Off-Biennale: A collective for the arts

  • last year
The OFF-Biennale is a curatorial collective made of six women based in Budapest. They work with other creatives and institutions in Hungary, Eastern Europe, and around the world without any state cultural funding.
Transcript
00:00 The Hungarian capital of Budapest in early summer 2023.
00:06 A place where authoritarian policies are restricting the free arts scene.
00:12 The Off Biennale Budapest is pushing back.
00:15 With symposia like "The Season of Darkness",
00:18 female cultural activists are countering the contemporary political gloom.
00:25 Only these interactions and collaborations can save us these days coming together.
00:34 And the war in Ukraine are the two major factors which influence our,
00:40 not only this symposia, but our daily life as well.
00:44 Presentations and panels ran for three days at this independent cultural venue, Neolgisfère.
00:50 The Off Biennale's curatorial team is made up of six women.
00:54 Back in 2013, one of them came up with the idea of an alternative biennale
01:00 to counter predominant state-sponsored art.
01:03 Hajnákás Simódyi.
01:05 Only artists who don't accept state funding can take part.
01:09 Not so easy.
01:11 In Eastern Europe, artists, curators, not many people have the opportunity to boycott the state.
01:17 It's quite impossible on an individual level, but a project can do it.
01:23 I think that was one of the draws,
01:25 one of the reasons why all these people started to approach, react really positively.
01:31 I think it felt good to start actually doing something together.
01:39 The approach made waves.
01:41 In 2022, they were invited to documenta in Kassel.
01:45 Together with students and the design collective Resetas Urbanas,
01:49 the Off team conceived and built a bridge out of recycled materials.
01:54 They invited us to the documenta, it was amazing.
02:03 At the end it was real.
02:05 Not only during the 100 days of the documenta, involving the kids, the students, some families, neighbours,
02:13 and in that process that is invisible for people who went later, it was for me the most beautiful experience to build a ballet together.
02:23 His words echo the Budapest team's guiding principle, building something together.
02:29 For example, an international exhibition on violence against women runs during the symposium.
02:35 And there's a meeting of a new collective of small-scale biennales from Prague, Kiev, Warsaw, Riga and Budapest, of course.
02:43 It's called the Eastern European Biennial Alliance.
02:48 None of us have this maintaining infrastructure that usually biennial or larger scale institutions have,
02:57 so we have to put together what we have and share either the experiences, the resources, the knowledge, the network.
03:05 The Ukraine war has brought them closer together, and they're now planning to collaborate on upcoming art biennales in Eastern Europe.
03:13 Sergei Klimko is already working on the next Kiev Biennale, set to take place in fall.
03:20 He's hoping to reinvigorate the local art scene.
03:23 It's very important to reconnect them to the actual cultural scene of Kiev
03:29 and to allow them to work on the topic they previously worked on
03:35 and around the topics which are important now for people who are still there.
03:42 Much of the work shown in the off-biennale turns the spotlight on marginalized groups.
03:52 Roma MoMA is a long-term project exploring art and activism with and by Sinti and Roma.
03:59 The goal is not to establish another brick and mortar building for Roma art.
04:04 Roma people are dispersed all over Europe and beyond,
04:07 so the question is rather how to change the policies of museums
04:10 and how to acknowledge the contribution of Romani people to our culture.
04:16 Such is this performance by Luna de Rosa, a multidisciplinary artist from the Roma diaspora,
04:22 which looks at attitudes to Roma against a backdrop of rising nationalism.
04:27 Even though they are an integral part of the society,
04:33 there are less opportunities for them to showcase their amazing works.
04:37 Not only show, but also share with the communities,
04:41 which I think the off-biennale is doing a great job because they try to reach out to different audiences.
04:48 The Goethe-Institut Budapest has supported the off-biennale from day one.
04:54 This year its curatorial team is being awarded a Goethe Medal
04:58 for its work promoting independent artists and helping them network across Europe.
05:03 It's an honor, but the team is well aware it still has its work cut out for it.
05:09 We always hope that we create some kind of a turbulence.
05:14 And sometimes we are very engaged, we invest a lot, and this turbulence just doesn't happen.
05:20 I wonder if a Goethe Medal is enough to create this turbulence.
05:26 We'll see.
05:28 The off-biennale Budapest, playing a key role in the alliance of independent Eastern European art festivals
05:36 that's shaping new forms of international solidarity and creating turbulence in the process.
05:43 (gentle music)

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