The Stranger -HD (1946)
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TVTranscript
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00:01:19 - Leave the cell door open.
00:01:25 That's all there is to it.
00:01:27 Let him escape.
00:01:28 - In my view, it's all very irregular.
00:01:30 It might entail the most embarrassing repercussions.
00:01:33 - Exactement.
00:01:33 - Certainly.
00:01:34 - It's the responsibility of the first magnitude.
00:01:36 - I'm sorry, Mr. Wilson, but you must say--
00:01:38 - Blast all this discussion.
00:01:40 What good are words?
00:01:41 I'm sick of words.
00:01:42 Hang the repercussions and the responsibility.
00:01:45 If I fail, I am responsible.
00:01:47 Leave the cell door open.
00:01:48 Let him escape.
00:01:49 Let him.
00:01:50 It's our only chance.
00:01:50 - Amen, Monsieur.
00:01:51 - Well, you can threaten me with a bottom pits of hell,
00:01:53 and still I insist.
00:01:54 This obscenity must be destroyed.
00:01:56 Do you hear me?
00:01:57 Destroyed!
00:01:58 (dramatic music)
00:02:00 (dramatic music)
00:02:13 (speaking in foreign language)
00:02:15 - All passengers ready to disembark.
00:02:18 - I'm traveling for my health.
00:02:20 I'm traveling for my health.
00:02:22 (speaking in foreign language)
00:02:25 - Get your passports ready.
00:02:27 - I'm traveling for my health.
00:02:30 (dramatic music)
00:02:33 (speaking in foreign language)
00:02:41 (speaking in foreign language)
00:02:43 - I don't understand.
00:02:45 - Your business in this country, Senora?
00:02:47 - I'm joining my husband.
00:02:48 - Next, please.
00:02:51 (speaking in foreign language)
00:02:55 - Stefan Polanski.
00:02:58 You take that and that.
00:03:01 - Yes, sir.
00:03:01 - Your business in this country, Senor?
00:03:03 - I'm traveling for my health.
00:03:05 - How?
00:03:06 - I am traveling for my health.
00:03:10 - No, you are a native of what country?
00:03:13 - Poland.
00:03:14 - Poland.
00:03:15 - Poland.
00:03:16 (speaking in foreign language)
00:03:18 - Next, please.
00:03:20 (speaking in foreign language)
00:03:24 (speaking in foreign language)
00:03:40 - Oh, yes.
00:03:41 (upbeat music)
00:03:45 (speaking in foreign language)
00:04:01 (phone ringing)
00:04:04 - Hello?
00:04:10 - Yes.
00:04:11 - You haven't lost him.
00:04:14 You're sure you know where he's going?
00:04:16 - My wife is following him.
00:04:18 He's going to the photographers,
00:04:19 probably to get a new passport and new instructions.
00:04:23 - Hold it.
00:04:25 - I wish to know the whereabouts of Franz Kindler.
00:04:29 (dramatic music)
00:04:32 Franz Kindler.
00:04:33 - There is no Franz Kindler.
00:04:37 Franz Kindler is dead and cremated.
00:04:40 - It's a command!
00:04:42 (dramatic music)
00:04:44 I have a message for Franz Kindler from the All Highest.
00:04:50 - It is forbidden?
00:04:55 - I command you in the name of that authority.
00:05:09 - Do you know the name he is using?
00:05:12 - Connecticut.
00:05:33 In the United States.
00:05:38 The town of Harper.
00:05:40 (dramatic music)
00:06:08 - Harper!
00:06:08 - Oh.
00:06:14 Excuse me.
00:06:20 - Back from Lake Arrowhead, and is that place private?
00:06:31 The hotel gave me a room that was so small,
00:06:33 every time I closed the door,
00:06:35 the knob got in and fed with me.
00:06:36 You know how cold those brass doorknobs are
00:06:38 in the winter night.
00:06:40 I had so many blankets.
00:06:41 - Good afternoon.
00:06:42 - Good afternoon.
00:06:43 - I had to hit the boat dock to find a place to get in.
00:06:44 - Have a nice trip?
00:06:45 - You know, it got so cold at four o'clock in the morning,
00:06:47 I got up and lit a fire.
00:06:48 - Quite a story you have here, Mr. Potter.
00:06:52 - That's me.
00:06:53 We show about everything here.
00:06:55 - The two of them started fighting.
00:06:56 Well, the manager, I said,
00:06:58 hey, there's two rats fighting in this room.
00:07:00 He said, what do you want for a buck and a quarter?
00:07:02 A bull fight?
00:07:03 About seven o'clock in the morning,
00:07:04 the house detective knocked on the door.
00:07:06 He said, is there a maid in your room?
00:07:08 I said, no.
00:07:09 So he pushed one in.
00:07:10 She was a cute little chambermaid.
00:07:12 Said to me, did you have a little bull fight?
00:07:15 I said, no.
00:07:16 So she said, I just think we ought to,
00:07:18 'cause there was another fella in the room with me.
00:07:20 He was a nice one.
00:07:21 I checked in there, he had one left.
00:07:22 - This suitcase, I could leave it here?
00:07:25 - Let it back, Holmes.
00:07:26 I don't assume no responsibility.
00:07:29 Just put it up on the shelf.
00:07:30 It'll be there when you want it.
00:07:31 (laughing)
00:07:34 - I'll buy this magazine.
00:07:35 - That'll be a dime, mister.
00:07:36 - What's the best hotel in town?
00:07:38 - Best place to stay is down at Mrs. Peabody's.
00:07:41 It's just down the road here a piece.
00:07:43 This way, mister.
00:07:51 - Yes, thank you.
00:07:52 (suspenseful music)
00:07:58 (horn honking)
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00:08:19 (door thudding)
00:08:29 (door thudding)
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00:08:48 (door thudding)
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00:09:15 (door thudding)
00:09:30 (suspenseful music)
00:09:35 (suspenseful music)
00:09:38 - I may come in?
00:10:00 (door thudding)
00:10:01 - Yes, of course.
00:10:03 (suspenseful music)
00:10:06 - Does Mr. Charles Rankin live here?
00:10:11 - Yes, he does, but he isn't here right now.
00:10:15 - You expect him?
00:10:16 - Yes, in a few minutes.
00:10:19 - How soon?
00:10:20 - Well, a few minutes.
00:10:23 - A few minutes.
00:10:25 I may...
00:10:31 (Mr. Rankin clearing throat)
00:10:33 I may wait here?
00:10:34 - Well, yes, if you like.
00:10:39 Would you like to sit down?
00:10:44 - Thank you.
00:10:45 - You a friend of Mr. Rankin's?
00:10:50 - Yes, a friend.
00:10:53 - I'm Mary Longstreet.
00:10:54 How do you do?
00:10:56 - How do you do?
00:10:57 (suspenseful music)
00:11:00 - Mr. Rankin ought to be here now.
00:11:07 Sometimes he stays after his last class,
00:11:10 but he'll be coming straight here today, I'm sure.
00:11:13 'Cause this is our wedding day.
00:11:15 - You're getting married?
00:11:16 - Yes, at six o'clock.
00:11:18 I know it's most unconventional, my being here today,
00:11:22 but I wanted to get these curtains up.
00:11:25 (suspenseful music)
00:11:28 - When he comes, which way does he come?
00:11:34 - Why, from Webster Hall.
00:11:38 It's the big dome building right over there, you see?
00:11:41 - I shall meet him.
00:11:42 - Well, who shall I say that...
00:11:45 (door slams)
00:11:48 (suspenseful music)
00:11:54 - Franz!
00:11:55 It's I, Franz.
00:11:58 - Reinicke, we mustn't be seen talking together.
00:12:02 Go back to the church, into the woods.
00:12:04 Into the woods, you understand me.
00:12:06 Follow the path.
00:12:07 I'll meet you there.
00:12:09 - Hello, Professor Rankin.
00:12:15 - Hello, man.
00:12:16 What are you up to?
00:12:17 - Paper chase.
00:12:18 - Oh, paper chase?
00:12:19 - I go ahead and lay the trail.
00:12:20 - You ought to have Jerry's job, Mr. Rankin,
00:12:22 and take a little off that waistline.
00:12:23 - You ought to go with us, Mr. Rankin.
00:12:25 - Where to?
00:12:25 - The woods. - Hiya, Blondie.
00:12:27 - Oh, Buzzard.
00:12:29 - The woods?
00:12:30 Well, I'd like to,
00:12:32 but I'm afraid I have a couple of things to attend to.
00:12:35 - Well, join us later.
00:12:36 We'll be out till dark.
00:12:37 - All right.
00:12:38 - We'll catch up with you.
00:12:39 (birds chirping)
00:12:42 - Nice work, guys.
00:12:51 (footsteps crunching)
00:12:54 - Meinike.
00:13:03 - Yes, Meinike.
00:13:04 - I thought...
00:13:08 - I had been hanged.
00:13:09 The others, but not I.
00:13:12 A dead man could not stand face to face with you, Franz.
00:13:15 - Say no, wait for me.
00:13:17 - You're not much changed.
00:13:19 Back in your old uniform,
00:13:21 you look very much the same.
00:13:23 - Franz, I am a different man than before.
00:13:25 - I, too.
00:13:27 I, too, am different, Conrad.
00:13:30 You know how I gathered and destroyed
00:13:33 every single item in Germany and Poland
00:13:35 that might have served as a clue to my identity?
00:13:36 Well, guess what I'll be doing at six o'clock tonight?
00:13:40 Standing before a minister of the gospel
00:13:42 with a woman's hand in mine,
00:13:43 the daughter of a justice
00:13:44 of the United States Supreme Court, a famous liberal.
00:13:46 The girl's even good to look at.
00:13:48 - Yes, the camouflage is perfect.
00:13:51 Good thing to look for the notorious Franz Kindler
00:13:54 in the sacred precincts of the Harper School
00:13:56 surrounded by the sons of America's first families.
00:13:59 And I'll stay hidden
00:14:01 till the day when we strike again.
00:14:06 - Franz, there will be another war?
00:14:09 - Of course.
00:14:12 - War is an abomination, say Dorn.
00:14:18 - It is to tell you this that I am here.
00:14:20 He set me free that I might come here and tell--
00:14:21 - Set you free?
00:14:22 Who set you free?
00:14:23 - Tell this news to you, the all highest.
00:14:26 - You don't mean?
00:14:30 - I mean God.
00:14:30 (laughing)
00:14:38 Franz, I'm a new man since I found you.
00:14:42 - Conrad, religious.
00:14:44 - Franz, Franz, all doors were open to me.
00:14:47 All doors.
00:14:48 It was one of God's miracles.
00:14:51 - They freed you so you'd lead them to me.
00:15:07 Have you been followed?
00:15:09 Were you followed here?
00:15:11 - Yes.
00:15:12 - Who followed you?
00:15:14 - The evil one.
00:15:16 He looked like any other man.
00:15:17 He was dressed like any other man.
00:15:20 He even smoked a pipe.
00:15:22 But I recognized him through his disguise.
00:15:24 And I killed him.
00:15:26 Striking from on high down.
00:15:28 - That will be done.
00:15:33 - You killed him, the man with a pipe?
00:15:35 The man who followed you?
00:15:38 No one else followed you?
00:15:45 - Hmm?
00:15:46 - You must be brought to salvation, Franz.
00:15:53 Confess your sins as I have.
00:15:55 Proclaim your guilt.
00:15:57 Only thus you can attain salvation.
00:16:00 - You really think so, Conrad?
00:16:05 - It will take strength.
00:16:07 Such strength as can come only from God.
00:16:10 Kneel by me, Franz.
00:16:14 And together we will pray to him to give you strength.
00:16:18 I have sinned against heaven and before thee.
00:16:27 I am not worthy to be called thy son.
00:16:31 Say these words after me.
00:16:34 I despair of my sins.
00:16:38 - I despair of my sins.
00:16:42 - O God of all goodness.
00:16:43 - O God. - How could I ever have offended thee?
00:16:48 - Of all goodness.
00:16:49 - O God.
00:16:52 - Hey, this way, fellas!
00:17:02 Don't let him get away!
00:17:04 Don't let him get away!
00:17:07 (dramatic music)
00:17:10 (dramatic music)
00:17:13 (dramatic music)
00:17:15 (dramatic music)
00:17:18 (dramatic music)
00:17:22 (dramatic music)
00:17:24 (dramatic music)
00:17:28 (dramatic music)
00:17:31 (dramatic music)
00:17:36 (dramatic music)
00:17:42 (dramatic music)
00:17:53 (dramatic music)
00:17:56 - Hey, fellas, where's the trail?
00:18:08 - Oh, yeah!
00:18:09 (dramatic music)
00:18:12 - This way, fellas.
00:18:19 (dramatic music)
00:18:21 - Dearly beloved, we are gathered together here
00:18:29 in the sight of God and in the face of this company
00:18:32 to join together this man and this woman in holy matrimony.
00:18:36 (footsteps tapping)
00:18:39 And forsaking all others, keep thee only unto her
00:19:01 so long as ye both shall live.
00:19:05 - I will.
00:19:06 - Mary, wilt thou have this man for thy wedded husband
00:19:09 to live together after God's ordinance
00:19:11 in the holiest state of matrimony?
00:19:13 Wilt thou love him, comfort him, honor and keep him
00:19:19 in sickness and in health,
00:19:21 and forsaking all others, keep thee only unto him
00:19:24 so long as ye both shall live?
00:19:25 - I will.
00:19:27 (birds chirping)
00:19:30 - Good afternoon.
00:19:38 - Afternoon.
00:19:38 - Wedding?
00:19:43 - Yep, Judge Longstreet's daughter.
00:19:46 He's Supreme Court Justice, you know.
00:19:48 - Bottle of aspirin, please.
00:19:52 - Right back there, third shelf down at the top.
00:19:55 You'll see the big ones on the left, economy size.
00:19:57 Have to get it yourself, mister.
00:20:01 Right back there.
00:20:02 All your needs are on our shelves.
00:20:06 Just look around and help yourselves.
00:20:08 Right in there, right this one.
00:20:11 That's it, that's it.
00:20:13 Delivered down to Mrs. Peabody's?
00:20:15 - Just a few days only.
00:20:17 Some coffee too, please.
00:20:20 Or should I get it myself?
00:20:23 - Cafeteria style around here, mister.
00:20:24 - That's right, self service.
00:20:27 - The usual thing.
00:20:28 - Yes, that's $3 even, Mr. Todd.
00:20:31 - No limit on the cream.
00:20:36 - But all the people around here take it back.
00:20:38 - The one on the right, mister.
00:20:47 - Oh, thank you.
00:20:48 - Who is Miss Longstreet marrying?
00:20:52 - One of the teachers down at school.
00:20:54 - A stranger in town.
00:20:55 - I issued the license.
00:20:57 - Oh.
00:20:58 - Yep, I'm town clerk.
00:21:00 - Hey, checkers.
00:21:07 - All right.
00:21:09 Town clerk, huh?
00:21:14 - Yeah.
00:21:15 - Well, that must be quite a responsibility.
00:21:17 - Oh, town clerk runs the town, you might say.
00:21:22 We usually make it for 15, 20.
00:21:26 We often play as high as 25 cents a game.
00:21:31 - Well, that's kind of stiff for me,
00:21:33 but I'll take a flyer.
00:21:36 Make a million, lose a million.
00:21:37 - That's the way it goes.
00:21:38 - I move.
00:21:44 - All right.
00:21:47 Well, you must know just about everybody in town here.
00:21:51 - Not just about.
00:21:53 Know everybody.
00:21:54 - Here on business?
00:21:56 - Mm-hmm.
00:21:57 - Uh-huh.
00:21:58 - School business?
00:22:05 - Oh, no, no.
00:22:06 - Selling something?
00:22:09 - Oh, no, no.
00:22:11 - Buyer?
00:22:17 Oh, antique dealer.
00:22:22 They all come to Harker.
00:22:23 Just Longstreet's got the best collection in these parts.
00:22:26 Won't do you no good, though.
00:22:27 - No, I don't suppose he'll sell.
00:22:29 - Happen to know there are any other out-of-town buyers here?
00:22:36 - Come to think of it, there was a fella come in this morning.
00:22:41 - Yeah?
00:22:42 - Came on the same bus with you.
00:22:43 - Oh, yeah.
00:22:44 - Left his suitcase here and never did come back for it.
00:22:50 Now, he might have been one of them.
00:22:52 No.
00:22:54 He was more of the missionary type.
00:22:57 Wasn't in here but a minute, just looked in the phone book.
00:23:01 Tiny little fella he was.
00:23:02 Thin-ish.
00:23:04 Unfortunate-looking.
00:23:06 Hurt your head, mister?
00:23:09 - No, no, nothing serious.
00:23:10 - Oh, that's too bad.
00:23:18 It's a game you got to keep your mind on.
00:23:20 25 cent, please.
00:23:24 - I won't pretend I'm not disappointed, Charles.
00:23:34 - Hello, father.
00:23:35 Has anybody seen my brand new husband?
00:23:37 - Don't tell me he's deserted you already.
00:23:39 - Yes, looks as if, the brute.
00:23:41 Listen, Ren, have you seen Charles?
00:23:43 - No, you go find him for me.
00:23:45 Go on, go on, go find Charles.
00:23:46 Hurry up.
00:23:47 (suspenseful music)
00:24:15 - I've looked everywhere for him, Mary,
00:24:17 and I can't find him.
00:24:18 - Well, I wonder where he could be.
00:24:19 I'm getting worried.
00:24:20 - Are you, darling?
00:24:21 What about?
00:24:23 - Charles.
00:24:24 You've changed.
00:24:26 - Don't you think you'd better?
00:24:29 After all, aren't we supposed to be going
00:24:32 on a honeymoon or something?
00:24:34 - Give me five minutes.
00:24:35 (suspenseful music)
00:24:41 (dramatic music)
00:24:43 (suspenseful music)
00:24:46 (suspenseful music)
00:24:49 (suspenseful music)
00:24:52 (dramatic music)
00:25:08 (suspenseful music)
00:25:15 (suspenseful music)
00:25:18 (suspenseful music)
00:25:25 (suspenseful music)
00:25:33 (suspenseful music)
00:25:36 - Hello there.
00:25:46 - Hello.
00:25:47 - Was that you working up there on the clock?
00:25:51 - No, no, I was just cleaning around it.
00:25:53 - Oh, it's a beautiful thing.
00:25:55 From what I can see out front, beautiful.
00:25:57 - Yes.
00:25:59 - My name's Wilson.
00:26:00 - Oh, I'm Longstreet, Noah Longstreet.
00:26:01 - Oh, I'm glad to know you.
00:26:02 - Mr. Wilson.
00:26:03 - I couldn't judge any too well out front,
00:26:05 but I'd say it was late 16th century,
00:26:08 probably by Hobrecht of Strasbourg.
00:26:10 Now the clock.
00:26:12 - Well, I wouldn't know.
00:26:14 My brother-in-law's going to work on it.
00:26:16 - Is he up there now?
00:26:18 - No, no, he's on his honeymoon.
00:26:20 He plans to work on it when he gets back.
00:26:22 - Oh, is he an expert?
00:26:25 - Well, yes, but it's really more of a hobby with him.
00:26:28 - Really?
00:26:30 Well, it is with me too.
00:26:32 - Honeymoon?
00:26:34 - Yes, he and my sister.
00:26:36 He has to be back on Friday because of the examinations.
00:26:41 He's one of the teachers at the school.
00:26:46 His name is Rankin.
00:26:50 It's nice to be able to show it to someone
00:26:58 who knows what Revere Silver's all about.
00:27:00 - But personally, my specialty is pewter.
00:27:03 - Oh yes, pewter.
00:27:04 The Revere workmanship, although sometimes heavy in design,
00:27:11 almost invariably shows the sign of a master craftsman.
00:27:15 It is beautiful.
00:27:16 - Noah. - Hello, Mary.
00:27:19 - Hello, honey.
00:27:20 - Mary, dear.
00:27:21 Mr. Wilson, my daughter, Mary.
00:27:24 - Oh, how do you do, Mr. Wilson, I'm glad to see you.
00:27:24 - My son-in-law, Charles Rankin.
00:27:26 - How do you do?
00:27:27 - How do you do?
00:27:28 - I hope you don't mind my intruding on your homecoming.
00:27:31 - Good evening, Mary.
00:27:32 - Jeff, how are you?
00:27:33 - Fine, you're looking good.
00:27:34 - Welcome home, Miss Mary, dear.
00:27:36 - Sarah.
00:27:37 - Hello.
00:27:38 - Sarah, you sweet thing.
00:27:39 - If you don't sit down, it'll get cold.
00:27:42 - Come on, Jeff.
00:27:43 - I'm so glad to be here.
00:27:44 - Well, sister, how were the mountains?
00:27:46 - They were pretty good.
00:27:46 - Marvelous, huh?
00:27:48 - Mr. Wilson, will you come sit over here on my right?
00:27:50 Jeff, your usual place, and darling, you're right there.
00:27:53 You ought to see Charles on skis.
00:27:55 He's absolutely wonderful.
00:27:57 Yes, darling, you are, and I'm pretty good too, aren't I?
00:27:58 - Very.
00:27:59 - Well, for a beginner.
00:28:00 - Do you remember to keep your knees together
00:28:01 and your apparatus in?
00:28:02 - Yes, Freshie, I did.
00:28:04 (laughing)
00:28:05 - Mr. Wilson here is compiling a catalog
00:28:07 of Paul Revere silver.
00:28:09 - How nice.
00:28:10 - Mr. Wilson is also an authority on clocks.
00:28:12 - Oh, really?
00:28:13 That's Charles' hobby too.
00:28:14 - Yes, though your brother tells me.
00:28:16 I understand you're going to fix the one
00:28:17 on the church tower.
00:28:19 - Well, I may try.
00:28:20 - Well, that's quite an undertaking.
00:28:23 - I'm sure the kind of a wife I am, I hope he fails.
00:28:25 I like Harper just the way it is,
00:28:26 even to the clock that doesn't run.
00:28:29 - Have you been at Harper long, Mr. Wilson?
00:28:32 - Since Friday, a week ago.
00:28:35 - Well, you lost today.
00:28:37 I patched you up on Friday.
00:28:39 By the way, how's the head?
00:28:41 - Oh, very much improved, thanks to you, doctor.
00:28:43 - You were hurt on Thursday, remember?
00:28:45 The day of the wedding.
00:28:47 - Yes, that's right.
00:28:48 Wednesday, I left Bangor.
00:28:51 - You were hurt, Mr. Wilson?
00:28:56 - Oh, nothing serious.
00:28:58 - Well, serious enough to raise a bump on his head
00:29:00 the size of a billiard ball.
00:29:01 - The usual door.
00:29:03 - The thing you're back, sister,
00:29:06 that dog of yours has been inconsolable.
00:29:08 - Well, all right, Red, wait a minute, here you are.
00:29:11 This is for missing me, how's that?
00:29:13 Yeah, it's a good boy.
00:29:14 How was your meeting, Adam?
00:29:16 - Irritating.
00:29:18 Foreign Policy Association.
00:29:19 I read that fellow's report.
00:29:21 - Standish, yes.
00:29:22 - I think he's full of prunes.
00:29:25 - Well, that's the way we used to talk in the 1930s, Noah.
00:29:28 - Standish?
00:29:29 - The London Times man of Berlin.
00:29:32 - Yes, of course, he was quoting rumors mostly.
00:29:35 Men drilling by night, underground meeting places,
00:29:39 pagan rituals.
00:29:40 - Do you believe him, Pop?
00:29:42 - Well, anything's possible.
00:29:44 - I'm sorry, sir, but I think it's ridiculous.
00:29:48 Oh, there may be some fanatics,
00:29:50 but no German in his right mind
00:29:52 can still have a taste for war.
00:29:56 Do you know Germany, Mr. Rankin?
00:29:58 - I'm sorry, I have a way of making enemies
00:30:06 when I'm on that subject.
00:30:07 I get pretty unpopular.
00:30:09 - Well, we shall consider it the objective opinion
00:30:12 of an objective historian.
00:30:15 - Historian?
00:30:16 A psychiatrist could explain it better.
00:30:20 The German sees himself as the innocent victim
00:30:22 of world envy and hatred conspired against,
00:30:25 set upon by inferior peoples, inferior nations.
00:30:29 He cannot admit to error, much less to wrongdoing.
00:30:32 Not the German.
00:30:33 We chose to ignore Ethiopia and Spain,
00:30:35 but we learned from our casualty list
00:30:37 the price of looking the other way.
00:30:39 Men of truth everywhere have come to know
00:30:41 for whom the bell tolled, but not the German.
00:30:44 He still follows his warrior gods,
00:30:48 marching to Wagnerian strains,
00:30:49 his eyes still fixed upon the fiery sword of Siegfried.
00:30:53 And in those subterranean meeting places
00:30:55 that you don't believe in,
00:30:56 the German's dream world comes alive
00:30:58 and he takes his place in shining armor
00:31:00 beneath the banners of the Teutonic Knights.
00:31:04 Mankind is waiting for the Messiah,
00:31:05 but for the German, the Messiah is not the Prince of Peace.
00:31:09 He's another Barbarossa, another Hitler.
00:31:16 - Well, then you have no faith in the reforms
00:31:24 that are being effected in Germany.
00:31:26 - I don't know, Mr. Wilson.
00:31:28 I can't believe that people can be reformed
00:31:31 except from within.
00:31:33 The basic principles of equality and freedom
00:31:36 never have, never will take root in Germany.
00:31:37 The will to freedom has been voiced in every other tongue.
00:31:41 All men are created equal,
00:31:42 liberte, egalite, fraternite, but in German...
00:31:46 - There's Marx, proletarian Jew knight
00:31:49 who have nothing to lose but your chains.
00:31:51 - But Marx wasn't a German, Marx was a Jew.
00:31:54 - But my dear Charles, if we concede your argument,
00:31:56 there is no solution.
00:31:58 - Well, so once again, I differ.
00:32:01 - Well, what is it then?
00:32:03 - Annihilation.
00:32:05 Down to the last babe in arms.
00:32:08 - Oh, Charles, I can't imagine you're advocating
00:32:12 a Carthaginian peace.
00:32:14 - Well, as a historian, I must remind you
00:32:17 that the world hasn't had much trouble from Carthage
00:32:19 in the past 2,000 years.
00:32:22 - Oh, there speaks our pedagogue.
00:32:24 - Speaking of teachers, Mr. Wilson.
00:32:28 - Yes, yes.
00:32:29 - The faculty is coming for tea next Tuesday.
00:32:30 If you have nothing better to do, would you like to join us?
00:32:33 - I'd like to, but my work here is finished.
00:32:37 I'm leaving Harper tomorrow.
00:32:47 - It's extraordinary, isn't it?
00:32:49 Clark's being Mr. Wilson's hobby, too.
00:32:51 - He is, isn't it?
00:32:53 - Well, Red, how do you like your new house?
00:32:55 - He loves it.
00:32:56 Come here, Red.
00:32:56 Think I'll take you for a walk, come on.
00:32:58 - Oh, darling, you don't have to take him out.
00:32:59 Just let him out, he won't run off.
00:33:00 - All right, I need the walk, I'm restless.
00:33:02 Come on, boy.
00:33:03 - That's good.
00:33:08 How are you coming along?
00:33:11 - I'll be in Washington tomorrow afternoon.
00:33:13 You were right about Rankin.
00:33:17 He's above suspicion.
00:33:18 (dog barking)
00:33:23 (dramatic music)
00:33:52 - Here, Red.
00:33:53 Red, come here.
00:33:58 Come here.
00:33:59 (dramatic music)
00:34:02 (dramatic music)
00:34:04 (dramatic music)
00:34:07 (dramatic music)
00:34:10 (dramatic music)
00:34:39 - Give me long distance.
00:34:40 I want Washington, D.C.
00:34:43 - Well, who but a Nazi would deny
00:35:00 that Karl Marx was a German because he was a Jew?
00:35:03 I think I'll stick around for a while.
00:35:09 (dramatic music)
00:35:12 (dramatic music)
00:35:41 - What is it, dear?
00:35:42 - Oh.
00:35:45 Oh, I'm sorry, I was dreaming
00:35:48 about that little man.
00:35:51 - What little man?
00:35:55 - Oh, you know, dear, I told you about him.
00:35:58 He came here the day we were married.
00:36:02 Light me a cigarette, will you?
00:36:06 (dramatic music)
00:36:09 I've never had a dream like that before.
00:36:14 It frightened me.
00:36:16 Thanks.
00:36:18 You know, that little man was walking all by himself
00:36:26 across a deserted city square.
00:36:30 Wherever he moved, he threw a shadow.
00:36:36 But when he moved away, Charles,
00:36:38 the shadow stayed there behind him
00:36:40 and spread out just like a carpet.
00:36:42 Wish you could think who he might have been.
00:36:48 - You're over tired.
00:36:49 - Yes, perhaps.
00:36:52 Here, dear, put this out, will you?
00:36:59 (dramatic music)
00:37:02 (dog barking)
00:37:11 What was that?
00:37:12 (dog barking)
00:37:14 Oh, that sounded like Red, Charles.
00:37:18 What in the world's the matter with him?
00:37:20 - I put him in the cellar.
00:37:21 - Oh, darling, no wonder he's howling.
00:37:26 He's never been locked up in his entire life.
00:37:28 - Red is still over this, he must be trained.
00:37:31 At night, he will sleep in the cellar.
00:37:33 The daytime, he'll be kept on a leash.
00:37:35 - Charles, I don't believe in dogs
00:37:38 being treated like prisoners.
00:37:39 Red's my dog.
00:37:42 - Please, Mary, I know what's best.
00:37:45 (dog whining)
00:37:49 (dramatic music)
00:37:52 - Hi there, Red.
00:38:16 Aren't you gone to live with your mistress?
00:38:18 - No, Mary brought him home, said he howled all night.
00:38:21 - Oh.
00:38:22 Fishing any good in these parts?
00:38:24 - Pretty fair.
00:38:25 Would you like to come along?
00:38:26 - I'm afraid I've got the wrong clothes on,
00:38:28 but the fish probably won't mind.
00:38:30 - Thank you.
00:38:31 - I'm just not lucky today, that's all.
00:38:43 Would you like a candy bar?
00:38:45 - Oh, I don't mind if I do, thank you.
00:38:48 (fishing rod clicking)
00:38:50 - All you folks like fishing?
00:38:51 - Oh, my dad's great.
00:38:52 He always brings in something.
00:38:54 - Well, what about Charles?
00:38:56 - Charles?
00:38:57 Oh.
00:38:58 (laughs)
00:38:59 I have to call him Mr. Rankin at school.
00:39:01 I get a little mixed up sometimes.
00:39:02 (laughs)
00:39:05 He spends most of his time on the clock, you know.
00:39:07 - Why don't you like him now?
00:39:10 - What do you mean?
00:39:13 - You don't like your brother-in-law.
00:39:15 - It's none of my business, but I wish you'd tell me why.
00:39:19 - Well, I like him well enough.
00:39:22 The only reason why I shouldn't.
00:39:26 - Don't tell me I'm butting in because I know I am,
00:39:29 but I can't help myself.
00:39:30 It's my business.
00:39:32 I hate bringing you into this, Noah,
00:39:36 but you're the only one I can turn to.
00:39:39 I need your help very badly.
00:39:41 - Well, what is it?
00:39:44 - Your sister may be in great trouble.
00:39:46 I know that you're man enough
00:39:48 for what I'm going to ask you to do for her.
00:39:50 The truth is I'm not really an antique dealer.
00:39:53 I'm sort of a detective.
00:39:59 - Well, what do you want me to do, Mr. Wilson?
00:40:05 - It would help me a lot if I knew
00:40:08 every move Charles Rankin made on the day of his wedding,
00:40:10 right up to the ceremony.
00:40:12 - Well, I should be able to,
00:40:14 unless Charles realizes what I'm doing.
00:40:16 - I'll keep him busy.
00:40:17 - Gee, Mr. Wilson, you must be wrong.
00:40:27 Mary wouldn't fall in love with that kind of a man.
00:40:31 - I hope I am wrong, Noah, but that's the way it is.
00:40:35 People can't help who they fall in love with.
00:40:37 (dramatic music)
00:40:40 (door creaking)
00:40:43 - Good evening, Mr. Fowler.
00:40:52 - Good evening, Mr. Wilson.
00:40:54 (door creaking)
00:40:56 - 85 cents.
00:41:07 - Here you and Professor Rankin aim to fix the clock.
00:41:10 - I'll try.
00:41:11 - Figured to tell time rightly?
00:41:26 - Mm-hmm.
00:41:27 - And will the angel circle around the bell frame?
00:41:32 (gentle music)
00:41:35 - Is that a man or a woman angel, Mr. Wilson?
00:41:42 - I don't know.
00:41:43 - Well, I reckon it don't make much of a difference
00:41:51 amongst angels.
00:41:52 (laughing)
00:41:55 - Well.
00:41:56 - Give up?
00:41:59 - No, no, no, no, we'll play it out.
00:42:01 - That's my privilege, 25 cents, yeah.
00:42:03 - Oh, by the way, did Mr. Rankin pick up
00:42:07 his supper this evening?
00:42:09 - Yeah, no.
00:42:10 He generally gets through up there about now.
00:42:14 - Yes, I know.
00:42:16 - Gets dark early these days.
00:42:24 (gentle music)
00:42:26 (laughing)
00:42:46 - Our little man never did pick up his suitcase, did he?
00:42:49 - Nope.
00:42:50 - Strange.
00:42:51 Ain't it though, huh?
00:42:53 - I've been tempted once or twice to look
00:42:56 and see what's inside it.
00:42:57 Ain't even locked.
00:42:59 - Well, it seems to me that under the circumstances
00:43:01 that you have a perfect right.
00:43:03 - You do?
00:43:04 I wouldn't want to do it without a witness.
00:43:08 - Well, that's me.
00:43:09 - It is?
00:43:10 - Well, that's all I wanted to know.
00:43:12 - Trying to look in that thing to see if we're fit in there.
00:43:14 (laughing)
00:43:16 - Wonder what's in it.
00:43:17 - Soil in 'em?
00:43:20 - Uh-huh.
00:43:22 - Sweater?
00:43:23 - Uh-huh.
00:43:24 - Soap and a razor wrapped in a towel
00:43:26 with SS Christabel written across it.
00:43:28 - Uh-huh.
00:43:29 - Pair of old shoes.
00:43:31 - Yeah.
00:43:32 Yeah.
00:43:33 - Nothing but religious pamphlets.
00:43:36 - Yeah, that's all.
00:43:37 - Evening, Mr. Potter.
00:43:38 - Oh.
00:43:39 - Oh, hello, Mr. Wilson.
00:43:40 - Hi.
00:43:41 - Mr. Wilson, hi.
00:43:42 - You must drink.
00:43:43 - Mr. Potter and I have been poking our noses
00:43:47 into somebody else's business.
00:43:48 That suitcase.
00:43:49 But this chap left it here and he never did call back.
00:43:53 That's been more than two weeks ago.
00:43:55 - Did he say what he was doing and what happened?
00:43:57 - No, looked in the phone book, didn't telephone.
00:43:59 Kind of funny looking he was.
00:44:01 A scrawny little fellow with big, starry blue eyes.
00:44:04 Had a queer walk.
00:44:06 Like any second he might break into a run.
00:44:08 - Did he have a foreign accent?
00:44:10 - Why, yes, he did.
00:44:12 But not so much of an accent as a foreign way of talking.
00:44:15 - Do you happen to know who he could be, Mrs. Rankin?
00:44:18 - Why, why no.
00:44:21 (dramatic music)
00:44:24 I was just trying to complete your mystery for you.
00:44:27 Don't all foreign strangers have to have foreign accents?
00:44:32 - Mary, have you seen Red?
00:44:37 - Why, no.
00:44:38 Not since I took him home to you a couple of days ago.
00:44:40 - Well, he's been spending all his time out in the woods
00:44:42 and he doesn't even come home for his meals.
00:44:44 - But you told me he never ran away.
00:44:45 - He never did.
00:44:46 - Well, that's why Noah's so anxious.
00:44:48 - Come on, Mary.
00:44:50 - Good night, Mr. Wilson.
00:44:51 - Good night.
00:44:52 - Good night, Noah. - Good night.
00:44:53 (dramatic music)
00:44:56 - Were you able to find out anything?
00:45:10 - Mannequin did go to Rankin's house.
00:45:14 And your sister did see him.
00:45:16 - Did Mary say so?
00:45:19 - She started to.
00:45:21 Now, your sister is a fine woman, Noah,
00:45:23 but she must find out the kind of man she's married to.
00:45:26 - You don't know Mary.
00:45:28 She wouldn't listen to anything against him,
00:45:30 much less believe him.
00:45:31 - Noah, we must arrange it so that she finds out for herself.
00:45:34 You understand?
00:45:36 - Yes.
00:45:39 - One thing's certain, she knows nothing now, nothing at all,
00:45:42 except that he didn't want her to admit
00:45:44 having seen someone she did see.
00:45:48 - I'd give something to know what explanation
00:45:50 he's making right now.
00:45:52 - I was a student in Geneva.
00:45:54 There was a girl.
00:45:56 The night before I was to leave,
00:46:00 we went out on the lake together.
00:46:02 She told me unless I promised to marry her,
00:46:05 she'd never return to shore.
00:46:07 Oh, I thought she was joking, naturally,
00:46:13 but she wasn't.
00:46:17 Before I could stop her, she stood up in the boat.
00:46:20 Well, I dived in after her,
00:46:28 but it was too late, she was gone.
00:46:31 Only one person knew we were on the lake together,
00:46:34 her brother.
00:46:35 He knew I hadn't murdered her,
00:46:37 but he told me he'd be willing to call it
00:46:39 an accident for compensation.
00:46:42 I gave him all I had and left Switzerland.
00:46:45 As the years went by, I allowed myself to believe
00:46:48 that the dead past really was dead.
00:46:50 And then, on our wedding day, Mary,
00:46:56 he appeared again, her brother, the little man.
00:47:00 I gave him all the money I had in the world,
00:47:06 and he went away again.
00:47:12 Oh, darling, you should have told me.
00:47:16 I'm not carrying this awful thing around by yourself.
00:47:21 You're a very wonderful person, Mary.
00:47:27 I love you very much.
00:47:29 Oh, Charles.
00:47:41 Why didn't he go back for his things?
00:47:44 Well, I suppose once he had money,
00:47:51 he could afford better.
00:47:53 Darling, I'm terribly nervous.
00:47:56 I think I'll work up in the clock alone tonight by myself.
00:48:00 It will calm me.
00:48:01 You understand, don't you?
00:48:05 Of course I understand.
00:48:06 Shall I walk you home?
00:48:10 No, dear, there's no need for that.
00:48:12 It's pretty late.
00:48:16 That's all right.
00:48:17 In Harper, there's nothing to be afraid of.
00:48:19 I love you.
00:48:26 I love you.
00:48:27 Poor old Red.
00:48:43 He heard my whistle, I'll bet.
00:48:46 He couldn't bark or anything.
00:48:48 He just crawled this far and died.
00:48:51 Why do you think he died?
00:48:54 Let's go and find out.
00:48:56 That's young Longstreet's dog, Red.
00:49:10 Looks like he's dead to me.
00:49:12 They're taking him up to Dr. Lawrence's office.
00:49:15 Do you know anything about him?
00:49:17 What in the world's the matter with him?
00:49:20 Checkers?
00:49:23 No, no, thanks.
00:49:25 That coke's a nickel.
00:49:28 Thanks, Mr. Rankin.
00:49:33 Oh, uh, doctor.
00:49:45 How long could the dog have lived with that amount of poison in him?
00:49:49 Oh, not more than a minute or so, I'd say.
00:49:52 Well, then Red must have been poisoned within a few hundred yards of where you found him, now.
00:49:58 And the latter part of the distance,
00:50:02 he must have been moving slower and slower.
00:50:05 Thank you very much, doctor.
00:50:11 Thanks, Jim.
00:50:15 Mr. Peabody, would you please get that magazine rack in and hurry up about it?
00:50:19 Yes, Mr. Potter.
00:50:21 Hurry up about it.
00:50:23 Move along and...
00:50:24 Afternoon, Mr. Wilson.
00:50:26 Afternoon, Noah.
00:50:28 Bring him right in there.
00:50:29 Bring him right in there.
00:50:30 What does the law say about this kind of murder?
00:50:47 Is it the same as killing a man?
00:50:49 It ought to be. It's just as bad.
00:50:53 Four paws, muddy.
00:50:55 No mud on hind.
00:50:59 Dry leaves mixed with the mud.
00:51:01 Red must have been digging somewhere in the woods.
00:51:05 Have you any idea what for, Mr. Wilson?
00:51:07 A body, I think.
00:51:13 Mining case.
00:51:15 The little man?
00:51:17 Then...
00:51:20 Then...
00:51:21 Yes, partner?
00:51:36 Anything wrong?
00:51:37 Wrong?
00:51:38 What do you mean, blowing up like this?
00:51:39 Yeah.
00:51:40 Just going on a search.
00:51:41 What you after?
00:51:42 A can of machine oil. What search?
00:51:43 For the body.
00:51:44 State police have baptized half the town.
00:51:47 Just reach up there, 4th Shelf.
00:51:49 Someone misses the news up in the clock tower.
00:51:51 What body they're searching for?
00:51:53 My bet is, the fellow that left these bags here.
00:51:55 Strongy little duck.
00:51:57 Unhappy looking.
00:51:58 I knew he'd come to a bad end.
00:52:01 That oil will be 15 cents, mister.
00:52:03 That's all. I'll just put it on your account.
00:52:17 Oh, Sarah told me you're up here.
00:52:19 Why are you packing?
00:52:21 Are we going somewhere?
00:52:23 We aren't, dearest.
00:52:24 I am.
00:52:26 What are you talking about?
00:52:28 As a rule, men leave their wives because they don't love them.
00:52:31 I must leave you because I do.
00:52:34 You won't object once you know the kind of man you've married.
00:52:38 But you are the man I've married, and that's all that matters.
00:52:47 Darling, I meant it when I said, "For better or for worse."
00:52:50 Even to...
00:52:53 to killing Red?
00:52:55 You couldn't.
00:53:02 It was an accident.
00:53:07 No, I meant to kill him.
00:53:09 Murder can be a chain, Mary.
00:53:12 One link leading to another until it circles your neck.
00:53:16 Red was digging at the grave of the man I killed.
00:53:20 Yes, your little man.
00:53:22 You killed him?
00:53:25 With these hands.
00:53:28 The same hands that have held you close to me.
00:53:32 Now are you satisfied to let me go?
00:53:34 Why?
00:53:37 Why did you do it?
00:53:38 I'd have given him all I had, but his dreams were far grander.
00:53:42 He knew that you're far too young.
00:53:44 And he knew that your father was well to do.
00:53:46 He knew that Justice Longstreet would be glad to protect his daughter from any scandal by paying a few thousand dollars.
00:53:53 Oh, Mary, I...
00:53:55 I should have gone away and lost myself in a world where he could never find me, but...
00:53:59 I loved you.
00:54:03 And I was weak.
00:54:05 Darling.
00:54:08 If one of us goes, we'll both go.
00:54:14 You would have shared half my troubles if I'd had any.
00:54:16 Charles.
00:54:20 What is there to connect you with that man?
00:54:23 Nothing, actually.
00:54:27 You're the only one that knows I knew him.
00:54:30 Well, then you need have no fear.
00:54:32 If I'm the only one who can speak...
00:54:34 But, Mary, in failing to speak, you become part of the crime.
00:54:42 But I'm already a part of it.
00:54:44 Because I'm a part of you.
00:54:47 Don't you shudder at the first touch of my hands as though it was the touch of death.
00:54:54 It... it nerves.
00:54:57 Oh, hold me close, Charles. Hold me close.
00:55:01 Mr. Peabody, go back to town with the sheriff and open up the coroner's office.
00:55:09 Yes, sir.
00:55:10 Well, it was the same color.
00:55:11 Of course, he's changed some.
00:55:13 Being buried in the earth does it.
00:55:15 Evening, Mr. Wilson.
00:55:17 Evening, Mr. Farnley.
00:55:19 Evening, Noah.
00:55:20 Evening, Mr. Farnley.
00:55:21 May I say anything?
00:55:22 What do we do about Mary?
00:55:25 We can't leave her alone with him now that we know.
00:55:27 Well, she realizes now that whatever story he told her about Meineke was false.
00:55:32 Noah.
00:55:36 I think your sister should be ready to hear the truth.
00:55:40 Charles.
00:55:41 Will they make me look at the body?
00:55:44 I shouldn't think so.
00:55:48 Because I couldn't do it.
00:55:51 I mean, I don't think I could.
00:55:54 See, I've never seen a dead person.
00:55:57 I...
00:55:59 When are you having to tea, Mary?
00:56:07 Twenty-eight altogether, I think, dear.
00:56:08 You didn't eat nothing at dinner.
00:56:10 You'll be faint again, Miss Mary.
00:56:12 Twenty-eight for just you, Sarah.
00:56:14 No, I will manage all right.
00:56:16 But suppose I should...
00:56:22 Should what?
00:56:23 I don't know.
00:56:24 I mean, I'm terrified of seeing anybody or being seen.
00:56:26 Mary.
00:56:27 You must get a tight hold of yourself.
00:56:29 If you're determined to go through with this thing, you must know beforehand exactly what you're going to do and say at all times.
00:56:34 Or if you can't, you'll have to do it.
00:56:36 At all times.
00:56:37 Perfect naturalness at all times.
00:56:38 Now, darling, listen to me.
00:56:43 Darling.
00:56:45 I am prepared to go to the police.
00:56:50 It's your father, Miss Mary.
00:56:51 He wants to talk to you.
00:56:52 Yes, thank you, Sarah.
00:56:54 Mary.
00:56:56 (SUSPENSEFUL MUSIC PLAYING)
00:56:58 Hello?
00:57:08 Yes, I think so.
00:57:11 Just a minute and I'll see.
00:57:13 He wants me to come over.
00:57:15 He asked me to?
00:57:17 He said he wanted to see me alone.
00:57:20 There's nothing unusual about a father wanting to see his daughter.
00:57:24 Is there?
00:57:25 -Is there? -No.
00:57:27 All right, Adam, I'll be right over.
00:57:32 Don't you think that's rather strange?
00:57:38 Strange? No, it's strange.
00:57:39 Tell you what I'll do.
00:57:42 I'll go over to the church and work on the clock while you're with your father.
00:57:44 And you can buy and pick me up later.
00:57:47 I'm so afraid.
00:57:51 He was so pointed as wanting to see me alone and his voice sounded so different.
00:57:55 You know what you're going to say, don't you?
00:57:57 Come in, Mary.
00:58:18 Come in, Mary.
00:58:19 Is something wrong?
00:58:24 Mr. Wilson is here on a very serious matter.
00:58:27 We must try to help him every way possible.
00:58:30 He wants to ask a few questions of you.
00:58:34 What do you want to know, Mr. Wilson?
00:58:39 You know about the body that was discovered yesterday, Mrs. Rankin?
00:58:44 Yes.
00:58:47 Did you ever meet the deceased?
00:58:48 No, no, no, I never met him.
00:58:51 Have you seen the body?
00:58:53 No.
00:58:55 Well, then, how can you be sure you've never met him?
00:58:59 Of course, I can't be certain.
00:59:03 Mr. Wilson, do you suspect me of something?
00:59:07 If so, what?
00:59:09 Of shielding a murderer.
00:59:10 Perhaps this photograph will refresh your memory.
00:59:16 Do you recognize this man?
00:59:17 That is Conrad Meinecke,
00:59:20 commander in charge of one of the more efficient concentration camps.
00:59:24 You know him, don't you?
00:59:26 You have met him here in Harper.
00:59:29 No, no, I've never seen that man, Mr. Wilson.
00:59:33 Judge, would you mind putting out the lights?
00:59:38 I've been showing your father some films and I'd like you to see them too.
00:59:43 I'm on the Allied Commission for the Punishment of War Criminals.
00:59:46 It's my job to bring escaped Nazis to justice.
00:59:52 It's that job that brought me to Harper.
00:59:55 Surely you don't think that...
01:00:01 Mr. Wilson, I've never...
01:00:03 I've never so much as even seen a Nazi.
01:00:06 Well, you might, without your realizing it.
01:00:08 They look like other people and act like other people.
01:00:12 When it's to their benefit.
01:00:13 A gas chamber, Mrs. Rankin.
01:00:19 The candidates were first given hot showers so that their pores would be open
01:00:24 and the gas would act that much more quickly.
01:00:27 And this is a lime pit,
01:00:31 in which hundreds of men, women and children were buried alive.
01:00:35 Why do you want me to look at these horrors?
01:00:41 All this you're seeing...
01:00:43 It's all the product of one mind.
01:00:48 The mind of a man named...
01:00:51 Franz Kindler.
01:00:53 Franz Kindler?
01:00:55 Yes, he was the most brilliant of the younger minds from the Nazi party.
01:00:59 It was Kindler who conceived the theory of genocide,
01:01:03 mass depopulation of conquered countries,
01:01:05 so that regardless of who won the war,
01:01:08 Germany would emerge the strongest nation in Western Europe.
01:01:10 Biologically speaking.
01:01:12 Unlike Goebbels, Himmler and the rest of them,
01:01:15 Kindler had a passion for anonymity.
01:01:18 The newspapers carried no picture of him.
01:01:20 Oh no, and just before he disappeared,
01:01:22 he destroyed every evidence that might link him to this past,
01:01:25 down to the last fingerprint.
01:01:27 There's no clue to the identity of Franz Kindler,
01:01:30 except one little thing.
01:01:32 He has a hobby that almost amounts to a mania.
01:01:36 Clocks.
01:01:39 So have lots of people.
01:01:41 You, yourself.
01:01:42 Well, I'm not quite finished, Mrs. Rankin.
01:01:46 In prison, in Czechoslovakia, a war criminal was awaiting execution.
01:01:52 This was Konrad Meinig, one time executive officer for Franz Kindler.
01:01:56 He was an obscenity on the face of the earth.
01:02:00 A stench of burning flesh was in his clothes.
01:02:03 But we gave him his freedom on the chance that he might lead me to Kindler.
01:02:07 He led me here, Mrs. Rankin.
01:02:09 And here I lost him.
01:02:12 Until yesterday.
01:02:14 Your dog, Rett, found him for me.
01:02:17 But unfortunately, Meinig was dead and buried.
01:02:20 Now, in all the world,
01:02:23 there's only one person who can identify Franz Kindler.
01:02:29 That person is the one who knows,
01:02:32 knows definitely,
01:02:34 knows definitely who Meinig came to Harper to see.
01:02:38 No, he's not a Nazi.
01:02:46 My Charles is not a Nazi!
01:02:48 You were at Rankin's house during the afternoon of the day you landed.
01:02:54 - Where? - Rankin's house.
01:02:55 - Oh, yes, yes. - Did anyone come while you were there?
01:02:57 - Not that I remember. - Now, try hard to remember. It's not so long ago.
01:02:59 - Only two weeks. You were hanging curtains. - No one came.
01:03:01 Were you alone all the time?
01:03:04 - No. - Who else was there?
01:03:06 Charles.
01:03:07 He came right after his last class.
01:03:10 And we were together for more than an hour.
01:03:13 You have nothing to link my husband with this man Kindler,
01:03:15 except a wild suspicion.
01:03:17 It's a ridiculous suspicion.
01:03:19 You're trying to use me to implicate him and you can't.
01:03:22 You can't involve me in a lie, and that's...
01:03:24 That's all it is, is a lie.
01:03:26 It's a lie, you know. It's a lie. It's a lie.
01:03:29 Mary, Mary!
01:03:32 Wait a minute, Mary!
01:03:34 Mary!
01:03:43 Wait a minute, sister!
01:03:46 Oh, my God.
01:03:50 That's better.
01:03:56 That's better.
01:03:58 You know that your...
01:04:17 welfare in Noah's means more to me than anything, don't you?
01:04:20 Yes. Yes.
01:04:23 You've got to face this thing with complete honesty, sister.
01:04:26 Your entire happiness may well depend on your telling me the absolute truth.
01:04:32 If Mr. Wilson is right,
01:04:36 and you have innocently married a criminal,
01:04:39 well, then there is no marriage.
01:04:41 There's no call upon your loyalty as a wife.
01:04:44 He's good.
01:04:46 He's good. He wouldn't hurt anybody,
01:04:49 anybody except to protect somebody he loves.
01:04:52 He's... He's good.
01:04:54 Well, then the truth can't hurt him.
01:04:56 Charles was not with you that afternoon, sister.
01:05:04 I remember you saying so when you came home.
01:05:06 You're against him, too, Adam. Yes, you are.
01:05:09 You've never liked him, and that's why you don't believe me now.
01:05:12 Well, leave us alone, Adam.
01:05:14 He's not a Nazi. He's not one of those people.
01:05:17 He's not! Leave us alone!
01:05:19 She has the facts now,
01:05:27 but she won't accept them.
01:05:30 They're too horrible for her to acknowledge.
01:05:34 Not so much that Rankin could be Kindler,
01:05:37 but that she could ever have given her love to such a creature.
01:05:41 But we have one ally,
01:05:45 her subconscious.
01:05:47 It knows what the truth is, and it's struggling to be heard.
01:05:51 The will to truth within your daughter is much too strong to be denied.
01:05:56 Look here, Wilson.
01:05:58 If he's not Charles Rankin, we should be able to expose him without too much difficulty.
01:06:02 I'm not interested in proving that he isn't Charles Rankin.
01:06:05 I'm only interested in proving that he's Franz Kindler.
01:06:07 How do you propose to do that?
01:06:13 Through your daughter.
01:06:15 Unless I'm mistaken, she's headed for a breakdown.
01:06:19 That's the usual result of a person being inwardly divided.
01:06:22 Rankin will recognize this, and that's what I'm banking on.
01:06:24 What do you mean?
01:06:25 Well, he can't afford to trust a person approaching hysteria. He won't. He'll have to act.
01:06:29 He may try to escape before she collapses, which would only be an admission of guilt.
01:06:33 Or...
01:06:35 Go on.
01:06:37 He may kill her.
01:06:40 You're shocked at my cold-bloodedness.
01:06:42 Well, that's quite natural. You're her father.
01:06:44 And it's because you are her father, Judge Longstreet, that I'm talking to you like this.
01:06:49 Naturally, we'll try to prevent murder being done.
01:06:54 However, the proof that murder is a thing would be the strongest evidence that your daughter could have.
01:07:02 Charles!
01:07:04 Listen, it's striking.
01:07:14 200 years after my mother's death.
01:07:16 Keep us at track, Charles. Just a few more minutes.
01:07:18 I'm not going to let you get away with this.
01:07:20 I'm going to get you out of here.
01:07:22 I'm going to get you out of here.
01:07:24 I'm going to get you out of here.
01:07:26 I'm going to get you out of here.
01:07:28 I'm going to get you out of here.
01:07:30 Keep us at track, Charles. Just like you said.
01:07:32 Mr. Wilson was there. He tried to tell me that you were a Nazi.
01:07:35 And I was supposed to believe it.
01:07:37 Imagine you being an escaped Nazi.
01:07:39 Oh, he thinks he's very clever, that Wilson.
01:07:41 His idea was to horrify me into telling him about the little man.
01:07:44 Who did he say he thought I was?
01:07:47 A Nazi.
01:07:49 Franz Kindler.
01:07:51 He made it all up just to trick me.
01:07:53 But I didn't tell him anything, and I didn't tell father anything.
01:07:55 I out-faced both of them, Charles.
01:07:58 He'll be simple enough to prove you're not that...
01:08:00 that Nazi.
01:08:02 We'll just find someone who was in your class at college,
01:08:04 and he'll identify you, and that's all there'll be to it.
01:08:06 If what you say is true, he can't touch me.
01:08:08 I'm quite safe if...
01:08:10 you say nothing.
01:08:12 Oh, I won't, Charles.
01:08:14 I promise I won't. They can torture me, and I won't tell them anything.
01:08:17 Look, Chimes has awakened.
01:08:22 Harper.
01:08:25 (chattering)
01:08:27 We must go down and greet them.
01:08:33 We must act natural.
01:08:36 - Smile at them, you understand? - Yes.
01:08:38 - Are you all right? - Yes, I'm all right.
01:08:40 We'll face them, darling.
01:08:43 And when she struck, that angel started marching.
01:08:48 It was a sight to behold.
01:08:50 Professor, you sure knocked it off my hats, didn't you?
01:08:52 Congratulations, Mr. Rankin.
01:08:54 Won't the rector be delighted?
01:08:56 What I want to know is, if she's gonna chime all night long,
01:08:58 how's your body gonna get any sleep?
01:09:00 We'll face them, darling.
01:09:02 All of them.
01:09:04 Them chickens of yours are gonna be on and off the roost
01:09:06 every 15 minutes.
01:09:08 (laughing)
01:09:11 (footsteps)
01:09:13 Sarah!
01:09:25 Sarah, I've told you I want these curtains drawn.
01:09:27 I don't like the sunlight streaming in. It's bad for them.
01:09:29 Mary, that's rubbish, and you know it.
01:09:31 Up at the other house, we never closed the curtains.
01:09:33 - It has nothing to do with it. - This is my house, and I want them drawn.
01:09:36 Well, suit yourself, then.
01:09:39 Who's going to look mighty gloomy for the party?
01:09:41 Is it that time already?
01:09:45 (doorbell rings)
01:09:47 Were you able to see when they opened the grave, Mr. Randall?
01:09:53 - Yes. - Wasn't it too horrible?
01:09:55 Well, not the most pleasant sight.
01:09:57 Oh, there's Mary. Hello, Mary.
01:09:59 Fill-not prescriptions. That's the part of this business I hate.
01:10:03 Sleepin' pills, that's another.
01:10:05 - Mrs. Rankin, $1.65. - Okay.
01:10:07 - Warm wrap? - No, thanks.
01:10:09 - Sleepin' pills? - Don't approve of 'em.
01:10:11 Man does a day's work, man gets a night's sleep.
01:10:13 Least ways he could until that clock started bongin' every few minutes.
01:10:16 I believe Mrs. Rankin, uh, ordered some ice cream.
01:10:19 - Ice cream? - Yeah.
01:10:21 Already gone. Fellow said he was goin' past your house, so I gave it to him.
01:10:24 Mr. Wilson.
01:10:26 - Mrs. Rankin. - I wouldn't dream of setting foot outside the house...
01:10:35 ...if Fred were alive. Who knows? He might be anywhere.
01:10:38 The murderer, I mean. Waiting for a new victim.
01:10:41 I hope you haven't forgotten you were kind enough to invite me, Mrs. Rankin.
01:10:46 Oh, no, of course not, Mr. Wilson.
01:10:48 Uh, Mr. Potter asked me to give you this.
01:10:50 Oh, the ice cream's good. Sarah's waiting for it.
01:10:52 I hope it hasn't melted.
01:10:54 - Well, I won't detain you any longer. - I guess not.
01:10:58 - I have a drink for you. - Oh, just the medicine I need.
01:11:00 - You know Dr. Hippert? - Oh, yes, of course.
01:11:02 - How are you, Doctor? - Just fine.
01:11:04 - You're with kids, aren't you? - Yes, you think?
01:11:06 - Grandma Lawrence, can I get you something? - Oh, nothing more. Thank you.
01:11:09 - Where's Dr. Rankin? - Oh, he'll be here in just a few minutes.
01:11:14 I want to have a word with him about that clock.
01:11:16 - Oh, Fred, out there in old New York. - Oh, thank you, my love.
01:11:18 - You showed me your letter three weeks ago. - Yes, on my last trip.
01:11:21 - May I get you some more? - No, thank you.
01:11:23 And Jack the Riddler. And what was that Frenchman's name?
01:11:26 - Oh, hello, dear. - Hello.
01:11:27 Uh, Landry.
01:11:29 Yes, there may well be ten or a dozen graves out there in those woods.
01:11:33 Autopsy showed the murder was committed just three weeks ago.
01:11:36 - May I get you some more tea? - Oh, no, thank you, no.
01:11:38 - Jeff, may I get you another drink? - I wish I could remember what Emerson says about crime.
01:11:44 - Oh, there's Rankin. He may know. - Sorry to be late.
01:11:47 - I'm fine, thanks. - Hello, buddy.
01:11:49 - Darling. - Oh, hello there, Rankin.
01:11:51 - How are you, Mr. Wilson? - You know the quotation?
01:11:53 - The what? - Emerson.
01:11:54 - Quotation? - "Commit a crime and the earth is made of glass."
01:11:57 No, I don't.
01:11:59 Uh, "Commit a crime and the earth is made of glass."
01:12:03 "Commit a crime..."
01:12:05 "Commit a crime and it seems as if a coat of snow fell on the ground..."
01:12:11 "...such as reveals in the woods the track of every partridge and fox and squirrel and mole."
01:12:17 "You cannot recall the spoken word."
01:12:20 "You cannot wipe out the foot track."
01:12:23 "You cannot draw up the ladder so as to leave no inlet or clue."
01:12:28 You're Mr. Wilson, aren't you?
01:12:30 Do you know you're our number one suspect in our murder case?
01:12:33 - Oh? - So far, you're the only suspect.
01:12:35 Potter put the finger on you.
01:12:37 He thinks you committed the crime to get possession of some priceless antique.
01:12:40 - Want a drink, Mr. Wilson? - Mr. Rankin, I wish you'd left that clock alone.
01:12:43 Harper was a nice, quiet place until it started banging.
01:12:46 Mary, what's Wilson doing here?
01:12:51 I don't know.
01:12:52 - You invited him, didn't you? What's he after? - I don't know.
01:12:57 - Are you all right? - Yes, quite all right.
01:13:00 - Now, remember, Friday, Mary. - Yes, all right.
01:13:05 - Good night. - Friday.
01:13:06 Good night.
01:13:07 - May I help you, dear? - No!
01:13:18 No! No!
01:13:22 - Mary. Mary. - No.
01:13:26 Mary. It's all right, dear. It's all right.
01:13:30 It broke, and the beads fell all over the floor.
01:13:41 He took her upstairs.
01:13:46 When I left, I could still hear her crying.
01:13:49 Only floodgates have opened.
01:13:52 Her subconscious is almost won.
01:13:55 From now on, you must know every move that Mrs. Rankin makes.
01:13:58 She's never to leave the house unless I know where she's going.
01:14:02 If for any reason I can't be found, she's to be detained, no matter on what pretext.
01:14:07 - You understand, Sarah? - Don't worry. She won't get by me.
01:14:11 When she snapped those beads, she signed her own death warrant.
01:14:14 We're carrying her life in our hands.
01:14:17 Every time she walks on a slippery sidewalk...
01:14:21 is near something that can fall...
01:14:24 drives an automobile, anything that could result in accidental death...
01:14:28 her life is in danger.
01:14:30 - Yes, Judge. - She won't get by me.
01:14:33 She won't get by me.
01:14:36 [Scratching]
01:14:39 [Scratching Continues]
01:14:42 [Bell Tolling]
01:14:50 [Bell Tolling]
01:15:17 [Panting]
01:15:20 [Bell Tolling]
01:15:45 - Good afternoon, gentlemen. - Good afternoon, sir.
01:15:48 Today we will attempt to finish with the career of Friedrich the Großer...
01:15:52 Koenig von Preussen, Kurfürst von Brandenburg, Prinz von Polen.
01:15:57 Frederick the Great to you.
01:16:01 [Bell Tolling]
01:16:03 - 863. - That'll be 5 cents.
01:16:07 [Bell Tolling]
01:16:10 [Whistling]
01:16:13 - Hello? - Oh, Mary.
01:16:23 Mary, this is Charles.
01:16:26 Can you hear me, dear?
01:16:29 I can't speak very loudly where I am, but I want you to understand this.
01:16:33 Something very important has come up.
01:16:35 You must come to the church immediately.
01:16:38 The church tower. Understand?
01:16:41 - Yes, I understand. - I don't want anybody to know that you're going there.
01:16:45 Mary, don't tell anybody you're going.
01:16:47 Go to the church tower and leave your car in the rear...
01:16:50 coming through the back door.
01:16:52 Okay?
01:16:54 Good-bye.
01:16:56 - Anybody? - They're coming.
01:17:06 - Go to the back. - Yes, sir.
01:17:09 Stack that wood down over the rest of them and get back to work.
01:17:12 Yes, sir.
01:17:14 What's that, Mr. Peabody?
01:17:24 Your move, Professor.
01:17:27 Going someplace?
01:17:32 Where to?
01:17:34 - I asked you where you was going, Miss Mary. - I heard.
01:17:37 Well?
01:17:39 Sarah, you seem to forget I'm no longer a child. I'm a married woman.
01:17:42 Well, you ain't been married very long.
01:17:45 Wait, Mrs. Rankin.
01:17:50 - What is it? I'm in a hurry. - Well, you don't need to go biting my head off.
01:17:54 What is it, Sarah?
01:18:00 Well, I...
01:18:02 I don't...
01:18:04 If you've got something to say, say it. What is it, Sarah?
01:18:06 I don't know what's got into you lately. Indeed, I don't.
01:18:09 You never was mean to me like this back at the old house.
01:18:11 - Sarah, I... - Maybe I've outworn my youthfulness.
01:18:14 I'm not as young as I used to be.
01:18:16 Maybe you don't want me around anymore.
01:18:18 For heaven's sake, stop talking such nonsense.
01:18:20 Well, it's true, and you know it.
01:18:22 I'm gonna pack my things and leave here. Indeed, I am.
01:18:25 Sarah, I'm sorry if I've hurt your feelings.
01:18:29 I didn't mean to. Really, I didn't.
01:18:32 Sarah, now, I couldn't get along without you, and you know that, don't you?
01:18:37 - Well, don't you? - Honest, Miss Mary.
01:18:39 - Yes, honestly, honestly, Sarah. - Oh, Miss Mary. Oh, Miss Mary.
01:18:43 Sarah. Sarah, please, wait just a minute.
01:18:47 Sarah, you will never leave me, will you?
01:18:50 - You know how I feel about you, don't you? - Yes, I do, Sarah.
01:18:53 Like you was my own daughter, my own little girl. How could I...
01:18:56 Sarah, I've got to go now. Really, I do. I promised to be somewhere.
01:18:59 Well, where to, Miss Mary?
01:19:02 Stop fussing, Sarah. It's a secret.
01:19:12 Oh, Miss Mary!
01:19:16 What's the matter? Sarah, what's the matter?
01:19:20 - My heart. I can't breathe. The pain. - What's the matter?
01:19:24 Oh, no, Miss Mary, please don't leave me. No. Oh, don't leave me.
01:19:28 - Lie right there and keep quiet. Keep quiet and I'll see. - Maybe I'm dying.
01:19:32 - You're not dying. - Miss Mary, stay with me.
01:19:36 I won't leave you. 130, please.
01:19:39 Yes, Mary?
01:19:45 Look, I was supposed to meet Charles at the Clark Tower right away, and I can't get there.
01:19:50 Will you go and tell him to please wait for me?
01:19:53 I know it. No one's to know where or why you're going. It's important.
01:19:59 All right.
01:20:01 238, please.
01:20:10 Hello. May I speak to Mr. Wilson?
01:20:13 Looks like it's coming up for snow.
01:20:18 Yes, that's right.
01:20:20 (whistling)
01:20:47 - Oh! - Mrs. Rand, Mrs. Lundstrom?
01:20:50 Isn't it after hours? You ladies are working too hard at the library.
01:20:53 Oh, no, Mr. Rankin. We closed as usual at 3.30.
01:20:57 You're perfectly right. I dismissed class ten minutes early.
01:21:01 Yes.
01:21:03 That's 3.44.
01:21:05 I was playing checkers with Mr. Potter and I didn't realize.
01:21:10 You know what you are, Mr. Rankin. You're the absent-minded professor.
01:21:14 Oh, I won't know. You're saying the same thing.
01:21:18 (bell tolling)
01:21:20 (bell tolling)
01:21:23 (bell tolling)
01:21:25 (bell tolling)
01:21:53 - You sure are lucky today. - I am?
01:21:56 - You sure are. - Good afternoon, Mr. Potter.
01:21:58 - Afternoon, Mr. Hill. - I'm sorry, Mr. Potter. I can't find them.
01:22:00 - What? - The earmuffs.
01:22:02 - Right over there by the mittens. - Come on, Mr. Potter. Help us look.
01:22:05 I'll be right back in a minute, professor.
01:22:07 Right over there by that box where I told you there was.
01:22:10 - Those? - Yeah, laid this thing out.
01:22:12 - How much do you want for them? - 85 cents.
01:22:15 - That's an awful lot. - They come high this year.
01:22:20 - You want this thing? - I'll keep it.
01:22:23 You know, Mr. Potter, you're a bad influence.
01:22:25 I intended to only spend a couple of minutes.
01:22:28 You've made me spend the whole afternoon. Look what time it is.
01:22:30 Yeah. I'd like to get even.
01:22:33 It's your move.
01:22:35 - You really had the wind up. - Golly.
01:22:40 You can still smell the glue where you joined it.
01:22:43 Look there, professor.
01:22:46 I could told you it's coming up for snow.
01:22:50 (SUSPENSEFUL MUSIC PLAYING)
01:22:52 Look here, professor.
01:23:17 Double or nothing?
01:23:19 - Afternoon, Mr. Potter. - Afternoon, professor.
01:23:35 (SUSPENSEFUL MUSIC PLAYING)
01:23:37 Charles?
01:23:59 (THUNDER RUMBLING)
01:24:01 - He didn't go to church? - No, no, Sarah had...
01:24:12 - Sarah? What about Sarah? - Just as I was leaving,
01:24:14 - Sarah had some kind of an attack. - Oh, thank God.
01:24:16 She's resting now, yes.
01:24:18 Jeff said it wasn't very serious, but that I should stay with her.
01:24:20 Mm-hmm.
01:24:23 (SUSPENSEFUL MUSIC PLAYING)
01:24:25 What's the matter, Charles?
01:24:36 Nothing's the matter.
01:24:38 Then why did you want me to go to the church?
01:24:41 You said it was important.
01:24:43 It was important. Nothing actual.
01:24:46 It's my sense of proportion that's failing me these days.
01:24:51 Please, Charles, what is...
01:24:53 I'm sorry.
01:25:00 I've just begun to feel a strain.
01:25:03 You see, I have my weak moments, too.
01:25:05 I'll tell you in my own good time.
01:25:10 - They found out anything more? - No, nothing.
01:25:14 There's nothing to find out, unless you...
01:25:16 I don't know. I haven't seen anybody all day. I've been in my room.
01:25:18 There's a rumour going around that there's an arrest to be made.
01:25:21 My headaches.
01:25:23 The incident at the beads yesterday.
01:25:25 Made me doubt your strength.
01:25:27 I thought maybe you'd gone to your father and told him something.
01:25:29 If you had...
01:25:31 You didn't have to be afraid.
01:25:36 No?
01:25:38 Why did you tell Noah?
01:25:41 Hmm? Why? What about?
01:25:43 - Didn't you see him? - No. Why should I see Noah?
01:25:46 Did you come here directly from the church?
01:25:48 - Am I being cross-examined? - No.
01:25:50 But when I found I couldn't leave Sarah, I called Noah and told him to go there and tell you I was detained.
01:25:54 - I told you not to call anybody. - But surely Noah...
01:25:56 - Call him and tell him not to go. - I can't. I talked to him over...
01:25:58 - Call him, I say! - He's gone!
01:26:00 If he dies, his blood will be on your hands.
01:26:02 - What are you saying? - It's your meddling that's done this.
01:26:04 It would have been all right if it wasn't for you.
01:26:07 Without you, you had to be here.
01:26:10 On that day.
01:26:12 Hang in there, you stupid...
01:26:14 - You're killing Noah! - Did you kill Noah?
01:26:17 Yes, if he goes to the church and finds out that letter!
01:26:20 - It was I you intended to kill, wasn't it? - No.
01:26:28 Why wasn't it I?
01:26:30 You're a transgender!
01:26:33 Kill me.
01:26:37 Kill me, I want you to.
01:26:39 I couldn't face life knowing what I've done to you and what I've done to Noah.
01:26:43 But when you kill me, don't put your hands on me!
01:26:46 Here!
01:26:49 Use this!
01:26:51 Mary.
01:27:01 Noah!
01:27:06 Operator! Operator, get me the state police.
01:27:11 Get me the state police.
01:27:13 Yes, the roadblocks are up.
01:27:22 We're watching the railroad station and he isn't hiding in the woods.
01:27:26 (SIREN WAILING)
01:27:29 (SIREN WAILING)
01:27:32 (SIREN WAILING)
01:27:35 (SIREN WAILING)
01:27:39 (SIREN WAILING)
01:27:43 (SIREN WAILING)
01:28:09 (SIREN WAILING)
01:28:12 Get lost, you! Get lost, you!
01:28:16 You get worse, Noah. I'll go for the police.
01:28:26 (SIREN WAILING)
01:28:29 Mr. Wilson.
01:28:42 Well, if he is what I think he is, it's got to be easy.
01:28:44 We'll do everything possible to bring him back to life.
01:28:46 She's gone, Mr. Wilson.
01:28:48 She's not in the house.
01:28:50 Clock tower?
01:28:52 I don't know.
01:28:54 Well, if that's what he's hiding,
01:28:56 if she gets there before us...
01:28:58 What'll we do?
01:29:01 Call Captain Samuels and the deputies.
01:29:03 Get all the help you can.
01:29:05 Ouch.
01:29:10 The church, the church. What about you?
01:29:12 I'll get there.
01:29:14 Now, hurry up now or your sister may be still alive.
01:29:17 (SIREN WAILING)
01:29:20 (SIREN WAILING)
01:29:23 Don't move.
01:29:48 I have a gun.
01:29:50 You don't need it.
01:29:52 I'm alone.
01:29:54 What are you doing here?
01:29:56 Lift me up.
01:29:58 You're telling the truth?
01:30:07 Why should I lie?
01:30:09 You were followed here.
01:30:14 I came by our way, through the cemetery.
01:30:16 No one saw me.
01:30:18 (BELL TOLLING)
01:30:22 I needed the excuse.
01:30:34 I was afraid you would let me out.
01:30:36 What do you want?
01:30:41 I came to kill you.
01:30:43 (BELL TOLLING)
01:30:45 No, no, Mary, it's you that's gonna die.
01:30:51 You were meant to fall through that ladder.
01:30:54 You're going to fall.
01:30:59 I don't mind if I take you with me.
01:31:03 You are a fool.
01:31:07 I searched the woods. I watched them.
01:31:12 Here, like God, looking into the lands.
01:31:15 I'll hide in the woods. They won't search there again.
01:31:17 A day or two, they'll be sure I got out of town.
01:31:19 When they find me, they'll know you're still here.
01:31:21 Oh, darling, you're on the verge of a breakdown.
01:31:23 Now you've cracked.
01:31:25 Why else would you leave your bed?
01:31:27 Climb to an empty church tower in the dead of night.
01:31:30 Any child could see you'd wind up killing yourself.
01:31:32 Killing is what led you here.
01:31:34 It won't help you now.
01:31:41 Out the window. Look!
01:31:43 Well, that's an old trick, Mr. Wilson, a very poor trick.
01:31:47 Tricks? That's all you know, is tricks.
01:31:50 I don't need any tricks.
01:31:53 No matter what happens to me, tricks won't do you any good.
01:31:55 You're finished here, Franz Kindler.
01:31:58 Franz Kindler?
01:32:00 The citizens of Harper.
01:32:14 They've come after you.
01:32:16 The plain little ordinary people, the ones you've been laughing at, have Franz Kindler.
01:32:19 Well, you can't fool them anymore.
01:32:21 Oh, sure, you can kill me, Mary, half the people down there.
01:32:25 But there's no escape.
01:32:27 You've had a world that closed in on you till there was only Harper.
01:32:30 That closed in on you, and there was only this room.
01:32:33 And this room, too, is closing in on you.
01:32:36 It's not true, the things they say I did.
01:32:39 It's all their idea. I followed orders.
01:32:41 You gave the orders.
01:32:43 I only did my duty.
01:32:46 Don't send me back to them. I can't face them.
01:32:50 I'm not a criminal.
01:32:52 You are.
01:32:54 I'm sorry.
01:32:56 Give me that gun!
01:33:20 Give me that gun!
01:33:22 Give me that gun!
01:33:24 Give me that gun!
01:33:26 Give me that gun!
01:33:28 Give me that gun!
01:33:30 Give me that gun!
01:33:33 Give me that gun!
01:33:35 Give me that gun!
01:33:37 Give me that gun!
01:34:02 Give me that gun!
01:34:04 All right, Mr. Wilson, Mary's safe. Why don't we give you a hand?
01:34:20 Oh, no, no, no, no thanks.
01:34:22 Hiya, what happened?
01:34:24 VJ and Harper.
01:34:26 Don't get that. Come on down.
01:34:28 Oh, not until you get me a new ladder.
01:34:30 I've had my ankle busted and my head conked.
01:34:33 From here on in, my friends, I'm taking it easy.
01:34:36 Well, I'll get you another ladder, Mr. Wilson.
01:34:38 You've had enough trouble.
01:34:40 Good night, Mary.
01:34:42 Pleasant dreams.
01:34:45 © BF-WATCH TV 2021
01:34:50 Subs by www.zeoranger.co.uk
01:34:52 Thanks for watching!