Saikumar & Bindu Panicker Exclusive Interview: Saikumar & Bindu Panicker talks about the impact actor Innocent had on thier film careers. Watch our Exclusive Interview with Saikumar & Bindu Panicker for this and much more | Innocent-നെ കുറിച്ച് വാക്കുകൾ ഇടറി Sai Kumar!! Saikumar & Bindu Panicker Interview
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00:00 What was your characterization?
00:03 My characterization was that I don't want to watch this movie.
00:06 Vindu sir, the hotel scene with Madurai Manohar.
00:10 He was laughing so much.
00:11 No need for that.
00:12 Yes.
00:13 A theater with a ladder like Sabari Guna.
00:17 It doesn't end even after climbing the steps.
00:18 No laugh, only smile.
00:20 Don't laugh like that.
00:23 Laugh like this.
00:25 Tommy, no laugh, only smile.
00:28 (Same scene in the movie)
00:30 When I won the state award, I did a lot of acting.
00:33 Why did you do acting?
00:36 I was out of the bus.
00:38 I was the only man in the bus.
00:40 I know how much it will take to get that sequence in Malayalam.
00:44 The cameraman laughed and cut the shot.
00:47 We had to stand near Ambuli and Innocent.
00:50 We didn't know what was happening.
00:54 Sometimes we were standing here.
00:56 We were standing near Ambuli.
00:58 New Agency used to use me as a bait.
01:02 I thought of that time.
01:05 When we saw, there was no one in the theater for 4-5 days.
01:10 We were wondering which movie was this.
01:13 Then I called Malakrishnan.
01:15 Then the police came to East police station.
01:17 I asked them what was the matter.
01:20 (Same scene in the movie)
01:25 Hi, hello viewers.
01:27 This is Filmmubeat presents Untold with Ajith.
01:29 I have with me Untold Stories.
01:31 I have with me Mr. Sajith Bharath.
01:33 I have with me Mr. Asha Bharath.
01:35 Greetings to all three.
01:37 There is a theory that I do the movies I want to see.
01:43 Do you believe in that?
01:46 Of course, we have to do what we like.
01:49 We have to listen to the story,
01:51 like the story,
01:53 listen to the story,
01:55 like the story,
01:57 and see what character suits the movie.
02:01 We have to do it like that.
02:03 If it is a character with no character,
02:05 I can do it or anyone can do it.
02:07 We have to choose.
02:09 I have heard you talk about Hridayam.
02:15 The specialty of Hridayam is that the songs are important.
02:20 The narration goes through the songs.
02:25 If we take Ramji Rao,
02:27 if we take Ramji Rao in Ora Aayiragirakal,
02:30 we can plot these three problems in the movie.
02:35 We can take it as a different scene.
02:37 But when it goes through the song,
02:39 it has a lot of meaning.
02:41 It conveys a lot of meaning through the lyrics.
02:43 What is the specialty of the song?
02:46 What are the benefits of that?
02:48 What is the benefit of being an artist?
02:51 If you think of it as a director,
02:59 you have to take a lot of scenes unnecessarily.
03:06 There are a lot of scenes to show how they were.
03:11 But if we shoot each montage for 5, 4 or 3 minutes,
03:19 it is easy to show the hidden things that they have hidden.
03:28 If we look at Ramji Rao,
03:31 we have to tell the story of Mukesh's family,
03:34 my family,
03:36 Mamukka's family and Innocent's family.
03:39 So we have to speak about Ramji Rao in 2-3 scenes.
03:42 So to avoid that,
03:44 they do it in a fun way.
03:48 How many benefits does it have for the actors?
03:51 Does it increase the scope of the performance?
03:55 When we do a character,
04:02 there is a past for the character.
04:05 If we start the story in 2010,
04:11 there is a past for the character.
04:16 It is the artist's need to find out what that past is.
04:20 How he should have been when he grew up.
04:24 We have to develop the character of the person from 2010.
04:32 So every character has a past.
04:35 If we ask the director or script writer,
04:39 they will say that they have not thought of such a past.
04:42 We have to start the story from here.
04:44 So if this is his nature,
04:47 the reason for his nature is this.
04:52 We have to calculate that and do the character.
04:56 That is why we can go into the muscles of the character.
05:00 What was your characterization?
05:04 My characterization is that we should not watch the movie.
05:08 There is a problem like that.
05:10 So, it is a very important thing.
05:15 It is a very close relationship with the hero.
05:22 That is how the story is.
05:27 He is a teacher.
05:31 He is a person who wants all religions to be the same.
05:37 He is a person who prays for the social change to happen.
05:45 He is a person who strives for it.
05:47 This movie is a part of that.
05:50 The rest of the actors are very talented.
05:58 That is how the director chose them.
06:02 We are lucky that they came at that time and participated in it.
06:08 They have done a good job in the characters.
06:11 So, there is no fear in that part.
06:14 We are not afraid of the camera or the director.
06:20 We have seen how they do it.
06:22 So, there is no need to worry.
06:24 It is a clean movie.
06:27 If you ask me what is the problem with that, I will say it is their problem.
06:32 Vikram came to Kerala as a part of the movie promotion.
06:37 There were many press meetings.
06:40 He had to say the name of a Malayalam actor.
06:44 His graph is different from what we think.
06:49 In Indian cinema, he is a natural actor.
06:58 We have not seen many of his movies.
07:03 We have seen only a few.
07:05 Has your father's movies influenced you in this era?
07:13 It has not been like that.
07:16 But when we act, we may not know the mannerisms.
07:23 We may not understand it when we act.
07:26 But when we dub, we may think that it is done by my father.
07:33 It may be a blood relation issue.
07:36 I have felt like that.
07:38 It has not influenced me.
07:41 My father's movies were like melodramas.
07:45 It was necessary at that time.
07:50 Today, it has become natural.
07:53 If we want to do such characters, we need to make such stories.
07:59 We can do such things only then.
08:03 At that time, we did not have family stories.
08:06 We had some old stories.
08:08 We had movies like Parashuraja, Kunjali Marikkar.
08:13 When we see those movies,
08:17 they were not so technologically advanced.
08:21 We could not do anything with our art.
08:31 We had a camera.
08:34 I forgot the name.
08:36 It was a camera.
08:39 We could take double rolls.
08:41 I forgot the name.
08:43 We had only that camera.
08:45 We could not push a trolley in an Atlanta studio.
08:51 That is how heavy it was.
08:54 But they had such a system.
08:57 When they were shooting from here,
09:00 they had synced it with the scene of the movie.
09:03 So, they had a difficult thinking.
09:05 If we blast from here, we can blast at the same time.
09:09 Or we can blast with graphics.
09:12 But the timing of the fire and the ball
09:16 falling down was very good.
09:20 They were the ones who struggled for the movie.
09:24 It is very good now.
09:28 The tension is only between the director, producer,
09:31 and the camera man.
09:33 The actor is free.
09:36 Yes, he is free.
09:38 I asked him, "Don't you do movies now?"
09:44 He said, "I don't like to live in peace."
09:49 "I am doing movies now."
09:52 I said, "Let me work in peace."
09:56 He is the one who has shot such movies.
10:00 If he shoots the same movie again,
10:02 it will be a problem for us.
10:05 I asked him that with my own interest.
10:08 Vindu, the scene of the hotel where the
10:13 hotel staff is going to eat dosa,
10:15 it is not easy to make a family laugh.
10:21 It is very difficult.
10:23 Did you watch the movie with the family audience?
10:27 We were not lucky.
10:29 We were here.
10:32 We went to the Central Square.
10:36 There was a theater with a steep staircase.
10:41 We couldn't go up the stairs.
10:43 We sat there.
10:45 There was a scene where we said,
10:47 "No laugh, only smile."
10:49 We were told not to laugh.
10:51 We were told not to laugh.
10:56 There were a few souls sitting there.
10:59 We were the only ones laughing.
11:02 We had friends in our role.
11:07 We were the only ones laughing.
11:10 The rest of us were like,
11:12 "Tommy, no laugh, only smile."
11:15 I didn't understand why they came to the movie.
11:21 They were laughing but...
11:23 When we were talking about the elephant,
11:26 one of them stopped laughing.
11:29 It was a place like that.
11:31 I wanted to see the audience laughing.
11:36 I was like that.
11:39 There were a lot of family audiences.
11:42 There were a lot of scenes.
11:44 There was a scene where they kept their glasses.
11:47 There was a scene where they said, "No laugh."
11:51 It is difficult to make people laugh.
11:55 In the early 90s,
11:58 Malayalam cinema was template-driven.
12:02 There were many films that were successful.
12:06 There were a few that we didn't see.
12:09 There was a conflict between three or four people.
12:12 One person didn't like another.
12:14 It was template-driven.
12:16 Have you ever got bored of these templates?
12:21 No.
12:23 If you get bored, you have to live.
12:26 It is a big story.
12:29 If four people say no to it,
12:33 you have to eat every day.
12:35 Are you getting bored of that?
12:37 No.
12:38 I said that I get bored.
12:41 Sometimes, there are clichés.
12:44 We have always participated in the wrong films.
12:55 But we enjoy that situation.
13:01 The co-artists are very funny.
13:05 There is no feeling of going for a shoot.
13:08 When I see a short film, everyone goes for a caravan.
13:14 No one else goes for a caravan.
13:17 If everyone goes for a short film,
13:19 we sit together and discuss about the next scene.
13:25 We discuss about the next scene.
13:31 We also have jokes from our past.
13:34 We all had a strong bond.
13:38 Now, everyone loves the film.
13:42 But they demand for the space.
13:48 They give it to them.
13:50 Or they buy it.
13:52 We have heard that many senior actors
13:56 eat here.
13:58 But they don't eat here.
14:00 They eat in caravans.
14:03 Isn't that culture being exposed?
14:06 I bought a caravan.
14:08 When everyone bought it, I bought it.
14:11 I sit for half an hour.
14:17 This caravan is running and working.
14:20 I sit outside.
14:22 My caravan has other people.
14:25 I don't need it at the end.
14:27 I give it to them.
14:29 I don't have any other work.
14:31 I have to keep it here.
14:33 I won't sit inside if I don't have this.
14:36 I don't have to sleep after having lunch.
14:39 I don't need a caravan.
14:41 I sit outside and do my makeup.
14:43 I sit outside and do my makeup.
14:45 We don't have this in the past.
14:47 We had to eat on the way to a shooting.
14:50 We eat in the caravan.
14:52 We eat on the road.
14:54 We have eaten in the cemetery.
14:59 It's a film by Babu Rajan.
15:02 It's in Ooty.
15:04 It's in the cemetery.
15:06 It's in the cemetery.
15:08 It's in the cemetery.
15:10 It's in the cemetery.
15:12 It's a good place.
15:14 I won't tell the name of the film.
15:16 It's in that film.
15:18 We eat there.
15:20 We have to get used to it.
15:23 There's a situation scene improvisation.
15:27 There are many directors.
15:30 They will play 2-3 versions in front of the actors.
15:33 I have this.
15:35 We can improve it.
15:37 We don't see that trend now.
15:39 But it was a pattern in the past.
15:42 The films like 'Two Wells' have come like that.
15:46 There are so many comedies.
15:49 'Two Wells' is...
15:55 When it's a child's film,
15:58 there were no films that we could do it by ourselves.
16:07 But the songs that we sang were made by my friend Thamban.
16:14 He made the songs.
16:16 We sang those songs.
16:19 There are some films made by Inner Circuit.
16:22 They are serious characters.
16:25 They are a bit serious about children.
16:28 So, we couldn't give a lot of importance to comedy.
16:32 We can give it when we get it.
16:36 We have heard about Inner Circuit's improvisation.
16:40 We have heard that no one in the world can do it.
16:45 There is a bigger version of his performance.
16:51 Some areas can be scored only for him.
16:54 Even the portions of 'Mathayatchi'.
16:57 I think, 'Manar Mathayal' is like a sequence in a bus.
17:02 We don't know how fast it will go.
17:06 There was something special in his improvisations.
17:10 Innocent, Jagathee, Mala, Pappu...
17:14 They have given their contributions to a lot of extent.
17:18 They have said everything as per the script.
17:22 The person who wrote it and the person who made the composition
17:26 have shot the camera man laughing and cut the shot.
17:30 Let me say this quickly.
17:33 There are people who laugh and cut the camera man.
17:37 We have to stand by Ambuli and Innocent.
17:42 We don't know what is being shown and what is coming.
17:46 I have stood here and there.
17:50 To not laugh.
17:53 There are such things.
17:56 There is only one such thing.
18:01 When you say that there is no such thing...
18:08 What are the inner circuits?
18:11 In Ramji Rao's films, there is a lot of drama.
18:16 Even 'New Gen C' is used as a word.
18:21 Ramji Rao's films are a joke of the times.
18:25 'Evergreen' is a joke of any era.
18:29 That's what I thought.
18:32 I thought that it will be a joke of the times.
18:35 When we watch it, we feel that there is no human in the theatre for 4-5 days.
18:39 Yes, that's right.
18:42 When I called Babu for the first time,
18:46 Babu is the father of Saubin.
18:49 I called Babu and asked him, "Sai, there is no human, Sai."
18:54 "There are 20 people who are waiting for us."
18:58 "It's 40 people for the first show."
19:02 "There is no human in the second show."
19:05 "Please tell me and watch it for 2 more days."
19:09 "If you do that, you may not be able to say anything."
19:12 It was the first film.
19:14 I thought that it was over and I could go to the next film.
19:17 I was not doing anything else.
19:20 I went to my elder sister's house and asked her,
19:23 "How long have you been drinking and smoking?"
19:26 I took my bike to the petrol pump in Chinna Kadai.
19:29 I asked her to fill up the petrol.
19:32 She said, "I have to go to the next film."
19:35 "It's a very long queue."
19:38 "I have to go to the 6th street."
19:41 "I have to go to the next film."
19:44 "I have to go to the next film."
19:47 "I have to go to the next film."
19:50 "I have to go to the next film."
19:53 "I have to go to the next film."
19:56 "I have to go to the next film."
19:59 I took my bike to the police station.
20:02 I was taken to my house by a jeep.
20:05 I didn't understand what was happening.
20:08 That's when I called Babu and told him to go to the next film.
20:11 Those are the films that happen in one cinema.
20:17 There were also films that failed to do the same.
20:20 When Roshak got the state award,
20:27 did you do any acting?
20:30 There was a film in Roshak's list.
20:33 I didn't do any acting.
20:36 I called him every day and said, "This is good."
20:39 I had a reaction when I saw Roshak.
20:42 We were all very surprised.
20:45 I had a good weight for 2-3 days.
20:48 I haven't been like that in any film.
20:51 Roshak is a very haunted film.
20:54 It's a very haunted film.
20:57 Especially the climax sequence.
21:00 Everything is very dark.
21:03 It goes to that extent.
21:06 Even if it's a pre-music.
21:09 It's a total film.
21:12 We have heard that you sing well.
21:15 I have lived my life.
21:18 Don't say it out loud.
21:21 I feel sorry for the M.G. Swarup.
21:24 The song was very influential in the play.
21:27 I like songs.
21:30 I read a few of them.
21:33 A small piece of music with Siddique sir.
21:36 That's what everyone has.
21:39 I wrote a song.
21:42 What was the name of the song?
21:45 Aandhaarum.
21:48 That's a very good song.
21:51 You have seen a lot of new films.
21:54 I have seen all kinds of films.
21:57 I have seen films that I could not understand.
22:00 I like to watch films.
22:03 Korean films?
22:06 Who is your guide?
22:09 Do you talk about foreign films?
22:12 I talk about marriage.
22:15 I talk about films that are very advanced.
22:18 I talk about films that are very advanced.
22:21 I talk about films that are very advanced.
22:24 I talk about films that are very advanced.
22:27 I talk about films that are very advanced.
22:30 I talk about films that are very advanced.
22:33 I talk about films that are very advanced.
22:36 I talk about films that are very advanced.
22:39 I talk about films that are very advanced.
22:42 I talk about films that are very advanced.
22:45 I talk about films that are very advanced.
22:48 I talk about films that are very advanced.
22:51 I talk about films that are very advanced.
22:54 I talk about films that are very advanced.
22:57 I talk about films that are very advanced.
23:00 I talk about films that are very advanced.
23:03 I talk about films that are very advanced.
23:06 I talk about films that are very advanced.
23:09 I talk about films that are very advanced.
23:12 I talk about films that are very advanced.
23:15 I talk about films that are very advanced.
23:18 I talk about films that are very advanced.
23:21 I talk about films that are very advanced.
23:24 I talk about films that are very advanced.
23:27 I talk about films that are very advanced.
23:30 I talk about films that are very advanced.
23:33 I talk about films that are very advanced.
23:36 I have a film called 'Ayushkalam'
23:39 I have a film called 'Ayushkalam'
23:42 I have a film called 'Ayushkalam'
23:45 I have a film called 'Ayushkalam'
23:48 I have a film called 'Ayushkalam'
23:51 I have a film called 'Ayushkalam'
23:54 I have a film called 'Ayushkalam'
23:57 I have a film called 'Ayushkalam'
24:00 I have a film called 'Ayushkalam'
24:03 I have a film called 'Ayushkalam'
24:06 I have a film called 'Ayushkalam'
24:09 I have a film called 'Ayushkalam'
24:12 I have a film called 'Ayushkalam'
24:15 I have a film called 'Ayushkalam'
24:18 I have a film called 'Ayushkalam'
24:21 I have a film called 'Ayushkalam'
24:24 I have a film called 'Ayushkalam'
24:27 I have a film called 'Ayushkalam'
24:30 I have a film called 'Ayushkalam'
24:33 I have a film called 'Ayushkalam'
24:36 I have a film called 'Ayushkalam'
24:39 I have a film called 'Ayushkalam'
24:42 I have a film called 'Ayushkalam'
24:45 I have a film called 'Ayushkalam'
24:48 I have a film called 'Ayushkalam'
24:51 I have a film called 'Ayushkalam'
24:54 I have a film called 'Ayushkalam'
24:57 I have a film called 'Ayushkalam'
25:00 I have a film called 'Ayushkalam'
25:03 I have a film called 'Ayushkalam'
25:06 I have a film called 'Ayushkalam'
25:09 I have a film called 'Ayushkalam'
25:12 I have a film called 'Ayushkalam'
25:15 I have a film called 'Ayushkalam'
25:18 I have a film called 'Ayushkalam'
25:21 I have a film called 'Ayushkalam'
25:24 I hope you can reach out to a lot of people.
25:27 Namaskaram.