Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:29 No more wars, peace in the world, and the CIA has gone to shit.
00:00:33 In LA and Tokyo, they use their offices for sex parties.
00:00:36 We used to kill the bad guys, now we kill each other.
00:00:38 I never know who the target is, once it was a friend.
00:00:41 My rival, Agent Hawk, uses his office to entertain.
00:00:47 My boss, Joan, has me terminating friends.
00:00:52 But I know she's involved with the Testament Group.
00:00:55 Ah, the Testament Group.
00:00:58 Hakun is a member. Instead of helping others, he helps himself to the girls.
00:01:04 And Peter Armstrong, my MI5 perverted friend.
00:01:09 His cover, a member of Parliament.
00:01:12 The Testament Group is supposed to do good. My job is to eliminate them.
00:01:17 I've done a lot of work for the Prime Minister.
00:01:20 I thought we were all friends.
00:01:23 So then, why are these guys trying to kill me?
00:01:27 I'm getting ahead of myself. Let me start at the beginning.
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00:02:12 (upbeat music)
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00:03:00 (upbeat music)
00:03:02 (upbeat music)
00:03:06 (footsteps)
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00:03:24 (footsteps)
00:03:27 (footsteps)
00:03:29 (footsteps)
00:03:31 (footsteps)
00:03:34 (door slams)
00:03:35 - Damn it.
00:03:36 (door slams)
00:03:37 (door slams)
00:03:38 (sighs)
00:03:39 (sad music)
00:03:41 (sighs)
00:03:51 - I was on my way to pick up my assignment,
00:03:56 hoping it wasn't someone I knew.
00:03:58 - Donna, hey, it's me.
00:04:00 I need your help.
00:04:01 He's alone.
00:04:09 We want Harpoon to find his body at the card.
00:04:12 He'll panic and lead us to the others.
00:04:14 Call in when you arrive.
00:04:16 I want you in and out and no mistakes.
00:04:19 (sad music)
00:04:24 (sad music)
00:04:27 - This man is not worth it.
00:04:52 Besides, you can't just show up unannounced.
00:04:54 - Please.
00:04:55 - Come on, but I'm telling you,
00:04:58 Peter does not like surprises.
00:05:00 - Yeah, yeah.
00:05:01 - You really should call first.
00:05:05 (knocking)
00:05:18 - Come in.
00:05:21 - Good afternoon, Mr. Armstrong.
00:05:23 - Hello.
00:05:24 - Welcome to America.
00:05:25 - Thank you.
00:05:27 - It's a pleasure to have a member
00:05:28 of the British Parliament here.
00:05:30 - The pleasure is all mine.
00:05:31 - The magazine is a compliment of the hotel.
00:05:35 - Thank you.
00:05:37 I hope our paths will be crossing again
00:05:39 in the not too distant future.
00:05:41 - I certainly hope so myself.
00:05:43 Enjoy your evening.
00:05:45 - I shall, thank you.
00:05:46, I'm in.
00:05:47, I'm in.
00:05:48 - James, James, James.
00:05:50 - I'm in.
00:05:51 - James, James, James.
00:05:53 - I'm in.
00:05:54 - James, James, James.
00:05:55 - I'm in.
00:05:56 - James, James, James.
00:05:58 - I'm in.
00:05:59 - James, James, James.
00:06:01 - I'm in.
00:06:01 - James, James, James.
00:06:03 - I'm in.
00:06:04 - James, James, James.
00:06:06 - I'm in.
00:06:07 - James, James, James.
00:06:08 - I'm in.
00:06:09 - James, James, James.
00:06:11 - I'm in.
00:06:12 - James, James, James.
00:06:14 - I'm in.
00:06:15 - I'm in.
00:06:15 - I'm in.
00:06:16 - Check this out, Eduardo.
00:06:18 - What, so?
00:06:20 - You know me.
00:06:23 I can always tell about these guys.
00:06:25 Drug deal.
00:06:27 - Secret affair.
00:06:28 - Cop.
00:06:31 - He's no cop.
00:06:32 - 20 bucks to find out.
00:06:35 - Candy, tell me you're not gonna follow the man.
00:06:37 Remember the last time?
00:06:39 - No, no, I'm right.
00:06:41 Besides your 20 bucks,
00:06:43 I'm finally getting a promotion from behind this desk.
00:06:45 - No, don't do it.
00:06:46 - I'm not staying another year at this desk.
00:06:50 You in or out?
00:06:51 - Okay, but I'm not going through this time.
00:06:54 (dramatic music)
00:06:59 - Well, if he asked me to go to England, you come with us.
00:07:14 - Greta, why don't you find a man that's not married?
00:07:16 - Be careful with this.
00:07:19 - May I help you?
00:07:20 - Thank you.
00:07:25 Coming in?
00:07:26 - Hey, no, I'm waiting for someone.
00:07:31 Maybe next time.
00:07:32 - Ow, I told you.
00:07:36 (laughing)
00:07:38 (dramatic music)
00:07:41 - God, give it to me.
00:07:55 You're so helpless with mechanical things.
00:07:57 He is gonna leave his wife and marry you, right?
00:08:04 - Yeah.
00:08:04 - That is what you've demanded?
00:08:05 - Of course.
00:08:07 (sighing)
00:08:09 - Wait, you're not going to--
00:08:11 - Oh, yes I am.
00:08:12 I'm going as hell.
00:08:13 - Oh, get a commitment first.
00:08:15 - Yeah, yeah.
00:08:16 - Not after, understand?
00:08:18 - Okay, I got it.
00:08:19 - No, first.
00:08:20 - Okay.
00:08:21 - First.
00:08:22 - Okay. - I'm warning you.
00:08:22 - I will. - He's a sadistic bastard.
00:08:24 (sighing)
00:08:26 (dramatic music)
00:08:29 (sighing)
00:08:31 - Beautiful.
00:08:46 - Come to England with me, I promise.
00:08:52 We will live a charmed life.
00:08:53 - Oh, Donna told me you weren't serious,
00:08:55 but I told her that you--
00:08:58 - Oh, that hurts.
00:08:59 Please, gentle.
00:09:00 - Don't wish to hear about Donna.
00:09:02 She's a stupid, self-righteous bitch.
00:09:04 She knows nothing about anything.
00:09:06 - Oh.
00:09:07 Okay.
00:09:09 - You know what?
00:09:12 She doesn't matter.
00:09:13 You're mine now.
00:09:14 - Peter, let me up.
00:09:15 I don't like this.
00:09:16 Come on, this is not funny.
00:09:17 - Shut up!
00:09:19 - Peter!
00:09:19 - Sweetheart, listen.
00:09:27 You know I'm a possessive bastard,
00:09:29 and when I own you, it's total, irreversible,
00:09:32 and passionate.
00:09:33 Sorry if I frightened you.
00:09:36 - Shit!
00:09:41 My key!
00:09:42 - Oh my God.
00:09:50 Philip.
00:09:57 - Do it.
00:09:58 It's not you, it'll be someone else.
00:10:00 I only ask two things.
00:10:03 That you investigate the organization for yourself.
00:10:06 You're doing so much good for everyone.
00:10:10 And that you don't--
00:10:11 (gunshot)
00:10:25 - Peter.
00:10:26 I'm sorry, man.
00:10:29 - Peter?
00:10:35 You should have told me that this is
00:10:42 what drives you, you know?
00:10:44 I can maybe get into that.
00:10:47 - Oh, the girl from the elevator.
00:10:53 Shit.
00:10:54 (gunshot)
00:10:56 Shit!
00:11:04 (knocking)
00:11:17 - Okay, listen.
00:11:18 I don't care what you two are doing,
00:11:19 but I need my keys.
00:11:22 (gasps)
00:11:24 - Shit!
00:11:44 Shit, shit, shit!
00:11:46 (suspenseful music)
00:11:49 - Three.
00:11:55 Not one.
00:11:56 Three.
00:11:57 (suspenseful music)
00:12:05 (suspenseful music)
00:12:08 (suspenseful music)
00:12:11 (gunshot)
00:12:23 (upbeat music)
00:12:31 (upbeat music)
00:12:34 - I'm sorry about your friend.
00:12:44 I had no choice.
00:12:46 Don't give me that look.
00:12:47 I know who you swore to me.
00:12:50 You got one chance to live.
00:12:52 Hold that number.
00:12:55 I gotta bring you in.
00:12:58 Recruit.
00:13:00 You understand?
00:13:02 (upbeat music)
00:13:04 Hold the number.
00:13:06 Not now.
00:13:09 - Okay.
00:13:11 - Just do it.
00:13:14 - Three eliminations.
00:13:25 - Three.
00:13:27 Not one.
00:13:31 Three is what he said.
00:13:32 - What the hell is going on?
00:13:35 It was your job to assure a solo target.
00:13:38 Peter Armstrong was to be alone.
00:13:40 - Joan.
00:13:42 I have a cleanup to do.
00:13:46 I have no time for this.
00:13:49 - After this, you are both level five.
00:13:52 - I have one year seniority.
00:13:54 He does as I say.
00:13:56 - You both do as I say.
00:13:59 Whatever happened was your responsibility.
00:14:01 You'll bite the bullet this time.
00:14:03 - Are you done with the cleaners?
00:14:06 - Yes.
00:14:07 Send them back to the hotel.
00:14:08 One more thing.
00:14:13 I order you to be at his knighthood.
00:14:16 - It should have been mine.
00:14:19 - Bullshit.
00:14:25 He's better than you.
00:14:26 10 o'clock?
00:14:29 I guess you'll just have to address him as Sir Philip now.
00:14:32 - You find out what happened to Hakun,
00:14:34 he wasn't my responsibility.
00:14:36 (phone ringing)
00:14:40 - Hawk.
00:14:47 - Four.
00:14:48 God damn it, four.
00:14:50 - Don't be there.
00:14:52 Your ass is mine.
00:14:53 - Bring it on, man.
00:14:55 Bring it on, man.
00:14:56 - This is not good.
00:15:13 When they hear about this,
00:15:16 I mean, this is just a bloodbath.
00:15:19 - I know, that's four, that's what they said.
00:15:21 - I'm not gonna let you do this.
00:15:23 - I'm not gonna let you do this.
00:15:25 - I'm not gonna let you do this.
00:15:26 - I'm not gonna let you do this.
00:15:27 - I'm not gonna let you do this.
00:15:29 - I'm not gonna let you do this.
00:15:30 - I'm not gonna let you do this.
00:15:31 - I'm not gonna let you do this.
00:15:33 - I'm not gonna let you do this.
00:15:34 - I'm not gonna let you do this.
00:15:35 - I'm not gonna let you do this.
00:15:37 - I'm not gonna let you do this.
00:15:38 - I'm not gonna let you do this.
00:15:39 - I'm not gonna let you do this.
00:15:40 - I'm not gonna let you do this.
00:15:42 - I'm not gonna let you do this.
00:15:43 - I'm not gonna let you do this.
00:15:44 - I'm not gonna let you do this.
00:15:47 - You haven't gotten any more.
00:15:49 Did I tell you about the phone call I got
00:15:50 from the terrified hotel boy?
00:15:53 - You left somebody?
00:15:56 - Better than that.
00:15:59 He wants us to bring him in.
00:16:00 - I'm not killing anybody else.
00:16:04 - Steady, Phillip, steady.
00:16:05 - There you go.
00:16:07 That's it.
00:16:08 - You can forget about level five.
00:16:11 - Shut up.
00:16:14 - Phillip, are you crazy talking in front of him?
00:16:17 Nobody leaves, you know that.
00:16:18 Nobody gets out.
00:16:20 - Joan, I can't do this anymore.
00:16:22 - 39 books in the Old Testament.
00:16:24 Today was 37.
00:16:26 You have two more assignments left
00:16:27 and then we can talk about a rest, but not now.
00:16:29 - I haven't slept.
00:16:30 I can't sleep.
00:16:31 Do you understand what I'm saying?
00:16:32 - Not now, not now.
00:16:33 We have a surprise.
00:16:37 - Surprise? - Go home, yes.
00:16:39 Go home, get changed and pick up Liz
00:16:41 and be back here in three hours.
00:16:43 Go on.
00:16:44 Go on.
00:16:46 - Little did I know the surprise had nothing to do
00:16:50 with what Joan arranged.
00:16:52 It would come as a surprise to both of us.
00:16:55 My problem wasn't killing friends.
00:16:59 That was just the beginning.
00:17:01 North Korea was becoming a problem for the CIA.
00:17:04 That meant another problem for me.
00:17:06 Look at the difference in these two countries.
00:17:10 Brothers and sisters have been split for 50 years.
00:17:13 Now they plan to unite.
00:17:15 They sent us Noah.
00:17:17 Noah, Cray's drunken, out of control kid
00:17:25 who would kill for money?
00:17:27 Or was she something else?
00:17:29 - Shh, no words.
00:17:33 Die with honor.
00:17:34 My name is Noah.
00:17:35 Say it.
00:17:36 (Noah groaning)
00:17:39 - Whatever she was, my guys were gonna find out.
00:18:07 And that was going to screw up my life.
00:18:10 (Noah groaning)
00:18:12 - You're saying you knew her?
00:18:29 - We lost track of her for six months until tonight.
00:18:32 - Oh, let me get this straight.
00:18:34 Our Asian division has psychotic escaped criminals
00:18:37 running around America.
00:18:39 - She's from South Korea in this case, our allies.
00:18:43 - If I may, we have monitored her since 13 years old.
00:18:49 Genius IQ.
00:18:51 Her violent nature put her in prison.
00:18:54 It was there we tried to break in her and train her.
00:19:00 - The Japanese were also aware of her.
00:19:03 She's an excellent material for intelligence work.
00:19:07 - You mean assassinations.
00:19:09 - When she escaped from prison,
00:19:12 we allowed her to run America.
00:19:14 We felt once she experienced the Western world.
00:19:19 It would seduce her for our purpose.
00:19:23 - We are on the same side, John.
00:19:25 Nobody wants North and South Korea to be united.
00:19:29 Imagine the threat.
00:19:32 - This woman is perfect.
00:19:34 Aimed at the right target,
00:19:37 total unification will never happen.
00:19:39 - A coincidence, she wanted money
00:19:43 and just randomly choose you are man.
00:19:46 Accident.
00:19:47 - The American government will not tolerate
00:19:50 loose cannons eliminating people.
00:19:53 Understood?
00:19:54 Break her or kill her.
00:19:57 You have two weeks.
00:19:58 General.
00:20:00 (footsteps)
00:20:03 (upbeat music)
00:20:09 - Excuse me, hi.
00:20:15 Liz.
00:20:16 Come on, we gotta go.
00:20:19 - I'm not going anywhere, I'm staying here.
00:20:21 What do you know?
00:20:22 - She's staying here.
00:20:24 - I'm not going anywhere.
00:20:26 - Who's this?
00:20:27 Who is it?
00:20:29 - Alan.
00:20:31 - Oh, I'm sorry.
00:20:33 This is the guy, you own this place.
00:20:34 I'm sorry, hi, how are you doing?
00:20:35 I'm sorry, but we're in a rush now.
00:20:37 We gotta go.
00:20:38 - I'm not going anywhere tonight.
00:20:39 - The agency has a function.
00:20:41 They specifically requested you be there.
00:20:43 Liz, I've had a really bad night.
00:20:46 I need you to leave, okay?
00:20:48 - Good job.
00:20:49 - Come on, Liz.
00:20:50 Come on, come on, come on.
00:20:51 - You know what, you're always talking about your job.
00:20:53 Tonight, I don't want any CIA.
00:20:55 I just wanna have fun.
00:20:57 I have a job too, Phillip.
00:21:00 I'm staying.
00:21:01 - She's not leaving.
00:21:02 - You understand?
00:21:04 You feel that?
00:21:05 You feel that?
00:21:06 You feel that?
00:21:07 This will stop the oxygen hydration
00:21:10 from rising in the car.
00:21:11 You get no more life.
00:21:13 You know what I'm saying?
00:21:15 - Oh, I guess.
00:21:17 - Liz, come on.
00:21:26 David, come on.
00:21:28 - You know what, Phillip, just leave.
00:21:29 Just go.
00:21:30 - Leave.
00:21:31 - Leave. - Go.
00:21:32 - I have been unhappy for two years, and so have you.
00:21:35 I'm tired of this.
00:21:37 - I think this is not the time.
00:21:38 - No, this is the time.
00:21:39 This is my job too.
00:21:40 Just leave, Phillip.
00:21:46 Leave.
00:21:47 Leave.
00:21:48 - Liz, are you sure about this?
00:21:51 - Liz, stop your nonsense.
00:21:53 Thank you.
00:21:55 Yes, I am.
00:21:56 (soft music)
00:21:59 (humming)
00:22:15 ♪ Moving away today ♪
00:22:25 ♪ Moving away ♪
00:22:30 ♪ Moving away, I'm leaving today ♪
00:22:36 ♪ I gotta find a better way ♪
00:22:40 ♪ I give you all my love ♪
00:22:45 ♪ And everything I have I give to you ♪
00:22:50 ♪ I'm every woman ♪
00:22:54 ♪ And you don't even try to be good ♪
00:22:59 ♪ I keep hoping things will change ♪
00:23:07 ♪ Maybe we can make it like it was ♪
00:23:12 ♪ But the more you play these games ♪
00:23:19 ♪ You don't appreciate my love ♪
00:23:24 ♪ That's why I'm moving away today ♪
00:23:29 ♪ That's why I'm moving away today ♪
00:23:35 ♪ Moving away, I'm leaving today ♪
00:23:40 ♪ I gotta find a better way ♪
00:23:43 ♪ Moving away ♪
00:23:46 - I doubt we'd have to chase Philip, Mr. Prime Minister,
00:23:50 but it is a thought.
00:23:51 (both laughing)
00:23:53 - Ah, Philip, you look like you've seen a ghost.
00:23:56 Hello.
00:23:57 I think we better get the poor boy a chair before he faints.
00:24:02 Didn't you tell him, Joan?
00:24:03 - No, sir.
00:24:04 I thought it would be better this way.
00:24:06 He's had a very bad day today.
00:24:09 - Ah, yes, sir.
00:24:11 Sorry about that.
00:24:12 No one knew that he was catting around.
00:24:15 It's rather unfortunate about all those innocent people.
00:24:18 - Nice to see you again, Mr. Prime Minister.
00:24:21 Why are we killing our own people?
00:24:25 And why me?
00:24:28 - Yes, well, it's a rather delicate matter.
00:24:33 You see, Peter Armstrong was an agent like yourself
00:24:36 before he went into Parliament.
00:24:38 He was so good that we jokingly referred to him as Bond.
00:24:42 (both laughing)
00:24:44 Since you knew each other,
00:24:45 we figured it would give him that moment of hesitation
00:24:49 long enough for you to terminate him.
00:24:51 - I didn't know he was an agent.
00:24:55 That's good.
00:24:56 But you know what?
00:24:58 I deserve an answer.
00:24:59 And I wanna know the truth.
00:25:01 I wanna know why.
00:25:04 - Philip, the Prime Minister is here to--
00:25:08 - It's all right, Joan.
00:25:09 Everyone in this room is a level five or higher.
00:25:13 I hate bullshit.
00:25:14 We went to the same college, Oxford.
00:25:18 You know my wife, I know yours.
00:25:19 Mr. Prime Minister, please.
00:25:21 - Philip, he and Harcoon had joined a group
00:25:25 which threatens everything we hold sacred.
00:25:27 - Sacred?
00:25:30 You have me kill a friend of mine?
00:25:31 You don't tell me, and it's sacred.
00:25:35 - They intended to destroy every religious organization
00:25:41 in the entire world.
00:25:43 Your government and mine will stop them.
00:25:45 - Mr. Prime Minister, if I may.
00:25:47 Philip, it's been decided
00:25:48 that your next two assignments after that,
00:25:50 you will take a year off.
00:25:52 Harc will take your place and be elevated to level six.
00:25:55 - I know the tragedy of this evening
00:25:58 is eating heavily at your soul.
00:26:01 Please, help us.
00:26:03 - I'm at your service, Mr. Prime Minister.
00:26:07 - It gives me great pleasure to inform you
00:26:10 on behalf of the Crown
00:26:12 that they wish to bestow a knighthood upon you,
00:26:15 a knighthood directly recommended by the Royal Family.
00:26:19 For past, present, and future service to the Crown,
00:26:25 you will be knighted by Her Royal Majesty
00:26:27 at Buckingham Palace,
00:26:29 and henceforth to all and sundry,
00:26:31 you will be known as Sir Philip Stuart.
00:26:40 Arise, Sir Philip.
00:26:42 (laughing)
00:26:46 (dramatic music)
00:26:49 - Jesus.
00:27:02 - You didn't think I'd leave without saying goodbye,
00:27:06 did you?
00:27:07 Come here.
00:27:10 (gentle music)
00:27:12 (door closing)
00:27:15 (gentle music)
00:27:18 (phone notification)
00:27:23 (sighing)
00:27:25 (gentle music)
00:27:29 (sighing)
00:27:49 (gentle music)
00:27:52 - What I didn't know was, my wife was giving me a gift,
00:28:00 and while I was making love to her,
00:28:02 the agency was making love to Noah.
00:28:04 (groaning)
00:28:09 (screaming)
00:28:12 (dramatic music)
00:28:14 (wind blowing)
00:28:17 (gentle music)
00:28:28 - What are you doing?
00:28:41 Where are you going?
00:28:44 - You know, now you can work all you need to.
00:28:46 - I finally get a vacation after all this time,
00:28:49 and now you're gonna leave.
00:28:51 - You know what?
00:28:52 I really don't think that you could ever love.
00:28:56 Considerate, yeah, passionate, yeah.
00:28:58 But you have a steel inside of you
00:29:02 that won't allow you for you to cry.
00:29:04 You rarely laugh.
00:29:09 You hate small talk, and lately, any talk at all.
00:29:13 I don't even think that I've seen you speak three words,
00:29:16 except when you're at the bar threatening to kill someone.
00:29:20 And then you can talk, talk, talk, talk.
00:29:22 I know that there's something good inside of you,
00:29:27 I really do.
00:29:28 I've been praying for you here.
00:29:29 The CIA is using you, going around killing people.
00:29:38 You're sad.
00:29:42 You know, you need to think about what it is
00:29:44 that you're doing.
00:29:45 Think, 'cause it's not amounting to nothing.
00:29:47 You and Colin Powell, who stood by the door.
00:29:52 - Okay, you going?
00:29:54 - The nightmares that you've been having,
00:30:01 you need to listen to them.
00:30:03 (phone ringing)
00:30:07 - No.
00:30:08 Time is running out.
00:30:11 (ominous music)
00:30:14 If you don't agree, they'll just kill you
00:30:18 and find somebody else.
00:30:20 I don't want to kill you.
00:30:24 What for us?
00:30:27 What's the problem?
00:30:31 - Um, um.
00:30:32 - Hmm?
00:30:34 (screaming)
00:30:39 (ominous music)
00:30:41 - In North Korea, Pyongyang attaches high priority
00:31:09 on the development and sale of ballistic missiles,
00:31:14 equipment, and technology.
00:31:17 Know why?
00:31:19 - I don't give a shit about your politics.
00:31:25 (laughing)
00:31:25 - Yeah, you will.
00:31:27 Come closer.
00:31:30 - You still have one ear left.
00:31:39 (screaming)
00:31:41 - I have all the time in the world.
00:31:51 And you have only one week before they kill you.
00:31:57 - What do you want from me?
00:32:02 I'm not a soldier.
00:32:05 - North Korea and South Korea are making a peace will
00:32:09 and we want it stopped.
00:32:11 North Korea will then expanding their sales
00:32:13 in ballistic missiles and we want that stopped.
00:32:17 - I don't work for anybody.
00:32:20 - If you're going around killing people,
00:32:22 do it for a reason.
00:32:23 For world peace.
00:32:26 - Let me out of here!
00:32:32 Let me out!
00:32:34 (screaming)
00:32:36 - Do it.
00:32:37 It's not you, it'll be someone else.
00:32:39 - The saying is using you.
00:32:41 Going around killing people.
00:32:43 Who is that?
00:32:45 - I only ask two things.
00:32:49 That you investigate the organization for yourself.
00:32:52 - You need to think about what it is that you're doing.
00:32:56 Think, 'cause it's not about nothing.
00:32:59 You and Colonel, it's who stood by the door.
00:33:03 - That you investigate the organization for yourself.
00:33:06 That you investigate the organization for yourself.
00:33:09 You investigate the organization for yourself.
00:33:13 - Get up.
00:33:14 Find out what's going on.
00:33:16 Get up.
00:33:17 Do it, get up.
00:33:19 (dramatic music)
00:33:22 (footsteps)
00:33:24 (dramatic music)
00:33:27 (footsteps)
00:33:29 (dramatic music)
00:33:37 (footsteps)
00:33:39 - Damn.
00:33:58 (dramatic music)
00:34:01 (footsteps)
00:34:03 (dramatic music)
00:34:06 - Come on, Joan.
00:34:27 You made it too easy for me to find this stuff.
00:34:30 Let's see what you're up to.
00:34:32 (dramatic music)
00:34:35 (door slams)
00:34:51 (dramatic music)
00:34:53 (footsteps)
00:34:56 - Initiation practices of high magic.
00:35:19 This subversive group,
00:35:20 who has followers worldwide,
00:35:22 leaving traditional organizations.
00:35:24 The agency's derivative is to undermine
00:35:27 the movement and terminate it.
00:35:30 (dramatic music)
00:35:32 - Interesting reading.
00:35:38 You are so predictable.
00:35:40 Glad you found it, though.
00:35:43 (dramatic music)
00:35:50 - Glad I found it.
00:35:52 Is everybody going crazy?
00:35:54 Hawk, where the hell is Hawk?
00:35:55 - Hey, hey, what's going on?
00:36:03 What's going on?
00:36:05 - Phillip, what are you doing here?
00:36:08 - That wasn't the question.
00:36:09 So what's going on?
00:36:10 - I'm trying to patch things up between you two, huh?
00:36:13 - That's why you reach for your weapon?
00:36:14 Huh?
00:36:15 Is that why?
00:36:16 - Hey, habit, Phillip, huh?
00:36:19 Especially when husbands jump out of shadows.
00:36:21 - Do I have to ask this question a third time?
00:36:25 - Nothing is going on, Phillip.
00:36:27 - Then why the dumb, guilty look on your face?
00:36:32 - Hey, don't talk to her that way, okay?
00:36:37 - Why do you hate me so?
00:36:38 Because your old man got bumped out of the agency?
00:36:42 Make room for minorities and women?
00:36:44 Huh, is that why?
00:36:47 - This has nothing to do with my father.
00:36:49 - Oh, come on.
00:36:49 Your boss is a woman.
00:36:52 The man moving right up your ass past you is a black man.
00:36:55 You can't handle it.
00:36:56 - I'm trying to help you, Phillip.
00:36:58 - You know your father had your whole life
00:37:00 planned out for you?
00:37:01 White House.
00:37:03 Just like him, Monsignor, cowboy boots, cigars.
00:37:07 I'm sorry for you, man.
00:37:09 Shit happens.
00:37:10 - Phillip, he's telling the truth.
00:37:12 He's trying to help.
00:37:13 - I'm listening.
00:37:15 - The agency called me.
00:37:17 They knew that I was an Abby
00:37:19 and they knew that I was gonna leave you.
00:37:21 They just asked me to do it now instead of later.
00:37:23 Hawk just came to tell me what everything would mean.
00:37:26 You're not aggressive and you're not being focused.
00:37:29 They wanna kill you.
00:37:31 - Let me see.
00:37:35 My wife, you son of a bitch, you went to my wife.
00:37:39 - Listen, I did it to save your life.
00:37:43 - Let's go, Liz.
00:37:44 - Liz, come here.
00:37:47 - No, I don't.
00:37:48 - Wait a minute.
00:37:49 Listen, whatever it is that they need you to do,
00:37:51 just do it, Phillip, please.
00:37:54 - Liz, no.
00:37:56 - No.
00:37:57 - Liz!
00:38:01 - Couldn't get any worse, right?
00:38:03 Wrong.
00:38:04 A Korean girl, Noah, was the center of an agency rivalry
00:38:09 between Los Angeles CIA and Tokyo
00:38:12 and I was about to get right in the middle of it.
00:38:14 (speaking in foreign language)
00:38:18 (phone ringing)
00:38:22 (speaking in foreign language)
00:38:27 (speaking in foreign language)
00:38:31 (speaking in foreign language)
00:38:43 (speaking in foreign language)
00:38:47 - In the Tokyo office, everybody was spying on everybody.
00:38:59 Geishas were spies and spies were geishas.
00:39:02 Japanese, South Korean, and American intelligence
00:39:05 were supposed to be working together
00:39:07 but they were all out for themselves.
00:39:10 You could trust no one.
00:39:12 (phone ringing)
00:39:14 I felt like my head was exploding from losing Liz.
00:39:20 The secret is supposed to heal and Joan knew that.
00:39:24 Maybe it can help me.
00:39:26 The higher self was always represented
00:39:33 by some sacred figure of the major religions.
00:39:37 A man who was always shown as the son of God.
00:39:42 (speaking in foreign language)
00:39:46 And now it was the general's turn
00:39:54 to straighten everyone out.
00:39:56 South Korea had to win at any cost.
00:39:59 - If the dreamer can be trained in his awakened state
00:40:08 to realize that the nightmare is only an expression
00:40:12 of an internal conflict, then he has proceeded halfway
00:40:17 to the point where it will cease to bother him.
00:40:21 - I've gotta try this.
00:40:25 - Time to end the Korean War.
00:40:34 Now, your last chance.
00:40:37 (door slams)
00:40:39 Live or die.
00:40:41 - I want to live.
00:40:45 (gentle music)
00:41:01 (air whooshes)
00:41:03 - Noah fooled everyone, especially Agent Gold,
00:41:11 who was falling for her.
00:41:12 (gentle music)
00:41:25 (air whooshes)
00:41:28 - Ballistic missile August 1998,
00:41:37 Depodon-1, SCLV, ICBM.
00:41:40 The third stage failed, but they are still testing.
00:41:44 - A new Depodon-2, if successful,
00:41:49 could deliver a several kiloton payload to the US.
00:41:54 - The global realities of our national security system
00:41:57 is a worldwide threat.
00:41:59 - Continue.
00:42:00 - North Korea has weapons of mass destruction
00:42:06 and the acquisition of technology.
00:42:08 - Continue.
00:42:10 - But with the freeze on production
00:42:16 of their weapons materials at the Yongban complex
00:42:20 prior to '94, they still produce enough plutonium
00:42:23 to produce at least one missile.
00:42:25 North Koreans are capable of using a wide variety
00:42:29 of CW agents and delivery means.
00:42:33 They can support a limited BW effort.
00:42:35 - Is that all?
00:42:38 - North Koreans have little else to export
00:42:40 to raise significant hard currency
00:42:42 besides ballistic missiles and other weapons.
00:42:44 The CIA in the new world is to put an end to that.
00:42:48 I don't know why I'm here.
00:42:53 - Sit down, have a glass of brandy.
00:42:56 - We need you to assassinate the president of North Korea.
00:43:08 (coughing)
00:43:11 - Thou art the kingdom of power and glory.
00:43:16 Amen.
00:43:20 - I'll tell Malik.
00:43:23 Raphael before me, Gabriel behind me,
00:43:30 Michael to the right of me.
00:43:34 - What the hell do you think you're doing?
00:43:39 - You guys didn't think you could sneak up on me twice,
00:43:43 did you?
00:43:45 - We're here to--
00:43:46 - I know why you're here.
00:43:47 And I can see why you're afraid.
00:43:51 - What?
00:43:52 - What you talking about?
00:43:53 - These people we're eliminating.
00:43:57 It's giving people power, isn't it?
00:44:00 - Devil worship.
00:44:03 Come on, Philip, you're a good Christian.
00:44:05 - Yeah, teaching people how to heal themselves.
00:44:08 What kind of good things?
00:44:10 Government doesn't want that, does it?
00:44:12 - Can we get on with this?
00:44:20 - Here's your next assignment.
00:44:21 Take this one.
00:44:24 But I take over the next one.
00:44:27 - Hawk, wait outside.
00:44:30 - Knighted, promoted.
00:44:32 Does anything make you happy?
00:44:34 - If you don't move your ass, I'm gonna move it for you.
00:44:39 - I'm just sick of everybody babying you, huh?
00:44:46 (thudding)
00:44:48 (laughing)
00:44:52 - Striking a superior, huh?
00:44:57 You're a witness to this, Joan.
00:45:06 But that's okay, 'cause I got your woman.
00:45:12 - I gave you an order.
00:45:15 - Yeah, Joan, a sweet, sweet black woman
00:45:19 lied to her husband to be with me.
00:45:22 Remember, I take over.
00:45:27 - This is wrong.
00:45:34 You know, I never questioned my duty before.
00:45:38 I served my country, but this is crazy, and you know it.
00:45:43 (door opening)
00:45:45 - Who's in this envelope?
00:45:47 Answer me, damn it!
00:45:49 - This assignment better go on without any problems.
00:45:52 If it was thought that you couldn't function in the field,
00:45:55 it would be out of my hands.
00:45:57 You have been privileged.
00:46:00 You know the why of every assignment.
00:46:03 That never happens.
00:46:05 - Do your job.
00:46:07 - I'm not doing my job.
00:46:10 - Do your job.
00:46:11 - Be strong and courageous, Joshua 1-5.
00:46:21 Meet Hakun's wife, pay respects.
00:46:25 You will be instructed where to proceed
00:46:26 to engage target from there.
00:46:28 (dramatic music)
00:46:31 (dramatic music)
00:46:34 (dramatic music)
00:46:37 (dramatic music)
00:46:40 - My deepest, deepest,
00:47:05 deepest sympathies.
00:47:07 - Thank you.
00:47:10 I want to know what happened.
00:47:12 - But you know I can't tell you what, what.
00:47:14 Confirmation, repeat.
00:47:17 - Pulu.
00:47:18 - She's the target.
00:47:19 Proceed, all is clear.
00:47:21 - Did you hear me, Pulu?
00:47:22 - No!
00:47:23 - What's wrong?
00:47:24 (dramatic music)
00:47:29 (screaming)
00:47:33 - Go, get out of here now.
00:47:34 - No, no, no. - I'll clean up, go.
00:47:35 Just go, go. - What the hell
00:47:36 is going on?
00:47:37 - Go. - What the?
00:47:38 - Go!
00:47:39 Now! - Go!
00:47:40 - Go, go, I'll clean up.
00:47:42 Go!
00:47:43 Go, meet me up at the top.
00:47:45 Run!
00:47:46 - Hawk set me up and switched assignments.
00:47:49 He knew I wouldn't kill another friend.
00:47:51 Bottom line, I disobeyed a command.
00:47:55 That meant Joan would be ordered to kill me.
00:47:58 - Oh no.
00:47:59 Oh no.
00:48:01 (keyboard clicking)
00:48:04 (keyboard clicking)
00:48:07 (keyboard clicking)
00:48:10 (keyboard clicking)
00:48:13 (keyboard clicking)
00:48:16 (knocking)
00:48:40 (soft music)
00:48:42 (soft music)
00:48:45 (soft music)
00:48:47 (soft music)
00:48:50 (soft music)
00:48:53 (soft music)
00:48:56 (soft music)
00:48:59 (soft music)
00:49:01 (soft music)
00:49:30 (screaming)
00:49:33 (screaming)
00:49:57 (footsteps)
00:49:59 - Who the hell is this?
00:50:03 - That?
00:50:05 That's Noh, your new assignment.
00:50:07 - My what?
00:50:10 I, wait a minute.
00:50:11 - I had the Prime Minister intercede.
00:50:13 You're well out of the field, Philip.
00:50:15 So now, you're a teacher.
00:50:17 - Teacher?
00:50:18 Teacher what?
00:50:20 I can see she already knows how to kill people.
00:50:23 - First, basic intelligence
00:50:25 in the art of close up termination.
00:50:27 - Close up termination?
00:50:29 Who?
00:50:31 - The President of North Korea.
00:50:33 (laughing)
00:50:35 - You guys are crazy, right?
00:50:37 Are you having me on, right?
00:50:38 It will take me years to train her
00:50:40 to do something like that.
00:50:41 Come on.
00:50:42 - You have three months,
00:50:43 or they go back to plan A for you,
00:50:45 which was my vote.
00:50:46 - This is bullshit.
00:50:50 North Korea is just a little renegade country.
00:50:53 We didn't even think about it till the Gulf War.
00:50:57 - Yeah, well now they're outside the boundaries
00:50:58 of international control.
00:51:00 And if they unite, it's trouble for everybody.
00:51:04 - So, who is?
00:51:06 - A little gem from South Korea.
00:51:10 Reluctant recruit.
00:51:12 - We believe with your tutoring,
00:51:14 she understand that.
00:51:16 Her country of South Korea is better off
00:51:19 as they know her.
00:51:22 - Give her a patriotic feeling, Philip,
00:51:24 and do it quick.
00:51:26 Because your lives depend on it.
00:51:28 - Joan.
00:51:30 Joan!
00:51:31 Joan!
00:51:33 Joan, you can't leave me here with her!
00:51:37 Joan!
00:51:37 - Sit your ass down.
00:51:45 (door slams)
00:51:47 First, don't ever come at me again.
00:51:55 If we're both gonna die, I'll take you out first.
00:51:59 You understand?
00:52:00 Second, we're gonna get out of this alive.
00:52:06 We have to work together.
00:52:08 You with me?
00:52:12 - You, have you had any training at all?
00:52:16 Wait.
00:52:18 - What did you do?
00:52:22 - I didn't follow orders.
00:52:26 - Why?
00:52:29 - 'Cause it was wrong, it was a friend, it was a woman.
00:52:34 - She's going to kill you.
00:52:36 I hear everything.
00:52:39 - Let's get to know each other.
00:52:42 (door slams)
00:52:43 So, tell me about you.
00:52:46 - I got high and killed some guy.
00:52:53 I think he was one of yours.
00:52:57 - You killed Paco?
00:53:01 - I don't know.
00:53:02 - Oh.
00:53:04 Just go around killing people?
00:53:07 - Don't you?
00:53:10 (sighs)
00:53:13 - Little girl, I kill people for a reason.
00:53:17 - And what reason is good enough?
00:53:21 - Wait, hope Phillip pulls off a miracle.
00:53:27 - No!
00:53:31 No!
00:53:32 - No, no, no!
00:53:33 Leave me alone!
00:53:36 - It's all right.
00:53:37 - It's my business to do what I want with my life!
00:53:40 - It's all right.
00:53:41 - Get out, get out!
00:53:42 - Honey, shh, shh, shh, shh.
00:53:44 Keep quiet, quiet, they'll kill us both.
00:53:46 Shh, shh, it's okay, it's okay.
00:53:49 - I wanna die.
00:53:52 - No. - It's my duty.
00:53:54 (sobs)
00:53:56 - No, there is no duty to die for.
00:54:00 Shh.
00:54:01 (sobs)
00:54:05 (suspenseful music)
00:54:08 (suspenseful music)
00:54:11 (suspenseful music)
00:54:41 - I want to speak with my family.
00:54:43 - You want to call your family?
00:54:45 - Yes, you can kill us all, I don't care.
00:54:48 I need to use your cell phone.
00:54:50 - I could get in a lot of trouble here.
00:54:53 - Please.
00:54:53 - Hawks second trap.
00:54:57 She doesn't know Agent Gold speaks Korean.
00:54:59 He writes everything she says.
00:55:01 - Use it quick, please.
00:55:10 (speaks in foreign language)
00:55:14 - Do you think we're on?
00:55:38 - I don't know.
00:55:40 - Stupid.
00:55:41 - Link with Skull CIA for Korean.
00:55:49 What I suggest is you stop fucking with us
00:55:52 and you cooperate.
00:55:53 - Easy there, Hawk.
00:55:55 Hey.
00:55:59 Are you okay?
00:56:03 - So where are you taking us?
00:56:11 - Taking you up to the mountains.
00:56:12 Show you a few things.
00:56:13 I think you deserve a break from that place.
00:56:15 You came a long way, you deserve it.
00:56:17 - Well, thank you.
00:56:18 - So how's it feel to be out of there?
00:56:20 - Good.
00:56:21 What do you think?
00:56:22 - I can imagine.
00:56:24 - Is it just gonna be the two of us?
00:56:27 - It's supposed to be just the two of us,
00:56:29 but if you look in your rear view mirror,
00:56:31 you'll see we got a tail.
00:56:32 - Oh.
00:56:36 I see them.
00:56:39 So I was reassigned from the Testament group
00:56:42 to train this woman in close-up assassination.
00:56:45 Who?
00:56:46 The president of North Korea.
00:56:47 If she failed, we were both dead.
00:56:50 - Mm, smells good, huh?
00:56:54 - Mm-hmm.
00:56:55 - All right, let's get started.
00:56:59 Now, in North Korea--
00:57:00 - I feel sick.
00:57:01 And I wanna know about you first.
00:57:04 - All right, what do you wanna know?
00:57:08 - What were you working on?
00:57:10 - Some kind of new religion.
00:57:13 I don't think the government wants it to get started.
00:57:18 - Oh.
00:57:19 And you killed people for that?
00:57:22 - I didn't know at the time.
00:57:23 - Tell me about the new religion.
00:57:26 - You know what, I'll show you.
00:57:30 - Okay.
00:57:32 - I read some of the files.
00:57:33 I'll show you what I found out.
00:57:34 Here, light up.
00:57:37 (birds chirping)
00:57:40 From what I gathered so far,
00:57:43 what they're basically interested in is helping people.
00:57:46 All right?
00:57:46 Now, say you feel sick, where?
00:57:49 - Like a migraine.
00:57:53 - Like a migraine.
00:57:54 - In between my eyes and my head's pounding.
00:57:57 - All right, now here's what I want you to do.
00:57:58 Just keep talking to me.
00:58:00 I'm gonna ask you some questions
00:58:01 and just keep answering, okay?
00:58:02 - Okay.
00:58:03 - I want you to put this pain into a shape.
00:58:05 Tell me what shape is it now.
00:58:07 - It's a ball.
00:58:08 - A ball, okay.
00:58:09 How big is the ball?
00:58:10 Use your hands to show me.
00:58:11 - It's about that big.
00:58:12 - About that big.
00:58:13 Uh-huh, what color is it now?
00:58:14 - It's red.
00:58:17 - Red, okay.
00:58:18 And what shape is it now?
00:58:20 - Same shape.
00:58:25 - What color is it now?
00:58:26 - Almost like translucent.
00:58:33 - That's good.
00:58:34 - Wow, how did you do that?
00:58:39 - Well, it's just some of the stuff I read in the files.
00:58:44 - It's good.
00:58:45 Don't hurt those people.
00:58:48 Do you ever have a dog?
00:58:53 Never had a dog.
00:58:55 - Yeah, yeah, I had a dog once.
00:58:59 All right, let's get started, come on.
00:59:02 - Okay.
00:59:03 - Look, we gotta watch out.
00:59:04 I'm so sick of it.
00:59:06 Everything was supposed to be indoor.
00:59:07 What are we doing in the middle of nowhere?
00:59:10 My problem was some in South Korea wanted the unification.
00:59:18 They needed to stop us.
00:59:20 (speaking in foreign language)
00:59:25 (upbeat music)
00:59:27 - Hello?
00:59:55 (gentle music)
00:59:58 - You're in the office of the president of North Korea.
01:00:21 You don't have a lot of time.
01:00:22 Your environment is your safety.
01:00:25 Everything around you is a weapon.
01:00:28 Don't forget that.
01:00:30 Doesn't matter, comb, mirror, brush, pen.
01:00:33 Pen through the heart.
01:00:37 It's going in three seconds.
01:00:38 You understand?
01:00:39 Paper clip.
01:00:40 Sharp paper alone.
01:00:43 You cut it, you understand?
01:00:45 All right.
01:00:46 - Okay.
01:00:47 - Now-- - Let's take a break.
01:00:49 - We just started, come on.
01:00:51 Come on, we got more to do.
01:00:52 - I still hurt.
01:00:53 - Listen, I'm at the beach.
01:00:56 I'm at the beach.
01:00:56 Can you hear the wave?
01:00:57 Listen.
01:00:58 - Make it go away like you did the pain.
01:01:00 - I don't know that much about this stuff.
01:01:03 - Try.
01:01:04 - All right, here's a technique.
01:01:07 Close your eyes.
01:01:09 And what we're gonna try and do
01:01:13 is forgive the person you hate the most.
01:01:15 I'm gonna count backwards.
01:01:18 10, you're feeling relaxed.
01:01:21 I want you to tell them off.
01:01:23 Tell them about all the pain and misery and suffering
01:01:29 they induced on you.
01:01:31 Tell them now.
01:01:33 All of it.
01:01:34 Release it.
01:01:35 All of it.
01:01:36 Now I want you to surround that person with light.
01:01:38 Pure white light.
01:01:42 And forgive them.
01:01:46 Let it go.
01:01:49 (sobbing)
01:01:52 Release it.
01:01:53 - Thank you.
01:02:01 (dramatic music)
01:02:06 (waves crashing)
01:02:09 - I was hooked on her and I couldn't stop myself.
01:02:35 This had a feeling one of us was going to die.
01:02:37 - What is it?
01:02:48 - How much time do you want to give them?
01:02:50 - No, three months.
01:02:52 Three weeks.
01:02:53 - How's it going?
01:02:58 - Working.
01:02:59 She'll be ready in six months, just like I said.
01:03:01 - Three weeks, the general said three weeks.
01:03:04 - What?
01:03:04 It's on my hands.
01:03:06 - I suggest you stop the giggling and the laughing in there.
01:03:10 You may be my next assignment.
01:03:11 All this in one day.
01:03:28 (drill whirring)
01:03:33 (dramatic music)
01:03:36 (dramatic music)
01:03:39 - I need to talk to you right now.
01:03:41 - Joan, not now.
01:03:43 (dramatic music)
01:04:07 (speaking in foreign language)
01:04:11 (dramatic music)
01:04:14 (speaking in foreign language)
01:04:19 (dramatic music)
01:04:22 (speaking in foreign language)
01:04:29 (dramatic music)
01:04:32 (speaking in foreign language)
01:04:52 (dramatic music)
01:04:55 (speaking in foreign language)
01:05:09 (dramatic music)
01:05:22 - Hey, what's your name, asshole?
01:05:25 - What?
01:05:25 - What's your name?
01:05:26 - What's your name?
01:05:27 - Paul.
01:05:28 (gun firing)
01:05:30 (dramatic music)
01:05:51 (laughing)
01:05:51 - No, no, no, no.
01:05:52 - Oh, come on.
01:05:53 - Oh, no, no, no.
01:05:54 - I know you've played this before.
01:05:55 - Never.
01:05:56 - Oh, please, come on.
01:05:58 - Why should I trust you?
01:05:59 - After all that we've been through?
01:06:01 - Oh, I don't know.
01:06:04 (laughing)
01:06:07 - So bad.
01:06:08 - I know, I know.
01:06:10 (laughing)
01:06:16 - Now we gotta start counting.
01:06:18 - Counting?
01:06:19 - Yeah.
01:06:20 - All right.
01:06:21 - Ready?
01:06:21 - One.
01:06:22 - One.
01:06:23 Two.
01:06:24 - Hey, hey!
01:06:29 I knew you'd do something like that.
01:06:36 (laughing)
01:06:38 - Friend!
01:06:50 - No, priest!
01:06:51 - Stay right there!
01:06:52 - On your knees.
01:06:52 Down, get down, now.
01:06:53 - Stay back.
01:06:54 - Get down slowly on your knees.
01:06:56 - Did you hear him?
01:06:57 Get down.
01:06:57 - Down.
01:06:58 Put your hands in your back.
01:07:00 I told you we were gonna get you.
01:07:03 - She's in my custody, don't worry about it.
01:07:05 - Your custody.
01:07:06 - Oh, really, Phillip?
01:07:07 Is that how it is?
01:07:08 - You're lucky one more time.
01:07:09 (dramatic music)
01:07:11 - Hawk was happy now.
01:07:16 He had everything he wanted.
01:07:18 He was gonna take down my boss.
01:07:20 Boss Joan, Noah, me, Agent Gold,
01:07:23 and anyone who stood in his way.
01:07:25 - I got you, I got you.
01:07:34 - Why should we help you?
01:07:43 - Why should you help me?
01:07:48 - Let me put it to you this way.
01:07:50 If you don't,
01:07:53 our lovely Agent Matsui here
01:07:57 will be living in the slums of Tokyo,
01:08:00 and you, my dear general,
01:08:02 will be in front of a firing squad in Seoul.
01:08:06 - Get to the point.
01:08:07 - The point?
01:08:08 The point is that you're gonna have to kill Phillip for me.
01:08:15 - No, man, no.
01:08:17 I'm really gonna go down here.
01:08:18 - Just calm down.
01:08:20 You're not gonna be in any condition to do me any good
01:08:22 if you're flying off the handle like this.
01:08:24 Now stop it.
01:08:25 (dramatic music)
01:08:29 (siren blaring)
01:08:31 (dramatic music)
01:08:34 (door slams)
01:08:52 (indistinct chatter)
01:08:55 (dramatic music)
01:08:58 (laughing)
01:09:04 - Hold on, hold on.
01:09:07 - Get out.
01:09:09 Get out now.
01:09:11 Get out now.
01:09:13 - Jesus.
01:09:15 - What?
01:09:17 - Come on.
01:09:18 Come on.
01:09:19 - What?
01:09:20 (dramatic music)
01:09:24 (screaming)
01:09:26 (dramatic music)
01:09:29 (speaking in foreign language)
01:09:42 (dramatic music)
01:09:46 (siren blaring)
01:09:49 (water splashing)
01:09:56 (dramatic music)
01:09:59 (knocking)
01:10:03 (dramatic music)
01:10:06 - Nancy, wake up.
01:10:07 Nancy, wake up.
01:10:09 Wake up.
01:10:11 Wake up, Nancy.
01:10:12 You okay?
01:10:16 (speaking in foreign language)
01:10:17 (knocking)
01:10:19 - Gold.
01:10:23 Where is Gold?
01:10:24 - I don't know.
01:10:25 - He's been following me.
01:10:26 You take care of him.
01:10:27 I'll take care of the rest, all right?
01:10:29 (dramatic music)
01:10:32 (phone ringing)
01:10:37 (dramatic music)
01:10:44 (speaking in foreign language)
01:10:47 - Damn it.
01:10:54 (speaking in foreign language)
01:10:58 Do you speak English?
01:11:10 - Yes.
01:11:13 - See, but I'm just an entertainer.
01:11:15 Here to make money from big muscle men like you.
01:11:17 (dramatic music)
01:11:21 - Start, start.
01:11:27 (gun firing)
01:11:29 - Oh, God.
01:11:30 - Damn it.
01:11:31 Hawk, you got the paper.
01:11:32 Come on, let's get out of here.
01:11:34 (dramatic music)
01:11:37 (dramatic music)
01:11:39 - Go.
01:12:00 Hurry up.
01:12:04 Hurry.
01:12:05 (gun firing)
01:12:07 (baby crying)
01:12:07 (dramatic music)
01:12:10 (dramatic music)
01:12:13 (dramatic music)
01:12:16 (dramatic music)
01:12:18 (dramatic music)
01:12:21 (dramatic music)
01:12:26 (dramatic music)
01:12:33 (dramatic music)
01:12:35 (dramatic music)
01:12:45 (dramatic music)
01:12:47 (dramatic music)
01:13:13 - I don't care what you have to do.
01:13:14 You get Jimmy, you get Jimmy, you get Jimmy,
01:13:17 you get Dan, you get everybody
01:13:18 that you can get out here, okay?
01:13:20 (dramatic music)
01:13:40 (dramatic music)
01:13:43 (gun firing)
01:13:46 (gun firing)
01:13:48 - Jimmy, Jimmy.
01:13:53 Jimmy.
01:13:55 (dramatic music)
01:13:58 (horse neighing)
01:14:05 (dramatic music)
01:14:07 (siren blaring)
01:14:15 - I don't wanna hear about any cops showing up on the scene.
01:14:18 You take them out if you have to, you understand?
01:14:20 You do what you have to do.
01:14:21 (siren blaring)
01:14:23 (siren blaring)
01:14:29 (dramatic music)
01:14:31 - Everything okay?
01:14:32 - Good to go.
01:14:33 - We heard, we got a call, shots fired.
01:14:34 - You need a shotgun?
01:14:36 - No, we're all right.
01:14:37 - You don't need a shotgun?
01:14:37 - No, no.
01:14:38 - Okay, yeah, 'cause we heard shots fired,
01:14:39 so I'm here to investigate.
01:14:41 Everything's okay?
01:14:42 - Everything's okay, you went on your way.
01:14:43 - Oh, okay. - You should,
01:14:44 you're coming down.
01:14:44 - No problem.
01:14:45 (gun firing)
01:14:46 (dramatic music)
01:14:49 (gun firing)
01:14:52 (dramatic music)
01:14:55 (gun firing)
01:15:00 (dramatic music)
01:15:02 (gun firing)
01:15:05 (dramatic music)
01:15:07 (gun firing)
01:15:18 (dramatic music)
01:15:21 (gun firing)
01:15:23 (dramatic music)
01:15:26 (gun firing)
01:15:28 (gun firing)
01:15:31 - Watch this, Phillip, no guns, right?
01:15:33 No guns, okay?
01:15:34 (dramatic music)
01:15:37 Just you and me, come on.
01:15:41 (gun firing)
01:15:42 Come on.
01:15:43 (gun firing)
01:15:45 - And you, and me.
01:15:46 (gun firing)
01:15:49 (dramatic music)
01:15:52 (gun firing)
01:15:54 (dramatic music)
01:15:57 (dramatic music)
01:15:59 (grunting)
01:16:15 (dramatic music)
01:16:17 (grunting)
01:16:22 (dramatic music)
01:16:25 (grunting)
01:16:27 (dramatic music)
01:16:31 (screaming)
01:16:41 (dramatic music)
01:16:44 (screaming)
01:16:47 (dramatic music)
01:16:50 (grunting)
01:16:54 (dramatic music)
01:16:56 (grunting)
01:17:02 (screaming)
01:17:04 (dramatic music)
01:17:07 - Phil!
01:17:14 - Watch it, he's eights Dan Blackbelt.
01:17:18 Watch it.
01:17:18 (dramatic music)
01:17:21 (water running)
01:17:26 (dramatic music)
01:17:30 (grunting)
01:17:39 - So the general came on our side
01:17:45 and now everyone was safe.
01:17:47 (dramatic music)
01:17:50 (dramatic music)
01:18:05 (grunting)
01:18:07 - Phillip.
01:18:10 (grunting)
01:18:12 Phillip!
01:18:17 (laughing)
01:18:20 The way I see it, you have only one way out of this, huh?
01:18:25 Seems your girlfriend is a Korean spy.
01:18:30 She was sent here to kill you.
01:18:34 She fooled us all.
01:18:36 See, she was born in North Korea,
01:18:40 sent to South Korea to infiltrate
01:18:42 their intelligence community, huh?
01:18:45 She knew Hakun, yes she did, you know why?
01:18:48 'Cause he was her target.
01:18:51 I'll give you a minute to decide
01:18:56 which one of you is gonna die, huh?
01:19:00 See, if you kill her, all of your mistakes are forgiven.
01:19:05 If she kills you, well, she's just gonna have to defect
01:19:10 to us, it's that simple.
01:19:13 What's it gonna be, huh, Phillip?
01:19:16 - I was sent to kill as many as I could
01:19:19 who were on the American operation against unification.
01:19:22 Hakun was one of them.
01:19:24 My family in Seoul?
01:19:29 Not my family, all agents too.
01:19:31 It didn't matter if you killed them.
01:19:34 It's my duty to kill you.
01:19:37 Phil.
01:19:41 - No, no, no, no, no, no, no.
01:19:43 We'll get our ass together, no, no, no, no.
01:19:45 Stay, don't you move!
01:19:49 - Drugs damaged all the corn and rice,
01:19:54 three years of no food.
01:19:57 Our children are growing weak and we're dying.
01:20:00 My people need this unification.
01:20:03 - There are a lot of US defectors in North Korea, huh?
01:20:08 - Japanese and Americans should stay out of our politics.
01:20:11 North and South Korea should decide on their own.
01:20:19 Take back your American soldiers!
01:20:21 - Just shoot the bitch!
01:20:24 - Shoot me, I don't care!
01:20:26 (dramatic music)
01:20:29 (dramatic music)
01:20:31 - Somebody's gotta die, huh?
01:20:41 Did you know that she is Testament target number 39?
01:20:46 Well, kill her.
01:20:49 Kill her or they'll kill you!
01:20:53 - Who else knows about this?
01:20:54 - No one, just him.
01:20:55 - Nevermind, I'll do it.
01:20:57 (dramatic music)
01:21:00 (gun firing)
01:21:03 - Take care of her.
01:21:26 - Yes, I will.
01:21:28 Thank you.
01:21:29 - The hardest part is giving away
01:21:36 someone you've fallen in love with.
01:21:38 Nah, the hardest part will be running from the CIA.
01:21:42 Who knows, maybe the Testament group
01:21:55 can help me heal myself.
01:21:58 And the world will be a better place for it.
01:22:01 And I won't have to kill anymore.
01:22:05 (gun firing)
01:22:08 (dramatic music)
01:22:11 (upbeat music)
01:22:13 (upbeat music)
01:22:16 (upbeat music)
01:22:19 (upbeat music)
01:22:21 (upbeat music)
01:22:24 ♪ You never gave me any reason ♪
01:22:37 ♪ To never want another love ♪
01:22:40 ♪ Baby, wait, I'm not enough ♪
01:22:44 ♪ It gets better with every season ♪
01:22:49 ♪ 'Cause you always have another ♪
01:22:52 ♪ That you can share ♪
01:22:54 ♪ Hey, hey, hey ♪
01:22:57 ♪ It's never too much ♪
01:23:00 ♪ It's never too late ♪
01:23:04 ♪ It's always just right for me ♪
01:23:06 ♪ When I need it ♪
01:23:09 ♪ Delicious to me ♪
01:23:12 ♪ Your taste is so sweet ♪
01:23:16 ♪ Baby, I love that when I'm dreaming ♪
01:23:21 ♪ I keep on coming home back to you, baby ♪
01:23:25 ♪ 'Cause your love is so, so good to me ♪
01:23:30 ♪ I keep on coming home back to you, honey ♪
01:23:37 ♪ 'Cause your love's like a song that makes me sing ♪
01:23:44 ♪ I can't imagine where you must come from ♪
01:23:49 ♪ You must have sent from up above ♪
01:23:54 ♪ Up above ♪
01:23:56 ♪ It's all a mystery to me ♪
01:24:01 ♪ How you do what you do ♪
01:24:03 ♪ When you do what you do to me ♪
01:24:08 ♪ It's never too much ♪
01:24:11 ♪ It's never too late ♪
01:24:16 ♪ It's always just right for me ♪
01:24:18 ♪ When I need it ♪
01:24:21 ♪ Delicious to me ♪
01:24:24 ♪ Your taste is so sweet ♪