4 Estrellas Episodio 141 Completo Culpables Vídeo Dailymotion
4 Estrellas Episodio 141 Completo Culpables Vídeo Dailymotion
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00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:06 [KNOCKING]
00:07 [SPEAKING SPANISH]
00:09 [MUSIC PLAYING]
00:10 [SPEAKING SPANISH]
00:11 [MUSIC PLAYING]
00:14 [SPEAKING SPANISH]
00:15 [SPEAKING SPANISH]
00:16 [SPEAKING SPANISH]
00:16 [SPEAKING SPANISH]
00:18 [SPEAKING SPANISH]
00:19 [SPEAKING SPANISH]
00:20 [MUSIC PLAYING]
00:21 [SPEAKING SPANISH]
00:22 [MUSIC PLAYING]
00:23 [SPEAKING SPANISH]
00:25 [MUSIC PLAYING]
00:26 [SPEAKING SPANISH]
00:27 [SPEAKING SPANISH]
00:28 [MUSIC PLAYING]
00:30 [SIGHS]
00:31 [MUSIC PLAYING]
00:33 [SPEAKING SPANISH]
00:34 [LAUGHTER]
00:35 [SPEAKING SPANISH]
00:36 [SPEAKING SPANISH]
00:38 [SPEAKING SPANISH]
00:40 [SPEAKING SPANISH]
00:42 [SPEAKING SPANISH]
00:44 [SPEAKING SPANISH]
00:45 [SPEAKING SPANISH]
00:46 [SPEAKING SPANISH]
00:47 [SPEAKING SPANISH]
00:48 [SPEAKING SPANISH]
00:49 [SPEAKING SPANISH]
00:50 [SPEAKING SPANISH]
00:51 [SPEAKING SPANISH]
00:52 [SPEAKING SPANISH]
00:53 [SPEAKING SPANISH]
00:54 [MUSIC PLAYING]
00:56 [MUSIC PLAYING]
01:00 [SPEAKING SPANISH]
01:01 [MUSIC PLAYING]
01:03 You love me, right? It's not that easy.
01:05 I'm going to marry David.
01:07 It's to be with you, and everything is like...
01:09 moving.
01:10 The numbers don't match.
01:14 So I'm going to-
01:15 So I'm staying.
01:17 I'm staying until we get back up.
01:18 Right, David?
01:19 Well, I didn't expect this, huh?
01:22 This is Pedro, the new head of maintenance.
01:26 And she's Clara, "Red", the manager.
01:28 No, no, yes. We already know each other.
01:30 Can I invite you to dinner?
01:31 No.
01:32 And?
01:34 Lucas?
01:34 He's going through a rebellious adolescence.
01:37 Don't touch me again! Don't touch me again!
01:39 I thought it would be good for him to have his aunt close.
01:41 I'm a little tired of looking for a fireplace.
01:43 Why don't you come to our house?
01:45 Oh, look, yes.
01:46 What's up, family?
01:48 What are you doing here?
01:49 Brother-in-law, Rosa asked you to get a divorce.
01:51 Yes, daughter, yes.
01:52 Hi, Miguel.
01:52 Hi, Rosa.
01:53 I want to change.
01:54 Let's see, uncle. The new masculinity.
01:57 Be a man of the 21st century.
01:58 Write it down.
02:00 I also want to redo my life, you know?
02:02 With a man who has nothing to do with Miguel.
02:04 Excuse me, Arturo Pérez, mayor of the town.
02:06 Delighted.
02:07 You stabbed Miguel just to make a deal with Arturo?
02:12 I have to find this guy.
02:13 Okay, when you find him, what are you going to do?
02:15 I don't know, I haven't thought about it yet.
02:19 Rafael's first wife officially died of a heart attack.
02:25 But the bad tongues said that Rafael had given her a "matarile".
02:28 Your mother wants to marry Rafael.
02:30 Well, maybe it could be the next one.
02:32 If the blow was in the head, we just have to examine the skull.
02:36 Come on, come on.
02:37 One, two, three.
02:38 What the hell are you doing?
02:43 This is a court hearing.
02:44 We're going to see each other in court.
02:46 I had to make a very painful decision.
02:48 There will be no wedding.
02:50 I will not forgive you in life.
02:53 In life.
02:55 The accused is a public danger.
02:59 A cold, insensitive, calculating woman.
03:01 You forgot to accuse me of having slept with an adult.
03:04 Because not long ago, you and I were sleeping.
03:06 Don't touch me.
03:10 You forgot to accuse me of having slept with an adult.
03:19 Because not long ago, you and I were sleeping.
03:23 (Music)
03:26 Wake up!
03:31 Where is Paula?
03:34 Where is Paula? Paula, where is Paula?
03:37 In the room.
03:39 No, she's not in the room.
03:40 And no one has had breakfast in the kitchen.
03:41 Where is she?
03:42 I don't know where she is.
03:43 No, no.
03:45 We've called her five times and she doesn't answer the phone.
03:47 What time did she go?
03:48 Has she slept at home?
03:49 I don't know.
03:50 I don't know.
03:51 I guess so.
03:52 You don't know where your wife is.
03:53 I don't know where she is.
03:54 No.
03:55 She didn't want to talk to me, which is normal.
03:59 She ended up sleeping on the couch.
04:03 Look, if something happens to Paula because of you,
04:05 get ready.
04:06 I'm coming, I'm coming.
04:08 It's Paula.
04:10 What are you doing here?
04:14 I'm here to talk to Rafael.
04:15 Rafael is busy.
04:16 If you want something with him, call our lawyer.
04:20 Wait.
04:21 Leave the table.
04:23 Rita, how are you? What do you want?
04:26 I came to see how you were after everything that happened yesterday.
04:31 Well, I'm perfectly fine, to be honest.
04:36 Well, I'm glad.
04:38 And how is Paula? Is she okay?
04:41 Well, Paula has disappeared.
04:45 She's disappeared? No, that can't be.
04:49 Marta told me she stayed with her.
04:51 She stayed with Marta? When?
04:54 A while ago. She went out.
04:56 Do you want me to call her?
04:58 Yes, please.
04:59 Let's see.
05:01 No, she's not answering.
05:09 Maybe Marta's crazy girl did something to Paula.
05:12 Excuse me?
05:13 Marta to Paula? It must be the other way around.
05:15 Yes.
05:17 [Music]
05:20 [Music]
05:23 [Music]
05:25 [Music]
05:31 [Music]
05:36 [Music]
05:42 [Music]
05:49 [Music]
05:51 [Music]
05:59 [Phone ringing]
06:11 It's okay.
06:16 I'll call you.
06:17 But, girl, what are you doing?
06:21 Okay, this is starting to get really creepy, Paula.
06:28 What's going on?
06:29 What's going on? Tell me exactly what's going on.
06:32 Because you don't want to be mean, girl, but this looks like a kidnapping.
06:36 Shut up.
06:38 Okay.
06:42 It's a kidnapping.
06:44 [Music]
06:46 A long coffee for me.
06:49 Marcos, I want a double or triple coffee.
06:52 Okay?
06:53 Marie Frank told me the trial was terrible.
06:57 Terrible.
06:58 A three-way circus.
06:59 So, the deal...
07:01 No, impossible.
07:02 I think that at this rate, they'll end up paying the compensation to Johnny's grandchildren.
07:06 Really? But don't you think Paula is right?
07:09 No, no, I'm not kidding.
07:11 She didn't look like a bad girl.
07:13 But after saying Marta in front of everyone, that she slept with her husband, it's impossible.
07:18 Didn't Marie Frank tell you?
07:20 Of course, I think she told me something, but...
07:23 I think I'm still a little bit hungover.
07:27 From going to have a drink with my mother.
07:29 Clari, really, there was no other day.
07:31 But what do you want me to tell you? It just happened.
07:33 I don't know.
07:34 Well, the thing is that he looked at Marta with a face that I thought he was going to murder.
07:38 Well, I hope he looks at Diego the same way.
07:41 Because the one who has been unfaithful is him, he is the one who is married.
07:44 Marta has done nothing.
07:45 Totally.
07:46 Ladies.
07:50 Hello, Pedro, good morning.
07:51 Hello, Pedro.
07:52 I can't believe you.
07:58 What can't you believe?
08:01 I can't believe you.
08:02 What?
08:03 You've gone from hating him to making you like a motorcycle.
08:06 What nonsense is that?
08:07 Who's going to make me like a motorcycle?
08:09 No, no.
08:10 Tell me you weren't fooling around with him a little bit.
08:12 No.
08:13 You were fooling around with him.
08:14 No, I wasn't fooling around with him.
08:16 But the other day he invited me to dinner.
08:19 And what happened?
08:21 I didn't go.
08:22 But why?
08:23 But please, because I'm the boss, he's the employee, it would be super incorrect.
08:28 No, no, no, but you're not here to close those doors now.
08:31 Let's see, Diego, what do you want me to tell you?
08:34 The last thing I want now is to start a relationship.
08:37 A relationship? I'm not talking about a relationship.
08:40 I'm talking about a relationship.
08:42 Do you want to stop? Let's see what they're going to think.
08:44 You mean we bury the dead, okay?
08:47 I don't care what they say.
08:48 You're right.
08:49 But you do like a jerk, tell me.
08:54 I'm okay with a jerk.
08:56 You do like him?
08:57 Yes.
08:58 Of course you do.
08:59 But it's not going to happen.
09:00 But why? Tell me why.
09:01 Well, let's see, he's very sassy.
09:04 He's quite unkind.
09:05 You've heard him, he seems to be from the 18th century.
09:08 Ladies, and then what I've told you.
09:11 Boss, employee, it can't be.
09:14 Enough, enough.
09:15 What do you mean, enough?
09:17 Enough, enough, enough, enough, enough.
09:19 What are you laughing at?
09:21 You don't believe it either.
09:22 What a kid.
09:24 Fuck Paula, enough, enough, enough.
09:26 You're making me very nervous.
09:28 We look like Emma and Luis.
09:30 And remember how they ended up.
09:34 I don't think we look like Emma and Luis at all.
09:37 A little bit, yes.
09:39 Two cool girls in a car that go all out.
09:42 No, because Emma and Luis were friends.
09:44 Well, we were starting to be, weren't we?
09:50 Okay, Paula, I'm sorry.
09:57 I'm sure you feel it a lot.
09:59 Yes, I'm sorry, I'm sorry, I'm sorry.
10:02 I swear I'm sorry.
10:04 Don't lie to me, but...
10:07 Okay, okay, okay, okay, okay, okay, okay, okay.
10:13 Okay, let's relax, okay?
10:15 Aunt, let's relax.
10:18 The most important thing now is to be calm.
10:21 And don't pay attention to the hazards.
10:24 Come on, Miguel, please.
10:27 Don't get mad at yourself.
10:28 It's not worth it.
10:29 I don't know what could have happened.
10:30 I just don't understand it.
10:32 What are you going to understand?
10:33 They are women.
10:34 They don't understand each other.
10:35 It was all...
10:36 It was all...
10:38 Over the top.
10:39 I also saw signs...
10:41 Signs?
10:43 Signs, what people say, signs.
10:46 I've never been a big fan of seeing signs,
10:47 but last night I saw them.
10:48 Ah, well, let's see.
10:49 Give me an example, a sign.
10:50 I can tell you many.
10:51 I'm going to tell you one, for example.
10:53 I mean, for example.
10:55 When I got to the hallway,
10:59 I knocked on the door
11:01 and she didn't say who it was.
11:03 She opened it.
11:04 Man, that's a lot to say.
11:06 A sign, huh?
11:07 It's not a sign.
11:09 I think it is.
11:10 I'm going to give you another one.
11:11 I mean, for example.
11:12 Let's see, when I entered the room,
11:14 she didn't say, "Don't come in, Miguel."
11:17 I don't know.
11:19 That's a sign.
11:21 Then, right, she told me, "I'm in a relationship with another..."
11:24 That's a sign, Miguel.
11:28 That's a sign.
11:29 That's it, it's clear.
11:30 She met a gentleman.
11:31 A gentleman?
11:32 Who are you going out with?
11:33 Who are you going out with?
11:34 That guy is a bastard.
11:35 A bastard, but with charisma.
11:37 I'm sure.
11:38 And now she's met him and she only has eyes for him.
11:41 So there's nothing to do.
11:42 Really.
11:43 The snake she made me.
11:45 As if we were in a movie, really.
11:47 But let's see, with the drama.
11:49 But what's up with the snake?
11:50 Come on, I haven't been bitten by a snake in my life.
11:52 This is my wife.
11:53 Ex-wife, Miguel.
11:55 Ex-wife.
11:56 What's wrong with you and "ex-wife"?
11:58 Every time I say something, you say "ex-ex-ex-wife".
12:01 I know she's my ex.
12:02 You're the one who's in there, as if you were Mrs. Rogelia.
12:06 Get up, you can't be there.
12:08 You can't stay there.
12:09 You have to go out, Miguel.
12:10 You know what they say.
12:11 One nail gets another.
12:13 Please.
12:15 And now, you have to take advantage.
12:19 We have to take advantage.
12:20 We have the single's flat here.
12:23 I'll show you some good fishing techniques.
12:27 But not fishing, but fishing with a rod.
12:30 With a drag.
12:32 I forgot you had a mess.
12:36 Miguel, that doesn't matter to you anymore.
12:41 That tie?
12:43 That tie sounds familiar.
12:46 Where did you get that tie?
12:48 Where did I get it?
12:49 I bought it, don't fuck with me.
12:50 You bought it? Where did you buy that tie?
12:52 I bought it in the mall, where everyone buys.
12:55 Don't you think it sounds familiar?
12:57 We all buy in the same places.
12:59 These chains.
13:00 Another thing I'm going to do in the next legislature.
13:03 A good campaign for local trade.
13:06 Really.
13:07 Look how expensive.
13:09 If you have a fever.
13:10 Forget Rosa, fuck.
13:14 Come on.
13:15 I'm leaving.
13:17 (Music)
13:20 What's wrong?
13:26 You don't have strong emotions anymore?
13:28 What's wrong? Let's see.
13:29 Let's see, Paula.
13:30 When it happened, what happened.
13:32 I didn't know your husband was married.
13:36 I didn't know he was your husband.
13:38 I didn't even know his name was Diego.
13:41 And when you dumped your sister's boyfriend,
13:44 you didn't know anything?
13:46 Or did you know something?
13:48 Hey, pretty, that's not it.
13:50 I'm not going to go there.
13:51 Alcésar, Alcésar's crazy.
13:53 Okay?
13:54 Julio was the love of my life.
13:56 And if someone put the trap there, it was Clara.
13:58 Oh, it's true.
13:59 Yes.
14:00 You were with him before.
14:02 While you were cheating on your first husband.
14:04 Yes, my husband cheated on me with 1,300 million women.
14:08 And he had children.
14:09 But I don't know what the fuck I'm doing
14:11 giving explanations to this woman.
14:14 But okay, okay.
14:15 I've messed up a few times.
14:17 A few?
14:18 A few.
14:19 A few?
14:20 Or many?
14:22 Okay, many, many.
14:24 Happy?
14:25 But fuck, I didn't know he was your husband.
14:28 We didn't even know each other, fuck.
14:30 Well, we knew each other from catechesis.
14:32 You ignored me because you were a believer.
14:34 I mean, I'm hallucinating with you, Paula.
14:37 But you didn't look at me.
14:39 Oh, you see?
14:40 Okay, that's fine.
14:41 I didn't know he was married,
14:43 much less with you, fuck.
14:45 No, of course.
14:46 I guess that didn't work out in the conversation.
14:48 No, no.
14:49 Did you like it?
14:50 The conversation?
14:51 No, doing it with my husband, did you like it?
14:53 Paula, no.
14:54 What?
14:55 No, no, please, don't be ashamed.
14:56 We were going to be friends.
14:57 Friends don't tell these things.
14:58 Did you like it?
14:59 What?
15:03 Did you enjoy it?
15:04 No, Paula, no.
15:06 It was a...
15:07 A very weak powder.
15:09 A sadness of powder, I mean...
15:11 We don't connect at all, I swear.
15:13 Do you know something, Marta?
15:20 What?
15:21 I hate it when people lie to me.
15:24 Nothing, no.
15:32 He's not answering his phone.
15:34 Marta, never mind.
15:35 Well, well, well.
15:36 At least we know they're together, that's something.
15:38 Well, and if they're together, did something happen to them?
15:41 No, Rita, what was going to happen to them?
15:43 When Paula gets angry, she gets...
15:45 Great.
15:47 Well, considering all of Diego's stuff,
15:49 any misfortune can happen.
15:50 Well, the only misfortune that has happened here
15:52 is that Paula has met Marta.
15:54 Excuse me, Paz,
15:56 but your niece knows perfectly well how to defend herself, huh?
15:59 And she also has a long tongue.
16:01 Look, that comes from family.
16:02 Oh, come on, no one says that.
16:04 In this family, we sharpen our tongues and knives
16:07 when we get hit in the nose.
16:09 Is this a threat?
16:11 Please, can we leave the grits?
16:13 You shut up!
16:14 This is all your fault.
16:15 Let's calm down, let's calm down.
16:17 First, what's important?
16:19 Let's know if the girls are okay, right?
16:20 Yes, but...
16:21 You're right.
16:22 Well, go ahead, find out.
16:24 Is it Marta?
16:29 No, no, it's Rebe, a neighbor of mine, forgive me.
16:32 Rebe, I can't take care of it right now.
16:35 What?
16:39 No, no, no, really, thank you.
16:43 Thank you for letting me know.
16:45 What? What's wrong?
16:47 That... that he saw Marta.
16:50 Marta, where?
16:51 Well, on the highway,
16:53 in a car that was driving another person,
16:55 I guess it's Paula.
16:57 Okay, well, good, we're moving forward.
16:59 Well, they were going to Todapastilla.
17:00 That's why he called me.
17:02 Todapastilla? Paula?
17:04 Well, we don't know if they're okay.
17:06 Well, not for long, if they're going at that speed.
17:08 No, no, no, no, no.
17:09 They're going to kill themselves.
17:10 We have to do something, huh?
17:12 Let's go get them.
17:13 Let's go.
17:14 Let's go get them, let's go.
17:16 Tell me you're going to help me.
17:23 You tell me the name first.
17:24 No, tell me you're going to help me.
17:25 Tell me the name.
17:26 Javier, tell me you're going to help me.
17:27 Miguel, he can give us everything here.
17:28 Arturo.
17:29 Arturo?
17:30 Arturo, yes, Arturo, Arturo, Arturo, Arturo.
17:32 Arturo is throwing himself at Rosa.
17:34 Arturo, precisely Arturo,
17:36 aren't you getting a little paranoid?
17:38 No, it's the same tie at my house and at the hotel.
17:41 But let's see, Arturo's tie,
17:43 but he wears the ties we all wear,
17:45 he buys them in the same place.
17:46 No, well, it doesn't matter.
17:47 Besides, I have an intuition, it's him, it's him, it's him.
17:49 You trust your intuitions,
17:51 look at the son of the baker.
17:53 You're right.
17:54 I have to be sure.
17:56 I don't want to break his face without knowing it's him.
17:58 That's not very good.
17:59 And for that I have to ask him without any hesitation.
18:02 Let's see, don't you get it?
18:04 It's a tie.
18:05 No, and he's telling me all day,
18:07 "Forget Rosa, Rosa is past,
18:09 go to the page at once."
18:10 Of course, as we are all telling you.
18:12 Because we love you, because you have to go to the page.
18:14 I'm not going to go to the page
18:16 until I find out who Rosa is sleeping with.
18:19 Let's see, you have no right to that,
18:23 because Rosa is no longer with you.
18:25 I know.
18:26 Well, that.
18:27 She told me too.
18:28 But I don't care,
18:29 I want to know who she's cheating on me with.
18:33 And that's what she told me.
18:36 Who is she cheating on you with?
18:38 Well, I'll see what they want to put.
18:39 Come on, we'll talk about this later.
18:41 How about here?
18:42 And all day with the room room and the black cloud above his head.
18:47 I don't like this Miguel when he gets like this,
18:49 I don't like anything.
18:50 You're scaring me.
18:52 And how she and Arturo burst him in the middle of the street.
18:54 Arturo and anyone who wears a tie.
18:56 I'm telling you, look what he's done to her.
18:58 Arbok, little shit creature.
19:00 Well, that was a scare.
19:01 But because you were there.
19:02 But how does he find out that it is Arturo,
19:04 who lives with him?
19:06 Anyway, Miguel is changing.
19:12 No, seriously, I notice it.
19:14 It's evolving, it's taking little steps,
19:16 it's going a little towards civilization, I tell you.
19:19 Okay, come back now, bastard, to bother my clients.
19:23 I'm going to the bathroom for a moment, little angel.
19:26 And the chopped garlic with his onions, his parsley.
19:31 Now, between you and me, Arturo has earned two good caresses.
19:38 Look, I don't deny that he's miserable,
19:41 but Rosa is not with my brother anymore.
19:44 That's true.
19:45 And I can do whatever I want with him.
19:47 Little angel, enough.
19:49 I don't want him to get it.
19:50 Enough, little angel, enough.
19:52 Now, between you and me,
19:57 he's a barge to the Alcardes, he has a stomach that ...
19:59 I don't understand my sister-in-law, I tell you.
20:01 But the bad taste is not illegal.
20:03 Yes, but the one who won't like it is your brother.
20:06 Listen to me, little angel,
20:08 you can't find out about this in any way.
20:11 But why don't we tell him now?
20:14 Of course we're going to tell him.
20:16 We're going to tell him, sure.
20:17 But not now.
20:19 Good morning, good morning, friend, partner.
20:22 How are you, little angel?
20:23 A coffee with milk, please.
20:25 What are you doing today?
20:27 Well, today I'm off, so great.
20:29 I wanted to take advantage of it to start looking at the center of the table
20:32 for the wedding with Mencho and that.
20:34 Yes.
20:35 How exciting.
20:36 Hey, it's not something that caught my attention,
20:38 but now that I'm starting to investigate,
20:40 it's a whole world, the center of the table.
20:42 Yes, yes.
20:43 Here it is.
20:44 Thank you.
20:46 Martínez, this thing about the center of the table makes you very excited.
20:51 I say it because you can postpone it.
20:55 Let's see, it's a chore, but ...
20:58 Listen to me, I need you for a very big favor.
21:03 Okay, tell me.
21:12 Okay.
21:13 Damn, Martínez, what a scare.
21:15 Arturo.
21:16 You catch me going out.
21:17 No, no, no, no.
21:18 Not going out, Arturo, no, no, no.
21:19 I need you.
21:20 Okay, okay, no, no.
21:21 The city council is always at your service.
21:23 But I have things to do.
21:25 Yes, yes, yes, yes, yes, but really, really.
21:27 Please, it's very important.
21:28 Okay.
21:29 Well, call me, call me.
21:30 You say you're on my side and that they fix whatever you want.
21:32 Thank you, but I don't come as a civil guard, you know?
21:36 And what qualities do you come in?
21:38 The qualities of a lover.
21:41 We don't fuck, Martínez, huh?
21:45 Yes, diversity is very good and that the whole town has to be liberated,
21:48 but are you going to marry Menchu?
21:50 Arturo, for God's sake, that's not what I meant.
21:53 I was kidding.
21:54 Okay, okay.
21:55 Well, I'm ...
21:58 I'm a little nervous, right?
22:01 With the subject of the wedding.
22:03 Please, nervous you, Martínez, you're a bull.
22:05 Yeah, yeah, yeah, yeah, what happens is that, well, I don't want that, I want everything to be perfect.
22:09 And I had thought, right?
22:12 That maybe you could give me some advice.
22:18 My advice?
22:20 Yes, your advice, Arturo, yes, yes, of course.
22:23 Advice from the most romantic gentleman in Vera.
22:28 Is that what they say out there or what?
22:32 Yes, this is said, Arturo, this is said.
22:34 This is said in the town, you already know, huh?
22:36 That you are admired, right?
22:38 You are greatly admired in the town.
22:40 Well, I had to make a memento, huh?
22:43 But hey, everything is for helping a young lover.
22:47 Hey, well, I really appreciate it, huh?
22:49 Do you want a little beer?
22:50 Come on, yes, of course, of course.
22:52 And I'm going to put a fucking ham that Gerardo gave me.
22:55 Gerardo, you say, the owner of the construction company?
22:57 Yes, yes, he gave it to me without asking for anything in return, huh?
23:01 Apparently it has become vegan and for not throwing it away.
23:03 Already.
23:04 Don't complicate yourself too much, huh?
23:06 Okay.
23:07 How's the operation going?
23:10 Javier, I'm inside.
23:12 Very well.
23:13 Well, it is important that you keep Arturo there, huh?
23:17 Okay, perfect. How long are you going to need?
23:19 Well, I don't know, a couple of hours.
23:22 How? What time?
23:24 Let's see.
23:25 The important thing is that Arturo does not leave that house until I give you the order.
23:29 Okay, and you tell me how I keep Arturo here for so long.
23:32 Fuck, Martínez, improvise on the ground, I don't know, I don't know.
23:37 Javier, with all due respect, but I think this plan of yours is very little worked on, huh?
23:43 No, it works.
23:44 I know, I know, Martínez, but ...
23:49 What do you want me to tell you?
23:51 Martínez, but you think that as Arturo leaves that house, he is going to look for Rosa.
23:55 And who is he going to meet is Miguel.
23:58 And he's going to mess around.
24:00 Okay, and isn't it easier, I don't know, to tell Arturo to relax for a couple of days because Miguel is suspecting?
24:06 No, no, no. Because Arturo can't know that we know.
24:11 But why?
24:12 Wait, Silvia.
24:15 Hey, hey, nothing, nothing, let me go, man.
24:19 Let's see.
24:22 Because then we would run the risk of my brother finding out that we already know.
24:28 And what else do we get?
24:30 Fuck, Martínez, well, if Miguel knows that we already knew what Arturo knows, that we have known for a long time ...
24:38 I mean, who doesn't have to know ...
24:40 Let's see, as my brother finds out, we are screwed. Is that clear?
24:46 No, no, no, the truth is no, but look, I'll do what I can.
24:50 Very well, I trust you, Martínez, I trust you.
24:53 Come on.
24:55 Okay, Silvia, kiss, see you later.
24:58 Look, you see, this is the other centerpiece that I told you I also like.
25:04 Besides, this one comes with a little frame to put a photo of the two of them and this one is very good.
25:10 That's practical.
25:11 Yes, right? The only thing is, look, I'm not quite convinced by the marble finish, yes.
25:16 Like too formal for us, we are a young couple.
25:21 How do you see it? What do you think?
25:24 Can I be honest with you?
25:26 Yes, of course.
25:28 I don't want to cut you off, really, but when you told me that you wanted a romantic advice, I thought you were referring to something else.
25:37 What thing, Arturo?
25:39 Well, I don't know, to make Menchu happier.
25:42 Yeah, well, and Arturo was happy when he saw that I get involved with the wedding stuff.
25:49 Oh, no, surely.
25:50 And that's why I'm using you, because you're a man with a very fine and exquisite taste.
25:56 No, no, I appreciate it, but we've been with this for two hours and a bit, with this centerpiece.
26:03 Yes, yes, yes, okay, well, the last one and we're done, okay?
26:06 Look, this is the other one, this is the other option, which is a garland with flowers.
26:11 How do you see it?
26:12 It runs loaded like this.
26:13 Yes, yes, yes, yes, yes, I had already told Menchu everything.
26:17 Well, that's it, Arturo, thank you.
26:20 Well, forgive me, I didn't want to bore you either.
26:22 We've finished the centerpieces, okay?
26:24 And we'll move on to the envelopes with the invitations.
26:29 Here we also have a wide range of possibilities.
26:34 [Music]
26:47 Do you think this is normal?
26:49 Being here half hidden, watching the hotel door, do you think this is normal?
26:56 I have a feeling that Judas is going to show up, you'll see, just listen to me.
27:01 But you're listening to yourself.
27:04 This is not ... Miguel, let's go home.
27:07 Romagna, you can go if you want, I haven't asked you to be here.
27:10 Thank you, I'm fine.
27:12 Light, light.
27:13 You're not fucking fine either.
27:15 I'm not moving from here.
27:16 What's up, daughter?
27:17 What's up? What are you doing?
27:19 Here? You? How beautiful.
27:22 Where are you going? Have you stayed?
27:23 Nowhere.
27:24 Yes, I had stayed, but I'm in a hurry.
27:27 No, no, don't look at me like that, dad, please, nothing happens, nothing happens.
27:31 They gave me a job and that's it.
27:33 Don't give me a charlita, please.
27:35 Okay, okay, okay, okay, very good.
27:37 Who gave you a job?
27:38 Dad, please.
27:39 Okay, okay, sorry.
27:41 It's okay, I'm going home right now, I'll eat a kilo of ice cream and that's it, fixed.
27:45 Leave the check and go.
27:46 Of course, I'm leaving and calmly.
27:48 You're not well, Light.
27:50 You're not well.
27:51 Daughter, what's up?
27:55 Oh, I'm so sorry, but who gave you a job?
27:59 Dad, I'm so unlucky, really.
28:02 I mean, after having such a bad time, suddenly I have a date and she gives me a job.
28:06 Damn, what's up?
28:08 Maybe they didn't give you a job, did they?
28:15 What?
28:16 Light, Light, I'm so sorry, I've been extended the consultation and I'm going to be late.
28:23 Do you mind coming to pick me up?
28:25 Don't be angry, please.
28:27 I promise I'll make it up to you.
28:28 I'll give you the location, okay?
28:30 A little kiss.
28:31 Better, right?
28:33 I'm leaving.
28:35 Goodbye.
28:36 Goodbye, daughter.
28:37 A date?
28:41 With who? With a girl?
28:43 She's already gone crazy.
28:45 Hello.
28:51 Hello, how are you? Do you have an appointment?
28:53 No, no, I don't... I mean, I came here to wait for a date.
28:57 Hello.
28:59 Light.
29:15 Zoe.
29:16 I'm so sorry, I'm so sorry, I'm really sorry. Are you angry?
29:21 No, no, don't worry, I'm not angry.
29:23 No, you've had to think I'm a shitty informant, but really...
29:26 No, no, well, a little bit.
29:28 You are?
29:29 No, it's a joke, it's a joke.
29:30 Well, but now I promise it's the last consultation and we're leaving.
29:33 Okay, okay, I'll wait for you here.
29:34 Wait for me here, the girl must be on the bike.
29:36 I'm going to fall.
29:37 Light.
29:39 Ainhoa, what are you doing here?
29:42 What are you doing here? I have a date with my gynecologist.
29:45 Yes, yes, me too.
29:47 You too?
29:48 I mean, I also have a date, but with another guy, you know?
29:51 Another type of date.
29:52 Sorry, shall we go?
29:54 Yes, yes, we'll go.
29:55 Light, I think you mean me.
29:57 Oh, sure, yes, yes, you go, you go.
30:14 What, what, hey, hey, hey, what?
30:17 God, I've never asked you for anything because, well, I haven't believed in you, but if you save me, I'll believe, I'll believe.
30:24 Paula, really, stop stepping so hard, maybe you're not keeping the safety distance.
30:34 No, no, no, sorry, it's the one in front because they're stepping on eggs.
30:38 I'm not saying it, more than anything, Paula, because we've been in reserve for a long time.
30:41 I don't know, we should stop, fill up the tank, no?
30:45 Look, so you don't run away, no.
30:46 What?
30:47 But how? How? I don't know where the hell I am, I don't have a mobile phone and I'm going in heels.
31:06 Help! Help! Someone wants to kill me! Help!
31:11 Paula, Paula, hey, what's going on here?
31:16 Hey, look, if your goal was to scare me, that's it, okay?
31:19 That's it, you've already got it, I'm scared to death, but please, let's go now.
31:23 Hey, okay, okay, okay, I understand that you're angry with me, I understand, but as much as to kill me in the middle of the field.
31:32 Paula? Damn, I didn't expect this.
31:41 Paula, are you okay?
31:48 Are you really asking me why?
31:50 Yes.
31:51 I've tried to please you, I've tried to like you, I've even confessed to you that my greatest fear was that my husband would cheat on me.
32:01 And you got it right.
32:02 But with you? Really? No, please, can you be more pathetic? No, no, really, can you be more pathetic than me?
32:12 I don't know what to tell you, Paula, I'm just sorry.
32:17 It's just that ...
32:18 Do you want a handkerchief? Well, it's the last one, take advantage of it, okay?
32:24 Well, at least you're not lying to me anymore.
32:30 What did you want me to do, Paula? I don't know.
32:32 I liked you and I didn't want to be the reason for a marriage crisis.
32:38 You didn't do well, huh?
32:40 What? Hey, forgive me. No, no, no.
32:42 No, but I didn't have to tell you. I'm not the one who's married to you, if someone had to tell you, it was Diego, not me.
32:49 No? Paula.
32:54 I don't know what to think, I swear.
32:56 Forgive me, forgive me, but since I don't know the protocol of infidelity because I haven't been in my life, well, look.
33:03 Well, I do, and you shouldn't be ashamed either, hey. There has to be everything in this world.
33:08 Sorry, it was to relax.
33:15 I don't know, I guess I'm to blame because I didn't know how to give him what he needed.
33:24 Hey, no, no, Paula. If there is a culprit here, it is Diego. Okay?
33:29 I swear I don't know what to think right now.
33:33 I don't know what to think.
33:36 Look, if it's a consolation, when I was unfaithful, it had nothing to do with my partner.
33:44 Nothing.
33:45 So why do you do it?
33:47 Well, because we are selfish. Because we like to live life as it comes and that's it.
33:56 And that's it.
33:57 Yes, that's it.
33:59 And that's it.
34:00 And that's it. But then we feel terrible, huh? Well, in my case, I felt like a fucking shit.
34:06 Look, what hurts me the most is seeing you like this. Because I ... well, I lived that and it's not pleasant at all.
34:15 I don't know if you know that Julio was unfaithful to me. With my sister.
34:23 My God.
34:25 Yes. Yes, the most painful thing I've ever experienced in my life. But hey.
34:32 It's horrible, right? It's horrible. It hurts a lot.
34:38 I'm sorry, Paula.
34:41 You know what happens?
34:43 What?
34:44 And I sit next to you like a shit.
34:46 Hey, but you've seen yourself, please. You're a pimp. Because you're married and I wouldn't throw myself at you.
34:58 You know what? I think you're right.
35:03 Probably. In what?
35:05 It's just that I can't be responsible for all this, you know? It's too much. And you neither, huh?
35:13 You neither.
35:15 Well, thank you. There is only one person responsible.
35:19 We're leaving.
35:25 We're leaving.
35:28 No, no, no, no. I'll look for it, honey.
35:30 Are you sure?
35:31 Yes, yes, yes.
35:32 You don't care?
35:33 No, no, I don't care at all.
35:34 You know?
35:35 Yes.
35:36 The embryo becomes a blastocyst.
35:45 I just don't understand any of this, really.
35:48 Hello.
35:52 Yes, I know.
35:54 Thank you very much.
35:56 Hey, Noa, how are you? How did it go?
36:00 Nothing.
36:02 What's wrong?
36:04 Nothing's wrong. Nothing's wrong.
36:07 What do you mean nothing's wrong?
36:10 Nothing. The treatment of the ovules. It's not working.
36:14 So much effort?
36:17 For what?
36:18 For nothing.
36:19 For nothing.
36:20 Well, I'll tell you something.
36:26 She's been to the bathroom three times.
36:28 In this little while we've been together, three times.
36:30 And she's been reading some things that I don't understand.
36:32 Do you know what a blastocyst is?
36:33 Because I have no idea.
36:34 And that you can't eat ham, with what you like to eat ham.
36:36 Do you really want that?
36:37 Yes.
36:38 Yes.
36:39 It's what I want.
36:40 All this, Luz.
36:42 Yeah.
36:44 Yeah, yeah, I'm telling you nonsense, you know?
36:46 Well, yes, I appreciate it.
36:47 You always help me.
36:48 We're leaving.
36:49 Yes.
36:50 Yes, yes, yes, we're leaving, yes.
36:52 Tomorrow, tomorrow you'll tell me.
36:58 Yes, of course.
37:17 Is it me or is it starting to cool down?
37:19 Yes.
37:20 Oh, I'm fine.
37:21 Do you want some?
37:22 No, I don't want it, I already have some.
37:23 Fuck.
37:33 Okay, Miguel.
37:37 Let's go now, huh?
37:39 Let's go now.
37:40 We said we were going to be here until this guy from the university came back.
37:43 You said that, I didn't say anything.
37:45 Well, he's already here, so that's it.
37:47 We'll have to go with him home.
37:48 You'll have a lot to study, won't you?
37:50 No, I'm fine, I'm fine.
37:51 Okay, that's it.
37:54 I mean, that's it.
37:55 It's over, Miguel.
37:57 It's over.
37:58 No, it's over with this.
38:00 Listen to me carefully.
38:01 You can't be here, don't you realize?
38:03 Don't you realize what's going on?
38:06 Don't you see yourself?
38:07 Don't you see yourself?
38:08 Please, please.
38:10 Please.
38:11 You're right.
38:16 I've gone too far, haven't I?
38:18 Yes, that's enough of this.
38:20 You have to stop, you have to calm down, you have to reflect.
38:24 Because otherwise you won't be able to move forward, brother.
38:28 Yes, fuck.
38:29 You're right, but how many ties have they sold like that?
38:32 It's not a matter of ties.
38:34 How can you fool me?
38:37 Arturo with Rosa, but how can I think that?
38:39 We've known each other since we were kids.
38:42 Well, sometimes people...
38:44 Besides being a bad husband, now I'm also a bad colleague.
38:47 What's going on here?
38:48 You don't have to be so high.
38:49 What's going on here, Miguel?
38:50 What's wrong with you?
38:51 Listen to me.
38:52 You're losing your mind.
38:53 Listen to me.
38:54 You and I have known each other since we were kids.
38:55 Fuck, but how can I be?
38:57 I'm crazy, brother.
38:58 Tell me if I'm crazy, fuck.
38:59 No, you're not crazy, Miguel.
39:00 Fuck.
39:01 Look, maybe it's not the best time to tell you, but I have to tell you.
39:05 Arturo...
39:06 Fuck.
39:07 What?
39:09 What?
39:10 It's confirmed.
39:13 It's Arturo.
39:15 What?
39:17 Arturo and Aunt Rosa are in a relationship.
39:19 I just saw it on social media.
39:20 Look.
39:21 What social media?
39:22 Ah.
39:25 On Aunt Rosa's social media, too.
39:27 Ah.
39:28 Miguel, calm down.
39:29 He's wearing this tie that's peculiar.
39:31 Maybe it was this one, the tie you saw.
39:33 Miguel, Miguel, wait.
39:34 Wait, Miguel, wait.
39:36 Ah.
39:37 Hey, next time, look at social media first, okay?
39:39 I'm telling you so you can be like a civil guard.
39:42 Don't forget that I have to talk to you at home.
39:45 Miguel, let's go save.
39:46 Let's go save.
39:47 Yes, let's go, let's go.
39:48 Let's go and talk quietly.
39:49 They're together.
39:50 I told you they were together.
39:51 Let's go.
39:52 Let's go.
39:54 Oh, my God.
39:55 Arturo!
39:57 Miguel.
39:58 Miguel.
40:00 Nothing's going to happen to you.
40:01 Let me go.
40:02 I'm not going to do anything.
40:03 I promise I'm not going to do anything.
40:04 Wait there.
40:05 I'll be right back.
40:06 Miguel, calm down.
40:07 Don't worry, I'll be right back.
40:08 I'll be right back, it's okay.
40:10 What's up, Miguel?
40:14 Are you there?
40:17 I'd like to have a drink with you, but I have a meeting here at the hotel right now.
40:23 Something about politics.
40:26 Okay, okay.
40:28 Okay.
40:29 Arturito.
40:31 Come on, come on.
40:32 What the hell are you waiting for?
40:34 Really?
40:35 Come on.
40:36 Come on.
40:37 Maybe we've rebuilt it a little too much, haven't we?
40:46 [Music]
40:50 [Music]
40:53 [Music]
41:04 [Music]
41:10 [Music]
41:14 [Music]
41:17 [Music]
41:21 [Music]
41:28 [Music]
41:39 [Music]
41:42 Hi, David.
41:48 Yes, yes, I'm back in my room.
41:53 Yes, I'm here.
41:56 No, no, I'm fine.
41:59 Yes, yes.
42:01 No, I'm here, calm.
42:05 No, no, no, you don't have to see me.
42:08 No, no, no.
42:10 Okay, okay, okay, don't worry, don't worry.
42:12 Yes, I promise you, I'm fine.
42:15 [Music]
42:18 [Music]
42:22 [Music]
42:27 [Music]
42:36 [Music]
42:39 Coming.
42:48 Oh, Inoa, you here?
42:54 Yes, that ...
42:56 If I don't ask for the offer ...
42:58 No.
43:00 Yes, it's a joke.
43:02 Lucas, come help your aunt with the suitcases.
43:06 Hello.
43:07 Are you going to stay here with us?
43:09 Well, a few days, but really, what a support.
43:11 Calm down.
43:12 You are the guest, leave him.
43:14 Come in.
43:16 Son, if there is something that bothers me, leave it in my room.
43:20 Well, what a face.
43:23 Has something happened?
43:24 No, I just went to the gynecologist and ...
43:27 Well, they are telling me that ...
43:29 That there is no embryo.
43:32 Yes, the treatment, that it doesn't work and that each step is more difficult.
43:36 Well, I'm sorry.
43:38 I don't know, do you think if you first install yourself, you get comfortable and then ...
43:42 If you want, we can talk about this calmly.
43:45 Thanks.
43:46 Hey, but don't worry, I'm going to stay here for a few days and I'm not going to bother you, really.
43:52 Yes, of course, having a fucking chef at home is a bitch, don't you see?
43:56 Well, I'm really looking for an apartment and nothing, this is solved ...
43:59 There is nothing, there is no "as if you don't look for it". This is your house.
44:03 Thank you, thank you.
44:05 By the way, I have a gift for you.
44:07 Your father and I when we were together, I mean, you don't know what we were arguing about.
44:13 Of course you don't know what to say.
44:15 They are the keys to the house, for you.
44:21 And I think we can try to be a family, right?
44:27 Well, yes.
44:29 Great, we're finally going to have a decent dinner at this house, dad.
44:33 What a waste of time.
44:41 I mean, Paula's trace and we still get a fine.
44:44 Well, we don't eat, this one eats it, it's his thing.
44:47 But how has it been my thing?
44:48 I was the only one who said there was a radar that we were going to ...
44:51 Don't worry, I'll pay for it, because it's all my fault and a bastard, I am too, it's true, and a bastard.
44:58 Oh, poor thing, he's a victim now.
45:00 I'm not becoming a victim. Why don't we leave it to him and focus on finding Paula?
45:04 Well, she's right, that's what we should be doing.
45:07 And what do I do? Call the hospitals?
45:09 No, I think that at this point, the best thing is that I'm going to report him directly for his disappearance.
45:14 It's going to be fine, you'll see.
45:17 I hope so, because if something happens to Paula, I swear to God that I'll tear your head off.
45:22 Dad.
45:23 Paula, honey, you scared me.
45:27 Where have you been, daughter? What happened?
45:30 Sorry, sorry.
45:32 I just needed ...
45:37 Well, can you leave us alone, please?
45:43 Of course, of course.
45:46 What are you doing?
45:48 Are you okay?
45:51 Sit down, please.
46:13 What are you doing? No, there's no one here.
46:16 Before you say anything,
46:33 I just want you to know that I'm sorry and that it didn't mean anything.
46:41 And that when it happened ...
46:43 Well, it happened when you and I were in that crisis.
46:48 We were so bad, so bad.
46:51 So all this happened during our crisis.
46:55 Yes.
46:56 Of course, no.
46:57 What a good way to solve a crisis, of course.
47:01 Sleeping with another person, very well.
47:03 It's a great excuse.
47:05 It's no excuse.
47:06 I was in the shit.
47:08 I was in the shit.
47:10 Ah, what a shame.
47:12 I'm not trying to make you feel bad, Paula.
47:16 I screwed up.
47:19 Yes, I screwed up.
47:20 And I regret it every day.
47:22 You regret it every day?
47:23 Yes.
47:24 And if you regret it every day, why didn't you tell me before?
47:27 Really.
47:28 I honestly think we would have saved a lot.
47:32 I didn't want to hurt you.
47:37 You didn't want to hurt me.
47:39 It was because you're a very good person, right?
47:42 You are a very good person.
47:44 Or are you very cowardly?
47:45 I'm very cowardly.
47:46 Ah, because it seemed to me.
47:48 I didn't want to lose you.
47:50 I don't want to lose you, Paula.
47:53 I see.
47:54 I see.
47:55 Fuck, you are the most important thing in my life.
47:58 You know what, Diego? I don't believe you.
48:01 I don't believe you.
48:04 And what do you want me to do?
48:06 What do you want me to do?
48:07 It's just that...
48:13 I don't care.
48:17 Paula!
48:23 Paula!
48:26 I thought that...
48:30 I don't know, our relationship had improved a little, right?
48:34 It has improved a little, Marta. I don't want to kill you.
48:36 But, besides the fact that you dumped my husband,
48:38 you're still one of those people who have tried to bury my mother, you know?
48:41 Luche, our children are in a relationship.
48:45 But, well, what makes you think that?
48:47 Well, the way they look at each other, they laugh about everything.
48:50 And yesterday I caught them at my house, telling them that I was hitting on you.
48:53 Really?
48:54 Listen, Mom.
48:55 So, you're not going to seduce Arturo, right?
48:58 I've already told you. I'm not going to do anything to Arturo.
49:01 I promised you, didn't I?
49:03 Hello!
49:04 Miguel, what?
49:05 Tell me.
49:06 A hug, Peño?
49:07 What are you doing here?
49:09 I invited him, I told him to come.
49:11 But you told me that you didn't know each other, right?
49:14 I can't keep living with you.
49:16 Do you know why?
49:17 Because I can't trust you, because you're going to mess it up again.
49:20 I would have fucked you if you had messed it up with Marta, right?
49:22 No.
49:23 If we were so close, you could have told me, right?
49:25 And not to mess with her all the time.
49:27 I need us to talk and...
49:30 I need us to talk about you, and I need us to talk about me, and I need us to talk about Marta.
49:34 Of course.
49:35 There's no one in the bathroom.
49:36 Who's in the bathroom?
49:37 Don't lie to me, Diego.
49:39 Who's in the bathroom?
49:40 If this comes to light, it could end in jail.
49:43 You're hiding a crime, Pedro.
49:45 I'm counting on your silence.
49:46 What I always say to you is that what you tell me is useful.
49:51 I also miss our talks.
49:54 What's wrong? Why did you come?
49:56 To stop talking nonsense.
49:58 And to ask you if you want to marry me.
50:00 Son, can you tell me why you didn't delete the fucking video?
50:06 Your uncle has seen it and maybe he's reporting you right now.
50:08 We have to go now.
50:09 Yeah.
50:10 [♪♪♪]
50:13 [♪♪♪]
50:15 (dramatic music)