Category
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Court métrageTranscription
00:00 - Tonite, we are all afraid. - Action!
00:06 - A haunting in Venice has that sort of not in the stomach, edge of the seat quality.
00:11 - Won't you forgive me?
00:12 - You want to give them that vicarious thrill of being in this really quite haunting palazzo.
00:16 - I think what was really appealing from the very first read of the script was that Palazzo was a character.
00:23 - Some things can't be seen.
00:26 - I think Venice in itself conjures up ideas of darkness.
00:30 - You think of those old Gothic buildings and the history of the place.
00:34 - I remember walking onto the set for the first time. It has set all the right tones.
00:40 - It's as terrifying and ominous and interesting as it needs to be.
00:44 - Is it not too frightening for the children?
00:46 - This set, you can really walk through it like a house.
00:50 - It is a remarkable palazzo.
00:54 - Ken likes to work in a way that you feel the environment is a 360 completely believable world that we inhabit.
01:01 - We tried to find those ways to look at Venice that took you there but made you feel unsettled.
01:06 - Kind of exciting unsettled quality.
01:08 - Mom?
01:09 - That's such a fun thing to do.
01:11 - If someone wants to be heard, we are here.
01:17 [Venice]