Jake Johnson, Hailee Steinfeld and Shameik Moore interview
Category
🎥
Short filmTranscript
00:00 [MUSIC PLAYING]
00:03 And Hailey, before they kick me out of here,
00:07 the watercolors used for Gwen's world
00:09 are some of the most remarkable visuals I've ever seen.
00:12 The way that the colors change in the scenes
00:14 to match the emotions.
00:15 When did you finally get to see a finished product of what
00:19 that might look like in the scenes?
00:21 It's always so funny whenever the filmmakers choose
00:26 to show any version of any clip.
00:29 It's always prefaced with like, it's not colored,
00:32 or it's not done, or just trust us.
00:35 And if they didn't say anything, I
00:36 would think it was just absolute perfection at every stage.
00:40 But it wasn't until I saw the film in its entirety
00:42 that I got to see everything that they were talking about.
00:47 And it is truly, truly, truly so incredible, and moving,
00:50 and captivating.
00:53 And yeah, I'm biased, but Gwen's world is pretty beautiful.
00:58 Every frame of this movie could be
01:00 hung on the wall of a museum.
01:01 It honestly belongs there.
01:02 What was that thing about the moving again?
01:04 That was how it was first described to me by Kemp
01:07 and Loretta Miller.
01:09 They basically just said, to give you
01:11 an idea of what Gwen's world is, it's like a mood ring.
01:16 It will visually change as her circumstances change
01:20 and the emotions that she feels we will feel
01:23 in the audience on screen.
01:25 My god, it works so well.
01:27 All right, they're kicking me out.
01:27 Thank you, guys.
01:28 I appreciate your time.
01:29 Thank you.
01:31 [BLANK_AUDIO]