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Court métrageTranscription
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00:07 ♪ ♪ ♪
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00:19 - I don't think anybody at a young age who gets famous has the
00:22 slightest idea that it'll ever end. I've always said I wouldn't
00:27 want to do a farewell tour because people will say that I'm
00:29 always come back. Maybe it'd be nice to celebrate 55 years of
00:34 it.
00:35 - Here she is, man, Miss Joan Baez.
00:39 - I was the right voice at the right time.
00:40 It just shot me in another whole stratosphere.
00:43 - What does fame mean to you?
00:44 - What fame actually is, I don't really know because I don't
00:47 consider myself famous. I think it's the difference in being
00:49 well-known and being famous.
00:51 ♪ ♪ ♪
00:54 - If I could write my entire history, whether it has anything
00:57 to do with facts, nobody will ever know because we remember
01:00 what we want to remember.
01:01 - The panic attack stuff started early.
01:04 - And then the anxiety just heightened and heightened.
01:07 I walk out on the stage and they said, "Oh, she looks so
01:10 peaceful." Exactly the opposite of what was going on inside.
01:14 But I was aware that their sorrows were way greater than
01:17 mine. Nonviolent action was what I was born for. I knew that I
01:21 belonged there. And then Dylan showing up.
01:23 ♪ ♪ ♪
01:29 - I was just there riding the wave with him.
01:32 I think Dylan broke my heart because it was so shattering.
01:35 That, I admit.
01:37 [laughs]
01:39 I was really addicted to the activism.
01:41 There's no way I could have been intimate.
01:43 I didn't know that yet.
01:44 I'm not very good at one-on-one relationships.
01:47 I'm great with one-on-two thousand.
01:50 ♪ ♪ ♪
01:58 - There will always be some regret no matter when I quit.
02:01 ♪ ♪ ♪
02:05 - Demons still come and go a little tiny bit,
02:08 but not the way they used to.
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02:12 - Somebody asked me which decade I like.
02:16 I said this one.
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02:23 [Bruit de porte qui s'ouvre]