• 8 months ago
When a composer must finish her late mentor's concerto, she discovers that playing its music summons deadly consequences | dG1fVnNWWFdwR01ZNjA
Transcript
00:00 Do you think I'll ever be as good as you?
00:06 What you hear isn't so important. You'll feel it.
00:11 Mr. Gustafsson, have you decided on what we're going to play yet?
00:15 Melanie, your music, it is good, but soft.
00:20 I'm looking for something controversial, dangerous.
00:24 What do you know about Catherine's first concerto?
00:27 You're going to perform the concerto for children?
00:32 She didn't want it performed.
00:35 That concerto was what she was trying to burn when she set herself on fire.
00:50 Trying to burn it?
00:54 This is all that was left, but I can hear it in my head.
00:58 I think I can finish it.
01:06 Music is powerful.
01:08 Mom.
01:10 In the Middle Ages, they believed music will send people into trances, go insane.
01:15 There's something very wrong with this music.
01:20 I listened to it.
01:23 I felt it in my head.
01:34 I think this thing has been using me to finish the score.
01:38 What happens if you finish?
01:42 If you hear it,
01:46 he has you captured.
01:54 (rock music)

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