Graveyard of Horror
Transcript
00:00:00 You
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00:01:04 Eternal darkness be yours eternal night be mine
00:01:08 No, Elizabeth eternal darkness will not be mine
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00:03:17 I was left alone with my niece Margaret
00:03:20 And with my sister-in-law
00:03:25 Anne
00:03:29 And my brother Robert
00:03:32 In this gloomy castle where the sun rarely enters
00:03:39 I
00:04:04 Can still walk and I must walk to someplace where I might find the love and
00:04:10 warmth of a woman
00:04:13 like my wife Elizabeth
00:04:15 Someone who can replace this damned and cursed King
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00:05:15 May pardon that
00:05:25 Sorry gentlemen
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00:05:39 You alone yes
00:05:51 Allow me you're a proper gentleman. Yes many things
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00:06:33 Are you going father? No, I'll be seeing my wife soon
00:06:39 I should be a father by now
00:06:43 Oh
00:06:45 that damn suitcase
00:07:13 Don't see there's anything to laugh at
00:07:15 Where's Elizabeth is she given breath yet? I asked you about my wife
00:07:39 Oh
00:07:41 How did it happen
00:07:49 But it was born dead
00:08:08 Did you suffer I don't know we didn't see her
00:08:14 And why not please Michael
00:08:26 You shouldn't ask me any more questions. Then whom should I ask?
00:08:30 Ask your other sister-in-law or their mother, but don't ask me. I
00:08:36 Know nothing more than you already know
00:08:38 They're both dead
00:08:43 Don't open it
00:09:07 I don't ever want to see him again
00:09:09 It's Michael mother and like it or not. He married my sister Elizabeth mother. I don't understand your attitude shut up Pamela
00:09:16 Well do something girls lock every one of the doors
00:09:24 Where's your mother she's upstairs
00:09:33 You
00:09:35 Have come here for nothing
00:09:54 Now, please Michael get out
00:09:57 Why did Elizabeth die?
00:10:00 because of you
00:10:01 Your career was more important than she or than the baby. She carried
00:10:06 If you hadn't made her suffer so
00:10:09 With your silence silence
00:10:12 What do you mean I wrote to her every day that's a lie
00:10:19 We didn't receive one single letter
00:10:29 Is there a letter no dear I
00:10:32 Don't understand it
00:10:38 I'm sorry child. Why doesn't he write to me?
00:10:46 Did you see the postman
00:10:50 He passed here ages ago
00:10:52 Are you trying to drive me mad?
00:10:55 What killed her? I?
00:10:59 Think you'd better ask dr. Kinberg her death certificate was signed by him
00:11:04 Where is dr. Kinberg he's not in now mister. I'm Michael Sherrington
00:11:28 Ah
00:11:29 You're the brother of the Earl of Binbrook. I
00:11:31 Assume you also have the manners to go along with it. It's not your distinguished name. Is that?
00:11:36 Indeed. I asked for dr. Kinberg, please your family would have been distressed sir. Did you understand me?
00:11:44 I'm sure they would have not before bursting into a room get me. Dr. Kinberg. May I help you?
00:11:51 I'm the doctor's nurse
00:11:52 Are you ill? I want to find out how my wife ended up on his damn operating table
00:11:59 Could you come back at 8? Mr. Sherrington?
00:12:01 Good afternoon. Dr. Kinberg
00:12:05 You're back just in time this gentleman would like to ask you a question I'm awfully sorry
00:12:12 I see no one at this hour. Tell him to come back at 9 o'clock
00:12:15 No, not at 8 or at 9
00:12:19 You're going to tell me right now how Elizabeth Sherrington died you are right you needn't return at all
00:12:26 Or what it might be worth to you I was not the physician attending your wife's it was dr
00:12:34 Lexter aid to your brother the Earl and long-standing friend of your family or does he no longer live in the castle?
00:12:40 If you're interested in further details, I suggest you go to the town hall and ask for a copy of the death certificate
00:12:47 Which I signed of course
00:12:49 Why didn't anybody tell me before about dr. Lexter?
00:12:53 Why all the secrecy please miss Merritt, will you show mr. Sherrington out?
00:13:05 Elizabeth Sherrington died at 1400 hours on the 17th day of November
00:13:15 This year of natural causes possibly aggravated by the intervention of a cesarean operation
00:13:21 performed for the removal of a dead fetus
00:13:24 I
00:13:48 Hope you believe mr. Sherrington that I did all that I could for your wife
00:13:52 But her sisters called me in 24 hours after a complicated birth was imminent. It was necessary to give her a cesarean
00:13:59 The child died before I could operate
00:14:01 However was unfortunate
00:14:05 Your wife wasn't able to survive the operation. Why I
00:14:09 Don't understand you should never have allowed her to stay with her mother
00:14:17 She would have been cared for much better
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00:15:00 Hello, can you tell me when they open the gates if nobody died they don't
00:15:05 What do you mean?
00:15:08 Well, mr. Folds says that what he gets for running the place isn't enough
00:15:12 So he takes other work when there's nothing going on here. Who's mr. Folds a gravedigger
00:15:17 I
00:15:19 Thank You mr. Falls
00:15:43 You have something to wrap it sure go to the office on the table there are some newspapers
00:15:48 What does dr. Kinberg want with all these skulls I
00:16:02 Don't know he's conducting a study I think of the human brain in relation to that of the size of the skull
00:16:10 I never thought dead folks could be used for science
00:16:14 Thank you, goodbye, mr. Scaife
00:16:18 Whom should I ask them ask your sister's in law or your mother but don't ask me
00:16:27 Why did my wife end up on his damn operating table it wasn't I who attended your wife it was dr. Lexter
00:16:38 Why did Elizabeth die because of you Michael your career was more important than she
00:16:43 Yeah, or than the child she was carrying. Why don't they tell me the truth? Why all the secrecy?
00:16:48 He's coming sit down
00:16:53 I
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00:17:24 We can eat if you're ready, please go ahead
00:17:27 Where are all the servants oh
00:17:36 Well, I had to let them go
00:17:40 There's not enough money anymore
00:17:43 But don't worry you'll be looked after
00:17:46 Nothing makes sense here anymore
00:17:51 I
00:17:53 I
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00:17:59 How well do you know this mr. Foles I
00:18:04 Want to see Elizabeth
00:18:12 Do you think you could persuade him to open up the grave have you gone raving mad
00:18:23 My pills quickly dr. Lexter
00:18:27 I'd have thought you'd been more considerate than this
00:18:33 You notice the absence of servants yet you haven't even asked about your brother
00:18:39 His lordship disappeared mysteriously
00:18:48 Lady Anne's health hasn't been the same since her heart
00:18:52 And to make matters worse your wife's death. You should realize that emotional strain should be avoided. Mr. Sherrington bear that in mind
00:19:00 Now sir, what did you say her name was
00:19:04 Elizabeth
00:19:07 Elizabeth Sherrington
00:19:09 Sherrington
00:19:12 Yes, Michael's wife
00:19:14 Yes, the boy who used to steal flowers from my garden. I'm Michael you
00:19:19 Michael my
00:19:21 How you have grown up? I don't suppose I have to tell you where the family plot is. No, I haven't come to see them
00:19:29 What I want is something only you can do for me. I am at your service
00:19:36 Open Elizabeth's grave
00:19:39 What I
00:19:43 Want to see her for God's sake a bit of respect. Mr. Sherrington think about it. Mr. Foles
00:19:49 I'll pay you well feel well
00:19:51 Get out of here get out before I call the police
00:19:56 I
00:20:24 Like a word with mrs. Sherrington, I'll call him. Please sit down
00:20:28 Good evening. Dr. Kinberg
00:20:44 Is there any news of his lordship
00:20:52 Unfortunately, we haven't the police squad is not as efficient as you might think
00:20:58 Michael
00:21:04 Michael
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00:21:10 Sorry, sir, he doesn't want to see anyone
00:21:35 Please excuse him very well. Ask him to come see me tomorrow. I was just asking dr. Lexter about sir, Robert
00:21:42 I'm very sorry. You've not heard if you were if you do hear from him, call me I would be very grateful
00:21:48 dear lady
00:21:51 Wilkins well, I'll drop you off. Yes. Thank you
00:22:01 Good night. Thanks for coming. Good night
00:22:05 Michael is not in his room. Where could he be?
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00:23:16, Elizabeth
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00:23:40 I
00:23:42 (thunder rumbling)
00:23:45 (thunder rumbling)
00:23:54 - Where are the bodies?
00:23:57 (screaming)
00:24:01 (thunder rumbling)
00:24:06 (dramatic music)
00:24:09 (thunder rumbling)
00:24:26 (thudding)
00:24:33 (panting)
00:24:35 (grunting)
00:24:44 (grunting)
00:24:46 (grunting)
00:24:48 (grunting)
00:24:51 (grunting)
00:24:53 (thudding)
00:25:01 (grunting)
00:25:07 (thudding)
00:25:15 (thunder rumbling)
00:25:20 (thunder rumbling)
00:25:23 - No.
00:25:26 - Let's go, help me.
00:25:27 (groaning)
00:25:49 (footsteps thudding)
00:25:52 - Hold me.
00:25:54 (breathing heavily)
00:25:58 (breathing heavily)
00:26:03 (breathing heavily)
00:26:11 Hold me.
00:26:15 (breathing heavily)
00:26:19 (footsteps thudding)
00:26:22 (breathing heavily)
00:26:28 (breathing heavily)
00:26:36 Hold me.
00:26:40 (breathing heavily)
00:26:44 (breathing heavily)
00:26:49 (footsteps thudding)
00:26:52 (breathing heavily)
00:26:57 (footsteps thudding)
00:27:03 (door thudding)
00:27:08 (breathing heavily)
00:27:17 (groaning)
00:27:19 (thunder rumbling)
00:27:31 (groaning)
00:27:35 (screaming)
00:27:46 (screaming)
00:27:48 (snarling)
00:27:55 (groaning)
00:27:57 (snarling)
00:28:00 (groaning)
00:28:02 (groaning)
00:28:04 (cow mooing)
00:28:16 (children laughing)
00:28:21 (children laughing)
00:28:25 (children laughing)
00:28:28 (children laughing)
00:28:57 - Hello, Margaret.
00:28:58 How is your Uncle Michael?
00:29:00 - I don't know, he didn't come home last night.
00:29:03 - Thank you.
00:29:04 (alarm buzzing)
00:29:09 - You're it, Johnny.
00:29:15 Okay, go and hide.
00:29:17 One.
00:29:23 Two.
00:29:25 Three.
00:29:26 Four.
00:29:28 Five.
00:29:30 Six.
00:29:30 Seven.
00:29:32 Eight.
00:29:35 Nine.
00:29:35 10.
00:29:38 11.
00:29:40 12.
00:29:42 13.
00:29:44 14.
00:29:47 - What are you doing here?
00:29:49 - Nothing, I came upon this open door and--
00:29:52 - Open?
00:29:53 - Uh-huh.
00:29:56 - 18.
00:29:57 - 19.
00:29:59 - 20.
00:30:01 - I'm coming, look out.
00:30:06 (screaming)
00:30:25 - What happened?
00:30:26 (screaming)
00:30:28 - I can't understand the escape.
00:30:50 Last night we complied with the requirements
00:30:52 of the new cycle.
00:30:55 - Wasn't Michael enough?
00:30:57 Here's what's left of him.
00:31:01 Only the head and a few bones.
00:31:03 There wasn't a bit left of Mr. Woods' body.
00:31:14 - I'm sorry.
00:31:15 - We've still got six months more.
00:31:30 Six more crimes.
00:31:34 I want more money, more help.
00:31:37 This is not a one man job.
00:31:40 Aunt Margaret, she came into the back entrance of the crypt
00:31:53 and she saw me with this.
00:31:55 She said, "I'm going to kill you."
00:31:57 I said, "No, you're not going to kill me."
00:32:00 She came into the back entrance of the crypt
00:32:03 and she saw me with this.
00:32:05 I don't think she realized what was in it,
00:32:08 but she's going to be a problem.
00:32:10 We'll have to think about her for the next cycle.
00:32:28 (dramatic music)
00:32:31 (dramatic music)
00:32:34 is that you?
00:32:35 - Yes, I'm here.
00:32:36 - I'm sorry, I didn't see you.
00:32:38 - I'm sorry, I didn't see you.
00:32:41 - I'm sorry, I didn't see you.
00:32:44 (dramatic music)
00:32:46 - Have you any news, Inspector?
00:33:04 - Interesting news, Doctor.
00:33:06 Michael Sheddington has disappeared
00:33:09 and a child has been attacked by an animal of some kind.
00:33:12 I do know this, that Doctor Lexter thinks
00:33:15 that a wild bear attacked the child,
00:33:16 but you know as well as I do
00:33:18 that these animals do not eat meat at all.
00:33:22 One more thing, we have examined the skulls
00:33:25 and none has been aged through normal
00:33:28 chemical change, Inspector.
00:33:30 (dramatic music)
00:33:36 (dramatic music)
00:33:38 (dramatic music)
00:33:41 (dramatic music)
00:33:44 (dramatic music)
00:33:47 (dramatic music)
00:33:49 (water bubbling)
00:33:52 (water bubbling)
00:33:55 (water bubbling)
00:33:58 (water bubbling)
00:34:00 (clock ticking)
00:34:06 (water bubbling)
00:34:27 (water bubbling)
00:34:29 (door creaking)
00:34:35 - Pamela?
00:34:43 (doorbell ringing)
00:34:51 Pamela?
00:34:53 (dramatic music)
00:34:56 (dramatic music)
00:34:58 (dramatic music)
00:35:01 (dramatic music)
00:35:04 (dramatic music)
00:35:07 (dramatic music)
00:35:10 (dramatic music)
00:35:12 (dramatic music)
00:35:15 (dramatic music)
00:35:18 (dramatic music)
00:35:20 (dramatic music)
00:35:23 (dramatic music)
00:35:52 - They're here.
00:35:53 Without Michael.
00:36:09 He won't ever come.
00:36:12 Will he?
00:36:15 (dramatic music)
00:36:18 (dramatic music)
00:36:23 Michael will never come back.
00:36:28 No, Sir Robert.
00:36:30 They've killed them.
00:36:31 Just like they've tried to kill Johnny.
00:36:33 (dramatic music)
00:36:34 - Margaret, what are you saying?
00:36:37 (dramatic music)
00:36:40 (dramatic music)
00:36:43 - Now, Margaret, what do you mean?
00:36:51 What are you trying to say?
00:36:53 - My little friend Johnny was attacked by a monster
00:36:59 and nobody's seen my uncles.
00:37:01 So where are they?
00:37:02 Dead?
00:37:03 - What she's saying is quite true.
00:37:05 Johnny's foot was mauled.
00:37:07 According to Dr. Lexter,
00:37:09 it was a wild boar.
00:37:11 It's absurd.
00:37:13 I should certainly think
00:37:16 that if such a thing happened to my son-in-law,
00:37:18 they'd have found traces of his body, surely.
00:37:22 - What's the matter with Margaret?
00:37:23 Something I can do.
00:37:26 - Nothing, Doctor.
00:37:27 You may leave.
00:37:28 (water gurgling)
00:37:32 (water gurgling)
00:37:35 - Where's Lilith?
00:37:47 (whistling)
00:37:51 (whistling)
00:37:54 Michael!
00:38:07 Michael.
00:38:18 (whistling)
00:38:20 Michael!
00:38:25 (footsteps)
00:38:30 - Ladies, excuse me,
00:38:40 but would you kindly explain why you look at me
00:38:42 in such a strange way every time you see me?
00:38:45 - Come, let's not waste time.
00:38:47 (whistling)
00:38:49 Come on, just ignore him.
00:38:58 - Mother!
00:39:06 - Where were you?
00:39:13 - I saw him.
00:39:15 (breathing heavily)
00:39:17 In the woods.
00:39:18 - Lily, whom did you see?
00:39:19 - I found his harmonica in the snow,
00:39:22 but he disappeared among some trees.
00:39:26 There, where he used to walk with Elizabeth.
00:39:31 - It was you, wasn't it?
00:39:35 - You must be mad.
00:39:37 - What right have you to open this chest?
00:39:41 - Mother.
00:39:42 - I didn't.
00:39:43 - Is it gone? Where's Michael's letters?
00:39:46 - Letters? What letters, Pamela?
00:39:50 - Those that he wrote to Elizabeth.
00:39:52 The one she didn't receive because I didn't want her to.
00:39:55 You two, you were in love with Michael, weren't you?
00:39:59 That's why you never cried when Elizabeth died, right,
00:40:01 my sister?
00:40:02 Your poor heart is breaking
00:40:04 because Michael will never come back, just like me.
00:40:07 But he'll never return to us.
00:40:09 Never.
00:40:12 (sobbing)
00:40:14 - Please, Doctor, get the carriage ready.
00:40:17 Come, Barbara, we've got to find him.
00:40:20 - Like we found your husband and-
00:40:21 - Shut up, Pamela.
00:40:22 You have much explaining to do
00:40:24 about your so-called love for Michael Sherrington.
00:40:27 (knocking)
00:40:29 - Oh, Auntie Anne, he's come back.
00:40:34 - Who's come back?
00:40:35 - Michael.
00:40:36 He wasn't murdered.
00:40:37 I saw him going upstairs.
00:40:41 (dramatic music)
00:40:44 (dramatic music)
00:40:47 (dramatic music)
00:40:50 (upbeat music)
00:41:16 (upbeat music)
00:41:18 (upbeat music)
00:41:43 (upbeat music)
00:41:46 (upbeat music)
00:41:48 (dramatic music)
00:42:07 (dramatic music)
00:42:10 (dramatic music)
00:42:13 (dramatic music)
00:42:15 (dramatic music)
00:42:18 (dramatic music)
00:42:21 (dramatic music)
00:42:24 (dramatic music)
00:42:26 (dramatic music)
00:42:38 (door slams)
00:42:50 (dramatic music)
00:42:53 (dramatic music)
00:42:56 (dramatic music)
00:43:18 (dramatic music)
00:43:21 (dramatic music)
00:43:24 (record scratches)
00:43:49 (dramatic music)
00:43:53 (dramatic music)
00:43:55 (dramatic music)
00:43:58 - Michael.
00:44:24 Michael!
00:44:25 - Something wrong, ladies?
00:44:32 Are you seeing your Uncle Michael again?
00:44:36 (footsteps)
00:44:41 (footsteps)
00:44:44 (footsteps)
00:44:46 (footsteps)
00:44:48 (footsteps)
00:44:51 (footsteps)
00:44:53 (footsteps)
00:44:55 (footsteps)
00:44:58 (footsteps)
00:45:00 (footsteps)
00:45:02 (door slams)
00:45:10 (dramatic music)
00:45:28 (dramatic music)
00:45:31 (dramatic music)
00:45:34 (door slams)
00:45:38 (dramatic music)
00:45:41 (door slams)
00:46:00 (footsteps)
00:46:02 (footsteps)
00:46:04 (footsteps)
00:46:07 (wind blows)
00:46:23 (wind blows)
00:46:31 (footsteps)
00:46:34 - You may return to the castle, Dr. Lexter.
00:46:43 We'll stay here for the night.
00:46:44 - I asked them to stay.
00:46:50 I have something to say to all of you.
00:46:52 (door opens)
00:46:54 - He didn't leave by train.
00:46:59 Everyone at the station knows him.
00:47:01 And no one saw him.
00:47:05 - No one?
00:47:05 We can even ask our fair little Margaret.
00:47:15 - No one.
00:47:17 - Not even you, Margaret.
00:47:20 Am I right?
00:47:21 Well, did you?
00:47:22 - Yes, I did.
00:47:26 I saw him.
00:47:27 I spoke to him, but he didn't answer.
00:47:30 He ran into his room and shut the door.
00:47:33 I said, "Michael, my Aunt Anne is looking for you.
00:47:38 "And Dr. Kinberg also wants you."
00:47:40 - Stop lying!
00:47:41 - No, I'm not lying, Pamela.
00:47:44 I'm not lying.
00:47:45 Please, that hurts.
00:47:47 You're hurting me.
00:47:47 - Leave her alone, Pamela.
00:47:49 No need to demonstrate how capable of cruelty you are.
00:47:52 (Pamela sobs)
00:47:55 I know you'd be able to murder your own brother-in-law.
00:47:59 - Mother, you mean you think I murdered?
00:48:02 That I could have?
00:48:04 - I have my reasons.
00:48:05 (soft music)
00:48:10 - Michael, I'm going to bathe in perfume.
00:48:14 (Pamela sings)
00:48:22 (Pamela hums)
00:48:25 Michael, I'm all perfumed now.
00:48:44 Would you help me?
00:48:45 I need you.
00:48:46 (soft music)
00:48:49 (Pamela gasps)
00:49:02 - Yes, I saw.
00:49:06 Do you think I'm blind?
00:49:07 And you're no better.
00:49:10 Even you tried to take him away.
00:49:14 (men laughing)
00:49:16 Do you feel no guilt?
00:49:31 - His fault.
00:49:32 He liked to bathe when I was nearby.
00:49:34 - Liar!
00:49:35 I watched you chase after him, both of you.
00:49:37 (soft music)
00:49:40 (Pamela laughs)
00:49:43 (soft music)
00:49:45 (men laughing)
00:49:59 (soft music)
00:50:01 (birds chirping)
00:50:04 (soft music)
00:50:08 (soft music)
00:50:10 - Elizabeth!
00:50:33 Elizabeth!
00:50:34 (soft music)
00:50:38 Elizabeth!
00:50:44 - What?
00:50:46 What is it?
00:50:47 - Nothing.
00:50:49 Just want to be with both of you,
00:50:50 if you don't mind too much.
00:50:53 - Well, I do mind.
00:50:55 And I'll thank you not to come around
00:50:57 to Michael and I would like to be alone.
00:50:59 She'd let us stay with her.
00:51:01 - I wonder if she's pregnant.
00:51:03 - I wonder if she's pregnant.
00:51:05 - I wonder if she's pregnant.
00:51:06 - I wonder if she's pregnant.
00:51:08 - I wonder if she's pregnant.
00:51:10 - I wonder if she's pregnant.
00:51:12 - I wonder if she's pregnant.
00:51:14 - I wonder if she's pregnant.
00:51:16 - I wonder if she's pregnant.
00:51:18 - I wonder if she's pregnant.
00:51:20 - I wonder if she's pregnant.
00:51:22 - I wonder if she's pregnant.
00:51:24 - I wonder if she's pregnant.
00:51:26 - I wonder if she's pregnant.
00:51:28 - I wonder if she's pregnant.
00:51:30 - I wonder if she's pregnant.
00:51:32 - I wonder if she's pregnant.
00:51:34 - I wonder if she's pregnant.
00:51:36 - I wonder if she's pregnant.
00:51:38 - I wonder if she's pregnant.
00:51:40 - I wonder if she's pregnant.
00:51:42 - I wonder if she's pregnant.
00:51:44 - I wonder if she's pregnant.
00:51:46 - I wonder if she's pregnant.
00:51:48 - I wonder if she's pregnant.
00:51:50 - I wonder if she's pregnant.
00:51:52 - I wonder if she's pregnant.
00:51:54 - I wonder if she's pregnant.
00:51:56 - I wonder if she's pregnant.
00:51:58 - I wonder if she's pregnant.
00:52:00 - I wonder if she's pregnant.
00:52:02 - I wonder if she's pregnant.
00:52:04 - I wonder if she's pregnant.
00:52:06 - I wonder if she's pregnant.
00:52:08 - I wonder if she's pregnant.
00:52:10 - I wonder if she's pregnant.
00:52:12 - I wonder if she's pregnant.
00:52:14 - I wonder if she's pregnant.
00:52:16 - I wonder if she's pregnant.
00:52:18 - I wonder if she's pregnant.
00:52:20 - I wonder if she's pregnant.
00:52:22 - I wonder if she's pregnant.
00:52:24 - I wonder if she's pregnant.
00:52:26 - I wonder if she's pregnant.
00:52:28 - I wonder if she's pregnant.
00:52:30 - I wonder if she's pregnant.
00:52:32 - I wonder if she's pregnant.
00:52:34 - I wonder if she's pregnant.
00:52:36 - I wonder if she's pregnant.
00:52:38 - I wonder if she's pregnant.
00:52:40 - I wonder if she's pregnant.
00:52:42 - I wonder if she's pregnant.
00:52:44 - I wonder if she's pregnant.
00:52:46 - I wonder if she's pregnant.
00:52:48 - I wonder if she's pregnant.
00:52:50 - I wonder if she's pregnant.
00:52:52 - I wonder if she's pregnant.
00:52:54 - I wonder if she's pregnant.
00:52:56 [music]
00:52:58 [music]
00:53:00 [footsteps]
00:53:07 [music]
00:53:33 How well do you know this, Mr. Foulds?
00:53:41 I want to see Elizabeth.
00:53:46 Do you think you could convince him to open the grave?
00:53:51 Have you gone raving mad?
00:53:55 Quick, my pills!
00:54:19 Where are the bodies?
00:54:28 What are you doing here?
00:54:31 Nothing. I came upon an open door.
00:54:34 My friend Johnny was attacked by a monster and nobody has seen my uncle, so where are they? Dead?
00:54:46 No, I'm not lying, Pamela. I'm not lying. Let me alone, you heard?
00:54:52 [pained moaning]
00:55:04 [screams]
00:55:06 [pained moaning]
00:55:16 [screams]
00:55:21 [music]
00:55:26 It's urgent he should talk, Dr. Kinberg.
00:55:29 Sorry, Inspector. A man suffering from terror induced by shock cannot be expected to tell what happened to him with clarity.
00:55:37 Ready, Miss Merritt?
00:55:39 Ready, Doctor.
00:55:41 [music]
00:56:10 Don't you find it illogical that a murderer would cut up a body and leave the head where it could be found?
00:56:20 This head was brutally torn from the body, something only a monstrously strong creature could have done.
00:56:26 Can the beast be identified?
00:56:29 No species known.
00:56:31 In that case, could we say that we're faced with a phenomenon of metamorphosis?
00:56:37 Turn out the light. What are you getting at?
00:56:41 Don't you find it strange that ever since the Earl's disappearance, Dr. Lexter's patients have died periodically?
00:56:50 Who is he exactly? And what's he doing at Binbrook Castle?
00:56:57 Didn't you know Lady Anne suffers from heart disease?
00:56:59 No. I have information from headquarters that ever since the Earl's disappearance, the family's fortunes go down to nothing.
00:57:06 At the same time, Dr. Lexter has become one of the major stockholders in the Bryant and Goldman Company.
00:57:12 I'm interested in knowing, Doctor, to what lengths you would go to sign a death certificate for one of Dr. Lexter's patients.
00:57:18 Why not? The deaths were all of natural causes. I just don't see...
00:57:23 A good alibi for Dexter.
00:57:25 Summing up, we have a doctor suddenly becoming very rich, Elizabeth Sherrington's head found outside her tomb,
00:57:34 and a scientist who disappears at the height of his career.
00:57:38 Are you inferring Sir Robert was one of the victims?
00:57:42 Most probably.
00:57:44 What's certain is someone is taking corpses from their graves. This is the only clue we've got.
00:57:52 No doubt. It is, Elizabeth. The lights, please.
00:57:57 Care to come, Dr. Kinberg?
00:58:11 We'll have a chance to prove it. Tonight. That someone is opening the graves.
00:58:19 [♪♪♪]
00:58:22 [♪♪♪]
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00:58:28 [♪♪♪]
00:58:31 [♪♪♪]
00:58:34 [♪♪♪]
00:58:37 [♪♪♪]
00:58:40 [♪♪♪]
00:58:43 [♪♪♪]
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00:58:52 [♪♪♪]
00:58:55 [♪♪♪]
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00:59:09 [♪♪♪]
00:59:12 [♪♪♪]
00:59:20 [♪♪♪]
00:59:32 [♪♪♪]
00:59:35 - Did you sleep well, dear? - I don't know.
00:59:48 - You didn't drink your milk? - No.
00:59:51 Well, you must drink it, unless you want to die of starvation, Margaret.
00:59:57 - What's wrong? - Nothing. She didn't drink this.
01:00:01 If any of you want to accompany me to the cemetery, better get ready.
01:00:09 I'd like to know who died.
01:00:12 [♪♪♪]
01:00:15 [♪♪♪]
01:00:18 [♪♪♪]
01:00:30 [♪♪♪]
01:00:33 [♪♪♪]
01:00:51 [♪♪♪]
01:00:54 You hear it? But it's Michael.
01:01:19 [clattering]
01:01:21 Michael!
01:01:24 Michael!
01:01:27 - Come, Lily. Come away. - Michael.
01:01:31 None of us are thinking straight.
01:01:36 [footsteps]
01:01:39 [footsteps]
01:01:42 [footsteps]
01:02:09 Good afternoon, Mr. Foles.
01:02:12 Are you feeling ill, Mr. Foles?
01:02:23 If you wish, I'll call Dr. Kinberg.
01:02:26 No, thank you. I'm all right.
01:02:29 Good.
01:02:32 [whistling]
01:02:37 [whistling]
01:02:40 - What is it you wanted, Mr. Harrison? - Nothing.
01:02:47 Nothing at all.
01:02:49 It seems a wonderful day to visit the dead.
01:02:52 - Don't you agree? - I don't understand what you mean.
01:02:56 What do you understand, Mr. Foles?
01:02:59 The sound of birds singing?
01:03:02 The sweet sound of music?
01:03:05 Or perhaps the howling of some hungry beast?
01:03:08 Is that it, Mr. Foles?
01:03:11 What's the matter?
01:03:14 If you don't feel well, I can call Dr. Lexter.
01:03:18 Or perhaps you prefer Dr. Kinberg.
01:03:23 [whistling]
01:03:26 - Uh, Mr. Harrison? - Yes?
01:03:30 How did you get into the cemetery?
01:03:33 - The gates were closed. - Mr. Foles...
01:03:36 How does the wind get in?
01:03:39 [whistling]
01:03:42 Why do you obligate yourself in this dangerous way?
01:03:54 I want this document signed by you.
01:03:58 No, it's too much, William.
01:04:02 It is never too much.
01:04:05 It's the ways of intelligence.
01:04:10 As Sir Robert would say, sign it.
01:04:13 [whistling]
01:04:16 - I hate you! - Not enough to give up this.
01:04:40 [sobbing]
01:04:43 [sobbing]
01:04:46 [music]
01:04:49 [music]
01:04:52 [music]
01:04:55 [music]
01:04:58 [music]
01:05:01 [music]
01:05:04 [music]
01:05:07 [music]
01:05:36 What are you doing?
01:05:38 I forgot for a moment the respect I owe to you aristocrats.
01:05:43 Sorry, Lady Anne, but we must be careful of public opinion...
01:05:50 in respect to the Sherringtons.
01:05:53 Don't you agree?
01:05:57 [music]
01:06:00 William!
01:06:11 - What? - Nothing. You can go.
01:06:14 [music]
01:06:18 [music]
01:06:21 [door closing]
01:06:24 [indistinct conversation]
01:06:49 - Who could take in the money? - Someone he can trust.
01:06:52 [indistinct conversation]
01:06:56 [footsteps]
01:06:59 [footsteps]
01:07:02 [footsteps]
01:07:06 [footsteps]
01:07:10 [footsteps]
01:07:13 [footsteps]
01:07:16 [footsteps]
01:07:19 [footsteps]
01:07:48 [footsteps]
01:07:51 [footsteps]
01:07:54 [footsteps]
01:07:57 [footsteps]
01:08:20 [footsteps]
01:08:23 [door creaking]
01:08:27 [footsteps]
01:08:34 [footsteps]
01:08:48 [footsteps]
01:08:51 Why are you following me?
01:09:01 Why do you look at me like that?
01:09:07 - What do you want? - Calm down.
01:09:10 I think you owe me an explanation of certain things.
01:09:13 Really?
01:09:16 I have nothing to say.
01:09:19 Good night.
01:09:22 You'd better not go yet.
01:09:25 Or I'll be obliged to ask questions elsewhere.
01:09:28 - That could be embarrassing. - Questions?
01:09:31 You know very well what I mean.
01:09:34 It's better to tell me the truth.
01:09:37 You know I accused my own flesh and blood, my daughter,
01:09:41 because I cannot abide lies.
01:09:44 Where is your husband?
01:09:47 What happened to Michael?
01:09:50 Who murdered Elizabeth?
01:09:53 How dare you ask me those questions?
01:09:56 Would that I knew the answers. I suspect that maybe you were involved.
01:09:59 In any case, you should look to your daughters.
01:10:02 Maybe they can answer your questions.
01:10:05 I don't need your advice, Anne. I need you to explain.
01:10:08 Elizabeth died in your house.
01:10:11 Elizabeth didn't die. She was murdered, and you know it.
01:10:14 Yes, I do.
01:10:17 I knew it when I saw you accuse your own daughters.
01:10:20 But they are not doctors, are they?
01:10:24 Perhaps I might ask your darling and adoring Dr. Lexter.
01:10:28 Because his patients seem to die regularly, am I wrong?
01:10:34 Not to mention his business with Mr. Foulds.
01:10:39 You are being carried away with your suspicions.
01:10:42 I advise you to investigate elsewhere.
01:10:45 Michael should never have married your daughter.
01:10:50 Yes, that's right.
01:10:53 But you don't have to be a professor
01:10:56 to know that the Sherringtons
01:10:59 will use any poor soul to help them do whatever dirty work...
01:11:02 (SCREAMS)
01:11:05 (GROANS)
01:11:08 (GROANS)
01:11:11 (GROANS)
01:11:14 (SCREAMS)
01:11:17 (SCREAMS)
01:11:20 (SCREAMS)
01:11:23 (SCREAMS)
01:11:26 (SCREAMS)
01:11:29 (SCREAMS)
01:11:32 (SCREAMS)
01:12:01 What do you want, William?
01:12:03 Come down.
01:12:06 I asked you what you want.
01:12:29 It looks like everything finally comes to a head.
01:12:31 We must leave the castle.
01:12:33 We've got to protect ourselves.
01:12:36 You're wrong. I don't think you understood me.
01:12:39 If you've remained here, it wasn't only to protect me,
01:12:42 but also to protect my husband.
01:12:44 You're insane like him, Anne.
01:12:47 You know he won't ever come back.
01:12:50 When you accepted his insanity, you lost him.
01:12:53 Robert will come back.
01:12:56 Do not fail, Dr. Lexter.
01:12:59 He's the world's greatest scientist.
01:13:02 He might have been once, yes, my lady.
01:13:07 But now he's nothing but putrefying flesh, that's all.
01:13:11 Trying desperately to make something of his rotting body.
01:13:15 You haven't seen him.
01:13:18 Something without form or energy,
01:13:22 and for whose existence I have to continue to murder.
01:13:26 A thing that the world would quickly exterminate.
01:13:30 Oh, but you can avoid that, can't you, William?
01:13:33 You won't allow the world to see him.
01:13:36 I want my husband back...
01:13:40 as he once was.
01:13:43 That is impossible, and you know it!
01:13:51 According to Robert's own theory,
01:13:54 there's still five months.
01:13:57 And now there's some people around here
01:14:01 I've never seen before.
01:14:03 What do you mean?
01:14:05 Who was here when your young niece Margaret
01:14:08 swore that she saw Michael?
01:14:11 Couldn't have been him.
01:14:14 Why did Dr. Kinberg want to speak to him in private?
01:14:19 And who is this very mysterious assistant at his clinic
01:14:22 who calls himself Harrison?
01:14:25 We're hemmed in, Anne.
01:14:28 The Earl of Binbrook will never come back to life.
01:14:32 His body will rot underground!
01:14:35 Don't say that! Wait!
01:14:37 You have drained me financially,
01:14:39 but I still have my jewels.
01:14:41 I can still pay you!
01:14:44 Hang on to the jewels, my lady.
01:14:47 You can't be a noble without them.
01:14:50 You are a thief, Dr. Lexter.
01:15:04 Not only have you tried to ruin us,
01:15:07 but you're trying to take the only thing left,
01:15:10 my husband's legacy to the world.
01:15:14 (laughing)
01:15:40 Dr. Lexter has betrayed you.
01:15:43 Follow them.
01:15:58 See where they go,
01:16:00 when and how.
01:16:02 Then meet where we have arranged.
01:16:09 Get ready.
01:16:11 (bell tolling)
01:16:14 (bell tolling)
01:16:17 (bell tolling)
01:16:19 (dog barking)
01:16:45 (doorbell buzzing)
01:16:47 (snoring)
01:17:12 (snoring)
01:17:14 This is your last night, Sir Robert.
01:17:34 (knocking)
01:17:36 Uncle Michael?
01:17:49 We've got her now.
01:18:01 Michael?
01:18:03 Come, Marguerite.
01:18:06 I'm here.
01:18:08 (gunshot)
01:18:12 You're good.
01:18:21 You'll be worthy of a great scientist.
01:18:25 (dramatic music)
01:18:27 Michael.
01:18:33 This way.
01:18:35 (screaming)
01:18:53 (groaning)
01:18:56 (groaning)
01:18:59 (groaning)
01:19:01 (snoring)
01:19:14 (snoring)
01:19:17 (snoring)
01:19:20 (snoring)
01:19:22 (snoring)
01:19:35 (snoring)
01:19:37 (snoring)
01:19:51 (snoring)
01:19:53 (roaring)
01:20:06 Sir Robert.
01:20:08 No, it's Lexter.
01:20:10 (roaring)
01:20:18 (roaring)
01:20:20 Halt! The police.
01:20:41 Let's go back.
01:20:44 (roaring)
01:20:46 He's gone. Come on.
01:20:56 (roaring)
01:21:02 Robert, we'll try the forest. Quickly.
01:21:06 (roaring)
01:21:08 Stop!
01:21:16 They're closing in on us. Hurry!
01:21:19 Where's he going?
01:21:33 Michael.
01:21:35 (screaming)
01:21:37 Hold it!
01:21:53 (roaring)
01:21:57 (groaning)
01:21:59 Ready? Fire!
01:22:07 (gunshots)
01:22:09 I, Robert Sherrington, the Earl of Binbrook,
01:22:19 in full control of my faculties,
01:22:22 leave to science at the hour of my death.
01:22:25 (gunshot)
01:22:27 All manuscripts dealing with my experiments
01:22:30 concerning the transmutation of human cells.
01:22:34 I swear that these experiments were carried on
01:22:38 with the kind help of my wife, Lady Anne,
01:22:42 and Dr. William Lexter.
01:22:45 And I do hereby confess that I voluntarily submitted myself
01:22:49 as the subject for these experiments
01:22:52 to determine the metamorphosis which would take place
01:22:55 on the human body fed with serums and plasma
01:22:58 while placed under conditions of hibernation
01:23:01 in order to further investigation as to the origin of man.
01:23:06 But I must warn the world that in retrospect
01:23:12 such an experiment into the primal components of matter
01:23:16 can provoke transitory moments of savage animal behavior
01:23:22 which would require human flesh to feed the subject.
01:23:27 Taking this into account,
01:23:30 I hereby ask my wife Anne to destroy me
01:23:34 before I become a menace to humanity.
01:23:38 (clock ticking)
01:23:41 (clock ticking)
01:23:44 (clock ticking)
01:23:48 (clock ticking)
01:23:51 (clock ticking)
01:23:54 (clock ticking)
01:24:22 (whistling)
01:24:25 I don't like you with the cane.
01:24:37 Thank you.
01:24:41 (whistling)
01:24:44 (whistling)
01:24:48 (whistling)
01:25:14 Thank you for teaching me that melody.
01:25:17 Today I will leave Binbur Castle,
01:25:26 my ancestral home.
01:25:29 I will leave because I can no longer bear
01:25:32 the silence of death.
01:25:35 (music)
01:25:38 (music)
01:25:41 (music)
01:25:44 (music)
01:25:48 (music)
01:26:14 (music)
01:26:17 (music)
01:26:21 (music)
01:26:24 (music)
01:26:27 (music)
01:26:30 [BLANK_AUDIO]