Canyon Passage Full Movies
Canyon Passage Full Movies
Category
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Short filmTranscript
00:00:00 [Music]
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00:02:07 Give him a rub down and plenty of feed.
00:02:09 Yes, sir.
00:02:10 Logan Stewart's the name.
00:02:11 Thanks, Mr. Stewart.
00:02:12 [Music]
00:02:35 Good day.
00:02:37 How's Jacksonville?
00:02:38 Lively.
00:02:39 [Music]
00:02:44 Credit to account?
00:02:45 I'll take back Specie.
00:02:46 We're short of cash at the diggings.
00:02:48 What time do you open in the morning?
00:02:50 Tomorrow's Sunday.
00:02:51 Then put the Specie in the saddlebags and I'll come by for it before you close tonight.
00:02:55 You must have around 7,000 here.
00:02:57 That's no trinket to be left lying loose around a hotel room.
00:03:00 Gold is only yellow gravel, Cornelius.
00:03:02 But the yellow color makes all the difference.
00:03:05 Butter's yellow too and you can spread it on bread.
00:03:07 Ever try that with gold?
00:03:09 For a businessman, you've got odd ideas.
00:03:11 If I were a banker, as I shall be someday, I'd set you down as unsound and lend you nothing.
00:03:17 A man can choose his own gods, Cornelius.
00:03:19 What are your gods?
00:03:21 What?
00:03:22 [Music]
00:03:43 A damp day.
00:03:45 [Music]
00:03:47 Let me see that.
00:03:48 Yes, sir.
00:03:49 [Music]
00:03:51 It's a beautiful little locket. It came from England.
00:03:54 I'll take it.
00:03:55 A fortunate young lady, whoever it is.
00:03:57 Anything else, sir?
00:03:59 Yes, I need some dry clothes, shirts, socks, everything from the skin out.
00:04:03 [Music]
00:04:19 [Music]
00:04:27 Hi, Logan.
00:04:28 Come here.
00:04:29 [Music]
00:04:37 How are you, McLean?
00:04:38 Fine. Just the man I want to see.
00:04:40 What are the Indians doing down your way this year?
00:04:42 So far, quiet and uncertain.
00:04:44 Whiskey?
00:04:45 Whiskey.
00:04:46 Whiskey.
00:04:47 Logan, I've got a consignment of general hardware from the brigales to be delivered to Clay and King at Jacksonville.
00:04:54 It's cloth, rope, tin dishes, buckets.
00:04:58 I'm shipping by boat to Salem.
00:05:00 You want a packet from there?
00:05:01 How many meals will it make?
00:05:02 Oh, 20, I suppose.
00:05:04 What's your rate?
00:05:05 Three dollars a meal per day.
00:05:06 Agreeable.
00:05:07 [Music]
00:05:09 It'll be in Salem on the 20th.
00:05:11 Two more of the same.
00:05:12 Not for me.
00:05:13 I've got to see if I can get a load of windows hauled out to Gale's Creek.
00:05:15 Windows?
00:05:16 Windows with glass?
00:05:17 We're becoming civilized.
00:05:18 Oh, Bob. Bob Miller.
00:05:20 Lumber's sitting sky high in San Francisco.
00:05:24 You sure enough will make a handsome profit, Captain.
00:05:27 Miss Lucy Obermeyer arrived?
00:05:31 In room 10, just off the Cascades.
00:05:33 Oh, thanks.
00:05:34 She's been asking for George Camrose.
00:05:36 We got through all right, but the train back of us, 50 wagons, not a one of them left.
00:05:43 [Music]
00:05:49 Come in, George.
00:05:51 Why, Logan.
00:05:56 Hello, Lucy.
00:05:57 Oh, George had to make a sudden trip to Crescent City.
00:06:00 He knew I was coming up, so he asked me if I'd bring you home.
00:06:02 Would you mind having me on your hands, Logan?
00:06:05 That was a foolish question.
00:06:08 You don't mind having women on your hands.
00:06:10 Where did you get that?
00:06:11 Rumor.
00:06:13 George Camrose, I bet.
00:06:15 Well, have you got stout clothes?
00:06:18 I want to get started before daylight and the weather's foul.
00:06:21 I don't mind.
00:06:22 How was your visit up at the Dow's?
00:06:25 Quiet.
00:06:26 Oh, Logan, there were a lot of cattle abandoned by the immigrants.
00:06:30 You could probably get them for very little.
00:06:32 Did you see any mules?
00:06:33 No.
00:06:34 Well, five o'clock then, and dress warm.
00:06:38 We'll make Salem the first day, and Towns River the second.
00:06:41 You should be in Jacksonville Friday afternoon,
00:06:43 unless that's traveling too fast for you.
00:06:45 No.
00:06:46 I suppose you're going down to play a little poker now.
00:06:50 I guess not.
00:06:51 Good night.
00:06:52 A woman, Logan?
00:07:09 I kept open for you.
00:07:11 Thanks.
00:07:12 I was just reading in the advertiser.
00:07:19 They completed a suspension bridge across Niagara Falls for the railroad.
00:07:22 That's progress.
00:07:23 Out our way, we haven't even got a stagecoach yet.
00:07:25 Well, you've got to have the roads first.
00:07:27 Maybe it's the other way around.
00:07:31 Get the stagecoaches, and there'll be plenty of roads.
00:07:33 Well, from a banking viewpoint,
00:07:37 I'd want to be sure there were roads there first.
00:07:40 What's that?
00:07:41 I said, from a banking viewpoint, I...
00:07:43 Oh, too daft.
00:07:48 Come in, Logan.
00:08:00 You see, it wasn't a woman.
00:08:06 Why didn't you say so then?
00:08:08 You're marrying George, not me.
00:08:09 What have you got in the saddlebags?
00:08:11 Gold coin.
00:08:12 You know, I was watching you from the window.
00:08:15 There's a man standing at the corner of Alder as you passed, and he followed you.
00:08:18 Don't worry about it.
00:08:19 Good night, Lucy.
00:08:21 Good night.
00:08:22 (door opens)
00:08:23 (door closes)
00:08:30 (music)
00:08:33 (music)
00:08:35 (music)
00:08:54 (music)
00:08:56 (music)
00:09:14 (explosion)
00:09:15 (music)
00:09:17 (explosion)
00:09:20 (glass shattering)
00:09:21 Logan.
00:09:26 What happened?
00:09:28 A bad try. He got away.
00:09:29 Who was it?
00:09:30 Have an idea? It was Greg.
00:09:31 He had an arm like a chunk of oak.
00:09:33 You're hurt.
00:09:34 I'm all right.
00:09:35 Lucy, you better get out of here.
00:09:39 Go into bed and get some sleep.
00:09:41 We're leaving at five sharp.
00:09:48 (music)
00:09:50 What makes you so sure it was Bragg up in Portland?
00:10:03 He might have trailed me.
00:10:05 He's had me on his mind for quite a while,
00:10:07 ever since those two miners were killed over at Evans' area.
00:10:09 The ones the Indians murdered?
00:10:11 Indians?
00:10:12 I was out on the road that morning,
00:10:14 and I saw Bragg come out of the willows running his horse.
00:10:17 A few minutes later, I stumbled onto the two bodies.
00:10:19 I could have had him hang for it, and he knows it.
00:10:22 Why didn't you? That was rather careless.
00:10:24 I didn't see him do it.
00:10:26 You wouldn't want to hang a man if there was the slightest doubt.
00:10:29 No, you wouldn't.
00:10:31 Things have got to be dead even with you.
00:10:33 Is that it, Logan?
00:10:35 (music)
00:10:38 (music)
00:10:40 Where you from?
00:11:00 It's all late.
00:11:01 No good back there anymore.
00:11:02 Too populated.
00:11:03 (music)
00:11:05 (music)
00:11:07 (music)
00:11:09 (music)
00:11:15 (music)
00:11:17 (music)
00:11:19 (music)
00:11:21 (music)
00:11:50 Any findings along the way?
00:11:51 One miner was killed last night over at Gray's Creek.
00:11:53 Indians?
00:11:55 Are you game to make a night ride of it?
00:11:58 We'll reach Ben Dances by daylight.
00:12:00 Fine.
00:12:01 (music)
00:12:05 (music)
00:12:07 (music)
00:12:17 (music)
00:12:24 (music)
00:12:31 (music)
00:12:33 (music)
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00:12:37 (music)
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00:12:46 (music)
00:12:48 (dog barks)
00:13:12 (music)
00:13:14 Howdy, Logan! Come on in!
00:13:17 Tired?
00:13:20 Dead.
00:13:21 Go along in.
00:13:22 Hello, Mr. Dan.
00:13:24 Morning, Miss Lucy. Breakfast is awaiting.
00:13:26 Asa, come out here and get these horses!
00:13:28 Hi, Logan!
00:13:30 Hi, Logan!
00:13:31 Hi, Logan. Missed your stewards, you young varmints.
00:13:34 Now rustle off them horses and give them a good feed.
00:13:36 Well, how'd you find things on the way down?
00:13:39 Not too bad.
00:13:41 Had a little trouble over at Graves Creek. One miner was killed.
00:13:44 Yeah, Indians. They got a cavalry outfit under some young lieutenant combing the canyon for 'em.
00:13:48 But I got a little bet with myself he'll get bushwhacked first off.
00:13:52 He don't know Indian style.
00:13:53 Why don't you tell him, Ben?
00:13:54 You can't tell them army fellows nothing.
00:13:56 They got a little brown book. If it ain't in that little brown book, it just ain't true.
00:14:00 How is Portland, Logan?
00:14:03 A thousand people and raining.
00:14:05 How can anyone live in such a crowd?
00:14:07 Come and eat, Lucy.
00:14:09 I couldn't eat a thing, Mrs. Dan.
00:14:10 What she needs is some sleep.
00:14:12 Well, hello, Caroline.
00:14:14 Hiya, Logan.
00:14:15 Well, I don't think you two are acquainted. Lucy, this is Caroline Marsh. Lucy Overmyer.
00:14:20 I've heard about you. I'm so sorry about your phone call.
00:14:25 I brought you something from Portland.
00:14:27 Did you? What?
00:14:28 If you have on your best Sunday dress around noontime, I'll give it to you.
00:14:32 Will you fix a bed for Lucy, dear?
00:14:36 We traveled all night.
00:14:37 And when you travel with Logan, you travel.
00:14:40 Come along.
00:14:41 I thought maybe she'd be on her way back to England.
00:14:50 What for? Her folks come out here to start a new life for themselves.
00:14:54 She's not the sort to give up just 'cause the Indians killed her pa.
00:14:59 It's a joy having her around, Logan. We always wanted a daughter.
00:15:03 Sure. But like all good-looking daughters, it don't look like we're gonna keep her long, Ma.
00:15:08 Logan, I mean Mr. Stewart, do you think the Indians will break out?
00:15:14 It's always possible, Asa.
00:15:15 Peace treaty don't seem to mean nothing to them rogue beasters.
00:15:18 Well, it's their land and we're on it and they don't forget it.
00:15:21 Things will be all right, I reckon, unless some medicine man stirs them up or some white cuss starts something.
00:15:27 You'll know it beforehand. They'll get insulin. That's the time to four it up.
00:15:32 Well, this is my fort and darned if I budge.
00:15:35 That's right, Ben.
00:15:37 That's right, Ben.
00:15:39 [Music]
00:15:41 [Music]
00:16:09 Ma's sendin' Carolyn over to McGarry's place. Mrs. McGarry's come to her time.
00:16:14 Now, there's everything you'll need, dear.
00:16:18 You want me to send Dr. Balance back to Jacksonville?
00:16:20 I can do whatever's necessary.
00:16:22 Oh, for sure it's only a baby. You stay at McGarry's tonight, Carolyn.
00:16:25 I'll be over tomorrow and right back with ya.
00:16:28 Give my hellos to your ma, Lucy. Say I'm lonesome for talk.
00:16:32 [Music]
00:16:36 Bye, Logan!
00:16:37 [Music]
00:16:54 Hey! You ain't got much time!
00:16:56 Here's where I leave you.
00:16:58 [Music]
00:17:09 It takes me back to England. It's just like my grandmothers.
00:17:12 Hey! Come on!
00:17:14 Thank you.
00:17:16 [Music]
00:17:21 Oh, Logan! There's a cabin raising Saturday week. Liza Stone and Gray Bartlett are marrying.
00:17:26 I'll be there.
00:17:27 [Music]
00:17:32 You'd have had your kiss if I hadn't been here.
00:17:34 Yes?
00:17:35 I'm sorry I caused you to miss it.
00:17:37 [Music]
00:17:41 But what's any woman to you? You're never happy except when you're on the go.
00:17:45 I guess I'm just stuck on this Oregon.
00:17:49 Or maybe I'm just ambitious.
00:17:51 I want to see a Stewart & Company pack outfit stringing along every road.
00:17:56 When the stages come, I want them to be my stages.
00:17:58 Is that what makes you so restless and discontented?
00:18:03 Or is it a woman, Logan?
00:18:05 Must it always be a woman?
00:18:08 [Music]
00:18:15 [Singing]
00:18:26 Someone wait for me in the valley. There among the blue tip pine.
00:18:35 She'll be by the river where all heaven be.
00:18:41 And there by the river we'll find a trail of breeze.
00:18:46 Donkey, don't you dare to dally. Can't you hear the kill bear's song?
00:18:56 Say, hi. When did Honey Brad get into town?
00:18:59 Looks like he just rode in the way his horse is lathered.
00:19:02 Must have done a little riding yourself.
00:19:05 All the way from Portland. Don't tell anyone.
00:19:08 Huh?
00:19:09 What was that song you were singing, hi?
00:19:11 Oh, I don't know. Just a little song.
00:19:13 It sounded very romantic.
00:19:15 Romantic gets that way sometimes. Silly, isn't she?
00:19:18 She'll be by the river where all heaven be.
00:19:24 And there by the river we'll find a trail of breeze.
00:19:29 Donkey, don't you dare to...
00:19:32 She'll...
00:19:33 There.
00:19:40 Lucy.
00:19:41 Lucy.
00:19:43 Hello, Logan.
00:19:44 Mommy.
00:19:45 Did you enjoy yourself? Did you have a nice time?
00:19:48 Yes, it was fun.
00:19:49 Oh, we stopped by the dancers and Mrs. Dance sent her her love.
00:19:52 There she is, George. There's your girl.
00:19:55 Thank you, Logan.
00:19:56 Did he behave himself, Lucy?
00:19:58 Oh, you're lovely. I'd almost forgotten.
00:20:00 Not entirely, I hope, George.
00:20:02 Is that the best you can do, George?
00:20:05 Could you do any better?
00:20:06 If I hadn't seen my girl for a whole month, a whole lot better.
00:20:13 Same old roughneck. No polish at all.
00:20:16 Did you mind my asking, Logan, to bring you home?
00:20:22 What took you over to Crescent City, George?
00:20:24 A mining claim. Looked like a real strike.
00:20:26 But it wasn't.
00:20:27 Another rainbow?
00:20:29 One day I'll bring you the pot of gold from the end of that rainbow. You'll see.
00:20:33 You glad to be back, Lucy? How was the trip?
00:20:37 Wonderful.
00:20:38 Good night.
00:20:39 Good night.
00:20:57 Where's Morrow?
00:21:00 He'll be back Tuesday.
00:21:02 I sent 40 mules on the trip.
00:21:04 Greenblazier will take the Scottsburg string in the morning.
00:21:07 20 mules.
00:21:08 Put this on the books, Clinch.
00:21:11 30 mules to be at Salem on the 20th.
00:21:14 Henry Maclean's freight.
00:21:16 Where will you get the mules?
00:21:18 You're sprayed pretty thin already.
00:21:20 Maybe it's time for us to buy a few more.
00:21:23 Buy, buy.
00:21:25 Always buy.
00:21:27 Buy.
00:21:29 Hello, Vane.
00:21:30 Did you stop by at Dancer's?
00:21:33 Yes.
00:21:34 How is everybody?
00:21:36 Caroline, you mean?
00:21:38 She's fine.
00:21:39 Do you realize you've got those on 50,000 sunk in this place?
00:21:45 Must be rich.
00:21:46 You ought to have 10,000 laid by for trouble.
00:21:48 What trouble?
00:21:50 The trouble that's going on.
00:21:52 I'm not going to let you get away with it.
00:21:54 I'm going to get you out of here.
00:21:56 What trouble?
00:21:57 The trouble that always comes.
00:21:59 When do you suppose I came here?
00:22:01 6,000 miles from Liverpool.
00:22:03 This is Jacksonville, Clinch, USA.
00:22:05 We sail with the tide.
00:22:06 All Americans think that.
00:22:08 They think the tide flows forever for them.
00:22:10 But mark me, Logan, gold veins run out,
00:22:13 crops fail, men starve, wars come.
00:22:16 And businesses fail.
00:22:17 Then we get a new deck and deal again.
00:22:19 So you'll buy the mules.
00:22:25 What happened to you, Logan?
00:22:26 We waited so long for you.
00:22:28 I thought you and George would want to be together.
00:22:30 Why, Logan, that's a very tender sentiment.
00:22:33 George, when is this girl going to marry you?
00:22:36 I doubt if she knows herself, Logan.
00:22:39 When are you taking me, Lucy?
00:22:41 George, do you like poetry?
00:22:43 Must I like poetry to be your husband?
00:22:45 We'll be married when the leaves fall.
00:22:47 You see, Logan, she strings me up and lets me swing.
00:22:51 You mean the maple leaves that fall early
00:22:53 or the pine needles that never fall at all?
00:22:55 Come on, there's a fight.
00:22:56 Fight? Who is it?
00:22:57 I don't know.
00:22:58 Come on, let's go.
00:22:59 Come on.
00:23:00 Better get up there, Logan.
00:23:03 It's your friend, Dane Blazier, in brags.
00:23:05 Come on, George.
00:23:10 Don't ever crowd me, boy.
00:23:17 Nobody crowded you.
00:23:19 Oh, you're calling me a liar.
00:23:21 Stand up, John Blazier.
00:23:23 I didn't call you a liar.
00:23:26 I'll bust you up proper, boy.
00:23:28 Got a little trouble, Dane?
00:23:34 Hello, Bragg.
00:23:36 Logan, my friend, how are you?
00:23:39 I hear you've been away.
00:23:41 I'm here and there.
00:23:43 I'm a restless man.
00:23:45 I've been away, too.
00:23:47 You have?
00:23:48 Well, you're a restless man, like me.
00:23:51 I noticed you're favoring your left leg.
00:23:55 Of course you would, mate.
00:23:59 Couldn't be you fell through a window by any chance.
00:24:01 Oh, let's get out of here.
00:24:04 See you sometime, Logan.
00:24:12 See you sometime, Logan.
00:24:13 Oh, by God.
00:24:27 It was the freezer.
00:24:29 Come on, Dane. Buy you a drink.
00:24:34 Never mind. I can fight my own battles.
00:24:37 That was quite a surprise.
00:24:39 More of a disappointment to the boys, I'd say.
00:24:41 What can you expect from people living in the wilderness?
00:24:44 What's wilderness got to do with it?
00:24:46 Everything, I think. What do you say, Lucy?
00:24:48 Some men are more primitive than others, I guess.
00:24:51 Some men just fight it harder.
00:24:53 Put his weight on Honey Bragg, and he broke.
00:24:57 I'd say Bant.
00:25:02 Bant's a good man.
00:25:04 I'd say Bant.
00:25:06 Well, broke or Bant, what do you make of it, hon?
00:25:08 You're a lawyer, Jonas. You figure it out.
00:25:11 I'm glad you enjoyed the trip, Lucy.
00:25:17 But it's great to have you back.
00:25:19 I missed you.
00:25:20 Thank you, George.
00:25:22 Well, see you tomorrow.
00:25:24 You ought to do your kissing in private, George, and do it better.
00:25:32 I'll ask you again, Logan.
00:25:34 Could you do better?
00:25:36 You brought it on yourself, George.
00:25:53 Good night.
00:25:56 Good night, Lucy.
00:25:59 You going to play a little poker?
00:26:01 I got to get some sleep.
00:26:03 It's still early.
00:26:04 I'm off on a trip tomorrow. I'm going to look for some mules.
00:26:07 Another trip so soon?
00:26:09 If you're not careful, one of these days you're going to end up being a tired millionaire.
00:26:13 Then I'll take it easy.
00:26:15 See you when you get back.
00:26:16 Good luck.
00:26:18 Good luck.
00:26:21 [music]
00:26:24 [music]
00:26:26 Oh, hello, Johnny.
00:26:51 Hi, Camrose.
00:26:52 I know it's after hours, but I saw a light in your office.
00:26:55 Mind letting me have my dust? I've got some poker to play.
00:26:57 Sure, Johnny, but I'll have to ask you to wait outside while I open the safe.
00:27:00 Company rules.
00:27:01 Sure, I know.
00:27:02 [music]
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00:27:11 [music]
00:27:13 [music]
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00:27:43 [music]
00:27:46 [music]
00:27:49 [music]
00:27:52 [music]
00:27:56 Hello, Johnny.
00:27:58 How are things up the Applegate?
00:28:00 Oh, terrible.
00:28:01 All I got from my trouble was this watch.
00:28:03 Oh, I see.
00:28:04 It was the darndest thing.
00:28:05 I found it hidden in an old Indian skull.
00:28:07 I'll trade you a good fiddle for it.
00:28:09 What would I want with a fiddle?
00:28:12 Well, all you can do with that is clock the time.
00:28:14 With a fiddle, you can pass the time.
00:28:16 All right, I'll trade you for that.
00:28:19 Oh, no, not my Mandy.
00:28:21 Mm-mm.
00:28:24 Say, how long does it take to open a safe?
00:28:26 Come in, Johnny.
00:28:37 There you are, Johnny.
00:28:52 Much obliged, Camrose.
00:28:53 Glad to do it.
00:28:54 Good luck with your poker.
00:28:55 Here.
00:29:13 [clicks]
00:29:14 Hello, Lennart.
00:29:40 Hello.
00:29:42 Coming up a little straight?
00:29:44 Maybe later.
00:29:45 Uh, you feeling lucky tonight?
00:29:48 I always feel lucky.
00:29:50 That's my trouble.
00:29:51 I see it.
00:29:53 King high straight.
00:29:58 Ace high.
00:30:00 It's too good for me.
00:30:01 And me.
00:30:02 That cleans me of all the rotten luck.
00:30:06 You're a clean chicken, huh?
00:30:10 Have to give you my I.O.U., Jack.
00:30:12 A pleasure.
00:30:13 Mother, I paid a name for Mr. Camrose.
00:30:16 Too bad your friend Logan couldn't be with us tonight.
00:30:20 He's off on another trip tomorrow.
00:30:23 Always on the move.
00:30:25 I wish I had his energy.
00:30:27 He came there using some of it tonight on Bragg.
00:30:30 And Bragg backed down.
00:30:31 What did Logan want to put in for?
00:30:33 Well, maybe he didn't want to see that young fella butchered.
00:30:36 All you boys wanted to see was a fight.
00:30:39 Ever consider that?
00:30:40 Better tell Logan to walk softly with Bragg.
00:30:43 Tell Bragg to walk softly.
00:30:45 Bragg is nothing but a low-down scum.
00:30:51 Oh, come, Dr. Balance.
00:30:53 Funny, Bragg's a sort of friend of mine.
00:30:55 You have strange friends, Jack.
00:30:58 I didn't say that I like him or that I trust him.
00:31:01 What's your idea of a friend?
00:31:04 Any man, I suppose, who believes as I do that the human race is a horrible mistake.
00:31:09 Always damp, always cold.
00:31:16 There's no heat anywhere in the world.
00:31:18 Good night.
00:31:20 Coming my way, Howison?
00:31:24 Good night, Monarch.
00:31:26 Coming, George?
00:31:30 (door opens)
00:31:32 I hear there's going to be a cabin raising next week.
00:31:44 Whose?
00:31:45 Some young couple who apparently disagree with your husband's theories about perpetuating the human race.
00:31:51 You'll come, won't you?
00:31:53 Why do you play so high when the cards are going against you?
00:31:56 I'll get it back.
00:31:58 You've got good hands in the night.
00:32:00 Jack can't always be that lucky.
00:32:02 You're a fool.
00:32:04 Censure on your lips, solicitude in your eyes.
00:32:07 Is that really for me, Marta?
00:32:09 You're always reading things in the way I look at you.
00:32:12 Things I'd like to read.
00:32:14 They're not there, George.
00:32:17 How's Lucy?
00:32:19 Adorable.
00:32:22 Good night, Marta.
00:32:26 Good night.
00:32:27 (door opens)
00:32:29 (clanging)
00:32:34 (cheering)
00:32:39 (clanging)
00:32:41 (splash)
00:32:43 There, I think that's wide enough.
00:32:50 That's big enough for anybody's fireplace.
00:32:53 Here's your other door.
00:32:56 You can get out either side in case you have trouble with the Indians or your woman.
00:33:00 (laughing)
00:33:01 Oh, Mrs. Vance, I just can't get over it.
00:33:03 All these people coming from miles around, people we don't even know,
00:33:07 giving their time and all to build a house for Gray and me.
00:33:10 Yes, but don't forget, it means a lot to them, too.
00:33:13 For sure a neighbor.
00:33:14 A new family starting up.
00:33:16 And another pair of hands to stand off those red beasters.
00:33:20 (splash)
00:33:23 (splash)
00:33:25 (splash)
00:33:27 If you want to catch a man, you gotta work at it.
00:33:40 (laughing)
00:33:41 I want no man, I have to catch.
00:33:43 Why, sure.
00:33:45 You catch him and he catches you.
00:33:47 Man always figures that he does the catching.
00:33:49 The truth is, if the woman that brings him up on the rope, him not quite knowing it.
00:33:53 Is that the way you got Mrs. Dance?
00:33:55 Sure, but she gave me the sign.
00:33:57 You gotta give a man the sign.
00:33:59 Maybe that's so.
00:34:01 (laughing)
00:34:03 Whoa, boy.
00:34:05 Let's stroll down by the river.
00:34:14 I thought we came here to help, George.
00:34:17 Doesn't the scene of domesticity inspire you?
00:34:20 Not to sweat over a hammer and saw.
00:34:23 It does inspire me to stretch out in the shade with my head on your lap.
00:34:28 (music)
00:34:30 (music)
00:34:33 (music)
00:34:35 (music)
00:34:38 (music)
00:34:41 (music)
00:34:43 (music)
00:34:45 (music)
00:34:47 (music)
00:34:49 (music)
00:34:51 (music)
00:34:53 (music)
00:34:55 (music)
00:34:57 (music)
00:34:59 (music)
00:35:01 (music)
00:35:03 (music)
00:35:05 (music)
00:35:07 (music)
00:35:09 This will be a handy place for your wood pile, Isaac.
00:35:12 (dramatic music)
00:35:15 (dramatic music)
00:35:19 (dramatic music)
00:35:22 (dramatic music)
00:35:25 (dramatic music)
00:35:53 - It's so peaceful here.
00:35:55 - Hmm, the illusion of peace is upon us.
00:35:57 - You sound rather jaded.
00:36:01 - All these cabin raisings jade me.
00:36:03 People planting themselves in one rough spot
00:36:06 for the rest of their lives.
00:36:08 I'm more for mansions and plush furniture.
00:36:12 What I wouldn't give right now
00:36:14 to be in an expensive restaurant in Boston, New York.
00:36:17 - Hmm, with music playing,
00:36:18 and you in a maroon waistcoat
00:36:20 and me in an elegant green gown.
00:36:23 - Ah, Lucy, there's so much of this world that we're missing.
00:36:26 - Perhaps, George, if you took things a bit more seriously.
00:36:31 - You mean like Logan?
00:36:32 Always figuring, more stores, more muse.
00:36:36 - What I mean is, if you didn't gamble so much.
00:36:39 - Well, this is a gambling country, everybody gambles.
00:36:42 Even Logan gambles, doesn't he?
00:36:44 Every time he sends out a pack tray.
00:36:45 - That's different.
00:36:46 - Oh, way different.
00:36:48 He's not responsible for his character,
00:36:50 and neither am I for mine.
00:36:52 - You know, I feel that sometimes
00:36:54 you make a comparison between us
00:36:56 that leaves me at a disadvantage.
00:36:58 - George, don't complicate things.
00:36:59 Let's keep them simple and straight.
00:37:01 - Hmm, my thoughts rarely travel in a straight line.
00:37:04 - How about your affections?
00:37:06 - My affections always, for your consent.
00:37:10 Lucy.
00:37:12 - Oh, George.
00:37:14 - God bless the hands that built,
00:37:17 and the two it was built for.
00:37:20 And may they prosper and live in peace
00:37:23 all the days of their life.
00:37:25 - Those whom God hath joined together,
00:37:42 let no man put asunder.
00:37:44 For as much as Gray and Liza here
00:37:47 have consented together in holy wedlock,
00:37:49 and have witnessed the same before God and this company,
00:37:53 and there too have given and pledged their troth
00:37:56 each to the other,
00:37:58 I pronounce that they are man and wife.
00:38:00 In the name of the Father, and of the Son,
00:38:03 and of the Holy Ghost, amen.
00:38:05 - Amen.
00:38:07 - Now kiss her, son, and let's eat.
00:38:09 (crowd laughing)
00:38:11 - Oh, are you high?
00:38:18 What kept you?
00:38:19 - Oh, the work all done?
00:38:20 - Yeah, you timed it just right, High.
00:38:22 Cabin's all raised.
00:38:24 - Couple spliced and ready to raise a cabin full of young'uns.
00:38:26 - Well, I couldn't find Mandy.
00:38:28 - Soybean.
00:38:41 Soybean.
00:38:48 Nice to have a place of your own.
00:38:51 I know your children all grew up there.
00:38:52 If they're boys, I'd want them to take up land nearby.
00:38:58 If they're girls, I'd want them to marry neighbors
00:39:00 and not move off.
00:39:01 When I'm dead, I'd like them to stand where I stood
00:39:05 and see the things I saw.
00:39:06 - Yes, but the man you get might not wanna stay
00:39:09 in one place.
00:39:09 Would it make you unhappy to move away?
00:39:14 - It'd be hard to be always fixing a new cabin
00:39:16 and starting a new garden.
00:39:18 Do you like Jacksonville, Logan?
00:39:24 - It's a place to do business in.
00:39:26 - Folks say you make money, but you're always risking it.
00:39:30 - I never pay much attention to money.
00:39:32 - And you're restless.
00:39:33 Everybody says so.
00:39:34 - Yes, I guess I am.
00:39:37 - It's easy to be that way
00:39:43 if you've nothing to keep you home.
00:39:45 (bells ringing)
00:39:48 - Up out, folks.
00:39:49 Up on your feet.
00:39:50 Grab a partner.
00:39:51 ♪ Sing it way up high like a robin in the sky ♪
00:39:56 ♪ And tell 'em I'm getting married in the morning ♪
00:39:59 ♪ Put all your cares aside ♪
00:40:01 ♪ Come and kiss the bride ♪
00:40:03 ♪ 'Cause honey, I'm getting married in the morning ♪
00:40:07 ♪ You oughta see who promised to be mine ♪
00:40:11 - Here you are, whiskey and water, you kids!
00:40:14 - You can't dance without sweating!
00:40:16 ♪ Dump your hearts and shouts ♪
00:40:17 - Yeah, that ain't the way to do it, son.
00:40:19 Here we go, boy!
00:40:20 ♪ I'm getting married in the morning ♪
00:40:23 - That's enough!
00:40:25 (upbeat music)
00:40:27 (bells ringing)
00:40:39 ♪ Sing it way up high like a robin in the sky ♪
00:40:43 ♪ And tell 'em I'm getting married in the morning ♪
00:40:46 ♪ We'll pass a little round jug ♪
00:40:48 ♪ But bring a fiddle and a mud ♪
00:40:50 ♪ 'Cause honey, I'm getting married in the morning ♪
00:40:53 ♪ Well, you can hitch your old darbin to the shade ♪
00:40:57 ♪ And bring the family out for a lovely day, hey ♪
00:41:01 ♪ Lift up your hearts and sing ♪
00:41:02 ♪ When the church bells ♪
00:41:04 (children laughing)
00:41:07 (children laughing)
00:41:10 - What you want?
00:41:23 (speaking in foreign language)
00:41:27 - (speaking in foreign language)
00:41:36 - (speaking in foreign language)
00:41:39 - It's the same old story.
00:41:40 They don't mind us coming here.
00:41:42 It's like he says, Mother Earth is for all.
00:41:45 What they don't like is the cabin.
00:41:47 That makes the land ours.
00:41:49 - We gotta live too.
00:41:50 - That's right.
00:41:52 (speaking in foreign language)
00:41:56 (speaking in foreign language)
00:42:00 (people chattering)
00:42:12 (people chattering)
00:42:40 - Where's my boys?
00:42:43 - We've been watching them.
00:42:43 They got no guns.
00:42:44 - Yeah, they got no guns.
00:42:46 - Good boys.
00:42:47 - Now, you stay by me.
00:42:49 - Better hit it up, boys.
00:42:50 (upbeat music)
00:42:53 - What are you thinking, Logan?
00:43:07 - I was just thinking what you said a while ago.
00:43:09 - He is a head.
00:43:10 - Caroline, do you like me well enough
00:43:15 to make a marriage of it?
00:43:16 - Yes, Logan, I do.
00:43:18 - Caroline, it's time to pick up and go.
00:43:26 You're a good man, Logan, and you got a good girl.
00:43:34 - Logan, why, that's great.
00:43:38 (upbeat music)
00:43:41 - I know you'll be happy, Caroline.
00:43:47 - Thank you, Lucy.
00:43:50 - You see, there's nothing to it when you give 'em a sign.
00:43:55 (laughing)
00:43:57 (gentle music)
00:44:03 (speaking in foreign language)
00:44:08 (gentle music)
00:44:11 (doorbell buzzing)
00:44:14 (footsteps thudding)
00:44:17 (footsteps thudding)
00:44:20 (footsteps thudding)
00:44:50 - Good morning, Mr. Logan.
00:44:52 You're up early.
00:44:53 - What's on your mind?
00:44:56 - Let's have a drink.
00:44:59 - It's too early.
00:45:00 - I'm thirsty, early or not?
00:45:09 - Not to place it up the street.
00:45:12 - Well, a drink's a drink.
00:45:18 (footsteps thudding)
00:45:21 - I want you and Maura to pull out for Salem this afternoon.
00:45:37 McLean's freight, 30 mules.
00:45:39 - All right.
00:45:40 - Of course, eat in your vein.
00:45:43 Let's have it.
00:45:44 - All right, I'll tell ya.
00:45:47 She don't like big towns.
00:45:49 She don't like big ideas.
00:45:51 She don't like moving around and changing.
00:45:54 - It's her choice.
00:45:56 - You have the man for her.
00:45:58 - I'm sorry the way it turned out for you, Vane.
00:46:03 - I didn't mean to bust out.
00:46:05 - Let's load the boxes.
00:46:08 - Bragg's up at Stetchel's.
00:46:16 They're all expecting you up there.
00:46:18 - You might as well go.
00:46:21 The town won't have it any other way.
00:46:24 - How about it, Logan?
00:46:26 - You got a bet on this, Johnny?
00:46:28 - A small one.
00:46:30 - Which way?
00:46:32 - Which way do you think?
00:46:34 - He'll get your eyes if he can.
00:46:40 Kill him and be done with it.
00:46:42 - You too, Clinch?
00:46:44 - Come on, it's gonna be a slaughter.
00:46:46 He can't whip Bragg, nobody can.
00:46:48 - How much you got that sense, sir?
00:46:49 - I got 100.
00:46:50 - Well, put it up.
00:46:51 - Want a hunk of this leg?
00:46:52 - No, I'm not betting.
00:46:55 - You ever see Bragg's arm?
00:46:57 - I seen him bust a two-by-four over his knee.
00:46:59 - I seen him break four dead people's ribs.
00:47:01 - He got a chance.
00:47:03 (crowd chattering)
00:47:06 (crowd chattering)
00:47:09 - Give me a bottle, Harry, a full one.
00:47:29 (glass clinking)
00:47:32 - I left my gun home.
00:47:38 I brought mine along.
00:47:39 - Let's make this a fair fight, Logan.
00:47:48 I've got nothing against you.
00:47:50 It's the boys that want the fun.
00:47:51 - They're lying, Bragg.
00:47:53 - What do you got against me?
00:47:55 - You ought to know.
00:47:57 - You're talking in riddles, Logan.
00:47:59 What's in your mind?
00:48:00 - A picture of a tree with you swinging from it.
00:48:03 - You hear that, Stuttschel?
00:48:05 - Yeah, yeah, I hear.
00:48:06 - What's the matter, Harry?
00:48:09 (glass clinking)
00:48:12 - Get down, get down now!
00:48:13 (gun firing)
00:48:14 - There you got him, beat his brains out.
00:48:16 - That's all right, Logan, I'll get you in a minute.
00:48:22 (glass clinking)
00:48:25 - Get out of here!
00:48:27 - That's all right, Logan, I'll break your back.
00:48:30 - You can close in, Bragg.
00:48:32 - You think I won't?
00:48:34 (gun firing)
00:48:36 (glass clinking)
00:48:39 (men shouting)
00:48:41 - Now I'll get you!
00:48:53 (men shouting)
00:48:55 - Over here, Bragg, over here.
00:49:13 Time to put out the light, Bragg.
00:49:16 (men shouting)
00:49:18 (men shouting)
00:49:21 - Dogs, yellow dogs.
00:49:41 (man breathing heavily)
00:49:45 (men chattering)
00:49:56 - Oh, that was great, Logan, great!
00:50:03 - Now you can collect your bet, Johnny.
00:50:05 - He'll be after you the rest of your life.
00:50:08 Why didn't you kill him?
00:50:10 - It would have been more fun, Lucy.
00:50:12 That's what you all came for, isn't it?
00:50:14 Excitement?
00:50:14 - If that's the way you feel, you didn't have to fight him.
00:50:17 - Sure, I could have backed down,
00:50:18 turned the whole town over to Bragg.
00:50:21 But all that meant to any of you was a show.
00:50:23 (men chattering)
00:50:26 - Logan, look out!
00:50:37 (men grunting)
00:50:39 - You take my advice and put some raw meat on those eyes.
00:50:45 - They'll be all right.
00:50:46 It's just bruises.
00:50:47 - Nothing I can do for you?
00:50:50 - Yeah, it's one thing.
00:50:52 Quit playing poker, George.
00:50:53 - Quit poker?
00:50:56 What for?
00:50:57 - Can't afford it.
00:50:59 You have to give out IOUs.
00:51:01 - Poker's the only relaxation I get around here.
00:51:05 - Mighty expensive relaxation at $500 a throw.
00:51:07 - George, what's got into you lately?
00:51:12 - Oh, I don't know, it's just,
00:51:16 I'm sick of this godforsaken hole.
00:51:19 It's all right for you, you're rich,
00:51:21 you've got your own business.
00:51:22 - You're not gonna get rich at these trades.
00:51:24 You'll end up owing 'em your shirt.
00:51:26 - Practically got it already.
00:51:29 - George, are you in trouble?
00:51:32 How much do you owe?
00:51:34 - Oh, one place and another.
00:51:36 A couple of thousand, maybe.
00:51:38 - Let me have 2,000, flinch.
00:51:51 - 2,000?
00:51:53 What for?
00:51:55 - Grub steak.
00:51:56 - Grub steak, huh.
00:51:58 So that's what you call it.
00:51:59 (door opens)
00:52:02 - What's this?
00:52:13 - Pay 'em off.
00:52:14 Just give me a word you'll quit, George.
00:52:16 - Well, if you insist, but it'll be a mighty dull world.
00:52:21 - Sure, for a man whose business
00:52:23 is handling other people's money.
00:52:24 - Must be about suspicion, yes.
00:52:26 I guess you're right.
00:52:28 But I wish I didn't have to take this.
00:52:30 - Don't feel that way about it.
00:52:32 We're friends of war.
00:52:33 - Sure.
00:52:35 (soft music)
00:52:41 ♪ And long before the stars began to ♪
00:52:50 ♪ I'll be with my love tonight ♪
00:52:57 ♪ She'll be in the glow moon ♪
00:53:00 ♪ Where all heaven beams ♪
00:53:03 ♪ And out there in the glow moon ♪
00:53:06 ♪ We'll find a trail of beams ♪
00:53:09 ♪ I'm riding on a silver saddle ♪
00:53:14 ♪ The moon is my silver saddle ♪
00:53:20 ♪ And long before the stars skedaddle ♪
00:53:26 ♪ I'll be with my love tonight ♪
00:53:31 ♪ Me and my old Daisy up there in the sky ♪
00:53:38 ♪ And my heart beating crazy ♪
00:53:42 ♪ But it's no wonder why ♪
00:53:55 - It's...
00:54:24 - I wish I were 10,000 miles from this place.
00:54:27 - Couldn't make any difference, George.
00:54:29 You'd be the same wherever you were.
00:54:31 - Would you miss me, Marta?
00:54:34 - Why should I?
00:54:35 You've got Lucy.
00:54:36 - Have I?
00:54:38 - If you haven't, it's your own fault.
00:54:40 - Of course.
00:54:41 But a woman is supposed to love a man
00:54:43 because of his faults, isn't she?
00:54:45 - Some women.
00:54:46 - But not you?
00:54:47 Oh, Marta, don't be so hard.
00:54:51 Why can't we be friends?
00:54:53 - Why?
00:54:54 Why can't you be a friend to yourself?
00:54:57 (door creaking)
00:55:00 (upbeat piano music)
00:55:16 (upbeat piano music)
00:55:19 - Hiya, Camelos.
00:55:33 - Hi, Bert.
00:55:36 What are you doing in town?
00:55:37 - I just blew in.
00:55:38 - I didn't expect you for another month.
00:55:42 - I didn't have any luck.
00:55:43 I just wore out shoe leather.
00:55:45 I'll buy you a drink.
00:55:46 - Thanks.
00:55:48 Thanks, I can't.
00:55:50 (upbeat piano music)
00:55:53 - I'll see you tomorrow.
00:56:08 I wanna get my best out of you safe.
00:56:10 - Sure.
00:56:13 Anytime.
00:56:14 ♪ They're more than happy
00:56:17 ♪ All of their lives
00:56:19 - Hello, Mac, how are ya?
00:56:21 - Hello, Mac.
00:56:22 - Hiya.
00:56:23 - How are ya?
00:56:24 ♪ If you'll be happy
00:56:28 ♪ Don't ever wed
00:56:31 ♪ Just stay a free man
00:56:35 - I gotta go home, fellas.
00:56:38 - Oh, no, Mac.
00:56:39 - Come on, Mac.
00:56:40 I gotta go home.
00:56:41 I gotta go.
00:56:42 - Come on, Tommy.
00:56:43 Let him go.
00:56:44 - You know what you're missing, MacGyver.
00:56:46 ♪ Don't ever wed
00:56:48 ♪ Just stay a free man
00:56:52 ♪ 'Til you are dead
00:56:55 ♪ If you'll be happy
00:56:58 ♪ Don't ever wed
00:57:01 ♪ Just stay a free man
00:57:04 (upbeat piano music)
00:57:08 (water splashing)
00:57:11 (upbeat piano music)
00:57:14 (water splashing)
00:57:43 - Go away?
00:57:44 Leave Jacksonville?
00:57:45 When?
00:57:46 - Tomorrow, day after, as soon as we can.
00:57:49 - But why this sudden decision, George?
00:57:51 - Nothing sudden.
00:57:52 It's just that I'm fed up with this whole,
00:57:54 it's a place to strike it rich,
00:57:56 and if you don't, you should try your luck someplace else.
00:57:59 - Luck doesn't depend on a place.
00:58:01 George, can't you be content here?
00:58:04 - No, I can't.
00:58:05 - Let's go in.
00:58:07 You're upset.
00:58:08 - Lucy, I'm going.
00:58:12 You're going with me.
00:58:14 You promised to marry me, didn't you?
00:58:16 - Yes.
00:58:17 - Well, when?
00:58:18 - Whenever you want.
00:58:21 - Sunday, this Sunday.
00:58:22 - Oh no, I'll have to make a dress.
00:58:25 - Is a dress a marriage?
00:58:27 - Lucy, when did you say?
00:58:29 Sunday?
00:58:30 - As soon as she can make a dress.
00:58:33 - Hello, Logan.
00:58:34 - Hello, Lucy.
00:58:35 Well, George, I'm off for San Francisco in the morning.
00:58:38 I step out, I have a word with you.
00:58:40 - In private.
00:58:41 - Sure.
00:58:42 - What's the matter, dear?
00:58:47 - Nothing.
00:58:48 - Is it true that you and George are really getting married?
00:58:50 - Yes.
00:58:51 - Oh, but why the haste?
00:58:52 - George wants to go away.
00:58:54 - But dear, where are you to find material for a dress in this camp?
00:58:58 - Yes, and besides, I always said that when my daughter got married,
00:59:01 she'd have the finest wedding in the territory.
00:59:03 I'll even get the governor to come down.
00:59:05 I'll tell you what,
00:59:07 why don't you go along with Logan to San Francisco?
00:59:09 - No.
00:59:10 - Oh, but why not, dear?
00:59:11 There are any number of French dressmakers there.
00:59:14 - I ought to knock your head off.
00:59:17 - What's the matter?
00:59:19 You gave me your word you'd quit poker.
00:59:21 - Yes, Logan, I did.
00:59:23 I had every intention of keeping it.
00:59:25 - The devil tempted you, I suppose.
00:59:27 - Yes.
00:59:29 The devil with green eyes, envy.
00:59:32 Envy of you, Logan.
00:59:34 - That's no answer.
00:59:35 - Maybe it's the only answer.
00:59:36 But don't worry, I'll pay you back.
00:59:39 - I don't care about the money, George, I do.
00:59:41 I'm pulling out.
00:59:44 Going someplace else and make a strike.
00:59:46 - Pulling out?
00:59:48 And taking Lucy with you?
00:59:50 - Lucy's my concern.
00:59:52 Not if you're gonna make her life a thing of running and hunting.
00:59:56 - Does she concern you that much?
00:59:58 - Yes, she does.
00:59:59 I see.
01:00:01 - Logan.
01:00:02 About San Francisco.
01:00:06 Would you mind having a woman on your hands?
01:00:08 - I... no.
01:00:10 - I have to get a dress.
01:00:12 - You'll be in good company, Lucy.
01:00:16 I'm starting early, I'll just stop at Dancer's.
01:00:19 - Aren't you staying for supper?
01:00:20 - I can't, I have something to do.
01:00:22 - Why, hello, stranger.
01:00:31 - How much did you take off Camrose last night?
01:00:34 - Not too much.
01:00:35 - I'll take it.
01:00:36 - How much did you take off Camrose last night?
01:00:38 - About 1500 in gold.
01:00:40 Another 1500 in a note.
01:00:42 - I want it back.
01:00:46 - You have a streak in you about Camrose.
01:00:50 For me, he's strictly a tin horn.
01:00:52 - Tin horn or not, I want the money back.
01:00:54 - Look here, Logan.
01:00:57 My business is cars.
01:00:58 - You do too well at it.
01:00:59 That money's not in Camrose's hands by the time I get back from San Francisco.
01:01:03 I'll come after you.
01:01:05 (door opens)
01:01:06 - Where are you going?
01:01:20 (dog barking)
01:01:30 (dog barking)
01:01:31 - Shut up!
01:01:36 - What do you want?
01:01:38 - Thought it might interest you.
01:01:39 Logan Stewart's leaving for San Francisco.
01:01:41 - Well, come on in.
01:01:45 - Where are you bound for this time, Logan?
01:01:55 - To San Francisco, see if I can borrow some money.
01:01:58 - Are you in trouble, Logan?
01:02:00 - The trouble is my business.
01:02:01 My gang is here, always outgrowing his pants.
01:02:04 - You're a moving around man, Logan.
01:02:06 - Well, a hound that rustles always catches a rabbit.
01:02:10 - And the hounds always lean and hungry from running too much.
01:02:14 - (laughs) Aim to chew, my boy.
01:02:17 - I'm sure Logan didn't stop by here to see you wash dishes.
01:02:23 (footsteps)
01:02:24 (door closes)
01:02:38 - Is she going to San Francisco to borrow money too?
01:02:48 - Jealous?
01:02:50 - Jealous.
01:02:51 - Should I be?
01:02:54 - No.
01:02:56 - Logan, there's nothing to delay us, is there?
01:03:01 - Not a thing.
01:03:03 - When's it going to be?
01:03:06 - Just as soon as I get back.
01:03:08 A couple of weeks.
01:03:10 (dramatic music)
01:03:12 (footsteps)
01:03:13 - What's that?
01:03:41 (dramatic music)
01:03:42 - Down.
01:03:44 (gunshot)
01:04:09 (gunshots)
01:04:10 (gunshots)
01:04:32 (gunshots)
01:04:33 (gunshots)
01:04:41 (gunshots)
01:04:43 (dramatic music)
01:04:45 (dramatic music)
01:04:46 (gunshots)
01:04:47 (dramatic music)
01:04:49 (gunshots)
01:04:51 (dramatic music)
01:04:53 (dramatic music)
01:04:54 - Had to kill something.
01:05:22 - Better hide the saddles and get out of here.
01:05:24 (dramatic music)
01:05:26 - You'll have to make it back on foot.
01:05:41 Another hard time for you to remember.
01:05:45 (dramatic music)
01:05:48 (dramatic music)
01:05:49 - That's what you wanted, wasn't it?
01:05:58 - Yes.
01:05:59 - Then don't look at me like that.
01:06:00 - Lucy, this is no good.
01:06:01 - You're lying.
01:06:02 Logan, I want to get things straight between us
01:06:03 before it's too late.
01:06:04 - It is too late.
01:06:06 (dramatic music)
01:06:08 Maybe we can borrow a couple of horses at Eltham.
01:06:13 (dramatic music)
01:06:15 (dramatic music)
01:06:16 (dramatic music)
01:06:26 (laughing)
01:06:36 (dramatic music)
01:06:39 (laughing)
01:06:40 (dramatic music)
01:06:42 (laughing)
01:06:56 (dramatic music)
01:07:01 (dramatic music)
01:07:03 (dramatic music)
01:07:31 (dramatic music)
01:07:32 - Oh.
01:07:38 I'm sorry about your wedding dress, Lucy.
01:07:41 - Any dress will do.
01:07:43 - What brought you back?
01:07:47 - I had a little trouble, Clash.
01:07:49 - The world is rocking with trouble this morning.
01:07:51 Your world in particular, Logan.
01:07:53 They've taken Gamrozing for murder.
01:07:56 - Murder?
01:07:58 - Mac McIver.
01:07:59 They found him drowned in the creek.
01:08:01 Looked like an accident at first.
01:08:02 But Johnny Steel and High Linnit got to working on it.
01:08:05 - Where is George?
01:08:07 - They're holding court on him now up at Stuttsville's.
01:08:09 - And it blew on me that Gamroze was tampered with the dust
01:08:16 the boys left with the company.
01:08:17 He was losing a lot of money at poker.
01:08:20 - That's hearsay, Johnny.
01:08:21 - What's wrong with hearsay if it's true?
01:08:24 - Johnny, what have I got here?
01:08:27 - A silver dollar.
01:08:28 - Are you certain of it?
01:08:30 - Dead certain.
01:08:32 - How is it?
01:08:35 How does it look like to you?
01:08:37 - You're wasting time, huh?
01:08:38 It's a plain old US dollar.
01:08:39 - Well, you're mistaken.
01:08:41 It's a Mexican dollar.
01:08:42 - You see, Johnny, what you don't see yourself,
01:08:46 you can't swear to be true.
01:08:47 - You can't always swear to what you do see is true.
01:08:50 - Well, anyway, Gamroze was losing a lot of money at poker.
01:08:56 - Hearsay, Johnny.
01:08:57 - You're trying a man for his life.
01:08:58 Life is precious to all of you, isn't it?
01:09:01 Well, it's precious to George Gamroze.
01:09:03 - Life was good to MacIver, too, and it was took from him.
01:09:06 - Was it?
01:09:07 Well, that's what we're here to find out.
01:09:09 A murder trial calls for a proper judge and jury, doesn't it, Jonas?
01:09:11 - They understand that.
01:09:12 - Of course we understand.
01:09:13 Let's go to the trial.
01:09:14 - Get on with it.
01:09:19 - Let's trade.
01:09:21 - Let's trade.
01:09:22 - Let's trade.
01:09:26 Did Gamroze play poker with you?
01:09:28 - Frequently.
01:09:29 - Did he lose money?
01:09:31 - Considerable.
01:09:32 - How much would you say he lost?
01:09:34 - In the course of a year, maybe $5,000.
01:09:37 - Where'd you get it from?
01:09:40 - I won't say.
01:09:42 - You gotta say.
01:09:43 - You can't compel an accused man to answer questions, Johnny.
01:09:45 That's the law.
01:09:46 - If a man's innocent, why should he be afraid to answer questions?
01:09:50 - Leonard.
01:09:51 Did you ever see Gamroze take pokes out of the office safe
01:09:55 and pour dust from one to the other?
01:09:57 - Yes.
01:09:58 - When?
01:09:59 - The night before McIvor was found in the creek.
01:10:02 I happened to see a light, and I looked through the shutter.
01:10:05 - You make a habit of spying on people?
01:10:08 - No, but I've got a habit of observing people.
01:10:11 - Is that all you have to do?
01:10:13 - Well, Logan, you've got a big store in no time,
01:10:16 and I've got a little store in lots of time.
01:10:18 (audience laughing)
01:10:20 - Order, order!
01:10:21 Get on with it, Johnny.
01:10:24 - All right.
01:10:26 Now then, McIvor came into town.
01:10:29 The next morning, he was found dead with his face in the creek.
01:10:32 We didn't find any dust on him, but we did find this,
01:10:36 a receipt that Gamroze gave Mac for his dust.
01:10:39 - That's your writing, George?
01:10:45 - Yes.
01:10:47 - If you gave him his dust,
01:10:48 why didn't you take back the receipt?
01:10:50 - I seldom give receipts.
01:10:52 You remember, Johnny, I never gave you one.
01:10:54 I just put your dust in the safe,
01:10:56 and when you asked for it, you got it.
01:10:58 That's been my usual custom.
01:11:00 All you boys know that.
01:11:02 But McIvor wanted a receipt.
01:11:06 I merely forgot to ask for it when I gave him back his dust.
01:11:09 - Careless, I'd say.
01:11:11 We're all careless with gold.
01:11:13 It's the cheapest thing in camp.
01:11:15 - Is that all, Johnny?
01:11:16 - If so, it's not enough.
01:11:18 On the testimony of a man squinting through a shutter,
01:11:22 you've tried to show that Gamroze is dishonest,
01:11:25 and on the basis of an unreturned receipt,
01:11:27 you deny he gave McIvor back his dust.
01:11:30 You've proved nothing.
01:11:31 - Tell him, Lennart.
01:11:38 - Well, he came into my store a couple of days ago
01:11:41 and traded me a nugget.
01:11:42 I noticed it was shaped like a shank,
01:11:44 so I put it in a box, set it up in my store for good luck.
01:11:47 - Well, that's Mac's lucky piece.
01:11:48 He always carried it.
01:11:49 - Shamrock.
01:11:50 - That's Mac's?
01:11:51 - I knew that nugget.
01:11:52 - That's it.
01:11:53 Sure it was Mac's.
01:11:54 - Well, there's the case, Logan.
01:11:56 Twist it if you can.
01:11:58 Gamroze can only have gotten that nugget
01:12:00 at a time when Mac couldn't resist.
01:12:02 In other words, when Mac was dead.
01:12:04 I make murder out of that.
01:12:07 (crowd murmuring)
01:12:09 (crowd shouting)
01:12:11 - I'm not a murderer.
01:12:13 (crowd shouting)
01:12:15 - Just a moment, just a moment, all of you.
01:12:17 This meeting has no sanction.
01:12:20 If you vote this man guilty,
01:12:21 you must still hold him over to a regular court.
01:12:23 (crowd shouting)
01:12:25 - This is a regular court.
01:12:26 - Remember this.
01:12:27 Remember, if you vote this man dead on that set of facts,
01:12:30 you'll be setting the scene for another day
01:12:32 when you may be voting yourself dead.
01:12:34 (crowd shouting)
01:12:36 (gavel banging)
01:12:40 - All those who think he's guilty, say so.
01:12:43 - Guilty!
01:12:44 - Guilty.
01:12:49 (crowd shouting)
01:12:51 (crowd murmuring)
01:12:54 (soft music)
01:13:06 (crowd murmuring)
01:13:09 - Did you know about the nugget?
01:13:16 - No.
01:13:17 (soft music)
01:13:19 - They'll hang him tonight.
01:13:27 They'll just wheel his dock.
01:13:29 - You've done all you could, Logan.
01:13:31 (soft music)
01:13:33 - I'm sorry.
01:13:34 - Guilty.
01:13:38 - Oh.
01:13:39 Dead, do you think he did it?
01:13:43 - Well, he's a weak man.
01:13:46 Let's get along, Lucy.
01:13:50 - Logan.
01:13:51 - Lucy, Logan did everything he could.
01:13:53 Don't ask him to do any more.
01:13:55 (soft music)
01:13:58 (soft music)
01:14:00 - Don't give us any trouble, Logan.
01:14:14 - Be disagreeable.
01:14:15 If we're disagreeable or not, we'd shoot you.
01:14:17 - That's plain.
01:14:18 I'm glad you told me.
01:14:20 - Don't do it, Logan.
01:14:22 (soft music)
01:14:25 (soft music)
01:14:27 - You've done enough, haven't you?
01:14:34 No man has to go against reason.
01:14:36 - Reason?
01:14:37 Is that what makes a man hungry?
01:14:40 Is it reason makes him fight?
01:14:42 Or sends him into stutters to have a drink?
01:14:45 Makes him stand by a friend.
01:14:47 - What does make him that?
01:14:49 - Something deeper than reason.
01:14:51 (soft music)
01:14:53 (soft music)
01:14:55 (men chattering)
01:15:21 (men chattering)
01:15:24 (men chattering)
01:15:52 - George, pull on the door.
01:15:54 Here, take the black horse from my barn.
01:16:03 Watch your chance, get up to the hills and keep going.
01:16:06 - Thanks, Logan.
01:16:07 Thanks for your confidence.
01:16:08 - Don't flatter yourself.
01:16:10 - What are you doing this for?
01:16:12 - Well, for Lucy's sake.
01:16:15 You don't want her to see me strung up, is that it?
01:16:17 - Something like that, I guess.
01:16:19 (men chattering)
01:16:21 - Everything's on fire all along the line.
01:16:43 My wife's dead, my little girl's dead.
01:16:45 - How many Indians did you see?
01:16:46 - Big band, little band, what made them break out?
01:16:49 - I couldn't say for sure.
01:16:51 The ferryman said it was on account of Honey Bragg
01:16:53 killing an Indian girl.
01:16:54 - Where they heading?
01:16:56 - Toward Dances.
01:16:57 - Man ought to be tougher than that.
01:17:00 - That's a fool remark, Johnny.
01:17:02 - We'll have to raise a company, 60 men or more.
01:17:04 - Count me in.
01:17:05 (men chattering)
01:17:06 - I'll go.
01:17:07 - On that mule?
01:17:08 - She can ride.
01:17:09 - You better stay here, just in case.
01:17:10 Come on, let's go.
01:17:11 - Just in case they head this way.
01:17:13 - He's gone, he broke out.
01:17:14 - Broke out, how?
01:17:15 - He busted the lock.
01:17:16 - Why didn't you watch him?
01:17:18 - I warned you, Logan.
01:17:22 - You're making long guesses again, Johnny.
01:17:27 Whoever's going will be here in 20 minutes.
01:17:30 Scrub enough for three days.
01:17:32 - We'll take care of you later, Logan.
01:17:35 (dramatic music)
01:17:42 (dramatic music)
01:17:45 (dramatic music)
01:18:04 (dramatic music)
01:18:07 (dramatic music)
01:18:11 (dramatic music)
01:18:16 (dramatic music)
01:18:29 (dramatic music)
01:18:32 - There, now you can let it go.
01:18:37 - Failure.
01:18:40 - Liza, you're just about the best little helper a man ever had.
01:18:44 (dramatic music)
01:18:47 (Liza screams)
01:18:55 (dramatic music)
01:18:58 (dramatic music)
01:19:01 (Liza screams)
01:19:05 (dramatic music)
01:19:08 (Liza screams)
01:19:12 (dramatic music)
01:19:15 (children laughing)
01:19:18 (dramatic music)
01:19:23 (dramatic music)
01:19:26 (dramatic music)
01:19:42 (children laughing)
01:19:45 (dramatic music)
01:19:48 (dramatic music)
01:19:51 (dramatic music)
01:19:54 - All right.
01:19:58 - How big an outfit was it, Logan?
01:20:00 - 30 mules.
01:20:01 I wonder if Murr and Blazer got away.
01:20:03 (dramatic music)
01:20:07 (dramatic music)
01:20:10 - Hello!
01:20:32 (dramatic music)
01:20:36 (dramatic music)
01:20:39 - We were jumped, Logan.
01:20:40 Murrow was killed.
01:20:41 - How are things here?
01:20:42 - Bad.
01:20:43 Mr. Dance is dead and young Asa too.
01:20:44 - Where's Caroline?
01:20:45 - She's gone.
01:20:46 She's up in the brush hunting a cow.
01:20:47 I found her trail but I couldn't follow it.
01:20:49 (dramatic music)
01:20:53 - I'll have coffee for you all in a little while.
01:20:59 - We'll take you up to the ferry, Mrs. Dance,
01:21:01 it'll be safer.
01:21:03 - No, I wouldn't feel easy underfoot
01:21:05 in another woman's house.
01:21:06 (dramatic music)
01:21:09 - What kind of dress was Caroline wearing?
01:21:13 - Gingham.
01:21:14 Blown white check.
01:21:17 - Did you have a gun?
01:21:18 - I...
01:21:21 I don't recollect.
01:21:23 There was firing all around while the Red Beasters were here.
01:21:28 My Ben was killed right off.
01:21:31 (dramatic music)
01:21:33 It was him I was thinking about.
01:21:35 Not anybody else.
01:21:38 (dramatic music)
01:21:41 Caroline was out looking for that no horn cow.
01:21:45 She was a breacher creature,
01:21:47 always knocking down the fence.
01:21:48 There was some kind of grass up in the canyon
01:21:51 that she yearned for.
01:21:52 - Who's there?
01:21:53 Sing out!
01:21:54 (dramatic music)
01:21:58 (dramatic music)
01:22:01 - I'm coming in!
01:22:05 Stay where you are!
01:22:08 Come to beat!
01:22:11 (gunshot)
01:22:16 You want me hanging from a tree skinned and dressed?
01:22:19 You got nothing coming to you.
01:22:21 I'm coming in!
01:22:25 (gunshot)
01:22:27 (gunshot)
01:22:31 (dramatic music)
01:22:34 - Logan!
01:22:53 (dramatic music)
01:22:56 Hey!
01:23:05 Come here, quick!
01:23:06 - Caroline.
01:23:11 (dramatic music)
01:23:21 (dramatic music)
01:23:24 (dramatic music)
01:23:35 (dramatic music)
01:23:43 (gunshot)
01:23:47 (gunshot)
01:23:49 (dramatic music)
01:23:52 (gunshot)
01:24:06 (dramatic music)
01:24:09 (dramatic music)
01:24:17 (gunshot)
01:24:19 (dramatic music)
01:24:23 (gunshot)
01:24:32 (dramatic music)
01:24:35 (gunshot)
01:24:44 (dramatic music)
01:24:47 (gunshot)
01:24:51 - Caroline.
01:25:02 Caroline.
01:25:12 Caroline.
01:25:13 - How are they all?
01:25:18 - Mrs. Bant is all right.
01:25:22 - Ben?
01:25:25 - He's dead, Caroline.
01:25:28 So is Asa.
01:25:31 (dramatic music)
01:25:34 - Caroline.
01:25:59 I want all of you to come back to Jacksonville.
01:26:01 Put up at my place.
01:26:02 - I wouldn't want to do that.
01:26:05 - Maybe you don't yet, soon.
01:26:07 - I don't want to leave here, Logan.
01:26:13 I can never be a town woman again.
01:26:17 I can never be a woman moving around.
01:26:19 I, I disappoint you.
01:26:22 It came to me last night.
01:26:25 We're not the same.
01:26:27 And then today when you found me, you and Vane,
01:26:30 I was sure.
01:26:31 I want to look out of the window and see my man plowing.
01:26:38 And in the evening, see him in the kitchen rocker.
01:26:41 - You're thinking of Vane.
01:26:45 - I'm thinking I'm not hurting you too much, Logan.
01:26:49 - And as time went by, I'd be hurting you.
01:26:53 Is that it?
01:26:54 - That's it.
01:26:56 That's it.
01:26:57 (dramatic music)
01:27:01 (dramatic music)
01:27:04 (dramatic music)
01:27:31 - Caroline, crying helps some people a lot.
01:27:34 - Some people it doesn't help.
01:27:37 (dramatic music)
01:27:42 - You folks all right?
01:27:55 - Oh yes, but what about the dancers?
01:27:57 - Yeah, we're hit pretty bad.
01:27:58 Ben and little Asa were killed.
01:28:00 - And Caroline?
01:28:01 - Caroline's all right.
01:28:02 - Well, didn't you bring her back with you?
01:28:03 It's dangerous where she is.
01:28:04 - She wouldn't come.
01:28:05 She doesn't like town.
01:28:06 - Well, she better get to like them if she's marrying you.
01:28:09 - She's not.
01:28:10 She's marrying Blazer.
01:28:12 (hooves clopping)
01:28:15 (hooves clopping)
01:28:18 - Well, what did I tell you?
01:28:40 - About what?
01:28:42 - About the trouble that always comes
01:28:44 and your crescent-backed string was destroyed
01:28:46 over in the Applegate.
01:28:48 - Scottsburgh outfit's gone too.
01:28:50 Blazer got clear.
01:28:52 - You know how you stand, Logan?
01:28:54 You're broke.
01:28:58 - This is what you left cameras.
01:29:14 - Where is he?
01:29:15 Indians get him?
01:29:19 - No.
01:29:20 One of the boys.
01:29:22 Never mind which one.
01:29:24 - There was a lot of good in George.
01:29:34 - Yeah, he sure panned out no color.
01:29:36 - It's a thin margin, Johnny,
01:29:38 between what could be and what is.
01:29:41 - Yeah.
01:29:42 Which thinned for you last night.
01:29:44 We were a mind to hang you.
01:29:47 Lucy?
01:29:53 - You see how thin the margin is?
01:29:56 - Did you know about this?
01:30:01 - Yes.
01:30:02 - In some other kind of country,
01:30:05 you might have made the grade.
01:30:08 (dramatic music)
01:30:11 - There's not much left, is there?
01:30:15 - Not much.
01:30:16 - Well, Logan, now you haven't got any store.
01:30:19 But you got lots of time.
01:30:21 - I guess I'll have to make that trip
01:30:23 to San Francisco after all.
01:30:25 See if I can rustle up some credit.
01:30:27 - Want some company?
01:30:28 - If you can keep up with that mule.
01:30:32 - I'll see ya.
01:30:33 - When are you leaving?
01:30:36 - In the morning.
01:30:37 - Logan.
01:30:40 Would you mind having your woman on your hands?
01:30:44 (dramatic music)
01:30:47 ♪ Oh, buttermilk sky
01:30:54 ♪ Can't you see my little donkey and me
01:30:57 ♪ We're as happy as a Christmas tree
01:30:59 ♪ Headin' for the one I love
01:31:02 ♪ I'm going to park with a question
01:31:04 ♪ That question
01:31:06 ♪ Do you, darling, do you do
01:31:08 ♪ It'll be easy, so easy
01:31:11 ♪ If I can only bank on you
01:31:13 ♪ Oh, buttermilk sky
01:31:16 ♪ I'm tellin' you why
01:31:18 ♪ Now you know
01:31:19 ♪ Keep it in mind tonight
01:31:22 ♪ Keep crushin' those clouds from sight
01:31:25 ♪ Oh, buttermilk sky
01:31:27 ♪ Don't you fail me when I need new poles
01:31:30 ♪ Hang a moon above her head to boast
01:31:33 ♪ And hitch me to the one I love
01:31:36 (dramatic music)
01:31:39 (dramatic music)
01:31:42 (dramatic music)
01:31:45 (dramatic music)
01:31:48 [BLANK_AUDIO]