End Of Loyalty - Full 2023 Movie - Action Crime - Justice Joslin - Michael Paré - Vernon Wells
Category
🎥
Short filmTranscript
00:00:00 [MUSIC]
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00:01:00 [MUSIC]
00:01:18 Are you sure we should go in there with just the three of us?
00:01:20 Don't worry too much.
00:01:21 It's a business call.
00:01:23 This guy's always professional.
00:01:24 Yeah.
00:01:25 Don't worry about it, Junior.
00:01:26 Anything goes down in there, I'm gonna gut him.
00:01:29 Gut him?
00:01:30 Yeah, gut them.
00:01:31 Is that all you Brits are like?
00:01:33 What's that supposed to mean?
00:01:33 Well, can't you just say it like a normal person?
00:01:35 Like what?
00:01:36 Take care of it.
00:01:37 Take care of it?
00:01:37 Yeah.
00:01:38 What does that mean?
00:01:39 That's really fucking vague, Gron.
00:01:41 My auntie Belinda takes care of her cat.
00:01:43 My mom takes care of my laundry.
00:01:44 If they say I'm taking care, what does that mean?
00:01:45 Nobody knows.
00:01:46 If I say I'm gonna gut someone, you know exactly what it means.
00:01:48 Enough, gentlemen.
00:01:49 Enough.
00:01:51 Yeah, sorry, boss.
00:01:52 Yeah, Gron, sorry, boss.
00:01:53 Those nice looking knives you got there.
00:01:57 All right, enough.
00:01:58 Now we're doing this.
00:02:00 And if things go south, I trust both of you to handle it.
00:02:06 Understood?
00:02:06 Yes.
00:02:07 Capiche?
00:02:08 Yeah, capiche, understood.
00:02:10 Gotcha.
00:02:10 All right, let's go.
00:02:11 Let's do it.
00:02:11 Go in.
00:02:12 [BLANK_AUDIO]
00:02:22 Good evening, Mr. Givoni.
00:02:24 Your guests are already here.
00:02:25 Thank you, my friend.
00:02:27 Hey, do me a favor.
00:02:28 Buy those beautiful grandchildren of yours something nice.
00:02:34 No, Mr. Givoni, I'm sorry.
00:02:35 I can't accept this.
00:02:36 Of course you can.
00:02:38 It's my pleasure to take care of my friends.
00:02:41 Otherwise, you'd offend me, Gino.
00:02:43 You don't wanna do that, do you?
00:02:46 No, I can assure you I don't wanna do that.
00:02:48 [LAUGH]
00:02:50 Just give me a minute.
00:02:51 You got it.
00:02:51 Hey, why are you giving that guy all that money?
00:02:54 Huh?
00:02:55 And now it's his fucking restaurant, for Christ's sake.
00:02:57 Hey, watch your mouth.
00:02:59 As long as I'm still breathing, I make the decisions, and
00:03:03 you follow my lead and look imposing, not the other way around.
00:03:08 Are we clear?
00:03:09 Yeah, got it.
00:03:10 [BLANK_AUDIO]
00:03:16 Kid has a birthday coming up soon, doesn't she?
00:03:18 Jada?
00:03:20 Yeah.
00:03:22 Yeah, a couple months.
00:03:23 [LAUGH]
00:03:24 You remember?
00:03:25 Sure I do.
00:03:27 We should talk about throwing a party or something.
00:03:29 You know, 12 is a big deal.
00:03:30 Yeah, it is a big deal.
00:03:32 Yeah, yeah, yeah.
00:03:33 I thought these guys were waiting for us.
00:03:34 What's the hold up?
00:03:36 Okay.
00:03:37 [BLANK_AUDIO]
00:03:47 Good to see you, my old friend.
00:03:53 Good to see you too.
00:03:55 It's been too long.
00:03:56 So you're mine.
00:03:58 Is it okay?
00:03:58 Did I forget something?
00:04:00 Well, I thought we had decided that there would only be one other person as a bodyguard.
00:04:06 Well, forgive me.
00:04:08 One's just a driver.
00:04:11 Go wait in the car.
00:04:13 Are you sure?
00:04:14 [BLANK_AUDIO]
00:04:19 I'll be right outside.
00:04:20 Don't fuck it up.
00:04:22 You won't.
00:04:24 So, not to be rude, but we're not young men anymore.
00:04:30 So why are we here, Rooker?
00:04:32 48 hours ago, I had a shipment come into these docks from Veracruz.
00:04:38 Now, that shipment by now should be in my hands making money for me, but it's not.
00:04:45 The ship that that shipment was on was refused access to these docks.
00:04:51 The captain had to leave before he could unload my goods.
00:04:56 So you can keep trafficking in our fucking city?
00:04:59 Your city?
00:05:01 You know the rules, Rooker.
00:05:04 We don't traffic that in this city.
00:05:07 My city.
00:05:08 I think the agreement that we had is not very equitable the way I see it.
00:05:14 Well, that's your fucking problem, cuz we ain't changing shit.
00:05:16 Grant!
00:05:18 I see your son still hasn't learned his place.
00:05:21 What did you say, old man?
00:05:23 Hey, put it down!
00:05:25 I'll put a fucking bullet in your head.
00:05:26 Is this how you thought you were gonna get your way?
00:05:28 Yukio is very sensitive.
00:05:31 He doesn't take well to aggression.
00:05:33 How does he respond to bullets?
00:05:36 Put it down, son.
00:05:38 What?
00:05:40 You were never good at playing nice with others.
00:05:42 Put it down.
00:05:44 Now, this is how it's gonna be.
00:06:13 What the fuck happened?
00:06:34 I need an ambulance.
00:06:35 My father's been shot.
00:06:36 We're being held on to the main street.
00:06:37 Stop, stop, stop!
00:06:38 Hey, what are you doing, man?
00:06:39 We can't call anyone.
00:06:40 - Stop, stop, stop!
00:06:41 - Hey, what are you doing man?
00:06:42 - Stop, we can't call anyone.
00:06:44 Grant, Grant we gotta go.
00:06:46 Grant, they could be back, we gotta go.
00:06:47 - Fuck you man, I'm not going anywhere.
00:06:49 - There's nothing we can do for him Grant,
00:06:50 we gotta go, okay?
00:06:51 Come on, we gotta get out of here.
00:06:52 (both grunting)
00:06:53 Fuck you hit too.
00:06:54 Grant, we really gotta fucking go!
00:06:56 - No, I'm not leaving him here!
00:06:58 - Come on, we gotta go, we got it?
00:06:59 - Grant, stop!
00:07:00 No man, I'm not leaving.
00:07:02 - Okay Grant, it's okay.
00:07:06 Look, look he's gone.
00:07:10 He's gone.
00:07:10 Do your father no favors by staying here
00:07:14 and getting arrested, okay?
00:07:16 He told me to look after you
00:07:17 and I'm not doing that if we're in jail.
00:07:21 (whispering)
00:07:23 We need to be more than that,
00:07:24 so we can get the sauce into him.
00:07:26 Come on.
00:07:27 We gotta go, sorry buddy.
00:07:29 We gotta go, come on man, we gotta go.
00:07:32 - What is going on here?
00:07:37 - What the fuck man?
00:07:39 - We gotta make a case to get away, come on, out, out!
00:07:43 Go, go, go, go, go, come on, come on!
00:07:47 Come on, get in.
00:07:50 (car engine revving)
00:07:55 (upbeat music)
00:08:08 (door creaking)
00:08:11 (upbeat music)
00:08:13 (speaking in foreign language)
00:08:32 (speaking in foreign language)
00:08:36 - Sombra doesn't have friends.
00:08:42 - Yeah, you can keep bullshitting me all night,
00:08:44 but I don't think Sombra will appreciate knowing
00:08:46 you're the reason this special delivery has been delayed.
00:08:50 This is quite a selection you've got here.
00:08:57 Oh shit, you got Makers.
00:08:58 It's one of my favorites.
00:09:00 A lot of people back home say it's too light,
00:09:02 but they don't really know what's good.
00:09:04 Alcohol is just so connected to culture and environment.
00:09:07 You can't really criticize it until you've
00:09:08 experienced it for yourself.
00:09:10 It's the same with business.
00:09:11 You wanna understand someone,
00:09:12 if you wanna truly know them,
00:09:14 you have to meet them in person.
00:09:15 Otherwise, how do you really know who's good or bad?
00:09:19 Sombra running late.
00:09:29 - Sombra's not coming.
00:09:30 - Shit, shit, shit, he's blown.
00:09:31 Pull him out, now.
00:09:33 - Get out of there, Red.
00:09:34 You're blown.
00:09:34 Get out of there.
00:09:35 - At least he could've told me to my face.
00:09:37 I came a very long way to do it.
00:09:38 - Damn it!
00:09:39 He isn't going to abort.
00:09:40 - How far is the backup?
00:09:41 - Too far.
00:09:42 (grunting)
00:09:44 (dramatic music)
00:09:47 (grunting)
00:09:49 (grunting)
00:09:52 (grunting)
00:09:54 (grunting)
00:09:56 - Why did you do that?
00:10:23 - Come on, Ray.
00:10:24 She just saved your life.
00:10:25 - They would have taken me to Sombra.
00:10:27 - Jesus, Ray.
00:10:28 They'd have taken you after beating you half to death.
00:10:30 - But they would have taken me.
00:10:31 - You deal with him.
00:10:33 - Hey, thanks to YouTube, my cover's actually blown.
00:10:36 - You're welcome.
00:10:37 - Can someone please explain to me how the hell this happened?
00:10:44 - We're working on that.
00:10:45 - It's not good enough, Al.
00:10:46 I spent six months of my life developing this lead.
00:10:48 Six months.
00:10:49 And now it's down the drain because what?
00:10:51 'Cause this place is full of holes?
00:10:52 - Is he fucking serious?
00:10:53 - I know you're not talking about me.
00:10:54 - We don't have a lead.
00:10:56 - Then what happened, Al?
00:10:57 - Look, you think I'm happy about this?
00:10:59 I could be home with my wife having a home-cooked meal.
00:11:01 Instead, I'm stuck in Bogota with your stupid white ass
00:11:03 and two or three stooges.
00:11:05 This mission is as important to me as it is to you.
00:11:07 So I need you to sit down and calm down
00:11:09 and we'll figure this out.
00:11:11 - Al, he's too close to this.
00:11:12 - Fuck you.
00:11:13 Hey!
00:11:15 We'll figure this out.
00:11:16 You two, go cool off.
00:11:18 (footsteps)
00:11:21 - Hey.
00:11:27 I'll get you another shot.
00:11:29 (sighs)
00:11:38 - Hey, Ray.
00:11:40 Ray, are you in there?
00:11:43 - No.
00:11:43 - You got a phone call.
00:11:45 - Take a message.
00:11:47 - It's from the state.
00:11:49 He said he's your dad.
00:11:50 (soft music)
00:11:56 (birds chirping)
00:11:59 (soft music)
00:12:01 (soft music)
00:12:04 (soft music)
00:12:06 (soft music)
00:12:09 (soft music)
00:12:11 (soft music)
00:12:14 (soft music)
00:12:16 (soft music)
00:12:18 (soft music)
00:12:21 (soft music)
00:12:23 (soft music)
00:12:26 (birds chirping)
00:12:33 (grunts)
00:12:35 - Really?
00:12:55 A printed newspaper.
00:12:57 I can't remember the last time I saw one.
00:13:01 I can't remember the last time I saw my son.
00:13:03 You all settled in there?
00:13:15 - Yeah, my room looks like a 90s museum.
00:13:19 You know it's okay if you wanna repurpose it, Pops.
00:13:21 You know, get yourself a home gym or a media room.
00:13:23 - That will always be your room, Ray.
00:13:25 (laughs)
00:13:28 - Wow, look at these two knuckleheads, huh?
00:13:30 Inseparable knuckleheads.
00:13:32 You hungry?
00:13:33 - No, I'm actually going over to the hospital.
00:13:36 - You still gotta eat, Ray.
00:13:37 - Dad, I'm good.
00:13:39 - Do an old man a favor, huh?
00:13:40 - All right.
00:13:42 - He knows who did this, Ray.
00:13:50 - So when did he get started working with his father?
00:13:55 - I'm not sure.
00:13:59 - Everyone knows Carmine Chavonne, right?
00:14:01 You know, Grant was supposed to be
00:14:03 the good one of the family.
00:14:04 How the hell did he get sucked into this life?
00:14:07 - I don't know.
00:14:08 - Okay, well, what do you know, Dad?
00:14:10 - He's not gonna risk anything
00:14:12 that the police could get to them before he does.
00:14:15 That's what I know.
00:14:16 - Yeah, we both know that.
00:14:18 - How long has it been since you spoke with him?
00:14:21 - It's been a while, Dad.
00:14:23 - He went through some tough times when Beth got cancer.
00:14:28 Turned his life upside down and...
00:14:30 - And what?
00:14:33 - Ray, you were his rock.
00:14:35 You know that.
00:14:36 You guys were like brothers.
00:14:37 - No, don't.
00:14:38 Don't do that, come on.
00:14:39 - No, do what?
00:14:40 - Make me the bad guy.
00:14:41 - You had to go.
00:14:44 But he stayed.
00:14:47 He felt left behind.
00:14:48 - Yeah, I know.
00:14:49 And I wasn't there for him.
00:14:50 I know. - It's not your fault.
00:14:51 He needed someone, something,
00:14:53 and he turned to Carmine.
00:14:55 - And there's always a catch with Carmine.
00:14:58 Always.
00:14:58 - He's his father.
00:15:01 He wanted Grant to come work with him, and so he did.
00:15:04 But his first order of business
00:15:06 is to find the people that killed his father.
00:15:09 - Well, you know if this escalates,
00:15:11 it's gonna end bad for everyone involved.
00:15:14 - He's gotta hear that, Ray.
00:15:16 Beth wouldn't want it.
00:15:16 - No.
00:15:17 No, but Carmine would.
00:15:20 - We have to go make him choose.
00:15:24 - Okay.
00:15:24 (doorbell rings)
00:15:32 - Come on, give me my water, you bastard.
00:15:35 - Is that what they teach you to talk like
00:15:36 at that fancy private school?
00:15:38 - Ray Ray!
00:15:41 - Oh, hey, Jaybird.
00:15:43 Oh, wow, you've gotten so big,
00:15:44 and that is some attitude you've got.
00:15:46 - I mean, it has been forever since you've seen me,
00:15:49 and Daddy.
00:15:50 - I know.
00:15:52 I wanna do better, all right?
00:15:53 - Better?
00:15:54 - Better?
00:15:56 Daddy said that he chose you to be my godfather
00:15:57 because you was the most responsible man I knew,
00:16:00 and he would protect you with his life.
00:16:02 - He said all that, huh?
00:16:03 - Yep.
00:16:05 Although he was on a lot of medication,
00:16:06 so he might have been high.
00:16:08 - Cheater.
00:16:09 - Pop.
00:16:11 - Princess.
00:16:12 How is your father?
00:16:13 - Yeah, I don't know.
00:16:16 I mean, every time that we try to go in there,
00:16:17 Mr. Vincent makes us leave.
00:16:19 - Who?
00:16:20 - Mr. Vincent.
00:16:21 He says that Daddy doesn't want any company.
00:16:23 - Huh.
00:16:24 Hey, why don't you take us to your daddy's room?
00:16:26 - Okay.
00:16:27 - All right? - Yeah.
00:16:27 - Jada, look, it's Miss Carucci.
00:16:39 - Nice to see you, Miss Carucci.
00:16:40 Look who I've dumped into committing
00:16:41 misdemeanor assault on a water fountain.
00:16:43 - I'll let that go since we haven't officially met yet.
00:16:50 - Oh, yeah?
00:16:51 You gonna let that go too?
00:16:53 You're a funny guy.
00:16:54 - Are they okay?
00:17:00 - Yeah, Uncle Ray Ray's giving me a deep little lesson.
00:17:03 - Oh.
00:17:04 - What the fuck is going on?
00:17:10 Who the fuck are you?
00:17:12 - I'm the guy who's wondering why his goddaughter
00:17:14 can't see her father.
00:17:15 - Who are you?
00:17:16 - Are you a cop?
00:17:17 'Cause you give me all kind of police vibes.
00:17:19 - Not exactly.
00:17:20 - Not exactly?
00:17:21 That's exactly what a fucking cop would say.
00:17:23 Would you do me a favor and take a long fuck off walk
00:17:25 down that corridor?
00:17:26 - Why don't you tell Miss Ray?
00:17:28 - Oh, the infamous Ray Rose, is it?
00:17:32 - The one and only.
00:17:33 Get the fuck out of the way.
00:17:35 - And you, you pathetic bunch of cunts.
00:17:43 Honestly, I may as well have had the fucking nurses do it.
00:17:45 I hope you don't think you're getting paid
00:17:47 off for that pathetic display.
00:17:49 Fuck's sake.
00:17:50 (gunshot)
00:17:53 - Tell me all I had to do was get shot to bring you home.
00:18:00 - Funny guy.
00:18:01 What'd the doctor say?
00:18:04 - I'm shot.
00:18:05 - No shit.
00:18:06 Well, at least you still got your sense of humor.
00:18:08 - Yeah, well, they didn't take that.
00:18:09 - The sooner the better.
00:18:11 We've got a score to settle
00:18:12 and it isn't gonna settle itself.
00:18:15 - Hey, look, I'm sorry about Carmine.
00:18:19 Pop said too you were getting close again.
00:18:22 - Yeah, thanks.
00:18:24 - He also said you're ready to burn the city down
00:18:25 looking for the guys who did this.
00:18:27 - Let me guess, the cop disapproves.
00:18:30 - Yeah, you'll know when I'm talking to you.
00:18:32 - I'm fucking talking to you.
00:18:34 - Are you serious with this guy?
00:18:35 Listen, TJ Hooker, we're on the same fucking side.
00:18:37 - Oh yeah, whose side is that?
00:18:38 - His side.
00:18:39 - Ray, look, he has my father's right hand
00:18:43 protecting him with his life.
00:18:45 So he's my right hand now.
00:18:47 I'm gonna need the both of you
00:18:48 if I'm gonna take this son of a bitch Hooker down.
00:18:49 - What?
00:18:50 You can't be serious, Grant.
00:18:54 Let the cops handle this, come on.
00:18:56 - Is that a joke?
00:18:57 The cops, the cops are another gang out here, mate.
00:19:00 Like they are everywhere in the world.
00:19:01 Grant, they're not gonna wanna get involved in a war
00:19:03 unless there's something in it for them, you know that.
00:19:05 - Did you hear this shit, war?
00:19:07 Is that what you want?
00:19:10 Look, think about Jada.
00:19:11 She's sitting out there concerned for you
00:19:13 because Mary Poppins here won't let her in to see you.
00:19:15 - Yeah, well, I didn't let her in.
00:19:17 Okay, that was me.
00:19:18 - Why?
00:19:20 - I don't wanna see me like this, you know.
00:19:21 - So what, you let her sit out there in the dark
00:19:23 wondering what's going on?
00:19:24 You don't think she had enough of that with Beth?
00:19:26 - How would you know, huh?
00:19:27 You would know it'd be found when Beth died.
00:19:30 Let her in.
00:19:45 - You sure?
00:19:46 - You heard him.
00:19:47 - I'm sure.
00:19:48 - Hey, baby.
00:19:58 - What happened?
00:20:01 - This, oh, just a couple of scratches, couple of bumps.
00:20:04 You'll be fine.
00:20:07 - You're lying.
00:20:08 - Hey.
00:20:09 - Well, you are.
00:20:10 - Hey, Vincent, why don't you go home, huh?
00:20:15 Come back in the morning, we'll get to work.
00:20:16 - I'm not gonna leave you here, am I, right?
00:20:18 - Get the fuck out of here.
00:20:19 - What you looking at, old man?
00:20:26 - Not too old.
00:20:27 - He ain't worth it, pops.
00:20:28 - Fuck the lawyers.
00:20:33 - Hey, baby, I'll be all right.
00:20:40 - I'm gonna miss you, baby.
00:20:42 - I'm gonna miss you too.
00:20:44 - I'm gonna miss you too.
00:20:46 - I'm gonna miss you too.
00:20:48 - I'm gonna miss you too.
00:20:50 - I'm gonna miss you too.
00:20:53 - I'm gonna miss you too.
00:20:55 - I'm gonna miss you too.
00:20:57 - I'm gonna miss you too.
00:20:59 - I'm gonna miss you too.
00:21:01 - I'm gonna miss you too.
00:21:03 - I'm gonna miss you too.
00:21:05 - I'm gonna miss you too.
00:21:08 - Hey, Jane, why don't you come back home with me, huh?
00:21:11 We'll watch some movies, have some ice cream.
00:21:13 It'll be nice.
00:21:14 - I just got here.
00:21:16 - How about you just do what the grownup's asking you to do?
00:21:21 I'll see you soon.
00:21:23 - Fine.
00:21:24 - Oh.
00:21:28 Don't hurt me now.
00:21:30 I'll see you later, okay?
00:21:32 All right.
00:21:33 (door opening)
00:21:36 - Ouch.
00:21:43 - You know, I don't wanna hear it.
00:21:48 - I haven't even said anything yet.
00:21:51 - Yeah, I can feel the Ray Rose judgment all over your face.
00:21:54 I saved it for somebody who didn't just see
00:21:55 the father gunned down in front of him.
00:21:57 He killed my father, Ray.
00:21:59 And now they're trying to kill me.
00:22:02 And they're trying to take me away from my daughter.
00:22:05 - Should I let that go?
00:22:07 - You go down this road, a lot of people
00:22:08 are gonna get hurt.
00:22:09 - Yeah, no, it's their problem.
00:22:10 - No, God damn it, no, it's your problem.
00:22:14 It's Jada's problem.
00:22:15 Is this the kind of man you wanna be?
00:22:19 What are you teaching her?
00:22:20 - I was gonna teach her how to defend this family.
00:22:23 How to stand up for herself and the one she loves.
00:22:25 (grunting)
00:22:26 - You have got to relax.
00:22:28 (grunting)
00:22:30 (breathing heavily)
00:22:33 - You know, when my father told me to come work for him,
00:22:39 I thought it was just so he could protect his business.
00:22:43 Make sure his legacy could live on.
00:22:45 But now, I don't know, maybe it's--
00:22:47 (door opening)
00:22:48 - We gotta go.
00:22:49 There's a hard load of Rooker's men
00:22:50 just pulled up outside.
00:22:51 - Well, I didn't know they were Rookers.
00:22:52 - 'Cause I'm really good at what I do.
00:22:53 Look, your old man trusted me,
00:22:55 and now you gotta trust me.
00:22:56 We gotta go, but right now, bro.
00:22:57 - Fine.
00:22:58 - What are you doing?
00:22:59 - You hear what I just said?
00:23:00 - What's the call of these guys coming in here?
00:23:01 What, you think they're coming in
00:23:02 and giving him get well soon balloons?
00:23:03 - How do they know what hospital we're at?
00:23:05 - Jesus Christ, does it matter how they know they're here?
00:23:07 I gotta get him out the back.
00:23:09 - Hey, go home.
00:23:10 Go home and play with your goddaughter.
00:23:12 (door slamming)
00:23:17 (dramatic music)
00:23:19 - Hey.
00:23:25 (grunting)
00:23:28 (grunting)
00:23:30 - Excuse me, is there a stairwell in here?
00:23:46 (guns firing)
00:23:49 (dramatic music)
00:23:51 the stairs.
00:23:53 (dramatic music)
00:23:55 (guns firing)
00:23:58 (dramatic music)
00:24:01 (bell ringing)
00:24:20 (grunting)
00:24:22 (grunting)
00:24:25 (grunting)
00:24:27 (grunting)
00:24:30 (dramatic music)
00:24:40 (guns firing)
00:24:46 (dramatic music)
00:24:49 (bell ringing)
00:25:04 (dramatic music)
00:25:15 (grunting)
00:25:17 (gun firing)
00:25:26 - Come on, let's go.
00:25:28 Come on.
00:25:29 - Oh, they're gonna go.
00:25:30 - Come on.
00:25:31 (guns firing)
00:25:35 (grunting)
00:25:39 (dramatic music)
00:25:42 - That's him.
00:25:47 That's the guy.
00:25:48 - Hey, watch out, Ray.
00:25:50 (grunting)
00:25:53 (grunting)
00:25:57 (grunting)
00:26:05 (dramatic music)
00:26:08 - Hey, what are you doing?
00:26:17 Stop.
00:26:18 (tires screeching)
00:26:19 Get in, get in.
00:26:20 - Are you good?
00:26:23 - Your wound is open.
00:26:33 - I'm fine.
00:26:34 - I said I'll be fine.
00:26:35 What are you doing?
00:26:37 - I'm rallying the troops.
00:26:39 - Hang up the phone.
00:26:40 - Rooker's gonna keep sending more men.
00:26:41 You know that, right?
00:26:43 Keep fucking sending people until you're in the ground.
00:26:45 We need every man we can get right now.
00:26:46 - Just hang up the fucking phone.
00:26:49 How do Rooker's men know where we were?
00:26:51 I mean, they didn't just know what hospital I was in.
00:26:54 They knew the exact room I was in.
00:26:57 And they came directly at us.
00:26:59 So, who'd you tell I was at Mercy?
00:27:02 - Me?
00:27:03 - Yeah, fucking you.
00:27:04 Who the fuck's talking to you?
00:27:05 - Don't look at him.
00:27:06 Answer my question.
00:27:07 - I'm not, I didn't tell fucking anybody.
00:27:10 Are you fucking serious?
00:27:11 - Grant, you need to calm down.
00:27:13 - Stay out of this, Ray.
00:27:14 - You need to chill out, all right?
00:27:15 I'm a fucking law enforcement officer.
00:27:17 I've let way too much shit slide.
00:27:18 I can't let you kill this asshole.
00:27:20 - I'm not gonna kill him.
00:27:21 No.
00:27:22 I know what we're driving.
00:27:24 I wish you was fucking balls off.
00:27:27 - All right, all right.
00:27:28 - Who'd you tell?
00:27:29 - What?
00:27:30 - Come on, no.
00:27:30 - Who?
00:27:31 - I told somebody.
00:27:32 Nobody, okay, nobody.
00:27:33 - Did you forget that they were fucking shooting at me too?
00:27:36 Fuck's sake.
00:27:37 - Take it easy, Grant, please.
00:27:39 - You better not be lying to me.
00:27:42 - I'm not lying.
00:27:43 - Mrs. Carucci, I remember.
00:27:53 Yes, no gluten, no peanuts.
00:27:56 Almond milk.
00:27:57 I think I, I'm out.
00:28:01 I tell you what, I'll go pick some up, all right?
00:28:03 You know, I have another call coming in.
00:28:06 I'll call you right back, I promise.
00:28:08 - She's just gonna call right back.
00:28:12 - Hey, is there anything that you can eat?
00:28:21 - I can eat anything in moderation.
00:28:24 - Moderation, huh?
00:28:25 - Yeah, too much of anything is bad for you.
00:28:27 Surgeon General told us that.
00:28:29 - Really?
00:28:30 - Is there anything that you can eat?
00:28:32 - You are pretty old.
00:28:34 (dramatic music)
00:28:48 (dramatic music)
00:28:51 (dramatic music)
00:28:54 - What the hell is this place?
00:29:21 - Rooker operates out here sometimes.
00:29:23 - All right, so what's your plan?
00:29:24 - Well, what's yours?
00:29:25 - Same as before.
00:29:26 You know, call the cops and let them handle it.
00:29:27 - Fucking hell, has anyone ever told you
00:29:29 you're like a dog with a fucking bone?
00:29:31 Doesn't loyalty or honor or respect,
00:29:32 doesn't any of that mean anything to you?
00:29:34 - Yeah, you should know the difference
00:29:35 between defending honor and getting revenge.
00:29:37 - Shut up. - Right.
00:29:38 - I told you, if you're not down for this, then go home.
00:29:42 Stop wasting your breath trying to get us to stand down
00:29:45 'cause it's not happening, okay?
00:29:48 My father's killer, he's gonna be dead
00:29:50 before the sun goes down, understand?
00:29:52 - Okay, so what's your plan?
00:29:55 - You know my plan?
00:29:56 I'm gonna go in there and ask a question
00:29:58 and then I'm gonna shoot somebody.
00:30:00 And then I'm gonna ask the same question.
00:30:01 If nobody answers it, I'm gonna shoot somebody else.
00:30:04 And then again, if nobody answers that question,
00:30:07 the same question, I'm gonna shoot somebody else, okay?
00:30:10 'Cause I'm gonna keep shooting until I get my answers.
00:30:12 - That works for me.
00:30:17 (dramatic music)
00:30:19 - Get out of here!
00:30:45 - Come on, come on, get in the car.
00:30:47 Where you going, where you going?
00:30:49 Get over there.
00:30:50 Keep going, get in there.
00:30:53 - Son of a bitch.
00:30:56 - Is that what they think it is?
00:30:58 - There's been sex trafficking this whole fucking time.
00:31:01 That meeting was a fucking smoke screen.
00:31:03 - My father did this.
00:31:04 - And they killed him for it.
00:31:06 - This is what you need to put an end to them.
00:31:08 All right, you got proof right here.
00:31:09 Sex trafficking, it's the whole organization.
00:31:11 - He's not still talking about calling the fucking cops,
00:31:13 is he? - No.
00:31:14 I'm gonna handle him.
00:31:16 Then you can call your cops.
00:31:17 - So you're gonna get revenge no matter what?
00:31:20 All right, no matter what the cost,
00:31:21 no matter who gets caught in the crossfire?
00:31:22 - Nobody in the house is innocent.
00:31:25 Let's go.
00:31:28 - You're wrong.
00:31:31 Those girls are innocent.
00:31:33 (dramatic music)
00:31:38 (dramatic music)
00:31:41 (dramatic music)
00:31:44 (dramatic music)
00:31:46 (dramatic music)
00:31:49 (dramatic music)
00:31:52 (grunting)
00:32:18 (grunting)
00:32:20 (gunshot)
00:32:25 (screaming)
00:32:27 - Come on, get in there, shut up!
00:32:29 (crying)
00:32:31 Get comfy, ladies.
00:32:32 This is your home now.
00:32:35 (crying)
00:32:37 (hip hop music)
00:32:45 (hip hop music)
00:32:47 - Don't move!
00:32:52 (gunshots)
00:32:54 I'm telling you, don't move, do you not understand?
00:32:58 (hip hop music)
00:33:00 (dramatic music)
00:33:05 (crying)
00:33:09 (dramatic music)
00:33:12 (gunshots)
00:33:18 (grunting)
00:33:25 (grunting)
00:33:31 (glass shattering)
00:33:39 (gunshots)
00:33:42 - Hey, if you keep shooting everybody,
00:33:43 who's gonna answer my questions?
00:33:44 - Hey, fucking move, what did you want me to do?
00:33:46 - Come on, we're gonna get you out of here, let's go.
00:33:56 (gasping)
00:33:58 - Be quiet, there's a firefight going on.
00:34:03 - Once you get to the road, find the nearest person,
00:34:05 house, car, and call for help, okay?
00:34:07 Go, go, go, go.
00:34:07 (dramatic music)
00:34:10 (grunting)
00:34:13 (gunshots)
00:34:16 - Hey, hey, hey, sit your fucking ass in that chair.
00:34:20 - I sit down.
00:34:20 - Do not be a stupid guy.
00:34:24 - Damn it, Vince, is he dead?
00:34:25 - All right, all right, that was partially my fault.
00:34:31 Only partially though, because you know what?
00:34:32 If I hadn't shot him, G, he would've come in and shot you.
00:34:36 - V, you should take partial responsibility for it.
00:34:38 - Me, for what?
00:34:40 - I don't like to criticize you in front of,
00:34:43 look, mate, honestly, I don't think you said
00:34:45 don't move loud enough when you came in.
00:34:47 For people in other rooms, I don't think heard you.
00:34:50 I said it now, but.
00:34:53 - Okay.
00:34:54 Are you listening?
00:34:57 Don't move or you're gonna die.
00:35:00 Did you hear me, did they hear me?
00:35:02 - Wait, I think you're doing it too loud now.
00:35:04 There's only two of them.
00:35:06 (grunting)
00:35:08 - Where's your boss?
00:35:28 Where's Rooker?
00:35:35 (grunting)
00:35:37 - Wait, wait.
00:35:40 - No.
00:35:53 What the fuck did you do that for?
00:35:55 - He's down.
00:35:56 - He's down when I fucking say he's down, okay?
00:35:59 - What are you gonna do with that?
00:36:00 - Whatever the fuck I like.
00:36:02 Listen, you're either here to help us
00:36:04 or you can fuck off and that's the last time
00:36:06 I'm saying that to you.
00:36:07 (gun firing)
00:36:09 - Great.
00:36:15 - What the fuck did you do that for?
00:36:17 - I told you what was gonna happen.
00:36:19 Nobody answered my questions.
00:36:21 - Fuck 'em.
00:36:24 - They can all die.
00:36:25 Why don't you look for something we can find?
00:36:30 Something's gotta tell us where Rooker is.
00:36:33 (scoffing)
00:36:35 - Hey.
00:36:39 How many people am I supposed to let you kill
00:36:42 before I take you in?
00:36:43 - What's that supposed to mean, huh?
00:36:45 You're gonna take me in?
00:36:46 - Yeah, I'll do whatever I have to do
00:36:47 if he's not gonna listen to reason.
00:36:48 - Oh, what happened to I don't wanna be the one
00:36:50 to tell Jada Daddy's not coming home
00:36:52 to telling Jada Daddy's not coming home because of me?
00:36:56 - I'm serious, Grant.
00:36:58 Cut this shit out.
00:36:59 - I agree and it will end.
00:37:02 When I kill Rooker, understand?
00:37:04 - What'd you find?
00:37:08 - Yeah, rather surprisingly, I found fuck all
00:37:10 because you killed everybody
00:37:11 we were about to ask questions to.
00:37:13 Like, honestly, mate, what the fuck you playing at?
00:37:16 - What's the matter, you wanna watch
00:37:26 something different, Jada?
00:37:28 - No, I mean, what's the point?
00:37:30 It's all fake anyway.
00:37:31 - Fake?
00:37:32 You never heard of a talking fish?
00:37:34 Who has a friend who can't remember anything?
00:37:36 Come on.
00:37:37 - I'm 11, you know, I'm not a baby.
00:37:39 - Excuse me.
00:37:42 Okay.
00:37:46 You wanna talk about something?
00:37:54 - He never wants to spend any time with me.
00:37:58 - Sweetie, there's no one in the world
00:38:01 your father would rather spend time with than you,
00:38:03 believe me.
00:38:04 - You're right.
00:38:05 - I know it may not seem that way sometimes
00:38:08 because he's always working,
00:38:10 but everything he does, he does for you.
00:38:12 - You're right.
00:38:17 - Can I ask you something?
00:38:20 Have you ever seen your father cry?
00:38:24 I have.
00:38:30 - When?
00:38:31 - 11 years ago.
00:38:32 The day you were born.
00:38:34 - Was he sad?
00:38:37 - No.
00:38:38 He was happy, sweetie.
00:38:41 Probably happier than he's been his whole life.
00:38:44 - Really?
00:38:49 - I saw him cry with my own eyes.
00:38:51 - What was that?
00:39:00 - Oh, that was probably just a raccoon
00:39:02 trying to get in my garbage cans.
00:39:04 I'm gonna check it out.
00:39:06 You finish watching the movie,
00:39:09 and now I'll get a refill on this.
00:39:11 - Sure.
00:39:11 (eerie music)
00:39:21 (man gasping)
00:39:23 - What the fuck are you doing in my house?
00:39:41 (man grunting)
00:39:44 - Fuck.
00:39:45 - Jada.
00:39:58 Let her go.
00:40:02 - No, no, stop, you're hurting him.
00:40:08 (man grunting)
00:40:10 No, stop, stop, you're hurting him.
00:40:12 (man grunting)
00:40:15 - So we think this is a good idea?
00:40:28 Just sitting out here in the open
00:40:29 when someone's out there trying to kill him?
00:40:31 - Yeah, let him come.
00:40:33 Where the hell's the waitress at?
00:40:36 I need a straw.
00:40:37 - Same old Grand Cheval, man.
00:40:39 You know your bullheadedness is gonna get you killed
00:40:41 if your ego doesn't first.
00:40:43 - So be it.
00:40:43 - Waitress.
00:40:46 Yo, hello, I need a straw.
00:40:48 - Hello. - Dude, relax.
00:40:49 I'll get you a straw.
00:40:50 (glass shattering)
00:40:53 - I don't need you to get me a straw, Ray.
00:41:01 - What is going on?
00:41:02 - Stop trying to fix everything, Ray, stop.
00:41:05 - I think he wants you to stop pretending to be his mom.
00:41:10 - Yeah, we're all set. - I need your waffles.
00:41:12 - How'd you wanna make it?
00:41:13 - I'm just trying to help, okay?
00:41:15 - Yeah, well, I don't need your help.
00:41:18 We're not kids anymore.
00:41:20 I don't need you to swoop in and save the day.
00:41:22 - So, what am I doing here?
00:41:26 - I was kinda wondering the same thing.
00:41:28 Look, besides Jada,
00:41:38 you, Pops, are the only family I have left.
00:41:42 And if anything was to happen to you two
00:41:44 because of the Chavon business,
00:41:46 no, that's not gonna happen
00:41:49 if you keep on insisting being my protector.
00:41:52 So why don't you let me help you for once?
00:41:56 Go home, Ray.
00:41:59 - How you meant to that?
00:42:03 Have you need me to call you an Uber?
00:42:06 (phone ringing)
00:42:09 - Yeah.
00:42:13 Who is this?
00:42:17 - You cost Mr. Rooker a lot of money tonight
00:42:20 and took something from him.
00:42:21 - Oh, tell your boss to fuck off.
00:42:23 We didn't take anything from his geriatric ass.
00:42:25 We've been in the sea all fucking day.
00:42:26 - You should not have interfered
00:42:28 with Mr. Rooker's business.
00:42:30 He valued those girls very much.
00:42:32 And since you took that away from him,
00:42:34 he will now take something away from you
00:42:37 that's your value.
00:42:38 - Where's Jada?
00:42:40 - Call Pops.
00:42:42 - I'm gonna call him.
00:42:43 (dramatic music)
00:42:46 - We gotta go.
00:42:51 (dramatic music)
00:42:56 - Damn it!
00:43:05 - All right, come on, let's go, let's go.
00:43:06 - I'm fucking going, am I not?
00:43:07 What use is it if we speed and we get pulled over?
00:43:09 Then we're not gonna get there.
00:43:11 (dramatic music)
00:43:14 (laughing)
00:43:25 - Hey, get back in the car.
00:43:27 - I'm on a job at my father's house.
00:43:29 - Hey, get back in the car.
00:43:30 - Hey, fuck you, man, we're going to the house.
00:43:32 - Hey, hey.
00:43:33 Hey.
00:43:34 - Fuck.
00:43:35 - What the fuck?
00:43:36 (grunting)
00:43:38 - Hey, get back in the car.
00:43:40 - Hey, hey, hey, hey, hey, don't you fucking touch him.
00:43:43 Hey, don't I know you?
00:43:44 - No, I don't think you do.
00:43:45 - Yeah, I think--
00:43:46 - Get back in the car, take it around, the street's closed.
00:43:49 - Hey, hey, hey, hey, hey, hey.
00:43:51 - This is his door, okay?
00:43:52 - It's his door to hey, relax.
00:43:54 - Relax.
00:43:55 (grunting)
00:43:56 - Hey, hey, hey, hey, hey.
00:43:56 - You need me to move the car, right?
00:43:58 - Hey.
00:43:59 Get the car out of here.
00:44:01 (dramatic music)
00:44:03 Dad.
00:44:06 Dad.
00:44:09 Jesus Christ, what happened?
00:44:13 - We don't know, he hasn't been able to say much.
00:44:15 Looks like a home invasion.
00:44:17 - Dad, you're gonna be okay.
00:44:17 - Beat him up pretty bad.
00:44:19 - They're gonna take care of you, all right?
00:44:21 Where's Jane?
00:44:22 - Yeah, I took her.
00:44:24 Masks, devil masks.
00:44:27 I tried.
00:44:29 I tried.
00:44:30 - I'm sorry, Greg.
00:44:32 - Hey, pops, hey, pops, I know you did.
00:44:35 I know you did.
00:44:36 - Greg.
00:44:39 - Yeah, Dad.
00:44:40 - That means, no matter what, family, right?
00:44:44 No matter what.
00:44:49 (gasping)
00:44:52 - Dad, Dad.
00:44:53 What's happening?
00:44:56 - We gotta go.
00:44:57 - Please, just let us go, Greg.
00:45:00 (grunting)
00:45:02 - Fuck, things are getting out of hand.
00:45:04 Where's Jane?
00:45:06 - Look, her eyes are up.
00:45:07 - Shit.
00:45:08 Do you remember when your father was getting annoyed
00:45:11 because cops kept flipping over the rocker
00:45:13 because he was paying them more?
00:45:14 - Yeah.
00:45:16 - See that guy?
00:45:18 He's one of them.
00:45:20 - Are you sure?
00:45:21 - I'm fucking positive.
00:45:22 I told you I recognized him.
00:45:24 We went round all of their homes, one by one,
00:45:26 and trust me, he's got a fucking hot wife.
00:45:29 You wanna find Rocco, I say we start following break rooms.
00:45:32 - Let's go.
00:45:35 - Hey, where you going?
00:45:39 - Stay with Pops.
00:45:41 He needs you.
00:45:41 - I don't.
00:45:44 (door closing)
00:45:56 (gun cocking)
00:45:59 - So what do you wanna do?
00:46:02 - Follow him.
00:46:02 - Yes, boss.
00:46:26 - He needs you.
00:46:27 - Dad, he's a grown man.
00:46:28 You need me.
00:46:29 - No.
00:46:30 I need Jane.
00:46:32 Try to find her.
00:46:36 - Dad, dad, cut it out, all right?
00:46:39 Take it easy.
00:46:40 - Fine.
00:46:41 - Can we hurry up, please?
00:46:47 (sobbing)
00:47:15 - Could this guy be any more of a cliche?
00:47:17 Well, he's a cop in a donut shop.
00:47:21 Like fucking hell.
00:47:22 - All right, let's go.
00:47:25 - We can't pick him up here, mate.
00:47:28 - Sure.
00:47:29 Yeah, let's go.
00:47:31 (engine revving)
00:47:34 - Hey.
00:47:53 Get in.
00:47:54 Now.
00:47:57 - Shit.
00:47:58 (door closing)
00:48:01 - Good boy.
00:48:06 Come on.
00:48:27 Come on.
00:48:28 - I know you know who we are.
00:48:33 We know you are.
00:48:38 More important than we know you work for.
00:48:40 - I work for the city of Los Angeles.
00:48:43 (thudding)
00:48:44 (groaning)
00:48:46 - I'm a fucking police officer, are you crazy?
00:48:49 - Hey, hey, hey, hey, mind your manners.
00:48:52 (sighing)
00:48:54 - Where's my daughter?
00:48:58 - Daughter?
00:48:59 Who the?
00:49:00 (groaning)
00:49:02 - Are you all right?
00:49:04 - It hurts.
00:49:05 (mumbling)
00:49:08 - Hey, do not talk unless you're answering
00:49:11 some of his questions, you stupid cunt.
00:49:13 Now stay down.
00:49:14 For fuck's sake.
00:49:16 (sighing)
00:49:18 - You know, you're right.
00:49:22 I should be in the hospital.
00:49:25 'Cause I was shot.
00:49:26 The same day my father was killed.
00:49:29 And now my daughter's been kidnapped.
00:49:32 Good friend's house of mine.
00:49:34 So I need you to listen to me very closely.
00:49:39 Closely.
00:49:42 'Cause there's no scenario where you get back
00:49:44 into your squad car without telling me
00:49:45 where my daughter is.
00:49:46 And I know who you work for.
00:49:50 And guess what, you used to work for us.
00:49:52 So, imagine all the ungodly shit
00:49:55 that we could pull up on you.
00:49:58 Do not turn over both families.
00:50:00 - Why go to the trouble, boss?
00:50:01 I say we just fucking pop him right here.
00:50:03 And then we drive to that house of his.
00:50:06 And we cap his kid, and we murder his fucking wife.
00:50:08 That's after, of course, I've got to do
00:50:10 some unspeakable things to me.
00:50:12 Hey, don't fucking look at me.
00:50:14 Answer his fucking questions, hmm?
00:50:16 Where's my daughter?
00:50:19 (dramatic music)
00:50:21 (sighs)
00:50:31 (door creaking)
00:50:43 (footsteps)
00:50:45 - Stand up.
00:50:54 Come here.
00:50:57 Come!
00:51:01 (camera clicking)
00:51:04 (camera clicking)
00:51:22 (camera clicking)
00:51:24 Smile.
00:51:25 (camera clicking)
00:51:30 (door creaking)
00:51:33 I want to go home.
00:51:37 (laughing)
00:51:59 (door creaking)
00:52:02 I want to go home.
00:52:17 Let me go.
00:52:18 Let me go home.
00:52:22 Please.
00:52:28 Let me go.
00:52:28 Stop.
00:52:42 You're crying, you're not thinking.
00:52:45 What would grandpa do?
00:52:51 What would dad do?
00:52:54 (dramatic music)
00:52:57 (door creaking)
00:53:01 (footsteps)
00:53:03 (door creaking)
00:53:28 (footsteps)
00:53:30 - Thanks for that too, Grandma.
00:53:35 (phone ringing)
00:53:40 - Yeah?
00:53:45 - Hey, I need you to run a trace on a call, all right?
00:53:49 Let me know as soon as you have a location.
00:53:51 Number is 973-415-9604.
00:53:56 - Okay, no worries.
00:53:58 Hey, Ray.
00:53:59 Everything okay?
00:54:01 - Hey, I gotta go, all right?
00:54:04 Call my girl, clean house, I'll talk to you.
00:54:05 - All right.
00:54:06 - Hey, hey, hey, hey, pops.
00:54:14 Take it easy, all right?
00:54:15 Take it easy, you want some water?
00:54:18 Take it easy, all right?
00:54:23 - Jada.
00:54:26 - Okay.
00:54:27 - No, I don't know.
00:54:28 Grant is out there looking for her, all right?
00:54:34 What, hey, hey, what is it, what is it?
00:54:38 Hey, stop, stop, you're gonna hurt yourself, all right?
00:54:40 Stop.
00:54:41 - No.
00:54:41 You go help your brother.
00:54:45 - No, what?
00:54:48 No, no, Grant will find her.
00:54:51 - You, you.
00:54:52 You.
00:54:53 I'm so proud of you, Ray.
00:55:08 - I know you are.
00:55:12 I know you are, Dad, I'm proud of you too.
00:55:16 Pops.
00:55:18 Pops.
00:55:21 No, no, no.
00:55:22 Pops.
00:55:26 No, come on, please don't do this.
00:55:29 Pops.
00:55:30 - We need you to leave now.
00:55:31 - What is happening?
00:55:31 - Outside now.
00:55:32 - But I'm his son.
00:55:34 - We're gonna do everything we can, son.
00:55:37 (dramatic music)
00:55:40 (screaming)
00:55:58 - Hey!
00:55:59 - Hey, let me go, my dad's gonna kill me!
00:56:06 - Don't make me hurt you, kid.
00:56:08 My boss will kill me for my diamonds and goods.
00:56:10 Or we'll find the flyer.
00:56:12 If you try and leave again, you're gonna get hurt.
00:56:20 Don't push your luck.
00:56:21 - Don't push yours.
00:56:22 - Stay!
00:56:23 Or.
00:56:25 (dramatic music)
00:56:33 (crying)
00:56:35 (dramatic music)
00:56:37 (dramatic music)
00:56:40 (dramatic music)
00:56:43 (dramatic music)
00:56:46 (dramatic music)
00:56:49 (dramatic music)
00:56:51 (dramatic music)
00:56:54 (dramatic music)
00:56:57 (dramatic music)
00:57:00 (dramatic music)
00:57:02 (dramatic music)
00:57:05 (dramatic music)
00:57:12 (crying)
00:57:19 (dramatic music)
00:57:22 (crying)
00:57:32 (dramatic music)
00:57:34 (alarm beeping)
00:57:58 - You got something for me?
00:58:01 - Something you need to tell me?
00:58:04 - I'm just taking care of some family business.
00:58:06 - What kind of family business requires you
00:58:07 to use agency resources to trace a phone?
00:58:10 - The important kind.
00:58:12 - You think I don't already know what's going on?
00:58:16 - Then you know what I have to do.
00:58:18 - I know what you think you have to do.
00:58:20 But this is not the way, Ray.
00:58:21 I need you to stand down.
00:58:22 - Not gonna happen.
00:58:24 - The last thing we need is for your face
00:58:27 to be plastered all over the news,
00:58:29 being associated with a local turf war
00:58:31 between two crime families.
00:58:31 - Turf?
00:58:33 You think this is about turf?
00:58:35 You think I would be involved if this was about turf?
00:58:37 - Ray.
00:58:38 - Listen. - I gotta go.
00:58:40 - This is not a request.
00:58:41 I'm ordering you to stand down.
00:58:44 - I can't stop you from here.
00:58:46 Ordering you to steer clear of your friend's drama?
00:58:49 - It's all I can do.
00:58:50 What you do next is completely up to you.
00:58:52 And the consequences are yours and yours alone.
00:58:55 You understand what I'm saying?
00:58:56 - Yeah.
00:58:57 You're telling me to choose between my job and my family.
00:59:00 - I'm asking you to decide where your loyalty lies
00:59:04 and proceed accordingly.
00:59:06 Message received.
00:59:15 - Ray?
00:59:21 - Yes?
00:59:23 - Get in.
00:59:24 (dramatic music)
00:59:27 - Okay, Ray.
00:59:39 We're headed to the storage place on Roosevelt, right?
00:59:42 - That's right.
00:59:43 - Got it.
00:59:44 Oh, and I'm Candy, by the way.
00:59:46 - Got it.
00:59:47 - All righty.
00:59:48 - Did you run a trace on that number he gave you?
00:59:53 - No, sir, not yet.
00:59:54 - Don't.
00:59:56 Where's my daughter?
01:00:07 - Fuck.
01:00:10 You!
01:00:11 (coughing)
01:00:13 - Boss, are you sure you don't want me to take over?
01:00:17 Or do you at least want a donut?
01:00:19 I'll give you like a sugar boost.
01:00:21 - No, it's my daughter.
01:00:22 It's my pain.
01:00:23 - Well, they're good, then.
01:00:25 - I could do this all night.
01:00:26 This one.
01:00:30 This one's for the pops.
01:00:32 (thudding)
01:00:33 (groaning)
01:00:35 - Where is he?
01:00:39 (groaning)
01:00:44 (panting)
01:00:46 - If she's lucky,
01:00:54 she's on her way
01:00:59 to a cartel leader's house in Mexico.
01:01:07 There's some big mansion
01:01:12 where she could be really well taken care of.
01:01:15 If,
01:01:18 if she plays nice,
01:01:21 if--
01:01:25 (gun firing)
01:01:26 (groaning)
01:01:29 - You gonna stick to that story?
01:01:31 You sticking to that story?
01:01:32 - Where's my daughter?
01:01:34 (groaning)
01:01:35 (gun firing)
01:01:38 (groaning)
01:01:41 - Are you done?
01:01:42 Yeah?
01:01:45 You sure?
01:01:47 - Look, Kirk keeps all his girls
01:01:57 in the old Westfield warehouse
01:01:59 while he waits for Myers.
01:02:01 That's, that's where they'll have her
01:02:04 if they haven't sold her already.
01:02:07 If they haven't sold her already.
01:02:10 - They would've pretty good, I bet they haven't.
01:02:12 - Please, please, I have a family too, man.
01:02:15 - You think I give a fuck about that?
01:02:16 - I have a family too.
01:02:18 - Leave him.
01:02:24 - What, what do you mean leave him?
01:02:29 We gotta fucking do him, haven't we?
01:02:31 - What's he gonna do, tell the truth?
01:02:34 Yeah, he's not gonna see it inside the prison.
01:02:39 - You hear that, buddy boy?
01:02:40 You might not believe this, but this was our lucky day.
01:02:43 Good luck explaining all this shit.
01:02:46 (dramatic music)
01:02:52 (dramatic music)
01:02:55 (dramatic music)
01:02:57 (dramatic music)
01:03:00 (gun cocks)
01:03:27 (dramatic music)
01:03:30 (dramatic music)
01:03:32 (car horn honks)
01:03:40 (sobs)
01:03:45 (sobs)
01:03:52 (car engine rumbles)
01:03:55 - How do you wanna do this?
01:04:05 - We can't go in there guns blazing until Njada's safe.
01:04:08 - All right, then we go in quietly,
01:04:11 get the lay of the land, and then we go guns blazing.
01:04:14 - Njada's safe, you can shoot anybody you want.
01:04:18 Kill everybody if you want.
01:04:19 - As long as we secure Njada first.
01:04:22 - Yeah, I know.
01:04:23 Come on, let's do this.
01:04:24 (gun cocks)
01:04:27 - Shit.
01:04:34 - Are you okay, Ray?
01:04:42 'Cause you look like, I mean, I can smell the negativity
01:04:47 coming up off your face.
01:04:48 - I don't smell negativity coming up off you
01:04:50 like cheap cologne.
01:04:51 Which is funny because your actual cologne is nice.
01:04:55 - I'm fine.
01:04:56 - Are you sure?
01:04:57 Because I'm a really good listener.
01:04:58 You know, dropping people around is just my side gig.
01:05:00 I'm actually a licensed therapist.
01:05:02 - Thank you, I'm fine.
01:05:04 - If you say so.
01:05:05 But that negative energy needs to be dealt with
01:05:08 'cause I don't have any sage in the car today.
01:05:09 - Ma'am, I heard you the first time.
01:05:13 (phone rings)
01:05:18 - Hey, it's me.
01:05:19 I tracked down that number for you.
01:05:23 - A Doss?
01:05:25 - Doss was a great agent a long time ago.
01:05:27 But now he sits behind a desk
01:05:30 and he's forgotten what it feels like.
01:05:31 - What feels like?
01:05:32 - The need to right a wrong, to fix what needs to be fixed.
01:05:35 And you, you're the best I've ever seen up close at doing that.
01:05:38 So, if you ask for help, I know it's for a good reason.
01:05:46 The phone is at 2315 Lansing Drive.
01:05:50 - You got it.
01:05:50 I owe you a beer when I get back.
01:05:53 - And an apology.
01:05:55 - That too.
01:05:57 - Hey, Ray, do me a favor, yeah?
01:06:01 Try not to get killed.
01:06:03 I don't wanna be the one to explain that to Doss.
01:06:06 - I got it, buddy.
01:06:10 Thanks.
01:06:16 - Change of plans.
01:06:17 Take me to 2315 Lansing Drive.
01:06:20 - He's coming.
01:06:31 - Right, I'm going!
01:06:41 (panting)
01:06:43 - Take it easy.
01:06:49 - I'd like to apologize for what I--
01:06:52 - Don't say it!
01:06:54 You say my father's name, I'm gonna come over this table.
01:06:57 I'm gonna fucking kill you.
01:06:58 - I had great respect for your father.
01:07:02 It's just a shame that his stubbornness
01:07:04 and lack of foresight would not allow us
01:07:07 to come to an arrangement.
01:07:08 - For what?
01:07:09 For your sex trafficking in our city?
01:07:12 And we told you not to do that.
01:07:13 We don't do that in our city.
01:07:15 You did it anyway.
01:07:16 So don't sit there and act like you didn't know
01:07:18 that this would come to a head.
01:07:20 You knew.
01:07:21 And you knew when we found out that there would be blood.
01:07:24 - But not ours.
01:07:25 - Look, it could be arranged, mate.
01:07:26 Why don't we just talk?
01:07:27 Take your fucking hands off me
01:07:29 or you're never gonna get 'em back.
01:07:31 Hey, hey!
01:07:32 - Hey, what are you doing?
01:07:33 Hey, where are you taking him?
01:07:34 - Answer me!
01:07:37 - Carmine Chavonne was a good man.
01:07:39 - I told you not to say his fucking name.
01:07:41 - He's gone now.
01:07:42 His demise has created a void in leadership.
01:07:47 I'd like to propose a more friendlier way
01:07:57 of solving our problem.
01:07:59 It would be beneficial for all of us.
01:08:02 - Fuck you.
01:08:06 - Think about your daughter.
01:08:07 Is this a good place to be raising a child?
01:08:13 You hand over your father's business to me
01:08:18 and I personally will make sure that you
01:08:21 and your daughter are well taken care of.
01:08:24 (laughing)
01:08:26 - You think 'cause you got us in here
01:08:28 and you took away our guns,
01:08:30 you think I'm gonna give you my father's legacy?
01:08:33 - Yes, I do.
01:08:35 (dramatic music)
01:08:37 - Are you sure this is where you wanna be?
01:08:45 - This is exactly where I wanna be.
01:08:48 - If you say so.
01:08:51 But you don't have nobody tied up in there, do you?
01:08:54 Nevermind, don't answer that.
01:08:56 We don't take cash.
01:09:02 - What do you do tonight?
01:09:04 - Take it easy, Ray.
01:09:05 (dramatic music)
01:09:08 (gun firing)
01:09:11 (dramatic music)
01:09:13 (gun firing)
01:09:16 (dramatic music)
01:09:19 (dramatic music)
01:09:21 (grunting)
01:09:46 (dramatic music)
01:09:49 - It's your bullet that killed my father.
01:10:12 I'm looking forward to killing you.
01:10:16 - There is an old Japanese proverb.
01:10:19 (speaking in foreign language)
01:10:22 It means, he who seeks only vengeance,
01:10:26 finds only suffering.
01:10:27 - That's nice.
01:10:29 I'm gonna have to remember that.
01:10:29 You know what?
01:10:31 There's an old Italian saying on my block road.
01:10:34 It means fuck you.
01:10:34 (grunting)
01:10:37 (grunting)
01:10:43 (dramatic music)
01:10:45 - Hey.
01:11:07 You wanna stop whispering like fucking school girls
01:11:10 and tell me when I'm gonna get out of here?
01:11:12 Otherwise I'm gonna have to kick somebody's ass.
01:11:15 You know I want that.
01:11:17 Believe me.
01:11:18 All right.
01:11:24 That's it.
01:11:25 (thudding)
01:11:27 (grunting)
01:11:29 What the fuck took you so long?
01:11:41 - You're welcome.
01:11:42 - You had a gun the whole time.
01:11:44 - I had two.
01:11:45 - You had two guns this whole fucking time.
01:11:48 You didn't think they'd be useful at any point.
01:11:50 - Where's Grant?
01:11:51 - He's in the packaging area, okay?
01:11:53 Which is Rooker's weird ass office.
01:11:54 There's a lot of people between here and there.
01:11:56 - Okay.
01:11:57 Well what about Jada?
01:11:58 - I don't know.
01:11:59 They jumped us before we got too far in,
01:12:00 but she's in the building somewhere.
01:12:02 - Okay.
01:12:03 I'll bring you Grant.
01:12:05 You find Jada, bring her to the packaging area.
01:12:07 Think you can handle it?
01:12:09 - What's that supposed to mean?
01:12:10 Yeah, I can handle it.
01:12:11 I could've handled this, didn't I?
01:12:12 And why don't you go and get Jada?
01:12:13 Wouldn't she much rather see Uncle Ray Ray
01:12:15 before she sees me?
01:12:16 - We're doing this my way.
01:12:18 All right?
01:12:19 Get Jada, bring her here.
01:12:21 Got it?
01:12:22 - Listen, you're not in charge.
01:12:23 I happen to agree with the plan, but...
01:12:25 He's gone.
01:12:26 All right, he's gone.
01:12:27 All right, ease your stealth.
01:12:29 (guns firing)
01:12:32 - Fuck, that's loud.
01:12:34 (tense music)
01:12:37 (thudding)
01:12:39 (grunting)
01:12:41 (guns firing)
01:12:47 (guns firing)
01:12:53 (grunting)
01:13:06 (thudding)
01:13:08 - Is that your cavalry I hear?
01:13:23 Whoever it is, they better be bringing a lot of ammo.
01:13:27 - There isn't anyone else.
01:13:29 - We know you have that cop, Ray Rose.
01:13:32 We know all about him.
01:13:34 Look, he's even on time.
01:13:37 (guns firing)
01:13:39 (grunting)
01:13:42 (thudding)
01:13:44 (grunting)
01:13:46 (guns firing)
01:13:49 (guns firing)
01:13:54 (glass shattering)
01:13:58 (tense music)
01:14:01 (guns firing)
01:14:03 - Just say what we asked you to say on the camera.
01:14:18 Then we can all go home.
01:14:20 Look, I know you didn't like your father's business.
01:14:25 You only went to work for him after your wife died.
01:14:29 And you were looking for something
01:14:30 to fill your empty, useless life.
01:14:33 Am I right?
01:14:34 - Don't you talk about my wife.
01:14:36 - You just don't get the dynamic, do you?
01:14:41 You're in no position to give me orders.
01:14:45 (thudding)
01:14:52 (tense music)
01:14:58 (guns firing)
01:15:01 - We can put a stop to this long evening you're having.
01:15:04 And I'm sure that your daughter is ready to go home.
01:15:07 - Where is she?
01:15:10 (grunting)
01:15:12 - Get away from him.
01:15:14 - Try to get out there.
01:15:19 - What about her?
01:15:21 (guns firing)
01:15:23 (grunting)
01:15:25 (grunting)
01:15:28 - Down on your knees.
01:15:31 - You must be the best friend.
01:15:33 - I said get your ass down on your knees.
01:15:35 - My sources tell me that you're a DEA agent.
01:15:42 Is that correct?
01:15:43 - This is not talk time.
01:15:44 This is shut the fuck up time.
01:15:46 - May I ask you a question?
01:15:48 You here on official DEA business,
01:15:51 or is this just some kind of personal fucking--
01:15:53 - Keep talking, asshole.
01:15:55 Keep talking.
01:15:56 Grant, I'm about to get up, we gotta go.
01:16:01 - I think your friend might need some medical assistance.
01:16:04 You know, after the night you've had,
01:16:07 don't think you'd wanna go back to that hospital.
01:16:10 Oh, by the way, how's your father?
01:16:13 - Don't test me, Rooker.
01:16:14 - No.
01:16:16 Nobody kills him but me.
01:16:18 No one else is dying tonight.
01:16:20 (laughing)
01:16:25 (sighing)
01:16:27 (gun clicking)
01:16:34 - You sure about this?
01:16:49 (grunting)
01:16:54 - Hey!
01:16:55 - What is it?
01:16:56 Shoot him.
01:16:57 - I don't want to.
01:16:59 - Shoot him!
01:17:00 He's gonna take that gun off you,
01:17:01 and he's gonna shoot me,
01:17:02 and then he's probably gonna shoot you.
01:17:04 Shoot him!
01:17:05 - Stay back.
01:17:06 - All right, little girl.
01:17:07 Give me the gun.
01:17:08 - Don't listen to him.
01:17:09 - Now join.
01:17:10 - Jenna, he's gonna kill me, kill you,
01:17:12 and then kill your father.
01:17:13 Just give me the fucking gun!
01:17:14 - Shoot him!
01:17:15 - Please, mister, stop walking.
01:17:17 This gun is no use to you.
01:17:19 - Shoot him!
01:17:20 (grunting)
01:17:22 (gun firing)
01:17:25 (laughing)
01:17:29 - I win.
01:17:30 - I told you that that gun was no use to you.
01:17:38 - You little shit.
01:17:39 (grunting)
01:17:41 - Fuck.
01:17:43 - Your father should not be showing you
01:17:44 how to use guns at your age.
01:17:45 - I didn't learn it from Daddy, doofus.
01:17:48 I, uh, did it on the spring.
01:17:50 - You're all right.
01:17:53 Come on, let's get out of here.
01:17:54 I need those bullets.
01:17:58 (grunting)
01:18:01 (dramatic music)
01:18:04 (dramatic music)
01:18:08 (grunting)
01:18:10 (grunting)
01:18:22 (grunting)
01:18:35 (dramatic music)
01:18:37 (grunting)
01:18:43 (grunting)
01:18:59 (dramatic music)
01:19:01 - Hey, hey, hey.
01:19:20 Don't you fucking move.
01:19:22 (grunting)
01:19:23 (laughing)
01:19:24 - So, I guess this is where you--
01:19:27 (gun firing)
01:19:30 - No!
01:19:30 No!
01:19:33 No!
01:19:40 - Daddy?
01:19:45 (dramatic music)
01:19:48 (sobbing)
01:19:51 (sobbing)
01:19:53 (dramatic music)
01:20:03 (sobbing)
01:20:19 - Hey, hey, J-Bird.
01:20:21 - Ray Ray.
01:20:24 - I bet you weren't even scared, huh?
01:20:30 - Not a bit.
01:20:31 I miss Pops.
01:20:48 - I hope you know your old man would be very proud of you.
01:20:52 - Yeah, well, enjoy it while you can.
01:20:54 'Cause we got a lot of questions
01:20:55 we're gonna have to answer.
01:20:56 - Question?
01:20:57 What questions are you talking about?
01:20:59 Oh, I know he's not talking about
01:21:00 calling the fucking cops again, is he?
01:21:02 - Yeah, Vincent.
01:21:03 I think he is.
01:21:06 - Are you serious?
01:21:08 You still wanna play Boy Scout?
01:21:10 After everything that's fucking happened here?
01:21:12 There are so many dead bodies in this building,
01:21:13 lots of which you dropped.
01:21:15 Or did you forget that?
01:21:16 - I told you.
01:21:18 We're doing this my way.
01:21:20 - You sure about that, big man?
01:21:22 Huh?
01:21:23 - Vincent.
01:21:23 Hey.
01:21:26 It's over.
01:21:29 - It doesn't have to be.
01:21:39 (screaming)
01:21:43 (thudding)
01:21:45 - You see?
01:21:49 You fucking need someone like me.
01:21:51 That's what happens when you don't finish a job.
01:21:53 - Can we go home now?
01:21:55 - Yeah, baby.
01:21:59 We can go home.
01:22:01 - Look, all you guys go.
01:22:04 I'm gonna stay and clean some of this shit up.
01:22:07 I don't know about you, but after this,
01:22:09 I'm gonna sleep like a fucking log.
01:22:11 - Not me.
01:22:12 I'm gonna have nightmares about tabloids
01:22:14 for the rest of my life.
01:22:16 - Oh, those stupid masks?
01:22:18 Don't worry.
01:22:19 There ain't any of those guys around anymore.
01:22:22 - What did you say?
01:22:25 - I thought that the masks weren't so scary.
01:22:29 - Yeah, how did you know?
01:22:30 - Shit.
01:22:31 I shouldn't have said that, should I?
01:22:34 - You weren't there when Pop told us that.
01:22:37 - Hold on, the cop told me.
01:22:39 The cop told me about the guys in the masks.
01:22:41 - Gene, we were there.
01:22:42 - The cops didn't say anything about the masks.
01:22:44 - They did, he told us about the guys in the masks.
01:22:45 - They didn't say anything about masks!
01:22:48 Let me explain, Gene.
01:22:50 Come on.
01:22:51 - You were the only person I knew at the hospital I was in.
01:22:53 Were you a part of this the whole time?
01:22:59 - They killed my father!
01:23:02 And they took my daughter from me, Vincent.
01:23:06 - Son of a bitch.
01:23:08 You told Rooker Jane it was with Pops.
01:23:11 Didn't you?
01:23:13 - Why?
01:23:14 - We treated you like family.
01:23:15 - Like family?
01:23:17 Like family?
01:23:18 You treated me like a family pet.
01:23:20 Let me tell you something, G.
01:23:21 You and your father didn't give a shit about me.
01:23:24 The only reason I was here was because I had no bloodlines.
01:23:28 You know one thing that Rooker had
01:23:30 that your old man didn't?
01:23:31 He paid.
01:23:32 He paid more.
01:23:34 That's how you lost everyone!
01:23:36 And you know what?
01:23:38 He was gonna give me status and power.
01:23:40 I was gonna run this whole trafficking thing!
01:23:42 Me!
01:23:43 Which would have been a lot better
01:23:44 than being your fucking chauffeur
01:23:46 for the rest of my life!
01:23:48 You're a piece of shit.
01:23:49 You know what?
01:23:51 I actually understand why you feel like that.
01:23:52 But then you're a cop, so who gives a fuck?
01:23:55 But me and you, G, we were close.
01:23:58 I fucked it up!
01:24:00 I was like, shit!
01:24:03 But it's okay, because the only person
01:24:05 that really sucks for is you guys.
01:24:08 - No!
01:24:10 - Daddy!
01:24:11 Daddy, no!
01:24:14 No, please don't die!
01:24:14 - And for what?
01:24:15 For goody two-shoes here?
01:24:17 Who was gonna turn us all in at the end?
01:24:19 Well, I got some good news for you, G.
01:24:20 I don't kill kids, but you know what?
01:24:22 I think she's gonna end up an orphan anyway.
01:24:24 - Daddy, no.
01:24:25 No, please don't die.
01:24:26 - And you, you fucking pig-cunt.
01:24:28 You, I'm gonna enjoy this.
01:24:30 Shit.
01:24:38 (grunting)
01:24:40 - Daddy, Daddy, please be okay.
01:24:59 - I'll be okay, baby.
01:25:05 - You're lying.
01:25:07 - I don't wanna leave you.
01:25:09 I never wanted to leave you.
01:25:11 - You're gonna have to go now.
01:25:18 But you're gonna be fine, don't worry.
01:25:21 She's gonna be fine with you, G-bird.
01:25:24 - She's gonna be fine.
01:25:26 - What?
01:25:33 Why'd you do that?
01:25:34 - I didn't have to do that.
01:25:36 - Why?
01:25:37 - That bullhead might name-line.
01:25:39 - So you care about other people.
01:25:41 - I'm not other people, asshole.
01:25:44 I'm your brother.
01:25:48 You've been saving my life since I was a kid.
01:25:59 It's my turn.
01:26:02 It's my turn to protect you.
01:26:05 I think I beat you to it.
01:26:09 But I sure did beat you to it.
01:26:14 (dramatic music)
01:26:27 (crying)
01:26:29 - So, what happens now?
01:26:53 - What happens now?
01:26:55 - I don't know.
01:26:59 But nothing bad is ever gonna happen to you.
01:27:06 - You sound like Daddy.
01:27:08 - Your dad wanted to make sure you're safe, okay?
01:27:20 - I'm not gonna let him do that.
01:27:23 - I'm not gonna let him do that.
01:27:26 - I'm not gonna let him do that.
01:27:28 - I'm not gonna let him do that.
01:27:31 - I'm not gonna let him do that.
01:27:34 - I'm not gonna let him do that.
01:27:37 - I'm not gonna let him do that.
01:27:39 - I'm not gonna let him do that.
01:27:42 - I'm not gonna let him do that.
01:27:45 - I'm not gonna let him do that.
01:27:48 (dramatic music)
01:27:50 (dramatic music)
01:27:53 (dramatic music)
01:27:56 (dramatic music)
01:27:59 (dramatic music)
01:28:02 (dramatic music)
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01:28:44 (dramatic music)
01:28:47 (dramatic music)
01:28:50 (dramatic music)
01:28:53 (dramatic music)
01:28:56 (woman humming)
01:29:21 (dramatic music)
01:29:24 (woman humming)
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01:29:29 (woman humming)
01:29:32 (dramatic music)
01:29:35 (woman humming)
01:29:38 (dramatic music)
01:29:40 (woman humming)
01:29:43 (woman vocalizing)
01:30:06 (dramatic music)
01:30:09 (woman vocalizing)
01:30:13 (woman vocalizing)
01:30:20 (woman vocalizing)
01:30:25 (dramatic music)
01:30:33 (woman vocalizing)
01:30:36 (woman vocalizing)
01:30:43 (woman vocalizing)
01:30:48 (music fades)
01:30:51 [BLANK_AUDIO]