• last year
Maa Oori Polimera 2 is a Telugu horror thriller movie directed by Dr. Anil Vishwanath. The movie casts Satyam Rajesh, Kamakshi Bhaskarla, Getup Srinu, Baladitya, Chitram Seenu, Ravi Varma, Rakendu Mouli, and Sahiti Dasari in the main lead roles | మా ఊరి పొలిమెర 2 డా. అనిల్ విశ్వనాథ్ దర్శకత్వం వహించిన తెలుగు హారర్ థ్రిల్లర్ చిత్రం. ఈ చిత్రంలో సత్యం రాజేష్, కామాక్షి భాస్కర్ల, గెటప్ శ్రీను, బాలాదిత్య, చిత్రం శీను, రవివర్మ, రాకేందు మౌళి, సాహితీ దాసరి ప్రధాన పాత్రలు పోషిస్తున్నారు.

#Polimera2
#Polimera2SuccessMeet
#SatyamRajesh
#Baladitya
#Getupsrinu
#DirectorAnilViswanath
#BunnyVaasu
#HarishShankar
~ED.234~PR.39~

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00:00 When I hear that the film is very good,
00:03 from the first day to the second day,
00:05 every day, every media person,
00:07 they encourage me a lot.
00:09 Whether it is negative or not,
00:11 everyone unanimously encourages me.
00:14 I can never forget the encouragement you give me.
00:16 Thank you so much.
00:18 You all know how big a hit the film is.
00:21 When I was making a film,
00:23 the producer Gowri Krishna,
00:25 who worked very hard,
00:27 and the director, Mr. Vamsi,
00:30 congratulated them.
00:33 Even now, they are still sitting next to me,
00:35 and asking me,
00:37 "What are we going to do on Saturday and Sunday?"
00:39 "Are we going to plan a tour?"
00:41 I say, "No, we are not stopping."
00:43 "It's been a week since we started."
00:45 "No, we are not going to do this anymore."
00:47 They are still planning and spending money on the film.
00:50 So, thank you so much.
00:52 When it comes to cinema,
00:54 cinema is a super hit.
00:56 I never thought I would make a film like this in my life.
00:58 Because of Anil.
01:00 I thought I was good at making characters,
01:03 and that I was good at this character,
01:05 and that I was good at the second half.
01:07 I never thought about anything else.
01:09 But, after this film,
01:11 the first thing I realized was,
01:13 what is the problem of the producers,
01:15 the problem of the distributors,
01:17 and the problem of the exhibitors.
01:19 I didn't know that until now.
01:21 I used to take money and dub for the film.
01:23 What I realized after this film was,
01:25 the film will go ahead only if the producers,
01:27 exhibitors, and distributors are happy.
01:29 If they are lucky,
01:31 they will start making money through profit.
01:33 And, the money will keep coming.
01:35 The profit will start after three days.
01:37 And, if the money keeps coming,
01:39 it means that the film will be very happy.
01:41 I mean,
01:43 the reason why I am so proud of the film is,
01:45 the way the film is made,
01:47 and the way everyone calls and talks about it,
01:49 and how happy they are,
01:51 I can't tell you how proud I am.
01:53 I can't tell you that.
01:55 Thank you so much.
01:57 And, I have already told you in the media,
01:59 that Mahasayathi, or Get Up Twin,
02:01 or our Lakshmi,
02:03 or the film Chimpaazhul Vedha,
02:05 don't tell Lakshmi about this.
02:07 Of course, she is the main lead,
02:09 the main heroine,
02:11 so, from the first to the last,
02:13 she is different.
02:15 She is different in the shooting,
02:17 and here, she is different.
02:19 If you come to Anil Vishwanathan,
02:21 almost,
02:23 as far as I know,
02:25 he has been struggling for this film for 3 years.
02:27 Anil, for 3 years.
02:29 His hard work is the success today.
02:31 His hard work is my acting today.
02:33 His hard work is the film, music, and everything.
02:35 He doesn't earn money.
02:37 Anil, Anil, the next generation director.
02:39 Next generation.
02:41 I mean,
02:43 this generation,
02:45 this generation,
02:47 he is the next generation.
02:49 I mean,
02:51 and,
02:53 yes, contemporary films,
02:55 not just commercials or fights,
02:57 he takes it to a different, smooth,
02:59 and entangles it.
03:01 He is a great story writer.
03:03 He is very confident.
03:05 He is a doctor, so, he will be like that.
03:07 He is laughing, right?
03:09 He didn't laugh even a week back.
03:11 I know, even from one year,
03:13 he went here and there,
03:15 and came here after a week of shooting,
03:17 and came here after a week of shooting,
03:19 and he cancelled the get-up scene.
03:21 He cancelled the get-up scene.
03:23 He cancelled the film because of him.
03:25 He cancelled the film shooting for 6 months because of him.
03:27 He is busy.
03:29 He must have seen the get-up scene in all the films.
03:31 He must have seen the get-up scene everywhere.
03:33 He called me and said,
03:35 "Sir, we need 2 days."
03:37 "Karmi, one day,
03:39 I will call the director,
03:41 and ask him,
03:43 'Sir,
03:45 I have cancelled the get-up scene,
03:47 just one day,
03:49 I will finish it in one day.'
03:51 He said,
03:53 'Sir, the main idea of the get-up scene is
03:55 that he will not shoot if he doesn't do it.'
03:57 'If you call the director,
03:59 he will do it.'
04:01 'Thank the director.'
04:03 He sent me.
04:05 I finished the shoot in 6 days.
04:07 I have already told you many times,
04:09 but I didn't tell you the same content repeatedly.
04:11 We shot a film.
04:13 We didn't plan it.
04:15 We decided which market to sell it in.
04:17 We sold it in a big market.
04:19 Geetha Arts took it to that range.
04:21 Gowri Krishna has worked hard to make this film.
04:23 This style of hers,
04:25 she is able to talk about it
04:27 as a film hit.
04:29 That is the reason for the hype.
04:31 Otherwise, we would have been in the theatre,
04:33 in the paint centre,
04:35 and we would have had the style.
04:37 Am I saying wrong?
04:39 We would have spent some money before the release.
04:41 We have to take care of that.
04:43 We could have released 300 theatres.
04:45 In the US, UK,
04:47 Dubai, Australia, Canada.
04:49 We could have released so many theatres.
04:51 It wouldn't have been so much scope
04:53 just because of Geetha Arts banner.
04:55 Thanks to Vanshi.
04:57 And Bunny Voss too.

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