:30:15 So that bank is probably just now opening up.
00:30:18 Yeah, probably is, probably is.
00:30:20 We'll follow along, see if she gets through.
00:30:26 Doggy, that's a woman.
00:30:28 (Music)
00:30:57 Come on, let's go.
00:30:59 (Music)
00:31:21 Dress is kind of wet.
00:31:22 Guess you're going to have to dry it out.
00:31:24 Shouldn't take long in this heat.
00:31:48 I never did see a damn tall girl to fuss you about getting kissed.
00:31:52 You stay away from me.
00:31:55 What you going to do with that rock?
00:31:56 Are you going to use it on me?
00:31:58 Or a shotgun if I have to.
00:32:01 Oh, ma'am, I always did go for high stakes.
00:32:28 Patches.
00:32:36 They scalped him.
00:32:40 Yeah, looks like they did.
00:32:48 Come on, let's get back to that wagon.
00:33:11 Yeah, the coffee's ready.
00:33:22 I see that woman don't want us around here, so why don't we accommodate her by leaving?
00:33:39 You desert?
00:33:44 Hmm?
00:33:45 Did you desert the Red Barn?
00:33:47 I remember telling you I was in the army.
00:33:50 Figured you were a deserter.
00:33:52 How'd you guess?
00:33:56 Maybe I ought to take a cup of coffee before it gets cold.
00:34:01 Leave her alone.
00:34:04 You, you talking to me?
00:34:08 Hey, Billy, I think Yellowleg's kind of taking a shine to that woman.
00:34:13 All the time we thought he was feeling sorry about that boy.
00:34:16 Shut up.
00:34:17 Touchy, too.
00:34:18 Yeah, he cares about that hat he keeps wearing.
00:34:24 You know what I think he's got on him?
00:34:25 What's that?
00:34:27 Money.
00:34:28 There's one way we can find out.
00:34:32 We ask him to take your hat off, Yellowlegs.
00:34:38 He's scared of you, Billy.
00:34:41 Yellowlegs, take your hat off, and I'll shoot it off.
00:34:51 You try it, and I'll kill you.
00:34:57 You know, Yellowlegs, there's something about you I just kind of like.
00:35:23 Better mind your thinking, kid.
00:35:25 Yellowlegs done got his claim staked out.
00:35:31 If he ought to be back at that bank, that posse will never follow us out, yeah?
00:35:35 Not to Syringo.
00:35:43 Well, we could set up our own little republic like that Edwards fell into down in Texas.
00:35:46 You know, the Republic of Fredonia?
00:35:48 All this land out here just to wait.
00:35:51 Take out you looking at uniform with all that gold braid.
00:35:54 You the kind of trigger-happy young fella I could use.
00:35:57 You know something?
00:35:58 I'd make you my military aide.
00:36:01 Then we'd start making up a lot of laws, but not one of them would apply to us.
00:36:05 You don't know.
00:36:06 Now, let me tell you something.
00:36:07 There's money in a thing like this, if it's run right.
00:36:11 But we got to start first with that bank back in Gila City.
00:36:16 Don't you ever shut up. You nag like an old woman.
00:36:21 Sure quiet out here, huh?
00:36:26 Look, I don't blame you for feeling the way you do, but right now it might be a good idea if you could kind of make out like we was getting along.
00:36:40 You always that stubborn or just hard to figure out?
00:36:46 Lady, I'm just trying to help.
00:36:54 Who are you trying to help?
00:36:58 Riding shotgun on this wagon isn't going to buy you a clean conscience.
00:37:07 And again, I wonder if you ever figured on going to Syringo at all.
00:37:12 What are you trying to say?
00:37:14 I mean, right here is as good as Syringo for the boy.
00:37:20 You don't have to prove anything to me.
00:37:24 Damn you!
00:37:29 I got him fighting.
00:37:30 Yeah.
00:37:36 You don't know me well enough to hate me that much.
00:37:42 Haters a subject I know a little something about.
00:37:46 You got to be careful. It won't bite your back.
00:37:49 I know somebody spent five years looking for a man he hated.
00:37:54 Hating and wanting revenge was all that kept him alive.
00:38:00 Spent all them years tracking that other man down.
00:38:03 When he caught up with him was the worst day in his life.
00:38:09 He'd get his revenge all right.
00:38:12 Then he'd lose the one thing he had to live for.
00:38:41 What was that for?
00:38:42 Just checking my aim.
00:38:44 Nothing like letting the Apaches know where we are.
00:38:50 That ain't no fitting way to kill a man.
00:38:52 Not even the Yankees.
00:38:57 Go on up ahead and find us a place to camp.
00:39:00 There might be some Apaches out there.
00:39:02 You go find out.
00:39:08 You'll eat that sun here.
00:39:17 I'll get used to it.
00:39:21 It'll be living in Saringo you can find your own way back.
00:39:43 (music)
00:40:12 Come on.
00:40:15 Come on.
00:40:18 (music)
00:40:47 (music)
00:40:48 (music)
00:40:50 (music)
00:40:51 (eerie music)
00:40:53 (birds chirping)
00:40:56 (eerie music)
00:40:58 (eerie music)
00:41:01 (eerie music)
00:41:03 (eerie music)
00:41:06 (eerie music)
00:41:09 (eerie music)
00:41:13 (eerie music)
00:41:16 (eerie music)
00:41:20 (eerie music)
00:41:23 (eerie music)
00:41:26 (eerie music)
00:41:29 (eerie music)
00:41:32 (eerie music)
00:41:35 (eerie music)
00:41:38 (eerie music)
00:41:41 (eerie music)
00:41:44 (eerie music)
00:41:47 (eerie music)
00:41:50 (eerie music)
00:41:53 - Jack, what you doing out here?
00:41:55 - I seen your guard.
00:41:57 (eerie music)
00:41:59 - Oh, shoot.
00:42:01 (eerie music)
00:42:04 - Been carrying this around with me for a long while.
00:42:07 It's a genuine general's cap.
00:42:10 I stole it over in San Antonio.
00:42:13 I never did show it to anybody before.
00:42:16 (eerie music)
00:42:19 (eerie music)
00:42:22 Man sure really looks like some weird one.
00:42:25 He's a dirty boy.
00:42:27 (eerie music)
00:42:29 - Well, if you're waiting for me to salute you,
00:42:31 you're gonna wait a long time.
00:42:33 (eerie music)
00:42:36 - Yeah, I wanna show you something else.
00:42:38 (eerie music)
00:42:41 (eerie music)
00:42:44 (eerie music)
00:42:46 See that right there?
00:42:48 (eerie music)
00:42:51 It's not our regular map.
00:42:53 It's kind of a valley.
00:42:55 Not many people know it's there.
00:42:57 We gonna buy ourselves some slave Indians.
00:42:59 And we gonna drill 'em good.
00:43:00 We be able to burn a fire path through this country
00:43:03 from Tucson to Tucumcari.
00:43:05 (eerie music)
00:43:07 What do you say, boy?
00:43:09 What do you think of that, huh?
00:43:12 - Oh, it's fine, Tuck, fine.
00:43:15 (eerie music)
00:43:18 Um...
00:43:20 - Take over my guard for me, will ya?
00:43:23 (eerie music)
00:43:27 (eerie music)
00:43:29 (eerie music)
00:43:32 (eerie music)
00:43:35 (eerie music)
00:43:38 (eerie music)
00:43:41 (birds chirping)
00:43:44 (birds chirping)
00:43:48 (birds chirping)
00:43:51 (birds chirping)
00:43:56 - I never, never traveled with a lady before.
00:43:59 Kinda appeals to me.
00:44:01 - Get out of my way.
00:44:03 - Maybe I will and maybe I won't.
00:44:05 - I'm telling you to leave me alone.
00:44:08 - Oh, I don't wanna,
00:44:10 I don't wanna trouble you any, Kit.
00:44:12 I just wanna be sociable.
00:44:15 And, uh,
00:44:17 never wear my guns
00:44:19 when I make a social call.
00:44:21 (birds chirping)
00:44:24 (birds chirping)
00:44:27 I always did like pretty things and,
00:44:30 and you're just about the prettiest I ever seen.
00:44:34 (upbeat music)
00:44:37 (laughing)
00:44:40 (upbeat music)
00:44:43 (laughing)
00:44:46 (upbeat music)
00:44:49 (laughing)
00:44:52 (upbeat music)
00:44:55 (laughing)
00:44:58 (upbeat music)
00:45:01 (upbeat music)
00:45:04 (upbeat music)
00:45:07 (punching)
00:45:10 (punching)
00:45:13 (punching)
00:45:16 (punching)
00:45:19 (upbeat music)
00:45:22 (soft guitar music)
00:45:25 (birds chirping)
00:45:28 (soft guitar music)
00:45:31 - Saddle up.
00:45:56 (birds chirping)
00:45:58 Come on, get out of here.
00:46:00 - I'm going with you, Billy.
00:46:03 - You ain't going no place.
00:46:04 - Huh?
00:46:05 - You stand right here.
00:46:07 - Couldn't stand a chance out in that patch of country alone.
00:46:12 - Well, that's his lookout, ain't it?
00:46:15 (birds chirping)
00:46:18 (soft guitar music)
00:46:21 (birds chirping)
00:46:23 (soft guitar music)
00:46:38 (soft guitar music)
00:46:41 (birds chirping)
00:46:44 (soft guitar music)
00:46:49 (birds chirping)
00:46:52 (soft guitar music)
00:47:03 (birds chirping)
00:47:07 (soft guitar music)
00:47:10 (birds chirping)
00:47:13 (soft guitar music)
00:47:16 (birds chirping)
00:47:19 (soft guitar music)
00:47:22 (birds chirping)
00:47:25 (soft guitar music)
00:47:36 (birds chirping)
00:47:39 (soft guitar music)
00:47:46 (birds chirping)
00:47:48 (soft guitar music)
00:47:57 (birds chirping)
00:48:03 (soft guitar music)
00:48:06 - Turk!
00:48:18 - He's gone.
00:48:22 - He's gone.
00:48:23 (soft guitar music)
00:48:26 (birds chirping)
00:48:29 - They'll be going back to Gila City, both of 'em.
00:48:48 I'll drive you back there in the wagon if you want.
00:48:50 - No thanks.
00:48:51 - You still going to Seringo?
00:48:55 You think you can stop me?
00:48:57 - Lady, I wouldn't even try.
00:49:00 (soft music)
00:49:10 (horses galloping)
00:49:22 (soft music)
00:49:25 (horse whinnying)
00:49:43 (laughing)
00:49:51 (soft music)
00:49:53 (horses galloping)
00:50:00 (soft music)
00:50:03 (horses galloping)
00:50:30 - I, I'm sorry about losing the horse.
00:50:35 Well, you don't have to talk to me, you know.
00:50:40 - It ain't worth the effort.
00:50:42 - Five years is a long time to turn your back on,
00:50:48 especially for a woman like me.
00:50:50 That's what you're thinking, isn't it?
00:50:52 - Lady, I quit thinking when I turned my horse around.
00:50:54 - Oh, stop calling me lady.
00:50:56 My name is Kit.
00:50:57 - I don't know you well enough to call you Kit.
00:51:00 - Don't think you're fooling me.
00:51:02 You're not half as mad at me as you are at yourself.
00:51:05 - You gonna talk all the way to Seringo?
00:51:11 Ha!
00:51:12 (soft music)
00:51:15 (gun firing)
00:51:27 (gun firing)
00:51:29 (soft music)
00:51:32 - Grab that shotgun, come on.
00:51:36 (soft music)
00:51:39 (gun firing)
00:51:50 (gun firing)
00:51:56 (gun firing)
00:51:58 (gun firing)
00:52:03 (gun firing)
00:52:10 (gun firing)
00:52:21 (horses whinnying)
00:52:24 - Must have ambushed that stage down on the border.
00:52:36 (horses whinnying)
00:52:39 (gun firing)
00:52:51 (men shouting)
00:52:53 - I sure wish I could take a bath.
00:53:10 - Well, nothing's stopping you.
00:53:13 (men shouting)
00:53:19 (men shouting)
00:53:21 - Come on.
00:53:34 You want some more?
00:53:48 - You know, I can hardly remember
00:53:51 what my husband looked like.
00:53:52 We were only married a few weeks.
00:53:56 We were on our way to Gila City when he was,
00:53:59 he was killed in Seringo.
00:54:02 When Meade was born, they wouldn't believe me.
00:54:17 Gila City put a brand on both of us.
00:54:20 With their jokes and their talk
00:54:23 and their ugly little smiles.
00:54:26 - It's dark.
00:54:46 We gotta have another horse.
00:54:47 Them Apaches can't be far off.
00:54:51 They got plenty of horses.
00:54:53 You wait right here till I get back.
00:54:55 (leaves rustling)
00:54:58 (leaves rustling)
00:55:01 (leaves rustling)
00:55:04 (leaves rustling)
00:55:08 (leaves rustling)
00:55:11 (leaves rustling)
00:55:14 (leaves rustling)
00:55:17 (leaves rustling)
00:55:20 (leaves rustling)
00:55:24 (leaves rustling)
00:55:27 (lighter clicks)
00:55:50 (lighter clicks)
00:55:53 (lighter clicks)
00:55:56 (leaves rustling)
00:55:59 (thudding)
00:56:26 (leaves rustling)
00:56:29 (dramatic music)
00:56:42 (gun firing)
00:56:52 (gun firing)
00:56:57 (screaming)
00:57:01 (gun firing)
00:57:04 (gun firing)
00:57:05 (men shouting)
00:57:08 (leaves rustling)
00:57:11 (light music)
00:57:19 (water splashing)
00:57:22 - Whoa.
00:57:23 Kid.
00:57:32 Back up, we're moving out.
00:57:35 (leaves rustling)
00:57:41 (dramatic music)
00:57:44 (leaves rustling)
00:57:48 - This is far enough.
00:57:50 - I don't think I can stay awake another minute.
00:57:54 - You'll have to.
00:57:56 Start digging.
00:57:59 - What?
00:58:01 - We're gonna bury the wagon.
00:58:03 From here on, our trail's gotta look Indian.
00:58:06 We're lucky those Apaches might still be out
00:58:08 trying to find their stagecoach.
00:58:11 (metal clanging)
00:58:17 (metal clanging)
00:58:21 (metal clanging)
00:58:24 - Getting tired?
00:58:49 I didn't ask for any help.
00:58:51 - I wasn't offering any, I just asked if you'd get tired.
00:58:57 (metal clanging)
00:59:02 (metal clanging)
00:59:15 (metal clanging)
00:59:18 - Yellowlegger name?
00:59:27 - No, it'll do.
00:59:31 - Where are you from?
00:59:36 - Ohio.
00:59:38 - It's pretty back there.
00:59:42 - Used to be.
00:59:44 (leaves rustling)
00:59:47 (dramatic music)
01:00:12 (leaves rustling)
01:00:14 - What are you doing?
01:00:15 - Do and I'll kill you.
01:00:27 (dramatic music)
01:00:33 (leaves rustling)
01:00:36 (dramatic music)
01:00:52 (dramatic music)
01:00:55 - What is it?
01:01:00 (leaves rustling)
01:01:03 - Apache.
01:01:05 (dramatic music)
01:01:09 - How could he miss?
01:01:13 - He didn't.
01:01:14 - Well, why didn't he kill us?
01:01:17 - Well, he's got a little score to settle up with me first.
01:01:20 Start packing up.
01:01:25 (dramatic music)
01:01:29 (leaves rustling)
01:01:32 (dramatic music)
01:01:35 (leaves rustling)
01:01:38 (dramatic music)
01:01:41 (leaves rustling)
01:01:44 (dramatic music)
01:01:47 (leaves rustling)
01:01:50 (dramatic music)
01:01:53 (leaves rustling)
01:01:56 (dramatic music)
01:01:59 (leaves rustling)
01:02:02 (dramatic music)
01:02:05 (leaves rustling)
01:02:08 (dramatic music)
01:02:11 (leaves rustling)
01:02:14 (dramatic music)
01:02:17 (leaves rustling)
01:02:20 (dramatic music)
01:02:23 (leaves rustling)
01:02:26 (woman sighs)
01:02:29 (leaves rustling)
01:02:32 (dramatic music)
01:02:35 (leaves rustling)
01:02:38 (dramatic music)
01:02:40 - Can't forgive me for making you give up
01:02:42 those five years, can you?
01:02:44 - I'll pick up his trail again.
01:02:46 - Hardly seem worth the trouble.
01:02:48 (cow moos)
01:02:50 (cow moos)
01:02:52 Here you go.
01:02:53 (cow moos)
01:02:57 (cow moos)
01:02:59 (cow moos)
01:03:01 (cow moos)
01:03:03 (cow moos)
01:03:05 (cow moos)
01:03:07 (cow moos)
01:03:09 (cow moos)
01:03:11 (cow moos)
01:03:13 (leaves rustling)
01:03:16 (leaves rustling)
01:03:19 (cow moos)
01:03:21 (cow moos)
01:03:23 (leaves rustling)
01:03:26 (leaves rustling)
01:03:29 (leaves rustling)
01:03:32 (leaves rustling)
01:03:35 - He broke it.
01:03:36 (dramatic music)
01:03:39 (gun cocks)
01:03:40 (dramatic music)
01:03:43 (gun fires)
01:03:45 (dramatic music)
01:03:48 (dramatic music)
01:03:51 (leaves rustling)
01:03:54 (dramatic music)
01:03:57 (leaves rustling)
01:04:00 (dramatic music)
01:04:03 (dramatic music)
01:04:06 (heart beating)
01:04:09 (heart beating)
01:04:11 (leaves rustling)
01:04:14 - What is he waiting for?
01:04:16 Why doesn't he kill us?
01:04:17 - He will when he's ready.
01:04:19 (leaves rustling)
01:04:22 (leaves rustling)
01:04:25 - Why don't you kill us and get it over with?
01:04:26 - Stop it! - Come on!
01:04:27 - Stop it!
01:04:28 - Stop leaving me alone!
01:04:29 - Shut up! Shut up!
01:04:31 - Why do you let him torture us like this?
01:04:32 - Shut up!
01:04:33 (hand slaps)
01:04:34 (dramatic music)
01:04:37 (dramatic music)
01:04:40 (dramatic music)
01:04:43 (dramatic music)
01:04:46 (dramatic music)
01:04:49 (dramatic music)
01:04:52 (sobbing)
01:04:56 (dramatic music)
01:04:59 (dramatic music)
01:05:03 (sobbing)
01:05:08 (dramatic music)
01:05:11 (dramatic music)
01:05:13 (dramatic music)
01:05:16 (dramatic music)
01:05:19 (dramatic music)
01:05:23 (dramatic music)
01:05:25 (dramatic music)
01:05:28 (dramatic music)
01:05:31 (dramatic music)
01:05:34 (dramatic music)
01:05:36 (dramatic music)
01:05:43 (dramatic music)
01:05:47 (dramatic music)
01:05:55 (dramatic music)
01:05:58 (gentle music)
01:06:12 (gentle music)
01:06:15 - Apache friend's been awful quiet.
01:06:30 Maybe he got bit by a snake.
01:06:32 (gentle music)
01:06:35 (gentle music)
01:06:37 (gentle music)
01:06:40 (gentle music)
01:06:43 - You think it's much further?
01:06:45 - What?
01:06:47 - Serengo.
01:06:49 - Serengo what?
01:06:53 - Do you think?
01:06:54 (gentle music)
01:06:56 (gentle music)
01:06:59 - Strange.
01:07:25 I feel I know you better than any man I've ever known.
01:07:29 Yet I hardly know you at all.
01:07:33 (dramatic music)
01:07:41 - What are you trying to do?
01:07:42 - You're hurting me.
01:07:44 - What'd you expect to find?
01:07:46 (gentle music)
01:07:48 - I was only trying to make you more comfortable.
01:07:53 I'm sorry.
01:07:55 (gentle music)
01:07:57 (horse neighing)
01:08:06 (gentle music)
01:08:08 (gentle music)
01:08:11 - I'm sorry.
01:08:25 - There's some things about me you don't understand.
01:08:33 - You killed the only person
01:08:38 I loved in this whole world.
01:08:40 That's all I need to know about you.
01:08:44 (gentle music)
01:08:47 (heart beating)
01:09:02 (gentle music)
01:09:05 (gentle music)
01:09:24 (gentle music)
01:09:26 - Next time I'll be waiting for him.
01:09:44 (gentle music)
01:09:52 (horse neighing)
01:09:55 (gentle music)
01:09:58 - Inside.
01:10:01 Come on.
01:10:03 (gentle music)
01:10:06 (horse neighing)
01:10:08 (gentle music)
01:10:11 (horse neighing)
01:10:14 (gentle music)
01:10:18 (horse neighing)
01:10:21 (gentle music)
01:10:23 - Here.
01:10:45 You got enough buckshot in there to stop an army.
01:10:48 You gotta be on top of the block by sundown.
01:10:51 So I'm gonna wait for him.
01:10:53 I'm sure I'm not back by morning.
01:10:57 You're on your own.
01:10:59 - Wait.
01:11:00 I just wanted to say...
01:11:09 Thank you.
01:11:10 (gentle music)
01:11:12 Thank you.
01:11:20 (horse neighing)
01:11:23 (footsteps tapping)
01:11:51 (thunder rumbling)
01:11:54 (rain pattering)
01:12:00 (thunder rumbling)
01:12:19 (rain pattering)
01:12:21 (thunder rumbling)
01:12:42 (horse neighing)
01:12:48 (gentle music)
01:12:51 (thunder rumbling)
01:12:54 (thunder rumbling)
01:13:12 (gentle music)
01:13:15 (thunder rumbling)
01:13:39 (rain pattering)
01:13:43 (thunder rumbling)
01:13:46 (rain pattering)
01:13:48 (thunder rumbling)
01:13:51 (rain pattering)
01:13:54 (thunder rumbling)
01:13:57 (rain pattering)
01:14:00 (thunder rumbling)
01:14:03 (doorbell buzzing)
01:14:31 (doorbell buzzing)
01:14:59 - Where is it by the mission?
01:15:01 What was your husband's name?
01:15:06 - Mead Tilden.
01:15:08 My son was named after him.
01:15:10 (gentle music)
01:15:23 (footsteps tapping)
01:15:26 (gentle music)
01:15:29 (footsteps tapping)
01:15:32 (gentle music)
01:15:38 (footsteps tapping)
01:15:41 (gentle music)
01:15:55 (footsteps tapping)
01:15:58 - I couldn't find it.
01:16:23 (birds chirping)
01:16:25 It's bare.
01:16:32 - No, there ain't nobody named Tilden buried there.
01:16:37 - You're just the same as all the rest of them.
01:16:49 (birds chirping)
01:16:51 Here it is.
01:17:05 (footsteps tapping)
01:17:08 It must be one of the others.
01:17:26 (birds chirping)
01:17:29 (wind howling)
01:17:31 (wind howling)
01:17:35 (wind howling)
01:17:38 (wind howling)
01:17:40 (wind howling)
01:17:44 (wind howling)
01:17:46 (wood clunking)
01:18:06 (wind howling)
01:18:09 (wind howling)
01:18:12 (wind howling)
01:18:15 (wood clunking)
01:18:18 (wood clunking)
01:18:39 (wind howling)
01:18:41 (gentle music)
01:18:48 - Cat!
01:18:56 Cat, I found it!
01:19:00 (gentle music)
01:19:08 I found it.
01:19:09 (laughing)
01:19:11 - On her leg.
01:19:12 - Where's Jerk?
01:19:17 - Right behind you.
01:19:19 - When that Billy gets a hold of an idea,
01:19:21 he just won't let go of it.
01:19:23 Especially if it's a red-headed woman.
01:19:26 (gentle music)
01:19:29 (wind howling)
01:19:32 - Well, no need to keep the lady out here in the sunshine.
01:19:42 Let's step inside, talk things over.
01:19:45 (gentle music)
01:19:49 (gentle music)
01:19:51 - Sorry I can't offer you folks a drink.
01:20:18 - What'll you do with the money?
01:20:20 - Money or what money you talking about?
01:20:23 - The only one who's thinking of bringing him down here,
01:20:30 that's keeping one jump ahead of a posse.
01:20:32 - I ever saw folks so scared of the injured.
01:20:35 - That doggie, she sure is pretty.
01:20:40 Turkey, go get that money.
01:20:47 (glass clinking)
01:20:48 - You crazy?
01:20:49 - Now go on, dude, I told you to go get the money.
01:20:54 (sighing)
01:21:06 - You know, I just ain't got the heart to kill him.
01:21:10 - Huh?
01:21:11 - How would you like to have your gun back?
01:21:15 - You want me to do it?
01:21:17 - I'll be much obliged.
01:21:19 Just the minute he walks back through this door here.
01:21:31 - What about her?
01:21:33 - We'll decide that later, you and me.
01:21:42 - You and me.
01:21:43 - Well, I'm going for a little walk.
01:21:50 I'll be around.
01:21:52 Ladies gotta admit, I got guts.
01:21:57 (somber music)
01:22:01 (somber music)
01:22:04 - You better get out of here.
01:22:13 - You can't.
01:22:14 - I waited five years, the waiting's over.
01:22:17 Now keep out of it.
01:22:19 - What happened to me, it was an accident.
01:22:21 I know that now.
01:22:23 Even though I thought that I could never forgive you for it.
01:22:27 But I could never love a man who was a cold-blooded killer.
01:22:32 - Love?
01:22:35 You don't even know me.
01:22:39 No face under a hat.
01:22:42 Did you ever wonder why I won't take this off?
01:22:47 (somber music)
01:22:51 (somber music)
01:22:54 - Wanna talk about love?
01:23:00 - I've seen you with your hat off.
01:23:03 (somber music)
01:23:06 (somber music)
01:23:09 (somber music)
01:23:12 (somber music)
01:23:14 (somber music)
01:23:43 - What about my scars?
01:23:45 You know how many men I've let kiss me and pinch me
01:23:55 just because their filthy money gave them the right?
01:23:59 Men with dirty shirts, smelly arms,
01:24:04 money in their pockets.
01:24:11 Can those scars be forgotten?
01:24:14 Can I ask you to love a woman like that?
01:24:20 - Now don't that make a pretty picture?
01:24:38 Where's Billy?
01:24:40 (crying)
01:24:42 - Get out of the way.
01:24:46 - Don't do it!
01:24:47 (gunshot)
01:24:53 (gunshot)
01:25:00 (gunshot)
01:25:07 (gunshot)
01:25:37 (gunshot)
01:25:39 (gunshot)
01:25:43 - All this shooting and they ain't even touched him yet.
01:25:50 - Turkey.
01:25:51 (gunshot)
01:25:54 (gunshot)
01:25:55 - Billy, you crazy!
01:25:57 (suspenseful music)
01:26:05 (suspenseful music)
01:26:08 - All right, yellow leg, this is it.
01:26:17 You and me.
01:26:18 - Move out, Billy.
01:26:21 Move out, Billy, I ain't got time for you.
01:26:23 - I ain't but two horses in this town.
01:26:25 You know as good as me that only two people
01:26:27 gonna ride out of here alive.
01:26:29 (gunshot)
01:26:33 (suspenseful music)
01:26:36 - Turn around, Billy.
01:26:58 Turn and come home, me and Reggie and my puppy.
01:27:03 - You giving him his money?
01:27:05 - No.
01:27:07 Give me some slavery and I'll treat myself.
01:27:19 Give me the chip, take all this money.
01:27:22 - Yellow leg, yellow leg, listen to me.
01:27:28 We can make ourselves a deal.
01:27:31 - I don't want that Billy with me, I want you.
01:27:33 Look at you, I'll put you in that uniform.
01:27:37 - Now come on, listen to me.
01:27:41 I can't a yank a joint up with a rebel.
01:27:45 We get together, take all this money here.
01:27:51 Look here, I'll give it all to you.
01:27:52 Give me.
01:28:00 - Make a general out of you, General Yellow Leg.
01:28:02 Think of how you'd look in one of these caps.
01:28:06 (gunshot)
01:28:34 - Listen, Yellow Leg, like I told you, I found you.
01:28:38 You're gonna be in my army, I'm gonna make a general
01:28:40 out of you with a gold braid on you.
01:28:42 - Remember that?
01:28:44 You know where you left it, don't you?
01:28:50 - Chickamauga?
01:28:52 - Look at it.
01:28:53 - No, oh, Yellow Leg, listen to me.
01:28:56 I don't want that Billy around me, I want--
01:28:57 - Look at me!
01:28:59 - Yellow Leg, I'll make a general out of you.
01:29:02 I'll give you one of these generous caps.
01:29:03 You look good in a gold braid.
01:29:05 Listen to me, Yellow--
01:29:06 - Don't!
01:29:10 - Get out of here!
01:29:18 - Don't do it!
01:29:22 (dramatic music)
01:29:25 Don't!
01:29:26 (dramatic music)
01:29:29 (gunshot)
01:29:35 - Billy!
01:29:45 Billy!
01:29:53 Shoot that Yellow Leg in the back like I told you!
01:29:56 - Get down!
01:29:57 (dramatic music)
01:30:00 (dramatic music)
01:30:03 (dramatic music)
01:30:05 (dramatic music)
01:30:08 (dramatic music)
01:30:11 (dramatic music)
01:30:14 (dramatic music)
01:30:16 - Hi, Kev.
01:30:42 We're trailing a couple of bank robbers.
01:30:44 Looks like you got one of them.
01:30:45 Where's the other?
01:30:46 - Inside.
01:30:47 Looks like they figured you didn't have guts enough
01:30:52 to come here.
01:30:52 - You know how people are.
01:30:54 As long as it's their money,
01:30:55 the gates of hell wouldn't stop them.
01:30:58 - Sure.
01:30:59 Barson, we're gonna need a few
01:31:01 of the right kind of words from you.
01:31:05 We're burying a boy alongside of his dad.
01:31:07 - I'll say the right kind of words.
01:31:10 (dramatic music)
01:31:13 (dramatic music)
01:31:16 (dramatic music)
01:31:18 - Yes, sir, come on.
01:31:42 - Yes, sir.
01:31:44 Thank you, Orly.
01:31:45 You're gonna make great officers in my army.
01:31:47 I'll soon have your uniforms for you.
01:31:50 And go pray.
01:31:51 And everything will start to be straight and clean.
01:31:54 - Thank you, sir.
01:31:55 - Now, Captain, if you'll say forward, yo,
01:31:59 and dress these ranks, we'll go.
01:32:01 Forward, yo!
01:32:02 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:07 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:11 ♪ Hold on there, you look right ♪
01:32:14 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:19 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:24 ♪ Hold on there, you look right ♪
01:32:27 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:32 ♪ Hold on there, you look right ♪
01:32:35 ♪ Johnny come marching on my gal, hurrah, hurrah ♪
01:32:40 ♪ Hold on there, you look right ♪
01:32:43 ♪ The life is planted on ♪
01:32:48 ♪ For I know that my heart is not but safe and ♪
01:32:53 ♪ A dream of love that once I knew ♪
01:33:00 ♪ Now lingers beyond the empty dawn ♪
01:33:06 ♪ No more is my lonely heart to mourn ♪
01:33:12 ♪ No more is my lonely heart to mourn ♪