Khichdi 2 Full Cast Exclusive Interview!
Khichdi 2 Promises To Be More Hilarious, Crazier And Funnier As Our Favourite Gujju Family Is All Set To Accomplish 'Mission Panthukistan'! The Team Chats Exclusively With Latestly To Discuss How India's Popular Sit Com Has Been Successfully Turned Into An Equally Successful And Highly Enjoyable Movie Franchise!
Transcript
00:00 Subscribe to our channel, press the bell icon and never miss an update from LatestLea.
00:05 So for this, you have to tell your entire family that you won't go alone.
00:10 I have to go with everyone because Khichdi can be unique and rich.
00:17 So this Khichdi is a little rich.
00:19 They throw it and come but I have that zeal that I will come back.
00:24 Babuji puts it down, they put it there.
00:26 And Babuji goes down like this.
00:30 Tiger says, "Oh my God, he is Tulsi Das" and goes away.
00:33 The student who is very smart, I corrected him saying, "Sir, this is correct."
00:42 And sir says, "You are not correcting."
00:44 The way I kicked him on his stomach, by being a scoundrel.
00:49 Alright then, Parekh family is all set to take us on a hilarious ride like no other.
00:54 In fact, they are going to take us on a mission.
00:57 I would also like to say this is one of those rare sitcoms, perhaps India's only sitcom that has evolved into a film.
01:06 And now we are looking at part 2 of the same.
01:09 And the entire cast as well as the maker is right alongside me.
01:13 I am so privileged to be a part of this interview.
01:15 Khichdi 2, wow, incredible name and it has so many elements to it that keeps ringing in my head.
01:21 But what does it take to cook up Khichdi 2?
01:25 What ingredients are a must?
01:27 For the audiences, a ticket to the cinema hall is a must.
01:32 And for us, Hansa is a must.
01:36 Oh, without Hansa, we all know Khichdi can't be.
01:40 In fact, without any one of us, Khichdi cannot be the way people would want to.
01:45 That's why I told Supriya ji that she is not feeling well today.
01:48 I told her that she cannot go for this interview because this can't go on without any of us.
01:54 And we mean it.
01:55 And on a very serious note, let's start with the fun facts about Khichdi.
01:59 Why is a ticket a must?
02:01 Because we will tell you a lot about the fun of Khichdi.
02:05 But this time, the experience of Khichdi is worth taking on a big screen.
02:10 So, what ingredients should be there?
02:14 So, when we talk about a big screen, there should be a story of the film.
02:18 Because why Khichdi?
02:19 There should be a story in every film.
02:21 How can there be a story in a film?
02:23 Because in the past, when we used to do TV, we used to get a story in one episode.
02:29 Sometimes we got a story, then we got some episodes.
02:32 But after that, web series, then a movie, all this.
02:35 In today's big screen movies, in this Khichdi, a story is necessary.
02:41 Because Khichdi cannot be like any other.
02:43 So, that's it.
02:44 And the kind of cinema hall experience that is told to people today.
02:51 That when you go out, specially on Diwali days, people go for an experience.
02:56 It is something more than a film.
02:59 For them, Diwali is special.
03:02 Why? Because when people go to festivals, it is special for them to go to watch a movie.
03:06 Because in those days, they expect more.
03:09 More than a regular movie, all those limits are in this movie.
03:14 This time, it is extraordinary than ordinary.
03:20 So, what is there in it?
03:21 There are stories, big songs, humorous situations.
03:25 It is a wonderful country.
03:29 Which you can understand, if you take a ticket to go abroad, you can go anywhere.
03:36 Or any country in the world.
03:38 You can never go to Pantukistan.
03:41 To go to Pantukistan, you will have to take this ticket.
03:46 From 17th November, you will get this ticket without a passport.
03:50 You will go to a world where you will get to see a lot.
03:55 There is a helicopter ride.
03:56 And what all is there.
03:58 But with a smile.
04:00 It is like, if you go to Srigapur, there is a fountain show.
04:04 Where you see colorful fountains.
04:06 Here, you will see colorful laughter shows.
04:09 It's just that.
04:10 Let's draw from the horse's mouth.
04:12 From the maker.
04:13 The mixture of this Khichdi is something different.
04:15 What will you have to do to get a visa to this country?
04:19 For this, you will have to tell your family that you will not go alone.
04:25 I have to go with everyone.
04:27 Because, the story of this is a family fun story.
04:34 From the child to the old, everyone will go together.
04:38 Because the recipe we have made this time.
04:40 We have added some ingredients that were not there in the previous Khichdi.
04:48 This Khichdi is of many varieties.
04:52 In India, there are so many varieties of Khichdi.
04:54 And people believe that Khichdi is simple.
04:57 It is not necessary.
04:58 It is not necessary.
04:59 Like Praful says.
05:01 Khichdi can be unique.
05:03 Khichdi can be rich.
05:05 This Khichdi is a little rich.
05:08 This Khichdi is a little bit of everything.
05:12 And this Khichdi is something that you will enjoy only after going to the cinema hall.
05:16 These are the three main ingredients in this Khichdi.
05:19 Honestly, I was not expecting Babuji on the panel.
05:22 I thought you threw him in the river.
05:25 You are still here. Thank you so much.
05:27 But he comes back.
05:29 He comes back.
05:30 Absolutely.
05:31 I am thrown.
05:32 We throw him once.
05:33 We throw him once.
05:34 But I am also very excited.
05:36 I come back.
05:37 We will keep throwing him.
05:38 He will keep coming.
05:39 This time you will not say, "I am there."
05:42 Look at me.
05:43 That is my catch line.
05:44 I have to say that.
05:45 I am there.
05:47 I had thought of a scene of Babuji.
05:50 But because of the length, it was cut on paper.
05:53 Babuji talks about committing suicide.
05:57 I don't want to live with you people.
05:59 Because I have a big debt on them.
06:01 So, Jai Shree says, "No, Babuji, please don't jump now."
06:05 "Two people have died."
06:06 "Let Diwali end, then you can jump."
06:09 Praful says, "If you jump from here, we will all jump with you."
06:14 Babuji says, "Okay, jump."
06:15 We will all jump.
06:17 We will all jump.
06:18 Everyone jumps.
06:19 Babuji jumps down.
06:20 They jump there.
06:22 Babuji jumps down like this.
06:25 But it doesn't end here.
06:27 They fall on a lion.
06:29 I thought of a tiger from the graphics.
06:32 They fall on it.
06:34 The tiger gets worried.
06:36 It gets angry.
06:39 A lioness comes.
06:41 She sees a hungry man lying here.
06:44 She comes to Babuji.
06:46 Babuji says, "Jai Shree."
06:49 The tiger says, "Oh, it's Tulsi Das."
06:51 And leaves.
06:52 Apart from that, I hope he is not taking any blame upon himself.
06:57 Which he did in the past movie.
07:02 I want to ask you.
07:04 You have played so many roles on television.
07:07 Here, sitcom and evolution in a film.
07:11 Second part.
07:12 Too many emotions must be running across your head.
07:15 How do you see all of it?
07:17 Today only I was talking to Aatish and JD.
07:21 The excitement has reached the anxiety level.
07:28 And vice versa.
07:30 We don't understand what is happening.
07:34 People are talking so much.
07:36 That we will see Kichdi.
07:39 And to tell you frankly, this is my first film.
07:43 Actually.
07:44 Because I was not there in the last one.
07:46 I couldn't do it.
07:47 So this film.
07:49 To see yourself on a big screen.
07:52 I have been asking them since long.
07:54 When will we get our hoardings?
07:56 After theatre.
07:57 I have so many questions.
07:59 He must be tired.
08:01 He has to answer so many questions.
08:04 But he tells me sweetly.
08:06 So many.
08:08 First, I am very happy.
08:10 You know.
08:11 This time Kichdi is going to be double.
08:15 Second, we have always seen.
08:17 Diwali release.
08:19 So this time my film is going to be released on Diwali.
08:22 So I am very happy about that.
08:24 Plus, Diwali is a time when the whole family gathers.
08:27 So with the whole family.
08:29 We are going to premiere in Ahmedabad.
08:31 Majority of my family is in Ahmedabad.
08:35 So they are all excited.
08:37 That we will see together.
08:39 After coming to Mumbai.
08:41 So this happiness.
08:43 That I have to see my film with my family.
08:45 So their excitement is on a different level.
08:48 Rajiv sir, this question is especially for you.
08:50 I would like to say something.
08:51 He has said so much.
08:52 So I will try my best.
08:55 That his auditions will be conducted.
08:58 They say comedy is a serious business.
09:01 They say comedy is a serious business.
09:03 Because outside of it looks all funny.
09:05 But when you are inside.
09:06 You have to pull it off in a way.
09:08 That only you can pull it off.
09:10 I remember your journey as an actor.
09:12 From theatre to films.
09:14 To television and movies.
09:16 There is one particular scene.
09:17 That you are remembered for.
09:19 Which is a scene from Rangeela.
09:21 There you go.
09:22 And you say Sir AC is on.
09:24 To Aamir Khan's character.
09:25 That character is etched in the collective memory.
09:27 Of film lovers.
09:29 And you have been an integral part of that scene.
09:31 In spite of being that stoic face.
09:33 You still could pull it off.
09:35 And you are an integral part of that whole scene.
09:37 Can you take us back?
09:39 I am actually that only.
09:41 In real life.
09:43 I am totally opposite to Rahul.
09:46 Many times people meet me.
09:48 In a function or a wedding.
09:50 Or here and there.
09:52 They say, say that dialogue and make me laugh.
09:54 But I am not like that.
09:56 I am not serious.
09:58 I don't laugh.
10:01 Supriya ma'am, thank you so much for joining us.
10:04 First of all, I was not very comfortable to sit alongside you.
10:06 Especially after watching your performance in
10:08 Goliyo Ki Raas Leela Ram Leela.
10:10 But then of course, Hansa gives me that much relief.
10:12 What are the memories?
10:14 What was the preparation to build this character?
10:17 This solid character?
10:18 And then the continuation of the same.
10:20 Did you look at any reference?
10:22 Did you look at any material?
10:23 Of course, acting and comedy especially comes to you.
10:26 Because of the family you belong to.
10:29 Your mother was a great actor.
10:30 She was superb with her comic timing.
10:32 Your sister is a fantastic performer.
10:35 We see Maya Asarabhai is a completely different comedian.
10:38 And you are playing this comic character as Hansa.
10:41 How do you distinguish the two?
10:43 What is the methodology of the same?
10:45 I think working on Hansa was a very unique experience for me.
10:50 Because one, I had not done something like this before.
10:53 Ratna and me had done a serial earlier.
10:58 Called Idhar Udhar.
10:59 In which she was the fool and I was the very wise girl.
11:06 And now what excited me about doing Hansa was the innocence.
11:12 So for me it was very important to keep that innocence.
11:16 And that smart dumbness which Hansa has.
11:23 So it was a nice process of making a character like this.
11:29 Also because I wanted to create and I was allowed to create a whole physicality to Hansa.
11:38 Because she doesn't move too much.
11:40 She doesn't walk around.
11:41 She doesn't do any active things.
11:44 So for me to be able to create how I would become a presence.
11:47 Those were the really interesting parts that I had to do.
11:51 Carrying on from there.
11:54 I have done Hansa so many times and I have been doing it for so long.
11:59 So now I feel like Hansa comes very normally in me.
12:04 But this time I said to Aartish again.
12:09 Because in our web series we did.
12:12 I felt like I was uncomfortably high notch.
12:17 Which had no meaning.
12:19 I didn't think that Hansa could be that.
12:21 So for me it was very important that I bring back the innocence.
12:25 So this time for me the challenge of doing Hansa again was not being this.
12:30 Because I am like so I can do anything.
12:34 To come back to what Hansa was and Hansa is.
12:39 To come back to that person was a very interesting journey in this film that we had.
12:46 We have just made Khichdi 2.
12:48 In which even though I had Hansa in me.
12:54 I brought back Hansa.
12:57 So it was a great moment for me and I enjoyed doing it.
13:01 I think I haven't seen the film yet.
13:03 So I can't say whether I have been able to do it correct or not.
13:07 But I am still relying on the two of you and saying that hopefully I have done it right.
13:12 Wait and watch.
13:14 Unbelievable.
13:16 The Hansa that you have enjoyed so far.
13:21 You will see in this Khichdi 2.
13:26 You will get 4 more chances.
13:30 It's about 4 chances.
13:32 It's about the evolution of characters.
13:34 It's about writing as a maker.
13:36 How do you see women characters have progressed in all these years?
13:39 They are getting the chance.
13:41 I still remember an interview with Ratna ma'am.
13:43 Where she said that you two would look at your mother's scene and say.
13:47 This is scene number 2.
13:49 Mom will do this.
13:51 Or this is scene number 2.
13:53 Because there were stereotypical scenes.
13:55 And women were expected to stick to those scenes only.
13:57 Or those expressions only.
13:59 Because there was nothing to explore or experience.
14:01 So how much has the medium changed in that regard?
14:03 How much women force and empowerment do you see?
14:08 In terms of performance and technical expertise?
14:11 In terms of performance.
14:13 If we start with television.
14:16 There was a time when roles were written for women.
14:22 And shows were kept on their shoulders.
14:26 And they used to drive too.
14:28 So many good shows.
14:30 Like Jassi Jaisi Koi Nahi Mein.
14:32 Like Mona ji changed the grammar.
14:35 When we made Baah Bahoor Baby.
14:37 Our matriarch.
14:39 No one thought that the heroine of this show would be a 65 year old woman.
14:44 Our mother was the heroine of our show.
14:46 If we see Khichdi, then Hansa and Jayshree.
14:49 And now Parminder too.
14:51 These three are such great role models.
14:53 Especially Hansa and Jayshree.
14:55 And if you talk about Sara bhai.
14:57 Then Ratna ji, Rupali.
14:59 How they are.
15:00 But at the same time we saw that the film.
15:03 If you talk about Abhikeshu, then Pushpa Impossible.
15:06 She changed the grammar.
15:08 Correct.
15:09 Of the TV.
15:10 And if you see in films.
15:12 If you see in the last 10-15 years.
15:14 Then makers started realizing.
15:17 That this is in the mindset of the patriarchy.
15:21 That there is a hero.
15:23 And then there is a heroine.
15:24 This style.
15:25 We should change.
15:26 The heroine can also be a hero.
15:28 The heroine can also drive the film.
15:30 And so many films came.
15:32 You see.
15:33 And then OTT came.
15:34 So OTT not only gave roles to good actresses.
15:40 But also kept the responsibility of taking the series ahead.
15:46 And women played it so beautifully.
15:49 That I think finally that whole stereotype of hero.
15:53 And there is a hero.
15:54 And there is a story.
15:55 And then there is a heroine too.
15:57 That also came out.
15:58 And the genders all moved.
16:01 And this is a very good thing.
16:03 Because I tell you one thing.
16:04 That what happens is.
16:07 Like it is often said.
16:09 That finally we have broken out of this mold of.
16:13 Men do certain things.
16:14 Women do certain things.
16:15 The gender is getting one big kick.
16:18 Where it is required to be given.
16:19 And everybody is getting meatier roles.
16:22 And everybody is doing it with elan.
16:24 And thank God for that.
16:25 I also have one more thing to say.
16:27 That I am sorry.
16:28 I am going back.
16:29 But there were times.
16:30 In my youth.
16:32 In my times.
16:33 Where we had films like Bazaar.
16:34 We had Manthan.
16:35 We had Aul Bhoomi Ka.
16:37 We had Shyam Veligar.
16:39 There were also interesting films.
16:41 There was drama.
16:42 Sita Aur Geeta.
16:44 The actresses you saw.
16:46 It was there.
16:47 Beautiful.
16:48 But the quantity is big.
16:50 What used to be there.
16:51 It was not there.
16:52 But there is a big base behind it.
16:54 You see.
16:55 This whole country and the whole world is changing.
16:58 Whether you.
17:00 We talk about India.
17:02 No.
17:03 World over.
17:04 Like women have started taking a front seat.
17:08 Whether it is politics.
17:09 Whether it is business.
17:10 Whether.
17:11 This is changing in the whole ecosystem.
17:13 And we are focusing it on the film industry.
17:15 No.
17:16 The world is changing.
17:17 And it is a very organic change.
17:19 Earlier our daughters were getting educated.
17:21 There was captioning also.
17:22 The world is changing.
17:24 And you always have a reflection.
17:26 But it has been an interpersonal relationship.
17:28 Which is creative.
17:30 Sorry. I want to say it.
17:31 That the creativity.
17:33 Nation building.
17:35 World building.
17:36 It was a hand in hand equation.
17:38 Because we are all actually influencers.
17:41 And those influencers.
17:43 Who can shape the nation universe.
17:46 We have to take it in the right way.
17:49 Then comedy.
17:51 Whether it is drama.
17:52 Whether it is emotion.
17:54 Whatever it is.
17:56 There women.
17:58 Because in our society.
18:00 Reading, writing.
18:01 I have said it before.
18:02 I am not repeating it.
18:03 The change that has come.
18:04 It is reflecting in our work.
18:06 We are getting opportunities in the platform.
18:08 So in work.
18:09 In the minds of the people at home.
18:10 Earlier only boys could work in the industry.
18:13 Because it was safe.
18:14 It was not for girls.
18:15 That man is changing.
18:16 So there are 50 layers of things.
18:19 Which is changing.
18:20 And in such a serious discussion.
18:22 Once there is a joke.
18:24 We get into it.
18:25 During the break.
18:26 While running our ad.
18:27 From 17th November.
18:28 To laugh and to make people laugh.
18:30 Do come to the cinemas to watch Khichdi.
18:32 So we come back to the point.
18:34 That it is because of that.
18:35 Yeah.
18:36 I was also saying the same thing.
18:38 That the amount has changed.
18:41 We are doing more of that kind of work.
18:43 I don't feel that there was.
18:44 There has always been women dominating.
18:47 Films or anything.
18:48 But now we are accepting it more.
18:50 Yeah.
18:51 And I personally also feel that.
18:53 I don't take it as gender.
18:55 I don't take it as a man woman.
18:57 I take it we are exploring stories.
19:00 Today in our industry.
19:02 Today there was a formula film.
19:05 There will always be a hero.
19:06 A villain will come.
19:07 This will be Maramari.
19:08 Finally.
19:09 The good wins over the evil.
19:10 This was our Mahabharata.
19:14 Today because all our formulas have changed.
19:18 I feel that.
19:19 We have reached a situation.
19:21 Even the actresses get a say.
19:24 In the whole scenario.
19:25 Absolutely.
19:26 My last question therefore.
19:28 Arrives at that particular element.
19:29 Which is spontaneity.
19:30 How much of it.
19:31 Including the material.
19:33 And the performance.
19:34 How much of it was concrete on script.
19:37 And how much of it was spontaneous.
19:39 That each performer.
19:40 Gets to do what they want to do.
19:42 Some would have come spontaneously.
19:44 Some would have thought.
19:45 Should I do it like this.
19:46 Should I tweak it like this.
19:47 Are there any memorable moments.
19:49 For each of you.
19:50 For your character.
19:51 If I talk about myself.
19:52 I was always fascinated.
19:55 By comedy.
19:57 And comical.
19:58 You know.
19:59 And.
20:00 I have been a huge fan.
20:02 Of Laurel and Hardy.
20:04 So that was the take.
20:06 The first day.
20:07 The first day of the shoot.
20:08 After that I went home.
20:10 And thought a lot.
20:11 What should I do.
20:12 It has to stand out.
20:13 It's not.
20:14 It's not be one of.
20:15 The many.
20:16 The many like.
20:17 Character.
20:18 You know.
20:19 He should be like this.
20:20 He should not be like that.
20:22 It should stand out.
20:23 Then I thought over it.
20:25 And then.
20:26 I.
20:27 The take.
20:28 I mean.
20:29 Laurel's.
20:30 Gaped.
20:31 Gaped face.
20:32 That I worked out.
20:33 You know.
20:34 And that worked.
20:35 Wow.
20:36 And that worked brilliantly well.
20:37 Sir for you.
20:38 This whole combination of.
20:39 Babuji and Praful.
20:40 Is in a way.
20:41 Laurel and Hardy thing.
20:42 Which came.
20:43 Which Atish.
20:44 Presented it very well.
20:45 And.
20:46 What Atish is saying.
20:47 The spontaneity.
20:48 Which comes later.
20:49 In us.
20:50 But first.
20:51 It comes in Atish.
20:52 In writing.
20:53 While we are doing a scene.
20:54 There only.
20:55 Some things come out.
20:56 Not like this.
20:57 Do it like this.
20:58 Do it like this.
20:59 So from there.
21:00 All things.
21:01 Atish's writing is a great help to the actors.
21:02 He fine tunes us into all that.
21:03 Vandaman for you.
21:04 From Humpaach.
21:05 To whatever you have done.
21:06 There after.
21:07 And does now.
21:08 Khichdi 1's part.
21:09 But when it comes to Khichdi 2.
21:10 I have to make my presence well.
21:11 Without doing some.
21:12 You know.
21:13 Without doing something.
21:14 That I have already done in the past.
21:15 So how was that?
21:16 For this.
21:17 No.
21:18 For this.
21:19 This.
21:20 I mean for me.
21:21 It was like.
21:22 Starting from fresh.
21:23 You know.
21:24 Because.
21:25 See serials.
21:26 Is a different thing.
21:27 In media also.
21:28 It is different.
21:29 Although acting is acting.
21:30 Performance is performance.
21:31 But still.
21:32 What happens is.
21:33 When you.
21:34 Are not a part of something.
21:35 And then you have got something.
21:36 So what happens.
21:37 When you.
21:38 Are not a part of something.
21:39 And then you have got something.
21:40 So what happens.
21:41 When you.
21:42 Are not a part of something.
21:43 So what happens.
21:44 When you.
21:45 Are not a part of something.
21:46 So what happens.
21:47 When you.
21:48 Are not a part of something.
21:49 So what happens.
21:50 When you.
21:51 Are not a part of something.
21:52 So what happens.
21:53 When you.
21:54 Are not a part of something.
21:55 So what happens.
21:56 When you.
21:57 Are not a part of something.
21:58 So what happens.
21:59 When you.
22:00 Are not a part of something.
22:01 So what happens.
22:02 When you.
22:03 Are not a part of something.
22:04 So what happens.
22:05 When you.
22:06 Are not a part of something.
22:07 So what happens.
22:08 When you.
22:09 Are not a part of something.
22:10 So what happens.
22:11 When you.
22:12 Are not a part of something.
22:13 So what happens.
22:14 When you.
22:15 Are not a part of something.
22:16 So what happens.
22:17 When you.
22:18 Are not a part of something.
22:19 So what happens.
22:20 When you.
22:21 Are not a part of something.
22:22 So what happens.
22:23 When you.
22:24 Are not a part of something.
22:25 So what happens.
22:26 When you.
22:27 Are not a part of something.
22:28 So what happens.
22:29 When you.
22:30 Are not a part of something.
22:31 So what happens.
22:32 When you.
22:33 Are not a part of something.
22:34 So what happens.
22:35 When you.
22:36 Are not a part of something.
22:37 So what happens.
22:38 When you.
22:39 Are not a part of something.
22:40 So what happens.
22:41 When you.
22:42 Are not a part of something.
22:43 So what happens.
22:44 When you.
22:45 Are not a part of something.
22:46 So what happens.
22:47 When you.
22:48 Are not a part of something.
22:49 So what happens.
22:50 When you.
22:51 Are not a part of something.
22:52 So what happens.
22:53 When you.
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