• 10 months ago
Transcript
00:00 [Music]
00:13 Ladies' Paradise
00:15 What do you think?
00:19 Becando it?
00:21 What does it mean?
00:22 We can do it
00:23 With that turban on? I don't think so
00:25 It means we can be in a world of men if we pay homage to the women who fight every day
00:31 I understand that we have to motivate ourselves because it's a party and we're here
00:34 But not everyone likes to work
00:36 It's called "We can do it"
00:37 Why didn't you stay at home then?
00:39 The man with you has been clear, we were not forced to come
00:43 It would have been fatal to stay at home, I care about my job
00:47 Then honor it, without controversy
00:49 Well, I think it's all
00:52 The display is full
00:54 Yes, but there are two more boxes inside, mainly of scarves and gloves
00:57 We'll get them out, you'll see
00:59 Who wouldn't feel lucky to have all these gifts?
01:06 Well, but today is not a day like any other
01:10 Better than Rosie's turban or whatever it's called
01:15 Come here
01:16 Ladies, good morning
01:19 Good morning
01:21 This is the spirit, take it
01:23 A happy and carefree day of celebration
01:25 Thank you
01:27 No, thank you
01:29 Good morning, girls
01:32 Good morning
01:34 A detail for all
01:36 Are you a gentleman?
01:39 Naturally, the management will give you a gift, but I was ahead
01:43 Thank you
01:44 Liar
01:45 Two gentlemen are fighting for us
01:47 We did well to come
01:49 Thank you
01:50 Thank you
01:51 And Nicoleta?
01:56 In her condition, she would be tired of standing for so many hours
02:01 She's at my house, trying on a dress
02:04 Thank you
02:06 Excuse me, Ricardo, do you have a minute?
02:09 I have something to tell you
02:10 Let's go
02:11 We protect the workers!
02:19 More rights for all!
02:25 Good morning, girls
02:26 Good morning
02:27 How pretty, can I try it on?
02:31 Of course
02:32 It's a tribute to the ladies' paradise for May 1st
02:35 A tribute?
02:36 It's to honour the workers
02:38 Look at this, it's perfect for the dress I bought for Franca
02:42 But is it really a gift? Even the gloves?
02:46 Yes, tell your friends and colleagues
02:49 Yes, we'll tell them, I'll take this one
02:52 Of course, please
02:53 I'll take the scarf
02:54 Happy May 1st, girls
02:56 Thank you
02:57 We'll take this to the parade
03:01 Thank you
03:02 Happy May 1st
03:06 Happy May 1st
03:12 Go on, go on
03:14 I don't understand, is it May 1st?
03:17 Is the lily the symbol of May 1st?
03:19 It's no use
03:20 Ricardo, sit down
03:22 I don't think it's wise to go to Mrs Amato's house and bring flowers to Nicoleta
03:31 I've bought her a gift
03:33 You're going to make her suffer again
03:36 Yesterday when I spoke to her she was different, she was... receptive
03:40 That's because she's a good girl, polite, and that's what you were until a few days ago
03:45 I invite you to keep doing it
03:47 I want to fight until the end
03:49 Look, Ricardo, I know it's a huge sacrifice for you to give up on her
03:54 But now she's found another man who loves her, why do you want to ruin it?
03:58 I don't think Cesare is her first choice
04:00 She told you?
04:03 She didn't, but she did
04:06 Vittorio, I can't let another man raise my son like that, without a single move
04:10 And if Nicoleta doubts that Cesare is not the right man, I must find out
04:14 Even if it means hurting him?
04:16 It won't happen
04:18 Sometimes following your heart doesn't work
04:21 And where would you take your man? Paris, the Eiffel Tower, right?
04:27 Yes, or the bottom of the Seine
04:31 Do you miss her?
04:33 Every minute
04:35 More than Alisa?
04:37 What kind of question is that?
04:39 A question
04:41 Let's see if I understand, would you be able to choose between two so important and different feelings?
04:47 I would do anything to avoid it, but in the end, yes, I would choose
04:52 If love can't set priorities, clarify ideas, what's the point?
04:59 Aren't you becoming too wise? I think I liked you more before
05:05 - Really? - Yes
05:07 Come in, come in, don't stay outside
05:12 Don't worry, no one followed me
05:15 We're alone, my wife left
05:19 Women are always busy, the house, the kids, the shopping
05:23 While husbands save their wives in trouble
05:26 Leave him alone, he has information for me
05:29 That's how things are, I have the information he asked for, but he has to give me 5,000 lire
05:34 First, the information
05:45 He's a lucky man, I have friends, girls who sing him like a bird for a gift
05:52 One of the girls, let's say, doesn't always do it, only from time to time
05:57 She's been with a guy named Tony
05:59 And this Tony is from the smugglers' network?
06:01 He's in deep, he cleans the loot in the villages, he disassembles and assembles jewels, things like that
06:08 - And you contacted him? - I introduced myself
06:11 I bought a few things and I let him borrow money
06:15 He's very ceremonious, he makes me understand that he doesn't need it for now
06:20 But he knows someone, a guy named Oscar
06:24 He told me he's not doing well, he closed a business in Trieste
06:28 And that he recently rented a flat in the center of Milan
06:31 And he spent a fortune on the fiancé
06:33 It's him, it must be him
06:36 And he's in trouble, that's good news
06:39 Good, I've made some money then
06:42 Your house is beautiful, accountant
06:53 And your wife is a great lady
06:56 I left the picture there
06:58 I understand, I know the way
07:02 Wait, we haven't finished talking yet
07:08 I'll pay you double, but I need you to do me another favor
07:11 But it has to be today
07:14 It's a lot of money
07:16 But for a favor to you, I won't go back to jail
07:20 You follow my instructions and you'll see how you don't have any problems
07:34 Can I take another one for my friend? She's there in the square
07:38 No, ma'am, I'm sorry, it's one per person, but if you want I can reserve one for you
07:42 Housewives or housekeepers always try
07:47 What a face
07:49 Irene, enough!
07:50 Sorry
07:52 Good morning
08:02 I couldn't resist
08:04 I can't stop thinking about you
08:07 I've missed you so much
08:09 You have to respect your family's will
08:13 You have to respect me, because if I don't see you, I feel bad
08:17 How are things with your mother?
08:19 Regular
08:21 And your siblings?
08:23 Salvatore is a little more open, more modern, but he's Sicilian
08:29 Antonio is getting married and he's in another world
08:32 He doesn't want to argue with my mother
08:34 With what Sicilian?
08:37 Well, at least he understood that I'm serious
08:41 Yes, but don't get your hopes up
08:44 He's solved the problem with my mother because of Elena and he doesn't want to argue again
08:49 What if I go talk to your mother again?
08:52 It would be your job, your classes, your career
08:57 No, she told me we can't meet under any circumstances
09:02 I'm meeting Nora this afternoon. I'll convince her to sign the divorce
09:10 My mother doesn't care about the divorce
09:13 According to her, marriage only ends with death
09:16 But I'm not doing it for your mother. I want to be free for you
09:20 And you have to see Nora
09:25 If I want to make this story a success, I need her signature
09:28 But don't take too long. I don't like you seeing each other
09:34 I just want to be with you
09:37 This color will look good on you
09:41 Thank you
09:42 Here you go, it's a little tribute
09:46 What a great success, right Miss Pelegrino?
09:52 This initiative has been quickly promoted. It will be good publicity for El Paraíso
09:57 I'm sure
09:58 Lisa
10:04 Excuse me, Miss
10:11 Excuse me
10:13 Excuse me, excuse me
10:16 Excuse me
10:17 Excuse me
10:18 Excuse me
10:40 What's wrong?
10:42 Have you seen her?
10:43 Who?
10:44 Lisa
10:45 No, I haven't seen her
10:47 She was right here
10:48 Are you sure?
10:50 Very sure
10:51 But, she didn't leave Milan?
10:54 She's obviously back
10:55 Like this? Without telling you?
10:57 She looked like her
10:59 Wow, how long have you not heard from her?
11:02 Weeks. Not a letter, not a postcard, nothing
11:06 Hey, why don't you put an ad in the paper asking her to show up?
11:11 Leco de la Sera usually publishes those things
11:14 And does it work?
11:15 It depends. Maybe she doesn't read it directly, but someone who knows her or has seen her could give you useful information
11:21 Mr. Conti, excuse me
11:23 Yes?
11:24 It's almost lunchtime. Shall we go?
11:26 Of course, Miss
11:27 Look, Federico, could you help them put what's missing in the display case?
11:31 Of course
11:32 Thank you. Goodbye
11:33 Girls, we've sorted everything out and we can go
11:35 Can I take this scarf?
11:38 I'm also a worker
11:40 Of course, Miss Cipriani
11:42 Thank you
11:43 You two can take a gift and thank you for being here
11:48 Congratulations
11:50 Thank you, Mr. Conti
11:51 Please, come in
12:08 Thank you
12:11 I recognize this sound
12:13 Strange, because it's a new piece. I've just composed it
12:16 Yes, but that's what you can express when you're really inspired
12:21 I know because I was inspiring you a while ago
12:25 The documents
12:30 So you want to kick me out like I'm a toothbrush saleswoman?
12:37 What about your proverbial courtesy?
12:40 Let's do this. We sign, we toast and then we go on with our lives
12:47 And everything is erased in a blink of an eye
12:51 If it's so easy, why so much hurry?
12:54 What do you want us to do?
12:57 Do you want us to remember the good old days?
13:00 No, I just want a little education
13:03 I don't know, buy me a drink, play for me, accompany me to the piano
13:08 Nora, these documents certify our failure
13:12 And you want to start singing?
13:14 There's nothing in life that hasn't escaped singing
13:17 Music makes everything more tolerable
13:21 Why don't you play your new piece for me?
13:25 Is that the lyrics?
13:27 Yes
13:30 Here, take it as my last whim
13:34 Here, take it as my last whim
13:37 I'm going to bed
13:38 I'm going to bed
13:39 I'm going to bed
13:40 I'm going to bed
13:41 I'm going to bed
13:42 I'm going to bed
13:43 I'm going to bed
13:44 I'm going to bed
13:45 I'm going to bed
13:47 I'm going to bed
13:49 I'm going to bed
13:50 I feel that you're close to me, never leaving me
14:08 Hold me, I can't lose you, you are my life
14:19 Don't ask me to congratulate you, not today
14:27 It's a merit of the melody, it's beautiful
14:31 It's clear that the love for this girl has brought you back to the world
14:37 I must say that I haven't composed like this in a long time, in a simple, natural way
14:41 It's my fault
14:43 I betrayed you and those wounds mark deeply
14:47 I've been an educated person, as you asked me
14:53 Can you be a mature person and do what you've come to do?
14:57 I think I'd hang it in my room
15:03 To remember that work is pleasant
15:04 To remind my mother
15:05 And to let her interfere in my career as a singer
15:07 Being a singer is not a real job
15:10 Excuse me
15:11 Come in
15:12 I'll kill her
15:13 Kill her?
15:14 Where are you?
15:19 Roberta?
15:21 Yes
15:22 We've already collected everything, we're leaving
15:24 Okay, girls, goodbye
15:25 See you tomorrow
15:27 See you tomorrow
15:28 See you tomorrow
15:29 I finish the last, I close and I catch up with you
15:30 Are you coming home?
15:31 I'm going back to my prison
15:32 See you later, girls
15:34 See you later
15:35 This morning I saw you talking to Sandro
15:38 Yes, it was the only time I could breathe
15:42 When I don't see him, I feel like I'm underwater
15:44 If you want to go see him, I can cover you with your mother
15:47 Thank you, but it's not necessary
15:49 At this moment, Sandro is with Nora
15:52 They are signing the divorce papers
15:54 It's great news, aren't you happy?
15:57 About the divorce, yes
15:58 That they are together, no
16:00 I don't trust her
16:02 But you trust Sandro, don't you?
16:04 And you don't think he'll ever break his word?
16:07 Let's go
16:09 I've decided, I want to publish a photo of Lisa and an ad in the newspaper
16:15 You take care of it, you know the echo of the Seraph
16:18 Thank you, but I don't think you need me for this kind of thing
16:21 Some of your words would help me give it more importance
16:24 I'd like it to appear next to the horoscope
16:26 I know Lisa usually reads it
16:28 Okay, I'll try
16:31 Thank you
16:32 I want to find my sister, no matter what
16:34 We'll do it
16:36 Look, Sandro, don't treat me like a rag that I can get rid of in five minutes
16:41 You're a disloyal person
16:43 You wanted to talk to your lawyer and you did it
16:45 You had your excuse, and now?
16:47 I'll write a song about this
16:49 You're still playing games that I don't want to get into
16:52 No, they're not games
16:53 But, well, you keep offending me
16:56 And I'll sign the divorce papers when I'm dead
16:58 But what else do you want?
17:00 What do I have to do to convince you?
17:01 But tell me, what's the point of this divorce?
17:03 You won't get married to Tina
17:05 Don't you see they're a family of closed-door Catholic Sicilians?
17:08 And I have them all against me, thanks to you
17:10 Nothing would have changed
17:12 It's not your business
17:13 Nora, you just have to sign the papers
17:16 I swear if you leave here and don't do it, you'll see my lawyers at the door
17:20 Okay, okay, I'll sign
17:27 But if I'm going to lose the love of my life, at least I want to gain something from it
17:30 I assure you that you've done everything possible
17:33 Let's make a deal
17:44 You get your freedom back
17:47 And in return, you give me the song
17:50 It can be a professional impulse
17:57 If you let me record it, I promise you'll have a peaceful and quiet divorce
18:01 I didn't think you'd go that far
18:06 Come on, Sandro
18:07 You have time to dedicate songs to Tina
18:11 I didn't think a dress for pregnant women could be so elegant
18:19 You see, it even looks comfortable
18:23 Yes, and it will be even more so when Gabriela is done
18:26 I'm sorry I can't wear it
18:28 Well, but after showing it to Mr. Conti, it'll be for you
18:33 It'll be perfect for a dinner with Cesar
18:36 By the way, I haven't seen you these days
18:39 Have you been in the hospital for a long time?
18:41 Yes, quite a while
18:43 And when I'm not working, I take the opportunity to rest
18:46 It must be exhausting, poor thing
18:52 Would you like something cold? There are soft drinks in the fridge
18:54 Yes, please
18:56 I was thinking that the model Gabriela designed would also serve as a wedding dress
19:04 Well, maybe in another fabric, like macramé
19:09 No, macramé is still very rigid
19:13 Maybe silk, what do you think?
19:17 Why not?
19:20 The dinner will be cozy, intimate
19:23 The dress must be simple, but not miserable
19:27 Of course
19:29 Why the long face? Is something wrong?
19:32 No, I'm just tired
19:34 Nicoleta, I have a weak heart
19:43 And if I have to see another marriage fade away, I'd like to know in time
19:49 Yes, mom, you have a weak heart whenever you want
19:52 Have you fought with Chesed?
19:55 No
19:56 Do you still think about Ricardo?
20:00 Maybe he has really changed
20:06 But that's your business, not yours
20:11 Where are you going?
20:15 To my room
20:17 Think about how Chesed looks at you
20:20 Those eyes are not common
20:24 And that look, unlike the rest, doesn't change with the years
20:29 I'm coming
20:33 Yes?
20:39 Hi, it's me
20:40 How are you?
20:44 Fine, thanks, and you?
20:46 Listen, I have something for you
20:48 It's a gift, a detail
20:49 But I wanted to give it to you in person
20:51 Would you like to meet tonight?
20:54 The truth is I'm tired
20:56 I can send you the driver
20:57 It's not a good idea
20:59 Nicoleta, everything is changing in my life and I need to talk to you
21:04 Help me clarify the ideas
21:06 Just five minutes
21:07 Six at most, I promise
21:09 I'll send you the driver
21:11 No need
21:12 What time?
21:14 How about before dinner?
21:15 Okay
21:17 See you later
21:19 Bye
21:20 Who was it?
21:24 Roberta
21:28 The Paradise promotion has gone particularly well
21:33 And Gabriela invited us to the cafeteria to chat for a while
21:38 A coffee with Roberta and the girls?
21:41 That's great
21:42 Yes, yes
21:44 Very good
21:45 Tina, Tina, wait, don't come in
21:51 We're alone, we need to talk
21:52 What do we need to talk about?
21:53 Sandro, have you seen him?
21:55 This morning
21:56 A moment in paradise
21:58 And? Has he divorced or not?
22:00 Not yet
22:02 Let's say Nora has to go sign the papers today
22:06 She's doing it to show my mother that she's serious
22:10 And that she loves me
22:12 When you talk about him you shine like Augusto's stars
22:15 I hope not, they're fleeting
22:16 But they make impossible wishes
22:19 Did you know?
22:20 And you, Tina, need a lot of luck
22:22 Thank you
22:23 Listen, have you talked to my mother?
22:27 Antonio and I have tried, but she doesn't understand, she's very stubborn
22:33 She was so good to you, but in the end you won her over, right?
22:37 Yes, but between Antonio and I there was no marriage before
22:41 Elena, I love Sandro
22:46 With marriage, not with divorce, I don't want to be with him
22:50 And I will be
22:52 With or without my mother's permission
22:56 [Door opens]
22:57 [Door closes]
23:02 Do you think you'll miss him?
23:12 A little
23:14 The job has given me a lot of satisfaction
23:17 I've also forced you to make sacrifices
23:19 Now you can enjoy life
23:22 You can dedicate yourself to your son and you can dedicate yourself to me
23:25 I still don't understand why we haven't brought Carlo with us
23:29 Aren't you happy to be alone with me?
23:32 The cats of Mrs. Corera have excited him so much that I felt sorry to take him
23:38 Besides, I wanted us to spend some time together
23:41 The only thing I care about is the time I spend with my son
23:45 I'm sure you'll get better and love me again like the first day
23:52 [Sighs]
23:53 Excuse me, do you have a lighter?
23:56 Yes
23:57 Here you go
24:00 Nice lighter, congratulations
24:05 Thank you
24:06 A friend has one like that
24:08 Maybe you know him, his name is Tony
24:10 Tony Mahoney
24:11 Can you wait for me in the cafeteria? I'm coming
24:18 [Footsteps]
24:20 I have no idea who you are
24:23 Don't be too proud of who you're dealing with
24:26 I don't know what you're talking about, you must have confused
24:29 Aren't you Mr. Oscar Bacchini, who sells jewelry?
24:32 I'm sorry, my mistake
24:34 Wait, wait, wait
24:35 And if I meet this Mr. Bacchini, what should I tell him?
24:41 Tell him to call me
24:46 Have a nice day
24:47 Oh, and say hello to Mr. Oscar
24:49 [Laughs]
24:51 [Footsteps]
24:54 I'm home
25:05 A decent girl doesn't sit like that
25:12 Try to have this belly, see if it's so funny
25:16 Is Cesare at work?
25:19 I think at a convention
25:22 You think?
25:23 He's worked a lot these days and we haven't talked much
25:28 I'm sorry to tell you, but I don't believe you
25:40 Well, stop asking me questions and getting involved
25:43 I'm sorry, I don't know what's wrong with me
25:50 I think you know that
25:54 Then I'll see Ricardo
26:00 Why?
26:07 Because I'm stupid, no, worse, a disloyal person
26:13 Fede, you don't know, but the night Cesare and his mother came to dinner
26:20 Before dessert, Cesare asked me to make my feelings clear
26:27 He has every right
26:29 I know
26:30 And since that night you haven't spoken
26:36 No
26:37 But I have spoken to Ricardo
26:41 And why can't you erase him from your life?
26:44 Because every time I hear his name my heart beats fast
26:47 I know that's not enough to be happy or to make a marriage work
26:54 And that I would be much happier with Cesare, but I can't convince myself
26:58 I don't know, I know I have to make a final decision
27:02 The last one, and without looking back at every step I take
27:06 Choose what you choose
27:12 Think it over
27:15 Because from now on you won't do it just for yourself
27:22 [Music]
27:25 Come in
27:36 So?
27:41 We've got the bait
27:44 Bakhenia has pretended not to know anything, but like the chickens, she'll soon be caught
27:50 The fish are caught, not the chickens
27:53 What?
27:54 It doesn't matter, go on
27:56 All these people trade with stolen goods
27:59 The margins of the jewelry trade, if it's legal, are very low
28:05 And if you add taxes, they're almost zero
28:08 Honest people don't trade and pay their taxes
28:12 She may be an honest person, but she's cheating on this guy, isn't she?
28:16 And when do you think Bakhenia will show up?
28:19 For certain things you have to know how to wait
28:22 If I call her now, it would be very suspicious
28:26 So when I call, I'll let you know
28:29 Okay
28:30 Oh, by the way, I noticed months ago
28:33 The brunette, the lady, has stolen your heart
28:37 I knew it right away, the first time I saw you together
28:42 Look, Arrino
28:43 Have we ever eaten together?
28:46 No, I don't think so
28:47 Then don't take certain confidences
28:49 Accountant?
28:51 Mr. Farnetti
28:52 [Music]
29:14 Hello
29:16 You look beautiful
29:21 I made up an excuse with my parents, I don't have much time
29:24 Have you seen my gift?
29:28 You don't have to open it now
29:32 My aunt's decision to leave me her inheritance
29:39 Has changed my life more than I could imagine
29:42 I get up in the morning and I see myself with new eyes
29:46 Everyone sees me with new eyes
29:48 And this responsibility that I have assumed is huge, I know
29:51 But I don't feel pressured
29:53 I see myself capable
29:55 I feel powerful, prepared
29:57 Finally my life begins to take shape
30:02 Only one thing is missing
30:05 It's you
30:08 Well, both of us
30:12 Nicoleta, let's get married
30:18 Come back with me
30:19 Let's start again, the three of us
30:22 London, Paris, New York, we'll go wherever we want, we'll do whatever we want
30:27 Look at us
30:29 We are young and free
30:31 Let's escape
30:33 We have what we need to be happy
30:36 We'll do whatever we want
30:39 Let's go, let's escape from our families, from the past, from the mistakes, from everything
30:44 Escape? Is that what you propose to me?
30:47 I'm proposing a new life
30:49 We can raise him however we want
30:52 Without the weight of my last name, or the gossip of the people who speak
30:57 Without this noise that we hear every step we take
31:00 Without giving explanations to anyone
31:02 Nor justify ourselves or bend our morals to the common sense
31:06 We can love each other
31:09 We can be happy
31:12 We can love each other
31:13 That's all
31:15 That's not what I want
31:17 I want a peaceful life
31:21 The one that Cesar can give me
31:24 I can give you that
31:27 No, Ricardo
31:29 It's not true
31:31 And you know it
31:33 Because I want
31:38 Christmas in the family
31:41 Gifts under the tree
31:42 I want to go to the park on Sundays
31:47 Choose my son's first carnival costume
31:50 I want to see the grandparents
31:53 Looking at him with sweetness
31:55 And all my friends by his side
31:57 Hugging him, pampering him
32:00 That's what I want
32:04 And you can't give it to me
32:09 I don't believe it
32:10 I didn't know
32:13 Ricardo, I didn't know until a moment ago
32:17 And thanks to you
32:21 I've been able to see it
32:23 Now
32:26 I want to be with you
32:34 I want to be with you
32:37 I want to be with you
32:38 It's over
32:47 It's over, Ricardo
32:57 Ricardo
32:58 [Music]
33:00 [Music]
33:02 [Music]
33:03 [Knock on the door]
33:30 I'm coming
33:31 Did you bring me the elastic band?
33:39 Sure, here it is
33:41 Come
33:43 A beautiful girl lent it to me
33:44 Can I introduce her to you?
33:46 Come here
33:49 Here
33:51 Her name is Maniquí
33:53 Come on
33:59 Where are Elena and Roberta?
34:00 They went to the movies
34:02 How's your work going?
34:05 Leave him alone
34:07 I don't know what to pray for
34:08 Do you know who to try it with?
34:10 With the Frenchman, Saint Laurent
34:11 Don't you like it?
34:14 No
34:15 I like to see you work
34:22 You know I grew up with a seamstress
34:24 Let's say I'm an expert
34:28 Thank you
34:29 But I won't finish it on time
34:31 Do you need help?
34:34 Thank you very much
34:35 I'm good at this
34:36 Yes
34:38 Well, more or less
34:39 Pass me the scissors
34:40 This one is easy
34:42 Can I ask you a question?
34:46 What's this called?
34:47 Pin
34:48 Pin, that's it
34:49 I remember spending hours watching my mother sew
34:53 She put this on my wrist as a reward when I was good
34:58 Tina had made one for my mother
34:59 It was ugly, full of fabric ruffles
35:01 You know I made one when I was a kid too
35:04 Really?
35:06 Yes, in catechesis
35:07 It was before I was fired
35:09 What?
35:11 Yes, I was a bit naughty
35:12 I answered wrongly
35:14 I spoke to the priest
35:15 Stuff like that
35:17 I don't believe you
35:18 What did I do to make you nice and polite?
35:20 There are many things you don't know about me
35:22 I'm a good girl
35:26 You're right
35:27 Nicoleta, is that you?
35:40 Yes
35:42 Hi
35:44 Did you come to work?
35:46 Yes
35:48 I told you to take a cab, you get tired easily
35:50 Don't worry
35:52 I'm going to bed
35:55 How did it go with the girls?
35:56 Good, everything's fine
35:58 And what did you do?
36:01 Nothing, we talked for a while
36:03 Good night, mum
36:05 What did you say to each other?
36:07 Do you think I don't know?
36:12 He was the one who called you today, right?
36:16 I had to see him
36:20 Mum, it was important
36:22 It was important
36:23 Lately, every time Cesar talked about the wedding
36:28 I thought a lot about Ricardo
36:30 And when he talked about our future together
36:32 I thought about what I could have with Ricardo
36:34 I had to understand him
36:38 And you have understood him
36:40 What happened between Ricardo and me was unique and unrepeatable
36:45 And no one will ever be like him
36:50 But it's not with him that I want to live my life
36:52 Are you sure?
36:56 Yes, I am now
36:59 Good night, mum
37:03 Did you call me?
37:17 Ricardo
37:19 Come, sit down
37:20 Do you want something to drink?
37:24 No, thank you
37:26 I'm glad you don't need it anymore
37:29 I didn't say that
37:31 Well, I'm glad you need it less
37:33 Today I need it more than ever
37:36 That's why I want to get away from your cognac
37:39 At least they're still mine
37:43 Have you thought about my proposal?
37:48 About me taking over the foundation?
37:50 Managing the foundation would give me a charity
37:56 It wouldn't be just an appearance, Ricardo
37:58 You're a man with a heart, you're very sensitive
38:01 I've never had doubts about it
38:03 Your attempt to take away what's rightfully mine is pathetic
38:07 I'll take care of the foundation, of course
38:10 And it'll be a good distraction
38:12 While I work
38:14 To multiply the Santerasmo heritage
38:17 With investments, as you called them, in a hurry
38:20 And you'll finance the Virgilio?
38:23 Exactly
38:25 The next investment could be an aerospace ship
38:29 You could also send a puppy into space, right?
38:31 Technology is a promising sector
38:33 Just like conquering space
38:35 Can you predict what the ideal investment will be?
38:38 Let's say, after a decade?
38:40 After Sputnik, for example, and the electronic billing machine?
38:44 That's where you'll see the real business man of success
38:47 In front of a mere accountant
38:49 I may not see the future like you, dad
38:51 But I'm sure of one thing
38:53 It won't be written off by hand
38:56 And I'll never back out
39:04 Never
39:06 Never
39:08 Never
39:10 [Footsteps]
39:12 [Music]
39:17 [Music]
39:22 [Music]
39:27 [Music]
39:32 [Music]
39:37 [Music]
39:42 [Music]
39:47 [Music]
39:52 [Music]
39:57 [Music]
40:02 [Music]
40:07 [Music]
40:12 [Music]
40:17 [Music]
40:22 [Music]
40:27 [Music]
40:32 [Music]
40:37 [Music]
40:42 [Music]
40:47 [Music]
40:52 [Music]
40:57 [Music]

Recommended