C-Drama Channel
  • 10 months ago
Transcript
00:00:00 (gunshots)
00:00:02 - Yoo-hoo!
00:00:04 (gunshots)
00:00:07 - Hold it where you're going.
00:00:14 - I'm a hunter.
00:00:15 - Where's your license?
00:00:16 Let's see it.
00:00:16 Go on.
00:00:18 - The rules of the big hunt are quite easy,
00:00:23 yet they are of great importance.
00:00:25 The 21st century shall be the one
00:00:28 that has legalized violence.
00:00:31 Rule number one, each member is obliged
00:00:34 to undertake 10 hunts, five as a hunter,
00:00:38 five as a victim, alternately.
00:00:40 Each pair of hunter and victim is chosen electronically
00:00:43 by a computer in Geneva.
00:00:45 - Hey!
00:00:50 (gunshots)
00:00:53 - Rule number two, the hunter and victim
00:00:57 are together in a room.
00:00:59 The hunter shall know all about his victim.
00:01:01 Name, address, habits too.
00:01:05 (gunshots)
00:01:26 (footsteps)
00:01:28 Rule number three, the victim shall not be told
00:01:32 who his hunter is.
00:01:33 He must find out and kill him.
00:01:37 (gunshots)
00:01:54 Rule number four, the winner of each separate hunt
00:01:58 will win money.
00:02:00 The one who comes out alive after the 10th hunt
00:02:06 shall be proclaimed decathlon.
00:02:09 He shall receive honors and one million dollars.
00:02:15 (upbeat music)
00:02:19 (gunshots)
00:02:21 (upbeat music)
00:02:24 (gunshots)
00:02:26 (gunshots)
00:02:36 (gunshots)
00:02:41 (upbeat music)
00:02:44 (upbeat music)
00:02:46 (upbeat music)
00:02:49 (upbeat music)
00:02:52 (upbeat music)
00:02:55 (upbeat music)
00:02:57 (upbeat music)
00:03:00 (gunshots)
00:03:26 (upbeat music)
00:03:29 - Over here.
00:03:36 (upbeat music)
00:03:40 - What do you want?
00:03:56 - I'm here to see the new show.
00:03:58 - Oh, I see.
00:03:59 - Yes, I'm here to see the new show.
00:04:02 - Oh, I see.
00:04:02 - Yes, I'm here to see the new show.
00:04:04 - Oh, I see.
00:04:05 - Yes, I'm here to see the new show.
00:04:06 - Oh, I see.
00:04:06 - Yes, I'm here to see the new show.
00:04:07 - Oh, I see.
00:04:08 - Yes, I'm here to see the new show.
00:04:09 - Oh, I see.
00:04:10 - Yes, I'm here to see the new show.
00:04:11 - Oh, I see.
00:04:11 - Yes, I'm here to see the new show.
00:04:12 - Oh, I see.
00:04:13 - Yes, I'm here to see the new show.
00:04:14 - Oh, I see.
00:04:15 - Yes, I'm here to see the new show.
00:04:16 - Oh, I see.
00:04:16 (upbeat music)
00:04:19 (upbeat music)
00:04:22 (upbeat music)
00:04:24 (upbeat music)
00:04:27 (upbeat music)
00:04:34 (upbeat music)
00:04:43 (upbeat music)
00:04:53 (upbeat music)
00:04:55 (upbeat music)
00:05:11 (upbeat music)
00:05:13 (upbeat music)
00:05:16 (upbeat music)
00:05:26 (upbeat music)
00:05:38 (upbeat music)
00:05:40 - Take off my mask.
00:05:57 (upbeat music)
00:06:06 (gunshots)
00:06:08 - As a souvenir.
00:06:28 - Is he dead?
00:06:33 - Yeah.
00:06:34 - All in order?
00:06:35 - Yeah.
00:06:36 (audience applauding)
00:06:39 - Congratulations.
00:06:40 - Thank you very much.
00:06:44 - Silence, please, silence.
00:06:47 - Hunter or victim?
00:06:48 - Victim, ninth hunt.
00:06:49 - It's official, all right.
00:06:53 - Put the prize money in my account.
00:06:54 - Only at the Massac Club, my friends,
00:06:56 can we see such amazing and fabulous entertainment.
00:06:59 The only show of its kind in the world.
00:07:01 A genuine victim and a genuine murder
00:07:03 right before your very eyes.
00:07:05 I want to take this opportunity
00:07:07 on behalf of the public of America
00:07:08 to thank the big hunt president
00:07:10 for having kindly given permission
00:07:12 to Miss Carolyn Meredith to kill this gentleman
00:07:15 right here in the club for the enjoyment of all.
00:07:17 (audience applauding)
00:07:20 - Excuse me, excuse me, please, let me through.
00:07:31 Miss Meredith.
00:07:32 - What do you want from me?
00:07:35 - I'm Morton DeWitt, Miss Meredith,
00:07:37 president of the Ming Tea Company of San Francisco.
00:07:39 - Ming Tea, hmm?
00:07:41 - You really put on quite a show, young lady.
00:07:43 - Thank you.
00:07:44 - Would you be at all interested
00:07:47 in tying in your 10th hunt with a TV program?
00:07:50 Could be terrific.
00:07:51 - Terrific?
00:07:52 - You could kill your 10th victim right on camera.
00:07:55 Sweetheart, our commercials for Ming Tea
00:07:58 are seen by millions of people all over the world.
00:08:01 - It could be a marvelous opportunity for you.
00:08:04 - Spectacular.
00:08:05 - Why don't you discuss it with my lawyers?
00:08:08 - Okay, my dear, okay.
00:08:11 (TV static)
00:08:13 - [Announcer] On the beam with Count Del Macalda.
00:08:20 Rider in horse number four,
00:08:24 rider is Armando Velo, winner of last year's show.
00:08:31 (crowd chattering)
00:08:34 (tires screeching)
00:08:42 For the next contender,
00:08:43 Italy's honored to be host to one of Germany's finest riders.
00:08:48 Will Baron von Rachthofen please stand by?
00:08:51 - Baron von Rachthofen, please.
00:08:54 - Baron von Rachthofen.
00:08:56 - The president of the Overseas Equipment Company.
00:09:01 (upbeat music)
00:09:03 - My boots!
00:09:06 (upbeat music)
00:09:09 (upbeat music)
00:09:11 (upbeat music)
00:09:14 (upbeat music)
00:09:16 (upbeat music)
00:09:19 (upbeat music)
00:09:22 (upbeat music)
00:09:24 (upbeat music)
00:09:27 (upbeat music)
00:09:29 (upbeat music)
00:09:40 (crowd applauding)
00:09:57 (upbeat music)
00:09:59 - Baron, no thanks, I'm not in the hunt.
00:10:06 I just wanted to remind you they're waiting for you.
00:10:10 I'll tell the officials you're on your way, good luck.
00:10:26 (gun firing)
00:10:28 - Baron von Rachthofen has withdrawn.
00:10:39 - Victim or hunter?
00:10:51 - Hunter, IT-2929, sixth hunt.
00:10:53 Check.
00:10:56 - Beautiful.
00:10:57 - Thanks.
00:10:58 - Sixth hunt, eh?
00:11:00 - Lucky man.
00:11:01 - He's dead, all right.
00:11:04 - Hunt ministry, over.
00:11:07 - Yes?
00:11:08 - This is 16, reporting regulation killing
00:11:09 location Piazza di Siena.
00:11:11 - Victim's number, please.
00:11:12 - Victim's number is 11-35-62.
00:11:15 - Ladies and gentlemen, we have just been informed
00:11:20 that a big hunt killing was successfully performed
00:11:23 here in our base.
00:11:25 We wish to thank the big hunt ministry.
00:11:27 - Why kill him here, not in Hamburg?
00:11:28 Wasn't that his own city?
00:11:30 - Traveling bores me.
00:11:31 Besides, I knew he'd be here for the horse show.
00:11:33 - But why use such a brutal method as an explosive?
00:11:36 - The baron wore bulletproof underwear.
00:11:37 - You prefer to be a hunter or a victim?
00:11:39 - A hunter.
00:11:40 - Why's that?
00:11:41 - It's easier.
00:11:42 - Now that you've been a hunter,
00:11:43 what will it feel like to be a victim?
00:11:45 - I don't know.
00:11:46 - I'll manage.
00:11:47 - What vitamin do you prefer?
00:11:49 - Z and B.
00:11:50 - 22.
00:11:51 Do you think the big hunt is a valid outlet
00:11:53 for your aggression?
00:11:54 - Yes.
00:11:55 - What's your favorite comic strip?
00:11:57 - The Phantom.
00:11:58 I'm a romantic.
00:11:59 - Yes, you don't seem to be violent or aggressive at all.
00:12:01 - Oh, who knows?
00:12:03 - Do you believe in God?
00:12:04 - Oh, yeah, sure.
00:12:05 - Do you believe in the family?
00:12:06 - Less.
00:12:07 - Do you hope to get through 10 hunts?
00:12:09 - If my nerves hold out, I guess so.
00:12:10 - In other words, you're a coward.
00:12:12 You're afraid of dying, admit it.
00:12:14 - Naturally, I'm a coward.
00:12:15 - Why did you bleach your hair?
00:12:16 - Enough!
00:12:17 Get out of here!
00:12:18 All of you, get out!
00:12:19 - Are you a saint?
00:12:20 - You've got questions for him.
00:12:21 - Who do you think you are?
00:12:23 (children chattering)
00:12:26 - That was an on-the-spot interview
00:12:28 of Marcelo Pelletti,
00:12:29 brought to you by the Big Hunt Ministry.
00:12:31 - Ah, Tommaso, come here.
00:12:33 Good boy.
00:12:34 (chuckles)
00:12:35 You're the only one that understands me.
00:12:37 Come on, come here, come here, eh?
00:12:40 Eh?
00:12:41 Tommaso, go on.
00:12:43 (chuckles)
00:12:44 That's right, you old idiot.
00:12:47 (phone ringing)
00:12:51 (phone ringing)
00:12:54 - Marcelo?
00:12:57 Marcelo?
00:13:01 Know what I dreamed of?
00:13:04 - That you already got your endowment,
00:13:06 but you didn't tell me.
00:13:08 Funny dream, eh?
00:13:09 Know what?
00:13:10 I think I'm going to call your wife.
00:13:12 - At least she'll tell me the truth.
00:13:14 With you, I never know what's going on.
00:13:17 Marcelo?
00:13:18 Marcelo?
00:13:19 Marcelo?
00:13:20 Marcelo?
00:13:22 - Remind all Big Hunt members
00:13:26 an unrenewed license is no license at all.
00:13:30 Do away with wars of the masses.
00:13:33 The Big Hunt knows no class distinction.
00:13:36 Only the Big Hunt can finally give the world
00:13:38 a sense of security.
00:13:40 Become a member of the Big Hunt today.
00:13:43 - Come on, move, move.
00:13:45 Let me go, let me go.
00:13:46 - Keep quiet.
00:13:47 - It was a mistake.
00:13:48 I didn't mean to do it.
00:13:49 - What did he do?
00:13:50 - Instead of killing somebody named Borsini,
00:13:52 he killed a man named Corsini.
00:13:54 That means 30 years in jail.
00:13:55 - An elementary study of history
00:13:56 confirms the validity of the Big Hunt theory.
00:13:59 It is mankind's safety valve.
00:14:01 If the Big Hunt had existed in 1940,
00:14:03 Hitler would have certainly become a member
00:14:05 and there would have been no World War II.
00:14:07 Indeed, the Big Hunt has done away with war
00:14:09 by giving man's violent instincts
00:14:11 a competitive outlet.
00:14:13 Never again will the innocent be molested by the tyrannical.
00:14:17 For at last, man's lust for violence
00:14:19 has been successfully churned.
00:14:22 - Marcello Poletti, collect for sixth hunt.
00:14:26 (footsteps)
00:14:53 - But I got an annulment six days ago.
00:14:55 - Weren't you notified?
00:14:57 - No.
00:14:59 - When did she withdraw it?
00:15:04 - Just this morning.
00:15:07 - If you would do away with the terrible wars of the masses,
00:15:11 become a member of the Big Hunt.
00:15:16 Make your murders legal.
00:15:19 Only the Big Hunt can give the world
00:15:22 a feeling of true security.
00:15:24 An enemy a day keeps the doctor away.
00:15:28 - Don't stop, please. Keep kissing me.
00:15:30 I beg you.
00:15:32 - It's against the rules.
00:15:34 (footsteps)
00:15:38 (gunshot)
00:15:39 - Why have birth control
00:15:41 when you can have death control?
00:15:44 (gunshot)
00:15:45 Live dangerously, but within the law.
00:15:49 If you are suicidal,
00:15:51 the Big Hunt has a special place for you.
00:15:55 - Control, this is 619 reporting a regulation killing
00:15:58 at 1034 AM.
00:15:59 - Where, please?
00:16:00 - On the steps of the Hunt Ministry.
00:16:02 - May I go now?
00:16:03 - Just a minute.
00:16:05 - Live dangerously, but within the law.
00:16:09 - Is that your car?
00:16:11 - Yes.
00:16:12 - Parked on the wrong side of the street.
00:16:14 Gotta give you a ticket.
00:16:15 (ticketing machine)
00:16:20 ♪ We computer seven and eight have chosen ♪
00:16:25 ♪ Miss Caroline Merritt, Miss American ♪
00:16:30 ♪ As hunter number 14,632 ♪
00:16:36 ♪ And senior Marcello Poletti, Italian ♪
00:16:41 ♪ As victim number 14,879 ♪
00:16:48 ♪ Residents of victim Rome, Italy ♪
00:16:52 ♪ Communicate to hunter all relevant data about victim ♪
00:16:58 (static)
00:17:02 (dramatic music)
00:17:07 (static)
00:17:12 (dramatic music)
00:17:17 (singing in foreign language)
00:17:23 (singing in foreign language)
00:17:29 (singing in foreign language)
00:17:34 (singing in foreign language)
00:17:39 (singing in foreign language)
00:17:44 (upbeat music)
00:17:46 (singing in foreign language)
00:17:50 (upbeat music)
00:17:53 (singing in foreign language)
00:17:58 (singing in foreign language)
00:18:02 (water splashing)
00:18:23 (guns firing)
00:18:26 - What a spot.
00:18:36 If we don't find a perfect location
00:18:38 to shoot the commercial in Rome,
00:18:39 we might as well drown ourselves.
00:18:40 - Why not try St. Peter's?
00:18:45 After all, the Pope is American.
00:18:47 - And I should dress as a nun.
00:18:48 - I'm for shooting it in the studio.
00:18:50 - Well, you can push that idea right out of your head.
00:18:53 - That'd be easier in a studio.
00:18:55 - That's the Vatican, isn't it?
00:18:56 Boy, what I'd give to be able to shoot it down there.
00:18:58 - Forget it.
00:18:59 They're against the whole big hunt idea.
00:19:01 - That's too bad, though.
00:19:04 I came here a couple of years ago on my honeymoon
00:19:06 with my, let's see, what was it?
00:19:09 11th wife.
00:19:11 Boy, time flies, doesn't it?
00:19:12 - I still say that we ought to shoot it in the studio.
00:19:18 - Stop cackling about it, will ya?
00:19:19 You come all the way to Rome
00:19:20 and now you wanna shoot it in a studio.
00:19:22 What are you, flaky?
00:19:23 - Hey, that wouldn't be a bad spot.
00:19:25 - But the body could fall in that fountain in the middle.
00:19:27 - Nah, that would never work.
00:19:29 I just saved the day.
00:19:33 You know what the perfect place is?
00:19:35 The Coliseum.
00:19:36 - Hey, that's not bad, not bad.
00:19:38 How about it, if we change the script
00:19:39 and we open the show with a couple of dozen gladiators?
00:19:41 - Steady, boy, steady.
00:19:42 We're on a budget, remember?
00:19:44 - Now, listen, we can bring 'em in
00:19:44 from Yugoslavia for peanuts.
00:19:47 - I think it's a good idea.
00:19:49 Although we have to watch out
00:19:50 they don't smash the equipment and everything.
00:19:53 Say, if we could get him rigged up as a gladiator,
00:19:56 that would really be the greatest.
00:19:58 I like it, I like it.
00:19:59 - And I call Miss Cleopatra.
00:20:03 - Now, what's Cleopatra got to do with the Coliseum?
00:20:06 - Wait a minute, forget about it.
00:20:07 We can't shoot in there, it's full of holes.
00:20:10 - Yeah, maybe you're right.
00:20:11 Well, they just let it go to pot, didn't they?
00:20:14 - Now, what about the chorus?
00:20:15 A midget couldn't dance in there, much less 20 girls.
00:20:20 - Now, we gotta find somewhere else.
00:20:22 - Wait a minute, there it is, Carolyn.
00:20:24 That's where you're gonna kill him, right down there.
00:20:27 - What is it?
00:20:29 - The Temple of Venus.
00:20:31 - May I come in?
00:20:33 - Who are you?
00:20:36 - Oh, don't be afraid.
00:20:37 We're only here to attach your furniture.
00:20:38 How are you, Senor Poletti?
00:20:39 How are you today?
00:20:40 - Fine, fine, come in.
00:20:41 You could have notified me at least.
00:20:46 - I've been completely shanneled and illegalized.
00:20:49 But let's not be too sure of ourselves.
00:20:50 Keep this in mind.
00:20:52 Those who insist on committing homicide--
00:20:53 - Well?
00:20:54 - The law says I can keep my bed.
00:20:56 - You also have the right to a chair
00:20:58 and a table, like last time.
00:21:00 - If you don't mind, take the TV last.
00:21:02 I'm watching a program.
00:21:03 - Yes, the television last, if you want.
00:21:05 I'm a great follower of the Big Hunt.
00:21:07 As a dedicated fan of yours,
00:21:09 I've followed your hunt for many years, and I--
00:21:11 - Shh, shh, shh.
00:21:13 - Washington, in America, a novelty product
00:21:15 for the imaginative hunker, an extraordinary--
00:21:18 - What is this?
00:21:19 What are you doing?
00:21:19 - Taking the furniture.
00:21:20 - Well, then, I'll help you.
00:21:21 - Thank you.
00:21:22 - Marcello, you can go out, darling,
00:21:25 and get me some new furniture.
00:21:26 Oh, no!
00:21:31 Take my classics, no!
00:21:34 Marcello!
00:21:35 Marcello, they're going too far.
00:21:38 You've got to do something.
00:21:40 If you permit them to take our classics, what'll I read?
00:21:43 - I wouldn't be doing my duty if I didn't take it,
00:21:45 because it's an extremely valuable library.
00:21:48 - Marcello, do something!
00:21:49 Wait, I'll help you.
00:21:50 - You realize I have a Flash Gordon in the Gold Kingdom?
00:21:59 - A first edition, valuable work.
00:22:01 - We will show you the victory celebration for Jiu-Tzu,
00:22:04 the third Asian in history to reach the glorious goal
00:22:07 of 10 victorious--
00:22:08 - Oh, the damn hunk.
00:22:09 - Quiet.
00:22:10 - Here are the Hong Kong celebrations in his honor.
00:22:13 (shouting)
00:22:14 All China has risen up as a single person
00:22:16 to honor its new hero.
00:22:18 The parade will last four days,
00:22:20 and he will be awarded all the special privileges
00:22:23 which our society can bestow upon him
00:22:25 for his courage and greatness.
00:22:27 Total tax exemption, a status appeal,
00:22:29 free admission to all theaters,
00:22:31 discounts on railway and airplane fares.
00:22:34 There he goes, passing through the crowds,
00:22:36 Decathlon Jiu-Tzu,
00:22:38 protected by an immense steel umbrella,
00:22:41 sun-shaped to symbolize--
00:22:43 (footsteps)
00:22:45 - Sorry.
00:22:45 Well, see you next time we attach your furniture.
00:22:50 Very sorry about your classic, signora.
00:22:53 - Signorina.
00:22:54 - Good hunting.
00:22:57 - Hello, please send me some samples of neo-gothic furniture.
00:23:01 - We'll pay for it.
00:23:01 - You with what you get from the next hunt.
00:23:03 - And if I die?
00:23:04 - That's what insurance is for.
00:23:05 Sorry, we live at Piazza Fellini, 123.
00:23:10 - Yes, on the top floor.
00:23:12 - Thank you.
00:23:13 - Leave me alone.
00:23:15 Play with Tomaso.
00:23:16 - How old is this Polletti?
00:23:23 - 40.
00:23:24 - Married?
00:23:25 - Yeah.
00:23:26 - How many times?
00:23:28 - Once.
00:23:29 - Once.
00:23:30 Rich?
00:23:36 - I haven't got a cent.
00:23:38 - Well, I wrapped up the Temple of Venus.
00:23:40 We can start any time.
00:23:41 - Under what sign was he born?
00:23:45 - Gemini.
00:23:46 - All liars, you can't trust him.
00:23:48 - I've got him on the monitor, let's go.
00:23:52 - Look at that, just moping around.
00:24:07 Typical Italian.
00:24:08 All he wants to do is goof off in the sun, like a turtle.
00:24:11 - He looks tired.
00:24:15 - Maybe he has trouble sleeping.
00:24:17 Ideal victim.
00:24:19 - I don't trust those lazy types.
00:24:21 You never know what they'll do next.
00:24:23 - What's he picking up?
00:24:27 - It's a doll.
00:24:30 - Maybe he's got sex problems.
00:24:31 - Who knows?
00:24:32 What's going on?
00:24:33 Hey, they're really having a fight.
00:24:35 - Look, it doesn't faze him at all.
00:24:38 - Who are all those guys?
00:24:40 - Ah, they're nothing, artists.
00:24:41 - You think he got the notification?
00:24:46 - That was Sunsi.
00:24:47 - There he goes again.
00:24:50 Same old hangout.
00:24:52 If you hurry up, you can catch him there.
00:24:55 - Information, Hunt Ministry.
00:24:57 I'd like some information, please.
00:24:58 Can you tell me if B-2738, Poletti Marcello,
00:25:03 has received notification of the hunt?
00:25:06 - Affirmative.
00:25:07 He's been notified.
00:25:08 - Are women allowed in?
00:25:10 - Who knows?
00:25:13 But there's a dietetic restaurant with a terrace
00:25:15 where he goes every day.
00:25:17 Anybody can go there.
00:25:19 Go on, hurry up.
00:25:20 You follow them.
00:25:23 - Right.
00:25:24 Hello, hello, hello, over.
00:25:26 - What's the situation, over?
00:25:28 - I'm at the snack bar.
00:25:30 Poletti has arrived and Carolyn's near him
00:25:33 up on the terrace, over.
00:25:34 - Good, keep an eye on them.
00:25:36 - Roger, over and out.
00:25:38 (saxophone music)
00:25:46 (Carolyn laughing)
00:25:54 - What do you want?
00:25:55 - I am all alone here in Rome.
00:25:59 I'd like very much to talk to someone.
00:26:02 - I'm famous for not speaking to people.
00:26:06 My name is Carolyn Meredith.
00:26:08 - All right.
00:26:09 - Are you busy this evening?
00:26:12 - This evening, I'll probably be a dead man.
00:26:15 - Oh.
00:26:18 But you're very brave to expose yourself like this.
00:26:24 - I don't have the money it would take me
00:26:25 to organize an efficient defense.
00:26:28 - Well, if it's a question of saving your life.
00:26:32 (gun firing)
00:26:34 (gun firing)
00:26:35 - No, no, no!
00:26:36 (gun firing)
00:26:41 (gun firing)
00:26:45 (gun firing)
00:26:52 - Excuse me.
00:26:57 - Hey, hey, no, no, you can't, you can't shoot here.
00:27:04 It's not permitted to shoot here, put your gun away.
00:27:05 - It's not permitted, what do you mean?
00:27:06 - It's not permitted since the first of the month.
00:27:08 We put up a big sign over the door.
00:27:10 Find out about the rules before you go on a hunt.
00:27:12 - I'll give you a minute's head start, go on.
00:27:17 - What a life we live.
00:27:20 In hospitals, it's not permitted to shoot.
00:27:23 In restaurants, not permitted.
00:27:24 In churches, not permitted.
00:27:26 At the barbers, it's not permitted.
00:27:27 In the orphanage, it's not permitted.
00:27:29 It's not permitted any place anymore.
00:27:31 What's the good of the hunt anyway?
00:27:33 What a way to earn a living.
00:27:35 - Good luck.
00:27:36 - Thanks.
00:27:37 - Sure.
00:27:37 (upbeat music)
00:27:40 - Excuse me.
00:27:47 But once I saw one that was loaded with a Colt 45.
00:27:52 - In America, we don't have those kind of restrictions.
00:27:56 Every man is allowed to shoot wherever
00:27:58 and whenever he pleases.
00:28:00 - America's another story.
00:28:02 (phone buzzing)
00:28:04 - Answer it.
00:28:05 - Hello?
00:28:08 - Is Marcello Polletti there?
00:28:09 - No, I'm sorry, Mr. Polletti isn't here.
00:28:14 - There.
00:28:15 - Thank you.
00:28:20 - Mr. Polletti.
00:28:27 (upbeat music)
00:28:30 (upbeat music)
00:28:32 (upbeat music)
00:28:35 (upbeat music)
00:28:37 (upbeat music)
00:28:42 (upbeat music)
00:28:45 (upbeat music)
00:28:49 (upbeat music)
00:28:56 (upbeat music)
00:29:00 (soft music)
00:29:08 (soft music)
00:29:11 - I want to relax, please.
00:29:33 - What nationality would you like?
00:29:35 - English.
00:29:36 - Is this a charge?
00:29:36 - No, cash.
00:29:37 - Will you register?
00:29:38 (gun firing)
00:29:41 (soft music)
00:29:43 (soft music)
00:29:46 - Hello, darling.
00:30:11 Would you like something cool to drink, a little music?
00:30:14 This is the first time I've seen you here.
00:30:17 My name is Lisa.
00:30:19 Like that?
00:30:21 What do you usually want?
00:30:24 Any particular atmosphere?
00:30:26 I have a selection of terribly exciting sounds.
00:30:28 How about wolves howling in a storm
00:30:32 or the sound of the sea?
00:30:34 Darling, or would you rather hear a spaceship taking off?
00:30:38 (soft music)
00:30:41 (soft music)
00:30:43 Hard to please, huh?
00:30:46 Come here.
00:30:47 Put your head on my breast.
00:30:49 I know a fairy tale.
00:30:51 It's about a little red riding hood.
00:30:53 Want to hear it?
00:30:53 - Can't you keep quiet?
00:30:55 I want to think.
00:30:57 That's the only reason I'm in this place.
00:30:58 - All I want to do is please you.
00:31:01 If being quiet excites you more, fine.
00:31:04 (soft music)
00:31:09 (soft music)
00:31:11 What do you want anyway?
00:31:23 Why are you following me?
00:31:24 - May I have two minutes with you, please?
00:31:26 - I don't have time.
00:31:27 - Listen. - Why don't you go away?
00:31:29 - I'm here in Rome to make an inquiry
00:31:31 on the sexual behavior of the Italian men.
00:31:34 That's why I'm following you.
00:31:35 - Please leave me alone.
00:31:37 (soft music)
00:31:39 Please.
00:31:45 - Irina, my sexual behavior is my own affair.
00:31:48 - Well, do you know there are eight million
00:31:51 unsatisfied women in America?
00:31:52 I'm making an inquiry
00:31:55 and I would like to ask you some questions.
00:31:58 Then I want an interview on TV at the Temple of Venus.
00:32:01 Will you do it for me?
00:32:04 - Why, big mean.
00:32:07 (soft music)
00:32:09 - Because I prefer to be with a difficult man like you.
00:32:13 Please, please say you'll do it and you come tomorrow.
00:32:29 To the Temple of Venus.
00:32:31 (soft music)
00:32:33 (dramatic music)
00:32:36 (guns firing)
00:33:00 (dramatic music)
00:33:03 - There, that does it.
00:33:09 - Let's see, you've got a pulse of 90.
00:33:11 That's not too bad.
00:33:13 Well, how many shots did you count, Marcello?
00:33:16 Well, I asked you to say how many!
00:33:19 How many shots?
00:33:20 - 23.
00:33:21 - There were 40.
00:33:23 You're out of shape.
00:33:24 - I know, I know.
00:33:25 (guns firing)
00:33:28 (guns firing)
00:33:31 - More firing practice?
00:33:33 - No, no.
00:33:33 (guns firing)
00:33:36 - Marcello, you're a bundle of nerves.
00:33:42 - I'm going to die, I'm sure of it.
00:33:48 - I know you'll die, Marcello.
00:33:50 But the important thing is how one dies.
00:33:55 Like an insect or a samurai.
00:33:58 (guns firing)
00:34:02 - Raise the rifle, imbecile!
00:34:05 (guns firing)
00:34:08 - I was notified that I was a victim 48 hours ago
00:34:14 and nothing's happened.
00:34:16 - Your hunter might not be in Italy yet.
00:34:19 Oh, he's playing a game of nerves.
00:34:22 You got on your bulletproof vest, eh?
00:34:25 Are you armed?
00:34:26 Hey, Marcello, you're beginning to act like a weak sister.
00:34:32 You're feeling sorry for yourself.
00:34:34 It's a long, hard fight.
00:34:36 Only 15 in the world have survived 10 hunts.
00:34:39 (guns firing)
00:34:42 Marcello, wait, you still owe me money.
00:34:48 You do, you do.
00:34:49 You never finished paying for training here in my gymnasium.
00:34:52 You've got to give me the money you owe me.
00:34:54 I won't wait.
00:34:55 - Next time, Professor.
00:34:56 - It's always next time.
00:34:57 If there is a next time.
00:34:59 Touch the arm, touch the arm for luck.
00:35:01 Hey, no, no, no, no, no, no, no, no, no, no.
00:35:05 Hey!
00:35:06 I good hand.
00:35:09 - No curare on it.
00:35:11 - Get out of here, get out of here.
00:35:14 (guns firing)
00:35:16 (dramatic music)
00:35:22 (dramatic music)
00:35:24 - Hello, Carolyn.
00:35:27 - Yes?
00:35:28 - We lost sight of Palletti too.
00:35:30 It's just as well we're not ready
00:35:31 at the Temple of Venus yet.
00:35:33 - A perfect example of disorganization.
00:35:39 - A little disorganization never hurt anybody.
00:35:42 - I'll bet the Roman air is making us lazy.
00:35:45 - Well, be careful.
00:35:47 - I will, don't worry.
00:35:49 (dramatic music)
00:35:51 - I telephoned every damn hotel.
00:36:06 There are two Mexicans at the Excelsior.
00:36:08 The maid says they're unarmed.
00:36:10 I guess a pair of refugees.
00:36:12 And there's a couple of dozen Russians
00:36:15 at the Hotel Ambassador.
00:36:17 I was told they're here to see the Pope.
00:36:19 - Listen, I...
00:36:20 Why don't they collect the bodies in Rome?
00:36:24 - Look at that.
00:36:25 - I'm going to stay at your place a few days.
00:36:28 - You had a fight with Olga?
00:36:29 - No, no.
00:36:31 I just won out.
00:36:33 I'm exhausted.
00:36:34 Look, give me a shot.
00:36:35 - Tell Olga about the annulment yet?
00:36:36 - You think I'm out of my mind?
00:36:37 Come on.
00:36:38 A girl from America's after me to be on a TV show
00:36:43 at the Temple of Venus.
00:36:44 She'll pay me, she said.
00:36:45 - What's her name?
00:36:46 - Jane Meredith.
00:36:47 - Seems strange.
00:36:49 Got anything on her?
00:36:55 - An American.
00:36:56 She's staying at the Hilton with a group of Americans.
00:37:00 Doing something on television, not armed.
00:37:02 - Positive?
00:37:04 - If I weren't positive, would I open my mouth?
00:37:06 Left or right?
00:37:08 - I don't remember.
00:37:09 - You should keep track.
00:37:11 It began a week ago Monday on the left.
00:37:13 All right.
00:37:14 Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday.
00:37:16 The left, here we go.
00:37:17 - Did you find Poletti?
00:37:30 - Yeah, Chet, we found him, all right,
00:37:31 with the sunset worshipers.
00:37:32 - Oh, down on the beach?
00:37:33 - Yeah, Chet, that's right.
00:37:34 - They only congregate at sunset, don't they?
00:37:36 - Yeah.
00:37:37 - I better get Cal on over there right away.
00:37:39 - Plenty of time.
00:37:40 Right now, it looks like Poletti's gonna take a rest
00:37:42 in that shack of his, then he has to get outfitted
00:37:44 for the ceremony, just as long as she gets there
00:37:46 before sunset.
00:37:47 - Right.
00:37:48 - Keep your eyes open.
00:37:49 Keep me posted.
00:37:50 If anything happens.
00:37:52 - Hello, Carolyn.
00:37:53 - Yes, Chet.
00:37:54 - As soon as you can, make a U-turn and head the other way.
00:37:58 - Why?
00:37:59 - Because Poletti is with the sunset worshipers.
00:38:02 - The what?
00:38:03 - The sunset worshipers.
00:38:04 Look at the map we gave you, to the west of Fiumicino.
00:38:07 You've got time till sunset.
00:38:09 - I'll be there.
00:38:11 - Good evening.
00:38:12 - Oh, brothers and sisters.
00:38:25 You're still after that miserable interview?
00:38:27 - It's fun to follow you around.
00:38:29 You're such an unpredictable character.
00:38:32 - Unpredictable, huh?
00:38:33 Well, go with the others.
00:38:34 I'll show you something you've never seen before.
00:38:35 It's no laughing matter.
00:38:36 (laughing)
00:38:39 (gentle music)
00:38:41 - Today, our sunset begins at 7.33.
00:38:51 Meditation on the brother's son.
00:38:54 We are born in this world by chance,
00:38:58 but fortunately we must all die by chance.
00:39:01 This is the last ray of light
00:39:03 which has traveled 145 million kilometers.
00:39:07 Our father is leaving us.
00:39:09 We can see him darkening with our own eyes.
00:39:12 Oh, we must not despair.
00:39:14 Our tears purify us.
00:39:16 They liberate us of the agonies of our daily cares.
00:39:20 In the sweetness of our agony,
00:39:21 let me remind you that as we mourn the passing
00:39:23 of our lifelong friend, our brothers in California
00:39:27 are greeting him as he rises in joy.
00:39:29 Now let us concentrate, my friends.
00:39:31 The moment of departure is at hand.
00:39:33 Let us begin.
00:39:35 Minus 10.
00:39:36 Nine.
00:39:40 Eight.
00:39:41 Seven.
00:39:42 Six.
00:39:44 Five.
00:39:46 Four.
00:39:48 Three.
00:39:49 Two.
00:39:52 One.
00:39:52 (blows raspberry)
00:39:53 - Go away, you fanatic!
00:39:55 Go home and take your sunset somewhere else!
00:39:57 (shouting)
00:40:04 - Get him on his job!
00:40:06 Take your sunset someplace else!
00:40:11 - No, brothers.
00:40:21 No, don't pay attention
00:40:24 to these neorealistic, unkind, and vulgar people.
00:40:27 Cry, my brothers.
00:40:29 Free yourselves.
00:40:30 (moaning)
00:40:35 - That was beautiful.
00:40:36 - What's the matter, crying?
00:40:38 Haven't you ever seen a sunset before?
00:40:40 - Yes, as a child, but I forgot what it was like.
00:40:42 - Brothers, sisters.
00:40:43 (shouting)
00:40:46 Now go, go to the waters, brothers and sisters.
00:40:56 Purify yourselves with the tears of the sea.
00:40:58 I can only be with you in spirit tonight.
00:41:00 Purify yourselves.
00:41:02 Purify yourselves.
00:41:04 - Oh, don't tell me you're crying, too.
00:41:08 - I took a couple of pills that made you cry.
00:41:10 They're pretty good.
00:41:10 The effect must last a quarter of an hour.
00:41:12 - So you really don't believe in what you're saying?
00:41:14 - Sure I do, I have to believe it.
00:41:15 I'm paid 20% of the take.
00:41:17 You should have seen what a success it was
00:41:19 when I started out.
00:41:19 Even the psychiatrists were all for it.
00:41:21 I was on television every night.
00:41:23 But then everything was ruined
00:41:24 by those damn moon-worshipping fanatics.
00:41:27 - Why don't you give it up, then?
00:41:30 - Is this an interview or a simple curiosity?
00:41:33 - One and the other.
00:41:34 - Everything has its price.
00:41:36 How much?
00:41:37 - $300.
00:41:42 $500.
00:41:45 $1,000.
00:41:47 - How long do you expect it'll take?
00:41:52 - One or two hours.
00:41:57 - And where am I supposed to do this?
00:41:59 - At the Temple of Venus, near the Colosseum.
00:42:02 - At this hour?
00:42:03 Isn't it a little late?
00:42:05 - No, they're working all night long.
00:42:07 They have lots of things to do.
00:42:09 - An advance would be nice.
00:42:11 - $500.
00:42:18 - Well, let me get dressed
00:42:21 and we'll leave right away for Rome, okay?
00:42:23 - Okay.
00:42:25 (footsteps thudding)
00:42:28 - There, I knew it.
00:42:46 She's signaling somebody.
00:42:48 This is a perfect spot to kill her.
00:42:50 - But if she isn't your hunter, you'll get 30 years.
00:42:52 - If she is my hunter, everything's fine.
00:42:54 If not, we'll make it look like
00:42:55 she's only some sunset worshiper who drowned.
00:42:57 It happens all the time.
00:42:58 - All right, explain to me why she hasn't tried to kill you.
00:43:00 - I don't know, I don't know.
00:43:01 She's the only one who's been following me.
00:43:03 You explain to me why, since the start of the hunt,
00:43:05 no one else has tried to kill me.
00:43:06 - Why is she stalling around then?
00:43:07 - I know, because she has to kill me
00:43:09 at the Temple of Venus.
00:43:10 She keeps wanting to drag me there.
00:43:11 - Look, Marcello, let's be sure.
00:43:13 I'll go over right now to the Temple of Venus
00:43:14 and look around.
00:43:15 I'll meet you later at Lydia's house.
00:43:17 - In an hour.
00:43:18 - I'll be there.
00:43:20 (car engine rumbling)
00:43:23 - For what reason did you join the hunt club?
00:43:27 - I joined for money, come on, why else would I do it?
00:43:30 What's more, I've always thought
00:43:31 that life was too damn long anyway.
00:43:33 - Age?
00:43:34 - Middle age.
00:43:35 - Profession?
00:43:36 - Oh, anything.
00:43:36 - Are you married?
00:43:39 - Do you know the Sacra Rota?
00:43:40 - No.
00:43:41 - It's a marriage court.
00:43:42 You get married in Italy and you learn all about it.
00:43:45 Three days ago, I received an annulment of my marriage.
00:43:48 You know, it took six years before they granted it to me.
00:43:51 - And now do you expect to marry again?
00:43:52 - No, I'm not that crazy.
00:43:54 - Why?
00:43:55 - Let's not get too curious.
00:43:56 Don't worry, you'll learn everything by and by.
00:43:58 (gentle music)
00:44:01 - Is it because of your peculiar family situation
00:44:13 that you want to die?
00:44:15 If you don't protect yourself,
00:44:16 what kind of a victim are you anyway?
00:44:18 - Don't try to find out everything all at once, all right?
00:44:21 - Will you at least tell me where you brought me?
00:44:26 - My wife's house.
00:44:27 I've got something to take care of.
00:44:28 It won't take long.
00:44:29 - Hey, Coyle, you heard what he said?
00:44:31 - They're coming in a few minutes.
00:44:32 Go get them ready.
00:44:33 - Right.
00:44:34 I practically built this place myself.
00:44:37 Now it all belongs to my wife.
00:44:39 Lidia!
00:44:40 Want music, jazz, or a little opera?
00:44:46 - Piano solo.
00:44:47 - Want an aphrodisiac?
00:44:49 - A moderate one, if you have it.
00:44:53 You keep your stimulants in a safe.
00:44:55 - No, I'm looking for something much more exciting, money.
00:44:58 Enough of that.
00:45:13 Go ahead, help yourself.
00:45:16 - Sorry, but I'm always beat after these sunsets.
00:45:19 You get to a point when you don't know what to do
00:45:22 to earn a living.
00:45:23 Three minutes of relaxation.
00:45:25 - Listen, we have to get to the Temple of Venus.
00:45:41 (gentle music)
00:45:44 - Poletti, hey!
00:45:49 Poletti!
00:45:52 (gentle music)
00:45:54 (gentle music)
00:45:57 (gentle music)
00:46:00 (lasers blasting)
00:46:26 (lasers blasting)
00:46:28 (lasers blasting)
00:46:35 - Oh my heavens, what a beautiful girl.
00:46:40 Come over here, signorina.
00:46:42 Have something with us, a little coffee.
00:46:44 - Coffee, sure.
00:46:44 Maybe she's a spy.
00:46:46 - She's no spy, Henry.
00:46:48 - It's all right, Mama.
00:46:49 So you're spying for the collection center of the age.
00:46:51 I should have known.
00:46:53 - Cello, don't hurt the poor child.
00:46:54 - Yes, I do.
00:46:55 It's not true.
00:46:59 I'm a journalist.
00:47:00 What do I care about your parents?
00:47:02 - The reward money, naturally.
00:47:04 - But what on earth are you doing with your parents anyway?
00:47:09 Why haven't you turned them over to the state?
00:47:11 - In Italy, we're for the family
00:47:14 no matter what the laws are.
00:47:16 Almost no one turns in his parents.
00:47:18 We keep them hidden.
00:47:19 Sometimes we fix them up to look like teenagers.
00:47:23 - Like teenagers? Incredible.
00:47:25 Then you love yours very much.
00:47:27 - No, I'm not the type that follows orders.
00:47:31 If you're not an agent from the center of the age,
00:47:38 you're my hunter, aren't you?
00:47:39 All right, come on, get it over with.
00:47:42 Go ahead.
00:47:46 Why not get it over with?
00:47:48 Right now.
00:47:50 (sighing)
00:47:52 - Why do you have to make such a drama out of everything?
00:47:56 What possible reason could I have to want to kill you?
00:48:00 Oh, I understand the situation you're in,
00:48:02 the hunt, your wife, money,
00:48:04 but don't take it so seriously.
00:48:06 There's nothing worse for your reflexes
00:48:08 than to be worried all the time.
00:48:09 You want me to give you a nice little massage.
00:48:14 I'm good at it, you know.
00:48:15 - Why not?
00:48:16 Tell me how you solved the problem
00:48:17 with the old ones in your family.
00:48:19 - Oh, I was born in Hoboken
00:48:21 at the artificial insemination center.
00:48:23 - You're pretty good at giving massages.
00:48:26 - Are you ticklish?
00:48:27 (laughing)
00:48:29 - Yes.
00:48:30 - That means you're very sexy.
00:48:31 - Regular cyclone.
00:48:33 - Oh, how I envy you.
00:48:34 - How about a little demonstration?
00:48:40 Lie down.
00:48:44 (sighing)
00:48:46 I don't feel a thing.
00:48:53 You can go on as long as you like.
00:48:56 I'm an iceberg.
00:48:57 Yes, you certainly have a good technique.
00:49:11 I should...
00:49:13 I should go take a course in light erotics,
00:49:15 but it's so depressing,
00:49:18 especially the written part.
00:49:20 - Come on, how can I go to work on you
00:49:23 if you don't shut up?
00:49:24 - Marcello.
00:49:39 (sighing)
00:49:42 Marcello.
00:49:49 Sorry to disturb you.
00:49:53 - Oh, Lydia, it's all right.
00:49:58 Caroline, I present my wife, Lydia.
00:50:02 - Ex, ex-wife.
00:50:04 You might have let me know.
00:50:06 Now that I think of it,
00:50:09 no one telephoned Olga,
00:50:11 and I told her that we had finally received the annulment.
00:50:14 Did I do wrong?
00:50:15 - You idiot, now she'll run to apply for a marriage license.
00:50:25 - Of course, after so many years.
00:50:28 Don't forget you always promised her you'd marry her.
00:50:31 She even forced me to be friends with her.
00:50:33 She's always here with me.
00:50:36 - Well, I didn't force her on you.
00:50:37 What a morbid pair you are.
00:50:39 - I feel sorry for her.
00:50:40 She wants to marry you so badly.
00:50:42 Looking for something?
00:50:43 - Yes, my prize money.
00:50:45 - Sorry, darling, I already spent it.
00:50:47 - All of it?
00:50:49 - Of course, the whole thing.
00:50:51 If I'm to remarry someday,
00:50:53 I have to buy myself some pretty things.
00:50:55 And besides, your parents eat like everyone else.
00:51:01 Don't think they don't cost me a lot.
00:51:03 - Too old people.
00:51:06 Want me to hand them over to the state?
00:51:08 - Marcello?
00:51:33 Marcello?
00:51:33 Marcello?
00:51:38 Marcello?
00:51:44 Marcello?
00:51:51 (door creaking)
00:51:54, (door banging)
00:51:59, (door banging)
00:52:04, (door banging)
00:52:09 (door banging)
00:52:24 - Where's Marcello?
00:52:33 - Oh, it's you.
00:52:34 You're why I never see him these days, huh?
00:52:38 I'm going to murder the two of you.
00:52:39 - I'm sorry, but just who are you?
00:52:41 - I've been waiting for the annulment for years,
00:52:44 and now you arrive on the scene.
00:52:46 You're not going to ruin everything for me.
00:52:47 I'm going to murder you.
00:52:49 - What do you want from me?
00:52:49 - I'm just going to stand by and let you take him.
00:52:51 You're out of your mind.
00:52:53 - Not in my house.
00:52:54 Calm down, calm down.
00:52:55 - Stupid idiot.
00:52:57 - Marcello sends you his regards.
00:52:58 He just left.
00:53:00 (Marcello grunts)
00:53:03 - It's not just a simple interview
00:53:06 like that girl tried to make you believe.
00:53:07 I have the impression that there's something more behind it.
00:53:10 For me, it's a trap.
00:53:11 Anyway, you go take a look, but be careful.
00:53:14 - Wait for me here.
00:53:21 - Careful, huh?
00:53:25 (dramatic music)
00:53:28 - Signore, is this the Temple of Venus?
00:53:43 - Yeah, sure.
00:53:45 - Thank you.
00:53:45 - Girls, get ready.
00:53:52 Get ready, come on.
00:53:53 - Sure.
00:53:54 - He's here.
00:53:55 - Why isn't Caroline here?
00:54:02 - Don't worry about it.
00:54:03 She'll be here.
00:54:04 - Come on, girls, we're starting.
00:54:13 Come on, everybody, place it.
00:54:14 - Look here.
00:54:18 I was paid for an interview,
00:54:19 but somehow the girl who asked,
00:54:23 we got separated and lost.
00:54:24 Is it possible to do the interview without the girl?
00:54:26 - No, I'm sorry,
00:54:27 but I think Caroline will be here pretty soon.
00:54:30 Any word from Caroline?
00:54:31 Is she here?
00:54:32 - Yeah, she knows that she should be here.
00:54:33 She's usually very punctual.
00:54:34 - Well, since you're not ready for me yet,
00:54:38 want me to return the advance she gave me?
00:54:40 - Oh, it's not important if we don't have the interview,
00:54:41 but we'll get her.
00:54:42 We're not in a hurry.
00:54:43 Isn't that right, Cole?
00:54:44 - Sure, tonight, tomorrow.
00:54:47 Why don't you hang around for a while?
00:54:48 We'll get it done.
00:54:49 Don't worry about it. - Have a drink of whiskey.
00:54:51 - Vodka tonic?
00:54:52 Oh, by the way, if Senorina Caroline
00:54:54 has any more use for me,
00:54:56 I'll be at the Big Hunt Club tonight.
00:54:58 - She's gonna be here in a few minutes.
00:55:00 Come on. - Hey, listen.
00:55:01 - At the Big Hunt Club at midnight.
00:55:03 - Wait a minute.
00:55:04 - Hold everything.
00:55:09 Kill it.
00:55:10 Come on, girls, down here.
00:55:13 Let's take advantage of this delay
00:55:14 and go over the new stat.
00:55:15 One, two.
00:55:17 - You're right.
00:55:18 The interview on television is just an excuse
00:55:20 for them to bring me here
00:55:21 where their pigs can kill me on a commercial.
00:55:23 - Commercial, huh?
00:55:24 - That's right, quite an idea, isn't it?
00:55:25 - No doubt about it.
00:55:26 The Americans are ahead of us in everything.
00:55:28 (gunshots firing)
00:55:31 - Get out.
00:55:36 - I heard they tried the same sort of thing in Milan.
00:55:38 - The only one here who would go out of his mind
00:55:40 for an idea like this is Count Silvestri.
00:55:42 - What idea?
00:55:43 - I'm going to kill her on a commercial the same way.
00:55:46 - But how can I organize that in one night?
00:55:48 - Come on, that's your business.
00:55:49 I don't care how you do it.
00:55:50 I want you to do it because that's what I'm paying you for.
00:55:52 You understand?
00:55:53 - What do you mean?
00:55:54 You haven't paid me for months.
00:55:54 Let go of me.
00:55:55 - Let go. - You know what's good for you.
00:55:57 - Thanks a lot.
00:55:58 - Come on, get in.
00:55:59 - I still say it's damn near impossible
00:56:05 to organize in one night.
00:56:06 - Hello?
00:56:11 I want to speak to the Comendatore.
00:56:13 - I'll get him for you.
00:56:14 Hold on, please.
00:56:15 - Thank you.
00:56:16 - Hey, we're in luck, he's in.
00:56:17 - Yes, hello.
00:56:19 Go ahead, this is he.
00:56:21 - Comendatore, I'm Cazzo Rossi,
00:56:22 the assistant of Marcello Poletti.
00:56:24 Have you heard of him?
00:56:25 He's a-- - Oh, yes, the hound.
00:56:26 - Yes, the big hound, that's right.
00:56:28 Comendatore, I want to propose to you
00:56:29 a great super publicity stunt for your product.
00:56:32 Picture this, your pool and the crocodile
00:56:35 and the killing of a beautiful girl.
00:56:38 - To me, the idea of killing someone for publicity
00:56:42 amuses me very much.
00:56:43 The thing that might bother me is the fact
00:56:47 that it concerns murdering a girl.
00:56:48 - Why?
00:56:49 - It might have a bad effect on sales.
00:56:50 - Insist.
00:56:51 - Have you considered murdering someone else?
00:56:53 - That's impossible.
00:56:55 Comendatore, did you know that this year
00:56:56 it's said to be in to kill girls?
00:56:58 It's not important who's murdered, but how she's murdered.
00:57:01 - Say that people today want things like that.
00:57:03 - As you know, the only thing they like today
00:57:05 is the spectacular.
00:57:06 - Yes, yes, you're right, but I'd better think it over.
00:57:08 - Comendatore, I'm sorry, but we must be sure.
00:57:10 We can't waste any time.
00:57:12 Is it yes or no?
00:57:12 - All right, then.
00:57:14 Come right over here.
00:57:16 - Wonderful.
00:57:17 - No, come right away.
00:57:18 - Right away.
00:57:19 - He bought it.
00:57:20 He's waiting at his villa.
00:57:21 Come on.
00:57:22 - Out of the way, please.
00:57:23 Out of the way.
00:57:24 Let us pass.
00:57:25 Don't come too close.
00:57:27 It's dangerous to come too close.
00:57:30 Out of the way.
00:57:31 - What an idea.
00:57:32 It's marvelous.
00:57:33 - Come here, please.
00:57:34 Beautiful, huh?
00:57:35 - Put him down.
00:57:37 Careful, careful.
00:57:38 Put him down right by the edge, but be careful.
00:57:42 Careful.
00:57:43 I was told he was to eat a girl.
00:57:45 Nothing to it.
00:57:46 You can relax.
00:57:47 A boy can eat three.
00:57:48 The old boy's got an appetite.
00:57:49 - You sure?
00:57:50 He looks so quiet.
00:57:51 - Oh, Harry, sure.
00:57:52 This one is a terror, believe me.
00:57:53 - How does he do it?
00:57:54 - He gets his prey in his jaws
00:57:55 and snaps the spinal column.
00:57:57 Standard crocodile procedure.
00:57:58 He also has a very special characteristic.
00:58:00 - Characteristic?
00:58:01 - He's the only crocodile in the world
00:58:03 that doesn't shed tears after he eats in the water.
00:58:05 The old fellow's a regular torpedo.
00:58:07 - Tomorrow morning, I leave for Milano.
00:58:10 This little show of yours
00:58:11 shall have to be done tonight or not at all.
00:58:12 - It'll get done.
00:58:13 You may count on it.
00:58:15 - Marcello, the contact.
00:58:16 It's getting very late.
00:58:17 - For now, put the crocodile in the cathedral.
00:58:21 A mere detail, but what slogan do you have for Poletti to say?
00:58:27 - Read it.
00:58:30 - Oh, yes.
00:58:31 Let me see.
00:58:33 At the moment of killing the hunters Carol and Meredith,
00:58:36 the undersigned Marcello Poletti
00:58:38 shall be seen to raise a big glass of your product.
00:58:40 He will smack his lips
00:58:41 and say in a manner that's clear and distinct
00:58:43 after smiling kindly and invitingly the following slogan.
00:58:46 With Coke a 70, you always win.
00:58:48 - Good.
00:58:50 We're ready.
00:58:50 Come along.
00:58:52 You didn't talk money.
00:59:02 Miss Caroline will sit here.
00:59:05 - Look here, are you quite sure it will work?
00:59:11 - Oh, quite sure.
00:59:12 - I want to see for myself.
00:59:14 - Of course.
00:59:15 - Um, you're Caroline.
00:59:17 - Oh, really, I-
00:59:18 - Sit down.
00:59:20 - You're sure the crocodile isn't in there?
00:59:22 - Don't worry.
00:59:22 Over here.
00:59:23 The controls are here.
00:59:24 Don't be nervous.
00:59:25 It's only a test.
00:59:26 Sit still.
00:59:27 You just have to push this button.
00:59:28 - Will you sit down?
00:59:30 - No, please, please.
00:59:31 - Poletti, push the button.
00:59:36 Push the button.
00:59:37 (screaming)
00:59:40 - Go on.
00:59:41 - Oh, no, he's not sure that you're in there.
00:59:44 - He's sure that you're his hunter.
00:59:46 He may suspect, of course, but just suspect.
00:59:50 - Why did he sneak out on me at his wife's house
00:59:52 and then go to the Temple of Venus all alone?
00:59:55 - Like you said, that's a guy in trouble.
00:59:57 He's confused.
00:59:58 He has all those women, all those problems.
01:00:01 You caught a couple of punches, didn't you?
01:00:03 - Yes, but why did he ask for me at the Temple of Venus
01:00:06 when he knew where I was?
01:00:07 - He didn't ask for you.
01:00:08 He just said he had lost sight of you.
01:00:10 - You know when we said that we wouldn't do it without you?
01:00:13 He wanted to give the money back.
01:00:14 - Tell you what I think.
01:00:15 I think we've got this guy just where we want him,
01:00:18 right in our pocket.
01:00:19 - He's too stupid.
01:00:21 - I'm perfectly sure the moment he sees me, he'll shoot.
01:00:24 - Yeah, well, if there's one place you can go,
01:00:25 that's the hunt club, because killing is prohibited there.
01:00:27 You can go there without a worry.
01:00:29 - All right, I'll go.
01:00:32 Get me my dress.
01:00:34 We better dream up something good to mislead him,
01:00:41 to make him think his hunter is someone else.
01:00:44 Pistol.
01:00:47 You will shoot at him without hitting him, understand?
01:00:52 - Yeah, I get it.
01:00:53 - Make sure he doesn't get a good look at you.
01:00:54 - Naturally.
01:00:55 - Really make him think you're his hunter.
01:00:57 - Right.
01:00:59 Come on, Carol, and hurry up, let's go.
01:01:01 - I just got another idea.
01:01:03 Get me a very good-looking man.
01:01:09 (engine rumbling)
01:01:12 (gun firing)
01:01:20 - Hello, can you read me, over?
01:01:34 - What happened?
01:01:35 - I took a couple of shots at him.
01:01:36 What do I do now?
01:01:38 - I'm not going around with you anymore.
01:01:40 (laughing)
01:01:41 - That was just a little joke.
01:01:43 They sent that one to me to confuse the issue.
01:01:45 A real hunter would never have missed at that range.
01:01:47 - Mm-hmm.
01:01:48 - Carol, I want you to get the club soon.
01:01:52 You stay right here and wait.
01:01:53 (gun firing)
01:02:01 (grunting)
01:02:03 (gun firing)
01:02:07 (grunting)
01:02:09 (gun firing)
01:02:11 (grunting)
01:02:13 (clapping)
01:02:41 (gentle music)
01:02:43 - Marcello.
01:03:05 Marcello.
01:03:08 She's here with someone else.
01:03:10 - Someone else?
01:03:11 - Yes, and he's not one of the TV crew.
01:03:13 You don't have much time at four.
01:03:15 She has the date with the crocodile.
01:03:16 - Go away.
01:03:17 - You're a yellow skunk.
01:03:41 A coward.
01:03:41 Not worth stuffing.
01:03:45 (dramatic music)
01:03:48 (dramatic music)
01:03:51 (dramatic music)
01:03:54 (dramatic music)
01:03:56 - Shall I consider myself free?
01:04:23 - No, I'm not going to let you go.
01:04:24 - I'm not going to let you go.
01:04:25 - I'm not going to let you go.
01:04:26 - I'm not going to let you go.
01:04:27 - I'm not going to let you go.
01:04:28 - I'm not going to let you go.
01:04:29 - I'm not going to let you go.
01:04:30 - I'm not going to let you go.
01:04:31 - I'm not going to let you go.
01:04:32 - I'm not going to let you go.
01:04:33 - I'm not going to let you go.
01:04:34 - I'm not going to let you go.
01:04:35 - I'm not going to let you go.
01:04:36 - I'm not going to let you go.
01:04:37 - I'm not going to let you go.
01:04:38 - I'm not going to let you go.
01:04:39 - I'm not going to let you go.
01:04:40 - I'm not going to let you go.
01:04:41 - It's interesting, eh, my little baby Rudy?
01:04:55 But he's nice and simple.
01:04:56 You can keep the advance I gave you.
01:04:59 That solves everything, doesn't it?
01:05:00 - I'm not going to let you go.
01:05:01 - I'm not going to let you go.
01:05:02 - I'm not going to let you go.
01:05:03 - I'm not going to let you go.
01:05:04 - I'm not going to let you go.
01:05:05 - I'm not going to let you go.
01:05:06 - I'm not going to let you go.
01:05:07 - I'm not going to let you go.
01:05:08 - I'm not going to let you go.
01:05:09 - I'm not going to let you go.
01:05:10 - I'm not going to let you go.
01:05:11 - I'm not going to let you go.
01:05:12 - I'm not going to let you go.
01:05:13 - I'm not going to let you go.
01:05:14 - I'm not going to let you go.
01:05:15 - I'm not going to let you go.
01:05:16 - I'm not going to let you go.
01:05:17 - I'm not going to let you go.
01:05:18 - I'm not going to let you go.
01:05:19 - I'm not going to let you go.
01:05:20 - I'm not going to let you go.
01:05:21 - I'm not going to let you go.
01:05:22 - I'm not going to let you go.
01:05:23 - I'm not going to let you go.
01:05:24 - I'm not going to let you go.
01:05:25 - I'm not going to let you go.
01:05:26 - I'm not going to let you go.
01:05:27 - I'm not going to let you go.
01:05:28 - I'm not going to let you go.
01:05:29 - I'm not going to let you go.
01:05:55 - I'm not going to let you go.
01:05:56 - I'm not going to let you go.
01:05:57 - I'm not going to let you go.
01:05:58 - I'm not going to let you go.
01:05:59 - I'm not going to let you go.
01:06:00 - I'm not going to let you go.
01:06:01 - I'm not going to let you go.
01:06:02 - I'm not going to let you go.
01:06:03 - I'm not going to let you go.
01:06:04 - I'm not going to let you go.
01:06:05 - I'm not going to let you go.
01:06:06 - I'm not going to let you go.
01:06:07 - I'm not going to let you go.
01:06:08 - I'm not going to let you go.
01:06:09 - I'm not going to let you go.
01:06:10 - I'm not going to let you go.
01:06:11 - I'm not going to let you go.
01:06:12 - I'm not going to let you go.
01:06:13 - Come on.
01:06:14 - I know a wonderful villa on the Apia Antica with a swimming pool.
01:06:18 - It's beautiful.
01:06:19 - It's beautiful.
01:06:20 - Really?
01:06:21 - Let's go there, huh?
01:06:31 - No.
01:06:32 - I better stay here.
01:06:34 - Sorry.
01:06:35 - Oh, Aunty darling.
01:06:40 - Oh, Aunty darling.
01:06:42 - The crocodile.
01:06:46 - I love effeminates.
01:06:50 - They're ideal friends for a girl.
01:06:52 - They're so amusing.
01:06:54 - Have you ever been one?
01:06:56 - Why this contempt you have for men?
01:06:58 - But I really like them.
01:07:01 - But once we reach a certain point...
01:07:05 - Where are you going?
01:07:07 - It's time.
01:07:08 - I must go to the Temple of Venus.
01:07:11 - What's going on?
01:07:25 - She's doing the interview with the other one.
01:07:29 - But then it's a real interview.
01:07:31 - She's not your hunter at all.
01:07:34 - I bet your real hunter is nobody but the one who shot at you tonight.
01:07:39 - Be careful, Marcello.
01:07:42 - I've been looking at you two.
01:07:45 - You two are falling in love.
01:07:49 - I'm going to the Temple of Venus.
01:07:52 - I'm going to the Temple of Venus.
01:07:55 - I'm going to the Temple of Venus.
01:07:58 - I'm going to the Temple of Venus.
01:08:01 - I'm going to the Temple of Venus.
01:08:04 - I'm going to the Temple of Venus.
01:08:07 - I'm going to the Temple of Venus.
01:08:10 - I'm going to the Temple of Venus.
01:08:13 - I'm going to the Temple of Venus.
01:08:16 - I'm going to the Temple of Venus.
01:08:19 - I'm going to the Temple of Venus.
01:08:22 - I'm going to the Temple of Venus.
01:08:25 - I'm going to the Temple of Venus.
01:08:28 - I'm going to the Temple of Venus.
01:08:31 - I'm going to the Temple of Venus.
01:08:34 - I'm going to the Temple of Venus.
01:08:37 - I'm going to the Temple of Venus.
01:08:40 - I'm going to the Temple of Venus.
01:08:43 - I'm going to the Temple of Venus.
01:08:46 - I'm going to the Temple of Venus.
01:08:49 - I'm going to the Temple of Venus.
01:08:52 - I'm going to the Temple of Venus.
01:08:55 - I'm going to the Temple of Venus.
01:08:58 - I'm going to the Temple of Venus.
01:09:01 - I'm going to the Temple of Venus.
01:09:04 - I'm going to the Temple of Venus.
01:09:07 - I'm going to the Temple of Venus.
01:09:10 - I'm going to the Temple of Venus.
01:09:13 - I'm going to the Temple of Venus.
01:09:16 - I'm going to the Temple of Venus.
01:09:19 - I'm going to the Temple of Venus.
01:09:22 - I'm going to the Temple of Venus.
01:09:25 - I'm going to the Temple of Venus.
01:09:28 - I'm going to the Temple of Venus.
01:09:31 - I'm going to the Temple of Venus.
01:09:34 - I'm going to the Temple of Venus.
01:09:37 - I'm going to the Temple of Venus.
01:09:40 - I'm going to the Temple of Venus.
01:09:43 - I'm going to the Temple of Venus.
01:09:46 - I'm going to the Temple of Venus.
01:09:49 - I'm going to the Temple of Venus.
01:09:52 - I'm going to the Temple of Venus.
01:09:55 - I'm going to the Temple of Venus.
01:09:58 - I'm going to the Temple of Venus.
01:10:01 - I'm going to the Temple of Venus.
01:10:04 - I'm going to the Temple of Venus.
01:10:07 - I'm going to the Temple of Venus.
01:10:10 - I'm going to the Temple of Venus.
01:10:13 - I'm going to the Temple of Venus.
01:10:16 - I'm going to the Temple of Venus.
01:10:19 - I'm going to the Temple of Venus.
01:10:22 - I'm going to the Temple of Venus.
01:10:25 - I'm going to the Temple of Venus.
01:10:28 - I'm going to the Temple of Venus.
01:10:31 - I'm going to the Temple of Venus.
01:10:34 - I'm going to the Temple of Venus.
01:10:37 - I'm going to the Temple of Venus.
01:10:40 - I'm going to the Temple of Venus.
01:10:43 - I'm going to the Temple of Venus.
01:10:46 - I'm going to the Temple of Venus.
01:10:49 - I'm going to the Temple of Venus.
01:10:52 - I'm going to the Temple of Venus.
01:10:55 - I'm going to the Temple of Venus.
01:10:58 - I'm going to the Temple of Venus.
01:11:01 - I'm going to the Temple of Venus.
01:11:04 - I'm going to the Temple of Venus.
01:11:07 - I'm going to the Temple of Venus.
01:11:10 - I'm going to the Temple of Venus.
01:11:13 - I'm going to the Temple of Venus.
01:11:16 - I'm going to the Temple of Venus.
01:11:19 - I'm going to the Temple of Venus.
01:11:22 - I'm going to the Temple of Venus.
01:11:25 - I'm going to the Temple of Venus.
01:11:28 - I'm going to the Temple of Venus.
01:11:31 - I'm going to the Temple of Venus.
01:11:34 - I'm going to the Temple of Venus.
01:11:37 - I'm going to the Temple of Venus.
01:11:40 - I'm going to the Temple of Venus.
01:11:43 - I'm going to the Temple of Venus.
01:11:46 - I'm going to the Temple of Venus.
01:11:49 - I'm going to the Temple of Venus.
01:11:52 - I'm going to the Temple of Venus.
01:11:55 - I'm going to the Temple of Venus.
01:11:58 - I'm going to the Temple of Venus.
01:12:01 - I'm going to the Temple of Venus.
01:12:04 - I'm going to the Temple of Venus.
01:12:07 - I'm going to the Temple of Venus.
01:12:10 - I'm going to the Temple of Venus.
01:12:13 - I'm going to the Temple of Venus.
01:12:16 - I'm going to the Temple of Venus.
01:12:19 - I'm going to the Temple of Venus.
01:12:22 - I'm going to the Temple of Venus.
01:12:25 - I'm going to the Temple of Venus.
01:12:28 - I'm going to the Temple of Venus.
01:12:31 - I'm going to the Temple of Venus.
01:12:34 - I'm going to the Temple of Venus.
01:12:37 - I'm going to the Temple of Venus.
01:12:40 - I'm going to the Temple of Venus.
01:12:43 - I'm going to the Temple of Venus.
01:12:46 - I'm going to the Temple of Venus.
01:12:49 - I'm going to the Temple of Venus.
01:12:52 - I'm going to the Temple of Venus.
01:12:55 - I'm going to the Temple of Venus.
01:12:58 - I'm going to the Temple of Venus.
01:13:01 - I'm going to the Temple of Venus.
01:13:04 - I'm going to the Temple of Venus.
01:13:07 - I'm going to the Temple of Venus.
01:13:10 - I'm going to the Temple of Venus.
01:13:13 - I'm going to the Temple of Venus.
01:13:16 - I'm going to the Temple of Venus.
01:13:19 - I'm going to the Temple of Venus.
01:13:22 - I'm going to the Temple of Venus.
01:13:25 - I'm going to the Temple of Venus.
01:13:28 - I'm going to the Temple of Venus.
01:13:31 - I'm going to the Temple of Venus.
01:13:34 - I'm going to the Temple of Venus.
01:13:37 - I'm going to the Temple of Venus.
01:13:40 - I'm going to the Temple of Venus.
01:13:43 - I'm going to the Temple of Venus.
01:13:46 - I'm going to the Temple of Venus.
01:13:49 - I'm going to the Temple of Venus.
01:13:52 - I'm going to the Temple of Venus.
01:13:55 - I'm going to the Temple of Venus.
01:13:58 - I'm going to the Temple of Venus.
01:14:01 - I'm going to the Temple of Venus.
01:14:04 - I'm going to the Temple of Venus.
01:14:07 - I'm going to the Temple of Venus.
01:14:10 - I'm going to the Temple of Venus.
01:14:13 - I'm going to the Temple of Venus.
01:14:16 - I'm going to the Temple of Venus.
01:14:19 - I'm going to the Temple of Venus.
01:14:22 - I'm going to the Temple of Venus.
01:14:25 - I'm going to the Temple of Venus.
01:14:28 - I'm going to the Temple of Venus.
01:14:31 - I'm going to the Temple of Venus.
01:14:34 - I'm going to the Temple of Venus.
01:14:37 - I'm going to the Temple of Venus.
01:14:40 - I'm going to the Temple of Venus.
01:14:43 - I'm going to the Temple of Venus.
01:14:46 - I'm going to the Temple of Venus.
01:14:49 - I'm going to the Temple of Venus.
01:14:52 - I'm going to the Temple of Venus.
01:14:55 - I'm going to the Temple of Venus.
01:14:58 - I'm going to the Temple of Venus.
01:15:01 - I'm going to the Temple of Venus.
01:15:04 - I'm going to the Temple of Venus.
01:15:07 - I'm going to the Temple of Venus.
01:15:10 - I'm going to the Temple of Venus.
01:15:13 - I'm going to the Temple of Venus.
01:15:16 - I'm going to the Temple of Venus.
01:15:19 - I'm going to the Temple of Venus.
01:15:22 - I'm going to the Temple of Venus.
01:15:25 - I'm going to the Temple of Venus.
01:15:28 - I'm going to the Temple of Venus.
01:15:31 - I'm going to the Temple of Venus.
01:15:34 - I'm going to the Temple of Venus.
01:15:37 - I'm going to the Temple of Venus.
01:15:40 - I'm going to the Temple of Venus.
01:15:43 - I'm going to the Temple of Venus.
01:15:46 - I'm going to the Temple of Venus.
01:15:49 - I'm going to the Temple of Venus.
01:15:52 - I'm going to the Temple of Venus.
01:15:55 - You're doing great, honey.
01:15:58 - Come on, let's go.
01:16:23 [music]
01:16:26 [music]
01:16:29 [music]
01:16:32 [music]
01:16:35 [music]
01:16:38 [music]
01:16:41 [music]
01:16:44 [music]
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01:17:46 - Okay, fine.
01:17:50 - Good morning.
01:17:59 [footsteps]
01:18:02 - How long did I sleep? - Six hours. It's 11 o'clock now.
01:18:18 - Strange. I can't hear the surf breaking on the beach.
01:18:22 - The sea is very calm now.
01:18:25 [footsteps]
01:18:28 - Caroline.
01:18:34 Know what I was thinking about just now?
01:18:41 Why don't we go away, just the two of us?
01:18:45 To a little island somewhere.
01:18:49 Hmm?
01:18:54 I know, of course, you're right.
01:18:57 I made a mistake.
01:18:59 I have to change. I've got to change my life.
01:19:03 - I don't believe you. You're a liar.
01:19:05 - I'll prove to you I'm sincere by demonstrating the sincerity and honesty of what I said.
01:19:11 The truth you seem to search.
01:19:14 Did you ever meet Tommaso?
01:19:17 - No. - Go on, Tommaso.
01:19:19 Go see Caroline.
01:19:21 Don't be afraid.
01:19:24 Show her whether I'm sincere or not.
01:19:27 Tommaso is my only friend.
01:19:30 Touch his nose.
01:19:33 You'll see how affectionate he is.
01:19:36 Nice, isn't he? He's a very sensitive animal.
01:19:44 Open him up.
01:19:49 - There's a gun inside. - Mine.
01:19:52 I have no wish to kill you.
01:19:58 I love you. I want to live with you.
01:20:00 I know it, and I've always known it.
01:20:03 You're my hunter, aren't you?
01:20:05 Your hunter? Yes.
01:20:08 Lizzie.
01:20:15 - I'm going to kill you. - No, I'm not.
01:20:18 - I'm going to kill you. - No, I'm not.
01:20:21 - I'm going to kill you. - No, I'm not.
01:20:24 - I'm going to kill you. - No, I'm not.
01:20:27 - I'm going to kill you. - No, I'm not.
01:20:30 - I'm going to kill you. - No, I'm not.
01:20:33 - I'm going to kill you. - No, I'm not.
01:20:36 - I'm going to kill you. - No, I'm not.
01:20:39 - I'm going to kill you. - No, I'm not.
01:20:42 - I'm going to kill you. - No, I'm not.
01:20:45 - I'm going to kill you. - No, I'm not.
01:20:48 - I'm going to kill you. - No, I'm not.
01:20:51 - I'm going to kill you. - No, I'm not.
01:20:54 - I'm going to kill you. - No, I'm not.
01:20:57 - I'm going to kill you. - No, I'm not.
01:21:00 - I'm going to kill you. - No, I'm not.
01:21:03 - I'm going to kill you. - No, I'm not.
01:21:06 - I'm going to kill you. - No, I'm not.
01:21:09 - I'm going to kill you. - No, I'm not.
01:21:12 - I'm going to kill you. - No, I'm not.
01:21:15 - I'm going to kill you. - No, I'm not.
01:21:18 - I'm going to kill you. - No, I'm not.
01:21:21 - I'm going to kill you. - No, I'm not.
01:21:24 - I'm going to kill you. - No, I'm not.
01:21:27 - I'm going to kill you. - No, I'm not.
01:21:30 - I'm going to kill you. - No, I'm not.
01:21:33 - I'm going to kill you. - No, I'm not.
01:21:36 - I'm going to kill you. - No, I'm not.
01:21:39 - I'm going to kill you. - No, I'm not.
01:21:42 - I'm going to kill you. - No, I'm not.
01:21:45 - I'm going to kill you. - No, I'm not.
01:21:48 - I'm going to kill you. - No, I'm not.
01:21:51 - I'm going to kill you. - No, I'm not.
01:21:54 - I'm going to kill you. - No, I'm not.
01:21:57 - I'm going to kill you. - No, I'm not.
01:22:00 - I'm going to kill you. - No, I'm not.
01:22:03 - I'm going to kill you. - No, I'm not.
01:22:06 - I'm going to kill you. - No, I'm not.
01:22:09 - I'm going to kill you. - No, I'm not.
01:22:12 - I'm going to kill you. - No, I'm not.
01:22:15 - I'm going to kill you. - No, I'm not.
01:22:18 - I'm going to kill you. - No, I'm not.
01:22:21 - I'm going to kill you. - No, I'm not.
01:22:24 - I'm going to kill you. - No, I'm not.
01:22:27 - I'm going to kill you. - No, I'm not.
01:22:30 - I'm going to kill you. - No, I'm not.
01:22:33 - I'm going to kill you. - No, I'm not.
01:22:36 - I'm going to kill you. - No, I'm not.
01:22:39 - I'm going to kill you. - No, I'm not.
01:22:42 - I'm going to kill you. - No, I'm not.
01:22:45 - I'm going to kill you. - No, I'm not.
01:22:48 - I'm going to kill you. - No, I'm not.
01:22:51 - I'm going to kill you. - No, I'm not.
01:22:54 - I'm going to kill you. - No, I'm not.
01:22:57 - I'm going to kill you. - No, I'm not.
01:23:00 - I'm going to kill you. - No, I'm not.
01:23:03 - I'm going to kill you. - No, I'm not.
01:23:06 - I'm going to kill you. - No, I'm not.
01:23:09 - I'm going to kill you. - No, I'm not.
01:23:12 - I'm going to kill you. - No, I'm not.
01:23:15 - I'm going to kill you. - No, I'm not.
01:23:18 - I'm going to kill you. - No, I'm not.
01:23:21 - I'm going to kill you. - No, I'm not.
01:23:24 No, no, my dear.
01:23:27 It's too bad, my dear.
01:23:30 You're the only woman I might have loved and you ruined it, Carly.
01:23:34 - I'm very, very sorry. - Please.
01:23:40 - Very good. Excellent. - How much?
01:23:47 - Ten thousand dollars. Go on, see my lawyer. - I'll see. I'll talk to him.
01:23:50 - Smile. - Okay.
01:23:52 - Big smile. - The slogan.
01:23:54 The mistake I made was because I didn't drink a double dose of delicious mint tea.
01:23:58 Good.
01:24:00 (cheering)
01:24:29 Carolyn, enough! Enough!
01:24:32 All right, all right, I give up.
01:24:35 Come on, Carolyn, that's enough. You're breaking my eardrum.
01:24:42 I give up.
01:24:44 She must have had a bulletproof dress on.
01:24:46 Damn it, who could have imagined that?
01:24:48 Skin-colored armor. It's the only one in the world.
01:24:51 - My own personal invention. - Come on, don't kill me, Carolyn.
01:24:55 Without television, wouldn't it be useless?
01:24:57 Don't worry about that. It's for my pleasure. Go on.
01:25:25 Marcelo, this is your last chance.
01:25:28 Marcelo, I'll kill you and your parents too.
01:25:32 No, Carolyn, don't kill us. Come on, let's get to shelter.
01:25:36 - What are you doing to her? - I didn't give me a chance. Let go of me.
01:25:42 Hurry.
01:25:44 Marcelo!
01:25:53 Ha-ha!
01:25:55 There's a bush over there.
01:25:57 Come on, give me that thing. Give me that thing.
01:26:00 Give me that. Come on.
01:26:02 Give me that rifle. You're going to have to murder me on the street.
01:26:06 - Give me that rifle. - No.
01:26:08 - You get out of here. This is my house. - No!
01:26:10 - Go away. Go! - No!
01:26:12 That's all we are to them, ain't ya?
01:26:16 Carolyn!
01:26:18 I killed his first victim.
01:26:20 That's not true!
01:26:22 The idea of the exploding booth was mine.
01:26:24 Fine. Like hell it was your idea. Just wait till I get my hands on you.
01:26:27 No, no, stay here.
01:26:50 - Did you get hurt? - No, just a charley horse.
01:26:53 - Okay, let's go. Up, up, up. - Give me the gun.
01:26:58 Hurry! Let's go. Up, up, up.
01:27:01 Come on, run, run. Run!
01:27:06 - Hurry! - Women!
01:27:10 - Come on, run! Run! - Hey, Carolyn!
01:27:15 Hey, Carolyn!
01:27:17 And who are you? Some ancient Roman?
01:27:24 Not too ancient, senorina.
01:27:26 - What's your name? - Otello.
01:27:28 - Is your brown hair natural? - Yes.
01:27:30 - Olga! - Scalp, you better disappear. She's crazy.
01:27:32 Olga, wait for me! Where are you?
01:27:35 Come with me. I want to tell you something. Come on.
01:27:40 Olga! Me too! Me too!
01:27:44 Olga! Me too! Me too!
01:27:46 Welcome aboard, miss.
01:28:10 I'm so tired.
01:28:13 I want to sleep.
01:28:24 Do you marry and have children?
01:28:38 - Do you marry and have children? - This is a crazy plane.
01:28:41 - A marriage plane. - My God.
01:28:44 Madness.
01:28:46 - Do you, Fred Thomas, marry and have children? - Yes.
01:28:50 - Good luck. - Thank you.
01:28:57 Do you, Carolyn Meredith,
01:29:04 take this man, Marcello Poletti?
01:29:07 Yes.
01:29:09 Excuse me, what did you say?
01:29:16 - Pardon? - Aren't you Marcello Poletti?
01:29:21 Look, there's been an error.
01:29:25 We were just aboard by accident.
01:29:27 - And I think I might as well get on. - Aren't you Marcello Poletti?
01:29:30 Yes.
01:29:31 Then you have to get married.
01:29:34 What better way to come to the end of your story with this lovely senorita?
01:29:38 Carolyn.
01:29:42 You're the one who's behind this whole business.
01:29:45 Do you, Marcello Poletti, take this woman, Carolyn Meredith?
01:29:49 I...
01:29:51 No, no, I want to think about it.
01:29:54 No?
01:29:55 You don't really want to think about it, do you?
01:29:58 Shall we get on with it?
01:30:00 Mm-hmm.
01:30:01 Do you, Marcello Poletti,
01:30:05 wish to take this woman, Carolyn Meredith?
01:30:09 It appears to me I don't have much of a choice, Father.
01:30:12 Yes.
01:30:13 Good luck.
01:30:19 Carolyn, why you wanted to go and ruin such a marvelous love story,
01:30:22 I will never know.
01:30:25 Psst, psst.
01:30:50 I aim to get you, take this woman
01:30:55 But just up on deadwood, but nice
01:30:58 Better think twice
01:31:00 If you fall for me, you will soon find
01:31:04 I won't run far, but I made a vice
01:31:08 I want to play a game of love with you
01:31:10 Let's try some kissing for a start
01:31:12 But when I play with you, you'll lose your heart
01:31:17 Love, love, love me, come on, love me
01:31:21 My lips are on fire, but I made a vice
01:31:25 Come to me, let's embrace, don't pretend to resist me
01:31:29 I know you can't wait to hold me, touch me, kiss me
01:31:34 Beware, beware, you've been warned
01:31:38 My lips are on fire, but I made a vice
01:31:42 Try to throw me, please caress and obsess and possess me, oh, I will
01:31:51 Try melting my cold heart
01:31:55 By making, by making some wonderful love to me
01:32:00 Since you don't have a chance, why don't you give in?
01:32:04 You hoarse the toilet, I will wean my dash, I'll enjoy it
01:32:09 Come here, my love, talk no more, let's begin
01:32:13 [silence]