O jornalista da TV Alterosa, Péricles Souza em sua participação no Podcast "Fala AE" conta a história do dia que "perdeu" Dadá Maravilha quando estava fazendo uma reportagem com o ex-jogador para a TV Alterosa.
Acesse o site: https://noataque.com.br / https://uai.com.br
Para o jornalista, as últimas contratações do Cruzeiro, como Arthur Gomes e Matheus Pereira, foram acertadas.
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#DadáMaravilha #Galo #Atlético
Acesse o site: https://noataque.com.br / https://uai.com.br
Para o jornalista, as últimas contratações do Cruzeiro, como Arthur Gomes e Matheus Pereira, foram acertadas.
SE INSCREVA EM NOSSO CANAL NO YOUTUBE: https://www.youtube.com/@PortalUai
Siga o Portal UAI nas redes sociais:
Instagram - https://instagram.com/estadodeminas/
Twitter - https://twitter.com/em_com/
Facebook - https://www.facebook.com/EstadodeMinas /
#DadáMaravilha #Galo #Atlético
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SportsTranscript
00:00 What do you keep with affection, sometimes with emotion,
00:03 and maybe a more funny story from your time
00:08 covering Alter Ose TV? What can you tell us?
00:10 -A lot of things. -For example?
00:12 For example, Dada Maravilha, Automobile Salon,
00:17 I was in a hurry to do an interview with Dada,
00:19 and we had to go to another newsroom,
00:23 we were on top of the time, we had a way.
00:25 And that interview, I don't know if it was Pelé,
00:27 or Emerson, Fitch Paulding, who was there,
00:29 I had to put Dada and them together.
00:31 I got to Espominas, but I was talking, running,
00:34 that usual rush, running against the clock,
00:37 it was impressive.
00:39 "Dada, come with me." I neglected Dada.
00:42 -You lost Dada. -I lost Dada.
00:43 -It happened to me. -I lost Dada.
00:45 The clock was ticking, I was desperate, I don't know.
00:48 Dada was in a dressing room, they took him there,
00:52 and what did I do? I went after Dada.
00:54 Security.
00:56 -You don't go in here. -You don't go in here.
00:57 You're not licensed.
00:58 I'm from TV Authority.
01:00 It can be from anywhere, you don't go in.
01:02 I call Dada, I can't leave here.
01:04 I ask someone to come in,
01:05 but no one comes in, no one leaves this thing.
01:07 Suddenly a comrade showed up,
01:09 Dada was already there.
01:12 Think of a desperate guy, in a panic.
01:15 I said, "There won't be time, it will be shit.
01:17 Leo will mess up, he will charge, and so on."
01:21 I exposed Dada.
01:24 -Dada is responsible. -The king also takes the white.
01:26 "We're here to do the news, you can't do this."
01:29 "They called me to eat something, you only think about food."
01:32 -Everyone is watching. -But Dada is very nice.
01:35 He doesn't deny a hug, a conversation,
01:37 -no one's talk, it's impressive. -Anyone else would explode.
01:40 It's not good.
01:41 I was there, cursing, "Let's do the news."
01:44 I did the news, I don't know, I think it was Pelé.
01:48 I'm not sure. Or was it football?
01:50 -One of the two. -I'll write it down.
01:54 I started doing the news, "Let's go."
01:58 -Where's Dada? -He went up again.
02:00 Dada is giving autographs,
02:02 it's nice that he gives attention, he's caring.
02:05 -He's a boy. -He's pure hearted.
02:08 -Dada is impressive. -He is.
02:10 -He respects us. -With everyone.
02:13 Dada said, "I'll hold on for a minute,
02:16 so I don't mess up, because now I can."
02:18 He's got a lot of people.
02:20 "Dada, please, let's go." "Just a minute, Berquinho."
02:23 "Take a picture." "Do you have a grandmother?"
02:25 He's a boy. My God.
02:28 "Dada, please, let's go." "I'm on my way."
02:31 And I went.
02:32 I said, "He didn't come, I'll be back."
02:34 "Where's Dada?"
02:35 -Again. -I said, "I'm screwed."
02:39 "Where's Dada?" "He was here just now."
02:42 I get emotional talking about it.
02:45 I looked for Dada, I couldn't find him anywhere.
02:47 Suddenly, a yellow Camaro,
02:49 with a black stripe on the car,
02:53 Dada, alone, passing by the car.
02:55 I told the cameraman, "Film him, film him,
02:58 what's he thinking? What's going on in his head?"
03:01 I got there and said, "Dada,
03:03 we have a story to tell, we do.
03:06 Let's get out of here, let's go."
03:08 "Berquinho, I'm looking here, I've had one of these.
03:12 I've had one of these, but with eyes full of water."
03:15 I said, "Man, that's cool."
03:16 For those who don't know the story of Dada,
03:19 there was a problem, it was a robbery.
03:22 -They beat him up. -He was a professional.
03:24 It was a complicated thing.
03:26 Dada was a street boy.
03:28 He was a big shot.
03:30 He told us a story once,
03:32 in a lecture he gave. It was really cool.
03:35 I was coordinating that lecture.
03:36 So, Dada...
03:38 It's that thing about empathy,
03:40 we put ourselves in his shoes,
03:42 "Dada, I hugged you, let's go to the next report."
03:45 I found it very emotional, it was really cool.
03:49 Pericles, coincidentally,
03:51 I have a similar story with Dada.
03:54 I lost Dada a couple of times,
03:58 at the World Cup coverage, in Russia, in 2018.
04:03 I spent a week with Dada in Terezopolis,
04:06 doing the coverage.
04:07 And the highlight of the coverage
04:10 was always Dada's meeting with the coach.
04:13 I'll explain it to those who are watching us,
04:16 or anywhere else.
04:19 During this training period in Terezopolis,
04:23 there's no interview.
04:25 It doesn't matter if the reporter is more famous or not,
04:28 if the broadcaster has more access or not.
04:30 There's no exclusive.
04:32 But this moment always happened.
04:34 Dada meeting the coach.
04:36 The coach leaves the field
04:37 and comes to that little corner where the journalists are,
04:41 to talk to Dada.
04:43 And that was the big moment.
04:45 So, I left BH with this order.
04:48 "Be careful, there's this moment."
04:49 It happened with Filipe, with this coach.
04:52 When I left, it was Tite.
04:54 And Dada was sitting next to me.
04:56 "Dada, hold on, we're leaving."
04:58 I had written a note,
04:59 and with Dada's participation,
05:01 I was editing and sending it to TV Alterosa.
05:03 Suddenly, I look to the side and see Dada.
05:06 Dada disappears.
05:07 Dada disappeared.
05:09 And I'm walking through the press center,
05:13 and I see a photographer,
05:14 if I'm not mistaken, from Folha de São Paulo,
05:17 with a camera, saying,
05:19 "Look how cool, Dada meeting Tite."
05:21 Oh!
05:23 I said, "What time was that?"
05:25 He said, "It happened now, 5 minutes ago."
05:29 And I got desperate.
05:30 -I got desperate. -I'm there to do that, and I didn't.
05:33 I missed that moment, so I said,
05:34 "I'm not calling Leopoldo now, just telling the problem.
05:37 I need the solution."
05:39 And then, by the photo,
05:41 I started to notice the companies that were next to me.
05:44 I started to bargain.
05:45 I started to bargain with Dada's interview,
05:48 with the broadcasters that were next to me,
05:49 so I could get the right to use the image.
05:53 And the broadcaster that got the best audio and image,
05:57 was right next to Tite and Dada,
05:59 was Gazeta de São Paulo.
06:02 And I was talking to the guy from Gazeta,
06:03 and I asked, "Did you release Dada to do a live with us?"
06:05 He said, "It's released, more than released."
06:08 I got the image, since I have this image.
06:11 The guy edited it, gave me the perfect image.
06:13 I called Leo and said,
06:14 "I lost Dada, I lost Tite, but there's a solution."
06:17 So I was almost fired,
06:20 or killed for that, not literally,
06:24 because of that, but it's impossible to fight with Dada.
06:27 Dada has a giant heart,
06:29 he doesn't deny a hug, he doesn't deny a smile to anyone.
06:32 Dada is always in a good mood, it's impressive,
06:35 because wherever he goes, he's stopped,
06:38 he's revered, and regardless of the crowd,
06:42 from Atlético, Cruzeirense, American,
06:44 everyone plays with Dada, and Dada doesn't close his face to anyone.
06:47 More or less what happened with Cafunga,
06:48 which is not from your time, in the past it was the same thing.
06:51 And there's a case of Dada that, curiously, I told you today.
06:54 The guy asked, "How is Dada?"
06:55 I said, "He's a good guy, he's living now outside Belo Horizonte."
06:59 Dada, he took the subway, he came by subway to watch TV,
07:04 at Floramar, he takes the subway at Vilarinho station,
07:07 the guy comes and talks to him, "Dada, I'm your fan."
07:09 He hugged him, and Dada told me that.
07:12 He came talking to him, he remembered the goal,
07:15 the guy got off at the station,
07:16 he got off at Sapucaí,
07:20 he got close to the TV, he said, "Dada, I'm your fan,
07:22 you gave me a lot of attention, I talked to you,
07:24 but I have a profession, which is a thief, and I'm going to rob you."
07:27 He got the chain,
07:29 -He stole with all his manners. -He stole with all his manners.
07:32 Can you believe that?
07:33 Dada's stuff, right? It only happens with Dada.
07:35 Only with Dada, right?
07:37 (bell dings)