Respect" is a song written and originally recorded by American soul singer Otis Redding. It was released in 1965 as a single from his third album Otis Blue/Otis Redding Sings Soul and became a crossover hit for Redding.
In 1967, fellow soul singer Aretha Franklin covered and rearranged "Respect", resulting in a bigger hit and her signature song.[1] The music in the two versions is significantly different, while a few changes in the lyrics resulted in different narratives around the theme of human dignity that have been interpreted as commentaries on traditional gender roles.
Franklin's interpretation became a feminist anthem for the second-wave feminism movement in the 1970s. It has often been considered one of the best R&B songs of its era,[2] earning Franklin two Grammy Awards in 1968 for "Best Rhythm & Blues Recording" and "Best Rhythm & Blues Solo Vocal Performance, Female", and being inducted in the Grammy Hall of Fame in 1987. In 2002, the Library of Congress honored Franklin's version by adding it to the National Recording Registry. It was placed number five on the 2004 version of Rolling Stone magazine's list of "The 500 Greatest Songs of All Time" and number one on the 2021 version of the list.[3] It was also included in the list of "Songs of the Century", by the Recording Industry of America and the National Endowment for the Arts.Producer Jerry Wexler booked Franklin for a series of recording dates in January–February 1967, starting with "I Never Loved a Man (The Way I Love You)", recorded in Alabama at FAME Studios by engineer Tom Dowd.[1] After an altercation between the studio owner and Franklin's husband and manager, Ted White, the sessions continued ten days later in New York without White, recording "Do Right Woman, Do Right Man", using the same engineer and the same musicians, the Muscle Shoals Rhythm Section, affectionately known as the "Swampers", as in Alabama.
In 1967, fellow soul singer Aretha Franklin covered and rearranged "Respect", resulting in a bigger hit and her signature song.[1] The music in the two versions is significantly different, while a few changes in the lyrics resulted in different narratives around the theme of human dignity that have been interpreted as commentaries on traditional gender roles.
Franklin's interpretation became a feminist anthem for the second-wave feminism movement in the 1970s. It has often been considered one of the best R&B songs of its era,[2] earning Franklin two Grammy Awards in 1968 for "Best Rhythm & Blues Recording" and "Best Rhythm & Blues Solo Vocal Performance, Female", and being inducted in the Grammy Hall of Fame in 1987. In 2002, the Library of Congress honored Franklin's version by adding it to the National Recording Registry. It was placed number five on the 2004 version of Rolling Stone magazine's list of "The 500 Greatest Songs of All Time" and number one on the 2021 version of the list.[3] It was also included in the list of "Songs of the Century", by the Recording Industry of America and the National Endowment for the Arts.Producer Jerry Wexler booked Franklin for a series of recording dates in January–February 1967, starting with "I Never Loved a Man (The Way I Love You)", recorded in Alabama at FAME Studios by engineer Tom Dowd.[1] After an altercation between the studio owner and Franklin's husband and manager, Ted White, the sessions continued ten days later in New York without White, recording "Do Right Woman, Do Right Man", using the same engineer and the same musicians, the Muscle Shoals Rhythm Section, affectionately known as the "Swampers", as in Alabama.
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