Indiana Jones and the Dial of Destiny - Chain of Souls
Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:02 [Music]
00:00:04 [Music]
00:00:06 (soft piano music)
00:00:08 (soft piano music)
00:00:11 (soft piano music)
00:00:40 - You need to put this on.
00:00:42 - Please, let me go.
00:00:44 - I'm not supposed to talk to you anymore,
00:00:47 just tell you what to do.
00:00:49 Do what they want, Georgia.
00:00:53 You know what'll happen if you don't.
00:00:56 - Why are you doing this?
00:00:57 Why won't you just let me go?
00:00:59 - Put it on.
00:01:00 (gun firing)
00:01:07 (dramatic music)
00:01:10 - Can't you do anything right?
00:01:34 - I gotta go.
00:01:36 (soft piano music)
00:01:48 (soft piano music)
00:01:51 (soft piano music)
00:01:54 (soft piano music)
00:01:57 (soft piano music)
00:02:00 (gun firing)
00:02:21 (dramatic music)
00:02:24 (soft piano music)
00:02:27 (soft piano music)
00:02:39 (dramatic music)
00:02:54 (soft piano music)
00:02:57 - Where are you going, Georgia?
00:03:10 (soft piano music)
00:03:13 - We won't wait for the ceremony.
00:03:22 The time for you is now, Bruce.
00:03:25 - No.
00:03:26 - Not now, Mr. Reese.
00:03:28 Not like this.
00:03:29 I'm not ready.
00:03:32 - It's time to take control, Bruce.
00:03:34 - No.
00:03:37 - To claim power over a world people only dream about.
00:03:42 - No.
00:03:43 - Do it, Bruce, now.
00:03:50 Everything that has happened to you in your life
00:03:53 has led you to this moment, Bruce.
00:03:55 It's why you're here.
00:03:56 So remember everything that's gone before you.
00:04:00 Remember why you're here.
00:04:02 - No, no, no.
00:04:04 - Your destiny will only change if you take control, Bruce.
00:04:10 Take control.
00:04:12 Now!
00:04:14 (sobbing)
00:04:16 - No.
00:04:19 (soft piano music)
00:04:22 (screaming)
00:04:25 (laughing)
00:04:51 - Now, you're one of us.
00:04:53 (upbeat music)
00:05:05 - Hey, Carla, where are our beers?
00:05:21 - Mm, yeah.
00:05:22 - Touch it and you lose your hand.
00:05:27 - Hey, Carla, I saw you not play last week.
00:05:32 What was it, a bus stop?
00:05:35 - It ain't bus stop.
00:05:39 It's bus stop, you moron.
00:05:43 - Hey, Carla, why doesn't your sister Angela
00:05:45 ever come in here?
00:05:46 She picks you up every day, but she never comes in.
00:05:49 - Hi, Angela.
00:05:51 - Hey.
00:05:52 - Hey.
00:05:53 - I'm glad you're here.
00:05:55 - Why don't you come in?
00:05:56 Melville here would like to meet you.
00:05:59 - No thanks, I'll wait for you in the car.
00:06:01 - You really should come in.
00:06:03 I want you to see what I'll be missing
00:06:05 when I go to Hollywood.
00:06:06 Can we talk about this at home?
00:06:08 - You're going to Hollywood?
00:06:10 To act?
00:06:11 - I wanna go somewhere where they know the difference
00:06:15 between bus stop and bus stop.
00:06:17 - Now, I knew.
00:06:19 I just wanna act.
00:06:21 My sister Angela here thinks I'm crazy,
00:06:24 but no one in Podunk, Texas cares about my acting.
00:06:27 I just want a shot.
00:06:28 Is that such a crime?
00:06:30 - Seeing you on stage is like a felony.
00:06:32 - Y'all, just listen up, okay?
00:06:34 Okay, now y'all have been real good to me
00:06:38 and I have few complaints,
00:06:40 but I'm going to Hollywood, California to do some acting.
00:06:44 So the next time you see me,
00:06:46 it will be in the movie pictures.
00:06:48 Ain't that right, Ange?
00:06:49 - Why did you make me come get you at the bar?
00:06:56 You didn't even come in.
00:06:57 You never come in.
00:06:59 - I wanted you to see what I was giving up.
00:07:01 - Can't you try acting in Dallas?
00:07:03 You'd be closer.
00:07:05 - Build up to Hollywood.
00:07:08 My mind is made up this time.
00:07:09 I'm going and you can't stop me, so just give it up.
00:07:12 (sighs)
00:07:14 - Don't forget to take your half of the necklace.
00:07:27 - I wouldn't leave without it.
00:07:28 - Carla, I could get you a good job at the bank.
00:07:33 - Just wish me luck.
00:07:35 - My attempts at love will astound you.
00:07:40 My attempts at love will astound you.
00:07:43 My attempts at love will astound you.
00:07:51 My attempts at love will astound you.
00:07:54 My attempts at love will astound you.
00:07:59 - Could you butcher those lines a little bit quieter?
00:08:02 - Shut up, Tammy.
00:08:04 - How long are they gonna keep us?
00:08:06 - Oh, look, she speaks.
00:08:09 - Don't mind her, she's a bitch.
00:08:11 - Bitch Tammy.
00:08:12 - I'm Joan, best actress around without a major credit.
00:08:16 - And I hate waiting.
00:08:17 - They really keep you waiting at this stupid theater.
00:08:21 - My name is Jane Butts.
00:08:23 - Jane Butts?
00:08:24 Oh, you have got to be shitting us.
00:08:27 - I'm Joan, I'm a theater director.
00:08:29 - I'm a theater director.
00:08:31 - I'm a theater director.
00:08:33 - You're a mess.
00:08:34 - What's wrong with my name?
00:08:35 - Honey, if you don't know, you are so beyond hope.
00:08:38 - Hey, at least they'll remember her name.
00:08:40 - Tammy Smith.
00:08:41 - Whatever.
00:08:43 - Would you mind not smoking?
00:08:49 - That lighter is Tammy's vibrator.
00:08:58 - And her cigarettes?
00:08:59 - Ladies, there's no smoking in here.
00:09:02 - Okay, which one of you goes next?
00:09:05 You, you, or you?
00:09:15 You're next.
00:09:19 - You're next.
00:09:20 - Wait, the other girls were here before me.
00:09:46 They should go first.
00:09:48 - You're not nervous, are you, dear?
00:09:50 Believe me, you have nothing to worry about.
00:09:55 You have the perfect look.
00:09:56 - Will you at least give me a minute
00:10:04 to put on a little makeup?
00:10:05 - No, stop.
00:10:05 You look fabulous.
00:10:08 I think you look exactly like Mr. Reese's look-alike.
00:10:14 - You think so?
00:10:17 - Trust me.
00:10:17 (people chattering)
00:10:20 - I'll just die if I get this part.
00:10:27 - Jane Butts to read for the part of Sandra Minor.
00:10:38 - I see from your resume most of your work
00:10:45 comes from credits at Midland Community Theater.
00:10:48 - Yeah, that's in Michigan.
00:10:49 - You're new to Hollywood?
00:10:51 - We do great work in Midland.
00:10:53 Just let me show you what I could do.
00:10:54 Hello?
00:11:00 - Are you new to Hollywood?
00:11:02 - Does it matter?
00:11:03 - Yes.
00:11:04 - No.
00:11:05 Yeah, but please let me read for the part.
00:11:10 - I'm looking for someone new to the scene.
00:11:12 Someone untainted.
00:11:14 - That's me.
00:11:15 I haven't studied with anyone yet.
00:11:17 I don't even know anyone here.
00:11:18 - You have great courage, desire to come here alone.
00:11:23 Your parents must be very proud of you.
00:11:27 - My parents, they don't exactly know where I am.
00:11:30 I'm doing this on my own.
00:11:31 God, did I say something wrong?
00:11:44 - Fear.
00:11:45 - Fear?
00:11:47 - I want you to improvise various reactions of fear.
00:11:50 - You don't want me to read from this page?
00:11:58 - I want you to cast the page aside.
00:12:01 - You don't want me to read it.
00:12:02 - Throw it down.
00:12:03 - Did you see that?
00:12:08 That thing nearly hit me.
00:12:09 You're seeing some pretty realistic fear.
00:12:13 (laughs)
00:12:15 Are you still out there?
00:12:20 Do you wanna hear me read now?
00:12:34 This is called Satan's Breakfast.
00:12:43 (eerie music)
00:12:45 What's it about?
00:12:46 Hello?
00:12:51 I said, what is Satan's Breakfast?
00:12:55 - You are.
00:13:00 (dramatic music)
00:13:03 (screams)
00:13:05 (dramatic music)
00:13:08 - The part's been cast, ladies.
00:13:16 - What are you talking about?
00:13:18 We've been waiting here for over two hours.
00:13:21 - Sorry.
00:13:21 - That's it.
00:13:28 I'm not coming back to this dump
00:13:29 even if they're handing out parts.
00:13:34 - Come on.
00:13:34 - You know, you're not the only one good with numbers.
00:13:41 I have saved enough to last me six months,
00:13:43 so if I haven't made my big break by then,
00:13:46 I'll use my ticket back to Monaco.
00:13:48 - You know Daddy wouldn't approve.
00:13:50 - That's not fair.
00:13:51 - Ever since Mom and Dad left us,
00:13:55 all we've had is each other.
00:13:56 If anything ever happened to you, I would just die.
00:13:59 - I know, but I'll be fine.
00:14:01 Besides, Hollywood isn't the evil place
00:14:03 everyone says it is.
00:14:04 (dramatic music)
00:14:07 - Excuse me.
00:14:30 Do you know a place where I could stay?
00:14:33 - You could stay in the bowels of hell.
00:14:35 - Hi.
00:14:49 - Oh, girl, you are way too early for the audition.
00:14:52 - Oh, no, no, I'm not here to audition.
00:14:55 I'm here to find a place to stay.
00:14:56 - Oh, but you are an actress.
00:15:00 - Oh, yeah, well, I'm trying to be,
00:15:02 but I need a place to stay.
00:15:04 - Good news.
00:15:06 Inside there, they've got a bulletin board
00:15:08 that lists all kinds of places for actors to rent.
00:15:12 El cheapo.
00:15:12 (dramatic music)
00:15:17 (gentle music)
00:15:24 (footsteps thudding)
00:15:27 (dramatic music)
00:15:44 - You Travis?
00:15:45 - Kyla Travis.
00:15:47 - You got the money?
00:15:49 First and last month's rent, plus security deposit?
00:15:54 - Cash only.
00:15:55 - No noise at night.
00:16:02 Assuming you're one of these wannabe actresses,
00:16:04 no rehearsing around here.
00:16:06 Brings in riffraff and noise.
00:16:09 (cash register dinging)
00:16:14 (footsteps thudding)
00:16:17 (gentle music)
00:16:44 (door creaking)
00:16:46 (gentle music)
00:17:12 (footsteps thudding)
00:17:15 - Yeah, so what did you do then?
00:17:26 - So I read for him.
00:17:27 - Are you serious?
00:17:29 - Oh, he is such a jerk.
00:17:31 I'd read for Hitler if I was a Jew.
00:17:34 - Yeah, well, I'd read for Spielberg if I were a Jew.
00:17:37 - Finish up, we don't wanna be late for this audition.
00:17:41 - What can I get you?
00:17:43 - Oh, hey, would you happen to know
00:17:44 if those two are actresses?
00:17:46 - If you call appearing as an extra in a commercial
00:17:49 every other year acting, what would you like?
00:17:53 - Well, I really wanna act,
00:17:54 but I can't find any notices in this newspaper.
00:17:58 - I mean, what do you wanna eat?
00:18:00 - Oh, um, nothing.
00:18:04 (paper rustling)
00:18:07 - I'm Carla Travis, here to audition.
00:18:32 - Okay, you'll be reading this side here.
00:18:34 - This side of the table?
00:18:38 - Very funny, where's your headshot?
00:18:40 - Headshots?
00:18:42 - Excuse me, Robert, you got a minute?
00:18:45 - You audition much?
00:18:57 - Actually, this is my first.
00:18:59 - No, really?
00:19:01 (Carla chuckles)
00:19:03 - These are the headshots, I assume.
00:19:05 - It's impossible to audition with that one.
00:19:07 - I'm new here, I'm from Podunk, Texas.
00:19:12 - Podunk, Texas?
00:19:14 - You heard of it?
00:19:15 You know, I know what I look like much,
00:19:21 but I can really act, you know?
00:19:23 Just, if someone will just give me a chance,
00:19:25 I can prove it.
00:19:26 - Really?
00:19:27 What part are you reading for?
00:19:30 - Luann, same part I'm reading for.
00:19:32 And I bet your southern accent's better than mine.
00:19:37 - Well, I do declare, little know me to a southern accent.
00:19:40 That might be asking too much.
00:19:42 - Who you studying with?
00:19:43 - No one yet.
00:19:45 - Well, I should probably give you some auditioning tips.
00:19:49 - Well, no, I shouldn't assume you need them.
00:19:52 Good luck.
00:19:53 - Wait, a few tips would be great.
00:19:57 - All right.
00:19:58 Would you mind?
00:20:01 - No problem.
00:20:02 First, keep your eyes in the script.
00:20:05 These guys write this stuff,
00:20:07 they wanna hear it exactly as it's written.
00:20:09 I read a typo once,
00:20:10 and the producers just got so impressed.
00:20:13 They praised me for sticking to the printed word.
00:20:16 - Do you know what this script is called?
00:20:18 - Bikini Zombies from Outer Space.
00:20:20 Second, never make small talk with the producers.
00:20:23 Speak only when spoken to.
00:20:25 Otherwise, they'll think you're a kiss-ass
00:20:27 who's gonna be trouble on the set.
00:20:29 - Where are they shooting this?
00:20:31 - Someone's garage, I think.
00:20:32 Last, read it flat the first time through.
00:20:36 They don't want you guessing how to interpret the material.
00:20:39 Once you get through it, they'll redirect,
00:20:41 and then you get a chance to show 'em how you can act
00:20:44 and take direction.
00:20:46 - Kyla Travis?
00:20:47 (sighs)
00:20:49 - Are you ready?
00:21:05 - I said, are you ready?
00:21:08 - Hey, Space Cadet, wants to know if you're ready.
00:21:13 Notice I called her a Space Cadet,
00:21:14 and this being Bikini Zombies from Outer Space.
00:21:17 Pretty funny, eh?
00:21:19 She must be trying out for the part of the zombie.
00:21:21 - Just start when you're ready.
00:21:23 - I know they're coming, and not from another country,
00:21:29 from another planet.
00:21:31 I know, and I'm ready to go, willingly,
00:21:35 even after what happened to Bambi.
00:21:38 Because I know that life from another planet
00:21:41 means experimentation,
00:21:43 and I'm willing to experiment.
00:21:46 What they did to Bambi was nothing short of
00:21:52 nerder, nerder in the first degree.
00:21:55 - Okay, that's enough, thank you.
00:21:59 You can go now, we're done with you.
00:22:03 - But there's more on the page.
00:22:05 (Kyla groans)
00:22:07 (door slams)
00:22:10 - You just murdered my shot at that role.
00:22:18 I just want to know why you played it that flat.
00:22:20 - Someone told me that I'd get a chance to be redirected.
00:22:23 - And nerder?
00:22:24 Obviously a typo, the word was murder.
00:22:27 You said nerder, twice.
00:22:29 - No, they spelled it that way, twice.
00:22:31 Someone told me to stay true to the printed word.
00:22:33 - Who?
00:22:34 Who told you all this crap?
00:22:35 What kind of idiot could possibly give you
00:22:37 such horrible advice?
00:22:38 - How'd you do?
00:22:39 - Tammy's a bitch, that's why she did it.
00:22:42 - It's a cutthroat business.
00:22:44 Are you classical or method?
00:22:46 - What?
00:22:46 - What's your training?
00:22:48 - Oh, the Podunk Texas School of Acting.
00:22:50 Open your mouth and say a line if you can remember it.
00:22:54 - Sleep with the producer, that's your best bet.
00:22:57 Where are you sleeping now?
00:22:59 - On this apartment in Cash Street.
00:23:02 The manager, Harold, is so weird.
00:23:04 - I know weird, Harold.
00:23:05 He hates actresses, but he puts up notices in theaters.
00:23:08 What a wacko.
00:23:09 - You need to know someone important.
00:23:11 - And you need a pager.
00:23:12 - And a cell phone.
00:23:13 And you need an agent.
00:23:14 For starters, all you really need to know
00:23:16 is to make eye contact with whomever you're reading for.
00:23:19 Sound interested no matter how retarded
00:23:21 the movie or play is.
00:23:23 Do something to get noticed.
00:23:24 - Short skirts.
00:23:27 - Depends on the part you're reading for.
00:23:28 - Short skirts never hurt.
00:23:31 - Ask something to set you apart.
00:23:33 - I went thread for Juliet.
00:23:35 I asked, do you want me to play her like always,
00:23:38 a virgin, or do you wanna hear my twisted,
00:23:41 subversive, nymphomaniac rendition?
00:23:45 She didn't get the part.
00:23:47 But I got noticed.
00:23:49 So much to cover, so little time.
00:23:53 - Let's get her an audition.
00:23:54 - Is she ready?
00:23:55 - Could be worse than our last audition.
00:23:58 - Are you ready?
00:23:58 - Hey, did you really play Juliet like a nymphomaniac?
00:24:01 - And do you think I could do it?
00:24:03 - She's ready.
00:24:04 - You know, I hate to send Billie any business.
00:24:06 She's not gonna do another thing until she gets a headshot.
00:24:09 - Am I smiling enough?
00:24:11 - Just about.
00:24:12 - Is my pose all right?
00:24:15 - Fine.
00:24:16 - Forgive me, but you don't sound too interested.
00:24:21 - I slap the gel on the lens,
00:24:22 I shoot soft focus, I filter my print.
00:24:23 You look just like everybody else.
00:24:25 - Okay, one more.
00:24:29 (gun cocks)
00:24:32 - Okay, we're done.
00:24:34 - I don't get it.
00:24:39 They said everybody comes to you.
00:24:41 So what makes you so special?
00:24:43 - I'm the cheapest.
00:24:45 You can pick up your prints tomorrow.
00:24:47 (upbeat music)
00:24:49 (gunshots)
00:24:52 - Easy, I'm not here to hurt you.
00:25:08 (sad music)
00:25:12 (sad music)
00:25:40 - Please let me feed myself.
00:25:42 - That's not such a good idea.
00:25:50 (sad music)
00:25:52 - Please help me.
00:26:05 - You're not supposed to talk.
00:26:09 It goes better if you remember that.
00:26:11 - I just wanna go home.
00:26:12 I won't tell anyone.
00:26:13 Please just let me go home.
00:26:16 (sad music)
00:26:20 - No one talks.
00:26:28 No one.
00:26:29 Now you don't eat.
00:26:32 It's not her fault.
00:26:37 You know how this plays out.
00:26:39 No amount of cash is gonna bail your ass out
00:26:42 if you screw up again.
00:26:44 Do you understand that?
00:26:45 (sad music)
00:26:55 (siren blaring)
00:26:58 - That photographer Bill was downright depressing.
00:27:01 - He's like everyone else around here.
00:27:03 Doing one thing wants to be doing something else.
00:27:05 - An actor?
00:27:06 - A photojournalist.
00:27:08 - Oh really?
00:27:09 Oh, what's a photojournalist?
00:27:12 - That waitress does nudity.
00:27:14 - What?
00:27:15 - She's an actress.
00:27:16 - Oh, you're too kind.
00:27:18 So, you get any good acting jobs lately?
00:27:22 It's been slow.
00:27:25 You know how it is.
00:27:26 Bitch.
00:27:30 - Well, if y'all will excuse me, I have to wash my hands.
00:27:34 Is that Southern for taking a piss?
00:27:36 - Hey, don't bother to wash your hands now.
00:27:38 You'll wanna wash them
00:27:39 after you pick up your headshots from Bill.
00:27:41 - Yeah, that's nice.
00:27:50 - Hey Bill, hi.
00:27:53 I'm here to pick up my headshot.
00:27:55 - Can you hold on?
00:28:05 - I see there's some open auditions today.
00:28:07 - That's just, uh.
00:28:09 - I'm auditioning for female Hamlet.
00:28:19 - To be or not to be, that is the question.
00:28:25 Whether 'tis nobler in thy mind to suffer--
00:28:28 - Stop, stop, stop.
00:28:29 Try it again without the accent.
00:28:32 - Okay.
00:28:32 - To be or not to be, that is the question.
00:28:40 Whether 'tis nobler in thy mind--
00:28:43 - Thank you, thank you very much.
00:28:44 - Okay, personette.
00:28:48 This is the scene where you're supposed
00:28:49 to act like you're in danger.
00:28:51 Rough, you got it?
00:28:52 - Do you want me to play it like a virgin?
00:29:00 - Excuse me?
00:29:01 - Oh, um, never mind.
00:29:05 - Start.
00:29:07 - Oh, Romeo, oh, Romeo, wherefore art thou?
00:29:16 Romeo.
00:29:19 - Thank you.
00:29:20 (gentle music)
00:29:30 (spoon clatters)
00:29:33 - Don't cry.
00:29:34 It'll all be over soon.
00:29:36 (Romeo sobs)
00:29:41 (spoon clatters)
00:29:48 (gentle music)
00:29:50 - Why?
00:30:06 - Don't start talking.
00:30:09 You remember?
00:30:17 (Romeo sobs)
00:30:18 - Bruce, Mr. Reese wants to see you.
00:30:21 I'll finish him.
00:30:22 - How can you do this?
00:30:31 - You know, you really don't need
00:30:34 to give me a reason to be any more nasty.
00:30:36 So you got anything else you need to say to me?
00:30:40 You have no idea what a rush it is
00:30:46 to hold somebody's total existence
00:30:48 in the palm of your hand.
00:30:50 A total fucking rush.
00:30:53 Wanna play a little game?
00:30:56 I'll let you say one thing.
00:31:00 Say seven words or less.
00:31:03 You say something good, something that really grabs me,
00:31:07 and I'll let you go.
00:31:09 You say something I think sucks,
00:31:13 and I'll kill you.
00:31:17 So what do you say?
00:31:17 Wanna play a game?
00:31:19 Come on.
00:31:23 You're always talking to Bruce.
00:31:27 Say something to me!
00:31:30 And make it good.
00:31:33 - You're a motherfucker!
00:31:37 - Motherfucker?
00:31:40 Do you know me?
00:31:46 Do you know me?
00:31:47 How's my mom been talking again?
00:31:51 Yeah, it was pretty good, though.
00:31:56 I guess I'll have to let you go.
00:32:00 - Yeah.
00:32:01 (dramatic music)
00:32:17 (sobbing)
00:32:22 (dramatic music)
00:32:25 (groaning)
00:32:27 (dramatic music)
00:32:30 (groaning)
00:32:39 (dramatic music)
00:32:42 (sobbing)
00:32:44 (dramatic music)
00:32:47 (groaning)
00:32:57 (dramatic music)
00:33:00 (sobbing)
00:33:07 (dramatic music)
00:33:10 (sobbing)
00:33:28 (dramatic music)
00:33:31 (sobbing)
00:33:33 (dramatic music)
00:33:41 - He said he let me go.
00:34:00 He said he let me go.
00:34:02 He said he let me go.
00:34:04 He said he let me go.
00:34:05 He said he let me go.
00:34:07 He said he let me go.
00:34:09 He said he let me go.
00:34:11 (sobbing)
00:34:13 - It's my time.
00:34:16 My time to shine.
00:34:19 (sobbing)
00:34:21 - He said he let me go.
00:34:22 - My time to feel the power.
00:34:24 (sobbing)
00:34:27 (coughing)
00:34:29 - We need to find a sacrifice for Cynthia.
00:34:41 Begin the arrangements.
00:34:43 - Is he paying rent here yet?
00:34:49 - Well, Jason started asking me out
00:34:52 and already wants to know how available I--
00:34:53 - Stop, I don't wanna know.
00:34:57 - What, no lighter/vibrator crack?
00:35:00 - My father smoked.
00:35:02 He died when he was 51 from lung cancer.
00:35:06 - Don't worry about me, Joan.
00:35:08 I plan to be dead long before I hit 51.
00:35:10 I mean, can you imagine me?
00:35:12 Depends.
00:35:13 That lighter's the only thing my mother ever gave me.
00:35:26 - You know, smoking is a useful skill for actors.
00:35:30 - I don't think it's necessary to smoke for any role.
00:35:34 - Got me a part.
00:35:36 - You did?
00:35:40 - Yep.
00:35:41 Keep it.
00:35:42 Practice.
00:35:43 Might get you a part too.
00:35:45 Who knows, you need all the help you can get.
00:35:49 I gotta go get the hick.
00:35:51 Gotta make it to that audition.
00:35:52 You sure you don't wanna come?
00:35:53 - Not at that theater.
00:35:55 - Suit yourself.
00:35:57 - Do you think my skirt is short enough?
00:36:06 - For you, yeah.
00:36:08 We need to get moving.
00:36:10 - I got my sister a postcard from Hollywood.
00:36:12 - Why don't you just email her?
00:36:14 - Uh, don't answer that.
00:36:16 - We have email and podunk, Miss Smarty Pants.
00:36:19 I wanted to call her, but I'm not ready for that yet.
00:36:23 - Well, I don't wanna be late to this audition.
00:36:25 Everybody wants to work with this director.
00:36:27 He's supposed to use like wild ways to motivate you.
00:36:31 - Our drama teacher in podunk,
00:36:32 she used to make us oink like pigs
00:36:34 when she thought that we weren't trying hard enough.
00:36:38 - Sue-ee!
00:36:39 Sue-ee!
00:36:41 - Shut up and let's get moving.
00:36:44 - You know, in podunk, we don't have mailboxes
00:36:50 where you can pull right up.
00:36:52 - Yeah, Hollywood has all the latest technology.
00:36:56 You like my head shell?
00:36:58 - Doesn't look like you.
00:37:01 That's a good thing.
00:37:03 - Where's Joan today?
00:37:13 - She said she wouldn't audition at this stupid theater
00:37:15 if they were giving away parts.
00:37:16 - Why are we auditioning here?
00:37:18 - Because we are not so picky.
00:37:21 (footsteps)
00:37:49 - What's with this necklace?
00:37:51 - What do you mean?
00:37:52 - It's broke.
00:37:54 - Oh, happened a long time ago.
00:37:56 My daddy broke it clean down the middle.
00:37:59 He gave half to me and half to my sister.
00:38:02 - For good luck with your acting?
00:38:03 - No, we were kids.
00:38:05 I don't know why he did it.
00:38:09 - Huh, does your sister still wear the other half?
00:38:13 - I don't know.
00:38:14 I haven't talked to her since I came out here.
00:38:16 She's really mad at me.
00:38:19 She's the one I wrote the postcard to.
00:38:22 - I don't talk to my family anymore.
00:38:24 You know, I don't want to burst your bubble,
00:38:26 but after a while, they don't give a shit.
00:38:30 - What's your name, sweetie?
00:38:33 Relax, I'm running an audition here,
00:38:37 not trying to pick you up.
00:38:40 - That's pretty obvious.
00:38:42 - This necklace is fabulous.
00:38:48 What a clean break.
00:38:49 Are you ready to audition?
00:38:56 - Not yet.
00:38:56 I've heard this director, he's like a real perfectionist.
00:39:01 - He is as demanding as they come.
00:39:04 He's going to ask you a lot of questions,
00:39:06 deep, revealing questions
00:39:09 that will show a lot about your character.
00:39:11 That's what sets him apart from the rest.
00:39:14 He really is a genius.
00:39:16 - Yeah, I've heard.
00:39:18 That's why I need a little bit more time to prepare.
00:39:22 - Time, darling, is one thing we do not have.
00:39:26 It's now or never.
00:39:44 - This is Tammy, she'll be reading for the part of Jennifer.
00:39:48 - I'll get right to the point, Tammy.
00:39:52 We've seen a lot of actors for this part,
00:39:54 and so far, no one's really given us
00:39:56 that special something we're looking for.
00:39:59 And frankly, I'm losing my patience with uncommitted actors.
00:40:02 - Oh, no, I'm committed.
00:40:04 - Where are you going directly after this audition?
00:40:08 - I don't know.
00:40:10 - Who knows where you're going?
00:40:12 - I'm sorry?
00:40:12 - Bark like a dog.
00:40:13 - You want me to bark?
00:40:15 - Who does what the director asks?
00:40:17 - The actor.
00:40:18 (barking)
00:40:21 No one knows where I'm going after this audition.
00:40:25 Even I don't know.
00:40:27 - I know.
00:40:28 The part has been cast.
00:40:36 You can go.
00:40:37 - Oh, I'm waiting for my friend.
00:40:40 - What's the problem with you stupid actresses?
00:40:42 I said, the part has been cast.
00:40:45 Now leave.
00:40:46 (door opening)
00:40:49 (footsteps)
00:40:51 (footsteps)
00:40:53 (footsteps)
00:40:57 (water running)
00:40:59 (footsteps)
00:41:05 (footsteps)
00:41:10 (wind blowing)
00:41:18 (door opening)
00:41:23 (wind blowing)
00:41:26 (door opening)
00:41:38 - I understand the commitment.
00:41:47 I know what it takes to do this part.
00:41:51 Acting is about one thing and one thing only.
00:41:55 Honesty.
00:41:55 - Yeah, I've been doubting my commitment lately.
00:42:01 Doubting my abilities.
00:42:03 You've turned me around.
00:42:05 - This play is about a man who experienced the horrors
00:42:13 of life early in childhood and who becomes capable
00:42:17 of doing anything to strike back
00:42:20 and create his own form of power and success.
00:42:23 And you are the creature, the lovely creature
00:42:27 who helps him fulfill his dreams.
00:42:31 Now put your hands in the restraints
00:42:40 and await your audition.
00:42:42 Let your inhibitions go.
00:42:46 Become the character.
00:42:48 Your part calls for you to observe every experience
00:42:52 yet not experience every observation.
00:42:55 - I'm not sure I understand.
00:42:58 - Trust me completely, okay?
00:43:02 And your eyes will be open like never before.
00:43:07 You can do it yourself.
00:43:16 Look past the obvious.
00:43:19 (clicking)
00:43:21 You are the character.
00:43:32 Let the ritual begin.
00:43:36 - What, what ritual?
00:43:40 What ritual?
00:43:41 - You know, it's a shame,
00:43:43 but suddenly I'm all out of answers.
00:43:48 (soft piano music)
00:43:50 - Let me go, you fucking assholes!
00:44:07 - Cynthia, your time has come.
00:44:17 - I'm ready.
00:44:18 - You covet the flesh?
00:44:20 - I can't explain the way I feel.
00:44:23 My desires, it's always been taboo in my life.
00:44:26 But you all understand the way I feel.
00:44:29 How I've always been a now cast.
00:44:31 How I'm ready to strike back.
00:44:34 - It's the ultimate step you take tonight.
00:44:37 - Wait, it's not supposed to happen today.
00:44:40 - Why are you here if not for the power over life and death?
00:44:44 - I'm not ready for the ceremony.
00:44:46 - This is your destiny.
00:44:48 Do it.
00:44:49 (soft piano music)
00:44:52 - Your destiny.
00:44:55 Your destiny.
00:44:56 Your destiny.
00:44:57 Your destiny.
00:44:59 Your destiny.
00:45:00 Your destiny.
00:45:02 Your destiny.
00:45:03 Your destiny.
00:45:04 - You're one of us now.
00:45:11 (laughing)
00:45:15 (laughing)
00:45:18 You're one of us.
00:45:22 Go.
00:45:23 - You have a case?
00:45:24 - Yeah, get rid of her.
00:45:26 (dramatic music)
00:45:29 (door opening)
00:45:31 (door closing)
00:45:59 - God, you really taught me how to be a better actress.
00:46:03 - Oh my God, I really, I can't believe I fell for all this.
00:46:07 And I really felt scared.
00:46:09 When I saw that knife in her hand,
00:46:13 my life flashed before my eyes.
00:46:15 I thought it was gonna piss my pants.
00:46:17 Funny, huh?
00:46:18 I heard that you guys were good at motivating people,
00:46:21 but wow, when I need to do fear,
00:46:24 I know right where to go now.
00:46:27 - Thank you so much.
00:46:28 I mean, I can use this.
00:46:30 - Leave this one alive for the ceremony next week.
00:46:38 - The ceremony will be our greatest moment.
00:46:44 Won't it, Mr. Reese?
00:46:46 Of course.
00:46:48 (dramatic music)
00:46:53 (dramatic music)
00:46:55 - Oh my God.
00:47:02 (phone ringing)
00:47:21 (dramatic music)
00:47:24 - They're after me.
00:47:42 - Who's after you?
00:47:44 - Tammy, they're killing Tammy, please.
00:47:45 - Calm down.
00:47:47 I'll take care of everything, come on.
00:47:50 - Okay, sit right over here,
00:47:52 and I'll call the police, okay?
00:47:54 - Tell them to come right away.
00:47:57 - Hello?
00:48:03 Yes, there's been an emergency
00:48:04 at 411 Hollywood Boulevard.
00:48:07 Attempted murder.
00:48:08 Thank you.
00:48:15 - Am I coming?
00:48:19 - No.
00:48:20 - Get her.
00:48:24 (gasping)
00:48:29 (somber music)
00:48:34 (somber music)
00:48:36 (somber music)
00:48:39 (somber music)
00:48:41 (somber music)
00:48:44 (somber music)
00:48:47 (somber music)
00:48:49 (somber music)
00:48:52 (somber music)
00:48:54 - What do you think you're doing?
00:49:21 - I'm looking for my sister, Kyla Travis.
00:49:25 She's staying in one of these apartments.
00:49:27 - Why don't you just call her?
00:49:29 - Well, she sent me her address,
00:49:30 but she didn't get her phone hooked up.
00:49:34 (phone ringing)
00:49:36 - They'll be watching you.
00:49:55 - Kyla?
00:49:58 Kyla?
00:50:03 (knocking)
00:50:05 (gasping)
00:50:25 - Are you looking for the girl who lives there?
00:50:27 - Yes, she's my sister, Kyla Travis.
00:50:29 - I haven't seen her for a few days.
00:50:31 - I think she left.
00:50:33 - I need to find her.
00:50:34 (somber music)
00:50:38 (somber music)
00:50:41 Kyla?
00:51:02 Kyla?
00:51:03 Kyla?
00:51:13 Oh, Kyla, where are you?
00:51:25 (somber music)
00:51:28 - We have no record of your sister.
00:51:37 It's difficult to list someone as missing
00:51:38 when there's no proof she's ever been here.
00:51:41 - Can't you track down her landlord and find her that way?
00:51:44 - Maybe you could hire a private investigator.
00:51:46 - Hmm, look, I hate to sound like a cliche,
00:51:49 but since she's an actress, she could be anywhere.
00:51:52 You've heard of the casting couch, haven't you?
00:51:54 - You'll have to excuse Officer Stone, Miss Travis.
00:51:58 She's right out of the academy.
00:52:00 What she's really trying to say is there's many places
00:52:02 your sister could have gone.
00:52:04 - She wouldn't just leave without contacting me.
00:52:07 I'm her only family.
00:52:08 - We'll keep an eye out for her,
00:52:10 but that's about all we can do.
00:52:12 - Look, you could probably get the number of the landlord
00:52:14 from one of the other tenants in the apartment complex.
00:52:16 That might be a good place to start.
00:52:18 - You know what I think, Miss Travis?
00:52:19 I think you should go back to Texas
00:52:21 and wait for your sister to call.
00:52:23 If she does show up, she'll find out pretty soon
00:52:25 just how tough it is out here.
00:52:26 She'll call you soon enough.
00:52:28 - Well, I hope I find her before I go.
00:52:30 I have this terrible feeling something bad's happened to her.
00:52:33 - What makes you say that?
00:52:35 - Well, I had a bad dream.
00:52:37 My sister and I are close,
00:52:38 not by what we say, but how we feel.
00:52:40 When she was nine years old,
00:52:42 she broke her leg on her uncle's ranch
00:52:44 and she was all alone.
00:52:46 And I sensed something was wrong,
00:52:47 so I sent my uncle to find her.
00:52:50 This is the same feeling as then,
00:52:52 only stronger.
00:52:54 - Wow.
00:52:55 That's some heavy shit.
00:52:58 - Yeah.
00:52:59 - Are you hungry?
00:53:01 Do you want a donut or something?
00:53:03 - Miss Travis, we've done everything we can.
00:53:07 - Thanks.
00:53:08 - Jesus, Stone.
00:53:11 You need to learn some people skills.
00:53:13 And why don't you lay off the donuts?
00:53:17 Have you looked at that ass lately?
00:53:19 (footsteps)
00:53:22 - Angela!
00:53:26 Angela, wait!
00:53:29 Hey, you know, I do a little bit of acting myself
00:53:33 on the side, I mean, who doesn't around here, right?
00:53:37 Well, if I was looking for a new actress,
00:53:38 I would start with a place that does headshots.
00:53:40 - Are there many?
00:53:41 - Yeah, but sooner or later,
00:53:42 everyone ends up at Yamaguchi's or Butler's.
00:53:45 Here.
00:53:46 Yamaguchi's is the best,
00:53:48 and Butler's is the cheapest.
00:53:50 - Thanks.
00:53:52 (car engine)
00:54:17 (gunshot)
00:54:18 - Excuse me.
00:54:19 (gunshot)
00:54:23 Excuse me, are you Bill Butler?
00:54:26 - That's what the sign says.
00:54:27 You're late, which ain't bad since I'm running late.
00:54:29 - Oh, I'm not here for headshots.
00:54:31 I'm looking for my sister.
00:54:33 (gunshot)
00:54:33 - Okay, we're done.
00:54:34 This ain't no lost and found.
00:54:37 - My sister's name is Kyla Travis.
00:54:40 Did she come here for photos?
00:54:45 - I said, my sister's name is Kyla Travis.
00:54:49 - I got a business to run.
00:54:50 - It doesn't look like your next appointment's going to show.
00:54:54 - I got 24 rolls of film in this bag,
00:54:56 I haven't even developed yet.
00:54:57 Every one of these actors are gonna call me,
00:54:59 every half hour, asking where their fricking pictures are.
00:55:01 I'm sorry, I can't help you.
00:55:03 - Wait, I'll pay you.
00:55:08 Answer my questions and I'll pay your rate.
00:55:10 - No.
00:55:11 You pay me, you get the headshots.
00:55:14 - You want basic or deluxe?
00:55:16 - Which is longer?
00:55:17 - Deluxe includes shots and costumes.
00:55:19 - Names don't mean much to me.
00:55:22 I see so many young actors,
00:55:24 I don't keep records, I'm always paying cash.
00:55:26 - Something looks familiar.
00:55:36 I'd have to guess she hasn't been here, yet.
00:55:39 - Are you sure?
00:55:40 - Wish I could help you, I have a sister myself.
00:55:44 - Are you close?
00:55:45 - I haven't seen her in maybe 10 years,
00:55:47 but I'd do anything for her, same blood.
00:55:50 - Then you understand why I have to find my sister.
00:55:53 - I understand, but I can't help you.
00:55:56 - Why?
00:55:57 - Even if I had the time, you wouldn't want to hear it.
00:56:02 - I'm paying for the time.
00:56:04 I want to know why you won't help me.
00:56:05 - Every day I see new faces coming through here.
00:56:09 Sometimes there's a new twist, a slightly different angle,
00:56:11 but it's always the same story.
00:56:13 - I'm not a struggling actress.
00:56:15 - Okay, session's over.
00:56:16 Everyone here is trying to be somebody he isn't.
00:56:28 Your sister will find that out.
00:56:30 Go, she'll be there soon enough.
00:56:33 And if she isn't, you don't want to see what she's become.
00:56:37 - I'm not leaving without her.
00:56:39 (dramatic music)
00:56:42 (soft music)
00:56:44 (soft music)
00:56:46 (soft music)
00:56:49 (soft music)
00:56:51 (soft music)
00:56:54 (soft music)
00:56:56 (soft music)
00:56:58 (soft music)
00:57:27 (screams)
00:57:29 - Jesus.
00:57:29 - Who are you and what have you done with Kyla?
00:57:31 - I'm Kyla's sister, do you know her?
00:57:33 - If you're Kyla's sister,
00:57:34 why did you just climb in through the window?
00:57:36 - Well, because I came looking for her and she wasn't here
00:57:39 and I thought if I stayed here, she might come back.
00:57:40 - Prove you're her sister.
00:57:41 - Well, we both came from Poduck, Texas
00:57:44 and oh, we both wear a necklace that looks like mine.
00:57:47 - Joan Mason, I'm an actress.
00:57:52 - Angela Travis, I'd say you're more like a thug.
00:57:56 - You think Kyla could have gone back home?
00:57:57 Her stuff's all gone.
00:57:58 - She would have called me.
00:58:00 - Maybe you don't know her like you think.
00:58:02 - Are you her friend?
00:58:04 - Yeah.
00:58:05 - Then you'll help me find her.
00:58:06 - When was the last time you saw her?
00:58:08 - It's been about a week.
00:58:10 She and Tammy disappeared at the same time.
00:58:12 Tammy's my best friend.
00:58:14 - What did the police say?
00:58:15 (laughs)
00:58:16 - You don't go to the police
00:58:17 every time an actress is missing for a week.
00:58:20 - I don't think that's funny.
00:58:21 - I'm sorry.
00:58:22 Do you have any pictures of her?
00:58:25 - Yeah.
00:58:26 - Great, we can get copies of this maid
00:58:31 and show it around to the theaters.
00:58:33 I know she got a headshot made last week,
00:58:34 so I can talk to Bill.
00:58:36 - Bill Butler?
00:58:37 I already tried him.
00:58:39 - You saw Billy?
00:58:40 - He said he didn't remember Kyla.
00:58:42 He was very rude.
00:58:43 - That's Bill all right.
00:58:45 I can make him talk.
00:58:46 Billy.
00:58:54 (slap)
00:58:55 - Someone came in here looking for a sister
00:58:58 and you were useless.
00:58:59 - Tell me again why you left me.
00:59:21 - I thought you left me, didn't you?
00:59:24 - Money and career, wasn't it?
00:59:25 - You'll always be my best.
00:59:28 So what do you know about Kyla Travis?
00:59:30 - Nothing, you know I don't keep records.
00:59:33 - I sent Kyla to you, Billy.
00:59:35 You've gotta be the last person to see her that I know of.
00:59:38 Mom, where are you hiding her?
00:59:39 - She's in the closet with the other dead actresses
00:59:46 who wouldn't kiss me.
00:59:48 (slap)
00:59:50 Think hard, Billy.
00:59:54 She's a friend of mine.
00:59:55 She's real tiny.
01:00:04 Kind of cute in a Hicks sort of way.
01:00:05 Little southern accent.
01:00:15 - I love it when you try to think.
01:00:17 - What's my reward if I cuff this woman?
01:00:23 - Sky's the limit.
01:00:24 - It's no use, I don't remember.
01:00:32 - You don't remember or you don't care?
01:00:34 - Maybe a little bit of both.
01:00:36 - You're such a loser.
01:00:38 What a waste of time.
01:00:39 - Wait.
01:00:44 I do remember something.
01:00:45 There was,
01:00:46 there was this Hick and she came in,
01:00:52 she looked at a backstage West.
01:00:58 Some audition that same day.
01:01:03 Four theaters, four circles.
01:01:05 - Can you tell me, have you seen this girl?
01:01:08 You sure?
01:01:12 You sure?
01:01:13 - I'm sure.
01:01:14 - Found it.
01:01:43 - I know these four theaters.
01:01:45 Look, that one's a Stardust theater.
01:01:47 I swore I'd never go back to that dump.
01:01:49 - What are the chances you're gonna find your friend
01:01:51 hanging out at some theater?
01:01:53 - Maybe somebody saw her or something.
01:01:55 That's all I've got.
01:01:56 - Why don't you get Angela to go, it's her sister.
01:01:59 - I think I remember why I left you.
01:02:01 - Come on, don't go.
01:02:04 - Angela's running around from theater to theater
01:02:07 looking for her only family.
01:02:08 The least I can do is check out a few theaters
01:02:10 and see what she's up to.
01:02:11 - I'll check out a few theaters and see what they know.
01:02:13 Last chance, are you with me?
01:02:16 - You left me, how could I be with you?
01:02:18 - Look, they put her on the table,
01:02:27 then exactly when do I stab her?
01:02:29 - Look, there's great meaning to this.
01:02:33 It's not like you just stab her.
01:02:35 There's meaning to it.
01:02:39 - Do you feel something different?
01:02:41 Because you're a member?
01:02:42 - Yes.
01:02:43 It's hard to explain.
01:02:45 - Is it like you finally fit in somewhere?
01:02:48 - It's not that simple.
01:02:50 - Have you ever heard of someone named Georgia?
01:02:54 - Did Mr. Reese tell you to ask me that?
01:02:59 (car engine rumbling)
01:03:02 - Oh, we're closed.
01:03:13 - I was just wondering if anybody might have seen
01:03:15 an actress who auditioned here a week ago?
01:03:17 - We don't keep track of actors that audition here, sorry.
01:03:22 (door creaking)
01:03:24 - You were supposed to lock the front door.
01:03:27 - I think you're the one who left it open.
01:03:29 - Just make sure it's locked.
01:03:31 You want someone to find us getting ready
01:03:32 for tomorrow's ceremony?
01:03:34 (door creaking)
01:03:37 (eerie music)
01:03:50 (door creaking)
01:03:52 (eerie music)
01:03:54 - We only need one for tomorrow's ceremony.
01:04:04 The other one can have an accent.
01:04:08 But which one to use, hmm?
01:04:11 We'll use this one.
01:04:19 - Take care of it.
01:04:20 You know, you really shouldn't have resisted
01:04:28 when that man tried to rob you.
01:04:30 - Untie me and I'll show you resistance.
01:04:35 - You wanna fight me?
01:04:38 - Try me.
01:04:48 (grunting)
01:04:50 (eerie music)
01:04:57 Like I said, you shouldn't show resistance
01:05:01 when someone's trying to rob you.
01:05:04 (eerie music)
01:05:10 (eerie music)
01:05:12 - No!
01:05:29 (eerie music)
01:05:38 (eerie music)
01:05:40 - Angela?
01:05:42 (eerie music)
01:05:45 (dramatic music)
01:05:53 - This is getting very messy.
01:06:05 - What do you want me to do?
01:06:06 - I want you to find out what she knows
01:06:08 and start cleaning up the mess.
01:06:10 I will not have anything else interfere
01:06:11 with tomorrow's ceremony.
01:06:13 (grunting)
01:06:15 (crickets chirping)
01:06:18 (eerie music)
01:06:33 (eerie music)
01:06:35 - Joan?
01:06:42 Joan!
01:06:44 Joan?
01:06:47 Joan?
01:06:52 (phone ringing)
01:07:01 - Hello?
01:07:02 - Hi, this is Angela Travis.
01:07:04 Someone named Joan was supposed to go see you
01:07:06 and then meet me at my sister's apartment at six
01:07:08 and it's almost eight now and there's no sign of her.
01:07:12 Have you seen her?
01:07:13 - I never should have let Joan go to those theaters alone.
01:07:18 - Which theaters?
01:07:20 - I'm not sure I should tell you.
01:07:22 This is getting crazy.
01:07:23 - You have to tell me.
01:07:24 You have to.
01:07:25 - We found a backstage West.
01:07:28 It had four theaters circled.
01:07:30 I remembered your sister telling me
01:07:31 she was gonna check 'em out for auditions.
01:07:33 Joan was gonna go to each one.
01:07:36 - Should we call the police?
01:07:38 - Joking, right?
01:07:39 Look, I've been around,
01:07:42 done a few things I shouldn't have.
01:07:44 Enough to know unless you're rich or dead
01:07:46 the cops aren't gonna help you.
01:07:48 I'll find her.
01:07:51 - No, we'll find her.
01:07:53 - What are you gonna do?
01:07:54 - Look, we're wasting time here.
01:07:55 You can visit two theaters and I can visit two.
01:07:57 Come on, let's go.
01:07:58 - What are you gonna do on your visit?
01:08:00 - Whatever it takes to find Kyla and Joan.
01:08:03 - Okay.
01:08:06 Try to avoid talking to anybody if you get in.
01:08:08 Especially if you have to pick the lock.
01:08:10 Just look around and get out.
01:08:12 - Don't worry about me.
01:08:13 I've had to take care of myself
01:08:14 for as long as I can remember.
01:08:16 - Bottom pick, stays in the lot for sport.
01:08:19 Top pick, twist and scrape.
01:08:22 There you go.
01:08:24 - Our parents died in a car accident
01:08:25 when we were teenagers.
01:08:27 I kept Kyla on a straight and narrow.
01:08:30 Maybe I was too squeaky clean.
01:08:33 Maybe I was too hard on her.
01:08:36 Well, none of that matters now.
01:08:39 I'm gonna do whatever it takes to find her.
01:08:45 (car engine rumbling)
01:08:49 (dramatic music)
01:09:12 (dramatic music)
01:09:15 (Kyla gasps)
01:09:31 (dramatic music)
01:09:34 (dramatic music)
01:09:37 (dramatic music)
01:09:41 (dramatic music)
01:09:45 (dramatic music)
01:09:49 (dramatic music)
01:09:52 (dramatic music)
01:09:55 (dramatic music)
01:09:58 (dramatic music)
01:10:01 (dramatic music)
01:10:04 (dramatic music)
01:10:07 (dramatic music)
01:10:10 (dramatic music)
01:10:13 (dramatic music)
01:10:16 ♪♪
01:10:26 ♪♪
01:10:36 ♪♪
01:10:46 ♪♪
01:10:56 ♪♪
01:11:06 ♪♪
01:11:16 ♪♪
01:11:26 ♪♪
01:11:31 I'll pay you to hide me, quick!
01:11:34 ♪♪
01:11:44 ♪♪
01:11:53 I see you around here one more time,
01:11:56 and it's gonna be your face, and you will not get up.
01:12:00 [Grunts]
01:12:02 ♪♪
01:12:10 ♪♪
01:12:20 ♪♪
01:12:23 Thank you.
01:12:25 ♪♪
01:12:35 ♪♪
01:12:45 ♪♪
01:12:55 ♪♪
01:12:59 [Screams]
01:13:03 ♪♪
01:13:13 ♪♪
01:13:23 ♪♪
01:13:33 ♪♪
01:13:43 ♪♪
01:13:53 ♪♪
01:14:03 ♪♪
01:14:13 ♪♪
01:14:23 ♪♪
01:14:33 ♪♪
01:14:43 ♪♪
01:14:53 ♪♪
01:15:03 ♪♪
01:15:13 ♪♪
01:15:23 ♪♪
01:15:33 ♪♪
01:15:43 ♪♪
01:15:53 ♪♪
01:16:03 ♪♪
01:16:13 ♪♪
01:16:23 See you guys tomorrow.
01:16:25 And don't forget to read chapter 7,
01:16:28 "Natural Look vs. Dramatic Look."
01:16:30 Excuse me.
01:16:35 Oh, hi.
01:16:37 Are you the same Sarah Degree who did undercover work
01:16:39 with Satanic cults?
01:16:41 Look, I run a makeup class here.
01:16:44 All I have to do is Satanist devil makeup on Halloween.
01:16:48 My sister is missing, and we think she may have been
01:16:50 taken by Satanic cults.
01:16:52 They disguise themselves as a theater group.
01:16:55 Oh, and I thought my sisters were weird.
01:16:58 Come on, it's a waste of time.
01:17:00 No, I've got to find my sister and my friend.
01:17:04 You know what they can do.
01:17:06 Please help me.
01:17:11 She obviously only does makeup.
01:17:14 Sorry for the mix-up.
01:17:16 Wait.
01:17:21 Have you tried the police?
01:17:23 They were useless.
01:17:25 I found this article that listed you as the head
01:17:27 of the L.A. County Ritual Abuse Task Force.
01:17:31 Fancy title, wasn't it?
01:17:33 Doesn't seem to get me any extra students, though.
01:17:35 The article said that you accused some people
01:17:37 of solely poisoning task force members
01:17:39 for finding out things about the cult.
01:17:42 Listen, it's dangerous to talk about this.
01:17:46 What, you're saying your beauty school is bugged?
01:17:48 I know what I found.
01:17:50 And I know how it got reported.
01:17:53 They're everywhere.
01:17:55 It's a big society of people with a whole lot of power.
01:17:58 They will do anything to keep this secret.
01:18:02 Anything.
01:18:04 I saw a lot of strange things at the theater,
01:18:07 but this stood out.
01:18:08 It was in a glass case.
01:18:10 Are you sure about this?
01:18:12 This is exactly what I saw,
01:18:14 except I noticed in this picture there's no engraving.
01:18:17 It was engraved on the side?
01:18:19 Yes.
01:18:20 What were the words?
01:18:22 They were foreign.
01:18:24 Oh.
01:18:27 Fifettu soista nesita.
01:18:32 It's blood for the beast.
01:18:35 They have a ceremony which calls for human sacrifice.
01:18:41 It's supposed to give the members power
01:18:43 that will last beyond the grave.
01:18:45 Some people believe anything.
01:18:47 It's our beliefs which makes us dangerous.
01:18:49 I don't agree with that.
01:18:51 Your sister and her friends are about to be killed
01:18:53 for somebody else's beliefs, and you don't find that dangerous?
01:18:55 Nobody said they were about to be killed.
01:18:57 I said it.
01:18:58 The bringer of death wears an amulet you just showed me.
01:19:01 There is no other purpose for this amulet.
01:19:03 Stars are aligned tonight.
01:19:06 Your friends are in serious danger.
01:19:09 What can we do?
01:19:11 Who can you trust?
01:19:14 No one.
01:19:17 [sighs]
01:19:20 Get a gun and pray.
01:19:24 Do you believe in God, Tammy?
01:19:28 I don't know.
01:19:31 I used to think my acting coach was God
01:19:34 until I tried to sleep with me.
01:19:40 I bet you wish you had a lighter
01:19:42 and one of those cigarettes right now.
01:19:46 I'm scared, Joan.
01:19:54 It doesn't look good.
01:19:58 I'm thinking about praying.
01:20:05 Is Angela coming?
01:20:08 I'm guessing the police won't believe her,
01:20:10 so Angela and Bill are our best bet.
01:20:14 Thank you, ladies.
01:20:15 That's all the information I'll need.
01:20:17 Go to hell.
01:20:22 Oh, you're scaring me.
01:20:25 You know, if there's one thing I've always been able to count on,
01:20:28 it's the fact that actors are stupid people.
01:20:32 I've been recording you two.
01:20:35 Just two more loose ends.
01:20:37 Now let's see, what were their names again?
01:20:42 Go to hell.
01:20:44 Kind of redundant, aren't you?
01:20:46 I wouldn't take up writing.
01:20:50 Angela and Bill, and we'll be waiting for them.
01:20:56 Now, since we don't need both of you for the ceremony,
01:21:00 I think maybe it's time you say goodbye to your friend, Joan.
01:21:08 Oh, but don't worry.
01:21:09 You'll see her again soon.
01:21:12 In the next world.
01:21:14 [gunshots]
01:21:19 [engine rumbling]
01:21:22 [engine rumbling]
01:21:26 [engine rumbling]
01:21:54 I'm going for a little walk.
01:22:00 A makeup teacher was a flake.
01:22:02 What if she's right about the ceremony?
01:22:04 Oh, come on. She can't be right.
01:22:10 Excuse me. Can we sit at a different table?
01:22:13 Uh-huh.
01:22:18 Thanks.
01:22:22 You're really getting paranoid, you know.
01:22:25 We don't know who all was involved.
01:22:27 That's right. Maybe the waitress was involved.
01:22:29 Maybe the makeup lady was.
01:22:30 Hell, even I could be in on this.
01:22:33 Don't look at me like that. I was just fooling around.
01:22:36 Well, don't.
01:22:38 Okay.
01:22:41 If we're going to do this without the police,
01:22:43 we need the element of surprise.
01:22:50 We are not using guns.
01:22:52 Put that away.
01:22:54 Okay, let's assume you're right for a minute.
01:22:56 We walk in and we find a bunch of guys about to slice up Joan.
01:22:59 What are we going to do?
01:23:00 Tell them to stop being bad? Cut it out?
01:23:03 I have a plan.
01:23:04 I'll tell you as soon as I go wash my hands.
01:23:07 What is it? Southern for taking a pee?
01:23:10 You're not so pretty now, are you, slut girl?
01:23:13 All that glam shit doesn't look so pretty anymore, does it?
01:23:17 All that time teasing your hair, doing your nails.
01:23:21 It's all wasted now.
01:23:23 I know your type.
01:23:25 You have a perfect life. Everyone likes you.
01:23:28 You have the looks.
01:23:30 Friends, money, boys, cars, everything.
01:23:33 You're never meek.
01:23:35 Your friends are never interested in me.
01:23:38 That's why I joined the bunch.
01:23:40 We reject you and your values.
01:23:43 I can't wait to see you dead.
01:23:47 This looks like a good spot.
01:23:50 You stay here.
01:23:52 [sounds of a fight]
01:24:20 We're going to kill you, bitch.
01:24:23 And you know what?
01:24:25 Your death is meaningless.
01:24:28 We respect those we sacrifice.
01:24:31 They died for our God.
01:24:33 We honor them.
01:24:36 You...
01:24:38 You're just a piece of trash we're throwing out.
01:24:48 If you're lucky, the first blow will crush the back of your skull.
01:24:52 Get ready.
01:24:54 You have ten seconds.
01:24:57 [sounds of a fight]
01:25:17 [music]
01:25:39 So, you going tonight?
01:25:42 I'll be there. I'm not sure in what capacity.
01:25:45 Angela, everything all right?
01:25:48 Angela?
01:25:50 Angela?
01:26:02 Angela?
01:26:04 [music]
01:26:06 [sound of a punch]
01:26:08 [music stops]
01:26:10 [sound of a fight]
01:26:12 Nobody feeds me.
01:26:28 This food is the best.
01:26:30 Last meal, right?
01:26:32 What did you do to Tammy?
01:26:34 Eat. It'll make the time go better for you.
01:26:37 Why are you doing this?
01:26:39 Things are really getting messy.
01:26:42 The members are talking.
01:26:44 There is glory in what we do. I believe that.
01:26:47 But they go too far.
01:26:49 Like thugs. We're not thugs.
01:26:52 Then what are you?
01:26:53 I don't have to tell you.
01:26:55 Look, do you want to eat or don't you?
01:26:57 I do want to eat.
01:26:59 Just please untie me so I can eat my last meal like a human.
01:27:03 All right, but trust me.
01:27:10 If you try anything, something very bad will happen to you.
01:27:15 Damn it. You are always letting them loose.
01:27:20 I am beginning to seriously doubt your convictions.
01:27:26 [sound of a punch]
01:27:28 [sound of a bell]
01:27:30 Stop!
01:27:32 We need her for the ceremony.
01:27:34 [sound of a punch]
01:27:36 [sound of a punch]
01:27:38 [sound of a punch]
01:27:40 [sound of a punch]
01:27:42 [sound of a punch]
01:27:44 [sound of a punch]
01:27:46 I question your convictions.
01:27:49 She's out. Take her to be prepared for the ceremony.
01:27:53 [music]
01:28:00 [sound of a punch]
01:28:02 [music]
01:28:13 [sound of a punch]
01:28:15 [music]
01:28:29 [sound of a punch]
01:28:31 [music]
01:28:38 [sound of a punch]
01:28:40 [music]
01:28:45 [sound of a punch]
01:28:47 [music]
01:28:54 [sound of a punch]
01:28:56 [music]
01:29:24 [sound of a punch]
01:29:26 [music]
01:29:30 [scream]
01:29:32 Make this one presentable for the ceremony.
01:29:35 I'm doing the best I can.
01:29:41 Miss Travis, thanks for dropping by.
01:29:44 You know, I'm finally achieving closure on this ceremony.
01:29:47 Where's my sister?
01:29:49 Oh, Ray, since you seem to have damaged this one,
01:29:52 maybe we can use Miss Travis for the ceremony.
01:29:56 You want me to make her up instead?
01:29:58 That's what I said.
01:30:00 I'll go get more makeup.
01:30:02 Where's my sister?
01:30:05 Don't concern yourself with details.
01:30:07 If you hurt her, I'll kill you.
01:30:11 [sound of a punch]
01:30:15 Oh, we hurt her, and she cried many times,
01:30:21 and then she died.
01:30:24 Now, if you're not going to kill me,
01:30:27 I've got a ritual to run.
01:30:30 What is wrong with you?
01:30:32 What is wrong with all of you?
01:30:36 Oh, God, not Kyla.
01:30:39 Not Kyla.
01:30:41 You didn't know her.
01:30:44 You don't know Kyla.
01:30:47 [sobbing]
01:30:55 You know why I'm going to wear gloves?
01:30:59 Less bruising, more pain.
01:31:03 [sound of a punch]
01:31:06 [coughing]
01:31:22 Angela, we've got to get out of here.
01:31:25 What happened?
01:31:28 They killed her.
01:31:31 They killed Kyla. I saw them.
01:31:33 I saw them.
01:31:36 Crazy. Come on, pull yourself together.
01:31:39 We've got to get out of here.
01:31:41 For Kyla.
01:31:44 Come on.
01:31:46 [sobbing]
01:31:53 What happened to you?
01:31:55 Somebody mugged me.
01:31:58 Do you want me to call the cops?
01:32:00 No.
01:32:01 I'm going to the party tonight.
01:32:03 All right.
01:32:05 I've got something else I have to take care of.
01:32:08 [music]
01:32:36 [music]
01:32:42 Ray's dead.
01:32:43 The girls are gone.
01:32:45 All right, Donald, Cynthia, stay to finish the preparations.
01:32:48 Lance, Bruce, secure the exits.
01:32:49 Go.
01:32:51 [music]
01:33:09 Everything's ready.
01:33:11 I'm really nervous about this.
01:33:13 Don't worry, they'll find them.
01:33:15 They've been doing this a long time.
01:33:17 I'm nervous about the ceremony.
01:33:22 I was too.
01:33:24 My first time.
01:33:27 You remember your first?
01:33:29 Her name?
01:33:32 We're not supposed to talk about that.
01:33:35 I think you'd forever remember her name.
01:33:39 Once it starts, it's addicting.
01:33:44 The power is absolute.
01:33:49 If you can do this, you can do anything.
01:33:55 Louise.
01:33:57 My first.
01:34:00 Louise Dixon.
01:34:03 [music]
01:34:32 If we both hit it, one of us should be able to make it out.
01:34:35 I'm not leaving without you.
01:34:37 If one of us makes it out, we can get help.
01:34:39 Come on, let's go before someone else comes.
01:34:45 Okay, go, go, go.
01:34:47 [music]
01:35:05 We've had ceremonies like this before, but not like this one.
01:35:09 A night when the alignment of our stars calls his name.
01:35:15 Hear us now.
01:35:18 I call on you all.
01:35:20 What is rightfully ours.
01:35:22 [screams]
01:35:26 The power of this act is the power over life.
01:35:32 Cynthia, pierce the flesh of this sacrifice to our prince.
01:35:39 Let the blood flow.
01:35:41 No, no.
01:35:44 [screams]
01:35:49 Go get her.
01:35:51 [music]
01:36:15 Help me with her.
01:36:20 Wait, I'm a private investigator.
01:36:23 I've been looking for someone.
01:36:24 I'm working undercover, and her trail ended here.
01:36:27 Her name is Georgia.
01:36:29 Have you heard them talk about her?
01:36:30 No, why did they kill Kyla?
01:36:31 Why?
01:36:32 It's not safe here.
01:36:33 We have to go somewhere else and talk.
01:36:34 Come on.
01:36:37 Freeze.
01:36:39 [gunshots]
01:36:41 [music]
01:36:47 It's okay.
01:36:49 I should have done more.
01:36:54 My only concern was in finding Georgia, your sister needed me.
01:37:01 I'm sorry.
01:37:03 It's okay.
01:37:14 Angela, are you okay?
01:37:15 You shot her.
01:37:16 She was a private investigator, and she was trying to help me.
01:37:19 That's why I shot her.
01:37:22 I was right about Cynthia.
01:37:24 Do you want me to kill her now?
01:37:26 I'll do it myself.
01:37:28 On this night of nights, we will not be denied.
01:37:31 To those of you who have tried to hold us back, and tell us what to do,
01:37:35 and rape us of our dignity, we say to you, we hold the power over life and death.
01:37:40 [screams]
01:37:48 Drop it, Johnson.
01:37:52 It's all over.
01:37:54 Looks like we got a standoff, Stone.
01:37:58 [grunts]
01:38:07 You killed Kylie, you killed my sister.
01:38:12 You killed her.
01:38:16 You know, that knife missed several critical arteries by millimeters.
01:38:20 That's incredible luck.
01:38:22 I feel real lucky.
01:38:24 Look, I'd say you're going to be here another three or four days before you can go home.
01:38:28 I want you to rest.
01:38:30 We'll talk about your therapy later this afternoon.
01:38:32 Listen, I'll stop in and see you after lunch, okay?
01:38:37 Joan, you should leave this place as soon as you're better.
01:38:43 You don't think a little scratch is going to keep me from acting?
01:38:47 Wait, wait, wait.
01:38:55 Hey, don't tell me this water is going to come gushing out of the hole in my back,
01:38:58 you know, like I'm the roadrunner.
01:39:01 It's not safe here.
01:39:04 I can use my fear.
01:39:06 I can use this pain.
01:39:08 I think all this will help my acting.
01:39:11 I've never been good at crying.
01:39:13 I think I'm just too happy and well-adjusted.
01:39:15 What do you think?
01:39:16 I think you should go home.
01:39:19 I am home.
01:39:21 Hey, hey.
01:39:23 How's the food in this dump?
01:39:24 Officer Stone, I never got a chance to thank you.
01:39:28 Thank me?
01:39:29 For rescuing us at the theater?
01:39:31 Oh, hey, I didn't do shit.
01:39:33 Bill killed the cult leader and Joan here killed Lieutenant Johnson.
01:39:37 Oh, whoa, hey, hey, don't drink that.
01:39:40 Haven't you seen "The Roadrunner"?
01:39:41 It's going to gush out the hole in your back.
01:39:45 Listen, I brought all the stuff that you had at the theater.
01:39:47 We don't need it for evidence or anything.
01:39:49 I'm just glad those assholes are dead.
01:40:00 Tammy.
01:40:04 Tammy.
01:40:07 You see, this is why you have to leave.
01:40:12 No, this is why I have to stay.
01:40:17 Come on, why don't you let me drive you home?
01:40:19 We could leave tomorrow or the next day.
01:40:21 What I went through here really hurt me.
01:40:23 I need to get out of here as soon as I can.
01:40:26 Angela, come here.
01:40:32 If anyone can survive this, it's you.
01:40:35 You know of all the bad things that happened.
01:40:38 At least I got to meet you.
01:40:41 I'll miss you.
01:40:43 I'll miss you.
01:41:04 I understand that I got to always keep your name a secret.
01:41:08 I got no problem with that.
01:41:12 I'm glad Carl's gone.
01:41:14 He was sloppy.
01:41:16 Always taping things.
01:41:20 I didn't respect him.
01:41:23 But you.
01:41:27 The way you kept sending us girls without them knowing.
01:41:32 That's what I respect.
01:41:35 Only one thing I got to know.
01:41:39 You don't seem to revel in the money the way that Carl did.
01:41:44 If you don't mind my asking, what do you get out of all this?
01:41:50 I do what I do because I believe.
01:41:55 People are inherently evil.
01:41:59 And when the end of the world comes, I want to be on the side that wins.
01:42:05 Every once in a while, someone like Angela comes along and makes me doubt my convictions.
01:42:13 But I can just pick up a newspaper, or turn on the television, and my faith is restored.
01:42:24 [Music]
01:42:34 [Music]
01:42:44 [Music]
01:43:04 I miss you.
01:43:08 [Music]
01:43:18 [Music]
01:43:28 [Music]
01:43:38 [Music]
01:43:48 [Music]
01:43:58 [Music]
01:44:08 [Music]
01:44:18 [Music]
01:44:28 [Music]
01:44:38 [Music]
01:44:48 [Music]
01:44:58 [Music]
01:45:08 [Music]
01:45:18 [Music]
01:45:28 [Music]
01:45:38 [Music]
01:45:48 [Music]
01:45:53 [BLANK_AUDIO]