En Llamas Serie Turca Capitulo 8 Español Vídeo Dailymotion
Category
🎥
Short filmTranscript
00:00:00 [music]
00:00:12 [music]
00:00:18 [music]
00:00:21 [speaking Spanish]
00:00:24 [speaking Spanish]
00:00:27 [speaking Spanish]
00:00:30 [speaking Spanish]
00:00:33 [speaking Spanish]
00:00:36 [speaking Spanish]
00:00:39 [speaking Spanish]
00:00:42 [speaking Spanish]
00:00:45 [speaking Spanish]
00:00:48 [speaking Spanish]
00:00:52 [speaking Spanish]
00:00:56 [speaking Spanish]
00:01:00 [speaking Spanish]
00:01:04 [speaking Spanish]
00:01:08 [speaking Spanish]
00:01:13 [speaking Spanish]
00:01:16 [speaking Spanish]
00:01:20 [speaking Spanish]
00:01:24 [speaking Spanish]
00:01:28 [speaking Spanish]
00:01:32 [speaking Spanish]
00:01:36 [speaking Spanish]
00:01:41 [speaking Spanish]
00:01:44 [speaking Spanish]
00:01:48 [speaking Spanish]
00:01:52 [speaking Spanish]
00:01:56 [speaking Spanish]
00:02:00 [speaking Spanish]
00:02:04 [speaking Spanish]
00:02:09 [speaking Spanish]
00:02:12 [speaking Spanish]
00:02:16 [speaking Spanish]
00:02:20 [speaking Spanish]
00:02:24 [speaking Spanish]
00:02:28 [speaking Spanish]
00:02:32 [speaking Spanish]
00:02:37 [speaking Spanish]
00:02:40 [speaking Spanish]
00:02:44 [speaking Spanish]
00:02:48 [speaking Spanish]
00:02:52 [speaking Spanish]
00:02:56 [music]
00:03:00 [music]
00:03:05 [music]
00:03:08 [music]
00:03:12 [speaking Spanish]
00:03:16 [speaking Spanish]
00:03:20 [speaking Spanish]
00:03:24 [speaking Spanish]
00:03:28 [speaking Spanish]
00:03:33 [speaking Spanish]
00:03:36 [speaking Spanish]
00:03:40 [speaking Spanish]
00:03:44 [speaking Spanish]
00:03:48 [speaking Spanish]
00:03:52 [speaking Spanish]
00:03:56 [speaking Spanish]
00:04:01 [speaking Spanish]
00:04:04 [speaking Spanish]
00:04:08 [speaking Spanish]
00:04:12 [speaking Spanish]
00:04:16 [speaking Spanish]
00:04:20 [speaking Spanish]
00:04:24 [speaking Spanish]
00:04:29 [speaking Spanish]
00:04:32 [speaking Spanish]
00:04:36 [speaking Spanish]
00:04:40 [speaking Spanish]
00:04:44 [music]
00:04:48 [music]
00:04:52 [music]
00:04:57 [music]
00:05:00 [music]
00:05:04 [speaking Spanish]
00:05:08 [speaking Spanish]
00:05:12 [speaking Spanish]
00:05:16 [music]
00:05:20 [music]
00:05:25 [speaking Spanish]
00:05:28 [speaking Spanish]
00:05:32 [speaking Spanish]
00:05:36 [speaking Spanish]
00:05:40 [speaking Spanish]
00:05:44 [music]
00:05:48 [music]
00:05:53 [music]
00:05:56 [music]
00:06:00 [music]
00:06:04 [music]
00:06:08 [speaking Spanish]
00:06:12 [music]
00:06:16 [music]
00:06:21 [music]
00:06:24 [music]
00:06:28 [music]
00:06:32 [music]
00:06:36 [music]
00:06:40 [music]
00:06:44 [music]
00:06:49 [music]
00:06:52 [music]
00:06:56 [music]
00:07:00 [speaking Spanish]
00:07:04 [speaking Spanish]
00:07:08 [speaking Spanish]
00:07:12 [speaking Spanish]
00:07:17 [speaking Spanish]
00:07:20 [speaking Spanish]
00:07:24 [speaking Spanish]
00:07:28 [speaking Spanish]
00:07:32 [music]
00:07:36 [music]
00:07:40 [music]
00:07:45 [music]
00:07:48 [music]
00:07:52 [speaking Spanish]
00:07:56 [speaking Spanish]
00:08:00 [music]
00:08:04 [music]
00:08:08 [music]
00:08:13 [music]
00:08:16 [speaking Spanish]
00:08:20 [speaking Spanish]
00:08:24 [speaking Spanish]
00:08:28 [speaking Spanish]
00:08:32 [speaking Spanish]
00:08:36 [speaking Spanish]
00:08:41 [speaking Spanish]
00:08:44 [speaking Spanish]
00:08:48 [music]
00:08:52 [speaking Spanish]
00:08:56 [speaking Spanish]
00:09:00 [speaking Spanish]
00:09:04 [speaking Spanish]
00:09:09 [music]
00:09:12 [speaking Spanish]
00:09:16 [music]
00:09:20 [speaking Spanish]
00:09:24 [music]
00:09:28 [speaking Spanish]
00:09:32 [speaking Spanish]
00:09:37 [speaking Spanish]
00:09:40 [music]
00:09:44 [music]
00:09:48 [music]
00:09:52 [music]
00:09:56 [music]
00:10:00 [music]
00:10:05 [music]
00:10:08 [speaking Spanish]
00:10:12 [speaking Spanish]
00:10:16 [speaking Spanish]
00:10:20 [speaking Spanish]
00:10:24 [speaking Spanish]
00:10:28 [speaking Spanish]
00:10:33 [speaking Spanish]
00:10:36 [speaking Spanish]
00:10:40 [speaking Spanish]
00:10:44 [speaking Spanish]
00:10:48 [music]
00:10:52 [music]
00:10:56 [music]
00:11:01 [speaking Spanish]
00:11:04 [music]
00:11:08 [speaking Spanish]
00:11:12 [music]
00:11:16 [music]
00:11:20 [music]
00:11:24 [speaking Spanish]
00:11:29 [speaking Spanish]
00:11:32 [speaking Spanish]
00:11:36 [music]
00:11:40 [music]
00:11:44 [music]
00:11:48 [music]
00:11:52 [music]
00:11:57 [speaking Spanish]
00:12:00 [speaking Spanish]
00:12:04 [music]
00:12:08 [speaking Spanish]
00:12:12 [music]
00:12:16 [music]
00:12:20 [music]
00:12:25 [speaking Spanish]
00:12:28 [music]
00:12:32 [speaking Spanish]
00:12:36 [music]
00:12:40 [music]
00:12:44 [music]
00:12:48 [music]
00:12:53 [music]
00:12:56 [speaking Spanish]
00:13:00 [speaking Spanish]
00:13:04 [music]
00:13:08 [music]
00:13:12 [music]
00:13:16 [music]
00:13:21 [music]
00:13:24 [music]
00:13:28 [music]
00:13:32 [music]
00:13:36 [music]
00:13:40 [music]
00:13:44 [music]
00:13:49 [music]
00:13:52 [music]
00:13:56 [music]
00:14:00 [music]
00:14:04 [music]
00:14:08 [music]
00:14:12 [music]
00:14:17 [music]
00:14:20 [music]
00:14:24 [music]
00:14:28 [music]
00:14:32 [music]
00:14:36 [music]
00:14:40 [music]
00:14:45 [music]
00:14:48 [music]
00:14:52 [music]
00:14:56 [music]
00:15:00 [music]
00:15:04 [music]
00:15:08 [music]
00:15:13 [music]
00:15:16 [music]
00:15:20 [music]
00:15:24 [music]
00:15:28 [music]
00:15:32 [music]
00:15:36 [music]
00:15:41 [music]
00:15:44 [music]
00:15:48 [music]
00:15:52 [music]
00:15:56 [music]
00:16:00 [music]
00:16:04 [music]
00:16:09 [music]
00:16:12 [music]
00:16:16 [music]
00:16:20 [music]
00:16:24 [music]
00:16:28 [music]
00:16:32 [music]
00:16:37 [music]
00:16:40 [music]
00:16:44 [music]
00:16:48 [music]
00:16:52 [music]
00:16:56 [music]
00:17:00 [music]
00:17:05 [music]
00:17:08 [music]
00:17:12 [music]
00:17:16 [music]
00:17:20 [music]
00:17:24 [music]
00:17:28 [music]
00:17:33 [music]
00:17:36 [music]
00:17:40 [music]
00:17:44 [music]
00:17:48 [music]
00:17:52 [music]
00:17:56 [music]
00:18:01 [music]
00:18:04 [music]
00:18:08 [music]
00:18:12 [music]
00:18:16 [music]
00:18:20 [music]
00:18:24 [music]
00:18:29 [music]
00:18:32 [music]
00:18:36 [music]
00:18:40 [music]
00:18:44 [music]
00:18:48 [music]
00:18:52 [music]
00:18:57 [music]
00:19:00 [music]
00:19:04 [music]
00:19:08 [music]
00:19:12 [music]
00:19:16 [music]
00:19:20 [music]
00:19:25 [music]
00:19:28 [music]
00:19:32 [music]
00:19:36 [music]
00:19:40 [music]
00:19:44 [music]
00:19:48 [music]
00:19:53 [music]
00:19:56 [music]
00:20:00 [music]
00:20:04 [music]
00:20:08 [music]
00:20:12 [music]
00:20:16 [music]
00:20:21 [music]
00:20:24 [music]
00:20:28 [music]
00:20:32 [music]
00:20:36 [music]
00:20:40 [music]
00:20:44 [music]
00:20:49 [music]
00:20:52 [music]
00:20:56 [music]
00:21:00 [music]
00:21:04 [music]
00:21:08 [music]
00:21:12 [music]
00:21:17 [music]
00:21:20 [music]
00:21:24 [music]
00:21:28 [music]
00:21:32 [music]
00:21:36 [music]
00:21:40 [music]
00:21:45 [music]
00:21:48 [music]
00:21:52 [music]
00:21:56 [music]
00:22:00 [music]
00:22:04 [music]
00:22:08 [music]
00:22:13 [music]
00:22:16 [music]
00:22:20 [music]
00:22:24 [music]
00:22:28 [music]
00:22:32 [music]
00:22:36 [music]
00:22:41 [music]
00:22:44 [music]
00:22:48 [music]
00:22:52 [music]
00:22:56 [music]
00:23:00 [music]
00:23:04 [music]
00:23:09 [music]
00:23:12 [music]
00:23:16 [music]
00:23:20 [music]
00:23:24 [music]
00:23:28 [music]
00:23:32 [music]
00:23:37 [music]
00:23:40 [music]
00:23:44 [music]
00:23:48 [music]
00:23:52 [music]
00:23:56 [music]
00:24:00 [music]
00:24:05 [music]
00:24:08 [music]
00:24:12 [music]
00:24:16 [music]
00:24:20 [music]
00:24:24 [music]
00:24:28 [music]
00:24:33 [music]
00:24:36 [music]
00:24:40 [music]
00:24:44 [music]
00:24:48 [music]
00:24:52 [music]
00:24:56 [music]
00:25:01 [music]
00:25:04 [music]
00:25:08 [music]
00:25:12 [music]
00:25:16 [music]
00:25:20 [music]
00:25:24 [music]
00:25:29 [music]
00:25:32 [music]
00:25:36 [music]
00:25:40 [music]
00:25:44 [music]
00:25:48 [music]
00:25:52 [music]
00:25:57 [music]
00:26:00 [music]
00:26:04 [music]
00:26:08 [music]
00:26:12 [music]
00:26:16 [music]
00:26:20 [music]
00:26:25 [music]
00:26:28 [music]
00:26:32 [music]
00:26:36 [music]
00:26:40 [music]
00:26:44 [music]
00:26:48 [music]
00:26:53 [music]
00:26:56 [music]
00:27:00 [music]
00:27:04 [music]
00:27:08 [music]
00:27:12 [music]
00:27:16 [music]
00:27:21 [music]
00:27:24 [music]
00:27:28 [music]
00:27:32 [music]
00:27:36 [music]
00:27:40 [music]
00:27:44 [music]
00:27:49 [music]
00:27:52 [music]
00:27:56 [music]
00:28:00 [music]
00:28:04 [music]
00:28:08 [music]
00:28:12 [music]
00:28:17 [music]
00:28:20 [music]
00:28:24 [music]
00:28:28 [music]
00:28:32 [music]
00:28:36 [music]
00:28:40 [music]
00:28:45 [music]
00:28:48 [music]
00:28:52 [music]
00:28:56 [music]
00:29:00 [music]
00:29:04 [music]
00:29:08 [music]
00:29:13 [music]
00:29:16 [music]
00:29:20 [music]
00:29:24 [music]
00:29:28 [music]
00:29:32 [music]
00:29:36 [music]
00:29:41 [music]
00:29:44 [music]
00:29:48 [music]
00:29:52 [music]
00:29:56 [sigh]
00:30:00 -Roya?
00:30:05 -Julia, how are you? I'm sorry.
00:30:08 -What are you doing here?
00:30:10 -I came to see Iskender.
00:30:12 -I doubt Iskender wants to see you again.
00:30:16 -I'd rather ask him.
00:30:19 [door opens]
00:30:22 [beeping]
00:30:24 -Roya.
00:30:27 -I hope you get better.
00:30:30 [beeping]
00:30:32 -Mom, can you leave us alone?
00:30:36 [beeping]
00:30:39 [beeping]
00:30:41 -How are you?
00:30:44 -I've lost a kidney.
00:30:48 [beeping]
00:30:50 -I'm sorry.
00:30:52 -What are you doing here?
00:30:54 -You didn't come to see me, did you?
00:30:57 -No, that's not it. Of course not.
00:31:00 [beeping]
00:31:02 -Wait, wait.
00:31:09 -So you know.
00:31:11 -You know who stabbed me.
00:31:17 -Roya, you were my fiancée.
00:31:21 -Iskender. -Shut up!
00:31:23 -Are you okay?
00:31:25 -Doesn't justice obsess you anymore?
00:31:29 -Why don't you go to the police and tell them?
00:31:33 -Justice is not the same for Lee and for me.
00:31:36 -I don't think what you did was right.
00:31:38 -What? You didn't want to listen to me, Roya.
00:31:40 -You ignored me when I tried to explain it to you.
00:31:42 -Iskender, look... -Get out of here, Roya.
00:31:44 -Okay? Get out of here.
00:31:46 -Do you want to calm down, please? -I won't calm down.
00:31:48 -You, Lee, your lover and that friend of yours.
00:31:58 -You're done. I won't give you a second of peace.
00:32:02 -Even if you spend your lives together, I'll never let you be happy.
00:32:06 -I'm going to rip your heart out.
00:32:10 -You're going to pay for this.
00:32:13 -Now, get out of here.
00:32:17 (Music)
00:32:41 -Simal, I'm so sorry. I couldn't convince him.
00:32:45 (Music)
00:33:14 (Music)
00:33:29 (Music)
00:33:52 (Music)
00:33:54 (Music)
00:34:01 -What have I done? What have I done?
00:34:03 -Please, calm down. -What have I done?
00:34:05 -I'm fine. Calm down.
00:34:08 (Music)
00:34:37 -Mrs. Simal.
00:34:38 -Can you take me to my mother's hospital?
00:34:41 -Of course. Get in.
00:34:44 (Music)
00:35:13 (Music)
00:35:23 -At least we'll let Ruya know. If not, he won't come back.
00:35:27 -I don't care. I don't care if he doesn't come back.
00:35:29 -Come on, Anna.
00:35:30 -What's wrong? What's wrong? Are you leaving?
00:35:33 -He's stubborn. He doesn't listen to me.
00:35:35 -Let's go, please.
00:35:37 -How are you?
00:35:38 -Fine, very fine. One of the doctors believes me, you know?
00:35:43 -Congratulations.
00:35:44 -Thank you. But let's see, Omer. The doctor said you can go.
00:35:48 -Don't ask him that.
00:35:50 -The doctor brought me here and he cured me.
00:35:52 -If I don't leave the hospital, I'll end up with depression.
00:35:56 -All right, come on.
00:35:57 (Music)
00:36:05 -Get better, Omer Ataychi.
00:36:07 (Music)
00:36:17 -I see you're doing well.
00:36:18 (Music)
00:36:19 -What a joy.
00:36:20 -What are you doing here?
00:36:22 -You're here to finish the job.
00:36:24 -Are you recording my voice?
00:36:25 -What side do I take?
00:36:27 -Come on, it's okay. Get out of here.
00:36:29 -You have a problem with anger, don't you?
00:36:33 (Music)
00:36:35 -We can't stand it, dear.
00:36:37 -Genevi, leave these people alone.
00:36:44 -We've all chosen, and we'll face the consequences.
00:36:48 -Look, don't try to scare us.
00:36:52 -You're not that important to me. I wouldn't try to scare you.
00:36:59 -Man, go away. Come on.
00:37:02 -I don't care about you.
00:37:04 -And why am I here?
00:37:06 (Music)
00:37:10 -Genevi, please.
00:37:13 (Music)
00:37:17 -Come on, leave him.
00:37:19 (Music)
00:37:24 -Don't meddle, Genre.
00:37:25 -Josan, that's enough.
00:37:27 -Okay?
00:37:28 (Music)
00:37:29 -Come on, Genevi.
00:37:30 (Music)
00:37:35 -Do you think you'll make Genre forgive you?
00:37:39 -That everything will be in the past?
00:37:42 -This woman has left you and she will never forgive you, Genevi.
00:37:46 -That will never happen.
00:37:48 (Music)
00:37:54 -Have you been able to forgive yourself?
00:37:57 -No.
00:37:58 -What?
00:37:59 (Music)
00:38:03 -Was your mother able to forgive you?
00:38:05 (Music)
00:38:09 -I'm sorry.
00:38:10 -Did it bother you?
00:38:12 -Oh, wow.
00:38:13 -Was it a secret?
00:38:14 (Music)
00:38:20 -Your brother won't get up from his grave just because you're a hero now.
00:38:26 (Music)
00:38:30 -But who knows?
00:38:32 -Maybe you'll get together before you want to.
00:38:35 (Music)
00:38:46 -I'm going to...
00:38:47 -No, Josan, stay still.
00:38:49 (Music)
00:38:52 -I'm sorry, man.
00:38:54 I'm sorry.
00:38:55 -Okay, calm down.
00:38:56 I'm fine.
00:38:58 I'm fine.
00:38:59 (Music)
00:39:18 -What are you doing?
00:39:20 What was that?
00:39:22 -I'm trying to get you back.
00:39:27 -I'll never go back to you.
00:39:29 -Yes, you will.
00:39:33 -Aren't you ashamed, Omer?
00:39:36 What if that bullet hits his head and not his shoulder?
00:39:43 Josan would blame himself for the death of his friend for the rest of his life.
00:39:49 And it's something you could avoid.
00:39:53 Is it worth it, Yemre?
00:39:56 Your freedom is more important than someone's life.
00:40:00 (Music)
00:40:08 -Don't cry.
00:40:13 Your mascara will run off.
00:40:18 (Music)
00:40:30 -You're going to catch a cold, baby.
00:40:32 -My love.
00:40:40 -We can go if you're bored.
00:40:43 -Of my own party?
00:40:46 -Who cares what people think?
00:40:50 -I do care.
00:40:58 Thank you very much.
00:41:00 You've prepared such a beautiful surprise.
00:41:08 -So what's with the tears?
00:41:14 -My father died on my birthday.
00:41:20 -I didn't know, darling.
00:41:22 -That day...
00:41:27 -Don't cry.
00:41:29 Your mascara will run off.
00:41:36 -I saw him.
00:41:43 -I love you, Yemre.
00:41:56 -That's not love.
00:41:59 It's a disease.
00:42:01 -Then I'm sick of love.
00:42:11 -Get out of my sight.
00:42:16 -I'm not sick of love.
00:42:21 -Get out of my sight.
00:42:31 -Yemre.
00:42:32 -Calm down, uncle.
00:42:36 Don't you dare look at him the way you look at me.
00:42:40 Not even once.
00:42:42 The way you look at him.
00:42:46 -I swear I'll kill him one day.
00:42:51 And I'll do it with my own hands.
00:43:00 -Yemre.
00:43:19 What's wrong?
00:43:20 Tell me.
00:43:23 Are you okay?
00:43:25 -Yes.
00:43:28 -I don't want you to say anything else.
00:43:30 Don't provoke him.
00:43:32 -But what did I say?
00:43:33 -I don't care.
00:43:34 I won't say it again.
00:43:36 This is not a fight between you two.
00:43:42 Don't provoke Yereve anymore.
00:43:46 Or you won't see me again.
00:43:57 -So this is what it's going to be.
00:44:00 -Yemre is right.
00:44:02 Our war with that man is different.
00:44:04 You should leave her alone.
00:44:07 -What do you mean?
00:44:09 -Yemre is still his wife.
00:44:12 -So?
00:44:13 -Get her out of there if necessary.
00:44:16 -Don't be ridiculous.
00:44:18 Okay?
00:44:20 Are you aware of what you're saying?
00:44:22 -Yes.
00:44:23 -I only care about unmasking that man.
00:44:27 That's all.
00:44:28 -Okay.
00:44:29 That's what we're going to do.
00:44:31 He knows everything about us.
00:44:32 Let's find out something about him.
00:44:36 -We already know our first stop.
00:44:40 Police station.
00:44:52 -Mrs. Shimal, I don't feel comfortable.
00:44:55 -We have no choice.
00:44:57 I've already explained it to you.
00:44:59 We have to do it.
00:45:02 -Okay.
00:45:04 -Okay.
00:45:05 -Okay.
00:45:06 -Okay.
00:45:16 -Okay.
00:45:26 -Okay.
00:45:36 -Okay.
00:45:46 -Okay.
00:45:56 -Okay.
00:46:06 -Okay.
00:46:16 -Okay.
00:46:26 -Okay.
00:46:36 -Okay.
00:46:46 -Okay.
00:46:56 -Okay.
00:47:06 -Okay.
00:47:16 -Okay.
00:47:26 -Okay.
00:47:36 -Okay.
00:47:46 -Okay.
00:47:56 -Okay.
00:48:06 -Okay.
00:48:16 -Okay.
00:48:26 -Okay.
00:48:36 -Okay.
00:48:46 -Okay.
00:48:56 -Okay.
00:49:06 -Okay.
00:49:16 -Okay.
00:49:26 -Okay.
00:49:36 -Okay.
00:49:46 -Okay.
00:49:56 -Okay.
00:50:06 -Okay.
00:50:16 -Okay.
00:50:26 -Okay.
00:50:36 -Okay.
00:50:46 -Okay.
00:50:56 -Okay.
00:51:06 -Okay.
00:51:16 -Okay.
00:51:26 -Okay.
00:51:36 -Okay.
00:51:46 -Okay.
00:51:56 -Okay.
00:52:06 -Okay.
00:52:16 -Okay.
00:52:26 -Okay.
00:52:36 -Okay.
00:52:46 -Okay.
00:52:56 -Okay.
00:53:06 -Okay.
00:53:16 -Okay.
00:53:26 -Okay.
00:53:36 -Okay.
00:53:46 -Okay.
00:53:56 -Okay.
00:54:06 -Okay.
00:54:16 -Okay.
00:54:26 -Okay.
00:54:36 -Okay.
00:54:46 -Okay.
00:54:56 -Okay.
00:55:06 -Okay.
00:55:16 -Okay.
00:55:26 -Okay.
00:55:36 -Okay.
00:55:46 -Okay.
00:55:56 -Okay.
00:56:06 -Okay.
00:56:16 -Okay.
00:56:26 -Okay.
00:56:36 -Okay.
00:56:46 -Okay.
00:56:56 -Okay.
00:57:06 -Okay.
00:57:16 -Okay.
00:57:26 -Okay.
00:57:36 -Okay.
00:57:46 -Okay.
00:57:56 -Okay.
00:58:06 -Okay.
00:58:16 -Okay.
00:58:26 -Okay.
00:58:36 -Okay.
00:58:46 -Okay.
00:58:56 -Okay.
00:59:06 -Okay.
00:59:16 -Okay.
00:59:26 -Okay.
00:59:36 -Okay.
00:59:46 -Okay.
00:59:56 -Okay.
01:00:06 -Okay.
01:00:16 -Okay.
01:00:26 -Okay.
01:00:36 -Okay.
01:00:46 -Okay.
01:00:56 -Okay.
01:01:06 -Okay.
01:01:16 -Okay.
01:01:26 -Okay.
01:01:36 -Okay.
01:01:46 -Okay.
01:01:56 -Okay.
01:02:06 -Okay.
01:02:16 -Okay.
01:02:26 -Okay.
01:02:36 -Okay.
01:02:46 -Okay.
01:02:56 -Okay.
01:03:06 -Okay.
01:03:16 -Okay.
01:03:26 -Okay.
01:03:36 -Okay.
01:03:46 -Okay.
01:03:56 -Okay.
01:04:06 -Okay.
01:04:16 -Okay.
01:04:26 -Okay.
01:04:36 -Okay.
01:04:46 -Okay.
01:04:56 -Okay.
01:05:06 -Okay.
01:05:16 -Okay.
01:05:26 -Okay.
01:05:36 -Okay.
01:05:46 -Okay.
01:05:56 -Okay.
01:06:06 -Okay.
01:06:16 -Okay.
01:06:18 -It's done.
01:06:24 -I've finished.
01:06:26 -Good.
01:06:30 -Can I do anything else?
01:06:32 -No. No one is coming at this time. We're going to close.
01:06:36 -Ah, very good. And what do I do now?
01:06:42 -Take off your apron, hang it and leave.
01:06:46 -Okay.
01:07:10 -Excuse me, I have to ask you something.
01:07:18 -Tomorrow I have to go to the hospital for a report. Could you...
01:07:22 -What's wrong? Are you trying to skip the second day?
01:07:25 -No, it's not that.
01:07:30 -My mental health has been questioned by my husband.
01:07:36 -I have to go to the hospital to collect the medical court report.
01:07:42 -Yes, very well. Go.
01:07:44 -Okay, thank you very much.
01:07:46 -Wait. Take this. I'll pay you back.
01:07:51 -Is it for me?
01:07:53 -Take it.
01:08:05 -It's the first salary of my life.
01:08:10 -Look, for your information, this sentimental roll is bothering me. Go, go now.
01:08:16 -Thank you.
01:08:45 -Good afternoon.
01:08:47 -Good afternoon.
01:08:55 -How much are they?
01:08:56 -These?
01:08:57 -Yes.
01:09:25 -Thank you for staying with him.
01:09:38 -He keeps me company too, really.
01:09:48 -Come with me.
01:10:01 -I can't stop thinking about how he was.
01:10:05 -I try to protect him and in the end he's the one I neglect the most.
01:10:09 -But it's over.
01:10:11 -I wanted to talk to you about what Yelevim told me.
01:10:14 -What's wrong?
01:10:16 -This is good for us.
01:10:18 -They arrested Bulent, I mean.
01:10:21 -That will simplify the process.
01:10:24 -The father is in prison.
01:10:27 -The custody goes directly to the mother.
01:10:30 -So...
01:10:31 -I know what you're going to say.
01:10:33 -I'm finally going to get rid of this witch.
01:10:35 -No, I didn't mean that.
01:10:37 -What I mean is that now...
01:10:39 -Come on, Chichek. I was kidding.
01:10:42 -I can make jokes, right?
01:10:45 -It's hard for you to believe, but I can laugh too.
01:10:50 -You and I have met in a terrible moment, really.
01:10:56 -We haven't had the chance to meet.
01:11:02 -When this is over, I know you'll run away, so...
01:11:08 -We won't have time in the future either.
01:11:11 -No, I still have to run.
01:11:15 -I'm already in shape.
01:11:19 -It's amazing.
01:11:21 -This is the first time we've talked without shouting.
01:11:27 -It's a big step forward.
01:11:30 -Let's go.
01:11:32 -Adlar, come on, come to dinner.
01:11:41 -You could have dinner with us downstairs.
01:11:45 -Adlar would love it, right?
01:11:48 -Okay.
01:11:54 -I'm sorry.
01:11:56 -Omer. -Hi.
01:12:23 -Thank you.
01:12:25 -I brought you this. -What?
01:12:28 -They found it there.
01:12:30 -Did they tell you anything else? -No, nothing.
01:12:36 -Hey, watch out! -Be careful.
01:12:43 -They locked him up.
01:12:45 -I was worried. Are you okay? -Yes, don't worry. I'm fine.
01:12:51 -Don't worry, okay? It's okay.
01:12:54 -Come on, go. -Okay.
01:12:57 -Go.
01:13:00 -I'll leave the medicine on the table.
01:13:12 -And the file on Jelebi in the drawer.
01:13:15 -Omer? -What?
01:13:19 -What are you doing? -Would you like some tea?
01:13:22 -What do you mean, tea?
01:13:24 -Calm down, man. We ran from the hospital, then to the police station, and now to the store.
01:13:33 -Please sit down. -Okay, wait.
01:13:35 -Come on, sit down. -Okay, I'm coming. Don't overdo it.
01:13:39 -Do I overdo it? You're right, man. It's silly.
01:13:44 -If it's just a bullet, what's the big deal?
01:13:48 -Okay.
01:13:50 -Omer? -What?
01:13:55 -What are you doing? Stay still. -Can't you see how the store is? Let me put the order here.
01:14:01 -Don't do anything. Stop it. Leave it. -This is it.
01:14:04 -Go there and get comfortable. Sit down.
01:14:08 -Really? -Come on, let me help you.
01:14:17 -The store is fine. It's not that messy. Don't be like that.
01:14:21 -I'm so tired.
01:14:31 -Omer, what's wrong?
01:14:38 -Tell me. We'll fix it. -Why are you pressuring me? I'm fine.
01:14:46 -You tell that to someone else, not me.
01:14:49 -Is it because of Ruya?
01:14:56 -What does this have to do with Ruya? -Ruya, Ruya, Ruya. It's always the same.
01:15:01 -Look what happened to me. They even shot me. And my only problem is Ruya?
01:15:05 -Okay, man. I didn't say anything. I'm done. -You're not going to shut up.
01:15:09 -Okay, I'm not talking. It's over.
01:15:11 -You weren't going to do it. Where is he?
01:15:14 -I'm preparing it. I'll bring him when I'm ready. -Go and see.
01:15:18 -Okay, sit down. I'm going. -Okay, I sit down.
01:15:22 -Omer.
01:15:32 -Where have you been? -Here. Why are you shouting?
01:15:38 -You really don't imagine? Why?
01:15:40 -I don't know. Maybe because I went to the hospital and you weren't there.
01:15:44 -You should have told me you were leaving, Omer. -And what would have changed?
01:15:48 -What do you mean? I'm telling you I was worried.
01:15:53 -Hey, was it so hard to call me?
01:15:56 -I could have done it, but I didn't want to bother you.
01:15:59 -But what are you saying, Omer? -What you hear.
01:16:01 -If you were worried, you would have stayed instead of going with your boyfriend.
01:16:05 -I said he was my ex-boyfriend. It's not the same. Besides, he...
01:16:08 -Ex-boyfriend or ex-boyfriend, it doesn't matter. Because in the end you can leave and come back with me whenever you want.
01:16:12 -Listen to me and don't yell at me for that. -I'm not yelling. I'm not saying anything.
01:16:16 -And Ruya, you don't have to say anything either. Don't ask me how I am, as if you care.
01:16:21 -Of course I care. -You wouldn't have left if it were like that.
01:16:25 -I had to do it, and if you let me, I can explain it to you. -There's nothing to explain, okay? Nothing.
01:16:30 -And that's it? -Well, yes. -As you want. I won't explain it to you if you say no.
01:16:34 -Okay, there's nothing else to say. -You think so? -Yes.
01:16:37 -Then I'm leaving. -Okay, go. Goodbye.
01:16:40 -Very good, Omer. It's clear that it had nothing to do with Ruya.
01:17:02 -Okay, okay, I'm not saying anything. Let me pass. -Let's see.
01:17:07 -Ozan, what are you doing? -I can't wait any longer. I know how to make you talk. You'll see.
01:17:13 -Where are we going? -Come with me and that's it. Come on, I'll take your medication.
01:17:17 -Come on, man. We'll have tea later. Come on, let's go.
01:17:22 -Give me the key and I'll close it. -Here.
01:17:25 -Hello, good afternoon. Look, I'm waiting for the medical court report.
01:17:32 -Mrs. Yemre Kayabeili. I know. I'll have the result tomorrow, but I wanted to try my luck and I was wondering if you could tell me now.
01:17:45 -Okay. Okay, tomorrow then. Thank you.
01:17:58 -Ruya, what's wrong? Are you okay? -He's lost his mind.
01:18:09 -Who? -Omer. I can't make him listen to me. He's obsessed with Iskender.
01:18:13 -Why would he see him if it weren't for Shimal? If Ali wasn't in trouble. Do you really think I went there for fun?
01:18:19 -Wait, I don't understand any of this. More slowly. Omer, what does it say? And Shimal, what does this story say?
01:18:25 -Iskender did what Ali did and Shimal asked me for help. That's why I went to see him.
01:18:29 -That's all? -It's that simple. It's not that hard. You understand, right?
01:18:34 -Well, it's just that... -What?
01:18:37 -I don't know what Omer's problem is, but... Why is Shimal protecting Ali?
01:18:43 -Well, that's complicated. -Can you explain it to me again, more slowly?
01:18:49 -Ah...
01:18:51 [Music]
01:18:54 [Music]
01:18:58 [Music]
01:19:01 [Music]
01:19:10 [Music]
01:19:17 [Music]
01:19:25 [Music]
01:19:28 [Music]
01:19:34 [Music]
01:19:39 -Honey, what are you doing here? Come to the table.
01:19:49 [Music]
01:19:52 [Music]
01:19:55 [Music]
01:20:02 [Music]
01:20:08 [Music]
01:20:20 [Music]
01:20:23 [Music]
01:20:35 [Music]
01:20:47 [Music]
01:20:50 -Something's burning. -I've turned off the oven, but...
01:21:07 -Atlas! Atlas! Atlas!
01:21:14 -There's fire up there! -What? -In Atlas' room!
01:21:18 [Music]
01:21:21 -Atlas! Atlas! Atlas!
01:21:29 [Music]
01:21:32 -Atlas! Bring the fire extinguisher, quick!
01:21:36 [Music]
01:21:39 [Music]
01:21:42 -Don't stop, Ruya! Don't look, we have to keep moving!
01:21:52 [Music]
01:21:55 -Go get it!
01:22:06 -Don't leave her alone! No! I don't want to!
01:22:11 -Shut up! -I'm going to leave her alone! -Don't move, Chiché!
01:22:16 [Music]
01:22:19 -Atlas!
01:22:24 -Atlas, honey!
01:22:27 -Come on, let's go! Hurry!
01:22:35 [Music]
01:22:38 -Henry! Henry!
01:22:53 [Music]
01:22:57 [Music]
01:23:00 [Music]
01:23:15 [Music]
01:23:21 [Music]
01:23:24 -I'm going to get something to clean the room.
01:23:33 [Music]
01:23:36 [Music]
01:23:39 -It's a punishment.
01:23:45 -Why do you punish us?
01:23:50 -Why is this happening to my grandson?
01:23:55 [Music]
01:23:58 -It's okay, it's nothing.
01:24:06 -No, it's not okay. It's not okay, Nelly.
01:24:11 [Music]
01:24:14 [Music]
01:24:17 [Music]
01:24:20 [Music]
01:24:23 [Music]
01:24:26 -Homer, you're not going to drink the whole bottle.
01:24:30 -Not tonight. -You're taking medication.
01:24:34 -So why did you bring me here?
01:24:37 -Don't play dumb. As if there was another way to make you talk, you know.
01:24:41 -What question is that?
01:24:44 [Music]
01:24:47 -Come on, it's done.
01:24:51 [Music]
01:24:53 -I'm listening to you, tell me. -I have nothing to say, Rozan.
01:24:58 -It doesn't matter. I'll listen to you anyway.
01:25:03 [Music]
01:25:06 -Very well. Tell me anything else, then.
01:25:11 -Okay?
01:25:14 [Music]
01:25:17 -To your health.
01:25:20 [Music]
01:25:23 -And that's what happened. It's obvious, what I don't understand is why he kept yelling at me.
01:25:29 -He shouldn't yell at you, but... -But what?
01:25:33 -No, I mean, it seems like something bothers him. -Okay, but what bothers him? I don't understand.
01:25:38 -He said a lot of things, looking me in the eye, and then he left without saying anything.
01:25:44 -He didn't even ask how I was doing. It's obvious he doesn't care.
01:25:48 -Okay, but, Omer, he wasn't there for pleasure, you know.
01:25:52 -Hey, let's see. Was he there or not?
01:25:56 -Yes, right? That's what I care about.
01:26:00 -Well, it's not that big of a deal. You left the hospital, you didn't feel so bad.
01:26:05 -Didn't you say not to overdo it? -You're the one who keeps talking about the gunshot.
01:26:09 -We won't mention it again. -Okay, man, I'm not talking about that.
01:26:13 -I do understand you, really. -You don't understand anything. You never understand anything.
01:26:17 -It seems like he's angry because you went to see Iskender. -And what should he have done?
01:26:21 -He knows what trouble Ali is in. -I'm not saying you did something wrong.
01:26:25 -Yes, exactly. -I think Omer's problem isn't with Ali.
01:26:29 [Music]
01:26:32 -No, it can't be. What other reason could there be?
01:26:35 -Well, no, Gemre. Why would he want to see Iskender?
01:26:39 -Let's see, he had no other option. He couldn't choose.
01:26:42 -Was she the only one who could talk to Iskender?
01:26:45 -I saw how she slapped him and threw the ring at him.
01:26:48 -And suddenly, Ruya says that no one knows him as well as she does and that she wants to go talk to him.
01:26:53 -It doesn't make sense. It seems strange to me.
01:26:55 -Was there no other alternative? Didn't she have a family member or a friend who could talk to him?
01:27:00 -Was Ruya really the only one?
01:27:02 -It's not something that any friend or relative can do. It's not that easy.
01:27:06 -You need to be a complicit.
01:27:08 -Tell me something. Do you think someone else could convince him to keep his mouth shut?
01:27:14 -Who else could do it?
01:27:16 -It's not just that, you know? -So, what's the problem? Tell me.
01:27:20 -I don't have any problem, okay? Shut up.
01:27:22 -No, you're wrong there. Do you understand?
01:27:24 -Since we've started talking about this, we'll continue until the end.
01:27:28 -Man...
01:27:30 -That girl spent the whole night by your side.
01:27:34 -She was devastated. She couldn't see you like that.
01:27:37 -Seriously.
01:27:39 -Was she that worried?
01:27:41 -Of course she was. I just told you.
01:27:45 -But if you still don't believe me, let's do something.
01:27:48 -Go somewhere and when she sees you hurt, I'll record her reaction and then I'll show you the video.
01:27:54 -Let's see if you're right, okay?
01:27:56 -Will you believe me then?
01:27:58 -Come on, Ozan. If you don't believe me, then...
01:28:01 -Jealous? What a nonsense.
01:28:03 -That's what I'm telling you. Don't try to find a logical explanation because it's absurd.
01:28:09 -Exactly.
01:28:10 -You wouldn't get jealous over something so ridiculous if it was reasonable.
01:28:13 -Right? But I don't think they're jealous because being jealous isn't the same as being crazy.
01:28:18 -It's more or less the same.
01:28:20 -I haven't done anything wrong. I had to go there. You can't blame me.
01:28:22 -Of course.
01:28:23 -You know what? I'm not going to talk to him again until he apologizes.
01:28:27 -Is it over?
01:28:28 -Well, yes. I think it's fine, Ruya, but you could stop screaming because the neighbors are talking.
01:28:33 -I'm not screaming. I'm talking normally. I don't scream.
01:28:36 -Okay.
01:28:37 -Okay. I'm going to sleep.
01:28:39 -At this hour?
01:28:40 -Yes, Jim Ray.
01:28:41 -Let's eat something.
01:28:42 -I'm not hungry.
01:28:43 -Okay, okay.
01:28:44 -Thank you.
01:28:45 -You're welcome.
01:28:46 -Good night.
01:28:47 -You want to know why I don't believe you? Because I don't accept this.
01:28:50 -Yes.
01:28:51 -It's me I don't believe in. I don't believe in this situation.
01:28:54 -I mean, everything I'm experiencing with Ruya seems unreal to me. I don't know how to explain it, but it's like that. I swear, Odan.
01:29:04 -I've seen how his eyes light up when he looks at you. Do you understand? And I know what it means. Trust me, man.
01:29:15 -Uncle, that's the problem.
01:29:17 -I'm telling you, there's hope, Omer. You shouldn't be depressed. It's to cheer up.
01:29:23 -I'm not saying no. I mean, it would be wonderful, of course. If Ruya falls in love with me, it would give me something, you know? That would be incredible.
01:29:36 -Tell him. What are you waiting for?
01:29:41 -Uncle, I know what my place is. Before the fire and all that, do you think a girl like that would have been worthy of looking at me?
01:29:47 -But if she looks at you now...
01:29:48 -Ozan, she's mad. She doesn't know what she wants. Think about it. Who is she and who am I? She lives like in a dream, in two parallel realities.
01:29:57 -She comes to the neighborhood, sees the kids and thinks, "Oh, what monkeys." And the women, cleaning the carpets, draw her attention.
01:30:03 -Uncle, when she enters the store, she behaves like a tourist.
01:30:09 -After a while, she'll get used to all this and in the end, she'll get bored. Suddenly, this won't seem so interesting to her anymore.
01:30:17 -Then she'll remember who she is and she'll want to leave. And me? What will I do when she leaves?
01:30:25 -I'll pass by and I won't let anyone use it. I won't let anyone sit in her chair. Because one day she'll come back and she'll want to see everything as it was.
01:30:35 -And then I'll be left alone, waiting for her, even if she never comes back.
01:30:41 -In that case, you'll go look for her.
01:30:44 -You know what I'll tell her?
01:30:46 -What?
01:30:47 -Miss Ruya, I was a poor young man, but proud. I'm still poor, but I've ignored my pride to come see her, even though she's not even worthy of looking at me.
01:30:57 -Exactly, exactly. Tell her that. Uncle, you'll think about it when the time comes.
01:31:06 -What?
01:31:10 -What I mean is that you should live in the present. That girl looks at you in a special way. Yes, Omer. Why do you try to avoid it? Don't be afraid, okay? What could happen?
01:31:25 -I don't know.
01:31:27 -Look, it might not work. You might split up. Look, you were talking about keeping her chair, okay? I'll take it. I won't touch her chair or her tea cup. I'm the one who goes to your store the most and I can do it. I don't care.
01:31:41 -You're telling me to get involved in that mess?
01:31:44 -Don't worry about how it'll end. That's what I'm saying.
01:31:49 -That's true, yes.
01:31:51 -Come on, take the cup.
01:31:54 -Come on.
01:31:55 -It was obvious that we were going to lose him.
01:32:02 -Hey, we just started.
01:32:04 -Yes.
01:32:05 [Music]
01:32:19 [Music]
01:32:38 [Music]
01:32:58 [Music]
01:33:18 [Music]
01:33:38 [Music]
01:33:58 [Music]
01:34:18 [Music]
01:34:33 [Music]
01:34:53 [Music]
01:35:13 [Music]
01:35:33 [Music]
01:35:50 -Omer!
01:35:51 -Omer!
01:35:54 -Why did you show up and leave?
01:35:58 -Yes, it's just that... you left this at my house and I came to bring it to you, Ruya.
01:36:06 -And you came just for that?
01:36:08 -No, well, yes. I thought you might need it. That's why I came.
01:36:15 -Well, nothing.
01:36:18 -And? Do you want to tell me something else?
01:36:24 -Yes. I guess I exaggerated today when I got angry with you and I wanted to apologize.
01:36:30 -Don't worry.
01:36:33 -It's okay.
01:36:34 -Something else?
01:36:35 -What do you mean?
01:36:36 -I don't know.
01:36:38 -You tell me.
01:36:41 -Yes, I'll tell you. I'll feel terrible if I keep hiding it from you. But first I need to prepare myself.
01:36:48 -Prepare yourself for what?
01:36:52 -For the disappointment.
01:36:54 -And why?
01:36:56 -It doesn't matter. I'll tell you. But not in the middle of the street. I'll do it anyway. Yes, I'll do it.
01:37:05 -And how will you do it?
01:37:07 -You like fish, right?
01:37:11 -Yes, Omer.
01:37:13 -Then I'll invite you to dinner tomorrow night on my terrace. I'll make fish or something like that and I'll open a bottle. But not for you. We both know what happens when you drink.
01:37:25 -That was just once and besides...
01:37:27 -It doesn't matter. I need the whole bottle for me. I'll drink it and then...
01:37:32 -Then?
01:37:34 -Then we'll see what happens.
01:37:40 -Well, tell me. Do you accept the invitation? Are you coming to dinner?
01:37:45 -I accept.
01:37:48 -Okay, very well. Then see you tomorrow.
01:37:55 -See you tomorrow.
01:37:56 -Yes, okay. Well, see you.
01:37:59 -See you.
01:38:01 [I couldn't solve you, I'm in trouble with you, I don't know what to do, I'm torn apart from my soul, I'm in trouble with you, I don't know what to do]
01:38:28 [I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you, I'm in trouble with you]
01:38:36 -Ozan. Ozan, where are you going so early? You arrived late last night. I barely see you.
01:38:46 -Well, now you're seeing me. Has something happened?
01:38:49 -What do you mean? Son, they're going to take the house away from us. I can't sleep thinking that they'll show up at any moment.
01:38:56 -I told you I'd take care of it. Don't worry.
01:39:00 -Ozan. -What?
01:39:02 -Maybe you should go see him. -Who?
01:39:06 -Your uncle. -Forget that man already. Are we really going to go down so low?
01:39:12 -Son, he owes us money. -I don't care. I don't care. I'm not going to do it.
01:39:23 -Mom.
01:39:24 -I'll take care of it. Don't worry. Don't worry, okay?
01:39:37 -Okay. -Get some rest.
01:39:41 [Ozan sighs]
01:39:43 -Ozan.
01:39:56 -Yemre. Good morning. -Good morning.
01:40:00 -What are you doing here so early? Has something happened?
01:40:03 -No, it's not that. I'm worried. And I didn't want to call home so early.
01:40:11 -Hey, tell me something. What happened in the end? Do you have the money?
01:40:17 -Um... Not yet, but I'll get it.
01:40:21 -Okay.
01:40:23 -Here, it's for you. -What is that?
01:40:31 -Ruya gave me money to buy the things I needed for Gunes.
01:40:38 -I know it's not much, but I don't know, it'll do.
01:40:42 -Thank you, but I can't, Yemre.
01:40:45 -Take it. I'll save it until Gunes comes to live with me. Besides, I have a job.
01:40:51 -Really? -Yes. So you can't refuse. Please.
01:40:57 -Do whatever you want. I'll never be able to pay you back for everything you've done for me.
01:41:02 -Yemre... -No! Let me help you at least once.
01:41:08 -Look, if you don't take it, I'll never accept your help again.
01:41:26 -Thank you. -Thank you.
01:41:29 -What do you do? -I'm a dishwasher.
01:41:35 -Very good. Congratulations. -Thank you.
01:41:39 -Well, that's the way I'm going to prove myself.
01:41:43 -Thank you.
01:42:12 -Very good. As it should be. I'll tell you something, and you'll do it right away.
01:42:19 -From now on, it will be like this. -What do you want from me?
01:42:23 -Tell me. Ali, that night...
01:42:27 -Something happened. But what was it? Tell me.
01:42:33 -I don't know. -Yes, you do. Wait and you'll see. I'll find out.
01:42:42 -And then I'll make your life impossible, man. You can't even imagine what I'm capable of.
01:42:50 -But what the hell do I say? -Ah, great, great, great. You're getting rude, huh?
01:42:58 -But it's not enough. Be tougher. Behave like a real man. That way you won't get hurt.
01:43:06 -I don't have any problem with you. -But I do. Why am I here?
01:43:11 -For whom? -For you. You, Shemal, and Dr. Tonris.
01:43:20 -You all conspired to get me in here. But I'll be back.
01:43:25 -Oh, Ali, don't go. -That's what my wife said, right?
01:43:32 -I still have the control, you know? -Why were you going to Mrs. Shemal?
01:43:36 -Leave him alone. That day I knew you had an adventure. But then I shut up.
01:43:45 -For a good reason. When the time comes... -What adventure? What are you saying? Shut up!
01:43:51 -You can't fool me. It's too late now. Wait and you'll see. Because I got out of here.
01:44:01 -And when I come back, it'll be incredible. Now go home and tell my wife she's wrong.
01:44:09 -The jail isn't enough to finish Bulent. If he really wanted to get rid of him, he should have killed him when he could.
01:44:18 -But he's still alive. And he doesn't intend to die. Until you pay for this. Is that clear?
01:44:28 -Yes, it is.
01:44:29 -Hi, honey. Come on, go play.
01:44:56 -How is he? -He's in a very confused state.
01:45:04 -Why do you say that? -He's showing signs of grief.
01:45:08 -Look what he's hidden. -So he's hiding his drawings.
01:45:14 -You haven't seen them, have you?
01:45:20 -The fire yesterday was probably the reason. He keeps drawing the night of the fire. He draws himself and his mother escaping the fire.
01:45:31 -He's trying to find an alternative reality in which he can save her. That's what he's trying to achieve.
01:45:42 -Very well. What do you recommend? -I have an idea, but I don't know if it will work.
01:45:49 -This reaction is usually caused by losing the mother. If that were the case, I would say that he's like that because he couldn't say goodbye.
01:45:57 -He couldn't see his grave or go to the funeral. But in this situation, I think it's best to convince him that his mother will recover.
01:46:07 -I see. Thank you very much. -You're welcome.
01:46:12 -You all conspired to get me in here, but I'll be back.
01:46:30 -Ladies and gentlemen, that day I knew you had an adventure, but then I shut up.
01:46:37 -Good morning. Excuse me, yesterday I had an interview with the medical court. -What did you want?
01:46:48 -The report of Jemre Cayabeli. -Yes, wait.
01:46:52 -It's done.
01:46:56 -Take it. -Thank you.
01:46:58 -After evaluating the evidence, at the request of the patient, this court recommends...
01:47:05 -Incapacitate her. Judicially, by majority.
01:47:11 -Devotees.
01:47:13 -No, it can't be. It can't be. It can't be. It's not possible. There must be a mistake.
01:47:21 -Where is the chief physician? Where is he? -He's in a meeting. -Where is he?
01:47:26 -He's in a meeting. Please, he can't come in. Madam, wait a moment. He can't come in there.
01:47:32 -Please, stop.
01:47:36 -What's going on? -I need an explanation.
01:47:41 -You have the report. It's all there. -Oh yeah?
01:47:47 -Is this your decision? Do you consider me mentally incapacitated? Seriously?
01:47:52 -It's a medical diagnosis that also has in mind your history.
01:47:56 -Medical? Please, tell me how much this diagnosis has been sold for.
01:48:02 -I don't know, maybe I could have paid for it, if I had told you the price before.
01:48:07 -What are you saying? We have to respect. -I'm disrespectful? Irrespectful?
01:48:13 -Very well, I'll show you what it means to disrespect someone.
01:48:20 -Look, one of the doctors in your court, negotiating with my husband's driver. This is a disrespect.
01:48:29 -But madam, that's a... -A conspiracy? -I was going to say a misunderstanding.
01:48:34 -Oh yeah? Then you'll explain the truth in court. -I'll do it, but this will only hurt you.
01:48:42 -I voted in your favor, madam.
01:48:44 [Music]
01:49:12 -Mr. Jelebi, Mrs. Jenrei is following me. -Have you seen the chief physician?
01:49:16 -No, I haven't been able to do it yet. -Go to the office of any other member of the QSEA.
01:49:20 -Do I make an offer? -No. -Understood.
01:49:27 [Music]
01:49:44 [Knock on door]
01:49:46 -Come in. -Good morning.
01:49:49 -Sorry to bother you. I wanted to ask you for your opinion on a subject.
01:49:56 -Do you need an appointment? -No, it's not for me. It's for my daughter, you know.
01:50:00 [Music]
01:50:03 -Thank you very much for your interest.
01:50:06 -The driver of Jelebi Kayabeili, Adnan Ozalim, leaves the office of one of the psychiatrists who will be in court.
01:50:15 -I'll bring her to your consultation as soon as possible. -Very good, but it is your daughter who must accept the therapy.
01:50:20 -So don't force her, be patient. -Thank you very much.
01:50:25 [Music]
01:50:31 -Good morning. -Good morning.
01:50:34 [Music]
01:50:36 -What happened? -Mrs. Jim Ray has followed me to the end.
01:50:40 -She has taken photos and videos. -Good.
01:50:44 -And that's why I haven't been able to talk to the chief physician.
01:50:47 [Music]
01:50:49 -Although you haven't been able to, I still have a chance.
01:50:54 [Music]
01:50:56 -Welcome. -Thank you.
01:50:58 -Sit down. -Very well.
01:51:00 -Adnan, could you leave us alone? -Of course.
01:51:05 [Music]
01:51:07 -How are you? -Good, and you?
01:51:10 [Music]
01:51:12 -I shouldn't have told you, but it's the truth. I don't doubt your abilities.
01:51:17 -That man is a relative of a patient.
01:51:21 -I didn't know he was related to his husband. I just wanted to make an appointment for his daughter.
01:51:25 -What?
01:51:27 [Music]
01:51:29 -His daughter? What daughter? He doesn't have a daughter.
01:51:35 -Madam, please leave the room. -Okay.
01:51:40 [Music]
01:51:42 [Footsteps]
01:51:44 [Music]
01:51:46 [Music]
01:51:48 [Music]
01:51:50 [Music]
01:51:51 [Music]
01:51:53 [Music]
01:51:55 [Music]
01:51:57 [Music]
01:51:59 -It was you.
01:52:01 -What's wrong? You look disappointed.
01:52:06 [Music]
01:52:08 [Music]
01:52:10 [Music]
01:52:12 -Everyone fights as best they can.
01:52:15 [Music]
01:52:18 -Within their possibilities.
01:52:20 -It was you. Yes, I know.
01:52:23 [Music]
01:52:25 -I'll kill you, bastard. I'll kill you. -Yenri, stop, my love.
01:52:29 -I'll kill you. -Please, stop, Yenri, my love. Stop.
01:52:33 -Why are you waiting? Separate them. -Yenri, calm down.
01:52:36 -Damn you. Damn you.
01:52:39 [Music]
01:52:41 [Music]
01:52:43 [Music]
01:52:45 [Music]
01:52:47 [Music]
01:52:48 [Music]
01:52:50 -Calm down, my love.
01:52:52 [Music]
01:52:54 -Yenri.
01:52:56 [Music]
01:52:58 -Yenri.
01:53:00 -What have you done?
01:53:02 -What have you done to him?
01:53:04 -He hasn't done anything, but the lady is not well.
01:53:07 -But don't leave me. Please, don't leave me with him.
01:53:12 -I won't. I'll stay here with you, Yenri.
01:53:16 -Don't leave me with him.
01:53:17 -Take her to a quiet place until she calms down.
01:53:19 -Don't leave me with him. -I'm here.
01:53:21 -Don't leave me with him. Please, don't leave me.
01:53:25 [Music]
01:53:29 -I'm here.
01:53:31 -Stay away. Stay away. I'll take her myself.
01:53:35 -No. -Calm down. I'm here.
01:53:37 -Don't leave me with him. Don't leave me with him. Please.
01:53:41 [Music]
01:53:45 -I'm here. I'm not leaving. -Please, don't leave me.
01:53:47 -I'm with you.
01:53:49 [Music]
01:53:51 -Don't leave me with him. -Calm down.
01:53:53 -Where are they taking her now?
01:53:55 -Don't worry about that. She'll go to a room until she calms down.
01:53:59 -Let me see her neck. It's bleeding.
01:54:01 -It's nothing.
01:54:03 -What matters is that she gets well.
01:54:07 [Music]
01:54:14 [Music]
01:54:25 [Silence]
01:54:29 [Sigh]
01:54:31 [Silence]
01:54:35 [Door opening]
01:54:37 -Man, where have you been? I've been calling you for hours.
01:54:42 -I was busy. And that smile?
01:54:44 -Well, you see, I'm preparing for a long season of unhappiness.
01:54:48 I've told myself, "Omer, smile now. You'll miss it later." Do you want tea?
01:54:52 -Yes, I'll have one with you. Do you want me to help you?
01:54:55 -No, it's not necessary.
01:54:57 -And?
01:54:59 -What? -What's up? Have you told her?
01:55:01 -No, we talked for a while, but not exactly about that.
01:55:04 I invited her to the terrace tonight. I'll tell her there.
01:55:07 -Ah, great. I hope you don't screw up.
01:55:11 -No, not at all.
01:55:12 -Well, is there going to be a wedding in the summer?
01:55:15 -Ah, yes, of course. I've already talked to Nuretin, so he can give us his land.
01:55:19 Here. It'll be a wedding in the countryside. What do you think?
01:55:23 -I think it's a very good idea. If you want, we'll think of something.
01:55:27 -Yes, let's see.
01:55:29 -And what about yours?
01:55:32 -I haven't been able to fix it yet.
01:55:34 I've gone to every bank, and what have I got?
01:55:38 Nothing.
01:55:40 -It was obvious that this would happen. I knew it too.
01:55:42 -My mother has suggested that I talk to my uncle.
01:55:45 -And what will you do?
01:55:47 -What do you think? I told him I didn't think I'd fall so low.
01:55:50 -You're absolutely right, but your uncle owes you a lot of money.
01:55:54 It's not a favor.
01:55:56 -No, Omer. I can't do it.
01:55:59 I must find another way out.
01:56:02 -Omer.
01:56:04 -Yes?
01:56:06 -You knew a guy who gave people credits.
01:56:09 -Ibrahim. The lender.
01:56:12 -Yes.
01:56:14 -Ozan, how could you? You'd ask that guy for money instead of your uncle?
01:56:17 -He's not the cause of my father's death.
01:56:20 I have no problem with him.
01:56:26 -That's true, but...
01:56:28 If something goes wrong, you know how you'll have to pay.
01:56:32 -I have no choice.
01:56:34 I'll worry when the time comes.
01:56:38 -You're right.
01:56:40 -How is he, Yemre?
01:56:51 -Resting.
01:56:53 -I'm sorry.
01:56:55 I'm sure now I understand why I went to see him.
01:56:59 I couldn't risk a favorable assessment.
01:57:03 The consequences would be disastrous for my daughter.
01:57:06 -I understand.
01:57:07 But she didn't behave like that in court.
01:57:10 I had to discuss with my colleagues to keep my promise.
01:57:15 -You must understand how bad the situation is.
01:57:18 You've seen what happened.
01:57:20 -Yes, I was there.
01:57:22 -Then, will you give me a copy of the will?
01:57:24 I have to start with the procedures.
01:57:26 -Okay, I'll bring it right away.
01:57:28 -Besides, I'll need the videos of what happened in the hallway.
01:57:35 -To use them as evidence.
01:57:36 -Of course.
01:57:38 -What are you drawing?
01:58:04 -I'm drawing...
01:58:05 -Can't I see it?
01:58:07 -Okay.
01:58:11 -Then, when it's finished...
01:58:14 -Hey...
01:58:19 -Do you want to go visit your mother?
01:58:23 -Would you like us to go to see her grave?
01:58:27 -Maybe you could talk to her there.
01:58:33 -What do you think?
01:58:34 -Okay, okay.
01:58:42 -What did you say?
01:58:44 -Okay, okay. When can you come?
01:58:47 -Okay.
01:58:50 -It's done.
01:58:52 -What's up?
01:58:54 -See you at 8.
01:58:56 -Where are you going?
01:58:58 -You're going with me.
01:59:00 -Omer, I don't want you to come.
01:59:02 -Yes.
01:59:03 -Why?
01:59:04 -I'm going there alone. I don't want you to get involved.
01:59:06 -Do you understand? You've already gotten into a lot of trouble because of me.
01:59:10 -Oh, very good. You keep saying "because of me" and "because of you".
01:59:14 -Is that the kind of friends we are, Ozan?
01:59:17 -It's not like that, you know. Stop it.
01:59:19 -Besides, you have plans for tonight.
01:59:22 -I can delay it. You don't know how nervous I am about the dinner.
01:59:26 -It'll be my excuse.
01:59:29 -I'm going there on my own. Or...
01:59:31 -Or what? Do you have another option?
01:59:33 -Yes, man. And I'll go to another lender. There are more, you know?
01:59:37 -You don't think about it?
01:59:40 -No, there's no need.
01:59:42 -Ozan, are you sure?
01:59:43 -Yes, really. Seriously.
01:59:45 -Okay.
01:59:47 -I don't like this. But be very careful.
01:59:50 -Okay, don't worry.
01:59:52 -And call me.
01:59:53 -I will. Don't worry.
01:59:54 -I don't know if it's a good idea to take such a small child to see a grave. Are you sure?
02:00:10 -Have you heard the doctor? She said she must say goodbye to her mother.
02:00:16 -She was so worried that I saw how bad she felt.
02:00:21 -I'm so sorry.
02:00:22 -Come on, let's go.
02:00:29 -Come. Come. Let me close it.
02:00:34 -If you need anything...
02:00:46 -Thank you. Come on, give me your hand. Very good.
02:00:51 -Thank you.
02:01:20 -Gunes, what are you doing here?
02:01:22 -Dad lied to me. He said you were sick. I was worried, Mom. Are you really sick?
02:01:30 -I'm fine.
02:01:34 -Let's go home.
02:01:36 -I can't go.
02:01:38 -You don't love me.
02:01:40 -I love you.
02:01:41 -You don't love me.
02:01:42 -I love you.
02:01:43 -If you loved me, you wouldn't leave me.
02:01:45 -I'll go to you. I promise.
02:01:47 -You won't keep your promise.
02:01:49 -Where is he?
02:01:50 -Gymre.
02:02:06 -Where is he?
02:02:10 -Who?
02:02:14 -I don't know.
02:02:15 -I have to go.
02:02:22 -It's okay, Nono. It's okay. We'll leave as soon as you recover.
02:02:26 -Don't worry.
02:02:28 -What are you doing here? Get out. Go away or I'll call the police.
02:02:37 -Call them. They can't stop me from visiting my wife.
02:02:42 -I'm sorry.
02:02:43 -How are you?
02:02:49 -Get out of here. Go away.
02:02:52 -I have to go. I have things to do.
02:02:56 -But I don't want to leave you here.
02:03:00 -You heard me.
02:03:02 -Don't come any closer.
02:03:03 -If you're here, it's for you.
02:03:08 -But this won't last.
02:03:10 -It won't.
02:03:11 -See you later, darling.
02:03:14 -It's okay. Calm down. He's gone. He can't hurt you.
02:03:27 -Ruya, let's go.
02:03:28 -We'll leave.
02:03:29 -I can't stay any longer.
02:03:32 -We'll leave. We'll leave. Calm down.
02:03:35 -Calm down.
02:03:36 -Thank you, ma'am.
02:03:41 -Hello, Osno.
02:03:43 -Mer, how are you?
02:03:45 -I'm fine.
02:03:46 -I've brought some delicious apples.
02:03:48 -No, I'm not here for fruit. I have a guest tonight.
02:03:52 -I'm going to make a fish. Give me arugula, dog, parsley and lemons.
02:03:56 -Okay. Take it. Eat it. I won't take long.
02:04:04 -I'm going to make a fish. Give me arugula, dog, parsley and lemons.
02:04:06 -No, I'm going to make a fish. Give me arugula, dog, parsley and lemons.
02:04:12 -Okay.
02:04:14 -I need your help. Can you come?
02:04:16 -Where are you?
02:04:20 [Music]
02:04:45 -Sit down.
02:04:47 -Rest there.
02:04:49 [Music]
02:05:18 [Music]
02:05:44 -Don't do that, honey. I also wanted to get her out of here.
02:05:50 -If that were possible, I would do it myself.
02:05:53 -Your mother will rest in peace here, honey.
02:05:58 -I'll do everything I can to make it happen.
02:06:05 -Do everything you need to do. I promise you.
02:06:10 [Music]
02:06:39 [Music]
02:07:04 [Knock on the door]
02:07:06 -Come in.
02:07:08 -Come in, Gelebi.
02:07:10 -I'm sorry to bother you at this time, Mr. Prosecutor, but ...
02:07:16 -Don't worry. Please.
02:07:18 -Tell me.
02:07:21 -I have to ask you something. It is an important and very urgent matter.
02:07:26 -I'll explain everything to you, but it's better that you see it first.
02:07:34 [Music]
02:08:03 -Hey, hello.
02:08:04 -Hello. How are you? I called him.
02:08:06 -I hope you feel better now.
02:08:09 -Thank you. I'm sorry I made you come. You're the only one I could call.
02:08:15 -You've done very well. Let me help you.
02:08:21 -Okay. Thank you.
02:08:32 -That's what it's about. If you could lend me at least part of the money, it would be of great help.
02:08:39 -You ask me for a part and I'll give you everything, if that's what you need. That's not the problem.
02:08:48 -And what is it then?
02:08:51 -How much are you going to give us back later?
02:08:54 -I'll pay you whatever you want.
02:09:01 -We are not a bank, exactly. You understand, right?
02:09:06 -Yes, of course. I understand.
02:09:10 -And what are we talking about?
02:09:13 -We don't make those decisions personally. Our conditions are already decided.
02:09:19 -I accept it, okay.
02:09:24 -You say that, but do you know what you're accepting?
02:09:30 -Of course I know. Don't worry.
02:09:34 -I'm not worried.
02:09:41 -I'm not worried.
02:09:43 [Music]
02:10:12 -The one who has to worry is you.
02:10:14 [Music]
02:10:36 -How did it happen?
02:10:40 [Music]
02:10:42 -How could you do that, Jelebi?
02:10:45 [Music]
02:10:49 -I don't understand. I don't understand what's going on, Ruya. I don't understand anything anymore.
02:10:58 -But you recorded Adnan, right?
02:11:02 [Music]
02:11:08 -He was talking to his daughter's doctor.
02:11:10 -And what does that mean? What daughter?
02:11:13 -It doesn't mean anything. It's absurd. Adnan is not married.
02:11:19 -He doesn't even have daughters.
02:11:22 -Something strange is happening here. And I don't understand what it is.
02:11:27 -Who does everyone talk to? Who plays the same game?
02:11:33 -I can't think clearly.
02:11:37 -He's always one step ahead. It always happens the same. He's always stronger than me.
02:11:49 -Because we don't fight with the same weapons in this war.
02:12:02 -Maybe what I'm doing is useless.
02:12:07 -No, that's what he wants you to think now. He's trying to make you give up.
02:12:12 -Yemre, hold on. What else can I do?
02:12:16 -I have no other way out. He's going to win. It's so obvious. I'm tired and he's just started.
02:12:31 -It's no use talking about this now. You're tired. Go to bed and rest.
02:12:38 -You'll get up better tomorrow and you'll be more positive.
02:12:42 -How am I going to do it?
02:12:46 -I don't know how, but it's like that.
02:12:48 -Yemre, look at it this way. When you feel that you've hit rock bottom, that you can't fall any lower, things can't get worse.
02:12:59 -The only way to get up is to go to the surface. Fast or slow. I don't know, but I know you can do it.
02:13:05 -I've hit rock bottom, haven't I?
02:13:08 -It's okay. That's life. Look at the bright side. If you can't fall any lower, what do you lose by trying?
02:13:24 -Are you saying that to criticize me or to cheer me up? I don't understand.
02:13:29 -She says that since she hasn't killed you, this will make you stronger, Yemre.
02:13:35 -Yes. The truth is that this is fatal to both of you.
02:13:40 -Hey, but now you're smiling, aren't you?
02:13:45 -Yes, that's true.
02:13:49 -It's okay.
02:13:52 -It's okay.
02:13:53 -I'd better go to bed.
02:13:57 -I'll go with you.
02:13:59 -No, no, you don't have to. I'm fine.
02:14:02 -Thank you both. Thank you very much.
02:14:08 -It's what matters that you're okay.
02:14:11 -What's wrong?
02:14:22 -What's wrong, Omer?
02:14:23 -I don't know.
02:14:24 -What's wrong?
02:14:31 -Good evening.
02:14:48 -You again?
02:14:50 -What have you come for at this hour?
02:14:52 -Go away. I'll call the police.
02:14:57 -You don't have to. I'm here.
02:15:00 -What do you want?
02:15:04 -I want you to get well. But it's up to you. You have two options now.
02:15:16 -Either you go to the hospital in that ambulance or you come home with me.
02:15:21 -You think so?
02:15:26 -I'm not going anywhere.
02:15:30 -You have no choice, Yemre.
02:15:33 -Mrs. Yemre, your husband has been appointed as your legal guardian.
02:15:37 -That means, among other things,
02:15:40 -that from now on he will decide everything regarding his treatment.
02:15:45 -He will decide everything regarding his treatment.
02:15:46 -You heard her, Yemre.
02:15:56 -You fought well within your means, but you're not as strong as you think, Yemre.
02:16:06 -You're not that strong.
02:16:08 -You're not that strong.
02:16:09 -Come on, Gunn is waiting for you.
02:16:20 -This pantomime is over. We're going home.
02:16:29 -I'm sorry.
02:16:30 -I'm sorry.
02:16:32 [Music]
02:16:36 [Music]
02:16:40 [Music]
02:16:43 [Music]
02:16:54 [Music]
02:17:03 [Music]
02:17:06 [Music]
02:17:22 [Music]
02:17:25 [Music]
02:17:32 [Music]
02:17:37 [Music]
02:17:50 [Music]
02:17:53 [Music]
02:18:03 [Music]
02:18:17 [Music]
02:18:20 [Music]
02:18:26 [Music]
02:18:33 -Hello, Tom Cruise.
02:18:46 -Is that you?
02:18:47 -I have to talk to you.
02:18:57 -Now...
02:18:59 -Now I can't. My mask...
02:19:05 -Why is it covering? I want to see your face.
02:19:09 -It can't be.
02:19:14 -I can't.
02:19:15 -Stop, please.
02:19:18 -What are you hiding from me?
02:19:24 -I saw the child in the tomb of Zizek.
02:19:27 -Ali, please.
02:19:29 -My Ali told me that night.
02:19:32 -Stop.
02:19:43 -Don't hide.
02:19:44 -Ali, please.
02:19:46 -Please.
02:19:53 -Please.
02:19:56 -Please.
02:20:02 -No.
02:20:04 -Let me see her.
02:20:12 -Let me see her.
02:20:13 -I can't.
02:20:15 -You'll find out later.
02:20:18 [Music]
02:20:25 [Music]
02:20:28 [Music]
02:20:40 [Music]
02:20:54 [Music]
02:20:57 -Zizek.
02:21:05 [Music]
02:21:09 -Ali.
02:21:18 [Music]
02:21:23 [Music]
02:21:26 [Music]
02:21:35 [Music]
02:21:42 [Music]
02:21:51 [Music]
02:21:54 [Music]
02:22:00 [Music]
02:22:05 [Music]
02:22:12 [Music]
02:22:19 [Music]
02:22:22 [Music]
02:22:28 [Music]
02:22:34 [Music]
02:22:40 [Music]
02:22:48 [Music]
02:22:51 [Music]
02:22:57 [Music]
02:23:04 [Music]
02:23:14 [Music]
02:23:17 [Music]
02:23:24 [Music]
02:23:33 [Music]
02:23:36 (gentle music)