Thrill of Youth (1932)
Transcript
00:00 [Music]
00:02 [Music]
00:04 [Music]
00:06 [Music]
00:08 [Music]
00:10 ♪♪
00:19 ♪♪
00:29 ♪♪
00:38 ♪♪
00:41 [drumming]
01:02 That will be right down, Daddy.
01:03 It came from the museum.
01:04 You know, David, Chet's been excited ever since he got home.
01:07 The museum called up and wanted to see the picture.
01:09 He took an after.
01:10 Well, must be exciting to have a celebrity in the family.
01:13 If he's anything like the boys that came back from the war,
01:15 we won't hear a word about his trip after tomorrow's breakfast.
01:18 [laughing]
01:19 ♪♪
01:32 What's the matter, Grandpa?
01:33 Nothing.
01:35 Just a good time.
01:36 Look at it!
01:37 Well, I am looking at it.
01:38 What about it?
01:40 This is your younger generation.
01:44 And that's what--
01:46 Don't be Miss Victorian, Zachary.
01:48 They're only having a good time.
01:51 We never acted that way when we were in our teens.
01:55 What about your husking beans?
01:58 Well, what about it?
02:01 You never danced that way in all your life.
02:04 Oh, yes, I did, but I was wearing so many clothes you couldn't tell.
02:08 [laughing]
02:10 Mother.
02:11 If I remember correctly, you were the cut-up of our faith.
02:15 You'd never know it to the point you're now.
02:17 Grandpa's in an uproar because of the younger generation.
02:21 I suspect he's enjoying himself.
02:23 He does put on his show because you are his savior.
02:26 You don't think there's anything really wrong in that dance Joel's doing, do you?
02:30 Certainly not.
02:31 I'd rather energy came off that way than with some other way.
02:36 [laughing]
02:38 You know, sir, I haven't touched a drop since prohibition, and I don't get paid much.
02:44 Cutting off your nose to spite your faith.
02:46 You know you love this stuff.
02:48 Well, what if I do?
02:51 Law is law, and I recognize it.
02:55 Wiggle twaddle.
02:56 Oh.
02:57 Jill's been telling me about the trip you and she take up to the farm.
03:01 What can you kids do up there?
03:03 Oh, we just walk around through the woods and talk.
03:06 We get tired talking, we go to law back and relax.
03:09 You know, it's a good idea to get away from the gang once in a while.
03:12 You'd hear an awful lot of gossip if a lot of people knew we went up there.
03:15 Hmm.
03:16 I'd consider it a snort.
03:17 Socrates was the first person to use that expression.
03:19 Now, he was a wise old geezer.
03:22 Oh, Sina.
03:23 Did you ever hear about that tribe in Africa where the women are the bosses?
03:26 Every time they want to get a divorce, all they have to do is pick their dents up and turn them around.
03:30 No, I didn't know it.
03:31 Well, it's a fact.
03:36 What made you think that?
03:37 Oh, Ted's probably been filling him up with a lot of things he heard on his trip.
03:43 You tired waiting, Marsha?
03:45 Dents are killing me.
03:47 Where is this great hunter?
03:49 He's upstairs.
03:51 Second door on the right.
03:52 He wants to see you.
03:53 Really?
03:54 Yeah.
03:55 He's right there.
03:56 Thanks.
03:58 [Drumming]
04:10 That's what I mean.
04:12 [Drumming]
04:25 Marsha.
04:26 Chance.
04:37 How are you, brown eyes?
04:39 I'm so sick of pink, you're home.
04:42 You're so sweet of you to want to see me before the others.
04:45 If you had told me, I'd find you up here.
04:47 Real pal, that boy.
04:49 A friend and a brother.
04:51 Didn't you to me?
04:52 I'd be lying if I said I hadn't.
04:55 I thought maybe you'd changed your mind.
04:58 You hoped I had.
05:00 Darling, how can you say that?
05:03 I've always been on the up and up with you.
05:05 Yes, and absurd and other.
05:07 I mean, going and kissing, I love it.
05:10 And wife is beautiful.
05:13 I thought maybe you'd found someone else.
05:16 Well, I might be NWMP.
05:18 Southwest Mounties?
05:20 Absolutely.
05:21 I always get my man.
05:23 Oh, you do, do you?
05:25 Yes, try and escape.
05:33 Thanks.
05:34 That was nice.
05:35 Too nice?
05:36 No, just about right.
05:38 You know, Jill, you're the only girl in the whole gang that I could look at twice.
05:42 Now it's my turn to say something nice about you.
05:45 You better be careful if you use it against Jill.
05:48 I like the way you treat the little kids.
05:50 You don't start to worry.
05:52 That must be the inhibition.
05:53 I think I'd better see a neurologist.
05:55 You don't.
05:56 That's why I like you.
05:57 Well, I figure the kids are always necking and mushing around,
05:59 getting tired of each other awfully quickly.
06:02 I don't want anything like that to happen to us.
06:04 Neither do I.
06:06 The trouble is, I'm going to be catching you on the rebound.
06:11 First it was Kurt, then it was Mort.
06:13 Don't forget, you were sandwiched in between.
06:15 Oh, faithful.
06:17 Then it was Dick, and then it was Chet.
06:20 I think he took Chet more seriously than he does, didn't he?
06:22 But he's as good as his name, Tom.
06:24 He's practically a noun.
06:26 Now he's returned the great hero, killer of lions and crocodiles and elephants.
06:32 Sunburned star hero of Africa.
06:35 You know, if I were half-bright, I'd do something like that.
06:38 Well, hunt seals in Alaska.
06:41 I went on a snipe hunt one time.
06:44 He said ask me about you this morning.
06:46 Did he?
06:47 What did he say?
06:48 Oh, yes, well, I've seen you lately, and that you're still as beautiful as ever.
06:52 What'd you tell him?
06:53 I told him that you were the swellest-looking dish in these here now parts.
06:56 You were more attractive and more entertaining and more lovable and prettier than I'd ever realized.
07:01 The problem is because of somebody you've spent a lot of time with lately.
07:04 Look out, you'll break your arms patting yourself on the back.
07:07 I've already got a dislocated elbow.
07:09 What did he say when you told him that about me?
07:12 He said you're always hesitant about getting angry with him.
07:14 He didn't say that.
07:16 [music]
07:31 I guess a big hero's about to make his entrance.
07:34 [crowd noise]
07:46 Oh, my.
07:48 Why, you're the handsomest thing I've ever seen.
07:52 Well, you're certainly a treat for sore eyes.
07:54 Did you ever hear the people used to think you had your ears pierced to help your eyesight?
07:58 [crowd noise]
08:02 What you want is a pair of leather socks.
08:05 [crowd noise]
08:08 Oh, my goodness.
08:09 Did you learn that in Africa?
08:11 Practice, beautiful, just practice.
08:12 He knew that before he went to Africa.
08:15 You know, everyone does.
08:17 Some reputation you have.
08:18 Why don't you become a gigolo?
08:19 I know better things to do than that.
08:21 [crowd noise]
08:23 You don't mind, do you, Marcia?
08:25 Certainly not.
08:26 Jack, hurry.
08:28 Time to use those babies.
08:30 [crowd noise]
08:36 That's what I'm proud of, the idea of weighing excitement in the terms of dollars and seconds.
08:42 Thanks, Grandma.
08:43 Come on, Jill, let's dance.
08:44 May I have the pleasure?
08:45 Certainly.
08:47 [music]
09:10 You're going to let Jet move in on you without a struggle?
09:12 Struggling swimmers always get drowned, my dear.
09:15 You're rushing with the defense of your colors.
09:17 I'm not going to throw myself at anyone.
09:19 [music]
09:36 You know all the tricks, don't you, Grandma?
09:38 I make it a practice of keeping my eyes open.
09:41 See all, hear all.
09:43 And say nothing.
09:44 [music]
09:58 Someone might see us.
09:59 You're on edge tonight, dear.
10:01 What's the matter?
10:02 Oh, I don't know.
10:05 It's you and I.
10:07 We're just drifting.
10:09 I don't like it.
10:10 Oh, now, my dear, listen.
10:12 We're lucky.
10:13 What was that?
10:16 I don't see anybody.
10:18 You're nervous, dear.
10:22 I have been, dear, ever since I knew that I cared.
10:26 [music]
10:43 We'd better go in, dear.
10:45 I suppose so.
10:47 [music]
11:01 What's the matter, Marcia?
11:03 Jill certainly had her nerves.
11:05 Don't take it so seriously.
11:07 It's you all for that big scoop stuff.
11:09 Well, it's you and everybody else.
11:11 Calm down.
11:13 You are a jelly.
11:15 Well, I'm going to hop in the car and take a look at all the well-known neckers around.
11:19 You want to come along?
11:21 I'll take you home, young lady, but I'm not going to snoop on Jill or anybody else.
11:25 Oh, come on.
11:27 You have enough of this.
11:28 [music]
11:37 You and I were that way about each other long before you chiseled in.
11:40 That's so true, but he's always thought I might change my mind.
11:45 Maybe I better hang on.
11:51 Say, what time is it?
11:53 Two-thirty.
11:54 We'd better be going.
11:57 All right.
12:00 Let's go somewhere to warm up.
12:02 Well, I'd love to.
12:04 [engine starts]
12:14 [thud]
12:17 [engine idling]
12:37 [phone rings]
12:44 Hello?
12:45 Hello, Sina?
12:47 You have the wrong number.
12:49 Oh.
12:50 I'll wait for your call.
12:57 Toby, will you give me your divorce?
13:02 What?
13:05 Do we need to say anything?
13:07 Why, uh, really this comes as such a terrific shock.
13:12 I really don't know what to say.
13:14 I don't know how to act.
13:15 You act very well.
13:17 Is that an accusation or a compliment?
13:20 Why can't we be frank and truthful?
13:23 Well, yes, certainly.
13:25 You start.
13:27 All right.
13:29 I will.
13:33 A new car last month.
13:36 Fifteen thousand dollars for Red Rover, who also ran a cabana last week.
13:41 Seventeen thousand five hundred dollars for stock market losses in five days.
13:46 Oh, and two checks to kill Baker for poker.
13:52 It isn't I you love, Toby.
13:55 It's my money.
13:56 Oh, really, my dear.
13:57 And that little girl, Mildred Grant.
13:59 She's quite an expensive item, too.
14:02 Mildred is engaged to one of my closest friends.
14:05 He wanted her back during the show, so why shouldn't I let him take the money?
14:08 He had every chance of being a big hit.
14:11 I see.
14:12 Really, Seena, your suspicions are absolutely unfounded.
14:16 Mildred and Guy have had a lover's quarrel.
14:18 I never see her anymore.
14:23 I know that divorce laws in this state are not very elastic.
14:28 If you make it convenient for me, I'll settle a hundred thousand dollars on you.
14:33 Perhaps.
14:34 In the stress of work, I haven't been quite as attentive toward you as I might have been.
14:38 But when you say that I married you for your money, you're--
14:41 Two hundred thousand.
14:42 Can you put our love on a monetary basis?
14:45 Yes.
14:48 Well, I wouldn't be interested.
14:51 Of course, Toby, I get your point of view.
14:53 It's my husband.
14:55 It was my money.
14:56 Your social position is secure.
14:58 But with my money alone, you'd become Colby Sherwood again.
15:02 Now let me tell you something.
15:05 You're not fooling me.
15:07 I've known for a long time about you and Fayers.
15:10 And let me tell you something else.
15:12 I'm on the verge of starting a suit for alienation of affections.
15:16 You wouldn't dare.
15:17 Oh, wouldn't I?
15:18 Fayers, I'd care that he wouldn't--
15:20 He wouldn't attempt to break up, I have you.
15:22 Don't blame Jack.
15:23 Blame him?
15:25 I'll put a bullet through his head if I so much as see you two together again.
15:30 You're becoming melancholic.
15:35 If you think I'm going to stand by and see someone make love to my wife, you're very much mistaken.
15:40 I'm serious, you know.
15:42 This thing has made a wreck of me.
15:45 You know, I'd do anything to keep someone else from getting you.
15:49 And that goes to the limit.
15:54 [Footsteps]
16:18 [Train whistle]
16:34 Stay side.
16:35 23679, please.
16:46 Hello? Hello, darling.
16:48 Something has just come up I must see you about.
16:51 Oh, I want to see you too.
16:54 [Footsteps]
17:17 Hello, 4596.
17:29 Hello?
17:30 Hello, darling.
17:32 I'll be up in about half an hour.
17:34 Anything you say, sweet.
17:36 Goodbye.
17:43 You'll have to go, George.
17:45 I'll be up here any minute.
17:59 Hey.
18:01 Yes, Dad.
18:04 Oh, Pop. Got up pretty early this morning, didn't you?
18:06 Yeah, that thing in bed killed me.
18:08 What's the matter, Dad? Market's wrong again?
18:11 It's not. It's your grandfather's liver.
18:13 On a ram's head, Jay.
18:14 He has his point of view.
18:16 You're at the wrong end of a telescope.
18:19 Your grandfather brought several things to my attention.
18:23 And unfortunately, most of them are still there.
18:26 To sum the whole thing up, we're indolent, loose, and heading nowhere in particular.
18:34 Sort of, uh, sitting on a volcano.
18:37 Did you know that there are 350 active volcanoes in the world?
18:40 And 152 of them are in the Pacific group?
18:42 Yes, I know.
18:44 I want your boys to know that I'm still one of them.
18:47 We've always more or less done as we please.
18:49 Shared what secrets we thought the other would enjoy.
18:51 Played together.
18:53 But this is the father talking to you now.
18:56 And I want you to believe that what I'm telling you is for your good.
18:58 Are you speaking from experience or is this a theory?
19:01 Don't pay any attention to him, Dad.
19:03 He's too young to have any serious thoughts.
19:05 Go ahead. What were you saying?
19:06 It's time you decided what you wanted to do in regard to this.
19:09 You don't have to make up your mind right away.
19:11 Then you should give serious thoughts to marriage.
19:15 Every man should have a wife and a home to take care of.
19:18 Sort of, uh, irons out the creases in a fellow's character.
19:21 See, the old man's liver certainly is bad, isn't it?
19:24 Your grandparents only visit us once a year.
19:27 And it's only fair that we should give in to them.
19:31 Up to a certain point.
19:35 I think we'd better have one of our business discussions in the morning.
19:39 You know, questions and answers.
19:42 All right. I'll get the dope on Fig Iron, Dad, and you'll put on a show.
19:45 Is that all?
19:47 I want you to think about what I said.
19:48 Right.
19:49 Have a drink?
19:50 No, thanks. One look at the pony.
19:51 Good?
19:52 Sure.
19:53 Oh, did you ever notice that a colt's leg is just as long when it's born as when it's full grown?
19:56 Never gave it a thought.
19:58 Well, give a look sometime when you see a young horse running along with its mother.
20:00 They'll be belly to belly.
20:04 Hi, Pop.
20:10 Hi, Chip.
20:12 Did you sleep by now?
20:13 No, I couldn't sleep.
20:18 You know, I've been thinking out about what Dad said this morning.
20:22 You know about being married and settling down.
20:25 Yeah? He was a lucky girl.
20:28 I don't know yet.
20:35 Well, I can call you one better than that.
20:38 I'm going to ask Jill.
20:40 I wouldn't do that, Chip.
20:42 Why not?
20:43 Well, I asked her tonight.
20:47 What'd she say?
20:49 She said yes.
20:55 You can't find the answer to that, now, folks.
20:58 I wouldn't take it too hard, kid.
21:00 There are plenty of other girls.
21:02 Sure, I'll find one.
21:05 Marsha, for instance.
21:07 With my compliments.
21:09 Chip, are you really serious about marrying Jill?
21:15 You know what I mean.
21:17 That's a swell question to be asking your brother.
21:19 Of course I'm serious.
21:22 Well, do you mind if I talk to her sometime?
21:25 Don't be a giraffe.
21:27 I don't get jealous.
21:29 Okay. And just to show how big-hearted I am, you can be the best man.
21:33 You're too good for me.
21:34 Good night, Jack.
21:35 Good night, Chip.
21:37 I'm jealous.
21:39 Congratulations.
21:41 You're certainly getting a swell gal.
21:43 [Jack calls Jill.]
22:01 Jack called.
22:04 Oh, did he?
22:06 What'd you tell him?
22:08 That you were out with some friends.
22:13 Thanks, Mom.
22:15 Good night, hon.
22:17 Good night.
22:20 Mother!
22:28 I'll...
22:31 walk her in the morning.
22:34 All right, Jill.
22:36 I'll go and get my books from the family.
22:39 Good night.
22:40 Good night.
22:42 [Jack goes to Jill's room.]
23:11 Hello?
23:13 Just a moment, miss.
23:22 Hello?
23:23 Jack, what are you doing tomorrow?
23:26 Nothing special.
23:28 Let's you and I lose the gang and take another day off.
23:31 All right.
23:33 Would you like to go to the farm again?
23:35 Mm-hmm.
23:36 Just for two months.
23:38 I'll meet you at the usual place about ten o'clock.
23:41 All right, hon.
23:43 Night.
23:44 Good night, Jack.
23:54 Well, she's had me for the day.
23:58 What did the giants do yesterday, Chip?
24:00 The cards beat 'em five to one.
24:02 There you are.
24:04 Playing pool with me today, Jack?
24:06 No, Dad, I'm busy.
24:07 Seeing Stephen?
24:08 No, I'm going to town.
24:10 What for?
24:11 After all.
24:13 Pardon me, Mr. Fenton.
24:14 Miss Fenwick is on the wire.
24:16 Oh.
24:17 Pardon me.
24:20 Going to be home for dinner tonight, Jack?
24:22 I know fairly down Grandmarch.
24:24 You might want to have dinner in town.
24:26 I guess so.
24:30 Hello, Angel.
24:31 What's on your mind?
24:32 Our date's off for the day.
24:34 I'm terribly sorry.
24:35 Really.
24:36 No, it's in connection with Mother's estate.
24:38 I'll be at the lawyer's all day.
24:40 What?
24:41 I wonder if your business has anything to do with the fact that Jack is ditching a polo game and is also going into the city.
24:47 Why, Kepsayer, how can you think such a thing?
24:50 Just for that, I won't see you at all today.
24:53 I'm not listening to a word you say.
24:57 You're giving a perfect imitation of an old-fashioned donkey.
25:03 Oh, goodbye, Dad.
25:04 Goodbye, Grandma.
25:06 [sizzling]
25:16 [sizzling]
25:26 [sizzling]
25:54 Oh, this is a lot of fun.
25:56 Come on, get hot.
26:00 Oh, my God.
26:18 Jack.
26:19 Yes, Jill?
26:21 There's something I want to tell you.
26:24 Go ahead.
26:26 All right.
26:32 I have a peak of a time up here with you.
26:35 So quiet and nice.
26:37 I'm glad you do.
26:39 I never get tired of it myself.
26:46 What's the matter, Ponca?
26:49 I don't want nothing.
26:52 I tell you what, let's have dinner here.
26:54 I brought enough food and we can get back by half past ten.
26:57 You're alibied all right, aren't you?
26:59 Perfectly.
27:00 Well, what do you say?
27:01 Okay, but let's eat now before it gets dark, huh?
27:13 Are you happy?
27:14 Mm-hmm.
27:15 So too.
27:16 You know, it's the best.
27:17 It's how she meets her mother-in-law.
27:20 There always has been a place to visit me and mother-in-law.
27:24 Let's go sit by the fire.
27:25 All right.
27:35 There, I'm glad you're so.
27:47 Dad.
27:48 Hmm?
27:50 Would you wonder why I wanted to come up here today?
27:53 I don't know.
27:54 I haven't given it much thought.
27:56 Well, I haven't played exactly fair with you.
27:59 Don't be silly.
28:00 No, really, I haven't.
28:05 Okay, Jill.
28:07 Go ahead and break down.
28:09 I can stand almost anything.
28:13 You and I have had an awful lot of fun playing around this summer and I let you live my cares.
28:22 Sure, you liked me and I liked you.
28:25 I knew how you felt.
28:26 No, you didn't.
28:28 You hoped and I let you.
28:33 Well, after all, Jill, a girl has a right to change her mind.
28:39 I guess I just didn't measure up to your standards.
28:42 Oh, Jack, that isn't it.
28:44 Only, well, you know, Chuck and I used to be sweethearts and, well, last night he asked me to marry him.
28:56 And I said yes.
28:59 Sure.
29:01 That's all right, Jill, I understand.
29:04 Oh, Jack, I feel awfully mean about it and that's why I wanted you to come up here with me today so I could tell you.
29:18 You aren't mad, are you?
29:20 Of course not.
29:25 I didn't mean to hurt you.
29:29 Forget it.
29:32 Well, we'd better be getting back to town.
29:36 Okay.
29:43 Let's raining cats and dogs.
29:46 What are we going to do?
29:48 We'll have to stay here.
29:50 We can't stay there.
29:51 Well, I'm not going to drive that road in this pouring rain.
29:54 I don't want to kill you just yet.
29:58 You know, we're in a jam.
30:01 Jack and Jill went up the hill.
30:03 Couldn't stay there.
30:06 You still have a sense of humor.
30:08 I need it.
30:10 I hope Chuck's broad-minded.
30:13 I tell you, phone Connie Evans and tell her to say that you were staying with her.
30:17 Boy, have you got a head.
30:19 That's a swell idea.
30:21 I hope this thing works.
30:22 Now that's some cleverness.
30:25 Hello, operator.
30:27 Operator, wait just a minute.
30:30 You do the talking.
30:31 Tell Connie you'll see her tomorrow and explain everything.
30:33 Okay.
30:34 Hello.
30:35 Hello, operator.
30:36 Get me New York, Riverside, 73318.
30:42 That's right.
30:44 Say, what's the number here?
30:46 Oh, it just says Thayer.
30:48 This is Thayer, please.
30:50 Please hurry the call.
30:52 I'll hold the line.
30:54 You know, it's a good thing Alexander Graham Bell invented that thing before he died.
30:57 I'll say it is.
31:02 Hello?
31:03 Hello?
31:05 Hello, operator.
31:06 Oh, I'm sorry.
31:16 Hello, is that you, Connie?
31:19 Hello.
31:21 I can hardly hear you.
31:22 Talk louder, please.
31:24 Oh, is that you, Jill?
31:26 Yes, this is Connie.
31:30 Connie, I want you to do something for me.
31:33 This rain's put me in a jam.
31:35 Yes.
31:36 Yes, I want you to say that I spent the night with you.
31:39 Oh, sure, I'll do that for you.
31:41 No explanation necessary, honey.
31:44 You can do as much for me sometimes.
31:47 Okay, thanks.
31:49 Goodbye.
31:54 Was that Jill Fenwick?
31:56 Jill?
31:58 No, it was Bill.
32:00 Oh.
32:02 Jack?
32:04 Yes?
32:12 Oh, Jack, please don't do that.
32:15 What's the matter?
32:17 Why, Jack's famous.
32:19 Did you drink this whole bottle?
32:21 Yes, maybe I did.
32:22 Well, you ought to be ashamed of yourself.
32:25 If you felt like I do, you'd do the same thing.
32:27 You might know you're going to pass out like a light drinking that much.
32:30 What if I do?
32:32 Well, I don't call that being a very good thought.
32:44 [applause]
32:54 [music]
33:04 [music]
33:24 Jill, don't buzz at me.
33:27 I was only trying to forget.
33:29 We're pals, aren't we?
33:32 I hope so.
33:33 Well, then I can talk without you thinking I'm crying over spilled milk.
33:37 I'm trying to change your mind.
33:39 Did you think he wanted me?
33:44 I shouldn't say it's selfish.
33:48 I've loved you lots longer than you ever can say.
33:50 I never rushed you like a regular sweetheart did.
33:54 I heard that movie.
33:56 You know, girls like to play around, as well as a lot of boys.
34:00 Sometimes I feel as though I've settled down to an engagement before that's had a blink
34:06 and I've lost something.
34:08 Isn't that right?
34:11 I guess so.
34:13 Well, I just waited.
34:16 I've bided my time.
34:20 I rushed off your feet and asked you to marry me.
34:27 I love you, Tanda. I want to take you in my arms and make love to you.
34:32 I'm sorry.
34:37 I waited too long.
34:42 I didn't mean to make you cry, Jill.
34:44 That's as well, Miller.
34:46 I'd rather see him marry you than anybody else.
34:52 I wish you a lot of happiness.
34:56 I love you, Tanda.
35:02 Oh, forget it, Jill. It's just the liquor talking.
35:08 Never mind. I think I'll lie down a while.
35:10 This stuff's beginning to hit with a terrible wallop.
35:20 Are you all right there?
35:22 Sure I'm all right.
35:37 Sorry I made such a fool of myself, Jill.
35:41 Oh, that's all right.
35:43 You'll feel better pretty soon.
35:50 You'll be all right, won't you?
35:53 Yeah.
35:58 Thanks.
36:00 You're welcome, pal.
36:28 Hi.
36:29 Oh, my God.
36:32 Are you wet?
36:33 No, not much.
36:38 Don't go yet.
36:48 Somebody was peeping.
36:50 It's the one and the boy.
36:58 Mr. Lane must have given them away.
37:01 Well, it turned out all right.
37:03 That's lucky for us we missed them.
37:06 Might have been a little difficult to explain.
37:08 If it doesn't stop raining, we'll be here till morning.
37:11 There's just some way we can get back.
37:13 I had all I could do to force the car through that last crossing.
37:21 I shouldn't have said I'd come.
37:23 Oh, it's all in the sun.
37:25 What is to be will be.
37:27 Poor philosophy.
37:29 The thing I bought to get ahold of this hill crucified.
37:32 No one would ever believe we came up here just to talk.
37:36 Hardly.
37:38 There must be some solution to our problem, Athena.
37:43 It'll have to end.
37:44 End?
37:46 You talk as though you were having, uh, well, an affair or something.
37:52 We need an evidence of yours.
37:54 May I come in?
38:00 Oh, sure, I, uh...
38:03 Hello, Athena.
38:05 How are you?
38:06 Just fine.
38:07 May I have a cigarette, Jack?
38:09 Of course.
38:15 Where's Chet?
38:17 Why, uh...
38:19 I'm with Jack.
38:21 Janet?
38:22 Mm-hmm.
38:23 Jack.
38:29 He's in there, dead to the world.
38:31 I told him that Chet and I were engaged, and he succeeded in drowning his followers.
38:41 Oh, I see.
38:43 No, you don't see.
38:46 But I'll tell you.
38:48 Jack and I used to picnic up here just to get away from the crowd.
38:51 And, well, today was to have been our swan song, as far as he and I were concerned.
38:56 It was so nice, and so we decided to stay for supper.
39:00 Then it rained, and, well, here we are.
39:06 You believe me, don't you?
39:08 Of course I do, dear.
39:10 It's all right, dear.
39:12 I know Jack.
39:15 And I know you.
39:22 Marsha.
39:23 Chet, darling.
39:24 Well, Miss Lear, how are you?
39:26 Fine, thank you, Jack.
39:27 How are you?
39:28 Fine, fine.
39:29 I'm all alone.
39:30 Thanks.
39:31 I love you.
39:32 Sit over there.
39:33 You're lucky.
39:35 This is luck, isn't it?
39:36 Hey.
39:37 So nice to see you again, Chet.
39:38 It's good to see you, too.
39:39 But how come you're all alone?
39:41 Well, everybody thought of dessert to me this evening.
39:46 What do you know, Marsha?
39:47 Oh, I know a lot.
39:49 Sounds very interesting.
39:51 Oh, may I have a cigarette?
39:52 Certainly, darling.
39:54 I'll kill you when we dance.
39:57 All right.
40:00 Jill confessed.
40:02 I'm going to tell her about us.
40:04 You don't have to.
40:05 We'd rather.
40:06 Yes.
40:07 Tell her, Jack.
40:09 Tina and I love each other.
40:11 We're confronted with a problem for which apparently there's no solution.
40:15 Yes, I know.
40:16 Mr. Sherwood.
40:18 And we thought no one knew.
40:20 You silly.
40:21 Why, all of us know.
40:23 You mean to sit there and tell me that everybody knows about Jeff and--
40:28 Well, of course.
40:29 We've all known that Jeff's been in love with you for over a year.
40:32 Tina.
40:34 There's the solution to our problem.
40:36 But what do you mean?
40:37 I'll tell you tomorrow.
40:42 Meanwhile, young lady, you have a problem.
40:45 You're telling me?
40:46 You got an alibi?
40:47 Just before Jack passed out, he had a brilliant idea that I saw in Connie Evans.
40:51 Idea?
40:52 She's going to say I spent the night with her.
40:54 Not bad.
40:55 And if your story does fall down, well, I guess we're all caught with the same brush.
41:02 There's nothing to worry about, really.
41:04 Connie's a clever liar.
41:06 Besides, it's just as well Jack doesn't know about you being here.
41:09 He's dead to the world now, and you can leave in the morning before he wakes up.
41:12 Yes, I'd rather Jack didn't know.
41:14 Not that I'm ashamed to have him know about us.
41:17 But he seems to understand his nature.
41:20 It would be a blow to his pride to have me see that he couldn't handle his liquor.
41:25 You'd do something to that boy.
41:27 Yes, I would.
41:29 Will you focus your dattle early in the morning and leave everything to me?
41:32 I'll have awfully sweet of you, dear.
41:35 But if anything should happen, and your story needs corroboration, don't--
41:39 Oh, don't be silly.
41:40 Nothing's going to happen.
41:42 Well, bring the crog.
41:44 Good night.
41:45 Good night.
41:46 Good night.
41:47 You know, I wonder if he cares as much for Ken as he does for Jack.
42:07 Either one of them will be lucky.
42:09 It seems mighty fine to me.
42:13 He goes to town and you go to town.
42:15 He's out all night and you stay out all night.
42:16 Is that a crime?
42:18 Well, I know you weren't a connie ever last night.
42:20 How do you know I wasn't a connie?
42:21 Because Marsha told me.
42:22 Oh, so Marsha told you.
42:25 She was a connie and you were not.
42:26 And where do you think I was?
42:27 That's what I intend to find out.
42:28 All right, find out.
42:30 I'm nothing to you.
42:31 If you start keeping things from me now, don't tell me what you'll do later.
42:34 The way you're acting, I don't even care to get dressed.
42:36 Listen, Jill, I won't stand for this sort of thing.
42:38 Just what do you intend to do about it?
42:40 You can stop this whole argument if you just tell me where you were.
42:44 Listen, Chesire, you've made some pretty horrible insinuations.
42:47 You ought to be more of a gentleman.
42:49 And until you apologize, I don't even care to talk to you anymore.
42:51 And if I never see you again, it's all right with me.
42:53 All right.
42:54 I know one thing.
42:55 You weren't a connie and you won't tell me where you were.
42:57 But I intend to find out.
43:00 What?
43:01 What?
43:02 Tell me.
43:06 Oh, what's it all ruffed up about?
43:09 Oh, it turns out I wasn't a connie last night.
43:12 Well, if you didn't want to tell me, you must have had a reason.
43:17 I did have a moment.
43:19 I just couldn't tell you.
43:21 But I can tell you.
43:23 Part of it.
43:38 You must have had a wild night on the upstream deck.
43:41 Why?
43:42 Your eyes look like balloon tires.
43:44 Well, I didn't sleep very well.
43:47 Oh, these modern youngsters.
43:52 Jack, do you mind?
43:53 I want to talk to you.
43:55 All right.
44:05 Zachary?
44:06 Hmm?
44:07 Keep those boys alone.
44:08 This kid didn't have something he wanted to say in private.
44:11 He just filled it here.
44:13 I was only going to the paper.
44:18 Of course I believe you, dear.
44:22 But if you can prove that you and Jack were not alone,
44:26 don't you think it would be a wise thing to do?
44:29 It's going to be dark, isn't it?
44:31 Well, as long as you believe me, I don't care what the others say.
44:36 Who else was with you, dear?
44:39 Oh, Mommy, I can't tell you.
44:42 Because I--
44:45 In a minute, I'll tell you why I can't tell you.
44:48 All right, dear.
44:51 What's the telegram?
44:52 Somebody dead.
44:54 Oh, you'll hope this is for you.
44:55 So is this.
45:06 Read this, Mommy, while I pay you.
45:08 I'll explain all about it later.
45:12 I told you it wasn't none of your business where I was last night.
45:14 I don't keep tabs on Jill.
45:16 How do you expect me to know where she was?
45:17 All I want you to do is have to get to know.
45:19 Was she with you?
45:20 That's a hell of an accusation for a brother to make.
45:22 Jen, stop that swearing.
45:24 Zachary, keep your mouth shut.
45:25 Yes, but I feel--
45:27 Well, you haven't done anything.
45:30 I was nice, honey.
45:31 You're a liar.
45:32 You're acting like a heel.
45:34 Your car was all muddy this morning.
45:35 You were up at the farm, weren't you?
45:36 What if I was?
45:37 Jill called Connie from long distance.
45:39 Well, that's a place you can call long distance from.
45:41 Maybe they're off.
45:42 But Jill was up there with him.
45:43 She didn't deny it.
45:44 She didn't admit it, did she?
45:45 No, she didn't.
45:46 Smart girl.
45:47 But she was up there with you, wasn't she?
45:51 Wasn't she?
45:54 Why, you dirty little chiseler.
45:57 Kit.
45:58 Kit.
46:01 Zach.
46:02 Zach.
46:09 I didn't mean to do it.
46:16 Zachary, go and get a doctor.
46:18 Quick, quick.
46:20 Take him rest.
46:21 Take him rest.
46:22 All right.
46:24 Austin.
46:25 Austin.
46:26 Yes, call a doctor.
46:27 Let's get an X-ray.
46:28 Yes, sir.
46:29 Hurry, hurry.
46:30 No, no, no.
46:44 Take it easy.
46:45 That's all we do.
46:46 Why doesn't he say something to me?
46:48 Take a break, please.
46:51 Get out of the way, Zachary.
46:53 All right.
46:54 Hold that chair.
46:55 Hello, Harkness.
47:11 I want to see Mr. Jack.
47:13 He's with the doctor.
47:15 What's the matter?
47:17 He met with an accident.
47:19 Where is he?
47:20 He's upstairs.
47:21 There you are.
47:35 As good as new.
47:36 Thanks.
47:37 Couldn't have done it better myself.
47:39 It's a good job.
47:40 Sir.
47:41 Sir, what's happened?
47:42 Nothing.
47:43 I just got a bump that knocked me kind of silly for a while.
47:45 I'm all right now.
47:46 I'll take care of it.
47:47 Jack and I had an argument about you and I hit him.
47:50 I didn't realize what I was doing.
47:52 I'm sorry.
47:55 He wouldn't admit that I spent last night with him at the farm, would he?
48:00 No, he wouldn't.
48:02 Well, I did.
48:03 Here's something else that might be of interest to you.
48:10 Thank you.
48:11 I told you so.
48:35 They should have done it a long time ago.
48:37 Do you feel all right now?
48:39 I'll live.
48:42 Let's go up to the farm.
48:44 I'll drive.
48:45 I'll drive.
48:47 I'll drive.
48:48 [MUSIC PLAYING]
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49:01 (upbeat music)