Jornalista 'perde' Dadá Maravilha durante reportagem

No Ataque

O jornalista da TV Alterosa, Péricles Souza em sua participação no Podcast "Fala AE" conta a história do dia que "perdeu" Dadá Maravilha quando estava fazendo uma reportagem com o ex-jogador para a TV Alterosa.  Acesse o site: https://noataque.com.br / https://uai.com.br  Para o jornalista, as últimas contratações do Cruzeiro, como Arthur Gomes e Matheus Pereira, foram acertadas.   SE INSCREVA EM NOSSO CANAL NO YOUTUBE: https://www.youtube.com/@PortalUai  Siga o Portal UAI nas redes sociais:  Instagram - https://instagram.com/estadodeminas/  Twitter -  https://twitter.com/em_com/ Facebook - https://www.facebook.com/EstadodeMinas /  #DadáMaravilha #Galo #Atlético

Transcript

00:00 What do you keep with affection, sometimes with emotion,

00:03 and maybe a more funny story from your time

00:08 covering Alter Ose TV? What can you tell us?

00:10 -A lot of things. -For example?

00:12 For example, Dada Maravilha, Automobile Salon,

00:17 I was in a hurry to do an interview with Dada,

00:19 and we had to go to another newsroom,

00:23 we were on top of the time, we had a way.

00:25 And that interview, I don't know if it was Pelé,

00:27 or Emerson, Fitch Paulding, who was there,

00:29 I had to put Dada and them together.

00:31 I got to Espominas, but I was talking, running,

00:34 that usual rush, running against the clock,

00:37 it was impressive.

00:39 "Dada, come with me." I neglected Dada.

00:42 -You lost Dada. -I lost Dada.

00:43 -It happened to me. -I lost Dada.

00:45 The clock was ticking, I was desperate, I don't know.

00:48 Dada was in a dressing room, they took him there,

00:52 and what did I do? I went after Dada.

00:54 Security.

00:56 -You don't go in here. -You don't go in here.

00:57 You're not licensed.

00:58 I'm from TV Authority.

01:00 It can be from anywhere, you don't go in.

01:02 I call Dada, I can't leave here.

01:04 I ask someone to come in,

01:05 but no one comes in, no one leaves this thing.

01:07 Suddenly a comrade showed up,

01:09 Dada was already there.

01:12 Think of a desperate guy, in a panic.

01:15 I said, "There won't be time, it will be shit.

01:17 Leo will mess up, he will charge, and so on."

01:21 I exposed Dada.

01:24 -Dada is responsible. -The king also takes the white.

01:26 "We're here to do the news, you can't do this."

01:29 "They called me to eat something, you only think about food."

01:32 -Everyone is watching. -But Dada is very nice.

01:35 He doesn't deny a hug, a conversation,

01:37 -no one's talk, it's impressive. -Anyone else would explode.

01:40 It's not good.

01:41 I was there, cursing, "Let's do the news."

01:44 I did the news, I don't know, I think it was Pelé.

01:48 I'm not sure. Or was it football?

01:50 -One of the two. -I'll write it down.

01:54 I started doing the news, "Let's go."

01:58 -Where's Dada? -He went up again.

02:00 Dada is giving autographs,

02:02 it's nice that he gives attention, he's caring.

02:05 -He's a boy. -He's pure hearted.

02:08 -Dada is impressive. -He is.

02:10 -He respects us. -With everyone.

02:13 Dada said, "I'll hold on for a minute,

02:16 so I don't mess up, because now I can."

02:18 He's got a lot of people.

02:20 "Dada, please, let's go." "Just a minute, Berquinho."

02:23 "Take a picture." "Do you have a grandmother?"

02:25 He's a boy. My God.

02:28 "Dada, please, let's go." "I'm on my way."

02:31 And I went.

02:32 I said, "He didn't come, I'll be back."

02:34 "Where's Dada?"

02:35 -Again. -I said, "I'm screwed."

02:39 "Where's Dada?" "He was here just now."

02:42 I get emotional talking about it.

02:45 I looked for Dada, I couldn't find him anywhere.

02:47 Suddenly, a yellow Camaro,

02:49 with a black stripe on the car,

02:53 Dada, alone, passing by the car.

02:55 I told the cameraman, "Film him, film him,

02:58 what's he thinking? What's going on in his head?"

03:01 I got there and said, "Dada,

03:03 we have a story to tell, we do.

03:06 Let's get out of here, let's go."

03:08 "Berquinho, I'm looking here, I've had one of these.

03:12 I've had one of these, but with eyes full of water."

03:15 I said, "Man, that's cool."

03:16 For those who don't know the story of Dada,

03:19 there was a problem, it was a robbery.

03:22 -They beat him up. -He was a professional.

03:24 It was a complicated thing.

03:26 Dada was a street boy.

03:28 He was a big shot.

03:30 He told us a story once,

03:32 in a lecture he gave. It was really cool.

03:35 I was coordinating that lecture.

03:36 So, Dada...

03:38 It's that thing about empathy,

03:40 we put ourselves in his shoes,

03:42 "Dada, I hugged you, let's go to the next report."

03:45 I found it very emotional, it was really cool.

03:49 Pericles, coincidentally,

03:51 I have a similar story with Dada.

03:54 I lost Dada a couple of times,

03:58 at the World Cup coverage, in Russia, in 2018.

04:03 I spent a week with Dada in Terezopolis,

04:06 doing the coverage.

04:07 And the highlight of the coverage

04:10 was always Dada's meeting with the coach.

04:13 I'll explain it to those who are watching us,

04:16 or anywhere else.

04:19 During this training period in Terezopolis,

04:23 there's no interview.

04:25 It doesn't matter if the reporter is more famous or not,

04:28 if the broadcaster has more access or not.

04:30 There's no exclusive.

04:32 But this moment always happened.

04:34 Dada meeting the coach.

04:36 The coach leaves the field

04:37 and comes to that little corner where the journalists are,

04:41 to talk to Dada.

04:43 And that was the big moment.

04:45 So, I left BH with this order.

04:48 "Be careful, there's this moment."

04:49 It happened with Filipe, with this coach.

04:52 When I left, it was Tite.

04:54 And Dada was sitting next to me.

04:56 "Dada, hold on, we're leaving."

04:58 I had written a note,

04:59 and with Dada's participation,

05:01 I was editing and sending it to TV Alterosa.

05:03 Suddenly, I look to the side and see Dada.

05:06 Dada disappears.

05:07 Dada disappeared.

05:09 And I'm walking through the press center,

05:13 and I see a photographer,

05:14 if I'm not mistaken, from Folha de São Paulo,

05:17 with a camera, saying,

05:19 "Look how cool, Dada meeting Tite."

05:21 Oh!

05:23 I said, "What time was that?"

05:25 He said, "It happened now, 5 minutes ago."

05:29 And I got desperate.

05:30 -I got desperate. -I'm there to do that, and I didn't.

05:33 I missed that moment, so I said,

05:34 "I'm not calling Leopoldo now, just telling the problem.

05:37 I need the solution."

05:39 And then, by the photo,

05:41 I started to notice the companies that were next to me.

05:44 I started to bargain.

05:45 I started to bargain with Dada's interview,

05:48 with the broadcasters that were next to me,

05:49 so I could get the right to use the image.

05:53 And the broadcaster that got the best audio and image,

05:57 was right next to Tite and Dada,

05:59 was Gazeta de São Paulo.

06:02 And I was talking to the guy from Gazeta,

06:03 and I asked, "Did you release Dada to do a live with us?"

06:05 He said, "It's released, more than released."

06:08 I got the image, since I have this image.

06:11 The guy edited it, gave me the perfect image.

06:13 I called Leo and said,

06:14 "I lost Dada, I lost Tite, but there's a solution."

06:17 So I was almost fired,

06:20 or killed for that, not literally,

06:24 because of that, but it's impossible to fight with Dada.

06:27 Dada has a giant heart,

06:29 he doesn't deny a hug, he doesn't deny a smile to anyone.

06:32 Dada is always in a good mood, it's impressive,

06:35 because wherever he goes, he's stopped,

06:38 he's revered, and regardless of the crowd,

06:42 from Atlético, Cruzeirense, American,

06:44 everyone plays with Dada, and Dada doesn't close his face to anyone.

06:47 More or less what happened with Cafunga,

06:48 which is not from your time, in the past it was the same thing.

06:51 And there's a case of Dada that, curiously, I told you today.

06:54 The guy asked, "How is Dada?"

06:55 I said, "He's a good guy, he's living now outside Belo Horizonte."

06:59 Dada, he took the subway, he came by subway to watch TV,

07:04 at Floramar, he takes the subway at Vilarinho station,

07:07 the guy comes and talks to him, "Dada, I'm your fan."

07:09 He hugged him, and Dada told me that.

07:12 He came talking to him, he remembered the goal,

07:15 the guy got off at the station,

07:16 he got off at Sapucaí,

07:20 he got close to the TV, he said, "Dada, I'm your fan,

07:22 you gave me a lot of attention, I talked to you,

07:24 but I have a profession, which is a thief, and I'm going to rob you."

07:27 He got the chain,

07:29 -He stole with all his manners. -He stole with all his manners.

07:32 Can you believe that?

07:33 Dada's stuff, right? It only happens with Dada.

07:35 Only with Dada, right?

07:37 (bell dings)

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