Mega villain Mukesh Rishi elaborates upon his iconic roles in cult-classics like Sarfarosh, Sooryavansham, Gunda & Koi Mil... Gaya. Fasten Your Seatbelts to catch this high octane sky-rocket experience featuring the Bollywood Baddie, exclusively on Lehren Retro!
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00:00:00 My name is Bulla, I keep the fire.
00:00:02 I and my father had only one scene, we were doing a Telugu film.
00:00:05 So there, I said, "Sir, we get a lot of sunsets."
00:00:09 He said, "Yes, we are also surprised."
00:00:11 And everyone has seen it, I have seen it, a lot of people have seen it and it happens.
00:00:16 Salman also likes to sit in the evening, it used to be a gossip.
00:00:19 So, we also take the initiative that everyone sits.
00:00:21 It's more in the role of the villain.
00:00:23 You must have thought, "I should also become a hero."
00:00:26 I am so good, everything is fine with me.
00:00:28 Gambhir.
00:00:30 Ravan is that, it is very difficult to play him straight on stage.
00:00:35 Because he is sitting inside people.
00:00:37 Okay.
00:00:40 I, Ravan.
00:00:44 When I used to get a chance in between, I used to sit.
00:00:47 He also likes to talk, it is the nature of Amir.
00:00:50 Ranbir is one of the best actors.
00:00:52 The world is accepting.
00:00:54 There is no doubt about it.
00:00:55 And the one whom we worship, the one whom we ask, his house is being built now.
00:00:59 So, sometimes it feels like, "What is this, man?
00:01:01 What kind of country are we in?"
00:01:02 President of America also takes out an hour in the morning.
00:01:05 Our Modi Ji exercises.
00:01:07 I do yoga.
00:01:08 So, sir, like you become a politician in real life,
00:01:11 do you ever have the intention to come to elections in real life,
00:01:14 to become a politician, to work for the country?
00:01:17 No.
00:01:19 Hello friends, you are watching Lehren and my name is Ishan.
00:01:24 So, the person I am going to introduce to you today,
00:01:28 yes, his name is Bulla and he does Khulla.
00:01:33 Yes, Mukesh Rishi sir, welcome.
00:01:36 Hello.
00:01:38 You too, Ishan Gambhir Ji.
00:01:41 You call a lot, right?
00:01:44 Sir, you had to call.
00:01:46 You were shooting in New Zealand.
00:01:48 Then you came and gave us time.
00:01:50 We felt very good.
00:01:51 Thank you.
00:01:52 Thank you, Ishan.
00:01:53 My greetings to you and to your viewers.
00:01:56 So, sir, let's take the first question.
00:01:59 Why did Bulla do Khulla?
00:02:03 He does what the story says.
00:02:07 Bulla also does what Arjun does in the story,
00:02:11 what Suryavansham does in the story,
00:02:14 what Sarfarosh does in the story,
00:02:18 we try to do what the story says.
00:02:23 So, sir, when you did the film Gunda,
00:02:26 the dialogues were a little more dangerous or below the belt.
00:02:31 So, did you feel in that phase that I am doing this film,
00:02:34 how will people feel about its dialogues, what will they feel?
00:02:37 I felt a little bit,
00:02:39 because at that time only two or three people used to make such films.
00:02:43 One of them was Kanti Shah.
00:02:46 He used to make such films.
00:02:48 At that time, I had just come and had played the role of a villain.
00:02:52 And when the film shooting started,
00:02:56 I started talking myself.
00:02:58 Because we didn't get any script.
00:03:01 Nor did I know that I had read it,
00:03:03 that's why I knew, there was nothing like that.
00:03:06 When we reached the set,
00:03:08 when I started speaking the lines,
00:03:11 with the words,
00:03:13 because the words were like that,
00:03:15 practice was very important with them.
00:03:17 Because the lines were not regular.
00:03:20 Yes, if it happened here and there, then it would be different.
00:03:22 Yes, because you had to hold a particular tone.
00:03:24 Because the lines were like that.
00:03:26 And the lines didn't allow you that,
00:03:29 my name is Bulla, I keep it open.
00:03:31 You were not able to allow it like that.
00:03:33 And then, I was not alone.
00:03:35 With me was Shakti Kapoor,
00:03:37 Mohan Joshi,
00:03:39 Harish ji,
00:03:41 everyone was there, so when I saw everyone,
00:03:43 everyone had the same way.
00:03:46 Because all this credit goes to the writer.
00:03:49 Babbar sir was the writer.
00:03:51 Yes, since I started talking to Bulla,
00:03:53 I tried a lot to find him,
00:03:55 I didn't know where he was.
00:03:57 I found out that he was in Mirror Road.
00:03:59 But I couldn't find him.
00:04:01 Because I wanted to congratulate him myself.
00:04:04 When I talked to Bulla,
00:04:06 when he started shooting, I felt that I made a mistake.
00:04:10 And some senior actors also said,
00:04:12 why did you have to do this?
00:04:14 Because I was a new villain,
00:04:17 and at that time I was doing good films, big films.
00:04:20 So I was quiet,
00:04:22 I didn't know why I did it.
00:04:24 So, anyway the film was made,
00:04:29 I felt that why did it happen like this,
00:04:32 why are we saying these lines.
00:04:34 Because it was a different genre.
00:04:36 So, it was released, everything was done.
00:04:40 But after many years,
00:04:42 when computers came,
00:04:44 and people started seeing things on computers,
00:04:47 the first person who told me about Bulla,
00:04:50 on the internet,
00:04:51 was Saif Ali Khan.
00:04:53 Oh!
00:04:54 We were traveling to Hyderabad for a film,
00:04:59 so he asked me,
00:05:01 do you have a film on the internet?
00:05:04 I said no sir.
00:05:05 He said, do you have a film, Bulla?
00:05:07 I said yes.
00:05:08 He said, the young generation has accepted it so much,
00:05:12 that it is the most seen film.
00:05:15 Most heard dialogue.
00:05:17 So he used many such lines,
00:05:19 that people are watching and liking.
00:05:22 And then, it became very popular.
00:05:26 Then, people started calling from abroad.
00:05:29 The young generation,
00:05:31 they also started talking openly.
00:05:33 If we used to go to a function,
00:05:35 they used to call us to say lines.
00:05:37 Then, my thoughts at that time,
00:05:41 made me feel the difference,
00:05:43 that today's generation,
00:05:45 at that time I myself felt,
00:05:47 why am I saying this?
00:05:49 This is not right.
00:05:51 It is your duty.
00:05:53 But when it reached here,
00:05:55 today's generation took it in humor.
00:05:59 They didn't feel bad about anything.
00:06:02 So, this difference occurs sometimes.
00:06:05 The people we think,
00:06:07 what will they think?
00:06:09 That generation,
00:06:10 after 15-20 years,
00:06:11 thinks, what a humor.
00:06:13 So, I think,
00:06:15 from today's few years,
00:06:17 they are seeing Bulla in the same form,
00:06:19 and enjoy him in the same way.
00:06:21 So sir, you had a prediction,
00:06:23 that after 30-25 years,
00:06:25 these dialogues will be so popular,
00:06:27 that everyone will say the same.
00:06:29 No way. Not even in my dreams.
00:06:31 At that time, it was not even possible,
00:06:33 that movies were made in theaters,
00:06:35 and such movies would be made again and again.
00:06:37 If it was possible,
00:06:39 then it was possible in interiors.
00:06:41 But I never thought,
00:06:43 that after so many years,
00:06:45 it will be like this.
00:06:47 Net will spread these things to everyone.
00:06:49 Make memes.
00:06:51 If there was something good in it,
00:06:53 then it was the generation,
00:06:55 who accepted its humor.
00:06:57 And no one thought it was bad.
00:06:59 That, what is there, the audience is enjoying.
00:07:01 Sometimes comedy is like this,
00:07:03 it is said,
00:07:05 it is also done with your body language.
00:07:07 So, I thought it was a mix of all this.
00:07:09 No, that is very good.
00:07:11 Sir, there is a saying in English,
00:07:13 that love at first sight.
00:07:15 So, there is a great director like this,
00:07:17 Priyadarshan Ji,
00:07:19 who made movies like,
00:07:21 Khatta Meetha, Hal Chalye, etc.
00:07:23 So, there was an incident,
00:07:25 that you were going to an office,
00:07:27 and the door was open,
00:07:29 and he met you,
00:07:31 and as soon as he saw you,
00:07:33 he told you that you are selected in my film.
00:07:35 At that time, I had done a course,
00:07:37 with the help of Amadou Matiz Ji
00:07:39 and Roshan Taneja Ji.
00:07:41 So, the people who were with me in the course,
00:07:43 they left around those days,
00:07:45 and some were going east,
00:07:47 and a friend of mine,
00:07:49 reached the production company,
00:07:51 of that company.
00:07:53 He reached there as a dress designer,
00:07:55 when he had done an acting course.
00:07:57 So, there he came to know,
00:07:59 that we are looking for a boy,
00:08:01 who is well built, tall, etc.
00:08:03 So, when he heard this,
00:08:05 he said, "I had a boy with me,
00:08:07 who used to do a course, if you want."
00:08:09 So, in those days, there were no mobile phones,
00:08:11 so he gave me his telephone number,
00:08:13 of his house.
00:08:15 I got a message from his house,
00:08:17 so I called him.
00:08:19 When he saw me,
00:08:21 he felt that
00:08:23 I am worthy of going to the next stage.
00:08:25 He saw me there.
00:08:27 So, he said,
00:08:29 "Priyanj, he is coming,
00:08:31 and the producer is also there,
00:08:33 you go there."
00:08:35 He had an office in Kalina.
00:08:37 Our producer, R Mohan Ji,
00:08:39 was popular with Good Night Mohan,
00:08:41 because he had made a mosquito coil,
00:08:43 which was very popular.
00:08:45 There, I was sitting in his office,
00:08:47 and I was reading,
00:08:49 I was reading the paper,
00:08:51 suddenly I saw,
00:08:53 two shining pairs of shoes,
00:08:55 shining?
00:08:57 Yes.
00:08:59 And all the staff got up,
00:09:01 but I didn't.
00:09:03 I didn't understand what was going on in my mind.
00:09:05 Sir, you had an attitude from the beginning.
00:09:07 No, I didn't have an attitude.
00:09:09 I know English.
00:09:11 I didn't get up. I was in that.
00:09:13 I saw, with the movements of the feet,
00:09:15 that,
00:09:17 that, like,
00:09:19 their extra movement to stand there,
00:09:21 maybe they were for me.
00:09:23 So, he went inside.
00:09:25 He went inside, and called me.
00:09:27 So, Priyanj Ji was inside,
00:09:29 and our producer was there.
00:09:31 So, Priyanj Ji, immediately,
00:09:33 I think, within 40 seconds,
00:09:35 he said, "Yes, you are doing my film."
00:09:37 Oh!
00:09:39 I was surprised,
00:09:41 how could this happen?
00:09:43 We used to struggle,
00:09:45 we used to meet, but this didn't happen.
00:09:47 So,
00:09:49 then he said, "Okay, you come and meet us,
00:09:51 here, in Sun & Sand Hotel."
00:09:53 The cameramen were staying there.
00:09:55 So, Santosh Shivan,
00:09:57 was a very big cameraman.
00:09:59 Then I reached there,
00:10:01 he knocked on their door,
00:10:03 Santosh Ji came out, he saw me.
00:10:05 So, he also did something like that.
00:10:07 He had a beard,
00:10:09 after seeing me, he said, "Okay, okay."
00:10:11 So, I said, "Okay, okay."
00:10:13 So,
00:10:15 many times,
00:10:17 what happens is,
00:10:19 every director,
00:10:21 has a kind of
00:10:23 thought,
00:10:25 a power.
00:10:27 The kind of character they wanted,
00:10:29 I could see that in me.
00:10:31 What to do with that?
00:10:33 Their trust,
00:10:35 their trust in me,
00:10:37 was much more than mine.
00:10:39 That's why they didn't call me for a line.
00:10:41 They didn't call you for a line?
00:10:43 No, they didn't call me for a line.
00:10:45 So, sometimes,
00:10:47 when I used to meet people,
00:10:49 or see people today, I was surprised.
00:10:51 So, when I understood,
00:10:53 I understood that,
00:10:55 for them, the character
00:10:57 that was in their mind,
00:10:59 which was extraordinary, height, weight, well built,
00:11:01 that was very important.
00:11:03 The acting portion,
00:11:05 they knew that the actor
00:11:07 is struggling for that role.
00:11:09 I will get it done.
00:11:11 So, they didn't put any pressure on me.
00:11:13 They didn't tell me
00:11:15 to do this, or that.
00:11:17 They didn't say anything.
00:11:19 So, for that,
00:11:21 I respect Priyanjay a lot.
00:11:23 Sir, in this, your talent
00:11:25 and personality was there, but
00:11:27 would you like to give credit to fate?
00:11:29 As soon as they saw you,
00:11:31 could you have been cast in any of the characters?
00:11:33 I believe one thing,
00:11:35 till date,
00:11:37 I don't give the first place to fate.
00:11:39 I give it
00:11:41 the third place.
00:11:43 I was a small sportsman,
00:11:45 in college, I played cricket.
00:11:47 In Chandigarh.
00:11:49 I was the vice captain there.
00:11:51 So, I have that thing inside me,
00:11:53 that if I am there,
00:11:55 then I reach.
00:11:57 And after reaching, if I get a chance,
00:11:59 then fate is there,
00:12:01 waiting for me.
00:12:03 That's why, today's actors,
00:12:07 they start cursing fate.
00:12:09 No, I don't say that.
00:12:11 Sometimes, you have to reach there.
00:12:13 You can see it there.
00:12:15 If the other person is there,
00:12:17 sometimes, you see,
00:12:19 that people stop you while walking,
00:12:21 or tell someone to work in films.
00:12:23 It has happened.
00:12:25 I saw beautiful girls eating in a restaurant,
00:12:27 so I told them,
00:12:29 meet me, I want to work in films.
00:12:31 It has happened.
00:12:33 So, there, fate may be at the first place.
00:12:35 But, if you don't have the strength
00:12:37 to survive, then fate
00:12:39 automatically goes back.
00:12:41 So,
00:12:43 that time was different, when
00:12:45 very few people used to come,
00:12:47 telling their family.
00:12:49 And they were scared of their family.
00:12:51 What will happen to me?
00:12:53 Someone left engineering,
00:12:55 and came.
00:12:57 So, they were scared.
00:12:59 When they used to get late,
00:13:01 they used to get worried.
00:13:03 What will my family say?
00:13:05 So, that time's struggle
00:13:07 is very different from today's.
00:13:09 Because,
00:13:11 today, it has changed.
00:13:13 Children discuss with their family.
00:13:15 This industry is
00:13:17 accepted.
00:13:19 Earlier, this industry
00:13:21 was not so accepted,
00:13:23 in the school.
00:13:25 Now, a girl can talk to her mother,
00:13:27 or father, that I want to go,
00:13:29 I will do a course, this is my course,
00:13:31 I will come there.
00:13:33 So, it is going on like this.
00:13:35 So, what will happen?
00:13:37 The flow has increased a lot.
00:13:39 When the flow increases,
00:13:41 then your hard work should also
00:13:43 flourish, otherwise you will disappear.
00:13:45 So, this,
00:13:47 in that situation, I did the same.
00:13:49 I followed, I also met people.
00:13:51 I met in many offices.
00:13:53 So, it is not like,
00:13:55 after those offices,
00:13:57 I met in the second, third, fourth film,
00:13:59 I met in the same office, where I used to go.
00:14:01 Whether it was
00:14:03 Feroz Nidayatwala,
00:14:05 or Salim,
00:14:07 or some other, Aamir Khan.
00:14:09 So, that also happened.
00:14:11 But, the first film,
00:14:13 it was complete,
00:14:15 if I could not convince them
00:14:17 with that personality,
00:14:19 then maybe I would not have been able to do it.
00:14:21 Sir, in that film, there were also
00:14:23 Digaj Lok, Shammi Kapoor, Jackie Shroff.
00:14:25 Yes.
00:14:27 And Raj Babbar sir had told you that,
00:14:29 if you wear a Pathani and act like that villain,
00:14:31 then you will overshadow everyone.
00:14:33 He had told me that.
00:14:35 Because he was a senior, and he had read the script.
00:14:37 I had not read it, he asked me,
00:14:39 I said, no sir, I have not read it.
00:14:41 He said, I have read it.
00:14:43 So, this evening,
00:14:45 I got a chance to sit with him.
00:14:47 He said, remember one thing,
00:14:49 that everyone
00:14:51 is famous in this story,
00:14:53 you are not.
00:14:55 Dimple ji is also there.
00:14:57 And, as you said,
00:14:59 Jackie Shroff is there.
00:15:01 Everyone was there,
00:15:03 Vedi sir was there.
00:15:05 So, you have to take care of yourself.
00:15:07 And you understand that,
00:15:09 as soon as you wear a Pathani suit,
00:15:11 forget it, nothing is in front of you.
00:15:13 These were the words.
00:15:15 And those words,
00:15:17 for me,
00:15:19 there is a magic
00:15:21 of words,
00:15:23 that went inside me.
00:15:25 And every person,
00:15:27 somewhere,
00:15:29 when they meet a senior,
00:15:31 then it is very powerful.
00:15:33 When it comes from outside,
00:15:35 it does not make much difference.
00:15:37 But the person with whom the camera is going to be shared,
00:15:39 if you sit with him
00:15:41 and he says something,
00:15:43 then his line
00:15:45 explained me the whole character.
00:15:47 Then I did not need to ask anything.
00:15:49 And my first scene
00:15:51 was also with him.
00:15:53 And in his first scene,
00:15:55 I was also nervous.
00:15:57 And in that scene, Priyan ji
00:15:59 got to know how to manage.
00:16:01 I mean, he was so confirmed about this.
00:16:03 He caught my weakness.
00:16:05 Because,
00:16:07 I was cutting my hair,
00:16:09 Raj ji comes in front,
00:16:11 and looking in front,
00:16:13 if you try,
00:16:15 it does not work.
00:16:17 Look in the mirror and talk,
00:16:19 it does not work.
00:16:21 So, he felt that my eyes
00:16:23 were going towards him.
00:16:25 So, he did not say anything to me.
00:16:27 These things I understood later,
00:16:29 when I had the experience.
00:16:31 He changed the camera a little.
00:16:33 Changed the angle.
00:16:35 So, my eyes did not feel that
00:16:37 because of my nervousness,
00:16:39 my voice was coming and going.
00:16:41 So, he managed that.
00:16:43 So, again, this was his confidence.
00:16:45 He could have told me,
00:16:47 explained to me.
00:16:49 I might have got nervous.
00:16:51 Or there would have been an atmosphere
00:16:53 that the shooting would have stopped,
00:16:55 then he would have explained to me.
00:16:57 Or there would have been 20-25 takes.
00:16:59 He took a different path.
00:17:01 So, the talks that took place
00:17:03 during the shooting,
00:17:05 encouraged me a lot.
00:17:07 I do not think that after that
00:17:09 I would have faced any problem
00:17:11 in the shooting or in the lineup.
00:17:13 -You were absolutely prepared.
00:17:15 -Yes, absolutely.
00:17:17 There was no other choice.
00:17:19 You reached where you were supposed to be.
00:17:21 And to fight there means
00:17:23 either you don't belong,
00:17:25 go, get lost from here.
00:17:27 Or prove it now.
00:17:29 -Absolutely sir, you proved it
00:17:31 and you believed in hard work more.
00:17:33 You showed your way and
00:17:35 you were appreciated. -100%.
00:17:37 -Sir, let me ask you one more question.
00:17:39 Do you eat Kheer?
00:17:41 -Kheer is my favorite.
00:17:43 -We thought so.
00:17:45 You had given someone
00:17:47 a poisoned Kheer 20-25 years ago.
00:17:49 [Laughs]
00:17:51 Then their reaction was a little wrong.
00:17:53 Although the film was a big hit.
00:17:55 -Actually, Kheer is...
00:17:57 If you go from the shooting
00:17:59 at night,
00:18:01 1-2 pm,
00:18:03 the first thing I wanted to eat
00:18:05 was something cold.
00:18:07 Nothing was better than Kheer.
00:18:09 My wife knew it.
00:18:11 She used to make it.
00:18:13 But all Punjabis like Kheer.
00:18:15 -And you...
00:18:17 -That story in
00:18:19 Suryavansham,
00:18:21 sometimes some things
00:18:23 that are seen on screen
00:18:25 become popular among young people.
00:18:27 I think
00:18:29 when that film was released,
00:18:31 after that,
00:18:33 it was shown on TV many times.
00:18:35 When it was shown on TV,
00:18:37 many families watched it.
00:18:39 So, the reactions of kids
00:18:41 were on these small things.
00:18:43 "Do this to feed Kheer."
00:18:45 So, that made it
00:18:47 a little popular.
00:18:49 These were the lines.
00:18:51 -Sir, it comes on Setmax
00:18:53 every week.
00:18:55 And there are many memes.
00:18:57 So, you worked with Thakur Bhanu Pratap Singh,
00:18:59 a legendary mega star.
00:19:01 And your role was also very good.
00:19:03 You were face to face.
00:19:05 So, what was that experience like?
00:19:07 What was the bonding like?
00:19:09 -First of all,
00:19:11 I started with senior people.
00:19:13 They were all big people from the start.
00:19:15 I used to prepare myself.
00:19:17 And
00:19:21 I used to do my best
00:19:23 in the beginning.
00:19:27 Because I believe
00:19:29 that
00:19:31 there will be many stages in your life
00:19:33 as you work.
00:19:35 Every director has his own style
00:19:37 of making you work.
00:19:39 But even today, I consider a director
00:19:41 to be number one.
00:19:43 When I say, "Okay,"
00:19:45 I think it's okay. It should be okay.
00:19:47 That's my system even today.
00:19:49 I don't argue.
00:19:51 So, I used to do
00:19:53 what I could understand.
00:19:55 And I used to feel that
00:19:57 if it didn't work out,
00:19:59 if the director didn't like it,
00:20:01 then it's not right.
00:20:03 If he's okay,
00:20:05 then there's no one better than him.
00:20:07 Because he has his own story.
00:20:09 He has thought about
00:20:11 every actor.
00:20:13 And in the beginning,
00:20:15 there was no power.
00:20:17 And they didn't even say,
00:20:19 "Let's discuss first."
00:20:21 They didn't do that.
00:20:23 Because I used to work with Pranab
00:20:25 who had a lot of mannerisms.
00:20:27 He used to plan for that.
00:20:29 But that wasn't our situation.
00:20:31 -You didn't plan with Amit sir?
00:20:33 -No, it wasn't like that.
00:20:35 He didn't have that kind of character.
00:20:37 So,
00:20:39 what I used to say,
00:20:41 there's a scene in that,
00:20:43 I laughed a lot.
00:20:45 In Suryavanshan,
00:20:47 I used to say to my elders,
00:20:49 "What have you done?"
00:20:51 "You left so much,
00:20:53 you did this and that."
00:20:55 "And look at what he has today."
00:20:57 "People respect you so much,
00:20:59 but you don't respect me at all."
00:21:01 So, when I did the scene,
00:21:03 they needed the same kind of anger.
00:21:05 So, I didn't discuss anything
00:21:07 and I did it.
00:21:09 After doing it,
00:21:11 maybe once
00:21:13 something fumbled,
00:21:15 after that, whatever I did,
00:21:17 they said okay.
00:21:19 From that,
00:21:21 you can understand your character.
00:21:23 So, sometimes,
00:21:25 you don't put so much effort without talking.
00:21:27 There are some lines,
00:21:29 and secondly,
00:21:31 even then, they liked the villain
00:21:33 to be a little loud.
00:21:35 Today's villain has changed,
00:21:37 because the hero has also changed.
00:21:39 Today's villain, hero,
00:21:41 is not very loud,
00:21:43 so hero does that too.
00:21:45 So, I started understanding
00:21:47 what they did,
00:21:49 when they said okay.
00:21:51 Or they had a way,
00:21:53 to do it like this,
00:21:55 or like that,
00:21:57 or like that.
00:21:59 So, we understood that.
00:22:01 So, slowly,
00:22:03 at those steps.
00:22:05 Sir, have you ever met Bachchan sir?
00:22:07 Do you discuss about
00:22:09 the film 'Suryavansham'
00:22:11 and the film 'Ba Kamal'?
00:22:13 We were doing the last film
00:22:15 of Telugu film.
00:22:17 It was the 100th film of Charanjeevi sir.
00:22:19 Oh, Megastar.
00:22:21 Megastar.
00:22:23 So, in that,
00:22:25 I am with Charanjeevi
00:22:27 in a relation,
00:22:29 and Amitji is in the story.
00:22:31 So, in the last,
00:22:33 we are together in one place.
00:22:35 So, there, I said,
00:22:37 Sir, our 'Suryavansham'
00:22:39 is very popular.
00:22:41 He said, yes, we are also surprised.
00:22:43 Everyone has seen it.
00:22:45 Many people have seen it.
00:22:47 And it is also discussed.
00:22:49 So, at that time,
00:22:51 we discussed a little about that film.
00:22:53 And a little,
00:22:55 it was more interesting,
00:22:57 in the evening,
00:22:59 in the hotel where Amitji was,
00:23:01 I was also there.
00:23:03 So, in the evening,
00:23:05 many times, I used to meet him in the gym.
00:23:07 So, there was a gym there.
00:23:09 So, in that hotel,
00:23:11 there was a lot of fun.
00:23:13 But there was happiness.
00:23:15 Whatever we could face,
00:23:17 there was fun, happiness.
00:23:19 So, Sir, you got someone in the film,
00:23:21 you became Inspector Khan.
00:23:23 So, in that, Sir,
00:23:25 that magic, from space to earth,
00:23:27 landed the spaceship in Kasoli.
00:23:29 So, people feel that your body
00:23:31 and height are like Bahubali.
00:23:33 So, from space, he only saw you,
00:23:35 Inspector Khan.
00:23:37 So, that's why he landed the spaceship in Kasoli.
00:23:39 It doesn't happen like that.
00:23:41 It doesn't happen like that.
00:23:43 He landed, we checked.
00:23:45 You went to the jungle,
00:23:47 checked his feet.
00:23:49 You checked his feet,
00:23:51 that place gets burnt.
00:23:53 It was like that.
00:23:55 Then, from that,
00:23:57 we get to know,
00:23:59 that some people landed,
00:24:01 but one of them didn't return.
00:24:03 So, this is a check.
00:24:05 It's not necessary.
00:24:07 So, we check his feet,
00:24:09 because it comes in my hand.
00:24:11 So, that was the lead.
00:24:13 So, we get to know that one didn't go.
00:24:15 So, that's how we trace him,
00:24:17 where he is, who he is.
00:24:19 So, that's the story.
00:24:21 Sir, in that, you worked with
00:24:23 Hrithik Roshan and Rakesh Roshan.
00:24:25 Because, there was a director and an actor.
00:24:27 So, what rapport, bond did you have with them?
00:24:29 How was it, if you could tell us?
00:24:31 Rakesh Roshan is a very simple director.
00:24:33 Sir, why?
00:24:35 Is this his quality?
00:24:37 Why?
00:24:39 Sir, it's his quality, but...
00:24:41 No, no, every actor has an approach.
00:24:43 I found him to be a very easy,
00:24:45 very calm director.
00:24:47 Sometimes,
00:24:49 the ones who were in my and his team,
00:24:51 they felt that,
00:24:53 whatever was needed,
00:24:55 they should do it.
00:24:57 Okay, I'll do this,
00:24:59 I'll show you.
00:25:01 Not like this.
00:25:03 Do whatever you want.
00:25:05 So, in those talks,
00:25:07 sometimes, many actors try.
00:25:09 So, sometimes, they don't need
00:25:11 those things.
00:25:13 There is an inspector,
00:25:15 how much liberty can he have?
00:25:17 So, if we think,
00:25:19 an inspector's approach is like this,
00:25:21 then he tried to do the same.
00:25:23 So, he believes in those things.
00:25:25 So, sometimes, with their talks,
00:25:27 it felt that,
00:25:29 this experiment, without talking,
00:25:31 I'll do this, I'll do that.
00:25:33 So, whatever he used to explain,
00:25:35 if he does the same,
00:25:37 then immediately, it's okay.
00:25:39 So, that's their very
00:25:41 simple approach towards actors.
00:25:43 So, there is no pressure
00:25:45 that you are a famous director
00:25:47 or you are working with an actor.
00:25:49 This reflects your personality.
00:25:51 It has a very good effect
00:25:53 on new people.
00:25:55 It's positive.
00:25:57 You become free.
00:25:59 So, that quality is there.
00:26:01 And sir, with Hrithik Roshan,
00:26:03 how was the experience with him?
00:26:05 Preeti Jinta ji was also there.
00:26:07 Yes, Preeti was also there.
00:26:09 Sometimes, we used to eat together.
00:26:11 Because Rakesh ji liked
00:26:13 that everyone was together.
00:26:15 Yes, we used to eat together.
00:26:17 There were two cars also,
00:26:19 but we used to eat together.
00:26:21 So, we used to get the opportunity
00:26:23 to eat together.
00:26:25 Otherwise, there is a lot of free time
00:26:27 that I might not have.
00:26:29 But Hrithik might have.
00:26:31 Because he has more scenes.
00:26:33 So, he used to get involved again.
00:26:35 And when there are such roles
00:26:37 like Hrithik has done,
00:26:39 then he likes to be in his own mood.
00:26:41 Because,
00:26:43 playing a character
00:26:45 and doing it in a different way,
00:26:47 it becomes a requirement
00:26:49 that you should be in that mood.
00:26:51 You should not get out of that.
00:26:53 You should not become Hrithik.
00:26:55 This happens with actors.
00:26:57 So, the role he was shown
00:26:59 in that movie was similar.
00:27:01 But not a straight role.
00:27:03 So, I think
00:27:05 he used to be
00:27:07 in that mood.
00:27:09 But, wherever he used to meet
00:27:11 with respect, he still
00:27:13 used to say hello.
00:27:15 Sir, it might be that
00:27:17 you might be able to see you
00:27:19 in Krish 4.
00:27:21 It is a very good thing
00:27:23 because it is a kind of film
00:27:25 that can take you forward
00:27:27 like James Bond.
00:27:29 It is of this level.
00:27:31 So, they make it.
00:27:33 But, it is Rakesh ji's.
00:27:35 They don't make it in a hurry.
00:27:37 This is a very big quality of theirs.
00:27:39 When he wants,
00:27:41 when he has heard the story,
00:27:43 that there are such
00:27:45 sit-downs in which,
00:27:47 so, when something becomes good,
00:27:49 when something looks good,
00:27:51 when they make it good,
00:27:53 then only,
00:27:55 people don't rush.
00:27:57 They don't take time.
00:27:59 This is their quality because
00:28:01 they are stable in all ways.
00:28:03 So, they don't need it.
00:28:05 If they want to work with Hrithik,
00:28:07 then Hrithik is available for them.
00:28:09 So, I think it is a very good combination.
00:28:11 Sir, as we know,
00:28:13 you did modelling in the beginning.
00:28:15 You were very good looking.
00:28:17 You are still good looking.
00:28:19 So, you didn't think,
00:28:21 like everyone wants,
00:28:23 that I too would have come as a hero,
00:28:25 would have made the heroine sit behind the bike,
00:28:27 and would have spread my arms in the snowy mountains.
00:28:29 You are more in the role of a villain.
00:28:31 You must have thought,
00:28:33 I should also become a hero.
00:28:35 I am good, everything is good with me.
00:28:37 Hey, Gambhir!
00:28:39 No, nothing like that.
00:28:41 The biggest thing in that is that
00:28:43 I am not from a filmy background.
00:28:45 And,
00:28:47 before coming in films,
00:28:49 I had taken a lot of risks.
00:28:51 Sir, please tell us openly.
00:28:53 I had a family business,
00:28:55 in Bombay and Jammu.
00:28:57 After completing my studies in Jammu,
00:28:59 I came to Bombay.
00:29:01 So, I couldn't do business with my family.
00:29:03 Our work was there.
00:29:05 So, I went abroad.
00:29:07 I did some fashion shows there.
00:29:09 And,
00:29:11 I came back there.
00:29:13 And,
00:29:15 I didn't have
00:29:17 the ability
00:29:19 to take
00:29:21 any more risks.
00:29:23 Because,
00:29:25 you can't think
00:29:27 for years,
00:29:29 that this is not right,
00:29:31 this is not right.
00:29:33 And, the second thing was that
00:29:35 I was honest with my feelings.
00:29:37 I had no intention of going against it.
00:29:39 I would have been confused
00:29:41 if I had a filmy background
00:29:43 or if I had met
00:29:45 or seen heroes.
00:29:47 It wasn't like that.
00:29:49 So, the power
00:29:51 that was being created in me
00:29:53 as an actor,
00:29:55 there was no heroism
00:29:57 in it.
00:29:59 It was a kind of
00:30:01 development in me.
00:30:03 And, for that,
00:30:05 I never lied to anyone.
00:30:07 So, sometimes,
00:30:09 when I used to go to meet people,
00:30:11 there was always a confusion
00:30:13 in their office.
00:30:15 Because,
00:30:17 my combination was rare
00:30:19 in terms of films.
00:30:21 I had small hair,
00:30:23 and my sports look,
00:30:25 my cheeks were like that.
00:30:27 And, at that time,
00:30:29 there were no such villains,
00:30:31 nor heroes.
00:30:33 Hero means, he did
00:30:35 such hair, and villain
00:30:37 had big hair.
00:30:39 And, I never
00:30:41 discussed it
00:30:43 or anyone said,
00:30:45 "When you go, go like this."
00:30:47 I said, "Go like this."
00:30:49 One thing was certain,
00:30:51 the audience would think
00:30:53 that the actor is an actor.
00:30:55 I mean, it happens,
00:30:57 that he looks like
00:30:59 he knows.
00:31:01 Now, where he fits,
00:31:03 they couldn't understand.
00:31:05 They couldn't see him as a hero
00:31:07 nor as a villain.
00:31:09 So, I,
00:31:11 later on, realized that
00:31:13 I didn't change anything.
00:31:15 I did what I had.
00:31:17 I was hungry for that.
00:31:19 I was on fire for that.
00:31:21 I didn't make any changes.
00:31:23 And, even today, I feel
00:31:27 I did the right thing.
00:31:29 You were always evergreen,
00:31:31 constant.
00:31:33 See, what happens is,
00:31:35 if you change yourself,
00:31:37 then you face problems.
00:31:39 You have to be constant somewhere.
00:31:41 It's the requirement of the industry
00:31:43 that there should be
00:31:45 a particular kind of hero.
00:31:47 Today, all the definitions
00:31:49 are over. It's simple.
00:31:51 Anyone can be an actor.
00:31:53 So, those things
00:31:55 were very strong.
00:31:57 And,
00:31:59 ultimately, what happens is,
00:32:01 someone has to choose you.
00:32:03 Then, he will prepare you
00:32:05 and spend money on you.
00:32:07 So, this thought,
00:32:09 his thought,
00:32:11 cannot match yours.
00:32:13 If you are thinking the opposite way.
00:32:15 So, it's better that
00:32:17 the one who chooses you
00:32:19 thinks about you,
00:32:21 that in which way you will fit.
00:32:23 If you go in that mold,
00:32:25 it will be better.
00:32:27 Because you don't have the right
00:32:29 that the one who chooses you
00:32:31 will take your fate to a different place.
00:32:33 It might be good, or it might be bad.
00:32:35 So, I didn't have
00:32:37 any thought
00:32:39 to do all those things.
00:32:41 That I can do this,
00:32:43 it wasn't like that.
00:32:45 I can dance, it wasn't like that.
00:32:47 So, I accepted what was happening.
00:32:49 And, the same God,
00:32:51 who is called fate,
00:32:53 made me do
00:32:55 the same.
00:32:57 So, I think I did the right thing.
00:32:59 You were successful in that.
00:33:01 And, sir, now let's talk about
00:33:03 the movie 'Sarfarosh'.
00:33:05 You played Inspector Salim in that.
00:33:07 Your performance was very good.
00:33:09 So, do you agree that
00:33:11 that film was a turning point for you?
00:33:13 And, you worked with Aamir Khan.
00:33:15 So, what was the journey with him?
00:33:17 And, how was the picture all in all?
00:33:19 The turning point was
00:33:21 because I was doing the film
00:33:23 with Aamir Khan.
00:33:25 When he told me first.
00:33:27 He told me that,
00:33:29 this is a film, I have heard such a story.
00:33:31 This is a role, you will do it.
00:33:33 So, he pre-booked you there.
00:33:35 No, no, he told me the story.
00:33:37 When I got a chance,
00:33:39 we used to sit.
00:33:41 He also likes to talk.
00:33:43 It is Aamir's nature.
00:33:45 So, he talks, there is such a story,
00:33:47 I have heard this, this is the role,
00:33:49 if you do it.
00:33:51 So, I felt that,
00:33:53 a person is thinking
00:33:55 So,
00:33:57 I said, I don't have any problem.
00:33:59 On the contrary,
00:34:01 I am happy that you are saying this.
00:34:03 So, everyone knew this.
00:34:05 Ashutosh Gowarikar sir also knew.
00:34:07 So, he said, he will take the test.
00:34:09 So, I said, take it.
00:34:11 Sir, what will I lose in the test?
00:34:13 So, everyone was a little,
00:34:15 what did you say? I said, I will not lose anything.
00:34:17 Because, till that time,
00:34:19 I had 3-4 films.
00:34:21 I said,
00:34:23 what will I lose?
00:34:25 If I don't get it,
00:34:27 this is it, they didn't like it.
00:34:29 I didn't lose because,
00:34:31 I am not accepting an actor today.
00:34:33 I am learning, doing, doing my best.
00:34:35 So, this approach of mine,
00:34:37 I think, was right.
00:34:39 So, I gave the test.
00:34:41 Those who didn't ask, I didn't force.
00:34:43 Those who said, I said, okay.
00:34:45 They didn't bring anything.
00:34:47 I said, okay, give me 2-4 days.
00:34:49 So, they went.
00:34:51 I sat with the writer, Mr. Patik,
00:34:53 and did the scene.
00:34:55 While doing that,
00:34:57 the cameraman and the director felt that
00:34:59 we got our Salim.
00:35:01 So, while doing that,
00:35:05 I could see in their eyes,
00:35:07 or in their gestures, that the matter is right.
00:35:09 So, that's how
00:35:11 I got this film.
00:35:13 Sir, one more
00:35:15 your film, very famous action film was Garv.
00:35:17 In that,
00:35:19 you played the role of Don Zafar Stupari.
00:35:21 And in that,
00:35:23 you gave 60 crore rupees,
00:35:25 took all the MLA's,
00:35:27 and made your CM, Chief Minister Govind Namdev Sir.
00:35:29 And in that,
00:35:31 the face-off was with Salman Khan Sir,
00:35:33 the king of the box office.
00:35:35 So, tell us about that role.
00:35:37 He had such a strong personality.
00:35:39 And then, with Salman Khan Sir,
00:35:41 how was your on-screen face-off?
00:35:43 I think, when they were doing the film,
00:35:45 I had already done the bond with Salman.
00:35:47 Okay.
00:35:49 So, Salman was at ease with me.
00:35:51 He never felt anything like that.
00:35:53 In that, it was the same.
00:35:55 Salman also likes to sit in the evening,
00:35:57 and we used to chat.
00:35:59 So, he also takes the initiative
00:36:01 that everyone should sit.
00:36:03 It happens. Every actor has his own approach.
00:36:05 So, we meet in the evening,
00:36:07 and sit and chat.
00:36:09 All this used to happen,
00:36:11 it was a little easier.
00:36:13 But Salman was at the top at that time,
00:36:15 and he is still there.
00:36:17 But, to work,
00:36:19 it is best to do it
00:36:21 as best as you can.
00:36:23 Otherwise, if there is any weakness,
00:36:25 the directors are there.
00:36:27 Whether it is the fight master,
00:36:29 or our director,
00:36:31 they guide you,
00:36:33 you do it this way or that way.
00:36:35 They are strict people.
00:36:37 They wanted it to be like that
00:36:39 in their own way.
00:36:41 In that, we had very little say.
00:36:43 They had prepared it themselves.
00:36:45 My character and others' too.
00:36:47 So, in the beginning,
00:36:49 I understood.
00:36:51 Everyone understood
00:36:53 that we have to do as they say.
00:36:55 So, I saw their emotions,
00:36:57 the way they wanted,
00:36:59 the way Rubab wanted,
00:37:01 I followed them.
00:37:03 So, this is also important
00:37:05 for an actor.
00:37:07 Because, what happens is,
00:37:09 the director has heard the story
00:37:11 so many times,
00:37:13 has discussed it so many times,
00:37:15 has written it so many times,
00:37:17 changes, then it comes out,
00:37:19 then it reaches you.
00:37:21 So, many times,
00:37:23 like Sarfarosh too,
00:37:25 I didn't try to do a single line
00:37:27 on my own.
00:37:29 Because, John Matthews
00:37:31 had so much homework for every character.
00:37:33 So, when I saw him doing it,
00:37:35 I used to think,
00:37:37 why should I change the character?
00:37:39 Why should I do this?
00:37:41 When this is so good,
00:37:43 if I do this, it will work.
00:37:45 So, the things I learned
00:37:47 in the beginning with everyone,
00:37:49 I am confirmed on this.
00:37:51 What is the need to be smart
00:37:53 about what is visible
00:37:55 and what is good?
00:37:57 Actors like me don't need it.
00:37:59 You don't over-improvise.
00:38:01 See, your environment tells.
00:38:03 Your environment tells
00:38:05 whether you should do it or not.
00:38:07 There is a need.
00:38:09 Because, our characters,
00:38:11 sometimes, Sarfarosh's character
00:38:13 was not one with which
00:38:15 a lot of experiments could be done.
00:38:17 There was no scene where
00:38:19 he is laughing as soon as he gets home
00:38:21 and is playing with his daughter.
00:38:23 So, there is a straight line.
00:38:25 So, we follow that.
00:38:27 So, my personal life experience
00:38:29 came in handy.
00:38:31 I am not a very
00:38:33 indoor person.
00:38:35 Even today,
00:38:37 I have lived in an open house.
00:38:39 I used to roam outside
00:38:41 with friends.
00:38:43 Someone's father is in the police,
00:38:45 someone is in the army.
00:38:47 So, I have seen all these environments.
00:38:49 So, as an actor,
00:38:51 when your power increases
00:38:53 to grab things,
00:38:55 you get very much
00:38:57 "Oh, yes, I am being grabbed."
00:38:59 You know that you are being seen.
00:39:01 When you go to the market,
00:39:03 you are being grabbed.
00:39:05 So, I may be an actor,
00:39:07 I may be paying attention to a particular person.
00:39:09 How is he behaving?
00:39:11 What is his language?
00:39:13 So, the person next to me may be
00:39:15 looking at something,
00:39:17 what is the arrangement of food?
00:39:19 How should I wear?
00:39:21 What are the glasses?
00:39:23 So, this becomes a part of every person.
00:39:25 That's how you grab things.
00:39:27 So, it keeps getting polished inside you.
00:39:29 Then, the actor comes out time to time.
00:39:31 So, there was not much variety
00:39:33 in such roles.
00:39:35 Yes, we knew the lines.
00:39:37 Like, he doesn't have a family.
00:39:39 Like, we talked about the womb.
00:39:41 So, this man didn't have a family.
00:39:43 He was of the same kind.
00:39:45 He was talking about his own goal.
00:39:47 That my 'dab-dabba' should be made.
00:39:49 I will do this and that.
00:39:51 So, there is not much in that.
00:39:53 But, many times, later,
00:39:55 I got many roles in which
00:39:57 that thing comes.
00:39:59 You can say, "Sir, look at this,
00:40:01 if you feel it's right."
00:40:03 It comes gradually.
00:40:05 So, it's happening to me too, gradually.
00:40:07 Because, I'm working in South India too.
00:40:09 I'm doing it everywhere.
00:40:11 There are upcoming films,
00:40:13 where people may see a different form.
00:40:15 So, it keeps happening.
00:40:17 I haven't rushed for it.
00:40:19 And, sir, if we talk about 'Lagaan'.
00:40:21 'Lagaan' movie even went to the Oscars.
00:40:23 It was a period drama movie.
00:40:25 So, we got to know that
00:40:27 you were going to play a very important role.
00:40:29 But, somehow, it didn't happen.
00:40:31 Anyway, the film has been released for many years.
00:40:33 It was there.
00:40:35 I was offered the role of Sardarji.
00:40:37 But, there was a problem in that.
00:40:41 I had told Amir sir,
00:40:43 personally,
00:40:45 because I was working in South India at that time.
00:40:47 And, the requirement of 'Lagaan'
00:40:51 was that no one could come back
00:40:53 for 3-4 months.
00:40:55 So, I had around 3 films,
00:40:57 which had already started.
00:40:59 So,
00:41:03 the person inside me said
00:41:05 that I should definitely tell.
00:41:07 Because, we have just spoken.
00:41:09 So, I told Amir sir
00:41:11 that this is my situation.
00:41:13 His films are in this place.
00:41:15 So, if I say 3-4,
00:41:17 I feel weird.
00:41:19 How can I say that I won't come for 3 years.
00:41:21 So, Amir thought for a while.
00:41:23 He thought,
00:41:25 whatever I am saying is right.
00:41:27 There is nothing weird.
00:41:29 So, that's how.
00:41:31 Sometimes, it happens that
00:41:33 in respect of each other,
00:41:35 your approach should be straight.
00:41:37 So, I follow these things.
00:41:39 If I send a message to him,
00:41:41 that tell him,
00:41:43 I respect him.
00:41:45 We sat together.
00:41:47 We spent a good time.
00:41:49 I will speak straight.
00:41:51 He understood.
00:41:53 After that,
00:41:55 I was offered a film.
00:41:57 I think, Chaddha.
00:41:59 I couldn't give dates
00:42:01 because I was already committed.
00:42:03 I was abroad.
00:42:05 So, it was the same thing.
00:42:09 I felt that I have to go so far.
00:42:11 If his 4 days are increased,
00:42:13 I was making a film for my son.
00:42:15 So, I said,
00:42:17 this is not right.
00:42:19 So, I told him the same reason.
00:42:21 This is my position.
00:42:23 So, it won't happen.
00:42:25 I think,
00:42:27 I don't do weird things.
00:42:29 I like straight things.
00:42:31 It is better.
00:42:33 Sir, it is known that
00:42:35 you are very honest.
00:42:37 You don't lie.
00:42:39 You said it straight.
00:42:41 I am not honest.
00:42:43 That's how your nature is.
00:42:45 If you don't sleep at night,
00:42:47 what did you do?
00:42:49 I follow myself.
00:42:51 What am I good at?
00:42:53 If I did something
00:42:55 that hurt you at night
00:42:57 or in the evening
00:42:59 that was wrong,
00:43:01 then I should take care of it.
00:43:03 So, I tried like that.
00:43:05 It is fine.
00:43:07 One to one,
00:43:09 when there is so much respect for each other,
00:43:11 it will continue.
00:43:13 Mr. Amir,
00:43:15 it is possible that
00:43:17 you are doing someone else's film
00:43:19 and not yours.
00:43:21 But,
00:43:23 you should respect
00:43:25 the way you talk.
00:43:27 Sir, if you were in Lagaan,
00:43:29 people would have thought
00:43:31 that the British are scared of you.
00:43:33 They never come to India.
00:43:35 No, it is not like that.
00:43:37 It is a story.
00:43:39 It is a film.
00:43:41 We watched it with pride.
00:43:43 What a film!
00:43:45 The whole team of Amir,
00:43:47 their thoughts about the film,
00:43:49 the common man could not understand.
00:43:51 Even the actors could not understand
00:43:53 what would be made.
00:43:55 Because,
00:43:57 after watching the film,
00:43:59 you realize the commitment of the producer
00:44:01 and how strong his thoughts were.
00:44:03 Sir, you came with Gaddar.
00:44:05 Both the films were very good.
00:44:07 Sir, you have worked
00:44:09 all over the country.
00:44:11 You have worked in Telugu industry.
00:44:13 You have done many films.
00:44:15 You have worked with Chiranjeevi sir, Ram Chiranjeevi,
00:44:17 Junior NTR, Mahesh Babu, Ravi Teja.
00:44:19 You have worked with all the big names.
00:44:21 You have worked here as well.
00:44:23 You have worked in Bollywood.
00:44:25 The country is one.
00:44:27 But, what is the difference
00:44:29 between the work culture and style
00:44:31 of both the industries?
00:44:33 You are an engineer.
00:44:35 You can work in
00:44:37 the North and South companies.
00:44:39 You can work in the South companies.
00:44:41 The environment of language
00:44:43 is created when you go to another state.
00:44:45 Technically, it is the same.
00:44:47 Both the industries were better.
00:44:49 They were good.
00:44:51 They had good discipline.
00:44:53 They had good timing.
00:44:55 The shooting used to start on time.
00:44:57 The films used to end on time.
00:44:59 This was their system.
00:45:01 Sometimes,
00:45:03 we used to feel
00:45:05 that the film would be late
00:45:07 or that it would start late.
00:45:09 This was their attitude.
00:45:11 It was not like that there.
00:45:13 Their discipline
00:45:15 did not bother me.
00:45:17 I did not have to adjust
00:45:19 because I was disciplined.
00:45:21 I had to give my body
00:45:23 one and a half hours
00:45:25 every day.
00:45:27 I had to give my body
00:45:29 a day's work.
00:45:31 I had to give my body
00:45:33 a day's work.
00:45:35 I had to give my body
00:45:37 a day's work.
00:45:39 I had to give my body
00:45:41 a day's work.
00:45:43 I still have all these things.
00:45:45 I had not heard much about it.
00:45:47 I had not heard much about it.
00:45:49 I used to reach on time
00:45:51 and when I got to know
00:45:53 the result,
00:45:55 I was encouraged.
00:45:57 I was encouraged.
00:45:59 They felt that
00:46:01 this actor is very disciplined.
00:46:03 They felt that
00:46:05 this actor is very disciplined.
00:46:07 They felt that this actor is very disciplined.
00:46:09 If you call me at 7,
00:46:11 I will be on camera at 7.
00:46:13 If you call me at 7, I will be on camera at 7.
00:46:15 If you call me at 7, I will be on camera at 7.
00:46:17 If you call me at 7, I will be on camera at 7.
00:46:19 If you call me at 7, I will be on camera at 7.
00:46:21 If you call me at 7, I will be on camera at 7.
00:46:23 If you call me at 7, I will be on camera at 7.
00:46:25 If you call me at 7, I will be on camera at 7.
00:46:27 If you call me at 7, I will be on camera at 7.
00:46:29 If you call me at 7, I will be on camera at 7.
00:46:31 I have one principle in my film.
00:46:33 I don't care
00:46:35 whether we are of the same level.
00:46:37 I don't care
00:46:39 whether you come at what time.
00:46:41 I don't care.
00:46:43 If you say
00:46:45 that you will come at 9, I will be there at 9.
00:46:47 Even if you come at 10 or 10.30,
00:46:49 even if you come at 10 or 10.30,
00:46:51 I don't care.
00:46:53 I will do what I am told.
00:46:55 I will do what I am told.
00:46:57 I don't want to follow anyone.
00:46:59 I want to follow my own discipline.
00:47:01 I don't want you to
00:47:03 say anything
00:47:05 to avoid
00:47:07 any kind of
00:47:09 misconduct.
00:47:11 It's simple.
00:47:13 I have made it simple.
00:47:15 Why should I give you a chance
00:47:17 to wait for the senior actor
00:47:19 because of alcohol?
00:47:21 I don't want to listen.
00:47:23 I will come on time.
00:47:25 When I
00:47:27 reached there with the groom,
00:47:29 the system was like that.
00:47:31 But even there,
00:47:33 the actors of Bombay
00:47:35 were alert.
00:47:37 They thought
00:47:39 that I will come on time.
00:47:41 Even today, my reputation is the same.
00:47:43 Sir, did you have any
00:47:45 famous story with any star,
00:47:47 junior, NTR or anyone?
00:47:49 I heard that they came from behind
00:47:51 and hugged you once on the set.
00:47:53 NTR was in the mood.
00:47:55 We were shooting.
00:47:57 It was NTR's film.
00:47:59 They came to meet the unit
00:48:01 when they were around.
00:48:03 That's how you respect.
00:48:05 So,
00:48:07 small things like this happen.
00:48:09 In the end, all are
00:48:11 human beings.
00:48:13 Everyone is very good.
00:48:15 I have worked with everyone.
00:48:17 You have to be respectful.
00:48:19 It's simple.
00:48:21 Your respect is automatic.
00:48:23 When you respect someone,
00:48:25 it becomes automatic.
00:48:27 I am happy that I have worked
00:48:29 with all the seniors.
00:48:31 I am working with their children.
00:48:33 Sir, you work in different languages.
00:48:35 Malayalam, Telugu, Tamil, Hindi, Punjabi.
00:48:37 So, the language,
00:48:39 the style,
00:48:41 the language you have to learn,
00:48:43 how do you learn it?
00:48:45 Do you learn the language?
00:48:47 Do you prepare the dialogues?
00:48:49 How is it?
00:48:51 When I started,
00:48:53 I started with Telugu.
00:48:55 Then I started with Kannada.
00:48:57 Then I got Tamil.
00:48:59 Then I got Malayalam.
00:49:01 After my Hindi film,
00:49:03 immediately the first film
00:49:05 was Malayalam.
00:49:07 So,
00:49:09 they tell you some things.
00:49:11 People have been working
00:49:13 in Bombay for years.
00:49:15 They know.
00:49:17 They tell you how to manage.
00:49:19 They help you.
00:49:21 How many languages do you speak?
00:49:25 I don't speak any language.
00:49:27 I speak only what I know.
00:49:29 But I know
00:49:31 some words of Telugu.
00:49:33 I know the accent.
00:49:35 Malayalam is like this.
00:49:37 You know the tone.
00:49:39 Yes, the tone.
00:49:41 In Kannada, it is spoken like this.
00:49:43 Tamilian is like this.
00:49:45 So, there are some words
00:49:47 that sound like Tamilian.
00:49:49 But what we do,
00:49:51 we have understood some ways.
00:49:53 The main thing is
00:49:55 how can I be effective if I am taken?
00:49:57 And they also know
00:49:59 that this man doesn't know the language.
00:50:01 And it's not a pressure
00:50:03 on me that I don't know.
00:50:05 I have to do only one thing
00:50:07 that he should be happy, whatever I do.
00:50:09 He should not feel that a man,
00:50:11 I mean, you are working
00:50:13 so you are paid. Everything happens.
00:50:15 He should feel that it is worth.
00:50:17 What should I do?
00:50:19 The biggest thing in that was
00:50:21 the language.
00:50:23 So, we tried to learn
00:50:25 the tricks of it.
00:50:27 Then, I felt
00:50:29 that the lines that we spoke
00:50:31 are the language for me.
00:50:33 It is the whole language for me.
00:50:35 You remember it all.
00:50:37 No, I mean, if I spoke four lines
00:50:39 and the four lines are
00:50:41 that you called me, we will sit here
00:50:43 and we will have an interview
00:50:45 and you have to answer the questions.
00:50:47 This is the scene.
00:50:49 So, at that time, don't go far.
00:50:51 Understand that only
00:50:53 as the whole Tamil
00:50:55 and read it.
00:50:57 And then, the camera uncle,
00:50:59 you cannot cheat him.
00:51:01 When he comes in close-up,
00:51:03 then you cannot cheat.
00:51:05 So, when he opens with your lip
00:51:07 and you are closing him,
00:51:09 then you will know everything.
00:51:11 So, we started to catch that.
00:51:13 How to say the words
00:51:15 that the accent will not be 100%
00:51:17 but our lip sync
00:51:19 should match so that
00:51:21 the dubbing should not be difficult.
00:51:23 So,
00:51:25 he taught me some things
00:51:27 and I tried to understand
00:51:29 by myself.
00:51:31 Then, what should I do
00:51:33 that he will like it.
00:51:35 He did well even though he did not know the language.
00:51:37 I won in this.
00:51:39 So, we are still catching him.
00:51:41 Sir, recently a movie came
00:51:43 called Animal.
00:51:45 Ranbir Kapoor is the hero in it
00:51:47 but his work is a little villain.
00:51:49 The movie was very popular.
00:51:51 It has 500 crores views.
00:51:53 It has guns, cars,
00:51:55 people liked it.
00:51:57 And there is one work
00:51:59 which has a lot of blood,
00:52:01 violence, a little torture on women.
00:52:03 So, it will not give a good message
00:52:05 to the society.
00:52:07 I think if there is a movie
00:52:09 which has a lot of violence or action,
00:52:11 it will have a bad effect on the society.
00:52:13 The violence can increase.
00:52:15 It can have a bad effect on the audience.
00:52:17 Do you agree?
00:52:19 I have heard what you are saying.
00:52:21 I have not seen the movie.
00:52:23 I have seen the movie.
00:52:25 The scene in the trailer
00:52:27 that scene
00:52:29 gives me goosebumps.
00:52:31 When the father and son
00:52:33 have goosebumps.
00:52:35 I felt
00:52:37 wow!
00:52:39 In this small trailer
00:52:41 there is a lot of violence.
00:52:43 There are two things.
00:52:45 First,
00:52:47 our self-censorship
00:52:49 has improved a lot.
00:52:51 First,
00:52:53 we used to
00:52:55 take advantage of these things.
00:52:57 Everything was there.
00:52:59 Then you will see
00:53:01 that not many movies are being made.
00:53:03 If you talk about
00:53:05 the violence,
00:53:07 it is taken care of.
00:53:09 But sometimes
00:53:11 some subjects are made
00:53:13 in which the hero plays
00:53:15 a negative role.
00:53:17 So, his actions
00:53:19 look very heavy.
00:53:21 Because who will kill him?
00:53:23 He is a hero.
00:53:25 If I do it, then if there is a hero to kill me,
00:53:27 I automatically become less.
00:53:29 Because this man
00:53:31 needs a hero to kill him.
00:53:33 Who will kill him?
00:53:35 He is doing so much.
00:53:37 So, the sugar is added to it.
00:53:39 When the hero does it,
00:53:43 whether it is Sanjay Dutt's movie,
00:53:45 or the movie 'Choli Ke Peeche Kya Hai'
00:53:49 which he played a role in.
00:53:53 Whenever this happens,
00:53:55 you will feel it a little more.
00:53:59 Because when heroism
00:54:01 is added to action,
00:54:03 and positivity is found
00:54:05 and portrayed,
00:54:07 it becomes very powerful on screen.
00:54:09 There are many such movies.
00:54:13 It may be more.
00:54:17 There may be a little more
00:54:21 sexual part.
00:54:23 I have not seen the movie,
00:54:25 so I do not know.
00:54:27 But I understand that
00:54:29 if a person is making a 3-3.5 hour movie,
00:54:31 then why do not these things
00:54:35 get into his mind?
00:54:37 If I think in a positive way,
00:54:39 if someone is making a 3-3.5 hour movie,
00:54:41 then why do not he feel these things are more?
00:54:45 Why did he not feel it was too much?
00:54:49 Why did he not reduce it?
00:54:51 Then he will have to see the movie as a story.
00:54:53 You cannot say this
00:54:55 is wrong.
00:54:57 I will watch the story.
00:54:59 Why is a 3.5 hour movie
00:55:01 in today's time,
00:55:03 when no one can tolerate
00:55:05 a movie more than 10 minutes,
00:55:07 is a 3.5 hour movie.
00:55:09 Why did he go for it?
00:55:11 Why did he do it?
00:55:13 You have to see it
00:55:15 and then see your personal interest.
00:55:17 I felt it was too much.
00:55:19 All these things will keep happening.
00:55:21 It is not necessary that
00:55:23 he is one of the best actors.
00:55:25 The world believes it.
00:55:27 There is no doubt.
00:55:29 Maybe in future,
00:55:31 he will not feel like doing such movies.
00:55:33 That is the biggest censorship.
00:55:35 Only stories are made.
00:55:37 You find entertainment
00:55:39 with this.
00:55:41 People have seen it.
00:55:43 All over the world.
00:55:45 I will say this about animals,
00:55:47 maybe it is too much.
00:55:49 Maybe there is too much action.
00:55:51 People may feel it is too much.
00:55:53 People may feel it is too much.
00:55:55 But business wise, it is fine.
00:55:57 People's concern is not wrong.
00:55:59 People are saying
00:56:01 both sides are right.
00:56:03 People who did not like it,
00:56:05 are saying it is wrong.
00:56:07 This is a good thing.
00:56:09 We will get a message from here
00:56:11 that it was not right.
00:56:13 I think when an actor
00:56:15 grows in himself,
00:56:17 he experiences it.
00:56:19 Many times,
00:56:21 he feels it is too much.
00:56:23 When the main actor
00:56:25 gets involved in this,
00:56:27 things get settled.
00:56:29 Maybe in future.
00:56:31 He has not done
00:56:33 such a movie.
00:56:35 He is a director.
00:56:37 People like action in South.
00:56:39 Director of South.
00:56:41 People like hand action.
00:56:43 Maybe it is too much.
00:56:45 But I am sure
00:56:47 not all movies are like this.
00:56:49 Not all movies are like this.
00:56:51 Some movies are like this.
00:56:53 Sir, recently you played
00:56:55 Ravan in Delhi's famous
00:56:57 Ram Leela.
00:56:59 Yes.
00:57:01 You must have done it well.
00:57:03 You have a personality.
00:57:05 I have done it for the second time.
00:57:07 For the second time?
00:57:09 Actually, he was behind me.
00:57:11 He told me many times
00:57:13 in the previous years.
00:57:15 He said he is not a stage person.
00:57:17 I said I don't know.
00:57:19 I don't know how to speak.
00:57:21 If you don't lie to yourself,
00:57:23 then I am straight
00:57:25 in this matter.
00:57:27 Then one day, I don't know
00:57:29 how he spoke to me.
00:57:31 I said let's do it.
00:57:33 But if you do it like this,
00:57:35 I will like it.
00:57:37 So I told him to
00:57:39 give me the script first.
00:57:41 And we will
00:57:43 discuss it with the main
00:57:45 people.
00:57:47 If you do it
00:57:49 in Sanskrit,
00:57:51 then it is not
00:57:53 fun.
00:57:55 When an actor speaks,
00:57:57 some people take his words along.
00:57:59 Only then it is fun.
00:58:01 When it is difficult to speak in the language
00:58:03 and the people who understand it don't know Sanskrit,
00:58:05 then do something
00:58:07 that Ram Leela is happening and
00:58:09 it has a good message.
00:58:11 It should not be a joke.
00:58:13 It should be understood by the maximum people.
00:58:15 He gave me
00:58:17 respect and did it.
00:58:19 I did it once before.
00:58:21 And I did it once now.
00:58:23 But he does it on a
00:58:25 big scale.
00:58:27 Many people come and spend a lot.
00:58:29 But the stage
00:58:31 that I used to feel
00:58:33 inside me,
00:58:35 I started enjoying it.
00:58:37 I felt that
00:58:39 I am enjoying it.
00:58:41 Because if you don't enjoy it,
00:58:43 then it is not fun to play such a character.
00:58:45 So I will say that I enjoyed it.
00:58:47 Sir, did it take a lot of time
00:58:49 to prepare?
00:58:51 Costume and all?
00:58:53 Costume is not my work.
00:58:55 It is the work of the producer.
00:58:57 Everything is made on stage.
00:58:59 The master comes and
00:59:01 takes Ravan on the ship.
00:59:03 All those things are there.
00:59:05 We sit and
00:59:07 before going I used to ask him what is there.
00:59:09 So where will it be?
00:59:11 I used to understand the stage.
00:59:13 When the master came, he said
00:59:15 Sir, you have to go 30-40 feet above.
00:59:17 I said, if you are ready, give me a swing.
00:59:19 So we went up.
00:59:21 We do all that
00:59:23 and take care of it.
00:59:25 Was Ravan's laughter also there?
00:59:27 Yes, Ravan's laughter.
00:59:29 I have seen Ravan in my childhood.
00:59:31 Ravan is
00:59:33 on stage, it is very difficult
00:59:35 to play it.
00:59:37 Because it is sitting inside people.
00:59:39 (Laughs)
00:59:41 Really?
00:59:43 Hmm.
00:59:45 I am Ravan.
00:59:47 So I used to play it a little
00:59:49 to make people
00:59:51 enjoy it.
00:59:53 So that it is fun.
00:59:55 That is a different exercise for me.
00:59:57 So while doing it
00:59:59 I enjoyed it.
01:00:01 And now Ram Mandir is also going to be made.
01:00:03 That is great.
01:00:05 It is a matter of great joy.
01:00:07 I can't tell about Mandir.
01:00:09 Whenever a song comes,
01:00:11 we all think that we are in our homes
01:00:13 and the one we worship,
01:00:15 the one we worship, his house is being built now.
01:00:17 So sometimes it feels like, what is this?
01:00:19 What kind of country are we in?
01:00:21 Why is it happening so late?
01:00:23 Sometimes if it gets a little serious,
01:00:25 it feels like a shock.
01:00:27 But whatever is happening, it is very good.
01:00:29 Sir, a film came, Force.
01:00:31 You were there. Anna Reddy played
01:00:33 a dangerous gangster.
01:00:35 And in that, there was John Abraham
01:00:37 and Vidyut Jamwal, who were your younger brothers.
01:00:39 So both of them had 8 pack abs.
01:00:41 You also had 18 inch biceps.
01:00:43 (Laughs)
01:00:45 So when these three were called
01:00:47 the best bodybuilders in the industry,
01:00:49 they were in the same picture.
01:00:51 So sir, what was the atmosphere
01:00:53 of the set, of the body?
01:00:55 It was a very impactful role.
01:00:57 Tell us about that. All three of you were amazing.
01:00:59 No, each one had their own role.
01:01:01 John was in his character.
01:01:05 He is a hero, so he had to show.
01:01:07 So there was a villain in front of him.
01:01:09 I was his senior, his elder brother.
01:01:11 So the way my character was,
01:01:13 there was not much of a body show off.
01:01:15 But the presence that happens,
01:01:17 people know that,
01:01:19 sometimes it is like,
01:01:21 I don't need to establish that he is not powerful.
01:01:23 He is. People know that
01:01:25 he is, he has the equipment.
01:01:27 But we play the character.
01:01:29 So there was no such scene
01:01:31 where I had to show off.
01:01:33 There was no need for that.
01:01:35 But Vidhu Jamwal,
01:01:37 I respect his training.
01:01:39 He went to Jammu for you.
01:01:41 Yes. He was not born in Jammu.
01:01:43 But his mother,
01:01:45 her family lived in Jammu.
01:01:47 His father was in the army.
01:01:49 His mother told me once.
01:01:51 So there is that kind of story.
01:01:55 So in front of him,
01:01:57 both Vidhu and John Abraham,
01:01:59 the fight between them,
01:02:01 people enjoyed that.
01:02:03 Yes, sometimes,
01:02:07 hardworking people,
01:02:09 even from the body,
01:02:11 look hardworking.
01:02:13 It looks good in the shooting.
01:02:15 There was a scene where
01:02:17 John Abraham throws a bike from his hand.
01:02:19 Sir, the director didn't tell you to do it.
01:02:21 You would have thrown it from the same hand.
01:02:23 Everything has a character.
01:02:25 If everyone does the same thing,
01:02:27 where will the film end?
01:02:29 My plus point is that
01:02:37 I can make my body smaller.
01:02:39 What is the difference between
01:02:45 my body and others?
01:02:47 Others are bodybuilders,
01:02:49 I am an athlete.
01:02:51 So it is not like
01:02:53 I don't believe in it.
01:02:55 You won't see my character.
01:02:57 I was here or I was there.
01:02:59 I was not here.
01:03:01 So I take care of these things.
01:03:03 My character should be there.
01:03:05 It should not be high,
01:03:07 then it will be known.
01:03:09 I remember a film,
01:03:11 it was with Abhishek.
01:03:13 In the film, I was shown
01:03:19 Abhishek's brother-in-law.
01:03:21 It was a big film.
01:03:23 They told me that I was coming
01:03:29 in a vest.
01:03:31 I told the director,
01:03:33 let it be.
01:03:35 I said, sir, what you are showing me,
01:03:37 it will change.
01:03:39 Because a well-fit person
01:03:41 is not matched with a body.
01:03:43 So immediately, yes, you are right.
01:03:45 So I come down wearing a shirt.
01:03:47 So Bhoomi Ka Chawla
01:03:49 was the heroine.
01:03:51 Sometimes I say it myself,
01:03:55 I don't care.
01:03:57 Because sometimes you lose.
01:03:59 Your innocence
01:04:01 is gone,
01:04:03 your muscles are gone.
01:04:05 I didn't have the ability to kill everyone.
01:04:07 The story was like that.
01:04:09 So I always try
01:04:11 that my body should not be
01:04:13 in front of me.
01:04:15 That is the requirement.
01:04:17 You will see,
01:04:19 I have never taken off my clothes.
01:04:21 You look so good in clothes.
01:04:23 What is the point of
01:04:25 what is not needed?
01:04:27 If everyone has clothes,
01:04:29 who roams in a vest?
01:04:31 You understand?
01:04:33 My effort is that
01:04:35 the character you are playing,
01:04:37 I have played the role of a grandfather in South India,
01:04:39 so stay the same.
01:04:41 If there is a scene
01:04:43 where still
01:04:45 this grandfather can
01:04:47 surprise anybody,
01:04:49 then we can take advantage of
01:04:51 his movement.
01:04:53 One more
01:04:55 exciting question,
01:04:57 a trick question.
01:04:59 You have become a politician, a minister in many movies.
01:05:01 And even if you don't become a minister,
01:05:03 you are a brother, so your government comes.
01:05:05 So sir, like you became a politician in real life,
01:05:07 do you have any intention
01:05:09 to become a politician in real life
01:05:11 and work for the country?
01:05:13 No.
01:05:15 No.
01:05:17 Is there any reason?
01:05:19 No, no, I don't have any reason.
01:05:21 I do conversing,
01:05:23 I have gone many times for my friends.
01:05:25 But I don't have any reason.
01:05:27 No, no, sir.
01:05:29 I don't think I can become a politician.
01:05:31 No.
01:05:33 Sir, it is a very difficult job.
01:05:35 It is a proper job.
01:05:37 One has to respect that.
01:05:39 If there is no movement,
01:05:41 then I will do it.
01:05:43 No, sir.
01:05:45 A politician is a hope.
01:05:47 You become a hope of that poor man.
01:05:49 Like a politician,
01:05:51 you wear a uniform and become a politician.
01:05:53 You are a hope of that poor man.
01:05:55 How many hopes do you have?
01:05:57 How many will you fulfill?
01:05:59 What difficulties will you face?
01:06:01 Everything comes.
01:06:03 When this happens inside you,
01:06:05 then you face the same difficulties
01:06:07 that when I am shooting somewhere,
01:06:09 it is cold,
01:06:11 temperature is 6 degrees,
01:06:13 clothes are not warm,
01:06:15 so I do it.
01:06:17 We face that difficulty.
01:06:19 I have that.
01:06:21 I am prepared for it.
01:06:23 I don't care where I go,
01:06:25 in what heat.
01:06:27 I enjoy it.
01:06:29 But if I go against it,
01:06:31 then it doesn't work.
01:06:33 Why should I lie to myself?
01:06:35 I don't have any problem.
01:06:37 Everything is not mine.
01:06:39 And what I am doing,
01:06:41 is specialized in it.
01:06:43 Those feelings are inside me.
01:06:45 That's why it's better.
01:06:47 Correct, sir.
01:06:49 Sir, you have a lot of
01:06:51 discussions on Instagram.
01:06:53 You, Vindu Dara Singh,
01:06:55 and your friend, Modi ji.
01:06:57 Not minister.
01:06:59 Rajan Modi.
01:07:01 You dance with him on reels.
01:07:03 I don't understand,
01:07:05 you have a funny side,
01:07:07 tell us about it.
01:07:09 Rajan Modi is the most mischievous
01:07:11 among all.
01:07:13 We were doing a film together.
01:07:15 I was making a film,
01:07:17 I launched a son,
01:07:19 a Punjabi film,
01:07:21 'Needar'.
01:07:23 They were sitting idle.
01:07:25 They were doing something,
01:07:27 then they used to come to me.
01:07:29 I was doing a role with an actor,
01:07:31 he was a producer.
01:07:33 They used to come and
01:07:35 ask me to do something.
01:07:37 I used to tell them,
01:07:39 whatever you want to say,
01:07:41 don't argue with me.
01:07:43 They started making it.
01:07:45 Vindu ji and you.
01:07:47 All three of them.
01:07:49 They used to come and
01:07:51 I used to do it.
01:07:53 Anyway, it kept happening.
01:07:55 Later we followed it.
01:07:57 Then everyone saw some reactions.
01:07:59 People don't know about these things.
01:08:01 Then we said, we will keep it simple.
01:08:03 There is no need to be ready for it.
01:08:05 Just talk nonsense.
01:08:07 They have seen other forms.
01:08:09 They are enjoying this form.
01:08:11 We are also humans.
01:08:13 We also have these children's
01:08:15 behaviors.
01:08:17 We keep making it like that.
01:08:19 Some people like it.
01:08:21 That's how it started.
01:08:23 Sir, your son Raghav Rishi,
01:08:25 he is a great actor.
01:08:27 Do you want him to act in future?
01:08:29 What is your take?
01:08:31 There is no force.
01:08:33 A father tries to
01:08:35 do something.
01:08:37 There is a handover.
01:08:39 If there is interest,
01:08:41 he can offer this.
01:08:43 He had done a film earlier.
01:08:45 I had seen it.
01:08:47 I thought it can be done.
01:08:49 Punjabi is my language.
01:08:51 I thought of making it in Punjabi.
01:08:53 It was a story of father and son.
01:08:55 It was called 'Needer'.
01:08:57 It was released.
01:08:59 Now, we will do as
01:09:01 they wish.
01:09:03 Sir, if
01:09:05 our youth like your body,
01:09:07 can you tell us
01:09:09 your diet, fitness regime,
01:09:11 schedule, to motivate
01:09:13 the youth?
01:09:15 The biggest thing
01:09:17 for youth is
01:09:19 that they are always confused.
01:09:21 Because you have
01:09:23 read so much,
01:09:25 seen so much,
01:09:27 you have seen everything in mobile,
01:09:29 you have seen the bodies,
01:09:31 so you get confused.
01:09:33 Don't get confused.
01:09:35 When you were born,
01:09:37 you were 3 years old,
01:09:39 you went to kindergarten,
01:09:41 you went to school,
01:09:43 then you went to school,
01:09:45 you grew up doing 1, 2, 3, 4, 10, 12.
01:09:47 The body is also like that.
01:09:49 Give time to the body.
01:09:51 There is no limit.
01:09:53 If you take care of it,
01:09:55 it will always take care of you.
01:09:57 If you take care of it,
01:09:59 its thinking will change.
01:10:01 So,
01:10:03 don't get confused.
01:10:05 And I will say one thing,
01:10:07 don't reach
01:10:09 the point
01:10:11 which will take 20 years to make.
01:10:13 Don't reach there.
01:10:15 You will only be there once or twice in life
01:10:17 when you can pass two classes.
01:10:19 You can pass two classes
01:10:21 when you are more mature than necessary.
01:10:23 When you have understood
01:10:25 the basics,
01:10:27 you can pass two classes.
01:10:29 You start jumping.
01:10:31 The body is the thing
01:10:33 which is with you till the breath is going.
01:10:35 So,
01:10:37 don't think that it is made.
01:10:39 My house is made,
01:10:41 I will wash it in a year,
01:10:43 my work is done.
01:10:45 The body is not that thing.
01:10:47 It will be with you till the end of life.
01:10:49 You have to take care of it.
01:10:51 You can't get everything in one day.
01:10:53 It is not possible.
01:10:55 You don't have to think
01:10:57 that you don't have to do anything in the next 20 years.
01:10:59 It is a shadow. Enjoy it.
01:11:01 Feel the need.
01:11:03 What is your need?
01:11:05 What is it?
01:11:07 Why
01:11:09 do you need
01:11:11 John Abraham?
01:11:13 Do you need it?
01:11:15 If you have this,
01:11:17 you can pass 10-12 classes.
01:11:19 Then you will understand
01:11:21 how much effort you have to put in it.
01:11:23 What do you need?
01:11:25 What is your requirement?
01:11:27 How much time you will take?
01:11:29 You should take time.
01:11:31 I think if you follow
01:11:33 and make a goal,
01:11:35 you should achieve goal to goal.
01:11:37 Instead of
01:11:39 thinking that
01:11:41 those who are doing exercise for 30 years
01:11:43 will have big muscles
01:11:45 and you will do it easily.
01:11:47 It is not like that.
01:11:49 Natural range.
01:11:51 You can do it.
01:11:53 But you should understand.
01:11:55 You will know if you do it.
01:11:57 You are studying.
01:11:59 You will not be able to do it.
01:12:01 You will not be able to do it.
01:12:03 You will not be able to do it for more than 1-1.5 hours.
01:12:05 If you do it for 1-1.5 hours,
01:12:07 you will get sleep.
01:12:09 You have to create that power in your body
01:12:11 that in day to day life,
01:12:13 it will add 1.5 hours
01:12:15 to your mind.
01:12:17 It will not get tired.
01:12:19 You have to make your body understand this.
01:12:21 Body is such a powerful thing.
01:12:23 What kind of body is that
01:12:27 which spends all day
01:12:29 in 500 rupees?
01:12:31 It is not special.
01:12:33 It knows.
01:12:35 Body knows
01:12:37 that if I don't do it,
01:12:39 I will not get money.
01:12:41 It has stored that energy.
01:12:43 We are like that.
01:12:45 But we have to make it.
01:12:47 So, those are the small points
01:12:49 that you should respect.
01:12:51 Go and understand.
01:12:55 You will know yourself.
01:12:57 I can do better.
01:12:59 I am enjoying this more.
01:13:01 You have thought it straight.
01:13:03 It will not happen.
01:13:05 Because we don't have life.
01:13:07 If you go to medical,
01:13:09 you go there for 8-10 hours,
01:13:11 how will it happen?
01:13:13 You have to find that time.
01:13:15 Then you will know that
01:13:17 I am getting better.
01:13:19 I will work harder.
01:13:21 Make that kind of goal.
01:13:23 Balance and explore.
01:13:25 Your body cannot be your life.
01:13:27 Your mind too.
01:13:29 There is an actor.
01:13:31 He knows.
01:13:33 I know that I have to save time
01:13:35 because I can ignore
01:13:37 many things.
01:13:39 You cannot.
01:13:41 Because you have to study.
01:13:43 That study is 10-12 hours.
01:13:45 If you want to become IAS,
01:13:47 you study for 16 hours.
01:13:49 You are a politician.
01:13:51 You don't know when time will come.
01:13:53 But those who do, do.
01:13:55 President of America also
01:13:57 does yoga for an hour in the morning.
01:13:59 Our Modi Ji does yoga.
01:14:01 Your body is so powerful.
01:14:03 Use that power in that way.
01:14:05 That power is different.
01:14:07 It is so heavy.
01:14:09 Let it come in first.
01:14:11 Then it will tell you.
01:14:13 Sir, before going,
01:14:15 please share your lineup
01:14:17 for upcoming projects.
01:14:19 What are your projects?
01:14:21 What are they?
01:14:23 There are some things.
01:14:25 Rohit Shetty has a series
01:14:27 on Indian Police.
01:14:29 You have entered the cop universe.
01:14:31 Yes, it has been released.
01:14:33 I have another film in this.
01:14:35 Telugu film,
01:14:37 Sandoz.
01:14:39 There is a big actor
01:14:41 who has a 75th film.
01:14:43 Venkatesh?
01:14:45 Yes, his 75th film.
01:14:47 Then there is a Punjabi film
01:14:49 which will be released in March.
01:14:51 It is called Nanak Naam Jahaaz.
01:14:53 So, there is a variety.
01:14:55 As my system is working,
01:14:57 I keep calling
01:14:59 from wherever I get a call.
01:15:01 Sir, you are such a good actor.
01:15:03 Many people want you.
01:15:05 We want you.
01:15:07 The interview will go on till 9.
01:15:09 But we have to find out
01:15:11 as you said.
01:15:13 So, viewers,
01:15:15 Mukesh Rishi was a dangerous villain.
01:15:17 But after listening to him,
01:15:19 you will feel that he is a true
01:15:21 and a good hero.
01:15:23 And you keep giving us love.
01:15:25 And we will keep introducing you
01:15:27 to more such personalities.
01:15:29 Keep watching Lehren TV.
01:15:31 Namaskar.
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