• last year
Sa unang pagkakataon, makakasama natin sa PEP Live ang nag-iisang Star For All Seasons na si Vilma Santos at King of Philippine Drama na si Christopher de Leon.

Sali na sa chikahan by posting your comments below!

#vilmasantos #christopherdeleon #whenimetyouintokyo #mmff2023

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Category

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People
Transcript
00:00:00 [MUSIC PLAYING]
00:00:03 [INAUDIBLE]
00:00:11 [MUSIC PLAYING]
00:00:15 [MUSIC PLAYING]
00:00:37 OK, all good, all ready, all the best.
00:00:40 And it's five days before Christmas.
00:00:43 [NON-ENGLISH SPEECH]
00:00:46 [NON-ENGLISH SPEECH] Yes. [NON-ENGLISH SPEECH] Good evening. Excited ako, Sir Nuel. [NON-ENGLISH SPEECH]
00:01:10 [LAUGHTER]
00:01:16 [NON-ENGLISH SPEECH]
00:01:38 [NON-ENGLISH SPEECH]
00:01:42 [INAUDIBLE]
00:01:44 Yes.
00:01:45 When we grow up, we want to be like them.
00:01:47 [NON-ENGLISH SPEECH]
00:01:55 And so we call them.
00:01:56 [NON-ENGLISH SPEECH]
00:01:59 And so we also say hello to all the fans, all the Vinmayans, and all the [INAUDIBLE]
00:02:05 [NON-ENGLISH SPEECH]
00:02:16 Her first appearance probably after [NON-ENGLISH SPEECH]
00:02:20 Public appearance.
00:02:21 [NON-ENGLISH SPEECH]
00:02:24 [NON-ENGLISH SPEECH]
00:02:32 [NON-ENGLISH SPEECH]
00:02:38 Yeah.
00:02:39 Gorgie.
00:02:40 Hi, Gorgie, Jerry.
00:02:41 [NON-ENGLISH SPEECH]
00:02:42 [NON-ENGLISH SPEECH]
00:02:43 Hello.
00:02:44 Hello.
00:02:45 [NON-ENGLISH SPEECH]
00:02:48 Same here.
00:02:49 [NON-ENGLISH SPEECH]
00:03:00 Of course, hi, guys.
00:03:02 [NON-ENGLISH SPEECH]
00:03:06 Just to be with you guys and the [NON-ENGLISH SPEECH]
00:03:12 And let's just have fun and talk about our movie
00:03:17 "When I Met You in Tokyo."
00:03:19 Copy, please.
00:03:20 [LAUGHTER]
00:03:22 [NON-ENGLISH SPEECH]
00:03:32 Negative.
00:03:33 [LAUGHTER]
00:03:36 [NON-ENGLISH SPEECH]
00:03:48 Anyway, [NON-ENGLISH SPEECH]
00:04:17 [NON-ENGLISH SPEECH]
00:04:18 [LAUGHTER]
00:04:20 [NON-ENGLISH SPEECH]
00:04:22 Five days before Christmas.
00:04:23 [NON-ENGLISH SPEECH]
00:04:27 [NON-ENGLISH SPEECH]
00:04:30 [NON-ENGLISH SPEECH]
00:04:33 [NON-ENGLISH SPEECH]
00:04:42 Yeah.
00:04:43 [NON-ENGLISH SPEECH]
00:04:44 [NON-ENGLISH SPEECH]
00:05:00 That's it.
00:05:01 I mean, [NON-ENGLISH SPEECH] friendly.
00:05:08 And I don't know.
00:05:10 [NON-ENGLISH SPEECH]
00:05:16 [NON-ENGLISH SPEECH]
00:05:23 [NON-ENGLISH SPEECH]
00:05:31 I'm really a touch person.
00:05:33 I love to hold people.
00:05:35 I love to hug people.
00:05:37 [NON-ENGLISH SPEECH]
00:05:39 Maybe [NON-ENGLISH SPEECH]
00:05:45 When they love you, they love you.
00:05:46 And for that, I appreciate them.
00:05:48 And I hug them, too.
00:05:50 [NON-ENGLISH SPEECH]
00:05:52 [NON-ENGLISH SPEECH]
00:06:02 [LAUGHTER]
00:06:04 [NON-ENGLISH SPEECH]
00:06:07 [LAUGHTER]
00:06:09 [NON-ENGLISH SPEECH]
00:06:11 [NON-ENGLISH SPEECH]
00:06:13 [NON-ENGLISH SPEECH]
00:06:15 [NON-ENGLISH SPEECH]
00:06:17 [NON-ENGLISH SPEECH]
00:06:19 [NON-ENGLISH SPEECH]
00:06:21 [NON-ENGLISH SPEECH]
00:06:23 [NON-ENGLISH SPEECH]
00:06:24 [NON-ENGLISH SPEECH]
00:06:25 [NON-ENGLISH SPEECH]
00:06:26 [LAUGHTER]
00:06:28 [NON-ENGLISH SPEECH]
00:06:30 [NON-ENGLISH SPEECH]
00:06:32 [NON-ENGLISH SPEECH]
00:06:34 [NON-ENGLISH SPEECH]
00:06:36 [NON-ENGLISH SPEECH]
00:06:38 She just does this to pull her hair.
00:06:40 And then that's about it.
00:06:43 That was my first time to see her like--
00:06:45 don't touch me!
00:06:47 [LAUGHTER]
00:06:49 [NON-ENGLISH SPEECH]
00:06:51 [NON-ENGLISH SPEECH]
00:06:53 [NON-ENGLISH SPEECH]
00:07:22 [NON-ENGLISH SPEECH]
00:07:24 [NON-ENGLISH SPEECH]
00:07:26 [NON-ENGLISH SPEECH]
00:07:28 [NON-ENGLISH SPEECH]
00:07:30 [NON-ENGLISH SPEECH]
00:07:32 [NON-ENGLISH SPEECH]
00:07:34 [NON-ENGLISH SPEECH]
00:07:36 [NON-ENGLISH SPEECH]
00:07:38 [NON-ENGLISH SPEECH]
00:07:40 [NON-ENGLISH SPEECH]
00:07:42 [NON-ENGLISH SPEECH]
00:07:44 [NON-ENGLISH SPEECH]
00:07:46 [NON-ENGLISH SPEECH]
00:07:48 [NON-ENGLISH SPEECH]
00:07:50 [NON-ENGLISH SPEECH]
00:07:52 [NON-ENGLISH SPEECH]
00:07:54 [NON-ENGLISH SPEECH]
00:07:56 [NON-ENGLISH SPEECH]
00:07:58 [NON-ENGLISH SPEECH]
00:08:00 [NON-ENGLISH SPEECH]
00:08:02 [NON-ENGLISH SPEECH]
00:08:04 [NON-ENGLISH SPEECH]
00:08:06 [NON-ENGLISH SPEECH]
00:08:08 [NON-ENGLISH SPEECH]
00:08:10 [NON-ENGLISH SPEECH]
00:08:12 [NON-ENGLISH SPEECH]
00:08:14 [NON-ENGLISH SPEECH]
00:08:16 [NON-ENGLISH SPEECH]
00:08:18 [NON-ENGLISH SPEECH]
00:08:20 Just because
00:08:22 just because
00:08:24 what she wants is
00:08:26 [NON-ENGLISH SPEECH]
00:08:28 [NON-ENGLISH SPEECH]
00:08:30 [NON-ENGLISH SPEECH]
00:08:32 to watch good films
00:08:34 more specially the movies
00:08:36 that will be shown at the Metro Manila
00:08:38 Film Festival this coming
00:08:40 December 25.
00:08:42 [NON-ENGLISH SPEECH]
00:08:44 [NON-ENGLISH SPEECH]
00:08:46 that, you know, will be no
00:08:52 You were led off the stage by Papabo singing Vilma's song "Inarana"
00:08:56 You were led off the stage by Papabo singing Vilma's song "Inarana"
00:08:56 You were led off the stage by Papabo singing Vilma's song "Inarana"
00:08:57 You were led off the stage by Papabo singing Vilma's song "Inarana"
00:08:57 And in the middle of the show, you were playing your duet "Bumagan Ka Kayo"
00:09:02 He broke the record, Atie Vee!
00:09:03 He broke the record, Atie Vee!
00:09:03 He broke the record, Atie Vee!
00:09:03 He broke the record, Atie Vee!
00:09:07 He broke the record, Atie Vee!
00:09:07 He broke the record, Atie Vee!
00:09:07 We were really...
00:09:12 We've been waiting for Mr. Christopher DeLeon's cover shot
00:09:18 Not just us, all of us, all of the actors and actresses of Metro Manila Film Festival
00:09:24 They're all working hard
00:09:26 We're doing extra promo right now
00:09:29 We're going to Cebu, we're going to the mall
00:09:34 Because we want to bring ourselves closer to the people
00:09:40 We want them to feel us again as actors
00:09:44 We're still here for you, even if there's a pandemic
00:09:48 And if I'm not mistaken, Noel, we've talked about it
00:09:52 Remember?
00:09:53 On Monday, April 1st
00:09:55 You told me, I won't forget it, Mr. Noel Ferrer
00:10:00 That just in case your film gets in the Metro Manila Film Festival
00:10:05 "When I Met You in Tokyo"
00:10:06 Vee, he said, tell them to make extra effort
00:10:11 For the actors to get closer to the people
00:10:14 So we can get back to the heat of the so-called "blackbuster" movies
00:10:21 Where you can see people in line, the cinema is full, it's really standing
00:10:29 That's what we want to bring back
00:10:32 Thank you, Noel
00:10:34 Actually, what you said is what we're doing right now
00:10:38 It's styling
00:10:39 It's a styling
00:10:41 That's why I'm telling you, let's promote
00:10:44 Actually, not just us, even the stars
00:10:46 To the viewers, we are really working hard
00:10:50 Because we want to bring ourselves closer to you
00:10:53 Come back to the cinema, because this is the perfect entertainment
00:10:57 That we can give you
00:10:59 In spite of all the challenges in life that we're experiencing
00:11:04 You're still watching on the big screen
00:11:07 You're with your family, you're eating together
00:11:10 You're eating popcorn
00:11:12 They're eating popcorn, then they'll watch the movie
00:11:15 After watching, they'll talk about the movie
00:11:17 That's what we lost, especially during the pandemic
00:11:20 Date night, with the family, with your girlfriend, and whoever
00:11:27 I hope we can bring it back, we've already won
00:11:31 It's true, I really hope so
00:11:35 But we have to consider that life is really different now
00:11:40 The cinema is expensive, the food is expensive
00:11:43 Massages are expensive, right?
00:11:46 Before, you only had 3 children
00:11:49 Now, you have 5, 6, compared to the past years
00:11:53 So the expenses are high
00:11:55 So that's one of the considerations
00:11:57 That we're a bit nervous now
00:12:00 Because of the huge amount of things to buy
00:12:03 And our life is really different now, after the pandemic
00:12:08 But what makes us stronger now
00:12:12 Is the hard work of the artists
00:12:14 I mean, they're really hardworking
00:12:16 Before, when there's a film fest, after the press conference
00:12:20 They don't care anymore
00:12:22 That's what's happening
00:12:24 So, because of your hard work, I hope you get a reward
00:12:27 Because I told Ate V, in the concerts and theater
00:12:30 The audience is back
00:12:32 Why? Because the live experience is there
00:12:35 So maybe, until the mall show, mall tour
00:12:40 During the movie releases
00:12:42 That's what the audience wants
00:12:44 To see you and to be with you
00:12:47 Yeah, and well, they have enough time to save a bit
00:12:53 Just a bit, save a bit for Christmas
00:12:58 Or even after Christmas, to watch some
00:13:01 Not all, but some of the Metro Manila Film Festival movies
00:13:07 And, at least, they have time to do that
00:13:12 If I may add, I think it's very important
00:13:15 That we also talked with Yetmo
00:13:17 Because of the time you mentioned, that we have now
00:13:21 People have a problem with the high price of rice
00:13:24 Inflation, buying expensive things, cars, everything
00:13:28 That's why, what Yetmo and I did
00:13:30 When we thought of this movie that Yetmo mentioned
00:13:33 We don't want Christopher, Mr. Christopher DeLeon
00:13:37 To make a movie that's too heavy
00:13:40 Even if it's a love story, even if it's about OFWs
00:13:44 About their lives in Japan
00:13:47 Yetmo and the directors and I talked about
00:13:50 Not making it too heavy
00:13:52 Because our lives are already heavy
00:13:55 We just want our audience to feel happy
00:13:59 That it's a bit exciting because it's a love story
00:14:02 And at the same time, we just want them to feel
00:14:06 Emotion before they watch the movie
00:14:09 A very good feeling of emotion
00:14:12 That love and life has to go on
00:14:15 That's what Yetmo and I thought
00:14:17 So it's not too heavy
00:14:19 It's a simple love story but beautiful
00:14:22 And it's worth it
00:14:25 If you watch this movie
00:14:30 Because you'll go out a bit teary-eyed
00:14:36 But it's all tears of joy
00:14:39 And it's all worth it
00:14:41 I mean, when they watch it, they'll still be happy
00:14:44 The movie is beautiful
00:14:46 And it's good to feel love
00:14:49 That's right
00:14:51 We still have hope
00:14:54 We still have hope
00:14:56 Hope!
00:14:57 Let's give hope, Ate Vy
00:14:59 Let's play time first
00:15:01 This is the time when a lot of people broke up
00:15:05 Let's give hope to people
00:15:08 We know a lot of people broke up this year
00:15:10 We would like you to give gifts
00:15:12 If you're celebrating Christmas
00:15:14 To the people who broke up
00:15:16 What would you give them?
00:15:18 Ate Vy, to Kathryn
00:15:20 To Kathryn
00:15:22 What would you give to her?
00:15:28 Because she broke up with Daniel
00:15:30 I would say to Kathryn
00:15:33 Not out of kindness
00:15:35 Not out of advice
00:15:37 Maybe just share
00:15:39 I don't have the right to give advice
00:15:41 Maybe just share, Kathryn
00:15:43 I mean
00:15:45 It's not easy to break up
00:15:47 Of course, it's painful
00:15:49 Especially, correct me if I'm wrong
00:15:51 11 years of relationship
00:15:53 So, it's painful
00:15:55 It's painful
00:15:57 It's really going through
00:15:59 Accept it
00:16:01 But that's part of life, Kathryn
00:16:03 That's part of life
00:16:05 You're still young
00:16:07 You still have a lot to go through
00:16:09 Plus, you're in this industry
00:16:11 That's really happy
00:16:13 This career is different
00:16:15 From the industry
00:16:17 You know, if I were you
00:16:19 Maybe enjoy it
00:16:21 And try to hone your career
00:16:23 Try to learn more
00:16:25 Do challenging roles
00:16:27 And then that will help you grow as an actor
00:16:29 I think if you're a bit
00:16:31 Broken-hearted
00:16:33 Try to work on that
00:16:35 And then at the same time
00:16:37 I think you'll recover
00:16:39 And then you'll see
00:16:41 There'll come a time
00:16:43 You'll fall in love again
00:16:45 We didn't know that earlier
00:16:47 It's really nice to be in love
00:16:49 It's really nice to be in love
00:16:51 Daniel Padilla, what can you say?
00:16:53 Daniel Padilla, what can you say?
00:16:55 Wow
00:16:57 I really
00:16:59 Wait, sorry
00:17:01 I just
00:17:03 Like
00:17:05 Let life move on
00:17:07 Let life move on
00:17:09 I just move on
00:17:11 I don't know really
00:17:13 The story behind it
00:17:15 I've been hearing a lot of things
00:17:17 Regarding this
00:17:19 Team
00:17:21 But
00:17:23 It happens
00:17:25 So
00:17:27 Move on
00:17:29 One couple
00:17:31 That's close to you
00:17:33 You're still in the movie
00:17:35 And Kim Chu is also in the movie
00:17:37 What can you say to your children?
00:17:39 You know
00:17:43 Wait, I'll just brief Yetta
00:17:45 This is not really
00:17:47 A job
00:17:49 Don Ramon
00:17:51 Yes
00:17:53 A lot of people got separated
00:17:55 I think if I'm not mistaken
00:17:57 This is 4 or 5 pairs
00:17:59 Right?
00:18:01 7
00:18:03 That's a close family
00:18:05 Close to you
00:18:07 I just know that
00:18:09 My one child
00:18:11 Got separated
00:18:13 Yes
00:18:15 That's how it is
00:18:17 It's a lot
00:18:19 Yes
00:18:21 Here in my
00:18:23 I'm with both of them
00:18:25 My child is Zian
00:18:27 And at the same time I'm with Kim Chu
00:18:29 You know
00:18:31 It's the same thing
00:18:33 Life has to go on
00:18:35 We can't meddle
00:18:37 We cannot know
00:18:39 Their story inside
00:18:41 You know
00:18:43 But again, we're not saying that it's not painful
00:18:45 It's definitely painful
00:18:47 But at the end of the day
00:18:49 There's a saying
00:18:51 Let it pass
00:18:53 But don't let it stop
00:18:55 There's a saying
00:18:57 Let it pass
00:18:59 So there's a lot more
00:19:01 In life
00:19:03 And if it hurts, move on
00:19:05 And try to learn more
00:19:07 What did you say earlier?
00:19:09 Is your child Janine?
00:19:11 And Paolo?
00:19:13 No, it's me
00:19:15 What can you advise?
00:19:19 Rosin
00:19:21 What can you advise Janine?
00:19:23 If she went through something
00:19:25 In her relationship
00:19:27 I love you
00:19:29 I love you Janine
00:19:31 How are you?
00:19:33 We love you
00:19:35 I'm just a phone call away
00:19:37 Every time I see her
00:19:39 I'm afraid
00:19:41 This is ASAP
00:19:43 Remember we were at ASAP
00:19:45 We were hugging
00:19:47 It's just
00:19:49 Encouragement
00:19:51 Of a friend
00:19:53 Or maybe
00:19:55 A relative
00:19:57 Just encouragement
00:19:59 Is very important
00:20:01 For all of them
00:20:03 Kim Chu and Sia
00:20:05 Were with us
00:20:07 At our teleseria
00:20:09 Yeah
00:20:11 And
00:20:13 They were okay
00:20:15 They were sweet
00:20:17 This is another one
00:20:19 Papa Bo
00:20:21 You'll just laugh
00:20:23 I admit that yesterday
00:20:25 In Gorgie's interview
00:20:27 Cherrypie and Pikacha
00:20:29 Started a trend
00:20:31 Of breaking up
00:20:33 Gorgie said that?
00:20:35 Who said that?
00:20:37 We talked to Cherrypie
00:20:39 She said that?
00:20:41 Why?
00:20:43 They started a trend of breaking up?
00:20:45 Yes, they were the first
00:20:47 Okay
00:20:49 Because we don't know
00:20:51 Who will be the first
00:20:53 Or the last
00:20:55 But I have one request
00:20:57 Don't break our love team
00:20:59 I know
00:21:01 47 years
00:21:03 If we break our love team
00:21:05 It's okay
00:21:07 There it is
00:21:09 Yes
00:21:11 How did you
00:21:13 What did you feel when you found out
00:21:15 That Papa Dutra and Pai
00:21:17 Broke up?
00:21:19 I don't know
00:21:21 Edwin doesn't know
00:21:25 That Eduardo and Pai
00:21:27 Broke up
00:21:29 He doesn't know
00:21:31 Edwin is so quick
00:21:33 You're so bad
00:21:35 You're so bad
00:21:37 Go ahead
00:21:39 Answer it
00:21:41 I don't know
00:21:47 I don't know
00:21:49 I don't want to know
00:21:51 They have their own reasons
00:21:53 They started it
00:21:55 I don't know
00:21:57 I don't want to know
00:21:59 I don't want to know
00:22:01 It's hard
00:22:03 Because what I mentioned
00:22:05 I was with Cherrypie
00:22:07 When she was young
00:22:09 I was asking
00:22:11 You go ahead
00:22:13 But my point is
00:22:15 I'm so happy
00:22:17 That I can share this
00:22:19 Because kids
00:22:21 But mature
00:22:23 Adult
00:22:25 Like Eduardo and Cherrypie
00:22:27 They know better
00:22:29 Because they're mature enough
00:22:31 To handle their love
00:22:33 So they know
00:22:35 For the love teams
00:22:37 Man, Ate Vy and of course
00:22:39 Sweet Boy
00:22:41 I remember
00:22:43 The ones who really marked
00:22:45 The love team
00:22:47 Guy and Pip, Vy and Bot
00:22:49 But Vilma Boyet
00:22:51 The ones who matured as an actor
00:22:53 When they matured
00:22:55 That's when your love team was formed
00:22:57 But the fans didn't expect
00:22:59 That it's you
00:23:01 Right?
00:23:03 The fans' fantasies
00:23:05 For Guy and Pip and Vy and Bot
00:23:07 That it's really them
00:23:09 And it's really you
00:23:11 Right?
00:23:13 First love is Bobot
00:23:15 Right?
00:23:17 And then
00:23:19 Guy and Pip
00:23:21 But what about you?
00:23:23 What's the reason
00:23:25 Why your love team lasted longer?
00:23:27 And that's when you
00:23:29 Matured as an actor
00:23:31 That's when your love team was formed
00:23:33 47 years and counting
00:23:35 Yes
00:23:37 Is it because there's no hope?
00:23:39 Because
00:23:41 You're a show-off, right?
00:23:43 Noel, when you're in
00:23:45 No, no
00:23:47 There's attraction
00:23:49 There's attraction
00:23:51 Maybe there's attraction but
00:23:53 You're not in a complicated
00:23:55 Relationship
00:23:57 Because
00:23:59 Go ahead
00:24:01 Because
00:24:05 It's not possible
00:24:07 That there's no attraction
00:24:09 Because
00:24:11 Correct me if I'm wrong
00:24:13 Maybe it's not like what they said
00:24:15 That the chemistry is magic
00:24:17 If we don't have attraction
00:24:19 Or love for each other
00:24:21 But what's the first thing
00:24:25 Ever since we were together
00:24:27 Or we did the movie
00:24:29 Is more of
00:24:31 The respect to each other
00:24:33 And also, when we first filmed
00:24:35 He's already married
00:24:37 I have a wife
00:24:39 She's Tagalog
00:24:41 Wow, you're a movie star
00:24:43 Wow
00:24:45 Let's do a movie
00:24:47 She offered me
00:24:49 And then
00:24:51 We were doing
00:24:53 Sinasam pa kita
00:24:55 She was pregnant
00:24:57 She was pregnant
00:25:01 They were separated
00:25:03 And we were doing a movie
00:25:05 And then, one of our partners
00:25:11 Your boyfriend
00:25:13 I can't edit that
00:25:15 Your boyfriend
00:25:17 And then
00:25:19 My girlfriend is Sandy
00:25:23 My girlfriend
00:25:27 She's like this
00:25:31 As long as we're left
00:25:33 It's more of respect
00:25:35 Because for us
00:25:37 I think we didn't
00:25:39 In the many movies we did
00:25:41 I think we didn't
00:25:43 Have good timing
00:25:45 We didn't have a right
00:25:47 First I'll say this
00:25:49 We were both
00:25:51 Established already
00:25:53 When we were in a team
00:25:55 We were not relying on each other
00:25:57 On others
00:25:59 To gain popularity
00:26:01 To become
00:26:03 Famous
00:26:05 I did a breakup
00:26:09 And then I got a lot of money
00:26:11 You were already an awardee
00:26:13 You were already a best actor
00:26:15 And then film was on
00:26:17 Since he already had a love team
00:26:19 And all that
00:26:21 We were just doing movies together
00:26:23 Quality movies
00:26:25 Great movies
00:26:27 We did movies
00:26:29 With Celso Aguastillo
00:26:31 With Ismael Bernal
00:26:33 With Tobias
00:26:35 With Chitronio
00:26:37 Yeah, Elwood Perez
00:26:39 All of these
00:26:41 Great guys, directors
00:26:43 So
00:26:45 Nobody
00:26:47 Accused us of
00:26:49 Using each other
00:26:51 To become more
00:26:53 Popular
00:26:55 We were not
00:26:57 Using each other
00:26:59 But we noticed
00:27:01 Your fans
00:27:03 We were not expecting
00:27:05 We were not demanding
00:27:07 To become you
00:27:09 We just wanted to watch you on screen
00:27:11 Unlike the fans
00:27:13 Who really wished
00:27:15 To become them
00:27:17 Maybe
00:27:19 Maybe what we can show
00:27:23 More or less
00:27:25 Is the respect to our relationship
00:27:27 And team
00:27:29 I think that's what we showed to the audience
00:27:31 So they were not like
00:27:33 You should be like that
00:27:35 There was one comment
00:27:39 That I got
00:27:41 When we were shooting
00:27:43 This movie
00:27:45 When I met you in Tokyo
00:27:47 We were doing
00:27:49 A very tender scene
00:27:51 I don't know who this was
00:27:53 That was the one who commented
00:27:55 It was like
00:27:57 It was like
00:27:59 It was just natural
00:28:01 It was like
00:28:03 They were just doing it naturally
00:28:05 It was all in
00:28:07 Professionalism
00:28:09 It was all work
00:28:11 But still
00:28:13 It was there
00:28:15 The magic was there
00:28:17 And sometimes
00:28:19 Maybe
00:28:21 Maybe I love you
00:28:23 Say I love you as a friend
00:28:25 As a person
00:28:27 So I can touch you
00:28:29 I can embrace you
00:28:31 Because I am your good good friend
00:28:33 So now
00:28:35 That was the one who commented
00:28:37 To us
00:28:39 When we were doing a scene together
00:28:41 I think that was
00:28:43 I think
00:28:45 We can't explain it
00:28:47 There is this magic
00:28:49 Between us
00:28:51 I think
00:28:53 We can't explain it
00:28:55 The magic that we have
00:28:59 Everytime we do a movie
00:29:01 Or we are on screen
00:29:03 Or everytime we do a scene
00:29:05 We are husband and wife
00:29:07 We are husband and wife
00:29:09 You get me?
00:29:11 We don't have
00:29:13 Wait, we don't have
00:29:15 I think vice versa
00:29:17 We don't have shyness
00:29:19 I know Yetbo's tickle
00:29:21 He knows my tickle
00:29:23 I know Yetbo's dialogue
00:29:25 I can answer
00:29:27 I think that is the magic
00:29:29 That we don't know where it is coming from
00:29:31 And then at the end of the day
00:29:33 Yetbo and I
00:29:35 Ended up in platonic love
00:29:37 Because the life that he has now
00:29:39 With his family
00:29:41 And same here
00:29:43 We respect each other
00:29:45 I think that is what
00:29:47 Made Yetbo and I strong
00:29:49 I will just add
00:29:51 I will just add
00:29:53 When you were
00:29:55 Doing a movie
00:29:57 At the time when
00:29:59 You were husband and wife
00:30:01 And you were
00:30:03 Boy and you were Sandee
00:30:05 Did you have a chance
00:30:07 Did you have an instance
00:30:09 That Sandee got jealous
00:30:11 Of Boyette
00:30:13 Or of Eto
00:30:15 Of Boyette
00:30:17 Did you have an instance like that?
00:30:19 Did you have a chance
00:30:21 Sandee, I think not
00:30:23 I can speak for Sandee
00:30:25 Because Ando
00:30:27 Is a very close friend of mine
00:30:29 I call her Ando
00:30:31 Sorry, Sandee
00:30:33 They were not yet
00:30:35 Yetbo's wife
00:30:37 I already know Sandee
00:30:39 I don't think that will happen
00:30:41 No jealousy
00:30:43 I heard that you have
00:30:45 Yetbo
00:30:47 No, I mean Edward
00:30:49 Edward
00:30:51 Edward and Boyette
00:30:53 No, let me just say
00:30:55 Let me just say
00:30:57 Edward came from old school
00:30:59 We know that
00:31:01 Edward's background
00:31:03 Is old school
00:31:05 So his
00:31:07 The time
00:31:09 When I became Mrs. Manzano
00:31:11 He said to me
00:31:13 The wife
00:31:15 And to be honest
00:31:17 I promised him that I will be
00:31:19 Mrs. Manzano
00:31:21 Unfortunately, he had challenges
00:31:23 In life
00:31:25 It's not just the jealousy
00:31:27 It's more of Edward's background
00:31:29 So he really wanted a wife
00:31:31 I was also in the showbiz
00:31:33 There were scenes
00:31:35 Where I was doing things
00:31:37 That I can't avoid
00:31:39 Maybe it's not in favor of his wife
00:31:41 You get my point?
00:31:43 It's like that
00:31:45 But you know, life has to go on
00:31:47 He's a very easy
00:31:49 He's a friend
00:31:51 We have a good relationship
00:31:53 With Ralph
00:31:55 With our grandson
00:31:57 So for that, I salute Edward
00:31:59 I also have
00:32:01 We were just talking
00:32:03 Jerry, Jerry
00:32:05 One of your MFF entries
00:32:07 Is Karma
00:32:09 Do you remember
00:32:11 Which MFF movie
00:32:13 Was this when I met you in Tokyo?
00:32:15 The two of you
00:32:17 I remember Immortal
00:32:19 MFF
00:32:21 Haplos
00:32:23 Mano po
00:32:25 Haplos
00:32:27 Decada
00:32:29 Decada
00:32:31 Yes
00:32:33 I remember
00:32:35 When was it?
00:32:37 What's your favorite
00:32:39 Aside from this when I met you in Tokyo
00:32:41 Of course, we're promoting it
00:32:43 Aside from this
00:32:45 What's your favorite MFF movie?
00:32:47 That you can't forget
00:32:49 That you were with
00:32:51 That you were with
00:32:53 Decada
00:32:55 With the director
00:32:57 With Jelab Yolo
00:32:59 I like Haplos
00:33:01 Haplos
00:33:03 Yes, I like Haplos
00:33:05 But Decada
00:33:07 It's not just focused on you
00:33:09 With Piolo
00:33:11 With Marvin
00:33:13 With younger artists
00:33:15 And Boyet
00:33:19 He has projects
00:33:21 That
00:33:23 He played
00:33:25 Major support
00:33:27 For younger artists
00:33:29 For now
00:33:31 Since you're back
00:33:33 In RTA TV
00:33:35 Are you willing
00:33:37 To support
00:33:39 A big or famous love team
00:33:41 In a project?
00:33:43 Because I expect
00:33:45 You're the star
00:33:47 The story will revolve around you
00:33:49 Are you
00:33:51 Willing to support
00:33:53 A strong love team
00:33:55 For the young generation?
00:33:57 Honestly
00:33:59 From the heart
00:34:01 I really don't mind
00:34:03 As long as I get
00:34:05 An important role
00:34:07 Like the one Boyet received
00:34:09 As Don Ramon
00:34:11 Even if he acts as a villain
00:34:13 But he will play his role
00:34:15 That's Mr. Christopher Deleon
00:34:17 No one can do that
00:34:19 Except him
00:34:21 And he will play that role
00:34:23 With due respect to Coco
00:34:25 Coco is there
00:34:27 But if you're talking about Christopher Deleon
00:34:29 He is Don Ramon
00:34:31 If I get a chance
00:34:33 I want that chance
00:34:35 If I'll do a TV series
00:34:37 Do you have an offer for Batang Kiapo?
00:34:39 A TV?
00:34:41 Oh, it's okay
00:34:47 But you know
00:34:49 Maybe
00:34:51 I have an offer
00:34:53 For you to do Batang Kiapo
00:34:55 At least as a guest
00:34:57 Yes, we also talked
00:34:59 With Coco
00:35:01 Maybe it's not in our schedule
00:35:03 But maybe someday
00:35:05 You're open to it
00:35:07 You're open to it
00:35:09 What you're saying about your respect to each other
00:35:11 Actually transcends
00:35:13 Your respect to
00:35:15 The material and industry
00:35:17 Because
00:35:19 The stories you're producing
00:35:21 Are all very selective
00:35:23 Especially now
00:35:25 Because we have very limited time
00:35:27 If you're going to do it
00:35:29 You should be marked
00:35:31 Papa Bo is going into directing
00:35:33 Papa Bo, is that a vocation?
00:35:35 Is that something you look forward to doing?
00:35:37 And Ate V, you too
00:35:39 I wish you
00:35:41 You transformed to be a producer
00:35:43 And a director too
00:35:45 Do you see yourself doing that?
00:35:47 Yes
00:35:49 Actually
00:35:51 My
00:35:53 Not my plan but my dream is
00:35:55 Also to become
00:35:57 A very good director
00:35:59 Eventually
00:36:01 By the grace of God
00:36:03 This happens
00:36:05 But hopefully
00:36:07 I'm more
00:36:11 Focused
00:36:13 And I know the ins and outs
00:36:15 Of
00:36:17 How to make a movie
00:36:19 Or how to
00:36:21 You know
00:36:23 To be a director
00:36:25 Maybe one of these days
00:36:27 I'll concentrate on this
00:36:29 Wow
00:36:31 Hopefully
00:36:33 We mentioned earlier
00:36:35 The entries in MMFF
00:36:37 One of the
00:36:39 You mentioned the movie "Karma"
00:36:41 You're with
00:36:43 Ate V, Ronaldo Valdez
00:36:45 He has a big role there
00:36:47 Right?
00:36:49 We talked to Cherry Pai yesterday
00:36:51 After the passing
00:36:53 Of Ronaldo Valdez
00:36:55 It's like a question
00:36:57 Who will be the next
00:36:59 To the
00:37:01 To the veteran stars
00:37:03 Senior stars
00:37:05 Grandparents
00:37:07 Right?
00:37:09 Because there's no more
00:37:11 To be said
00:37:13 Of course
00:37:15 You worked with Ronaldo Valdez
00:37:17 How do you feel about that?
00:37:19 What happened?
00:37:21 Of course, it's sad
00:37:23 It's sad
00:37:25 Because whether we like it or not
00:37:27 We consider
00:37:29 Ronaldo Valdez
00:37:31 As one
00:37:33 We can also consider him as an icon
00:37:35 And one of the pillars of the industry
00:37:37 Remember
00:37:39 He's been in the industry for a long time
00:37:41 And like I mentioned
00:37:43 Like FPJ
00:37:45 Dolphy
00:37:47 Tito Eddie Garcia
00:37:49 Until the end
00:37:51 They're old
00:37:53 They don't leave the industry
00:37:55 From leading man
00:37:57 To father, to grandfather
00:37:59 Until the last moment
00:38:01 Of his life
00:38:03 He's still here
00:38:05 In our industry
00:38:07 Before this happened to him
00:38:09 Definitely
00:38:11 We feel sad about that
00:38:13 Because he's an icon that's gone
00:38:15 Pai said
00:38:17 Looking forward
00:38:19 That there are still
00:38:21 Durable actors
00:38:23 Who can come back
00:38:25 Later on to them
00:38:27 You know
00:38:29 Not all artists can do
00:38:31 What they're doing
00:38:33 Not all
00:38:35 No matter their age
00:38:37 Or what role
00:38:39 Not all can do it
00:38:41 Even Gingo Fernando
00:38:43 Right?
00:38:45 Gingo vs. Ryan Hint
00:38:47 Different classes
00:38:49 We have a lot of celebrities
00:38:51 A lot of actors
00:38:53 But not all can do it
00:38:55 The roles they can do
00:38:57 Not all can do it
00:38:59 Right?
00:39:01 That's why we're having a hard time
00:39:03 Like Eddie Garcia
00:39:05 Yes
00:39:07 Really
00:39:09 He
00:39:11 God bless his soul
00:39:13 He died with his boots on
00:39:15 Yes, my God
00:39:17 Yes
00:39:19 He's a true soldier
00:39:21 Of the arts
00:39:23 And
00:39:25 We salute
00:39:27 Tito Ed and Ron
00:39:29 For sticking it out
00:39:31 I think
00:39:33 I don't know
00:39:35 I don't want to say this
00:39:37 But
00:39:39 I think
00:39:41 There's a point
00:39:43 They're all human
00:39:45 I mean
00:39:47 They're all human
00:39:49 What happened to Ron
00:39:51 I don't know the real news
00:39:53 But
00:39:55 It's
00:39:57 Just
00:39:59 Remembering all the good old days
00:40:01 With him
00:40:03 It's all worth it for me
00:40:05 He became
00:40:07 A friend of mine
00:40:09 We did a lot of movies together
00:40:11 And
00:40:13 He was always fun to be with
00:40:15 Every time I get to
00:40:17 Exhibit him, I get nervous
00:40:19 He's good
00:40:21 He's a good actor
00:40:23 You have to be very
00:40:25 Quick and precise
00:40:27 Attentive
00:40:29 Because he's good at
00:40:31 Unleaving
00:40:33 Ronaldo Valdez
00:40:35 He has his own scene
00:40:37 You throw lines
00:40:39 But in the middle of the scene
00:40:41 Suddenly, someone throws you
00:40:43 Something that's not in the script
00:40:45 So if you're not good
00:40:47 You will be caught unaware
00:40:49 He's that good
00:40:51 He's that good
00:40:53 What can you tell the
00:40:55 Friends, Janno and Melissa Gibbs
00:40:57 For the time being
00:40:59 And for the future
00:41:01 It's still Christmas
00:41:03 Of course
00:41:05 To Janno and to Melissa
00:41:07 To the family
00:41:09 Of course
00:41:11 Our
00:41:13 Sincerest condolences and prayers
00:41:15 I know
00:41:17 It was a big loss
00:41:19 Not only in the industry
00:41:21 But of course, to your family
00:41:23 But again
00:41:25 We won't say it's not painful
00:41:27 But maybe he's enjoying
00:41:29 Life in heaven with the Lord
00:41:31 So we'll give it to him
00:41:33 So may his
00:41:35 Soul rest in peace
00:41:37 Our condolences
00:41:39 To the family
00:41:41 Of Ron
00:41:43 He was a good guy
00:41:45 Fun to be with
00:41:47 Always
00:41:49 Sunshine
00:41:51 All the
00:41:53 Set
00:41:55 I was with him
00:41:57 He's always like a good fella
00:41:59 But a good actor
00:42:01 And
00:42:03 We're proud of him
00:42:05 We're very proud of him
00:42:07 Okay
00:42:09 Before I get into it
00:42:11 It's your first time
00:42:13 You won at Metro Manila Film Festival
00:42:15 How are you?
00:42:17 Of course
00:42:19 You were the most controversial
00:42:21 Burlesque Queen 1977
00:42:23 Right?
00:42:25 You're right Jerry
00:42:27 Yes, Metro Manila Film Festival
00:42:29 You were rejected
00:42:33 You were rejected
00:42:35 I watched it 3 times
00:42:37 You're the one who watched it
00:42:41 The question is
00:42:43 Why did you watch it?
00:42:45 Did you have a connection with Ate Vinon?
00:42:47 No, I said
00:42:49 I watched it 3 times
00:42:51 Why did you watch it?
00:42:53 Why did you watch it?
00:42:55 3 times?
00:42:57 The movie is good
00:42:59 You're right
00:43:01 And I'm sexy
00:43:03 I said, "Oh, this is new"
00:43:05 No, it's like this
00:43:09 Jerry, you're right
00:43:11 It's not true that there's a connection
00:43:13 They didn't make it up
00:43:15 But that was my first experience
00:43:17 That I got in Metro Manila Film Festival
00:43:19 Third MFF
00:43:23 Yes
00:43:25 MMFF
00:43:27 And I got almost all the awards
00:43:29 Best Actress, Best Actor, Best Director
00:43:31 Best Actress, Best Actor, Best Director
00:43:33 All of them
00:43:35 And I saw there that I fought
00:43:37 With Tino
00:43:39 And also
00:43:41 Broca
00:43:43 I saw that Broca
00:43:45 Stood up to Cecilia
00:43:47 And took Tino's shoes
00:43:49 Yeah
00:43:51 I saw it
00:43:53 Let's stop
00:43:55 Yeah, because they weren't angry
00:43:57 Because the Burlesque Queen won
00:43:59 No, I talked to
00:44:03 Director Lino Broca
00:44:05 What they were angry about
00:44:07 Was what was written in the souvenir book
00:44:09 That all the movies were tied
00:44:11 And there was no movie
00:44:13 That was mentioned as good
00:44:15 Except Burlesque Queen
00:44:17 So that's why
00:44:19 Wait
00:44:21 So you dreamed of being a singer?
00:44:23 Yeah, and that was also tied
00:44:25 Yes
00:44:27 That's what happens when you dream of being in a good movie
00:44:31 You dream of being in a good movie
00:44:33 Because who's the director?
00:44:35 Mike De Leon
00:44:37 That's why Broca was angry
00:44:39 Because Lino Broca
00:44:41 Said that the movie was good
00:44:43 But that's why you complained
00:44:45 But they said that they will give back our awards
00:44:47 But in fairness
00:44:49 It wasn't even renowned
00:44:51 I was renowned 3 times
00:44:55 You know that can be remade, right?
00:44:57 Yes, it can
00:44:59 It can be remade
00:45:01 It was remade
00:45:03 Actually, was it remade by Lalo Pico?
00:45:05 No
00:45:07 It was remade by Reymundo
00:45:09 Yes, by Reymundo
00:45:11 By Celso Adcastillo
00:45:13 But that's the thing
00:45:15 You were also admitted
00:45:17 Yes, by Celso Adcastillo
00:45:19 Ate V, you were also controversial
00:45:23 About Burlesque Queen
00:45:25 That until now, we've talked about it
00:45:27 And we know about that story
00:45:29 But you were also admitted
00:45:31 That you were hurt
00:45:33 That you were not the best actress
00:45:35 In Rubia Servios
00:45:37 Right?
00:45:39 And the winner was the best performer
00:45:41 At Sai
00:45:43 At Sai
00:45:45 Yes, the best performer
00:45:47 I was hurt
00:45:49 What happened was
00:45:51 At Sai and I fought
00:45:53 At Sai, is that right?
00:45:55 At Sai
00:45:57 And then, Rubia Servios
00:45:59 Directed by Lino Broca
00:46:01 And her, directed by Eddie Garcia
00:46:03 Because it's like this
00:46:05 There were a lot of
00:46:07 Fearless forecasts
00:46:09 They didn't give it to us before
00:46:11 The fearless forecasts
00:46:13 And then, there were a lot of fearless forecasts
00:46:15 I will win
00:46:17 So, what I did
00:46:19 At the awards night, Manay Ichu
00:46:21 Manichu Maceda, she made me a gown
00:46:23 Beautiful gown
00:46:25 Worth 10,000 that time
00:46:27 And my escort
00:46:29 J. Ilagan
00:46:31 When it came to that
00:46:33 I lost
00:46:35 Nora won
00:46:37 Best performer
00:46:39 You know, I can't speak
00:46:41 I cried
00:46:43 But that was
00:46:45 Lesson learned
00:46:47 So, I cried
00:46:49 I was so innocent
00:46:51 Why did they say
00:46:53 I was in the fearless forecast
00:46:55 But maybe, that's what I'm saying
00:46:57 If it's meant to be, it's meant to be
00:46:59 And it's meant for Nora
00:47:01 You get my point? That's why she got that award
00:47:03 But lessons learned
00:47:05 Since then
00:47:07 Every awards night
00:47:09 They will say, you're so strong
00:47:11 I don't believe it anymore
00:47:13 Because it's still different
00:47:15 When you're there, anything can happen
00:47:17 And again, it happened to me
00:47:19 Something happened
00:47:21 I also have
00:47:23 An award, awards night
00:47:25 That someone told me
00:47:27 You're the best actress
00:47:29 If I'm not mistaken
00:47:31 It was Dindo Fernando who announced it
00:47:33 I was the new brother to Lucky
00:47:35 I was with Eduardo
00:47:37 At the awards night
00:47:39 I thought I was the winner but it was someone else
00:47:41 Then, when Dindo Fernando
00:47:43 Passed me the paper
00:47:45 He handed it to me
00:47:47 What's written on the paper
00:47:49 Was Vilma Santos but it was erased
00:47:51 Oh, was Lolly Solis not there?
00:47:53 Was Lolly's mom not there?
00:47:55 Oh, Lolly
00:47:57 I don't know
00:47:59 Take it
00:48:01 I mean, it's happening
00:48:03 I experienced it
00:48:05 So, I learned
00:48:07 For what film, Ate V?
00:48:09 For what film was this?
00:48:11 Oh my God
00:48:13 I just gave birth to Lucky that time
00:48:15 I just
00:48:17 I forgot, Noel but I just gave birth
00:48:19 To Lucky
00:48:21 Then I was with Eduardo
00:48:23 Oh, it was Noy
00:48:25 No, not that film
00:48:27 Then, the name was erased
00:48:29 Ate V, the name was erased
00:48:31 It was just that Dindo Fernando
00:48:33 Handed me the paper
00:48:35 He announced it
00:48:37 He handed it to me when he passed by my table
00:48:39 When I opened it, I saw
00:48:41 Vilma Santos was there
00:48:43 Then, there was a cross line
00:48:45 Who won was written on the paper
00:48:47 Who was assigned?
00:48:49 Handwritten, ma'am
00:48:51 It was just Troy
00:48:53 Who was the one who was taken?
00:48:55 Who was the one who was taken?
00:48:57 Oh, no, no, no
00:48:59 It was just like that
00:49:01 It means that before Manila Film Fest
00:49:03 There was a scam
00:49:05 That wasn't yet
00:49:07 But in fairness
00:49:09 To the three of you, to Troy
00:49:11 And to all of you
00:49:13 It's not a big deal to me
00:49:15 Because I have a friend
00:49:17 I learned
00:49:19 I learned from a performer
00:49:21 There's no actor
00:49:23 The best performer
00:49:25 I already saw myself
00:49:27 Don't expect anything on an awards night
00:49:29 Even if you say
00:49:31 Who was the one who won?
00:49:33 One of the many best actors in Metro Manila Film Fest
00:49:35 Yes, sir
00:49:37 Yes, Jerry
00:49:39 Dindo
00:49:41 If I'm not mistaken
00:49:43 We were like this back then
00:49:45 How about now?
00:49:47 Why did you put Manila Film Fest?
00:49:49 You were the first, V!
00:49:51 The truth is
00:49:57 Noel displayed it
00:50:01 In the museum
00:50:03 Portion of his apartment
00:50:05 All the awards for
00:50:07 All of my awards
00:50:09 For the Metro Manila Film Fest
00:50:11 It's seven, right?
00:50:13 Seven
00:50:15 It's the third awards
00:50:17 Yes
00:50:19 You don't have to prove anything anymore
00:50:21 That's why it's my favorite
00:50:23 It's close
00:50:25 It's really good
00:50:27 It's really good
00:50:29 You two
00:50:31 You don't have to prove anything
00:50:33 But both of you are attending the awards night anyway
00:50:35 Because all the entries are required
00:50:37 And then
00:50:39 At least you'll see each other at home
00:50:41 Because you're not at home
00:50:43 It's Noel's requirement
00:50:45 Required
00:50:47 It's Noel's requirement
00:50:51 It's Noel's requirement
00:50:53 But V and Papa Bo
00:50:55 Are you still expecting awards
00:50:57 For this year's Metro Manila Film Fest?
00:50:59 Yes
00:51:05 It's really good
00:51:07 For
00:51:09 Best
00:51:11 Others
00:51:13 Okay
00:51:15 For the other categories
00:51:17 For the other categories
00:51:19 Yes, I agree
00:51:21 Even the
00:51:23 Cinematography
00:51:25 Even the
00:51:27 Movie itself
00:51:29 Wow
00:51:31 So far, thank God
00:51:35 I'm proud to say
00:51:37 It's a
00:51:39 Worthwhile
00:51:41 Experience
00:51:43 And viewing
00:51:45 For each and everyone of us
00:51:47 Yes
00:51:49 For me,
00:51:51 Thank you Noel
00:51:53 For me,
00:51:55 When we
00:51:57 Did this movie
00:51:59 Even for the presscon, this is what I'm saying
00:52:01 It's not the
00:52:03 Best Actress Award
00:52:05 It's not my focus
00:52:07 In this film
00:52:09 We made sure that we will do
00:52:11 A very simple love story
00:52:13 If possible, there's no
00:52:15 Hysteria here, no slap
00:52:17 No nothing
00:52:19 A very very simple love story
00:52:21 Especially for our age
00:52:23 So my focus
00:52:25 Is not to be the best actress
00:52:27 You get me?
00:52:29 My real focus in doing this movie
00:52:31 Again is, I'm interested
00:52:33 I got excited
00:52:35 Because I'll be doing a movie with Yetbo again
00:52:37 Plus a very good love story
00:52:39 For our age
00:52:41 Secondly, we'll shoot in Japan
00:52:43 Something that has
00:52:45 Visual feast
00:52:47 You call it yet?
00:52:49 And then, what I really want
00:52:51 Here
00:52:53 I hope in Metro Manila Film Festival
00:52:55 That people will come back
00:52:57 To the cinema
00:52:59 You know what I mean?
00:53:01 That we'll see again
00:53:03 The line is like a buster
00:53:05 You can see the full
00:53:07 The cinema
00:53:09 People are enjoying
00:53:11 You'll see that it'll be good
00:53:13 Even if we have inflation
00:53:15 Even if
00:53:17 You say, they won't watch 10
00:53:19 They'll just choose 3 or 4
00:53:21 They'll be able to
00:53:23 The interest in cinema
00:53:25 There are many platforms
00:53:27 That can be watched
00:53:29 In cinema, what I'm saying
00:53:31 We're happy
00:53:33 And at the same time
00:53:35 They'll enjoy our movie
00:53:37 That's not heavy
00:53:39 But they'll see that it's good to be in love
00:53:41 That's it
00:53:43 We're already winners
00:53:45 Because this is a love story
00:53:47 Of course, there's a love scene and a kissing scene
00:53:49 What's the difference
00:53:51 Of the elements compared to the past
00:53:53 That we're talking about
00:53:55 The love scene is intense
00:53:57 The kissing scene is long
00:53:59 Up to 47 years
00:54:01 Jerry, I will assure you
00:54:05 When we talk about our love scene
00:54:07 It's different
00:54:09 But we made sure
00:54:11 We made sure
00:54:13 That we have a love scene
00:54:15 At our age
00:54:17 At our age
00:54:19 How about you?
00:54:21 The good thing
00:54:23 The good thing about Backdrop Japan
00:54:25 For those who can't travel
00:54:27 For those who can't travel
00:54:29 For those who can't travel
00:54:31 This is it
00:54:33 Watch it
00:54:35 That's very true
00:54:37 When I met you in Tokyo
00:54:39 We met in Tokyo
00:54:41 But our shoot was
00:54:43 Outskirts
00:54:45 In the provinces
00:54:47 So there's an involvement of fruits
00:54:49 There's an involvement of
00:54:51 Vegetables, farm
00:54:53 Flowers and all that
00:54:55 So
00:54:57 And then
00:54:59 We lived in a Japanese house
00:55:01 And all that
00:55:03 I lived in a Japanese house
00:55:05 And she lived in Tokyo
00:55:07 And you'll see everything
00:55:09 We'll have summer, winter
00:55:11 Spring, cherry blossom
00:55:13 Even rainy season
00:55:15 Autumn
00:55:17 Everything is there
00:55:19 You'll see snow
00:55:21 And not only in the Philippines
00:55:23 But also in the OFWs
00:55:25 At Evita and Papabono
00:55:27 The good thing is
00:55:29 I know of your fans
00:55:31 Who are sending money to your fans
00:55:33 Here in Manila
00:55:35 So they can buy tickets
00:55:37 The support system is really different
00:55:39 That's it
00:55:41 What can you say to them?
00:55:43 This is true
00:55:45 You know
00:55:47 To all my Vilmanians
00:55:49 And to all the fans
00:55:51 That are with us
00:55:53 Our fans abroad
00:55:55 You know this is true
00:55:57 I'm crying
00:55:59 You know on my Facebook
00:56:01 To my messenger
00:56:03 Do you know that the fans
00:56:05 Are saving money
00:56:07 Giving donations
00:56:09 And the fans abroad are calling
00:56:11 To give their donation
00:56:13 So they can do black screening
00:56:15 You know
00:56:17 To show their support for our movie
00:56:19 That's how passionate they are
00:56:21 To support our movie
00:56:23 To show their love for us
00:56:25 For Boyet and our movie
00:56:27 I can still see their collection
00:56:29 Like this
00:56:31 Some gave 2,000
00:56:33 Some gave 5,000
00:56:35 300 dollars from abroad
00:56:37 To all my Vilmanians
00:56:39 To all the fans of Boyet
00:56:41 To all our fans
00:56:43 Thank you so much
00:56:45 We want to say goodbye
00:56:47 We want to let you know
00:56:49 That we know that
00:56:51 And we appreciate you
00:56:53 Thank you so much
00:56:55 The mere fact that you're doing this for us
00:56:57 We feel like we're already winners
00:56:59 In everything
00:57:01 So to all of you, we love you
00:57:03 And we appreciate you
00:57:05 We say thank you from the bottom of our hearts
00:57:07 Thank you so much
00:57:09 Okay
00:57:11 We have a breaker
00:57:13 This and that
00:57:15 We'll let them choose
00:57:17 Okay
00:57:19 Jerry, where's the copy?
00:57:21 Because in our Facebook Live
00:57:23 Almost
00:57:25 Only one comment
00:57:27 From our Facebook Live
00:57:29 Rommel Belvestre, Marina Balawan Silva
00:57:31 Rommel
00:57:33 Marina
00:57:35 Yes, this one
00:57:37 Lidel Labo
00:57:39 They said
00:57:41 They're still excited
00:57:43 So hopefully
00:57:45 When I met you in Tokyo
00:57:47 They'll be more excited
00:57:49 So here in our
00:57:51 This and that
00:57:53 Jerry
00:57:55 Comedy or drama?
00:57:57 Which one do you prefer?
00:57:59 Comedy or drama?
00:58:01 Both
00:58:03 Drama before comedy
00:58:05 That's great
00:58:07 Both
00:58:09 That's our movie
00:58:11 Drama or comedy?
00:58:13 Then
00:58:15 I don't have a copy
00:58:17 You haven't watched our movie yet
00:58:19 Manila or Batangas?
00:58:21 Manila or Batangas?
00:58:23 Which one do you prefer? Manila or Batangas?
00:58:25 Batangas
00:58:27 Boyat is also Batangas
00:58:29 Right?
00:58:31 That's where I'll celebrate Christmas
00:58:33 That's where we're from
00:58:35 That's where we're from
00:58:37 That's where we're from
00:58:39 That's where we're from
00:58:41 Okay, one of your choices
00:58:43 Directing or acting?
00:58:45 Now?
00:58:47 For now, acting
00:58:51 For now, acting
00:58:53 Because I have an associate director
00:58:55 I was going to
00:58:57 mention that
00:58:59 I made an associate director
00:59:01 I made an associate director
00:59:03 of Vilma and the rest of the group
00:59:05 Yeah, most especially her
00:59:07 She won't be able to accept the movie
00:59:09 if I will not be the associate director
00:59:11 if I will not be the associate director
00:59:13 Simply because
00:59:15 she doesn't know much about
00:59:17 Rommel Peneza and Rado Peru
00:59:19 And then
00:59:21 this is their first movie
00:59:23 as a director
00:59:25 They've done a lot of
00:59:27 television shows, series
00:59:29 But
00:59:31 she's more comfortable
00:59:33 me being there
00:59:35 for the motivation
00:59:37 And to explain to me the scene
00:59:39 Like when should we do it
00:59:41 That's why I chose Yetbo
00:59:43 It's like a restraint
00:59:45 We will make this simple
00:59:47 Yetbo doesn't want to overdo it
00:59:49 So when it's a close-up, he's very particular
00:59:51 as my associate director
00:59:53 not to overdo the scene
00:59:55 He's very particular with that
00:59:57 He's my associate director
00:59:59 In Ismael Daniel movies
01:00:01 Relaxation or Broken Marriage?
01:00:03 Broken Marriage
01:00:05 We're both like that
01:00:07 I chose Relation because
01:00:09 the first time I got my Grand Slam
01:00:11 But I love
01:00:13 My favorite acting of Yetbo
01:00:15 is Broken Marriage
01:00:17 in his
01:00:19 what's it called?
01:00:21 His monologue
01:00:23 Noel, if you've watched it
01:00:25 That's my monologue of Broken Marriage
01:00:27 That's my favorite
01:00:29 of all
01:00:31 Urian Best Picture
01:00:33 in Broken Marriage
01:00:35 Watch it, Urian Best Picture
01:00:37 Urian Best Picture
01:00:39 You look great, Yetbo
01:00:41 Thank you
01:00:43 Our next choice
01:00:45 Box Office or Award?
01:00:47 Box Office
01:00:51 Modesty aside
01:00:53 Modesty aside
01:00:55 Yetbo and I also had awards
01:00:57 So if you're going to
01:00:59 choose us now, Box Office
01:01:01 You're great
01:01:03 Thank you for elaborating
01:01:05 We've already been given awards
01:01:07 So for now, we want Box Office
01:01:09 So it's okay
01:01:11 if some of you win in the audience
01:01:13 Thank you too
01:01:15 If you win the award
01:01:17 Next
01:01:19 Jerry, the last one
01:01:21 Tokyo or New York?
01:01:27 American Style, I can't forget that
01:01:29 That movie is so good
01:01:31 And in my life
01:01:33 In my life
01:01:35 New York, I'd say
01:01:37 Tokyo or New York?
01:01:39 New York
01:01:41 New York
01:01:45 I'm from New York
01:01:47 Same here
01:01:49 My son lives in New York
01:01:51 That's why
01:01:53 Marielle
01:01:55 lives in Manhattan
01:01:57 The other one
01:01:59 lives upstate New York
01:02:01 Both
01:02:03 Yes, we've mentioned before in past interviews
01:02:05 about directing
01:02:07 Ate V also wants to try directing
01:02:09 Eventually
01:02:11 Ate V
01:02:13 you'll also be in the movie production
01:02:15 Yes
01:02:17 She's prettier than before
01:02:19 Yes
01:02:21 She won't be disappointed
01:02:23 Will you produce again?
01:02:25 You?
01:02:29 Yes, I'm excited
01:02:31 It's possible
01:02:33 I want to produce again
01:02:35 Even if it's not that expensive
01:02:37 movie
01:02:39 But this time
01:02:41 I will make sure my hands are on
01:02:43 Because I produced 5 movies
01:02:45 I was in debt
01:02:47 If the hair is white, the debtor will be black
01:02:51 Yes
01:02:53 I was given
01:02:55 prestige
01:02:57 But I lost
01:02:59 3 years in the making
01:03:01 That's too much
01:03:03 3 years in the making
01:03:05 But it's beautiful
01:03:09 It's beautiful
01:03:11 Prestige
01:03:13 Ate V
01:03:15 Next year
01:03:17 50 years
01:03:19 Yes
01:03:21 50 years
01:03:23 Speaking of production
01:03:25 I want to clear
01:03:27 Ate V
01:03:29 I hope you don't mind
01:03:31 There are some things
01:03:33 Your husband
01:03:35 Congressman Ralph Recto
01:03:37 Former Senator Ralph Recto
01:03:39 There are stories
01:03:41 that he's involved in the production of Malyari
01:03:43 What's the truth?
01:03:47 He's the one who produced
01:03:49 You're the chief of staff
01:03:51 Yes, I'm the chief of staff
01:03:53 Yes
01:03:55 He's not the one
01:03:57 who produced
01:03:59 But he shared with the corporation
01:04:01 Okay, with Brian's corporation
01:04:05 Yes, he gave it to the corporation
01:04:07 But he's not
01:04:09 the one who produced 100%
01:04:11 Because
01:04:13 Brian
01:04:15 He's the one
01:04:17 who's in charge of the production
01:04:19 But in the corporation, he just shared
01:04:21 with Malyari
01:04:23 So it's better to clear
01:04:25 I don't mind
01:04:27 Because Malyari is our son
01:04:29 Pio La Pascual
01:04:31 You get me?
01:04:33 He's our son and we love him
01:04:35 And I love him
01:04:37 And you're also loved by
01:04:39 Becky and Badek
01:04:41 They're promoting you, Ate V
01:04:43 Eugene Domingue and Poc Wang
01:04:45 We were there when
01:04:47 Papa Bog was released
01:04:49 I watched it on Facebook
01:04:51 Yes, on Facebook
01:04:53 Yes, I was so happy
01:04:55 I just lay down
01:04:57 You lay down?
01:04:59 And Uge was like, "Emil, Emil"
01:05:01 "Uge is making your hair messy"
01:05:03 Correct
01:05:05 What can you say
01:05:07 that you're being tributed
01:05:09 by doing those lines
01:05:11 even in comedy films, Ate V
01:05:13 and Papa Bog
01:05:15 Wow
01:05:17 Honor you
01:05:19 Yeah
01:05:21 It's flattering
01:05:23 to know that
01:05:25 Look at that
01:05:39 The scene is iconic
01:05:41 Look at his hair
01:05:43 It's messy
01:05:45 Look at that
01:05:47 You're also gay, Eta
01:05:49 We're in the MMDA
01:05:51 I'm not with you
01:05:53 because I'm sick
01:05:55 It's good to know
01:05:57 It's so flattering
01:05:59 It's an honor for us
01:06:01 to be in the film
01:06:03 And at the same time
01:06:05 it's a spoof
01:06:07 for us
01:06:09 Why not?
01:06:11 Those scenes really
01:06:13 attract people
01:06:15 So they're doing it
01:06:17 I was about to ask
01:06:19 Go, Ate V
01:06:21 Thank you, Noel
01:06:23 I texted both of them
01:06:25 Uge and Pocky
01:06:27 Until now, they're getting well
01:06:29 So they called me
01:06:31 They went to Manawag
01:06:33 They FaceTimed me
01:06:35 We're praying for you to get well
01:06:37 They're that much in love
01:06:39 Pocky and Uge
01:06:41 And they said
01:06:43 I'm always their peg
01:06:45 Remember the Lucky Ones?
01:06:47 Their movie
01:06:49 They're from the Tideville Manians
01:06:51 Remember?
01:06:53 The Lucky Ones
01:06:55 They put all of my movies there
01:06:57 And then we became
01:06:59 a peg in the relationship
01:07:01 And to Uge and Pocky
01:07:03 Thank you so much
01:07:05 I love you both
01:07:07 I wanted so much to be with you
01:07:09 I hope that on their premiere night
01:07:11 Because they're going to watch our movie
01:07:13 And to these two ladies
01:07:15 I love you
01:07:17 Thank you, thank you very much
01:07:19 Your movie is the only comedy
01:07:21 If I'm not mistaken
01:07:23 I love to watch it
01:07:25 I want to laugh and I want to enjoy
01:07:27 And you know the good thing also
01:07:29 The movies that are included here
01:07:31 Like Rewind
01:07:33 Do you know that Marian and Dindong
01:07:35 They invited me to their wedding
01:07:37 When you first meet
01:07:39 Do you know that Shawi is like a sister to me
01:07:41 Sharon Puneta
01:07:43 She's like a sister to me
01:07:45 And I love these people that are included
01:07:47 Piolo is like our son
01:07:49 And I love Piolo so much
01:07:51 And this
01:07:53 Becky and Badejo
01:07:55 Becky and Badejo
01:07:57 It's not even
01:07:59 A competition for us
01:08:01 It's not a competition
01:08:03 It's a support
01:08:05 And what we want to do
01:08:07 Is to bring people back to the cinema
01:08:10 Bring back the excitement
01:08:12 Of our movie industry
01:08:14 Through the cinema
01:08:16 That's our aim
01:08:18 If we get that, we're already winners
01:08:21 Right?
01:08:23 You're already winners
01:08:25 For us, for the people
01:08:27 We're gearing towards the 50th year
01:08:29 Of Metro Manila Film Fest next year
01:08:31 Papa Bo and I talked about it
01:08:33 He wants to direct a film
01:08:35 A really good film
01:08:37 And let's manifest it to the world
01:08:39 I hope it happens, Papa Bo
01:08:41 Oh yes, yes
01:08:43 Wow, yes
01:08:45 And then, Aki V
01:08:47 I don't know how we can share
01:08:49 That you also have a lot of projects
01:08:51 That you hope to do
01:08:53 In time for the 50th
01:08:55 For the golden anniversary of the Metro Manila Film Fest
01:08:57 Can you share something at least
01:08:59 Of projects you are excited to do?
01:09:02 Yes
01:09:09 I know that the one of Eric Mati
01:09:11 Just in case
01:09:13 The plan is for next year
01:09:16 But he also plans for
01:09:18 Metro Manila Film Festival
01:09:20 For next year
01:09:22 But the shooting will be next year
01:09:24 And then
01:09:26 I have this also
01:09:28 With Star Cinema
01:09:30 I don't know if I can reveal
01:09:34 I don't know if their target is
01:09:36 For MMFF for next year
01:09:38 So the movies
01:09:40 That I have the script for
01:09:42 Is for
01:09:44 Next year's shoot
01:09:46 But
01:09:48 I think the target is two
01:09:50 Metro Manila Film for 2024
01:09:52 But if it's already final
01:09:54 The one of Eric Mati
01:09:58 I know, I'm sorry
01:10:00 Eric Mati is a drama
01:10:02 That has a theme
01:10:04 No
01:10:06 Action
01:10:08 Action
01:10:10 Action drama
01:10:12 Action drama
01:10:14 And then, the other one
01:10:16 I'm excited for is comedy
01:10:18 And one icon
01:10:20 I hope it will be a comedy
01:10:22 I will reveal it
01:10:24 When we finalize it
01:10:26 But if we can shoot it
01:10:28 Next year
01:10:30 Maybe the target is Metro Manila Film
01:10:32 But that's for next year
01:10:34 But my focus is
01:10:36 When I met you
01:10:38 I met you already
01:10:40 This is our journey
01:10:42 To the 50th
01:10:44 But this is the one
01:10:46 When we break in the people
01:10:48 To the movies
01:10:50 I hope
01:10:52 To watch these movies
01:10:54 So, tell the people
01:10:56 If next year will be more successful
01:10:58 Yes
01:11:00 Yes
01:11:02 The hill is already set on the ground
01:11:04 Yes
01:11:06 But I don't know how to
01:11:08 I'm sorry
01:11:10 You were so excited
01:11:12 That all the movies are watchable
01:11:14 That's true
01:11:16 They will enjoy
01:11:18 So, when may I ask you
01:11:20 Yeah, go, go, go
01:11:22 When may I ask you
01:11:24 The people went out
01:11:26 It was Saturday
01:11:28 There was a lot of traffic
01:11:30 The parade
01:11:32 Yes, during the parade
01:11:34 It was crazy
01:11:36 I enjoyed it
01:11:38 You know why?
01:11:40 The route was fresh
01:11:42 The route was fresh
01:11:44 The crowd was like
01:11:46 Everybody was out
01:11:48 Everybody was happy
01:11:50 So, everybody was looking for you
01:11:52 You were full of energy
01:11:54 Boyet
01:11:56 I'm still jealous
01:11:58 Boyet, you were full of energy
01:12:00 Boyet was singing after
01:12:02 Right?
01:12:04 You were not there
01:12:06 Because
01:12:08 Because there was no movie
01:12:10 There was no movie
01:12:12 But the people
01:12:14 The crowd was very contagious
01:12:16 The crowd
01:12:18 Their energy
01:12:20 Yeah
01:12:22 In fact, I was watching
01:12:24 I was watching the parade
01:12:26 I was at home, I was still positive
01:12:28 I was watching
01:12:30 I saw our beautiful car
01:12:32 And then, it was really loud
01:12:34 I was so happy
01:12:36 I was jealous
01:12:38 And then, I heard someone shouting
01:12:40 Don Ramon
01:12:42 I knew him since I was a kid
01:12:44 I know Don Ramon
01:12:46 But now, he's Joey
01:12:48 Can I ask something?
01:12:50 Go, go, go
01:12:52 This is also
01:12:54 For the people to know
01:12:56 How true, we don't know if it's true or not
01:12:58 That the ticket price
01:13:00 of the Metro Manila
01:13:02 decreased
01:13:04 How true?
01:13:06 They pegged it at an average
01:13:08 of 300 pesos
01:13:10 So, what they said
01:13:12 It varies, right?
01:13:14 It depends on the amenities
01:13:16 There's a 3-second fee
01:13:18 There's that, right?
01:13:20 But now, the average
01:13:22 of the admission fee is 300 pesos
01:13:24 It depends on the amenities
01:13:26 of the cinema
01:13:28 There's a reclining chair
01:13:30 There's a sofa
01:13:32 But if
01:13:34 they average everything
01:13:36 of the prices of the cinema
01:13:38 There's also lower than 300
01:13:40 But the average of everything
01:13:42 is 300 pesos
01:13:44 And then, with other amenities
01:13:46 It can go up to 370
01:13:48 But it used to be 400 plus
01:13:50 Am I right?
01:13:52 Correct
01:13:54 There's 420 now
01:13:56 Correct me if I'm wrong
01:13:58 I hope
01:14:00 I hope people save
01:14:02 to watch
01:14:04 K-Pop
01:14:06 concerts
01:14:08 and other big productions
01:14:10 of 7,000, 14,000
01:14:12 I hope this movie
01:14:14 has this kind of value
01:14:16 You're creating jobs
01:14:18 You're reviving
01:14:20 our industry
01:14:22 I hope
01:14:24 you'll be blessed to watch this movie
01:14:26 I hope
01:14:28 Noel, this Metro Manila
01:14:30 Film Festival
01:14:32 If the concerts are a hit
01:14:34 There are so many people
01:14:36 The people are really
01:14:38 the actors
01:14:40 We're just asking
01:14:42 to help and support
01:14:44 our industry
01:14:46 There are many people
01:14:48 who can help in their lives
01:14:50 I mean, just watch
01:14:52 one or two, it's a big thing
01:14:54 to help our industry
01:14:56 You won't be embarrassed
01:14:58 because the 10 movies we're going to buy
01:15:00 You'll enjoy all of them
01:15:02 So share a little
01:15:04 so the happiness of the entertainment world
01:15:06 can come back to our
01:15:08 Filipino movies
01:15:10 And the difference now, Ate V and Boyet
01:15:12 There are black screenings
01:15:14 Right?
01:15:16 Will you go there
01:15:18 and just look at the black screenings
01:15:20 to thank them?
01:15:22 There's Oa
01:15:26 There's Oa, there's black screenings
01:15:28 I'll go to the black screenings
01:15:30 I'll give something
01:15:32 to the black screenings
01:15:34 If we can
01:15:44 If we can
01:15:46 If we can
01:15:48 We don't promise
01:15:50 They might be disappointed
01:15:52 If we can
01:15:54 go to the black screenings
01:15:56 We will try our very best
01:15:58 Because we also planned with Edmo
01:16:00 to go to the black screenings
01:16:02 on the 25th
01:16:04 and 26th
01:16:06 We'll go to the black screenings
01:16:08 to thank the people
01:16:10 who are ready to help the industry
01:16:12 on the first and second day
01:16:14 of our opening of Metro Manila Film Festival
01:16:16 Right, Ian?
01:16:18 We'll go to the black screenings
01:16:20 Established stars
01:16:22 and respected stars
01:16:24 like you can do it
01:16:26 I hope that others
01:16:28 who have entries can also be like them
01:16:30 They are the ones who set the tone
01:16:32 to help the industry and revive it again
01:16:34 I hope we can support
01:16:36 the movies of Ativia
01:16:38 and Papa Bo
01:16:40 and the other movies of Metro Manila Film Fest
01:16:42 Before you promote
01:16:44 Ativia and Boyet
01:16:46 You can also promote
01:16:48 your social media accounts
01:16:50 You can follow
01:16:52 @FB_Ativia
01:16:54 @FB_Ativia
01:16:56 Just type your FB account
01:16:58 when I met you in Tokyo
01:17:00 On Facebook
01:17:02 Just type
01:17:04 when I met you in Tokyo
01:17:06 You'll see that
01:17:08 For you, Boyet, your Instagram is
01:17:10 @FB_Ativia
01:17:12 Actually, I don't have
01:17:14 I just have
01:17:16 the Instagram and my
01:17:18 It's very personal for me
01:17:20 @FB_Ativia
01:17:22 Okay, I'll just add it
01:17:24 @FB_Ativia
01:17:26 And then
01:17:28 There's IG
01:17:30 @WhenImetYouInTokyoFilm
01:17:32 Yes
01:17:34 And then there's also
01:17:36 @JGProductionsInc
01:17:38 That's the only one
01:17:40 they'll include
01:17:42 You'll see all the happenings
01:17:44 that are happening
01:17:46 We did a lot of things
01:17:48 We did a lot of things
01:17:50 That's the way to go
01:17:52 Gen Z now
01:17:54 Jerry, Noel
01:18:00 Please watch
01:18:02 our interview
01:18:04 with each other
01:18:06 We have one
01:18:08 She interviews me
01:18:10 I interview her
01:18:12 It's just the two of us
01:18:14 Me and Edbo
01:18:16 We did a lot of movies
01:18:18 that we did
01:18:20 How come we have this chemistry
01:18:22 Please watch our one-on-one
01:18:24 with yesterday
01:18:26 When will it be released?
01:18:28 Yesterday? Today?
01:18:30 No, not yet
01:18:32 When?
01:18:34 It's not yet
01:18:36 We'll announce it
01:18:38 We still have two
01:18:40 Before you promote
01:18:42 Just last
01:18:44 We asked what Christmas gift
01:18:46 you want
01:18:48 I gave you your duster
01:18:50 from the Metropolitan Philippines
01:18:52 Princess Award
01:18:54 What gift do you want
01:18:56 for Christmas?
01:18:58 I love you, Noel
01:19:00 Noel, not for anything
01:19:02 Thank you, I got the duster
01:19:04 Because, Edbo
01:19:06 In our life, Edbo
01:19:08 Not for anything
01:19:10 Modesty aside
01:19:12 We're living comfortably
01:19:14 We can buy what we want
01:19:16 We can buy
01:19:18 what we want
01:19:20 material things
01:19:22 So, sometimes, when someone
01:19:24 gives us something expensive
01:19:26 Like in my case, someone gives me
01:19:28 a signature bag
01:19:30 Modesty aside, I already have one
01:19:32 I can't use it yet
01:19:34 You know what else I can use?
01:19:36 Duster, towel, pajamas
01:19:38 That's what I can use
01:19:40 Compared to
01:19:42 the bag you gave me
01:19:44 that's just beside
01:19:46 I have other things to buy
01:19:48 But I'm lacking in pajamas
01:19:50 Pajamas, now
01:19:52 Okay
01:19:54 I'm lacking in
01:19:56 towel
01:19:58 for when we're going to sleep
01:20:00 I'm lacking in
01:20:02 dusters, I want more
01:20:04 because I can use it
01:20:06 So, this time, give me a small one
01:20:08 I'll give you a big one
01:20:10 A big one
01:20:12 I use a big one
01:20:14 when I'm exercising
01:20:16 I really use that
01:20:18 So, a big one for Ate V
01:20:20 A big one for Papa Bo
01:20:22 What size is Papa Bo?
01:20:24 Medium
01:20:26 So, you won't fall
01:20:28 So, you won't fall
01:20:30 I'll really fall
01:20:32 Okay, you got it
01:20:34 So, go, Papa Bo
01:20:36 Ate V, a lot of people gave you gifts
01:20:38 because it's your birthday, right?
01:20:40 It's like they're giving you a birthday
01:20:42 on your fans' day
01:20:44 What, Ate?
01:20:46 On your fans' day
01:20:48 there are still people giving you gifts
01:20:50 It's like it's your birthday, right?
01:20:52 Yes
01:20:54 Wait, yes
01:20:56 They know what I like
01:20:58 There are still people giving me towels and pajamas
01:21:00 on fans' day
01:21:02 Boyet was saying something
01:21:04 In case you're giving him a towel
01:21:06 What will you put?
01:21:08 You can put an embroidered heart
01:21:10 No, there's a heart
01:21:12 I saw something on Facebook
01:21:14 There's a heart and a girl with glasses
01:21:16 Isn't there something like that?
01:21:18 Yes, there is
01:21:20 Okay, Papa Bo, your order
01:21:22 Medium, okay, game
01:21:24 Okay
01:21:26 Thank you, Ma'am
01:21:28 Let's start with Boyet
01:21:30 promoting and inviting
01:21:32 our viewers of When I Met You
01:21:34 Gorgie, first and foremost
01:21:36 I'd like to thank
01:21:38 Gorgie, Jerry, Noel
01:21:40 for this opportunity
01:21:42 Rommel
01:21:44 and Rommel
01:21:46 at the same time
01:21:48 giving us
01:21:50 this opportunity
01:21:52 to talk to you guys
01:21:54 and your viewers
01:21:56 and your listeners
01:21:58 Please watch
01:22:00 When I Met You
01:22:02 in Tokyo
01:22:04 This is going to be fun
01:22:06 This is going to touch your heart
01:22:08 It's going to be a feel-good movie
01:22:10 at the same time
01:22:12 It's going to be
01:22:14 a beautiful movie
01:22:16 It's going to be
01:22:18 very nice to watch
01:22:20 So, go see it
01:22:22 and then
01:22:24 hope you enjoy
01:22:26 this Metro Manila Film Festival
01:22:28 offers that we have
01:22:30 Thank you very much
01:22:32 Senor, thank you, everybody
01:22:34 Thank you
01:22:36 To all our friends
01:22:38 Noel, thank you
01:22:40 Troika, thank you very much
01:22:42 Noel, a long, long time friend
01:22:44 Please stay healthy always
01:22:46 and of course, Gorgie
01:22:48 my messenger friend
01:22:50 Thank you, Gorgie, for everything
01:22:52 for all the information
01:22:54 and Jerry, we always see each other
01:22:56 We text each other
01:22:58 To the three of you
01:23:00 from the bottom of our hearts
01:23:02 Thank you very much for this opportunity
01:23:04 This is a big thing for us
01:23:06 and at the same time
01:23:08 this is a big thing for us
01:23:10 to have communication
01:23:12 to our viewers
01:23:14 to invite them to watch
01:23:16 our movie When I Met You in Tokyo
01:23:18 and at the same time
01:23:20 to support the Metro Manila Film Festival
01:23:22 that will open
01:23:24 on December 25
01:23:26 Please find time
01:23:28 to watch our movie When I Met You in Tokyo
01:23:30 with our team
01:23:32 Mr. Christopher De Leon
01:23:34 This time
01:23:36 we are offering you something different
01:23:38 that you will feel good
01:23:40 you will be happy
01:23:42 you will be thrilled
01:23:44 and at the same time
01:23:46 your emotions will open up again
01:23:48 and you will feel at home
01:23:50 that it's good to be in love
01:23:52 no matter what age
01:23:54 and no matter what time
01:23:56 That's what we will give you
01:23:58 When I Met You in Tokyo
01:24:00 Thank you and on our end
01:24:02 to Troika Ativy, we love you
01:24:04 no matter what time, no matter what age
01:24:06 Papa Bo, whatever
01:24:08 whatever you do, we are here
01:24:10 to support you and thank you
01:24:12 for your love, not just for us
01:24:14 but for the industry
01:24:16 You said you're really established
01:24:18 and you're really still leading the way
01:24:20 on how to act as if
01:24:22 you're not just for yourself
01:24:24 but for the industry
01:24:26 because we need to love
01:24:28 and support each other
01:24:30 especially in this time
01:24:32 Thank you so much
01:24:34 I have a request
01:24:36 to end this pep live
01:24:38 and this conversation
01:24:40 Can Papa Bo, Boyet
01:24:42 sample some lines
01:24:44 of his "May do it kayo"
01:24:46 "May do it kayo"
01:24:48 [Laughter]
01:24:50 [Laughter]
01:24:52 I'm not a singer
01:24:54 [Laughter]
01:24:56 Explain
01:24:58 the song
01:25:00 the theme song
01:25:02 This is our last message
01:25:04 for all of you
01:25:06 Do you know
01:25:08 that I'm really in love
01:25:10 with Boyet's song
01:25:12 When I Met You
01:25:14 His singing is really beautiful
01:25:16 What lyrics?
01:25:18 He forced me to sing
01:25:20 He forced me to sing
01:25:22 He forced me to do a duet
01:25:24 You know why?
01:25:26 You know why?
01:25:28 For all of you, listen to
01:25:30 the song When I Met You
01:25:32 Every line
01:25:34 Every line
01:25:36 Every line
01:25:38 That's the story of When I Met You in Tokyo
01:25:40 That's how it is
01:25:42 Every line
01:25:44 Like, Ah-Son
01:25:46 lives in Japan for several
01:25:48 years without a boyfriend
01:25:50 She had a boyfriend before
01:25:52 but she was very very
01:25:54 very dedicated to
01:25:56 her family, to support her family
01:25:58 She was in Tokyo working very
01:26:00 very hard
01:26:02 So, the song goes
01:26:04 There I was
01:26:06 an empty piece of a shell
01:26:08 minding
01:26:10 my own world
01:26:12 without even knowing
01:26:14 what love and life
01:26:16 were all about
01:26:18 Then you came
01:26:20 brought me out of the shell
01:26:22 You gave the world
01:26:24 to me and before
01:26:26 I knew
01:26:28 that I was so in love
01:26:30 with you
01:26:32 You gave me
01:26:34 a reason to be
01:26:36 You gave me a reason
01:26:38 to be
01:26:40 in love with you
01:26:42 I'm in love with you
01:26:44 Thank you!
01:26:46 Thank you very much!
01:26:48 When you recorded it,
01:26:50 Olive said, "Cindro, you're so good at singing."
01:26:52 "Ate Vee, again."
01:26:54 Olive said, "Your vocals are so good."
01:26:56 Olive!
01:26:58 Olive, thank you
01:27:00 Isla Loista, thank you, thank you very much
01:27:02 Thank you!
01:27:04 We'll see you at the Tokyo Concert!
01:27:06 Thank you!
01:27:08 Merry Christmas!
01:27:10 Love you!
01:27:12 Thank you!
01:27:14 See you!
01:27:16 [Music]
01:27:26 [BLANK_AUDIO]