【MELODY掌声有请】香港著名导演，杜琪峰
香港的影坛，说他撑起了半边天一点也不过分！在香港电影金像奖以及台湾金马奖皆提名和获奖无数的名导，杜琪峰驾临马来西亚，这回我们就为大家带来了他的特别专访！
当初是因为什么而开始接触了导演事业？对于电影未来的发展，他有着什么期望？
当初是因为什么而开始接触了导演事业？对于电影未来的发展，他有着什么期望？
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MusicTranscript
00:00 When I first started, I didn't want to be an actor.
00:04 I wanted to develop my career in the industry.
00:07 I don't like being an actor, but I don't want to be one.
00:12 I want to understand what it means to be a drummer.
00:15 Good morning, Mr. Lee.
00:16 Hello, I'm Vivian, Wen Wei-Yen.
00:18 I'm sure many of the audience watching this video
00:21 are very envious of me.
00:23 Many of you grew up watching my films.
00:25 I'm sorry to say this,
00:28 but I've been watching your films for many years.
00:30 I'm joined by Hong Kong-based director, Mr. Do Kee Fung.
00:32 Hello, Mr. Do.
00:33 Hello, everyone.
00:34 I know you've been working with many actors
00:37 in the past.
00:39 But not everyone knows that
00:41 you used to take an acting training course.
00:46 Why did you decide to take an acting training course?
00:50 I joined the TV crew in 1972.
00:55 I first encountered drama production.
00:59 I didn't want to be an actor.
01:03 My boss at the time was Mr. Chung Kee Fai,
01:06 who was my boss.
01:07 He suggested I take the training course
01:11 to learn about the things we don't have.
01:14 I wanted to learn and be interested in the industry.
01:19 I don't like being an actor,
01:21 but I don't want to be one.
01:24 I wanted to learn about drama.
01:27 You were curious about
01:29 what it was like to be an actor.
01:32 What did you learn in the training course?
01:34 Did you have any actors in your list?
01:37 Any actors you're familiar with?
01:40 We didn't have many actors in our list.
01:42 There were only about 20 people in the training course.
01:46 You didn't have many actors in the industry.
01:47 Some of them are still there.
01:50 But most of the male actors are in the industry.
01:54 They're not in the industry now.
01:56 They may not be familiar with the industry.
01:59 There weren't as many actors in the training course.
02:02 Like Leu Tuck Wah and his juniors.
02:04 It was strange to me.
02:05 People preferred to be in the industry.
02:07 Most people think that
02:10 they can tell their own stories
02:12 and film their own films.
02:13 Or they feel satisfied with their achievements.
02:17 So you started to think about
02:19 making films and telling your own stories
02:24 through directing.
02:26 When I first started in the industry,
02:28 I didn't want to be an actor.
02:31 I wanted to make a living in the industry.
02:33 So I used the training course
02:37 to enrich myself
02:42 and to gain more knowledge
02:46 so that I could make a living in the industry.
02:51 I know that
02:52 you were raised in Hong Kong.
02:53 So you know the environment
02:55 and the subject matter of your films.
03:00 I heard that you grew up in Hong Kong.
03:02 You grew up watching
03:04 gangster films and horror films.
03:07 You were a police officer.
03:09 We're talking about the 1970s.
03:13 Did the environment
03:15 influence your films and your stories?
03:19 Of course, your life will be affected by your thoughts.
03:22 What was the biggest impact?
03:24 What was the most memorable?
03:25 What influenced me to make films
03:27 besides my life
03:29 was that I like watching films.
03:31 I watched almost every film I watched.
03:36 I think that knowledge
03:40 and experience
03:44 are what inspired me to make films.
03:47 I think that
03:50 my films were influenced
03:53 by the atmosphere in the cinema.
03:58 The cinema was not as small as it is now.
04:00 There were only a few hundred people in the cinema.
04:03 We had to wait for the screen to open.
04:06 We were so excited when the screen opened.
04:10 Now it's gone.
04:11 I heard that people in Malaysia
04:13 used to sit on a chair and watch films.
04:16 Is that the same in Hong Kong?
04:17 No, Hong Kong had a stable seating area.
04:21 People were excited to watch films.
04:24 It reminds me of the past.
04:26 I can't finish my words.
04:27 It reminds me of the joy and excitement of the past.
04:30 Comparing to the present,
04:32 as Mr. Do said,
04:33 people are living in a single-family home.
04:34 It's easy to enjoy entertainment.
04:37 You can watch films together.
04:39 You can watch films together.
04:41 As a director and a film critic,
04:45 do you worry that people
04:47 will still go to cinemas to watch films?
04:49 Will there be a unknown number of people
04:51 who still go to cinemas to watch films?
04:53 Do you think we must go to cinemas?
04:55 I used to go to cinemas when I was young.
04:58 It was still fun.
04:59 I still go to Hong Kong cinemas.
05:01 It's not your cinema.
05:02 It's just a few dozen people.
05:05 It was hundreds of people at that time.
05:07 You can see the change of the times.
05:10 You can see the change of the times.
05:11 From 2000, the Internet was introduced.
05:15 It's been popularized for more than 20 years.
05:18 Everyone has a computer.
05:19 If four people sit together,
05:21 they can chat.
05:21 But everyone is watching a different film.
05:23 It's easy to get information.
05:25 I think it's a good thing.
05:28 In the past, there were no film theaters.
05:30 It's like there was no film in the past.
05:33 Everyone just watched the stage.
05:35 Or some performances.
05:37 But today's situation is completely different.
05:40 From performances to cinemas.
05:43 It's starting to shoot again.
05:45 At that time, there were stars and black and white.
05:48 Then there were stars.
05:50 Black and white became color.
05:52 It's a social science progress.
05:55 That's different.
05:56 It's also a form of performance art.
05:58 But it's different.
05:59 It's not hard.
06:01 In this era,
06:03 the situation is like this.
06:06 The camera is so small.
06:10 Even the phone can shoot.
06:13 The popularity is different.
06:15 In our time, the camera was so big.
06:18 It's like this.
06:20 It's an improvement.
06:23 And it will soon reach different regions.
06:27 I don't need to sell films to Malaysia.
06:29 Malaysia needs to be popular.
06:31 Then sell to South Korea.
06:32 Now it's almost popular on the platform.
06:35 But someone has to do it.
06:38 So I think as a filmmaker,
06:41 I don't have to be afraid in the next 30 years.
06:45 Do you have any last words
06:46 to young filmmakers or Malaysian creators?
06:50 To young directors.
06:52 First, to Malaysia.
06:53 Other countries have it.
06:55 I think in Asia,
06:57 films are more simple.
07:00 On the platform,
07:02 in the instrument,
07:03 in all aspects,
07:04 it's not as complicated as before.
07:05 I know many young directors in Malaysia.
07:09 I think they are maturing well now.
07:11 They have a position.
07:14 And the audience's culture
07:16 of their own region
07:19 also has its own needs and reasons.
07:22 They don't have to watch films from other countries.
07:25 Or the production.
07:26 They can make it themselves.
07:28 They have more resonance than our films.
07:31 This is for young directors.
07:33 They should understand
07:35 that after you make a good film in Malaysia,
07:39 you also need to make the film international.
07:42 It makes people understand
07:44 the culture of Malaysia.
07:45 Or what their current view is.
07:49 I believe
07:51 the future development of the film industry in Malaysia,
07:54 or the filming of software,
07:56 will be gradually accepted.
07:59 So young directors,
08:00 you have to work harder.
08:02 I think you need more passion.
08:04 Your passion
08:06 will make your work better.
08:07 Thank you very much,
08:09 Mr. Do, for sharing so much with us
08:10 and making us earn a lot.
08:12 Thank you, Mr. Do.
08:13 Thank you.
08:13 Thank you.
08:14 (upbeat music)
08:17 (upbeat music)
08:20 [BLANK_AUDIO]