Detective Conan: Black Iron Submarine - Big Jake HD (1971)
Category
🎥
Short filmTranscript
00:00:00 [ Music ]
00:00:15 >> 1909, the Edwardian Golden Age.
00:00:18 Genteel civilization had come to England, the continent, and the Eastern United States.
00:00:22 New York rivaled London and Paris as one of the great metropolises of the world.
00:00:25 [ Music ]
00:00:30 Albert Einstein had expounded his theory of relativity back in 1905,
00:00:34 and science had brought us the wonders of the modern world.
00:00:37 [ Music ]
00:00:44 Culture and refinement had arrived on the East Coast of America.
00:00:47 Caruso was singing Pagliacci at the Met.
00:00:49 Arturo Toscanini was conducting.
00:00:51 The Barrymores were performing.
00:00:53 And a Ziegfeld girl was the rage.
00:00:56 1909, in the western part of the 46th United States, was not so refined.
00:01:00 [ Music ]
00:01:03 The surviving Indian warriors were now being rounded up by the U.S. Army.
00:01:06 [ Music ]
00:01:10 In Washington, William Howard Taft, 300 pounds of pure Republican, was president, and life was comfortable.
00:01:16 [ Music ]
00:01:17 In other parts of the country, men were fighting each other and the elements.
00:01:21 [ Music ]
00:01:26 In the New York department stores, a lady could buy maxis and boots and live in style.
00:01:30 Out west, they didn't think about style, just living.
00:01:35 [ Music ]
00:01:39 Eastern empire builders had secured their fortunes, the Morgans, Vanderbilts, Carnegies.
00:01:44 There were empires in the west, too, such as the great McCandles Ranch.
00:01:48 [ Music ]
00:01:51 But these huge ranches were held together only by having enough men and guns.
00:01:55 [ Music ]
00:01:59 Notre Dame teams were playing football with Enn Newt Rockne catching the forward pass.
00:02:04 [ Music ]
00:02:05 In the Arizona territory, another team, the Arizona Rangers, were busy just trying to keep the peace.
00:02:10 [ Music ]
00:02:12 Anna Pavlova, prima ballerina of the Russian ballet, was dancing Swan Lake.
00:02:16 [ Music ]
00:02:21 The dance hall girl in the Klondike Gold Rush Saloon was somewhat different.
00:02:24 [ Music ]
00:02:27 By 1909, still photographs had come to life.
00:02:30 Motion pictures had been born with the great train robbery.
00:02:32 [ Music ]
00:02:38 While that make-believe drama was on the movie screens, nine men crossed the Rio Bravo into Texas.
00:02:43 [ Music ]
00:02:49 The turbulent years between the Civil War and the turn of the century brought out the best in some people,
00:02:54 but in others, it brought out the worst.
00:02:57 Example, O'Brien, a half-breed Apache born of a Chiricahua mother and Irish father,
00:03:02 a professional gunfighter, one of the last of his kind.
00:03:06 Pop Dawson, rode with the James boys in Kansas and Missouri,
00:03:10 said to have murdered more than a dozen men, one for as little as $7.
00:03:15 [ Music ]
00:03:18 Trooper, name unknown, a back shooter, considered a coward,
00:03:22 reputed to have been a cavalry soldier sometime in the past,
00:03:25 but not to the personal knowledge of his Confederates.
00:03:28 William Fane, younger of the Fane brothers, favors a shotgun, a greener,
00:03:32 for its bloody killing effect at short range.
00:03:36 James William Duffy, at age 14, killed his first man, who was an admirer of his prostitute mother,
00:03:41 dead shot with a rifle.
00:03:44 William DeVries, young Billy, not quite 21,
00:03:48 this raid was thought to have been his first outlaw act.
00:03:52 Walt DeVries, his older brother by 20 years,
00:03:55 he looks more like an Iowa farmer than a professional killer.
00:04:00 John Goodfellow, maybe the worst of them, an indiscriminate killer,
00:04:04 women, children, no consequence at all, prefers to work close,
00:04:08 favors a razor-edged machete.
00:04:11 John Fane, sometimes peace officer and bounty hunter,
00:04:15 served with distinction during the Spanish-American War,
00:04:18 professional soldier thereafter, now between wars.
00:04:21 Currently, banks, trains, killings,
00:04:24 and responsible for organizing the infamous McCandles Raid.
00:04:28 [ Music ]
00:04:31 [ Music ]
00:04:34 >> Morning, Pancho.
00:04:44 >> Good morning.
00:04:46 [ Music ]
00:04:59 [ Foreign Language ]
00:05:02 [ Music ]
00:05:05 [ Music ]
00:05:23 [ Music ]
00:05:26 [ Music ]
00:05:44 [ Music ]
00:06:13 [ Noise ]
00:06:16 >> Time to get up, Mr. Jeff.
00:06:22 >> Delilah, I'm naked.
00:06:26 >> I seen you naked the day you was born and many times thereafter.
00:06:30 Ride is coming.
00:06:33 >> Is you getting up?
00:06:41 >> I'm getting up.
00:06:44 [ Noise ]
00:06:50 >> Grab his head, grab his head.
00:06:55 >> Hold him, hold him, hold him.
00:06:58 >> Chico.
00:07:01 >> That boy.
00:07:04 >> Chico, Chico.
00:07:07 Hey, hey, come on.
00:07:11 Now, I know you'd like to see Miss Stubby ride that bronc again,
00:07:15 but go fetch me them eggs like I asked you to.
00:07:18 Go ahead now, hurry up.
00:07:21 Oh, danger's coming.
00:07:34 [ Noise ]
00:07:37 >> Mr. Jeff will be a little late.
00:07:53 You make sure you have a half a dozen or so fresh eggs for him, Moses Brown.
00:07:56 >> I've already done that, woman.
00:07:59 Miss Martin.
00:08:02 >> I'll take care of that boy.
00:08:05 >> Yes, ma'am.
00:08:09 >> This is ridiculous.
00:08:11 Breakfast, Miss Martin, nice and hot.
00:08:13 >> Thank you, Delilah.
00:08:14 >> But it's hot.
00:08:16 >> Just a minute, Delilah.
00:08:18 But this is 1909.
00:08:20 There just can't be rustlers.
00:08:22 >> Can be, Miss McCandles.
00:08:24 I'm 42 years old and I fought in the Lincoln County War.
00:08:27 It's just not that long ago that--
00:08:30 >> Why, it's just 15 years ago himself, Mr. McCandles, hun.
00:08:35 >> Your breakfast is getting cold, Miss Martha.
00:08:39 There's some lovely flowers in the garden, Delilah.
00:08:41 I wonder would you ask Maria to cut them for me.
00:08:45 >> Yes, ma'am.
00:08:47 >> You were saying, Bert?
00:08:50 >> I'm just saying, Miss McCandles, we're close enough to that Mexican border to--
00:08:55 >> Spit.
00:08:57 >> Yes, ma'am, that close.
00:09:00 And we're losing a lot of cattle.
00:09:03 >> Let me think about it.
00:09:05 >> All right, ma'am.
00:09:06 >> Oh, Bert.
00:09:08 >> There are some men riding in.
00:09:15 We could use some short help if you like the look of them.
00:09:18 >> Yes, ma'am.
00:09:20 [ Music ]
00:09:47 >> Yes, ma'am.
00:09:50 [ Music ]
00:09:58 [ Cattle Calling ]
00:10:01 [ Music ]
00:10:23 [ Music ]
00:10:33 [ Music ]
00:10:51 [ Footsteps ]
00:10:55 >> A ranch sure is a deserted looking place during a roundup.
00:10:59 Can I help you, men?
00:11:06 We heard you was hiring.
00:11:08 >> Was, but you're late.
00:11:12 >> Too late?
00:11:14 >> Right so.
00:11:19 >> Now this place surely does bespeak of a great deal of money, don't it?
00:11:24 >> Anything else I can do for you?
00:11:27 >> Trouble with money, though, is that there's always somebody who wants to take it away from you.
00:11:32 >> I said, is there anything else I can do for you, mister?
00:11:35 >> Steel.
00:11:37 That's the only problem with it.
00:11:39 And ain't that the awful bloody truth?
00:11:41 [ Explosion ]
00:11:43 [ Chattering ]
00:11:45 >> Billy, you stay close to me here. Real close.
00:11:47 [ Explosion ]
00:11:49 [ Music ]
00:11:54 >> Help!
00:11:56 [ Music ]
00:12:25 [ Explosion ]
00:12:27 >> Run, Billy Jake, run.
00:12:30 >> Where's McCandles?
00:12:32 You want that kid alive?
00:12:34 Don't you be a damn fool.
00:12:37 [ Music ]
00:12:48 [ Dog Barking ]
00:12:51 [ Music ]
00:13:06 >> Hey, sonny.
00:13:08 [ Music ]
00:13:14 >> Hey, trooper.
00:13:16 [ Music ]
00:13:26 >> Yah!
00:13:28 [ Music ]
00:13:38 >> Hey, old friend.
00:13:39 >> The boy.
00:13:41 [ Music ]
00:13:50 [ Music ]
00:13:59 [ Gun Shots ]
00:14:01 [ Music ]
00:14:15 [ Gun Shots ]
00:14:17 [ Music ]
00:14:22 >> Why, he means you, Bill.
00:14:24 >> Freeze!
00:14:26 [ Music ]
00:14:28 >> He's no good to us, Dad.
00:14:32 >> I can wait.
00:14:34 [ Music ]
00:14:36 >> Fane, I don't like the name "Breed."
00:14:40 >> I'll try and remember that.
00:14:42 [ Music ]
00:14:44 >> Give me that! Come here, little one.
00:14:46 [ Music ]
00:15:12 >> All right.
00:15:14 [ Music ]
00:15:25 >> Lay down! Come on! Let me down!
00:15:29 [ Music ]
00:15:41 [ Music ]
00:15:45 >> Yah!
00:15:47 [ Music ]
00:15:52 >> Get the doctor, then find my son.
00:15:54 >> And himself, your husband?
00:15:56 >> I have no husband.
00:15:58 >> Yah!
00:16:00 >> Take him to my bed.
00:16:04 >> Please, be careful with him.
00:16:06 [ Music ]
00:16:28 [ Music ]
00:16:50 >> Oh, Mexico! There ain't nothing they can do to us here.
00:16:53 >> The Mexicans can.
00:16:55 [ Music ]
00:17:07 >> Jeffrey McCandles, can you hear me?
00:17:12 This fool doctor says you're going to die, but I say you are not.
00:17:23 I taught you better manners than to make a liar out of your mother, Jeffrey McCandles.
00:17:33 >> He's just sleeping, Martha.
00:17:34 >> I know that.
00:17:46 >> Delilah, there's a big red strong box in the attic. I want it.
00:17:53 >> Yes.
00:18:00 [ Music ]
00:18:15 >> We're seeking permission from the Mexican government at the highest possible levels, Mr. McCandles.
00:18:20 When we receive that permission, we are prepared to enter Mexico with howsoever many troops as are acceptable to the Mexican government,
00:18:27 and to deliver the ransom wherever and to whomever directed.
00:18:34 I am told that there is $1 million in that box.
00:18:40 >> Buck, what about you?
00:18:43 >> Speaking for the Rangers or for myself?
00:18:45 >> For yourself.
00:18:47 >> I get 10 of my best men with me.
00:18:50 I'd like to go after the boy myself.
00:18:52 If you say so, Martha, I'll take that box.
00:18:56 >> I am grateful to you both, but I don't think this is a job for the Rangers, Buck, nor for the Army, sir.
00:19:07 It is, I think, going to be a very harsh and unpleasant kind of business,
00:19:13 and will, I think, require an extremely harsh and unpleasant kind of man to see to it.
00:19:36 >> No, sir.
00:19:38 No, sir, I ain't.
00:19:41 I haven't butted into anybody's business since I was 18 years old, at which time it almost got me killed.
00:19:48 I ain't going to start that again.
00:19:51 What's the matter?
00:19:57 Oh, what do you have to go and do that for?
00:20:01 >> You got any last words, Scotsman?
00:20:03 >> Aye. Give me my bonnet. My head's cold.
00:20:21 >> All right, now, let's get on with the hanging.
00:20:27 >> Howdy. Got you kind of surrounded, haven't they?
00:20:37 >> Is this your business, mister?
00:20:39 >> What is he, a murderer or a horse thief?
00:20:41 >> He's a sheep farmer.
00:20:43 >> Phew, that's where that horrible odor comes from.
00:20:48 >> That's right.
00:20:50 >> How about the boy? You going to hang him too, or just beat him up some more?
00:20:55 >> You shouldn't butt into something that's none of your business. You really shouldn't.
00:20:58 >> I think you're right, friend.
00:21:00 A man shouldn't butt into anything that ain't his own affair.
00:21:04 Sheep farmer, you want to sell them sheep?
00:21:07 >> Yes, sir.
00:21:11 >> Well, let's see. I'll give you a hundred now and three hundred when I get them to market.
00:21:16 >> That's highway robbery.
00:21:19 >> Well, maybe you think you're going to get a better offer for them today.
00:21:23 >> I'll take it. With one proviso.
00:21:26 >> What's that?
00:21:29 >> I'll go with the sheep.
00:21:31 >> Good. You're working for me.
00:21:35 You go ahead. You go right ahead.
00:21:40 If there's anything I enjoy more than hanging a sheep,
00:21:42 it's hanging somebody who sticks his nose into my business.
00:21:46 Go on. You try to cut that rope.
00:21:50 >> No, you got me scared.
00:21:55 You do it.
00:21:59 Dog!
00:22:03 >> Get him off! Get him off!
00:22:05 >> Dog!
00:22:06 >> Just who in the hell do you think you are?
00:22:09 >> Jacob McCandles.
00:22:12 >> Oh, I, uh...
00:22:15 I thought you were dead, Mr. McCandles.
00:22:18 >> Not hardly.
00:22:20 You going to cut him down?
00:22:32 Now his hands.
00:22:40 Two hundred miles south, Bar M.C.
00:22:44 Foreman's name's Gonzalez. Tell him I sent you.
00:22:47 Take the boy with you.
00:22:49 >> Thank you, sir. Come along, son.
00:22:56 >> You follow him. I'll hunt you down and kill you.
00:22:59 Every mother's son of you.
00:23:03 >> Come on, dog.
00:23:20 >> Mr. McCandles!
00:23:24 >> Hola, Chihuahua.
00:23:25 >> ¿Qué pasa para usted, señor?
00:23:36 [train whistle]
00:23:48 [train whistle]
00:24:08 [train whistle]
00:24:20 >> Here you are, Mr. McCandles.
00:24:22 >> Thanks, Joe.
00:24:28 Hank! She's in there, Mr. McCandles, waiting.
00:24:32 >> What happened to your spurs?
00:24:34 >> Oh, they don't work on these newfangled velocipedes.
00:24:38 >> Oh.
00:24:40 Well, see that they get my gear out of that car.
00:24:42 >> Yes, sir.
00:24:59 >> Martha?
00:25:04 It's been a long time.
00:25:07 It's good to see you again.
00:25:10 >> You've changed, Jacob.
00:25:12 >> Not you.
00:25:15 You're as young and lovely as ever.
00:25:22 >> I called you, Jacob, because your grandson has been kidnapped.
00:25:26 You didn't know you had a grandson?
00:25:28 >> You have, by your son, Jeffrey.
00:25:30 And Jeffrey has been badly wounded by the kidnappers.
00:25:32 >> Will he live?
00:25:33 >> This is the ransom note.
00:25:35 The blood on it is Jeffrey's.
00:25:37 >> Will he live?
00:25:38 >> Yes.
00:25:39 I will not contemplate otherwise.
00:25:54 >> Do we have -- you have a million dollars?
00:25:58 >> Yes.
00:25:59 And many times that.
00:26:00 Hank!
00:26:01 >> Yes, ma'am.
00:26:03 >> Will you bring in the strong box, please?
00:26:12 Set it down here on the table.
00:26:14 That's all.
00:26:16 >> Yes, ma'am.
00:26:26 >> Is this the way you want it?
00:26:28 >> Yes.
00:26:29 They're very dangerous men.
00:26:31 They've already killed ten people.
00:26:33 Many of them you knew.
00:26:35 Juan and his family.
00:26:36 >> Tina and the little boy?
00:26:38 >> Moses Brown.
00:26:40 >> Oh, Moses.
00:26:42 >> Milesy Cook.
00:26:46 >> Jacob, as I said, they're very dangerous and violent people.
00:26:49 And I don't think we've got any other choice than to give them what they've asked for.
00:26:53 >> I agree.
00:26:55 But you know that pay or not, we run the risk of never seeing the boy again.
00:27:01 >> I understand.
00:27:03 >> Well, follow the map until met.
00:27:06 That's easy.
00:27:07 I'll need food for a week, water for ten days, three pack horses.
00:27:11 A good mule.
00:27:13 >> Waiting for you outside.
00:27:16 >> Martha, you didn't happen to think of my greeners, the double barrels.
00:27:33 Oh, you brought Betsy.
00:27:36 Pays to be careful.
00:27:38 Well, now let's see if I've forgotten anything.
00:27:41 Oh, I'll need a piece of clothing that the boy has worn recently.
00:27:48 His?
00:27:49 >> Yes.
00:28:00 >> Hank, who picked the mule?
00:28:02 >> I did.
00:28:03 >> Pack it.
00:28:04 >> Yes, sir.
00:28:05 >> I'll get the rest of the gear.
00:28:15 >> Hello, Buck.
00:28:17 >> Oh, you old horse thief.
00:28:19 I thought you was dead for sure by now.
00:28:21 >> That'll be the day.
00:28:23 Think of taking a trip.
00:28:25 >> Well, a million dollars is a lot of money, Jacob.
00:28:27 I thought we might go with you.
00:28:28 >> In those?
00:28:29 >> Faster than a horse.
00:28:31 It'll go farther and last longer.
00:28:32 >> 1909, Jacob.
00:28:34 >> Being in my way is old-fashioned.
00:28:36 >> Meaning I'm offering my help if you'll have me.
00:28:39 >> Well, thanks, Buck, but I'll go it alone.
00:28:41 >> Well, suit yourself, Jacob.
00:28:43 >> What about me?
00:28:47 >> James?
00:28:48 >> Good morning, Daddy.
00:28:50 It's been some time since I've seen you.
00:28:52 Ten years, I think.
00:28:56 >> Nine years and four months.
00:28:58 But you're welcome to come along, son.
00:29:00 I am moved by your faith in someone you haven't seen since he was 16 years old.
00:29:05 Daddy.
00:29:07 >> Daddy?
00:29:09 >> Daddy.
00:29:13 >> Daddy.
00:29:17 >> Well, son, since you haven't learned to respect your elders, it's time you learn to respect your betters.
00:29:25 >> Oh!
00:29:40 >> If you weren't my father...
00:29:42 >> Go ahead. I give you leave.
00:29:48 You're going with me.
00:29:50 I hope you can use that hog leg better than you can fight.
00:29:54 Does that suit you, Daddy?
00:29:58 >> You can call me Father.
00:30:00 You can call me Jacob.
00:30:01 You can call me Jake.
00:30:03 You can call me a dirty son of a bitch.
00:30:05 But if you ever call me Daddy again, I'll finish this fight.
00:30:24 >> Mckinna?
00:30:25 >> Signor?
00:30:26 >> Tell Sam Sharp knows I want to see him.
00:30:29 Tell him the same place as the last time and all he needs is his saddle.
00:30:33 Get yourself a good horse.
00:30:37 Oh, Tequina.
00:30:38 >> Si?
00:30:39 >> Bring a horse back.
00:30:41 >> Seguro, signor.
00:30:46 >> Where's your brother?
00:30:47 He ought to be here with you.
00:30:49 >> He'll be here.
00:31:09 >> Watch out for that bureau!
00:31:31 >> I tried to tell you about them horses, Jacob.
00:31:33 Now you take these here automobiles.
00:31:35 >> Jacob, this is your son, Michael.
00:31:37 >> Father, good to see you again.
00:31:40 He's a mite skittish, isn't he, Father?
00:31:48 The little fellow's still alive, Mother.
00:31:50 >> Are you sure?
00:31:51 >> I saw him.
00:31:52 The kidnappers were in the Chilicote flatlands, 20 miles from Cuyamay Pass, five hours ago.
00:31:57 Using the automobiles, I believe the Rangers can get to the pass long before the kidnappers and set a trap for them.
00:32:03 You want a chance at Mother?
00:32:05 >> Buck?
00:32:07 >> No matter what happens, I think they'll kill the boy sooner or later.
00:32:10 I've got the best riflemen in Texas with me.
00:32:13 That means in the world.
00:32:14 With luck at, say, 200 yards, I think maybe we can kill every one of those animals before they hear the shots that did it.
00:32:19 I think it's worth a gamble.
00:32:22 >> That's very daring.
00:32:24 Yes.
00:32:25 Yes, I'll chance it.
00:32:27 What do you think, Jacob?
00:32:32 >> Suit yourself, Martha.
00:32:39 >> I was asking your opinion, Jacob.
00:32:42 >> No.
00:32:43 You made up your mind.
00:32:44 You made your decision alone.
00:32:47 You live it alone.
00:32:49 >> I was wrong.
00:32:50 You haven't changed, have you, Jacob McCandles?
00:32:54 >> Not one bit.
00:32:58 >> Do it!
00:33:03 >> You still want me to take this box in?
00:33:06 >> Yes.
00:33:07 If they fail, it falls to you.
00:33:19 >> You coming along?
00:33:21 >> No.
00:33:28 I'll go with them.
00:33:29 >> Doc, let's go.
00:33:33 [music]
00:33:42 [train whistle]
00:33:45 [music]
00:33:49 [train whistle]
00:33:52 [music]
00:33:56 [train whistle]
00:33:59 [music]
00:34:02 (dramatic music)
00:34:04 (dog barking)
00:34:08 (upbeat music)
00:34:10 (upbeat music)
00:34:13 (dog barking)
00:34:31 (upbeat music)
00:34:34 (upbeat music)
00:34:36 (upbeat music)
00:34:39 (upbeat music)
00:34:42 (upbeat music)
00:34:44 (upbeat music)
00:34:47 (upbeat music)
00:35:05 (upbeat music)
00:35:14 (upbeat music)
00:35:16 (upbeat music)
00:35:25 (upbeat music)
00:35:33 (upbeat music)
00:35:36 (upbeat music)
00:35:39 (birds chirping)
00:36:04 (dog barking)
00:36:06 (lion roaring)
00:36:12 - I hear him.
00:36:13 Sam?
00:36:23 - Morning, Jacob.
00:36:24 (birds chirping)
00:36:27 - I have brought the saddle.
00:36:35 - There's your horse.
00:36:37 - Going hunting, Sam.
00:36:41 - Hunting for what?
00:36:42 - Men.
00:36:43 - I don't hunt Apaches.
00:36:45 I don't hunt my own people.
00:36:48 You remember that, Jacob.
00:36:49 - They kidnapped my grandson, Sam.
00:36:54 I don't know what color they are, and I don't care.
00:36:57 - I have no gun.
00:37:03 - Close or far?
00:37:06 - Close, my eyes.
00:37:09 No good.
00:37:10 - Me too.
00:37:20 (gun clicking)
00:37:22 (dramatic music)
00:37:28 (dramatic music)
00:37:31 (dramatic music)
00:37:34 (dramatic music)
00:37:36 (dramatic music)
00:37:39 (dramatic music)
00:37:42 (dramatic music)
00:37:45 (dramatic music)
00:37:47 (dramatic music)
00:37:50 (dramatic music)
00:37:53 (dramatic music)
00:37:56 (dramatic music)
00:37:58 (dramatic music)
00:38:06 (dramatic music)
00:38:19 (dramatic music)
00:38:22 (horse snorting)
00:38:34 (dramatic music)
00:38:44 (dramatic music)
00:38:46 - Keep going.
00:38:57 - Any sign of the kidnappers, son?
00:39:06 - Couldn't see anything moving for miles.
00:39:09 - Good, we must be ahead of them.
00:39:12 There's a narrow pass at the end of the valley.
00:39:14 I think it's a good place for us to trap 'em.
00:39:17 - I'm for it.
00:39:20 - Buck, not knowing where the kidnappers are,
00:39:25 we can't chance that pass.
00:39:27 They're young fools.
00:39:28 - And I'm an old one.
00:39:30 But we're gonna get that boy.
00:39:33 (dramatic music)
00:39:38 (dramatic music)
00:39:40 (dramatic music)
00:39:43 (dramatic music)
00:39:46 (dramatic music)
00:39:49 (dramatic music)
00:40:17 - We'll hide these machines up at the end of the canyon.
00:40:20 This is a good place for the ambush.
00:40:22 (gun firing)
00:40:40 - Jump!
00:40:41 (gun firing)
00:40:46 (gun firing)
00:40:48 - Police!
00:40:54 - Stop these damn things!
00:41:01 Get out!
00:41:01 Take cover!
00:41:05 (gun firing)
00:41:14 (gun firing)
00:41:17 - Good place for an ambush, all right.
00:41:24 And we're it.
00:41:25 (gun firing)
00:41:28 (gun firing)
00:41:36 (gun firing)
00:41:41 (dramatic music)
00:41:44 - What happened to that crazy bicycle?
00:41:53 - I think he crossed into that canyon.
00:41:55 (gun firing)
00:41:59 (gun firing)
00:42:08 - Let's get him out of here.
00:42:09 Come on.
00:42:10 (gun firing)
00:42:13 (gun firing)
00:42:33 (gun firing)
00:42:39 (dramatic music)
00:42:42 (gun firing)
00:42:55 - They've had enough, John.
00:43:09 They ain't gonna be able to follow us anymore.
00:43:11 - Let's stay 'em a little more.
00:43:13 And they'll come through with the money.
00:43:16 (gun firing)
00:43:18 (dramatic music)
00:43:21 - That crazy kid.
00:43:34 - Yeah.
00:43:35 - The horses!
00:43:36 Everybody get to them horses, move it!
00:43:39 (dramatic music)
00:43:42 (gun firing)
00:43:45 (dramatic music)
00:43:48 Grab that kid!
00:43:56 (dramatic music)
00:44:05 - Stop, let me down!
00:44:06 (dramatic music)
00:44:09 - Damn it, Pop, the next time I tell you to tie that kid up,
00:44:17 don't be worried about hurting him.
00:44:19 (John grunting)
00:44:25 (dramatic music)
00:44:27 (dramatic music)
00:44:30 (dramatic music)
00:44:33, get out of here, you.
00:44:38 (dramatic music)
00:44:41 Get out of here, you.
00:45:02 (dog barking)
00:45:06 (dog barking)
00:45:09 (dramatic music)
00:45:11 (dramatic music)
00:45:14 - Come back.
00:45:21 (dramatic music)
00:45:24 (horses neighing)
00:45:37 (horses neighing)
00:45:40 (dramatic music)
00:45:43 - The boy?
00:45:58 - We don't know.
00:46:00 - My son, Michael?
00:46:04 - We don't know.
00:46:05 There was an explosion southeast of here.
00:46:09 - Well, do you have any water?
00:46:19 - No.
00:46:22 - I'll give you half of ours.
00:46:26 As soon as I can, I'll telegraph that you're walking in.
00:46:32 - Going south?
00:46:33 - Going south is gonna be some time
00:46:34 before you get to a telegraph station.
00:46:37 I'm gonna have to take one of your mounts,
00:46:38 send for help, some of my men are hurt bad.
00:46:40 - No, I'll need 'em.
00:46:42 Anything else?
00:46:44 - No.
00:46:44 No, you've been more than generous, Mr. McCandles.
00:46:50 - I think so, Buck.
00:46:53 15 years ago, I'd have killed you
00:46:55 for risking my grandson's life.
00:46:58 If I find him dead, I'll still kill you.
00:47:02 - You going along?
00:47:03 Now, the last time I asked you that question,
00:47:07 you said no, and you said it in a loud and clear voice.
00:47:11 Now, I'm asking you a question.
00:47:13 You coming along?
00:47:14 - Your damn rights I am, Father.
00:47:17 - Throw a blanket on him.
00:47:22 - I can ride without a blanket.
00:47:24 - I'm not worried about your butt, it's his back.
00:47:31 (birds chirping)
00:47:33 Come on.
00:47:34 - Something down there, is that it?
00:47:50 - That's it.
00:47:59 - Well, here, you take the mule down the long way.
00:48:02 I don't wanna lose him even by accident.
00:48:05 You go with him.
00:48:06 - I'm going down there.
00:48:07 - You'll go where you're told.
00:48:10 - Do this, do that.
00:48:18 I'll do as I damn well please.
00:48:20 - You do what your father tells you.
00:48:22 Every time he tells you,
00:48:24 you might come through this thing alive.
00:48:26 Maybe even save the boy's life.
00:48:29 Otherwise, you're gonna get yourself killed.
00:48:31 - Don't matter to me, but...
00:48:35 - You'll probably get him killed, too.
00:48:37 - That does.
00:48:39 (hooves clopping)
00:48:42 (hooves clopping)
00:48:44 (hooves clopping)
00:48:47 (hooves clopping)
00:48:50 (hooves clopping)
00:48:53 (hooves clopping)
00:48:56, (hooves clopping)
00:49:01 (hooves clopping)
00:49:04 (hooves clopping)
00:49:31 - Oh, father, am I glad to see you.
00:49:34 - You ain't dead?
00:49:35 - No.
00:49:36 - No broken bones?
00:49:38 - I don't think so.
00:49:39 - Take off your glasses.
00:49:41 - My what?
00:49:43 - Your goggles.
00:49:44 (thudding)
00:49:48 That's for scaring me out of 10 years of my life,
00:49:53 which I can't spare.
00:49:55 - I had to be still.
00:49:56 I didn't know who was moving around up there.
00:49:59 - You hurt?
00:50:01 - No.
00:50:02 (hooves clopping)
00:50:07 (grunting)
00:50:09 - That's for risking my grandson's life.
00:50:11 You do that again and I'll break every bone in your body.
00:50:14 - Father,
00:50:15 the next time...
00:50:19 - Yeah?
00:50:22 - The next time, I won't take off my goggles.
00:50:26 - Oh.
00:50:29 (hooves clopping)
00:50:32 - You all right?
00:50:40 - Was.
00:50:43 For an old mule, he's got quite a kick, don't he?
00:50:46 - I think he was using brass knuckles.
00:50:49 - Better mount up before we lose him.
00:50:52 - Wonder what the hell he has in store for us next.
00:50:57 (dramatic music)
00:51:00 (hooves clopping)
00:51:02 (dramatic music)
00:51:05 (hooves clopping)
00:51:08 (dramatic music)
00:51:11 (hooves clopping)
00:51:14n) (dramatic music)
00:51:21 (dramatic music)
00:51:24 (hooves clopping)
00:51:27 (dramatic music)
00:51:41 - You know, that's a dirty habit if you ask me.
00:51:44 - No, he asked you.
00:51:45 - Pa.
00:51:50 - Yeah?
00:51:51 - You need to wear glasses, do you?
00:51:53 - Just to see with.
00:51:57 - Pa.
00:51:59 - Hmm?
00:52:01 - They say that Ma booted you out
00:52:04 'cause you had a weakness for the ladies.
00:52:06 Is that true?
00:52:10 - I mean, no offense, but I find that hard to believe.
00:52:13 - What do you find hard to believe?
00:52:18 - James.
00:52:19 Cut it out.
00:52:20 I mean, maybe before you got old, you was quite a lady.
00:52:25 (thudding)
00:52:27 - What's the matter with your leg?
00:52:31 - Nothing.
00:52:32 - You've been favoring it all day.
00:52:33 What's the matter with it?
00:52:35 - I got hit by some buckshot, that's all.
00:52:39 - Take down your pants.
00:52:40 - Are you on the level?
00:52:41 - You gonna take down your pants
00:52:44 or do I have to do it for you?
00:52:46 - You and who else?
00:52:48 - Dog.
00:52:49 (dog growling)
00:52:52 (gun clicking)
00:52:53 Boy, what a beautiful pattern.
00:52:55 He must have been real close to you.
00:52:58 - Will you shut up?
00:52:59 - That's a deep one.
00:53:01 Sam, you know what he did?
00:53:02 - Forgot the duck?
00:53:03 - He stuck his butt up, that's what he did.
00:53:06 Boy, when you're in that kind of a gunfight,
00:53:09 keep your butt down, that's a thing to remember.
00:53:11 There's always some buster down the other side
00:53:14 that's got enough of a sense of humor
00:53:16 to shoot you there instead of in the head every time.
00:53:20 - How about a shot of whiskey?
00:53:23 - Yeah, where is it?
00:53:24 (screaming)
00:53:32 (dramatic music)
00:53:35 (guns firing)
00:53:38, that them? - Yep.
00:53:43 Maybe eight hours ahead of us.
00:53:45 - All of them?
00:53:46 - Yep.
00:53:47 - All of them?
00:53:48 - Yep.
00:53:49 - All of them?
00:53:49 - Yep.
00:53:50 - All of them?
00:53:51 - Yep.
00:53:52 - All of them?
00:53:53 - Yep.
00:53:54 - All of them?
00:53:54 - Yep.
00:53:55 - All of them?
00:53:56 - Yep.
00:53:57 - All of them?
00:53:58 - Yep.
00:53:59 - All of them?
00:53:59 - Yep.
00:54:00 - All of them?
00:54:01 - Yep.
00:54:02 - All of them?
00:54:03 - Yep.
00:54:04 - All of them?
00:54:04 - Yep.
00:54:05 - All of them?
00:54:06 - Yep.
00:54:07 - All of them?
00:54:08 - Yep.
00:54:09 - All of them?
00:54:09 - Yep.
00:54:10 - All of them?
00:54:11 - Yep.
00:54:12 - All of them?
00:54:13 - Yep.
00:54:14 - All of them?
00:54:14 - Yep.
00:54:15 - All of them?
00:54:16 - Yep.
00:54:17 - All of them?
00:54:18 - Yep.
00:54:19 - All of them?
00:54:19 - Yep.
00:54:20 - All of them?
00:54:21 - Yep.
00:54:22 - All of them?
00:54:23 - Yep.
00:54:24 - All of them?
00:54:24 - Yep.
00:54:25 - All of them?
00:54:26 - Yep.
00:54:27 - All of them?
00:54:28 - Yep.
00:54:29 - All of them?
00:54:29 - Yep.
00:54:30 - All of them?
00:54:31 - Yep.
00:54:32 - All of them?
00:54:33 - Yep.
00:54:34 - All of them?
00:54:34 - Yep.
00:54:35 - All of them?
00:54:36 - Yep.
00:54:37 - All of them?
00:54:38 - Yep.
00:54:39 - All of them?
00:54:39 - Yep.
00:54:40 - All of them?
00:54:41 - Yep.
00:54:42 - All of them?
00:54:43 - Yep.
00:54:44 - All of them?
00:54:44 - Yep.
00:54:45 - All of them?
00:54:46 - Yep.
00:54:47 - All of them?
00:54:48 - Yep.
00:54:49 - All of them?
00:54:49 - Yep.
00:54:50 - All of them?
00:54:51 - Yep.
00:54:52 - All of them?
00:54:53 - Yep.
00:54:54 - All of them?
00:54:54 - Yep.
00:54:55 - All of them?
00:54:56 - Yep.
00:54:57 - All of them?
00:54:58 - Yep.
00:54:59 - All of them?
00:54:59 - Yep.
00:55:00 - All of them?
00:55:01 - Yep.
00:55:02 - All of them?
00:55:03 - Yep.
00:55:04 - All of them?
00:55:04 - Yep.
00:55:05 - All of them?
00:55:06 - Yep.
00:55:07 - All of them?
00:55:08 - Yep.
00:55:09 - All of them?
00:55:09 - Yep.
00:55:10 - All of them?
00:55:11 - Yep.
00:55:12 - All of them?
00:55:13 - Yep.
00:55:14 - All of them?
00:55:14 - Yep.
00:55:15 - All of them?
00:55:16 - Yep.
00:55:17 - All of them?
00:55:18 - Yep.
00:55:19 - All of them?
00:55:19 - Yep.
00:55:20 - All of them?
00:55:21 - Yep.
00:55:22 - All of them?
00:55:23 - Yep.
00:55:24 - All of them?
00:55:24 - Yep.
00:55:25 - All of them?
00:55:26 - Yep.
00:55:27 - All of them?
00:55:28 - Yep.
00:55:29 - All of them?
00:55:29 - Yep.
00:55:30 - All of them?
00:55:31 - Yep.
00:55:32 - All of them?
00:55:33 - Yep.
00:55:34 - All of them?
00:55:34 - Yep.
00:55:35 - All of them?
00:55:36 - Yep.
00:55:37 - All of them?
00:55:38 - Yep.
00:55:39 - All of them?
00:55:39 - Yep.
00:55:40 - What kind of a gun is that you got
00:55:59 hanging around your belly, Michael?
00:56:02 - It's a Bergman, 1911.
00:56:04 - 1911?
00:56:05 It's only 1909.
00:56:07 - Pre-production model, father.
00:56:09 We own some stock.
00:56:10 - Why is it so funny shaped?
00:56:11 - The shells load into a magazine, father.
00:56:15 The magazine into the handle of the gun.
00:56:17 Gas operator, you see.
00:56:19 - Gas operator?
00:56:20 - It shoots real fast.
00:56:22 - Well, Michael, can you shoot?
00:56:24 - Proficiently, father.
00:56:26 - Well, as many times as you can
00:56:30 before this hits the ground.
00:56:32 Like maybe once?
00:56:33 Well, Michael, you were supposed to shoot.
00:56:39 - With this?
00:56:40 - It's a gun, isn't it?
00:56:42 - Well, yes, of course.
00:56:43 - Well, shoot it.
00:56:44 - But father.
00:56:45 (gunshots)
00:56:48 - Boy, you need a keeper.
00:56:56 - Pa, I wouldn't come out just yet.
00:56:58 - Sam, I want to offer my personal apologies.
00:57:01 You can get up now.
00:57:03 - I'm not coming out.
00:57:04 Not till you say I can shoot back.
00:57:06 - He fired his six shots.
00:57:08 - Pa!
00:57:09 - Stop, interrupt.
00:57:10 (gunshots)
00:57:13 Put that thing away.
00:57:17 That damn mule.
00:57:20 If he busts up that box, Michael, you'll...
00:57:25 Ouch.
00:57:26 - Till you're used to the safety on this, you really--
00:57:29 - Being dry, you better help your father.
00:57:31 - Oh.
00:57:32 (dramatic music)
00:57:35 - Father, I--
00:57:40 - Proficient, eh?
00:57:42 Now, what was it you were trying to tell me?
00:57:58 - That there were eight shots in that gun.
00:58:00 - Oh, thanks.
00:58:02 Give me a hand here.
00:58:03 - Father, there has been a misunderstanding.
00:58:07 When I said that I could shoot proficiently,
00:58:08 I meant with this.
00:58:10 - With that?
00:58:11 - Yes, sir.
00:58:12 - Make a target.
00:58:15 - That tall tree there.
00:58:18 The edge of the small broken branch.
00:58:20 - Son, that's over 400 yards.
00:58:23 - Nearer five.
00:58:25 - Well, if you can shoot that far,
00:58:28 a quarter of a mile straight along the edge of my nose
00:58:30 is a mountain buck.
00:58:32 Shoot it.
00:58:33 - I don't kill to make a point, father.
00:58:37 - Michael, there's two reasons to kill.
00:58:42 Survival and meat.
00:58:44 We need meat.
00:58:45 Oh, it's too late.
00:58:47 (gun firing)
00:58:56 That's good shooting.
00:58:58 Not bad.
00:59:01 - Father, you want to try a shot?
00:59:04 Scope's set for 500 yards.
00:59:06 - Son, I couldn't see that far.
00:59:08 Sam!
00:59:09 Give me a hand packing that mule.
00:59:15 - Michael, let me see that handgun.
00:59:18 It sure is something.
00:59:23 (dramatic music)
00:59:26 (horse galloping)
00:59:29 - Damn.
00:59:46 - Something wrong, father?
00:59:47 - Well, I can sleep cold, eat raw meat, even raw fish,
00:59:51 but come evening, I sure miss my hot coffee.
00:59:56 - Give me half a can of them peaches.
00:59:58 Hey, quite an improvement.
01:00:00 I'll bet you could almost get that fancy gun
01:00:04 out of that fancy holster before some fast gentleman
01:00:07 with an old-fashioned six gun blew a hole in you.
01:00:11 - You know what I think?
01:00:13 A spring, a spring at the bottom of the holster.
01:00:16 It might work.
01:00:17 Sure spent a lot of time with this thing.
01:00:21 Michael, do you really think that little Jake
01:00:23 is still alive?
01:00:25 - What did you call him?
01:00:26 - He called him little Jake, father.
01:00:28 Mom insisted.
01:00:29 - Well, I'll be damned.
01:00:32 You didn't know he was named after you, did you?
01:00:34 - No, I didn't.
01:00:36 - Well, I guess it's kind of hard to keep in touch.
01:00:38 I mean, you run out on your family that way.
01:00:41 - You never hear that at home.
01:00:43 You're short on ears and long on mouth.
01:00:46 - Well, you ever learn to can it, James?
01:00:53 - Well, you sure are respectful of his feelings.
01:00:55 I'll say that for you.
01:00:57 Me, he was right.
01:00:59 - Yeah.
01:01:00 That's the trouble.
01:01:04 - Oh, thanks.
01:01:11 What's the boy like, Michael?
01:01:16 - He's like you and James, Pa.
01:01:18 - Like me and James?
01:01:21 (dog barks)
01:01:23 - Still four or five of them?
01:01:29 - Yep, but they haven't closed in yet.
01:01:32 They're being real quiet.
01:01:34 - How close?
01:01:35 - Maybe another hour.
01:01:38 There's one closer, though, right behind your head.
01:01:42 I don't know whether he's with them or not.
01:01:43 He sits his horse out there about 200 yards.
01:01:47 He waits.
01:01:49 He listens.
01:01:50 - I wonder what he wants.
01:01:52 - I could kill him, Jacob.
01:01:54 Real easy.
01:01:55 - In cold blood?
01:01:58 - Oh, you're squeamish, are you?
01:02:00 Well, between your brother's love of pretty toys
01:02:03 and your high moral tone,
01:02:05 I hope you don't get killed before this thing's over.
01:02:08 We'll wait.
01:02:09 - You won't have to.
01:02:10 He's coming in.
01:02:11 - James, come on.
01:02:14 (hooves clopping)
01:02:17 - Hello, the camp.
01:02:31 Can I come in?
01:02:32 - Come on in.
01:02:35 And welcome.
01:02:37 (hooves clopping)
01:02:40 - Well, I was hoping for a cup of coffee,
01:02:52 but you're running a cold camp here.
01:02:54 - Yep.
01:02:55 How about a peach?
01:02:57 - No, that hurts my teeth.
01:02:59 - Well, I got hooked on these when I was a yonker.
01:03:03 Could never get my fill.
01:03:06 - Oh, hell, mister, you don't need that.
01:03:07 I'm not a damn fool.
01:03:08 I know you got three or four men out there watching me.
01:03:11 Can I move my hand?
01:03:14 - Go ahead.
01:03:15 - That's my bona fides.
01:03:22 - Well, I hope that boy don't catch cold.
01:03:27 That would cause me great annoyance and displeasure.
01:03:31 - Mister, that just scares the hell out of me.
01:03:34 I thought that you might be annoyed.
01:03:37 - Glad to hear that.
01:03:39 Now, did you come here to give me a message
01:03:41 or just to pass the time of day?
01:03:44 - From here, you go to Escondera.
01:03:46 You wait there till you hear from us.
01:03:48 - You've been following us two, maybe three days.
01:03:52 Why did you wait so long?
01:03:54 - I haven't been following you.
01:03:56 I've been waiting right here, just like the map says.
01:03:59 - Oh?
01:04:02 - Hey, is that the money?
01:04:04 Open her up.
01:04:11 I'd like to look at it.
01:04:12 - Help yourself.
01:04:19 Just as soon as you bring in the boy.
01:04:22 - Who are you?
01:04:28 - They say I work for the McCandles.
01:04:31 - The boy mean anything to you?
01:04:33 - Never laid eyes on him.
01:04:35 But I'm being paid to bring him back alive or you dead,
01:04:39 each and every one of you.
01:04:41 I'd rather bring the boy back.
01:04:44 That's easier.
01:04:46 But when it comes right down to it,
01:04:48 it don't matter to me.
01:04:50 I'll earn my pay one way or the other.
01:04:53 Now, how about you?
01:04:56 Are you the big chief or one of the little Indians?
01:05:00 - Oh, just a little Indian, just a messenger boy.
01:05:03 - Well, you've delivered the message, that's all.
01:05:06 - There's more.
01:05:07 I'm in here alone.
01:05:09 You've been followed like the think.
01:05:11 You best stay right on your toes.
01:05:13 You'll be real tough, real loose.
01:05:16 What you got in that box is too big to keep a secret.
01:05:19 And the thing is this.
01:05:21 You got to deliver that box to us.
01:05:23 You got to put it right in our hands.
01:05:26 You understand?
01:05:27 Good intentions won't buy you nothing
01:05:29 but that boy's corpse.
01:05:31 It's just as simple as that.
01:05:33 Somebody takes that box away from you,
01:05:36 we won't be understanding, we won't wait,
01:05:38 we won't try again.
01:05:40 I'll just send that boy's body back to you in a basket.
01:05:44 You understand?
01:05:45 Mister, I said, do you understand me?
01:05:53 - I understand.
01:05:55 (dramatic music)
01:05:58 (horse neighing)
01:06:00 (dramatic music)
01:06:03 (dramatic music)
01:06:06 - Jacob.
01:06:25 What's the matter?
01:06:31 - I make big mistake.
01:06:33 In that stand of trees, there's two men.
01:06:37 - Tell 'em, heard where we're going.
01:06:43 Kill 'em.
01:06:44 Dog, go with him.
01:06:45 (dramatic music)
01:06:48 Bring in the horses and get that stuff packed.
01:06:59 (dramatic music)
01:07:02 (dramatic music)
01:07:04 (dramatic music)
01:07:07 (dramatic music)
01:07:10 (dramatic music)
01:07:14 (dramatic music)
01:07:16 (dramatic music)
01:07:19 (dramatic music)
01:07:22 (dramatic music)
01:07:25 (dramatic music)
01:07:27 (dramatic music)
01:07:30 (dramatic music)
01:07:33 (dramatic music)
01:07:36 (dramatic music)
01:07:38 (dramatic music)
01:07:40 - Well?
01:07:42 - I'm getting older.
01:07:43 There were two men, I killed one.
01:07:45 - Damn.
01:07:46 (dramatic music)
01:07:47 Means they'll, it is Escondero for sure.
01:07:52 - Escondero, where have I heard that name before?
01:07:54 - Boomtown.
01:07:55 - Oil.
01:07:56 (dramatic music)
01:08:00 (dramatic music)
01:08:03 - Well, that cuts it.
01:08:24 - Yeah, must be a celebration.
01:08:26 (dramatic music)
01:08:29 (dramatic music)
01:08:31 - Town will be loaded with strangers.
01:08:34 (dramatic music)
01:08:37 (train horn blaring)
01:09:07 - Ain't this a little showy, Pa?
01:09:08 I mean that big red box and all the guns out.
01:09:11 - I hate secrets.
01:09:15 Never knew one to be kept.
01:09:16 They've all heard what's in that red box
01:09:20 and they all want it.
01:09:21 What we're doing by this ostentious display
01:09:25 is telling them they can't have it.
01:09:27 Hell, we may be saving some poor miscreant soul's life
01:09:33 by doing this, maybe even our own.
01:09:35 (dramatic music)
01:09:38 - Well, unpack the piggy bank and the rest of our gear.
01:09:40 Hey, Chamaco!
01:09:41 Kevin loves to buy us.
01:09:45 - What you been doing?
01:09:47 (dramatic music)
01:09:50 - When they fiesta in this town, they really fiesta.
01:10:00 What's the matter with you?
01:10:03 (dramatic music)
01:10:06 - He's the one got away, Jacob.
01:10:14 - Want me to get him?
01:10:16 - No.
01:10:16 Keep an eye on him.
01:10:18 Probably a lot more.
01:10:21 - Dog!
01:10:23 (groaning)
01:10:28 - Feels like it's full of rocks.
01:10:30 I'm gonna get me a big private room
01:10:32 with a big soft bed and a--
01:10:33 - One big room and one big bed for all of us.
01:10:36 No money doesn't grow on trees.
01:10:38 Give us a room.
01:10:41 - The dog is all right, but we do not allow Indians.
01:10:44 - He's with me.
01:10:45 - No Indians.
01:10:47 (speaking in foreign language)
01:10:50 - No Indians?
01:10:54 - I'll sleep in the barn.
01:10:56 - The Jacob McCandles?
01:11:01 - That's right.
01:11:02 - My apologies, Mr. McCandles.
01:11:03 I thought you was dead, sir.
01:11:04 - Dead?
01:11:07 Next man says that to me, I'm gonna shoot, so help me.
01:11:10 Dog!
01:11:11 Come on.
01:11:17 Come on.
01:11:20 (footsteps)
01:11:22 - Bring it up.
01:11:34 Put it over there in the corner.
01:11:37 Oh, don't tell me it's that heavy.
01:11:41 - Ah, it sure is.
01:11:43 I never knew money could weigh so much.
01:11:45 - What time is it?
01:11:48 - Can't believe I got two sons who don't own a watch.
01:11:51 - There are one who'd throw it out.
01:11:53 We're near dark.
01:11:54 - Yep, five o'clock.
01:11:56 - Man, take a look at Babylon.
01:12:00 They're gonna have themselves a real party tonight.
01:12:05 I wish I could dance me a jig with a pretty lady.
01:12:10 - Why not?
01:12:11 - Oh, because of the box.
01:12:15 - Yeah, and the men who followed us in.
01:12:18 We're walking into trouble.
01:12:20 - What do you do when cockroaches
01:12:22 get in the woodwork, Michael?
01:12:23 - Smoke 'em out?
01:12:24 - That's right.
01:12:26 - Why not wait until they make a move?
01:12:28 - Because waiting's good for them and bad for us.
01:12:31 You get impatient, nervy, careless, maybe dead.
01:12:35 I've seen it.
01:12:36 Besides, you two children haven't had the experience
01:12:39 for that sort of thing, and I don't have the patience.
01:12:43 So we're gonna invite 'em here tonight.
01:12:45 - Now, Father, I think that--
01:12:46 - You think?
01:12:47 Michael, your thinking's already cost us some lives.
01:12:52 I intend to hang on to mine.
01:12:53 Your father got us this far 'cause he knows what he's doing.
01:12:57 So for the next 24 hours, why don't you both
01:12:59 just keep your mouths shut and listen to him?
01:13:02 - That's more words than I've spoke since I know you.
01:13:06 - Gentlemen, agreed?
01:13:08 All right, Sam, I want you to go down
01:13:11 and take a look at the horses.
01:13:13 Make yourself seen around the stables.
01:13:16 And tonight, James, you go out
01:13:17 and have yourself a real good time.
01:13:20 And when I leave this room, Michael,
01:13:22 you'll be the sitting duck.
01:13:24 With only you between them and that box,
01:13:27 they'll think it's gonna be like
01:13:28 taking candy away from a baby.
01:13:30 Tonight, Sam, there's gonna be a disturbance
01:13:33 out on the street.
01:13:34 I want you to come over the roof and into the window.
01:13:37 - But you tell him not to shoot me, not even by accident.
01:13:41 - Yeah, remember-- - I heard him.
01:13:43 - Father, you know what you're letting yourself in for.
01:13:46 - There's a little eight-year-old boy somewhere out there,
01:13:52 scared, lonely, and probably wondering
01:13:54 what's happened to his world.
01:13:56 We came here to find him and take him home,
01:14:00 alive if possible.
01:14:01 That's what I intend to do.
01:14:04 He's right about one thing.
01:14:07 He'll be all alone down there.
01:14:11 - No sweat.
01:14:13 All right, Sam, you better pick up another shotgun,
01:14:15 a greener if possible.
01:14:17 Now, I'm gonna take myself a nap.
01:14:22 You wake me up, nine o'clock for sure.
01:14:24 Now, you two young fools be careful tonight,
01:14:28 because if you get yourself killed,
01:14:31 your mother'd never let me hear the end of it.
01:14:34 (light music)
01:14:36, (people chattering)
01:14:41, (people chattering)
01:14:47 (footsteps thudding)
01:14:50 - Por favor, amigo.
01:15:08 (people chattering)
01:15:12 (woman panting)
01:15:15 - Pardon me.
01:15:23 Are you of these oil drillers?
01:15:25 - Yep.
01:15:26 - Well, could you tell me which one
01:15:28 is the orneriest in your outfit?
01:15:30 - Oh, that's easy, Mr. Sweet.
01:15:32 That poorly gentleman right over there with the beard.
01:15:37 (people chattering)
01:15:41 - Thank you.
01:15:41 - Mr. Sweet?
01:15:49 - Yes?
01:15:50 - May I?
01:15:50 (gun firing)
01:15:55 - You shouldn't have done that.
01:15:56 (dramatic music)
01:15:59 - You were right.
01:16:02 (dramatic music)
01:16:09 (gun firing)
01:16:11 - You're a little over-massed, aren't you?
01:16:19 Do you want some help?
01:16:20 - No.
01:16:20 - You better quit being unfriendly, mister.
01:16:26 - Sam's made it, Pa.
01:16:34 - Well, it's about time.
01:16:36 Hold it a minute, friend.
01:16:38 I think there's been a mistake.
01:16:40 Have you ever been to Nacogdoches?
01:16:43 - Nacogdoches?
01:16:44 No?
01:16:47 Strange.
01:16:49 Pardon me.
01:16:50 But I ain't never been to Nacogdoches.
01:17:01 - Dammit, mister.
01:17:02 I believe you.
01:17:04 (dramatic music)
01:17:07 - You're next.
01:17:10 Please sit down, sir.
01:17:11 - Thank you.
01:17:12 Say, I was looking at, do I read right?
01:17:14 - Oh, yes, sir.
01:17:16 Geno and Hot Showers imported all the way from St. Louis.
01:17:20 The only one of its kind between Dallas and Mexico City.
01:17:24 - Ah.
01:17:25 - I highly recommend it, sir.
01:17:26 - Come on, then.
01:17:28 Over there.
01:17:29 - Thank you.
01:17:32 - Over there.
01:17:34 (speaking in foreign language)
01:17:37 (upbeat music)
01:17:45 - Hey, how about it?
01:17:52 Let's get out of here.
01:17:54 - After we finish this dance.
01:17:55 - Yes, ma'am.
01:18:00 (singing in foreign language)
01:18:04 - Oh, man.
01:18:18 - May I have one of these
01:18:20 at every barber shop in the world.
01:18:23 Pastante, maestro.
01:18:24 Be throwing in a minute, mister.
01:18:28 - Take your time, mister.
01:18:29 (sighing)
01:18:32 - Man, I smell as sweet as lilies in the valley right now.
01:18:37 - I'm in no hurry, friend.
01:18:39 You just take your time.
01:18:41 (speaking in foreign language)
01:18:46 There's a cantina at the far edge of town named Sanchez.
01:18:52 You know it?
01:18:53 (speaking in foreign language)
01:18:54 You go there and buy me a bottle of tequila.
01:18:57 (speaking in foreign language)
01:18:59 Anywhere else, mind you.
01:19:00 Now, they have a brand special for me.
01:19:02 Now, that's what I want.
01:19:03 You go fetch it.
01:19:04 (speaking in foreign language)
01:19:08 - Well, guess I'm finished.
01:19:12 - You stay right where you are.
01:19:14 Unless you wanna hurry things, take your choice.
01:19:18 - No hurry, no hurry at all.
01:19:22 But I could use those clothes over there.
01:19:27 I'm getting a little cold.
01:19:28 - If you don't shut up and stay where you are,
01:19:31 you'll get a lot colder.
01:19:32 - Here, protect yourself with this.
01:19:42 (dramatic music)
01:19:45 (dramatic music)
01:19:48 (dramatic music)
01:19:50 (dramatic music)
01:19:53 (dramatic music)
01:19:56 (dramatic music)
01:19:59 (dramatic music)
01:20:02 (dramatic music)
01:20:04 (dramatic music)
01:20:31 - Why didn't you buy me a drink now?
01:20:33 - I thought we was leaving.
01:20:34 - Later.
01:20:35 Am I too heavy?
01:20:37 - No, not at all.
01:20:38 - Hey, you, that fancy holster on.
01:20:48 - Yeah, you.
01:20:49 - You got my woman.
01:20:50 - Sorry.
01:20:51 That's my woman.
01:20:55 All right, friend.
01:20:58 (door opens)
01:21:01 - Hey, don't turn your back on me while I'm talking to you.
01:21:06 - My apologies, sir, if I have a--
01:21:08 - Shut up!
01:21:10 - Yes, sir.
01:21:10 - Well, you sure don't rattle very easy, Sonny.
01:21:17 You know something?
01:21:19 You are a coward.
01:21:20 Yeah.
01:21:22 Yeah, you're a coward.
01:21:23 A live coward.
01:21:26 Now let's hear you say it.
01:21:29 - All right, I'm a coward.
01:21:31 - Hey, I think I finally said something to rattle the boy.
01:21:35 - You sure did.
01:21:36 (gunshots)
01:21:38 (groans)
01:21:42 (gunshot)
01:21:47 (growling)
01:21:55 (growling)
01:21:57 - Well, friend, that's it.
01:22:05 No hard feelings.
01:22:07 (gunshot)
01:22:08 (groans)
01:22:10 - The hell there ain't.
01:22:16 - Sam?
01:22:22 (knocking)
01:22:25 Anybody hurt?
01:22:28 What's the matter?
01:22:31 - Shotgun blast broke the lock, Jacob.
01:22:33 - Newspaper clippings.
01:22:36 I killed a man for newspaper clippings.
01:22:41 - Where's the money, Father?
01:22:43 - Where is it, Daddy?
01:22:51 You think I stole it?
01:22:52 You think I stole it, Michael?
01:22:56 - Tell the Indian to go for a walk.
01:22:57 - Go for a walk, Sam.
01:23:01 - You sure, Jacob?
01:23:02 - Sure, take the dog with you.
01:23:04 Go with him, dog.
01:23:19 - Now what?
01:23:20 - Where's the money, Daddy?
01:23:23 - You go to hell.
01:23:24 James?
01:23:38 Now, boys, you know that's,
01:23:48 that's no way to treat your old daddy.
01:23:51 Jerks.
01:23:52 (thudding)
01:23:54 (thudding)
01:23:58 (thudding)
01:24:00 - Can I come in now?
01:24:28 - Come on in.
01:24:29 Well, there ain't no money.
01:24:34 There never has been.
01:24:36 That's right, never has been.
01:24:41 Was your mother's decision and mine
01:24:44 that we take the boy and not pay for him.
01:24:48 - My mother's decision?
01:24:49 - I don't believe you.
01:24:50 - There were seven McCandles people killed, one crippled.
01:24:55 Your own brother shot, maybe crippled,
01:24:58 maybe even dead, and my grandson kidnapped.
01:25:01 I ain't gonna pay 'em for that.
01:25:03 Neither's your mother.
01:25:05 - Thought I knew her.
01:25:06 - Not hardly.
01:25:08 - Can't be done, Pa.
01:25:09 They'll kill little Jake for sure.
01:25:11 - Not if we kill them first.
01:25:13 (thudding)
01:25:22 (thudding)
01:25:24 - There you are, Jacob, just like new.
01:25:38 - Quiet, dog.
01:25:42 (door opening)
01:25:45 - What are you snooping around for?
01:25:58 - I ain't snooping.
01:25:59 I come to get you.
01:26:01 Your horses are saddled out in back, so let's go.
01:26:05 - Where to?
01:26:06 - I'll take you there.
01:26:07 That's all you need to know.
01:26:09 Except if you don't have the money.
01:26:11 Or if I ain't back within 18 minutes from now.
01:26:15 Or if somebody tries to follow us to the meeting place.
01:26:19 Or tries to keep us from leaving after we get the money,
01:26:21 we'll kill that little boy.
01:26:23 - Well, I ain't gonna give you the money
01:26:25 'til I get the little boy.
01:26:27 Now, how you gonna do it?
01:26:28 - We'll have a rifle on him.
01:26:30 With a real fine sharpshooter behind him.
01:26:33 For one of them fancy new telescopic sights.
01:26:36 From the time you set eyes on him
01:26:39 until one hour after we've amused,
01:26:41 you won't know where our man is.
01:26:43 And we won't be able to tell him not to shoot,
01:26:45 even if we were so inclined.
01:26:47 Something goes wrong, that little boy's dead.
01:26:50 Sure as shooting.
01:26:51 - Well, give us a couple of minutes
01:26:56 to pull ourselves together.
01:26:57 - Well, the front's being watched.
01:27:01 I'll be out in back myself.
01:27:10 - 18 minutes, means they're close by.
01:27:13 James, give me back my watch.
01:27:15 Don't you ever return things you borrow?
01:27:17 - Full of pictures.
01:27:18 - Yeah.
01:27:21 Michael, the sharpshooter's yours.
01:27:25 Kill him. - How?
01:27:27 - Well, get lucky.
01:27:29 Or better still, pray that I get lucky
01:27:30 and make him miss the first shot.
01:27:33 I'll give you about 10 seconds to see his powder flare,
01:27:37 locate him, and keep him from shooting again.
01:27:41 - Nothing to it.
01:27:42 - Well, let's get going.
01:27:53 Where's the other one?
01:27:56 There's supposed to be four of 'em.
01:27:59 - He's dead.
01:28:00 We had to pay a price to keep that box
01:28:03 for you and your friends.
01:28:04 - I was told to bring in all of you or none of you
01:28:07 so that we could keep an eye on you, understand?
01:28:09 No loose ends.
01:28:11 - Well, he's dead.
01:28:12 - I wanna see his body.
01:28:16 - All right.
01:28:25 He's laid out with the rest of 'em down at the jailhouse.
01:28:28 - Jailhouse?
01:28:30 - Right over there.
01:28:31 - Jailhouse.
01:28:37 - Come on, let's go.
01:28:38 - Come on, let's go see him.
01:28:39 We haven't got all night.
01:28:40 - Never mind.
01:28:41 - Any report.
01:28:44 (dramatic music)
01:28:48 (footsteps tapping)
01:28:51 (dramatic music)
01:29:10 (footsteps tapping)
01:29:13 (dramatic music)
01:29:22 (horse whinnying)
01:29:39 - You judges getting a little nervous, ain't you?
01:29:42 - Let's go.
01:29:43 (dramatic music)
01:29:47 (footsteps tapping)
01:29:54 (dramatic music)
01:29:57 (thunder rumbling)
01:30:14 - Sam?
01:30:16 - Wish it were a little lighter.
01:30:19 - Uh-huh.
01:30:20 - If it's for a grain ride, that'd be in our favor.
01:30:23 - Lightning might help.
01:30:25 - Might hurt too.
01:30:26 (dramatic music)
01:30:29 (thunder rumbling)
01:30:33 (thunder rumbling)
01:30:50 (dramatic music)
01:30:53 (dramatic music)
01:31:09 - Hey, what's that?
01:31:15 - Too late to do him any good.
01:31:19 There's another one inside.
01:31:21 He's dead too, the night watchman.
01:31:23 - Hey, you ain't looking too good.
01:31:25 Sight of blood bother you or something?
01:31:27 - Only my own.
01:31:29 - Oh.
01:31:30 - Well, this is where everybody stops.
01:31:32 - Except you.
01:31:33 You take that box and along.
01:31:37 (thunder rumbling)
01:31:41 You'll be met at the other end.
01:31:43 (dramatic music)
01:31:47 (dramatic music)
01:31:50 - Well, Sam, they say the elk in Montana
01:31:57 are as big as buffalo this year.
01:32:01 You gotta go hunt 'em when this is over.
01:32:04 - I look forward to that.
01:32:06 - I wish they were a buffalo.
01:32:10 - Yeah.
01:32:12 Times change.
01:32:15 - Give me that mule.
01:32:17 (dramatic music)
01:32:20 - James?
01:32:34 - I see him.
01:32:35 - Dog.
01:32:44 (dramatic music)
01:32:47 (gun firing)
01:32:51 (dramatic music)
01:32:54 (thunder rumbling)
01:32:59 (dramatic music)
01:33:08 (dramatic music)
01:33:11 (thunder rumbling)
01:33:21 (dramatic music)
01:33:26 (thunder rumbling)
01:33:34 (dramatic music)
01:33:37 (dramatic music)
01:33:40 (thunder rumbling)
01:33:45 (thunder rumbling)
01:33:52 (water dripping)
01:34:04 (footsteps thudding)
01:34:07 - Good to see you made it.
01:34:18 - Yeah, we've had a full day.
01:34:21 (thudding)
01:34:32 - Guess he don't like anybody behind him.
01:34:34 - Neither do I.
01:34:35 All right, that goes for you too, fatty.
01:34:45 Get out where I can see you.
01:34:47 You must figure I'm a real dangerous man.
01:35:00 (chuckles)
01:35:02 Will, come on down.
01:35:04 I told you to move, fatty.
01:35:13 Dog.
01:35:19 (dog growling)
01:35:22 Get off of me!
01:35:23 Turn your dog off!
01:35:26 Get him away!
01:35:29 Get him off of me!
01:35:31 Turn that dog off!
01:35:33 - Bane!
01:35:36 - I wouldn't do that.
01:35:40 - Call your dog off.
01:35:42 - Get him off!
01:35:43 - Dog.
01:35:44 Now call off yours.
01:35:56 (breathing heavily)
01:35:59 The box.
01:36:02 (thudding)
01:36:18 (thudding)
01:36:20 Open it up.
01:36:26 The boy.
01:36:27 Will!
01:36:30 (dramatic music)
01:36:33 Today.
01:36:50 (dog growling)
01:36:53 Open it up.
01:37:01 Take that hood off.
01:37:05 Like to see what I'm buying.
01:37:07 (dramatic music)
01:37:19 (dog growling)
01:37:22 (dramatic music)
01:37:25 (dog growling)
01:37:28 (dramatic music)
01:37:31 (dog growling)
01:37:34 (dramatic music)
01:37:37 (dog growling)
01:37:40 (dramatic music)
01:37:43 (dog growling)
01:37:46 Get right off.
01:37:48 It's as simple as that.
01:37:50 No matter who else gets killed,
01:37:52 that boy dies.
01:37:53 The shotgun misses him, it don't matter.
01:37:55 You already know about the rifle on him.
01:37:57 That won't be as messy as a shotgun at three feet,
01:37:59 but that boy will be just as dead.
01:38:02 You understand me?
01:38:03 Say it.
01:38:07 - I understand.
01:38:09 - Now open it up.
01:38:15 (dramatic music)
01:38:19 (dramatic music)
01:38:47 That's the stuff that dreams are made of.
01:38:49 What's a million dollars look like, John?
01:38:57 Now you understand.
01:39:05 Anything goes wrong, anything at all.
01:39:08 Your fault, my fault, nobody's fault.
01:39:10 It don't matter.
01:39:12 I'm gonna blow your head off.
01:39:14 It's as simple as that.
01:39:16 - What'd he say?
01:39:17 I can't hear him.
01:39:18 - No matter what else happens,
01:39:21 no matter who gets killed,
01:39:23 I'm gonna blow your head off.
01:39:25 - Something wrong, John?
01:39:29 - Kill the boy!
01:39:38 (gun firing)
01:39:41 - Dog!
01:39:42 (dramatic music)
01:39:45 (gun firing)
01:39:47 (dog whining)
01:39:50 (gun firing)
01:39:52 (gun firing)
01:39:54 - Come on, little Jake.
01:39:55 (gun firing)
01:39:57 - Boo!
01:39:58 Run!
01:39:59 (gun firing)
01:40:02 - Give me that shot, you...
01:40:08 (gun firing)
01:40:12 (John screaming)
01:40:14 (gun firing)
01:40:16 (gun firing)
01:40:18 (John grunting)
01:40:21 (dramatic music)
01:40:24 (gun firing)
01:40:29 (gun firing)
01:40:31 (John grunting)
01:40:34 (dramatic music)
01:40:37 - Will.
01:40:43 Will!
01:40:44 He's dead.
01:40:47 I want his shotgun.
01:40:53 - Hurt?
01:41:00 - Yeah.
01:41:01 - Put your finger there.
01:41:05 (John panting)
01:41:08 (dramatic music)
01:41:12 (gun firing)
01:41:14 - Are you hurt?
01:41:16 - No, I'm scared.
01:41:18 - So am I.
01:41:21 But don't let them know it.
01:41:24 (dramatic music)
01:41:39 (gun firing)
01:41:41 (gun firing)
01:41:43 (dramatic music)
01:41:46 (John grunting)
01:41:56 (dramatic music)
01:41:58 - Jake?
01:41:59 - Yes, sir?
01:42:00 (dramatic music)
01:42:08 - Ever fire a gun?
01:42:10 - No, sir.
01:42:11 - Well, use it if you have to.
01:42:14 - Yes, sir.
01:42:15 - Now, when I start firing,
01:42:17 you high-tail it out there and find James.
01:42:20 - Yes, sir.
01:42:21 (gun firing)
01:42:26 (John grunting)
01:42:29 (gun firing)
01:42:31 (John grunting)
01:42:36 (gun firing)
01:42:38 (dramatic music)
01:42:41 (John grunting)
01:42:44 (John grunting)
01:42:48 (dramatic music)
01:42:52 - Ready?
01:42:53 - Yes, sir.
01:42:54 - Go.
01:42:56 (gun firing)
01:42:57 (dramatic music)
01:43:00 - Boys outside, kill him.
01:43:04 (dramatic music)
01:43:07 (gun firing)
01:43:20 (dramatic music)
01:43:23 (gun firing)
01:43:25 - You hear that?
01:43:26 They got the boy.
01:43:28 - What the hell they did?
01:43:29 That's my Derringer.
01:43:31 (dramatic music)
01:43:34 - James, Uncle James.
01:43:40 (gun firing)
01:43:43 (John grunting)
01:43:45 (gun firing)
01:43:48 - Jake, get out of here.
01:43:49 Hide, the stables.
01:43:51 - That sound like a Derringer?
01:43:54 (dramatic music)
01:43:59 (gun firing)
01:44:01 (dramatic music)
01:44:04 - I wouldn't.
01:44:21 - Ulstred.
01:44:24 (snoring)
01:44:28 (dramatic music)
01:44:31 - Raise your hands.
01:44:33 - The other's broke.
01:44:37 - That'll do just fine.
01:44:39 Now turn around.
01:44:41 Real slow.
01:44:44 (gun clicking)
01:44:50 (dramatic music)
01:44:54 (dramatic music)
01:44:57 - I hear you killed two good men in a fair fight tonight.
01:45:02 Is that right?
01:45:03 - No, three counting you.
01:45:06 - Prove it.
01:45:09 (gun firing)
01:45:12 (dramatic music)
01:45:15 (John grunting)
01:45:22 (dramatic music)
01:45:25 (John grunting)
01:45:50 (dramatic music)
01:45:53 - That sound like a boy screaming?
01:45:58 Wonder how he's gonna get it.
01:46:03 With a bullet or a machete like the Indian did.
01:46:05 (gun firing)
01:46:09 (John grunting)
01:46:12 (dramatic music)
01:46:16 (John panting)
01:46:18 (dramatic music)
01:46:21 (gun firing)
01:46:32 (dramatic music)
01:46:35 (John grunting)
01:46:40 (John grunting)
01:46:43 (dramatic music)
01:46:46 (gun firing)
01:46:48 (dramatic music)
01:46:51 (gun firing)
01:46:53 (dramatic music)
01:46:56 (John grunting)
01:47:05 (dramatic music)
01:47:08 (John grunting)
01:47:11 (dramatic music)
01:47:14 (John humming)
01:47:17 - I wouldn't.
01:47:18 (dramatic music)
01:47:21 (John grunting)
01:47:31 (dramatic music)
01:47:34 (dramatic music)
01:47:37 (John grunting)
01:47:40 (dramatic music)
01:47:43 - You come close, mister, but no cigar.
01:47:48 (gun firing)
01:47:50 (John grunting)
01:47:52 (dramatic music)
01:47:55 - Who are you?
01:48:03 - Jacob McCandles.
01:48:06 (dramatic music)
01:48:09 (John spitting)
01:48:11 - I thought you was dead.
01:48:13 - Not hardly.
01:48:16 (dramatic music)
01:48:21 (footsteps clattering)
01:48:23 - Michael, that's the second time tonight you've saved my life.
01:48:28 - The first time I was a little slow.
01:48:30 - You mean that?
01:48:31 I was nothing.
01:48:32 Jacob here took care of that, didn't she?
01:48:35 - Yes, sir.
01:48:36 Sir?
01:48:38 - Yes, sir?
01:48:39 - Are you my grandfather?
01:48:41 - Yes, sir, I sure am.
01:48:43 (dramatic music)
01:48:46 - James?
01:48:48 - Dad?
01:48:50 - Sounds better.
01:48:52 - Let's go home.
01:48:53 (dramatic music)
01:48:56 - Good idea.
01:48:59 (dramatic music)
01:49:02 (dramatic music)
01:49:05 (dramatic music)
01:49:08 (dramatic music)
01:49:11 (orchestral music)
01:49:14 (orchestral music)
01:49:17 (orchestral music)
01:49:20 (orchestral music)
01:49:23 (orchestral music)
01:49:26 (orchestral music)
01:49:29 (orchestral music)
01:49:32 (orchestral music)
01:49:35 (orchestral music)
01:49:37 [BLANK_AUDIO]