Govinda's Interview From the Sets of Dulhe Raja - 'Actor Can't Do Anything If Director Doesn't Want'

  • last year
let's watch Govinda's interview from the 'Dulhe Raja' set a comedic delight. Overflowing with laughter and entertaining anecdotes, he vividly paints the behind-the-scenes hilarity of the film.

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Transcript
00:00 (Sings) "Kya chalti hai, hai rabba" (What is going on, oh Lord)
00:06 "Kya dikhti hai, hai rabba" (What is visible, oh Lord)
00:12 "Kya mudti hai, hai rabba" (What is turning, oh Lord)
00:17 "Kya dikhti hai, hai rabba" (What is visible, oh Lord)
00:22 "Kya chalti hai, kya mudti hai" (What is going on, what is turning)
00:26 "Kya dikhti hai, hai rabba" (What is visible, oh Lord)
00:29 "Kya dikhti hai, hai rabba" (What is turning, oh Lord)
00:32 Yes, brother, tell us what are the reasons for so many spectacles on the face?
00:36 To impress girls, you need spectacles.
00:42 Especially to people who are not able to show their faces.
00:48 So in this film, I am playing the character of a dhaba owner.
00:53 And the heroine is so much of a millionaire family, that she is not able to show her face.
00:58 And to impress the girl, he has worn so many spectacles.
01:02 That is the reason.
01:04 So what difference does it make?
01:06 You will see that in the film, tell me later.
01:09 According to me, it has made a huge difference.
01:12 And after watching the film, it will make a huge difference.
01:16 Tell me, are you trying to set a new trend with this?
01:20 No, if you wear so many spectacles, the trend cannot be set.
01:24 But definitely, something will be set.
01:29 As far as the film is concerned, it is a new romantic film.
01:33 So everything should be new.
01:36 So according to that, I have come up with a new idea.
01:40 Where did this idea come from?
01:44 I don't know, from where, but the ideas come from the air.
01:48 They just come.
01:50 Was there any particular reason that you wanted to do this?
01:55 No, no, no.
01:56 It's nothing like that.
01:57 The idea came from the air.
01:58 Who is the groom?
02:00 I am sitting in front of you.
02:02 Tell me, what kind of a character is the groom?
02:07 I am playing a dhaba owner.
02:10 And the best thing about the film is that people have been showing the fight between the rich and the poor for years.
02:19 There is pain in it.
02:21 There is a struggle.
02:22 There is a little bit of a bad feeling for each other.
02:25 In this film, a fight between the rich and the poor is shown with a lot of entertainment, a lot of love.
02:34 And after that, the way the film has ended, that is also very amazing.
02:41 Since I never narrated the story and everything, I will not tell anything further.
02:48 Tell us about the title.
02:51 The title is absolutely justified.
02:53 Absolutely.
02:55 The way Raja Babu came at his time, the world will also come at its time.
03:01 What about the music of the film?
03:04 I really liked the music.
03:07 I especially like these two songs.
03:09 One is "Akhiyon Se Goli Mare" and the other is "Kya Chalti Hai, Kya Dikhti Hai".
03:15 I also like the climax song "Sona Sasoor Ji".
03:20 In this film, you had a long association with your father-in-law.
03:26 Yes.
03:27 Can you tell us about that?
03:29 I liked all the films of Bhagwan Girdhar.
03:35 The best film so far was "Kul No. 1".
03:40 You will get to see this kind of relationship in this film.
03:43 Now, I will be the host of this film.
03:48 The public will know.
03:50 Can I go now?
03:52 No, you can't.
03:54 (Laughter)
03:57 You didn't tell us about Harvej Ji.
04:01 It is a pleasure working with him for so many reasons.
04:08 First thing, he is a senior of ours.
04:14 In spite of being so senior, he gives good importance to everybody.
04:21 A lot of respect, a lot of love.
04:25 He always welcomes fresh ideas, new ideas.
04:31 A person should be young from day one.
04:38 People don't work for their own likes, they work for the likes of others.
04:43 So, it is important to have a director or a hero with you during selection.
04:50 An actor can't do anything if the director doesn't want him to.
04:55 I always say that all my films are directed by the director.
05:00 If he doesn't allow me, what can I do?
05:06 It all depends on the hand of the director.
05:14 It was a pleasure working with him.
05:16 And why I am saying all this, you will come to know after you see the film.
05:19 What are the fresh ideas?
05:24 The film is fresh.
05:28 Some films have fresh ideas.
05:31 People discuss them.
05:33 The film is fresh.
05:35 The film is fresh.
05:38 God willing, it will be so.
05:40 I want to know, what is the benefit of a film to the audience?
05:50 The biggest benefit is that if someone has a BP problem,
05:54 or a problem of not laughing for a long time,
05:58 or if someone is very sad,
06:00 or if someone is suffering,
06:02 the person who watches the film,
06:04 when he is depressed, sad,
06:06 or the world is in trouble,
06:09 I have a hope, I pray to God,
06:12 that he will laugh for 3 hours.
06:14 God knows what happens next.
06:18 I have this hope.
06:20 What is this film? Is it romantic? Is it comedy?
06:22 Everything is there in this film.
06:24 Status, romance, love, family drama, emotion.
06:30 Everything is there.
06:34 I am there too.
06:36 There is a lot.
06:38 Raghunathji is there.
06:40 Khadakhanji, Johnny Leverji.
06:43 My favourite song of this film is
06:45 "Kya Chalti Hai, Kya Modti Hai, Kya Dikhti Hai".
06:48 The reason is that
06:50 in college days, we used to sing this song in the canteen
06:55 by playing the tabla on the table.
06:58 We used to sing 2-3 songs.
07:00 One of them was "Tujhko Mirchi Le Gaye, Tum Main Kya Karoon".
07:03 And this song has come in this film.
07:07 I gave a very rough and strange idea to this song.
07:12 But Anand Millai has presented it so beautifully
07:16 that there is no answer to it.
07:18 He has given it 3 rhythms and 3 different tunes in one song.
07:23 I liked the tune.
07:26 It was something like this.
07:28 [Anand singing]
07:57 [Anand singing]
08:06 Something like this.
08:08 Something new and something nice.
08:10 [Music]
08:16 you

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