• 10 months ago
In Telugu cinema, festivals and national holidays are usually marked by a number of announcements and promotions for films. This New Year was no exception.The fact that this follow-up, titled Geethanjali Malli Vachindhi, marks Anjali’s 50th film career milestone makes it even more noteworthy. Producing the movie under the banners of MVV Cinema & Kona Film Corporation are MVV Satyanarayana and GV.
హీరోయిన్ అంజలి మరోసారి భయపెట్టేందుకు రెడీ అవుతోంది. హారర్ కామెడీ బ్యాక్‌డ్రాప్‌లో రూపొందుతున్న ‘గీతాంజలి మళ్ళీ వచ్చింది’ మూవీ . అంజలి టైటిల్ రోల్ ప్లే చేస్తుండగా.. మలయాళ నటుడు రాహుల్ మాధవ్ మూవీతో టాలీవుడ్‌లో ఎంట్రీ ఇస్తున్నారు. గీతాంజలి మూవీకి సీక్వెల్‌గా తెరకెక్కుతున్న ఈ సినిమాను ప్రముక రచయిత, నిర్మాత కోన వెంకట్ సమర్పణలో MVV సినిమా, కోన ఫిల్మ్ కార్పొరేష‌న్‌ సంస్థలపై ఎంవీవీ స‌త్యనారాయ‌ణ, జీవీ ప్ర‌తిష్టాత్మ‌కంగా నిర్మిస్తున్నారు.

#GeethanjaliMalliVachhindi
#GeethanjaliMallivachhindiPressMeet
#Anjali
#SrinivasaReddy
#SathyamRajesh
#Sathya
#ShakalaShankar
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#WriterKonaVenkat
~ED.232~CA.43~PR.39~

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Transcript
00:00 Happy New Year to everyone.
00:02 Generally, we get a lot of pearls in our oceans.
00:09 You all know how deep it goes.
00:12 I got a lot of pearl in America.
00:16 Among the pearls I got in America, one is Praveen Lakkaraju,
00:20 one is Shiva Thurlapati,
00:23 another one is our lyricist Srijo.
00:27 I have a favorite song of yours, "Adigey Adigey"
00:30 I imported a song from America.
00:37 Many people have brought it to me.
00:41 I wanted to make a short film,
00:46 but I was not able to stay empty when I went on a holiday.
00:49 So I made a short film.
00:52 It is called "Ram and Juliet".
00:56 I included songs in it.
00:58 I met Shiva when I contacted him.
01:02 I think it was 2008 or 2009.
01:06 I have been traveling with Shiva since then.
01:09 I have made many films with him.
01:12 Many people have dreams.
01:15 I always say this at home.
01:20 People who are in the industry today,
01:26 when they have to study,
01:29 when they have to work,
01:32 there is a pressure from home.
01:35 There is a war between the mind and the heart.
01:38 Your heart says, "Do what you like."
01:41 Your mind says, "Do what you like."
01:44 People at home say, "Do what you like."
01:48 To settle down quickly in life,
01:50 we have to find a job.
01:53 Passion will take a back seat.
01:56 In America, 90% of the people I have met
02:01 are NRIs and software engineers.
02:04 Many of them are migrating now.
02:08 Praveen also came here after 18 years.
02:13 20 years later.
02:17 Passion is like a movie.
02:19 But when I try to be in it,
02:24 I have to pay 10 lakhs to study and work.
02:28 I have to sell bajjis in Krishnagar.
02:31 If I force my family members to do it,
02:34 there are many batches that have left.
02:37 We don't have a chance here.
02:40 It is such a competitive world.
02:43 It is impossible.
02:46 But passion will not die.
02:48 It will die with us.
02:51 I have met a few people who have left.
02:56 I gave them a chance.
02:59 They are all among them.
03:02 Now, coming back to Geetanjali.
03:05 When Geetanjali came,
03:11 I had already made around 45 films.
03:16 Including Ammanan, Tamizh Ammai, D, Reddy, Dhoogudu, Badshah, Adhors.
03:22 Not just those.
03:25 I was doing commercial films.
03:28 I was going to a movie.
03:31 I came out of that.
03:34 I got a recognition as a writer.
03:39 I wanted to make a concept film.
03:43 I wanted to set a new trend.
03:47 I collected crores of rupees without a head number.
03:53 I played in many theatres.
03:56 I wanted to make a good film without such tag lines.
04:00 Then, I got a scene.
04:03 It was a scene from 'Aajjudu' by Geetanjali.
04:07 The director, Raj Kiran, came to me.
04:10 I was surprised.
04:13 The quality of the scene was...
04:16 Even if the director heard a good story,
04:19 or saw a talent,
04:22 he had to give life to the director.
04:27 He had to introduce the world to the director.
04:30 That was the quality.
04:33 That comes out of passion for cinema.
04:36 He came to me with a story.
04:39 Geetanjali was a pure horror film.
04:43 He told me the cut.
04:46 I liked the story and the point.
04:50 But serious horror films are not my cup of tea.
04:54 It's not my taste.
04:57 I can't judge it.
05:00 I can do a horror comedy.
05:04 I liked the story and the point.
05:06 I wanted to do it 100%.
05:09 I changed it from a horror comedy.
05:12 At the same time,
05:15 'Sreethamma Vakit' was released.
05:18 It was released, right?
05:21 No, no.
05:24 'Sreethamma Vakit'.
05:27 'Balupu' was also released.
05:31 It was released.
05:33 The character was very important.
05:36 There were twin sisters.
05:39 The character was very important.
05:42 The first film we worked on together was 'Balupu'.
05:46 I was the story and the dialogues.
05:49 The next film was 'Blockbuster'.
05:52 There was a character in that film.
05:55 The character was the soul of the film.
05:59 The story was born because of that character.
06:01 'Ravitej' had a goal.
06:04 The character in 'Geethaanjal' was very close to the character in 'Balupu'.
06:10 I felt that character was perfect.
06:13 'Geethaanjal' was taken off like that.
06:16 After that,
06:19 it was 10 years ago.
06:22 Even today, people call Rajesh and Shankar
06:25 as 'Athreya' and 'Arudhra'.
06:28 They are their real names.
06:30 In such impact horror comedies,
06:33 I can proudly say,
06:36 'Geethaanjal' is a trendsetter.
06:39 The scene is one reason.
06:42 Another reason to make this film is
06:45 MVB Sachinan.
06:48 He too,
06:51 his debut as a producer,
06:55 was the number one in Vizag.
06:57 He too has a passion for cinema.
07:00 He is also a classmate of Madhu Film Institute.
07:03 He is Puri's classmate.
07:06 So,
07:09 he wanted to make a film.
07:12 What did he say?
07:15 He said, 'Cinema is for mad people only.'
07:18 'Cinema is for mad people only.'
07:21 'Including light men.'
07:24 'Light men too.'
07:26 'That is why cinema is great.'
07:29 'It brings together all the light-minded people.'
07:32 'Cinema has such a great power.'
07:35 'In the same way, Geethaanjal'
07:38 'especially for me as a writer,'
07:41 'at that time, some of our media friends'
07:44 'started writing about it.'
07:47 'Template, you will not leave Bakra Comedy.'
07:50 'You have started from D.'
07:53 'People started.'
07:55 'A template is done.'
07:58 'You will not leave Bakra Comedy in D.'
08:01 'You will not leave Reddy Comedy.'
08:04 'But, when it was becoming a success,'
08:07 'why should I leave it?'
08:10 'I came up with another development.'
08:13 'But, I kept all those aside,'
08:16 'and Geethaanjal brought a great film.'
08:19 'The reason for that is,'
08:22 'all these people.'
08:24 'Anjali, number one.'
08:27 'To be honest, she gave me life.'
08:30 'Sinu, Rajesh, Shankar, all of them.'
08:33 'And especially for that,'
08:36 'for horror films, horror backdrop films,'
08:39 'two things are very important.'
08:42 'In technicians.'
08:45 'Apart from director, number one is camera.'
08:48 'Sai Sriram.'
08:51 'He helped me a lot.'
08:53 'He helped me a lot.'
08:56 'It is very important.'
08:59 'He set the mood.'
09:02 'He took me to that world.'
09:05 'After we went to the theatre,'
09:08 'he did it in great detail.'
09:11 'His colour tones, everything.'
09:14 'Number one is that, number two is music.'
09:17 'At that time, Praveen Lakkaraju,'
09:20 'how much he helped me.'
09:22 'I don't know how much he helped that film,'
09:25 'but he helped me a lot.'
09:28 'So, I got to know him.'
09:31 'Similarly, in that film,'
09:34 'I missed Geethaanjal and Chota Prasad.'
09:37 'As an editor.'
09:40 'Because in him,'
09:43 'in every technician, there is a screenplay writer.'
09:46 'Even they don't know that it is a screenplay.'
09:49 'So, screenplay means,'
09:51 'if you mix all these, it is screenplay.'

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