Ibabahagi nina Jaya at Pops Fernandez ang kuwento ng kanilang buhay at kung paano sila nakapasok sa industriya.
‘Sis’ stars Gelli de Belen and Janice de Belen, Watch the full episodes of #Sis and other GMA programs here: http://bit.ly/GMAFullEpisodes
‘Sis’ stars Gelli de Belen and Janice de Belen, Watch the full episodes of #Sis and other GMA programs here: http://bit.ly/GMAFullEpisodes
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FunTranscript
00:00 [music]
00:03 We walk hand in hand, we dream together. We giggle and laugh like kids forever.
00:10 We're two different people, but we're having fun. We talk about anything under the sun.
00:18 We are sisters, we are friends. We've got magic that never ends.
00:25 I got you sis, you got me. Best of friends we'll always, always be.
00:37 We always have fun being together. You know me the best, we're friends forever.
00:45 Through good times and bad, I'm here for you sis. Right by your side, hit or miss.
00:52 We are sisters, we are friends. We've got magic that never ends.
00:59 I got you sis, you got me. Best of friends, the best of friends.
01:08 The best of friends we'll always, always be. We are sisters, we are sisters.
01:16 [music]
01:18 Good morning sis, a beautiful and heavy morning to all of you.
01:22 Heavy?
01:23 Yes, heavy as in heavy, heavy. In short, heavy.
01:28 [laughter]
01:29 That's a good punchline. Heavy!
01:31 Because all of us here today are heavy.
01:36 Hey, in short, we have big names here.
01:41 We're famous, we're popular, we're talked about, we're talked about by the whole town.
01:46 We have two divas, a princess, and a popular idol.
01:51 Jaya, Paps Fernandez, Julian Santos, April Boy.
01:56 How are you?
01:58 Awesome!
02:00 As in, beautiful stars. We're talking about the issues, issues, issues.
02:08 We're talking about life, life.
02:10 We'll talk about all of that this morning here on...
02:14 Real.
02:16 [music]
02:32 She was also called the Queen of Soul.
02:36 [music]
02:38 Jaya, old songs she gave new energy.
02:43 Your heart will be touched by her songs.
02:46 Jaya, Soul Diva.
02:49 [applause]
02:51 Hello, hello Miss Jaya.
02:53 Hello!
02:55 Yes!
02:57 Jelly Cone, for the longest time, I've been waiting to sign you.
03:02 Thank you.
03:04 [inaudible]
03:06 Later.
03:08 I've already signed the CD.
03:10 Oh, okay.
03:12 I wanted to ask you, how did you start?
03:14 Because I feel like,
03:16 I found out that you were there during the Metro Pop.
03:20 You were still in the States, when did you start?
03:22 I started in the States.
03:24 I was 18 when I ran away from my mom.
03:26 Then, I went to other places.
03:28 And she had no idea that I was working as a singer.
03:34 So how did you start working as a singer?
03:36 There, at there?
03:38 No, I started here.
03:40 You know, the singers who have dancers.
03:44 Yes.
03:46 Who entertain at nightclubs.
03:48 My mom, she has a Ramses Angel.
03:50 I was one of them.
03:52 I was 10 years old.
03:54 So, she would put on fake boobs.
03:56 Boobs, you came along.
03:58 Then, high heels.
04:00 And the thong effect.
04:02 At 10 years old?
04:04 You're really a performer.
04:06 No, I'm a top filipina.
04:08 You're a top filipina.
04:10 I didn't like show business.
04:12 So, your mom would always make you fight?
04:14 Yes, I would hide in the closet.
04:16 So, what happened? How did you start?
04:18 How did you like it?
04:20 Yes, because.
04:22 I just really liked it now.
04:24 I just really appreciated the business aspect of show business.
04:30 Didn't you appreciate that she forced you at 10 years old?
04:34 Yes, yes.
04:36 Wow.
04:38 The background is that she discovered that I sing.
04:40 Because I would sing inside the bedroom.
04:42 Locked.
04:44 I thought that Miss Engot
04:46 that I don't hear outside.
04:48 So, every time I would sing,
04:50 I would tape it, get the lyrics,
04:52 and practice to this.
04:54 With matching compact.
04:56 So, there's glass.
04:58 Can you see yourself?
05:00 But, outside, I don't do that.
05:02 You're shy.
05:04 Jai is really shy.
05:06 How did you tape it?
05:08 Did you ever tape it like this?
05:10 Did you ever tape it like this?
05:12 That it would be like this?
05:14 Jaya.
05:16 Jaya started it the same.
05:18 But, I needed to do it for work.
05:20 Because I wasn't able to finish high school.
05:22 Because my mom was either
05:24 you quit school and sing.
05:26 That was the only choice.
05:28 One, go to school and sing.
05:30 I didn't leave because I knew that
05:32 she would make me sing
05:34 until I was in the club.
05:36 So, I needed to have,
05:38 I needed to go on a venture.
05:40 You wanted a bigger goal.
05:42 But, you were the one who came up with it.
05:44 No, I wasn't thinking of a bigger goal.
05:46 I was just thinking of doing what I wanted.
05:48 So, I did what she wanted.
05:50 And then, I went on my own.
05:52 And then, it became Jaya.
05:54 How did you cut your voice on the tape?
05:56 It was just an accident.
05:58 How?
06:00 A lot of singers now
06:02 want to make it there.
06:04 And you started there.
06:06 There was a model.
06:08 She's black Italian.
06:10 She does a lot of
06:12 particular products.
06:14 I'll tell you later.
06:16 Then, they made me do
06:18 the demo vocals of
06:20 "If You Leave Me Now".
06:22 It's a dance song written by Stevie B.
06:24 She couldn't sing when she went
06:26 from New York to Florida.
06:28 Stevie had his own recording studio.
06:30 So, she said,
06:32 "Hey, Louise, come over here and do a demo of this song."
06:34 Louise?
06:36 That's your name, Jaya?
06:38 Yes, Louise.
06:40 You're Louise, darling.
06:42 She's Maria Luisa.
06:44 Ah, yes.
06:46 Then, suddenly,
06:48 the girl came.
06:50 For six hours, she couldn't do the first line.
06:52 And the first line was,
06:54 "We were not just lovers."
06:56 I know that song. I heard it.
06:58 So, she was reading
07:00 the billboard of
07:02 100 Magazine.
07:04 I hope I'm here.
07:06 It's possible.
07:08 Then, she packed up.
07:10 Then, the record label president
07:12 came up to me with Stevie
07:14 and said, "I'm writing a check
07:16 for $10,000.
07:18 Do you want to do the project
07:20 or not?"
07:22 Of course, I want to do the project!
07:24 I'm not kidding!
07:26 I'm not kidding!
07:28 It was a five-year
07:30 recording deal.
07:32 But I was only able to do two.
07:34 Why?
07:36 I quit.
07:38 Why did you quit?
07:40 I got sick and tired of it.
07:42 It wasn't what I wanted.
07:44 It still wasn't what you were looking for.
07:46 Even though the song made it to the top 40,
07:48 Yes, it reached the charts.
07:50 That's not a music video, Ning.
07:52 It's a movie.
07:54 It's a waste.
07:56 If you started here,
07:58 you think you'd have made it?
08:00 No way.
08:02 Many TV hosts came here.
08:04 Why?
08:06 Because I was dark.
08:08 I was dark and dark-skinned.
08:10 We're like Tisay here.
08:12 No, I was famous
08:14 in the early 80s and late 70s.
08:16 Tisay, Tisay.
08:18 White.
08:20 I'm not good enough.
08:22 But when I came here, I realized
08:24 I was going to get thinner
08:26 because I was depressed for two years
08:28 from '94 to '95.
08:30 I gained weight just by eating, sleeping,
08:32 drinking, sleeping.
08:34 That was my routine.
08:36 And I had no idea I was going
08:38 to be introduced
08:40 by Miss Corrales
08:42 in Viva.
08:44 Do you want to sit on my lap so you won't get tired?
08:46 Yes, so I can sit here.
08:48 I'm so happy.
08:50 Even this project
08:52 with Viva,
08:54 it was just an accident.
08:56 Many accidents.
08:58 It's a good thing it was an accident.
09:00 By chance, I saw Miss Corrales
09:02 singing and then
09:04 on her show in the States.
09:06 The producer said, "Let your mom
09:08 be the guest."
09:10 My mom said, "I won't be a guest
09:12 if you don't sing the opening
09:14 and you will introduce me."
09:16 So I sang.
09:18 I sang and then
09:20 my mom came out of her dressing room
09:22 and said,
09:24 "I want to take you home."
09:26 You were not.
09:28 You make home.
09:30 Actually, I refused.
09:32 It took about two to three months.
09:34 You refused because you were depressed?
09:36 No, I didn't want to come home here.
09:38 You didn't want to stay here?
09:40 I didn't want to come home here.
09:42 I didn't want to stay here.
09:44 I know people here
09:46 are very small.
09:48 I didn't know
09:50 that my color
09:52 and style might not be accepted.
09:54 But your mom was a hit here.
09:56 A comedian.
09:58 She's a jazz artist
10:00 and a rock and roll artist.
10:02 But because of her face and her true-to-life
10:04 stories that looked like comedy,
10:06 she became a comedian.
10:08 Miss Ram.
10:10 So Aunt Felita was really the one
10:12 who started you out here?
10:14 You were allowed to come here?
10:16 Yes.
10:18 There were other record labels
10:20 that called me from here.
10:22 I kept thinking,
10:24 "I have to go with who I trust."
10:26 Miss Corrales, Mamitab.
10:28 So what happened?
10:30 I came in January
10:32 of '96.
10:34 That was the same year you won, right?
10:36 May.
10:38 But the same year.
10:40 You were so beautiful.
10:42 Danny Tan was the composer.
10:44 Sometimes you just know something.
10:46 Correct.
10:48 And Yvette Gallardo.
10:50 The thing was,
10:52 coincidentally, they made our team.
10:54 What was your team?
10:56 Oh, the same title.
10:58 I thought it was a different team.
11:00 Correct.
11:02 Wait a minute.
11:04 What else did you want to do?
11:08 Concert performer.
11:10 Travel around the world.
11:12 Hopefully have a kid.
11:14 What's the difference
11:16 between performing abroad and here?
11:18 I have an album in Japan.
11:20 So my market is there.
11:22 You sang in Japanese?
11:24 One Japanese song.
11:26 The hit single now is a fast track.
11:28 It's a dance club mix
11:30 of Ishkin Golele.
11:32 Ishkin Golele is famous.
11:34 It was being played in France.
11:36 It's also a hit in France now.
11:38 I think it's going around London.
11:40 This is you singing?
11:42 Who was the most influential person
11:44 in your career?
11:46 I think
11:48 it stemmed from my mom.
11:50 I know all of her shows.
11:52 I know the punchlines.
11:54 I know all the arrangements.
11:56 I know all the endings,
11:58 the finale, and horn sections.
12:00 She's the one who arranges.
12:02 See, actually,
12:04 she's still influential.
12:06 She's still...
12:08 how would you say?
12:10 Mentor?
12:12 Let's give her a chance.
12:14 Okay.
12:16 We need you to give us a word.
12:18 You'll sing the song.
12:20 Just a part of the song.
12:22 Give us a word.
12:24 What song would best describe
12:26 your husband?
12:28 Past.
12:30 Future child.
12:32 Let's drink some juice.
12:34 What?
12:36 Okay. Mom!
12:38 Mom!
12:40 The long and winding road
12:42 that leads to your door.
12:44 Are you shy when you sing?
12:46 Yes.
12:48 Really?
12:50 I didn't know.
12:52 When I was singing that song,
12:54 it was suggested by Danny Tan.
12:56 He has an arrangement.
12:58 I think I was doing music museum.
13:00 Right there and then,
13:02 I didn't understand the lyrics.
13:04 It took me all those years
13:06 before I understood the song.
13:08 So it made me cry.
13:10 That's what happens.
13:12 I think that's my biggest fault.
13:14 When I'm on stage, I'm so...
13:16 Vulnerable.
13:18 Tell us about yourself.
13:20 Me?
13:22 God.
13:24 Is this Eyes on the Sparrow?
13:26 I sing because
13:28 I'm happy.
13:30 I sing because
13:32 I'm free.
13:34 He's
13:36 Eyes on
13:38 the
13:40 Sparrow.
13:42 And I know
13:44 he watches me.
13:46 My God, she's not vocalizing yet.
13:48 We're crying here.
13:50 Thank you.
13:52 Thank you so much.
13:54 Oh, hello!
13:56 October 16th?
13:58 From the 16th
14:00 and the Fridays after that,
14:02 on stage,
14:04 produced by Maximilian.
14:06 Thank you, thank you.
14:08 Thank you so much.
14:10 Thank you.
14:12 It's like we're at home.
14:14 We're here.
14:16 We're really coming back.
14:18 I'll be back.
14:20 Thank you.
14:22 Thank you.
14:24 As soon as
14:26 your freedom became official,
14:28 how did you feel?
14:30 Actually, it's still a very
14:32 painful realization.
14:34 My friends,
14:52 we have opted to invite
14:54 interesting, very interesting women.
14:56 Because we have something interesting,
14:58 especially here in Showbiz,
15:00 this name cannot be missed.
15:02 She's here with me now.
15:04 Please welcome, Pops.
15:06 Miss Pops, we love it!
15:08 Hi, Miss Kelly. Hi, Miss Pops.
15:10 And hello to everyone.
15:12 Thank you. I'm so glad you're back.
15:14 I'm glad.
15:16 In this world of ours.
15:18 Yeah, in this kind of world.
15:20 Anyway, Miss Pops,
15:22 let me ask you. This is my first time.
15:24 This is my first time interviewing you.
15:26 I won't ask a question.
15:28 Okay, don't.
15:30 As soon as your freedom
15:32 became official,
15:34 how did you feel?
15:36 The first time you heard it,
15:38 it's real.
15:40 It's there in front of your face.
15:42 Believe it or not,
15:44 actually, it's still
15:46 a very painful
15:48 realization.
15:50 Maybe for...
15:52 And I don't know about the other women
15:54 who have been through
15:56 this kind of a process.
15:58 It's something, of course,
16:00 that you didn't like.
16:02 You didn't pray that
16:04 after taking our vows,
16:06 it would end up like this.
16:08 It didn't.
16:10 It's a very painful process.
16:12 And until the very end,
16:14 when
16:16 I finally learned about
16:18 the judgment, of course,
16:20 it's a mixed reaction.
16:22 Because I still cried.
16:24 Of course. I can imagine.
16:26 It's really the finality
16:28 of everything.
16:30 And then, it's like you look back
16:32 and then
16:34 it's not that you
16:36 had a hard time. It's just that
16:38 you look back and you feel like
16:40 all the memories are wasted.
16:42 So now that you're single,
16:44 what's exciting?
16:46 A lot of people think
16:48 that because Pops is single,
16:50 Oh boy! She's having such a great time.
16:52 Are you really?
16:54 Maybe
16:56 in our business, the focus
16:58 is more on
17:00 who is Pops seeing?
17:02 Who is Pops going out with?
17:04 Who was she seen last night with?
17:06 But what a lot of people
17:08 don't know is
17:10 Pops is still very much the same Pops
17:12 that they've seen
17:14 on TV, on stage,
17:16 in front of the camera for how many years?
17:18 Maybe Pops
17:20 just became more confident.
17:22 Maybe Pops just became stronger.
17:24 A rediscovery?
17:26 Not just that. At this moment
17:28 in my life, because of the
17:30 many changes that I've been
17:32 through, it's more of a
17:34 I have no choice because
17:36 I have to survive. So you go out on dates.
17:38 This is my question.
17:40 What's your feeling?
17:42 You've never really dated much
17:44 before I know. No, I never did.
17:46 You never did. So now, what's your feeling?
17:48 Oh, this is what's happening on a date.
17:50 Do you feel that way?
17:52 Like, "Yikes! What happened?"
17:54 "Why did you do that?"
17:56 Or, "Wow!
17:58 This is so exciting!"
18:00 Do you have those moments?
18:02 Actually, it's more nervous
18:04 because I've not really been
18:06 through this before.
18:08 It's always
18:10 my first time.
18:12 So what's happening to you?
18:14 Dress up? No, I want to be
18:16 the person who I
18:18 really am.
18:20 You know me, right? I'm super casual.
18:22 You're just in front of me.
18:26 I'm just in front of you.
18:28 I'm sleepy.
18:30 I'm sleepy.
18:32 I know that's an exciting thing.
18:34 Especially for other people
18:36 knowing who you really are.
18:38 But what they really don't realize
18:40 is I'd really rather
18:42 from work, see my children
18:44 also. Of course!
18:46 Going back to your children.
18:48 Because of the little time
18:50 I can be free.
18:52 Spend it with them.
18:56 I just visit my kids.
18:58 I know. I've seen that.
19:00 We watch movies.
19:02 And then,
19:04 we like to eat out.
19:06 Whether it's lunch or dinner.
19:08 And then we talk about
19:10 whatever happened in school.
19:12 People, you're like this now.
19:14 Got it!
19:16 Of course, guys!
19:18 It's different now.
19:20 Are you embarrassed by me staring at you differently?
19:22 Before, of course, it was different.
19:24 Guys, when there's someone,
19:26 we're just dead.
19:28 Usually.
19:30 I don't see it that way.
19:32 I'm feeling, my God!
19:34 I don't feel that way.
19:36 Believe it or not,
19:38 I'm kind of naive when it comes to those things.
19:40 Ah, sure.
19:42 And,
19:44 maybe that's why
19:46 I enjoy going out.
19:48 It's because more than anything,
19:50 I enjoy making friends.
19:52 Trying to meet new people.
19:54 Whether female or male.
19:56 And, of course,
19:58 in our business,
20:00 because the eyes are
20:02 focused so much on
20:04 our persona.
20:06 Because we're celebrities.
20:08 I don't notice that.
20:10 Or other people put different meanings to it.
20:12 It's possible.
20:14 "Hey, because you're with someone like that,
20:16 maybe you should go out."
20:18 So let's say there's this guy,
20:20 he's single and he's confident.
20:22 He's fabulous.
20:26 And he really likes you.
20:28 He won't be intimidated by a pop.
20:30 I mean, you're pops.
20:32 Everybody knows you.
20:34 Even if this guy's,
20:36 he has a lot of experience,
20:38 but you, nah.
20:40 I didn't mean to offend you.
20:42 But just in case,
20:44 it'd be better.
20:46 I don't know.
20:50 How can he not be intimidated?
20:54 Actually, before...
20:56 How can he get past that?
20:58 Before, I feel like
21:00 maybe they're afraid.
21:02 Or maybe they don't want to be seen
21:04 with a showbiz personality like me.
21:08 Or maybe they'll be Mr. Pops.
21:10 Right?
21:12 I really don't know.
21:14 But in the beginning, I thought,
21:16 maybe they're afraid of me.
21:18 Maybe they believe that I'm their number one.
21:20 But I guess they have to get over that.
21:22 Or I feel that
21:24 if this guy will love me
21:26 for who I really am,
21:28 as a real person,
21:30 then he shouldn't be intimidated.
21:32 Or he shouldn't be
21:34 believed by others.
21:36 Or he would just see me
21:38 as the real human person that I am.
21:40 As you are.
21:42 My friend,
21:44 I said earlier,
21:46 we invited one of the most interesting people
21:48 in showbiz today.
21:50 I'm sure he's not just interesting
21:52 because you know him or he's Pops.
21:54 He's interesting because he's a human being
21:56 just like us.
21:58 He gets hurt, gets angry,
22:00 and becomes happy.
22:02 He's Pops.
22:04 He looks very happy.
22:06 Very peaceful.
22:08 When I talked to him,
22:10 he was like,
22:12 finally, he gets to decide on his own.
22:16 He gets to do what he wants.
22:18 Because of that inner peace
22:20 that you have.
22:22 That's what's important.
22:24 If you don't have inner peace,
22:26 it's hard to be peaceful.
22:28 To be happy.
22:30 What he's seeking now,
22:32 I think,
22:34 the way I see it,
22:36 to be happy.
22:38 To be joyful.
22:40 It's different if you're happy.
22:42 But joy comes from within.
22:44 It's in your heart.
22:46 I feel like that's what he's looking for now.
22:48 He's not like,
22:50 "I need to have a boyfriend."
22:52 He's not like that.
22:54 He's like,
22:56 "I want to really enjoy life."
22:58 "Enjoy myself."
23:00 Anyway,
23:02 this is Never Been Married.
23:04 Miss Judy Ann Santos.
23:06 I'll be with you on your return.
23:08 Cheers!
23:10 We are sisters.
23:12 We are sisters.
23:14 We are sisters.
23:18 We are sisters.
23:20 She's probably the luckiest actress
23:24 in the history of TV dramas and movies.
23:26 She was slapped,
23:28 punched, and cried a few times.
23:30 And look, after all the tears
23:32 she cried
23:34 to make us laugh,
23:36 she's today's biggest showbiz sensation.
23:38 Please welcome Miss Judy Ann Santos.
23:40 Hello, Judy Ann.
23:42 Hi.
23:44 Tribe, tribe, and?
23:50 Yes, tribe, tribe, and.
23:52 How old were you when you started acting?
23:54 About eight or nine years old.
23:56 About eight or nine years old.
23:58 What's your stature now?
24:00 At first, it was all a game.
24:02 When we were kids, we weren't that interested.
24:06 Almost all the classes were thrown at you.
24:08 What are the disadvantages
24:12 and advantages of being a star
24:14 with your stature?
24:16 You're not just a star.
24:18 You're a soap opera princess.
24:20 I'm from a soap opera, right?
24:22 Yes, but I'm still a kid.
24:24 It's hard.
24:28 First of all, since you just said
24:32 you're a soap opera princess
24:34 or a kid
24:36 who's in a soap opera,
24:38 my life, even my personal life,
24:40 depends on them.
24:42 They're always waiting
24:44 for everything that happens to me, in detail.
24:46 For example, I went to a disco like this,
24:48 who I was with,
24:50 what I did.
24:52 How much did you drink,
24:54 if you're drunk, right?
24:56 You don't know if you'll be touched,
24:58 if you'll be flattered
25:00 that they're waiting for what happens in your life,
25:02 or if you'll be just a joke
25:04 because you can't do things
25:06 that a normal person does.
25:08 Does it hurt you
25:10 that sometimes you're less human?
25:12 Because sometimes,
25:14 they give us so much adulation
25:16 that we're not
25:18 real people anymore.
25:20 We don't know how to get hurt,
25:22 we don't know how to enjoy.
25:24 People feel that when you're an artist,
25:26 you're not a human.
25:28 You're like an alien
25:30 because they feel
25:32 that we're not affected
25:34 by what's happening,
25:36 by what they're doing to us.
25:38 But since I grew up in show business,
25:40 I learned
25:42 or maybe
25:44 that
25:46 I urged myself
25:48 to just go ahead
25:50 and don't
25:52 talk.
25:54 Do you believe
25:56 that when you're in show business,
25:58 and you're successful in your career,
26:00 usually, your personal life suffers?
26:02 Wow.
26:06 Do you believe that?
26:08 So, how do you handle
26:10 that it's hard for you to find
26:12 a partner in life?
26:14 No, I don't. I don't even know if I've ever held a hair.
26:16 No, because
26:18 when it comes, it comes. I don't want to rush
26:20 and at the same time,
26:22 the opportunity in show business
26:24 and in any job, it's just once in a while.
26:26 You're still young.
26:28 There are still a lot of people.
26:30 If there are people who love me,
26:32 they're really there, they'll wait.
26:34 If the person who loves you is right,
26:36 they'll be able to accept that you're Julian.
26:38 That's why they need to be able to
26:40 intimidate you, to accept that, and not be intimidated.
26:42 Correct.
26:44 If they're intimidated, they'll just kill you.
26:46 They're too much.
26:48 They're intimidating.
26:50 Because Julian is too strong.
26:52 Oh my God.
26:54 He's like a petiolo.
26:56 He's your love team.
26:58 But why does it seem like you're being a real?
27:00 I'm being pulled.
27:02 No.
27:04 You're being pulled.
27:06 Later, I'll be with the bulla.
27:08 It's not being real.
27:10 Maybe it's just
27:12 we're just too comfortable
27:14 and at the same time,
27:16 I came from love teams
27:18 that
27:20 are being ordered.
27:22 You're being ordered.
27:24 You can't
27:26 be too
27:28 you can't show
27:30 your natural sweetness.
27:32 People will think that you're being a flirt or something.
27:34 I feel like
27:36 I'm 23 already and this love team
27:38 just happened to be supported by people.
27:40 At the same time,
27:42 we're really friends with the piolo.
27:44 And when you work together,
27:46 there's always an importance.
27:48 Even if you're just a little,
27:50 you're friends, right?
27:52 Yes. Your working relationship
27:54 won't be good.
27:56 For example, you're just a little on set.
27:58 It's ugly.
28:00 It's ugly to be a little on set.
28:02 It's not pretty.
28:04 Even the result is ugly.
28:06 Even our moms
28:08 were best friends before.
28:10 They were best friends even in high school.
28:12 We have a lot in common.
28:14 Maybe that's why we're that close.
28:16 When you manage with Kilimanjaro,
28:18 it's hard to manage
28:20 with someone like this.
28:22 Because, of course,
28:24 if you're like this, you need to be watched.
28:26 But you, you're just too busy.
28:28 Actually,
28:30 I'm just lucky
28:32 when I go here.
28:34 For example, I go here twice
28:36 in a week.
28:38 I'm lucky that I can be here.
28:40 Really? What do you do when you're not here?
28:42 My mom and aunt Bebot
28:44 are my partners here in Kilimanjaro.
28:46 They're the ones who handle.
28:48 I'm the one who maintains.
28:50 I'm the one who thinks
28:52 about my gimmicks.
28:54 So,
28:56 this is an African
28:58 production line?
29:00 No, we just added a few things here.
29:02 But Kilimanjaro already exists.
29:04 Even before.
29:06 It's just moving places.
29:08 When the owner sold this to me
29:10 last February,
29:12 I bought it.
29:14 I just moved it.
29:16 It's already nice.
29:18 It's nice and relaxing.
29:20 Aside from this one,
29:22 what else?
29:24 Real estate.
29:28 I'm thinking of real estate.
29:30 Actually, that's it.
29:32 I don't rush.
29:34 I don't want to take the responsibility
29:36 of paying a lot of things because I might get in trouble.
29:38 Right?
29:40 I don't want to be bullied by the COC.
29:42 This is exciting.
29:44 Do you do business?
29:46 Sometimes.
29:48 I want to be a part of Efren Bata Reels.
29:50 Yes, in the movies.
29:52 After you become a boxer,
29:54 you'll be a B&R queen.
29:56 I think that's my destiny.
29:58 I'll do everything
30:00 that other countries
30:02 are doing.
30:04 But, you're a paiga.
30:06 Of course.
30:08 It's an honor to work with Efren Bata Reels.
30:10 Do you have a time frame
30:12 for yourself?
30:14 Like, "I'll just stay here for 2 more years."
30:16 "3 more years."
30:18 I don't.
30:20 I don't plan my life.
30:22 Take it one day at a time.
30:24 Plan meaning,
30:26 I'm not the one who's planning.
30:28 I'm not the one who's at this age.
30:30 My child should be 2 years old.
30:32 Right?
30:34 I don't want to think
30:36 about what's happening in my life
30:38 or what's going to happen in my life.
30:40 If nothing happens,
30:42 it's a huge frustration.
30:44 I just accept what's happening.
30:46 It means
30:48 it was really meant for me.
30:50 Something better is going to happen to me.
30:52 So, are you okay with
30:54 the "Suit Opera Princess"?
30:56 Because if it's like that,
30:58 it's like a superstar.
31:00 Are you okay with that tag?
31:02 Or, don't tag me.
31:04 Appreciate what I'm doing.
31:06 It's better
31:08 if I don't tag.
31:10 But,
31:12 people nowadays are so greedy.
31:14 I'm just saying, they're so greedy.
31:16 If you ask me,
31:18 who's the highest rated "Suit Opera Princess"?
31:20 That's the "Suit Opera Princess".
31:22 But I've never been tagged as a "Suit Opera Princess".
31:24 And they'll say,
31:26 "Someone's stealing from you."
31:28 I'm not tagged.
31:30 So, no one will steal from me.
31:32 As much as possible,
31:34 I want to tell them,
31:36 if you want that title,
31:38 then put a sash there.
31:40 Then, I'll put a sash
31:42 for Judy Ann Santos only.
31:44 Right?
31:46 That's it.
31:48 Thank you so much.
31:50 We're here with you this morning.
31:52 It's really nice to be famous.
31:54 It's true. It's really nice.
31:56 But, there's also a burden.
31:58 It's hard and a bigger responsibility.
32:00 But, even so,
32:02 it's a hard job.
32:04 As long as you want to do it.
32:06 How's Judy?
32:08 I heard that her movie is really good.
32:10 Her movie is really good.
32:12 I think she's a good match with Tiola.
32:14 Oh, Tiola.
32:16 She's so cute.
32:18 What can I say?
32:20 What I can say to her is,
32:22 she's so devoted to her family.
32:24 She doesn't care if she's tired.
32:26 She's blessed.
32:28 She's so considerate to anyone about her life.
32:30 She's so kind.
32:32 But, she's happy because
32:34 she's helping her family.
32:36 That's why she's blessed.
32:38 Exactly.
32:40 So, we'll be back with
32:42 Sis High Idol.
32:44 April Fools' Day.
32:46 [music]
32:48 We are sisters.
32:50 We are sisters.
32:52 We are sisters.
32:56 We are sisters.
32:58 There are things that are dead magic.
33:02 And, there are people
33:04 who are okay with it.
33:06 But, this is the truth
33:08 that you can't
33:10 ever be dead.
33:12 It's like an emotion
33:14 that's being played by a doll.
33:16 We are the idols.
33:18 Hi, how are you guys doing?
33:20 April Fools' Day.
33:22 Good morning to all of you.
33:24 Thank you for coming.
33:26 Sis.
33:28 This is my first time here.
33:30 When did this start?
33:32 It's been a while.
33:34 It's been a while.
33:36 We haven't been here for a month.
33:38 We're surprised
33:40 if you've been here twice.
33:42 When did
33:44 you first
33:46 become an idol?
33:48 In your career.
33:50 I have a lot of idols.
33:52 What happened is
33:54 I have a lot of idols.
33:56 They got tired of me.
33:58 They called me an idol.
34:00 But, that came from
34:02 my second album.
34:04 How is my heart?
34:06 The title of the album is "Idol."
34:08 What do you think?
34:10 Of course, it's a hit.
34:12 It's a hit.
34:14 It's a huge hit.
34:16 You made a movie about it, right?
34:18 How is it?
34:20 You were separated from your siblings.
34:22 You were separated by a group.
34:24 Do you think if you're still with them
34:26 you'll still be
34:28 an idol?
34:30 No, we're all
34:32 idols.
34:34 Idol Janice.
34:36 Idol Jenny.
34:38 But, the idol thing.
34:40 No, we're all idols.
34:42 I just did a samba.
34:44 That album
34:46 became a hit.
34:48 People call me an idol.
34:50 Idol.
34:52 You're a samba boy.
34:54 You can hold your hair.
34:56 I've been wanting to hold your hair.
34:58 You can do that.
35:00 You're a baby.
35:02 What shampoo do you use?
35:04 The shampoo is
35:06 Wow!
35:08 Wow!
35:10 Are you conscious about your hair?
35:14 I'm not conscious.
35:16 It's long.
35:18 I'll take a bath everyday.
35:20 Of course, everyday.
35:22 I'm not conscious.
35:24 I don't need to.
35:26 We're always clean.
35:28 Our body is always presentable.
35:30 Our hair.
35:32 We always need to be clean.
35:34 Not just our hair.
35:36 Sometimes, you can put it on your nose.
35:38 But, it's just for a while.
35:40 Okay, fine.
35:42 Why do you give them caps?
35:44 Isn't it expensive?
35:46 It's okay.
35:48 It's a souvenir.
35:50 I give them to the provinces.
35:52 Of course,
35:54 they're happy
35:56 after the show.
35:58 They get souvenirs from me.
36:00 How often do you give them caps?
36:02 How often do you give them caps?
36:04 I give them a lot.
36:06 A thousand?
36:08 Yes.
36:10 Every time you give them a cap,
36:12 you give them a sample?
36:14 Yes, they give me a sample.
36:16 It's an April Boy Regino.
36:18 I hope I have a sample.
36:20 Yes, we hope so.
36:22 I'll steal it.
36:24 When you're late 60s and 70s,
36:26 you look like a queen.
36:28 A queen?
36:30 Well,
36:32 she has long hair.
36:34 The jokebox king is Victor Wood.
36:36 Yes.
36:38 Now, you're the jokebox king.
36:40 What do you think
36:42 is the similarity between you two?
36:44 And the difference?
36:46 Of course,
36:48 I'm happy because I'm called jokebox king.
36:50 I was awarded by Guillermo Mendoza
36:52 Memorial Foundation.
36:54 But, the truth is
36:56 the jokebox king
36:58 is the original, Victor Wood.
37:00 You're friends?
37:02 Yes, we're friends.
37:04 You made it a mystery.
37:06 It's true.
37:08 There's no problem.
37:10 Of course, we're all singers.
37:12 Did you hear that?
37:14 We're all singers.
37:16 Okay.
37:18 There's an insertion when a singer
37:20 makes a song.
37:22 Even if the singer doesn't make a song,
37:24 there's a song that inspires them
37:26 to persevere,
37:28 to reach the top of success.
37:30 Correct.
37:32 What song inspired you?
37:34 When I was young?
37:36 I don't know.
37:38 Since I was young
37:40 or now?
37:42 Anytime.
37:44 I'm giving you my underwear.
37:46 How do I wear it?
37:48 Anytime.
37:50 Favorite song?
37:52 Favorite song.
37:54 Not yours.
37:56 I thought it's my song.
37:58 Okay, sing it.
38:00 When I was young?
38:02 No, not when I was young.
38:04 Anytime.
38:06 It's true.
38:08 I was taught wrong.
38:10 I was taught wrong.
38:12 I don't long for
38:18 the riches in the world.
38:20 I only love
38:24 the things
38:26 I'm looking for.
38:28 Can I
38:30 ask you
38:32 to forgive me?
38:34 Can I ask you
38:36 to forgive me?
38:38 Can you forgive me?
38:40 Because
38:42 the two of us
38:44 are one.
38:46 You're one.
38:48 What does it mean?
38:50 I like the song.
38:52 I like the song.
38:54 Wow!
38:56 Thank you so much.
38:58 I'm giving this to you.
39:00 I'll give you the money later.
39:02 I hope you'll listen to our love songs.
39:04 You know,
39:06 our songs are not love songs.
39:08 This is your song for your loved one.
39:10 Love one?
39:14 You don't have a loved one.
39:16 No, I mean the past.
39:18 The theme song.
39:20 No, I mean...
39:22 I have a lot of loved ones.
39:24 I don't know
39:26 what's the theme song.
39:28 It's not a love song.
39:30 It's a latest song.
39:32 Okay, the latest song.
39:34 I have a lot of loved ones.
39:36 When I loved you,
39:40 many people
39:42 were curious.
39:44 This is my new song.
39:46 Someone said
39:48 my eyes are like flowers.
39:50 My answer
39:56 is not a flower.
39:58 Don't you dare
40:02 to steal my heart.
40:04 I don't know
40:08 the lyrics.
40:10 But I like the song.
40:12 Thank you very much.
40:14 I'm going to study.
40:16 Let's continue.
40:18 While we're saying goodbye,
40:20 play your favorite song.
40:22 "Di Ko Kaya Tanggapin."
40:24 What's the word?
40:38 It's too early.
40:40 The guitar is not tuned yet.
40:42 You can't accept
40:44 that you're
40:46 going to lose me.
40:48 Sing with me.
40:50 It hurts
40:52 to hear
40:54 that you don't like me.
40:56 I'm a
41:00 wild bird.
41:02 You can't live
41:08 in this world.
41:10 I'm
41:12 the only one
41:14 you can love.
41:16 Thank you.
41:20 That's the most
41:22 popular song.
41:24 "Di Ko Kaya Tanggapin."
41:26 That's the most popular.
41:28 I hope you can support
41:32 "Bulong ng Dandang."
41:38 I hope you buy my album.
41:40 The Legend Series.
41:46 By Boy Rejino.
41:48 "Greatest Mist."
41:50 "Bulong ng Dandang."
41:54 It's a big hit.
41:56 How do you use this?
41:58 Okay.
42:00 I'll throw this.
42:02 I'll throw this.
42:04 Don't.
42:06 It's dangerous.
42:08 Can I throw this?
42:10 Yes.
42:12 Great!
42:14 I'll promote my album.
42:18 Buy Boy Rejino's album.
42:20 "Bulong ng Dandang."
42:24 Thank you for the sing.
42:26 Thank you, Boy.
42:28 I'll throw this.
42:30 It's beautiful.
42:32 Wow!
42:48 The episode today is beautiful.
42:50 All the celebrities
42:52 are here.
42:54 The fame, the fortune.
42:56 It's not for free.
42:58 It's not that easy.
43:00 Even if
43:02 people adulation you,
43:04 you're still giving special treatment
43:06 to them.
43:08 At the end of the day,
43:10 you're looking for
43:12 your own way to go home.
43:14 You're looking for your own way to go home.
43:16 You're looking for your own way to go home.
43:18 You're looking for your own way to go home.
43:20 You're looking for your own way to go home.
43:22 I think they yearn for that.
43:24 Yes.
43:26 Sometimes, people think
43:28 that if you're famous,
43:30 your life is fantastic.
43:32 You're beautiful, you're lucky.
43:34 It's hard.
43:36 Because every problem you have,
43:38 every bad feeling you have,
43:40 they're looking for that.
43:42 People forget that.
43:44 We also have.
43:46 If you have problems,
43:48 we also have.
43:50 Sometimes, our problems are bigger than yours.
43:52 Maybe, for them, it's bigger.
43:54 But for us, it's like
43:56 broadcast.
43:58 It's like magnified.
44:00 It's like that.
44:02 But I think life goes on.
44:04 Yes.
44:06 We're very thankful
44:08 especially to them.
44:10 They're really big stars.
44:12 We're very thankful
44:14 to all their fans.
44:16 All the people who watch.
44:18 We have to give credit where credit is due.
44:20 Because you won't be left out.
44:22 You won't be left out
44:24 if you don't give credit to those who support us.
44:26 They're the ones who give us all of that.
44:28 That's true.
44:30 That's why, I hope you still support us.
44:32 And watch us.
44:34 Every day.
44:36 Every day.
44:38 So, let's meet again.
44:40 Once again, 10.30 to 11.30.
44:42 Monday to Friday, here at SIS.
44:44 SIS!
44:46 SIS would like to thank the following.
44:48 Bambi Fuentes Hair and Makeup Studio,
44:50 Salon de Manila,
44:52 Remo Disaak of Portfolio Photography Studio,
44:54 Inc., Janeline Shoes,
44:56 Mossimo,
44:58 FNH Folded and Hung,
45:00 Under the Sea Pet Shop,
45:02 B.R.T. Shoe Enterprises,
45:04 Wayless Center,
45:06 Yuman, Adidas, Chloe for Eye Work, and Opwer.
45:08 [Music]
45:10 [Music]
45:12 (singing in Tagalog)
45:15 (singing in Tagalog)
45:18 - Thank you, thank you, thank you so much.
45:28 (speaking in Tagalog)
45:31 (laughing)
45:33 (speaking in Tagalog)
45:36 (laughing)
45:38 (speaking in Tagalog)
45:41 (singing in Tagalog)
45:44 - It's 10.30, it's 11.30, magic Friday, beautiful, bye.
45:49 Cheers.
45:50 ♪ I got you, I got you, you got me ♪
45:54 ♪ The best of friends we'll always, always be ♪
45:59 (upbeat music)