Karpagam
~PR.62~PR.51~CA.78~ED.64~HT.74~
~PR.62~PR.51~CA.78~ED.64~HT.74~
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00:00 In some songs, Lala is the main vocalist.
00:05 In Raja sir's music, there is a small detail.
00:20 Even a small tabla beat can capture the soul of the song.
00:27 I'll give you a small example.
00:30 When you play the tabla beat, the soul of the song is captured.
00:41 Only with the tabla beat, you can capture the soul of the song.
00:48 Young people today use Spanish, Mexican, Jibberish, and English.
00:58 He used to use all these in his music.
01:01 He used to refine and dilute the elements of his music.
01:10 He wanted to give it a commercial feel.
01:12 (Sings)
01:15 This is the full range of the song.
01:29 (Sings)
01:39 The song is sung in the same way.
01:43 (Sings)
01:46 Uthambuthu Kaalai's Lala is sung in the same way.
01:52 (Sings)
01:54 Lala is sung like this.
02:05 (Sings)
02:08 (Sings)
02:11 (Sings)
02:16 He used to sing like this.
02:19 Now, we use different languages.
02:24 He used to sing without any space for questions.
02:29 We use many syllables in Lala.
02:35 (Sings)
02:38 We use many syllables in Lala.
02:47 We use many syllables in Lala.
02:52 MSV used to use the mettame.
02:57 Leraja used to use the background scoring.
03:02 (Sings)
03:05 Even if another composer used a different tune, Lala's influence is there.
03:18 We have a signature Lala in that song.
03:23 When I thought about other things, this song came to me.
03:29 (Sings)
03:32 This song is a favorite for everyone.
03:40 It's a sad song.
03:45 It's a song that everyone likes.
03:48 In that song...
03:50 (Sings)
03:54 (Sings)
03:57 It's not just Lala.
04:05 There's pathos.
04:07 It's a song that's beautiful with chromatic notes.
04:10 But when you hear Lala, it's refreshing.
04:12 The song comes to the same mood again.
04:15 This is the situation.
04:17 It's a success that the composer created and the audience gave.
04:24 It's a success that the composer created and the audience gave.
04:27 Is Lala a choice for a musician?
04:30 Or is it a pathos mood?
04:33 Who decides if a singer should sing a Lala?
04:40 It's a decision for Raja sir.
04:43 Do you have a song that you've replaced the lyrics with?
04:47 No, none of the lyrics have been replaced.
04:50 If there was a song, would you have improvised it?
04:54 There could be.
04:56 But when I look at a lot of things, I don't replace many lyrics.
05:01 I either replace it before the song, after the song, in between, or as a response.
05:08 When I look at the BGM, I hear Lala.
05:18 In some songs, Lala is the main theme.
05:31 In Ponvanam, the song is humming and visualizing.
05:38 It's a challenging song.
05:42 Even that song could have been without any need.
05:46 But in Raja sir's music, there's a small detail.
05:51 Even a small beat can capture the soul of the song.
05:56 For example, Anandaragam's song, Lala...
06:03 Pannir Pushpam...
06:11 Yes, Pannir Pushpam's Lala.
06:13 The BGM travels a lot.
06:17 When the song ends, there's a tabla beat.
06:22 You can take the soul of the song only with the tabla beat.
06:27 It's a composition like that.
06:29 Like an uplift?
06:31 It's not only a syllable, but also an example of how he uses the instrument.
06:38 This is a thread and that is another thread.
06:40 Intertwined.
06:42 What other noteworthy songs do you have?
06:45 Have you come in between 60s, 70s, 80s, and even recent times?
06:50 I have.
06:52 The content of the song is like a poem.
07:01 There's no need to add anything.
07:03 We can take 'La' as a way to create a happy moment.
07:10 'La' becomes love.
07:12 We can also take it as an emotional enhancement in the chorus.
07:16 Everything is based on the choice we make.
07:20 There's no need to change anything.
07:23 There's a doubt in Lala.
07:25 We know how Raja sir has used and improvised Lala.
07:29 Lala is a Western song.
07:32 Ella Fitzgerald sings it.
07:34 Scat singing, scatting...
07:36 Nina Simone uses gibberish words.
07:41 It's used for high pitches.
07:44 Raja sir has used it to create a slow, year-long song.
07:51 What was the mindset behind bringing the Western in?
07:58 What I want to say to the young generation is that
08:01 you are using the technology to create the Spanish, Mexican, gibberish, and Tonglish you hear now.
08:08 He used it in those days.
08:11 He used the elements to refine and dilute the song.
08:20 He wanted to give it a commercial feel.
08:22 That's the style of Western opera singing.
08:32 He has given us the experimentation we need.
08:40 Gibberish has been used since ancient times.
08:43 You can say "hoi", "oi", "ei", or "hei".
08:48 What would you say "hoi"?
08:52 "Pudhu rootu la da"
08:54 "Hoi ya"
08:55 You can say "ei ya, va ya, po ya".
08:57 What does "hoi ya" mean?
08:59 It's a sound.
09:01 Lala that comes in the end.
09:03 If you look at this...
09:05 The full melody of the song comes in.
09:13 This song has the same melody sung in Lala.
09:32 The Lala of the 90s is sung in Pallavi.
09:36 Lala is present in postludes.
09:51 It may be sustained along with the tune.
09:58 Or it may be sung in a different tune.
10:01 I have brought 60-70 songs for this show.
10:11 I have sung it in the beginning and now in the ending.
10:14 The "mamma mia" you heard...
10:23 He has already sung it.
10:26 He has sung it when there was no space for questions.
10:36 What is your favourite Lala?
10:40 You have sung many Lala.
10:42 What is your personal favourite Lala?
10:44 Which one do you hum?
10:46 Which one do you sing?
10:48 Since I am a researcher...
10:50 It's this song.
10:52 If you ask me which one I like the most...
10:56 It's very comfortable.
11:10 I can sing it without knowing the song.
11:12 I have been thinking about it for a long time.
11:14 I have brought it in response to your question.
11:18 It's not a slow song.
11:20 It's a song that comes to the heart.
11:22 It's a response.
11:24 "Deevangal pesum, ithu kaarthige maasam"
11:30 We have said that.
11:38 It's a song that comes to the heart.
11:40 It's a response.
11:42 I will sing and you have to answer.
11:44 Okay, go ahead.
11:46 I will check how much you know about Lala.
11:48 I will sing a song and you have to answer.
11:50 That's one of the categories.
11:52 I have to answer with Lala?
11:54 "Pillai nila, irandum vellai nila"
11:58 Do you know that you have to answer with Lala?
12:06 I know.
12:08 "Poo vadai kaatru"
12:16 That's the answer.
12:18 Are Thaanaana and Lala the same?
12:20 No.
12:22 I will ask you two more questions.
12:24 You must have heard a lot of songs.
12:26 You are a Murali fan.
12:28 You must have heard a lot of songs.
12:30 You must have heard a lot of songs.
12:32 You must have heard a lot of songs.
12:34 You must have heard a lot of songs.
12:36 You must have heard a lot of songs.
12:38 "Uru jeevan alithathu, uru jeevan thodithathu"
12:44 "Ini ena kaaga alavendam"
12:48 "Ini kanneerum vedavendam"
12:52 "Unnaie ennie valgireen"
12:56 You have answered how Lala has influenced you.
13:00 You have answered how Lala has influenced you.
13:04 Not just Lala, there are many varieties.
13:06 Not just Lala, there are many varieties.
13:08 Lala is like a dialogue in a song.
13:10 We use many syllables in Lala.
13:12 We use many syllables in Lala.
13:14 "Tha na na"
13:16 "Na na na"
13:18 "Ra ra ra"
13:20 "Rabba babba"
13:22 "Raja sar"
13:24 We have used many syllables in Lala.
13:26 We have used many syllables in Lala.
13:28 We have used many syllables in Lala.
13:30 What other syllables have you used?
13:32 We have used many syllables in Lala.
13:34 "Na na"
13:36 "Ra ra"
13:38 We have used many different syllables.
13:40 "Rabba babba"
13:42 We have used many different syllables.
13:44 Usually, I will answer your questions.
13:46 Usually, I will answer your questions.
13:48 In those days, "A" and "U" were used in the chorus.
13:50 In those days, "A" and "U" were used in the chorus.
13:52 In those days, "A" and "U" were used in the chorus.
13:54 It was only when the group sang it,
13:56 that the enhancement was achieved.
13:58 "A" and "M" were used in the mute syllables.
14:00 "A" and "M" were used in the mute syllables.
14:02 "A" and "M" were used in the mute syllables.
14:04 "A" and "M" were used in the mute syllables.
14:06 Everyone has given their own influence.
14:08 We have used Lala's songs in many of his songs.
14:10 We have used Lala's songs in many of his songs.
14:12 We have used Lala's songs in many of his songs.
14:14 Before we start talking about a song,
14:16 we have already talked about Lala.
14:18 We have already talked about Lala.
14:20 We have already talked about Lala.
14:22 When you were singing in the background,
14:24 we had two composers,
14:26 who were very popular.
14:28 They were two great composers.
14:30 They were two great composers.
14:32 They were two great composers.
14:34 MSV and Leraja were the ones
14:36 who used the background scoring for Lala.
14:38 who used the background scoring for Lala.
14:40 They used it for a slow tempo.
14:42 Even if another composer had used his tune,
14:54 we have used Lala's influence
14:56 in the song "Muthirai".
14:58 in the song "Muthirai".
15:00 in the song "Muthirai".
15:02 When you think about other things,
15:04 this song also fell in love with Lala.
15:06 When you think about other things,
15:08 this song also fell in love with Lala.
15:10 Which singer's Lala has more impact
15:12 on the female singer's Lala?
15:14 Which singer's Lala has more impact
15:16 on the female singer's Lala?
15:18 When I looked into this research,
15:20 When I looked into this research,
15:22 Lala is only a group.
15:24 Lala is only a group.
15:26 He has used it like a chorus.
15:28 Lala has a feeling of happiness.
15:30 Lala has a feeling of happiness.
15:32 We have seen it as a feeling of happiness.
15:34 We have seen it as a feeling of happiness.
15:36 Even in the sad song,
15:38 there is a Lala in the ending.
15:40 Even in the sad song,
15:42 the singer's Lala is continuous.
15:44 the singer's Lala is continuous.
15:46 If I have to say something personally,
15:48 I like everything.
15:50 I don't have anything to say personally.
15:52 'Devaramagan' is a very important film.
15:54 It is a film that everyone liked.
15:56 It is a film that connected with many people musically.
15:58 It is a film that connected with many people musically.
16:00 The song 'Paradi Paradi Ponni' is...
16:02 Did you include that too?
16:06 If I include that,
16:08 I can say that.
16:12 'Varam Thandaswamy' has used Lala before.
16:14 'Varam Thandaswamy' has used Lala before.
16:16 'La' is a different syllable.
16:18 When you say it in words,
16:20 you can use it as a part of the song.
16:22 you can use it as a part of the song.
16:24 you can use it as a part of the song.
16:26 You can use it as a part of the song.
16:28 You can use it as a syllable
16:30 You can use it as a syllable
16:32 when you are on a boat.
16:34 You can use it as a syllable when you are on a boat.
16:36 I see that the syllables are different
16:38 and the words are different.
16:40 I will never miss Lala in any given time.
16:42 I will never miss Lala in any given time.
16:44 I was very impressed.
16:46 That's when I started listening to Raja sir's songs.
16:48 That's when I started listening to Raja sir's songs.
16:50 That's when I started listening to Raja sir's songs.
16:52 That's when I started listening to Raja sir's songs.
16:54 That's when I started listening to Raja sir's songs.
16:56 That's when I started listening to Raja sir's songs.
17:24 This is my all time favorite.
17:26 Even if I like the song for Chitra Amma,
17:28 this song has mixed emotions.
17:30 this song has mixed emotions.
17:32 This song has mixed emotions.
17:34 But the Lala is in the chorus.
17:36 It's not alone.
17:38 This Lala is a Lala that is close to my heart.
17:40 This Lala is a Lala that is close to my heart.
17:42 You have given us many Lala moments.
17:46 You have given us many Lala moments.
17:48 Like Raja sir's Lala,
17:50 this Lala should be the center of attention.
17:52 This Lala should be the center of attention.
17:54 Thank you for giving me this opportunity.
17:56 Thank you for giving me this opportunity.
17:58 Thank you for giving me this opportunity.
18:00 Thank you.