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00:00 It's the same two actors who decided to go crazy on the internet.
00:05 -Let it go, Christian, it's the cooking. -No.
00:07 -It's getting difficult. -I'll get a painkiller.
00:09 No, don't do that. People will see. Look at Katerina.
00:12 She's not well. Look at her. Katina.
00:13 Presenting sketches with two characters who live in anxiety.
00:17 Oh, Christ, it's like a piece of paper.
00:19 The wall will fall and they'll gather us with the spoons.
00:21 The mystery.
00:22 It's marketing, what he says, because it's burning.
00:25 -Is it burning? -Yes.
00:29 And the madness we all experience.
00:31 -Can you take my eyes off? -Yes, with the finger.
00:34 But in more heart-breaking situations.
00:37 They have hundreds of thousands of followers on YouTube, TikTok and Instagram.
00:41 Which is absolutely natural,
00:43 since each of us sees a piece of their daily life in each of their sketches.
00:48 What's going to happen, guys?
00:50 We'll see her in the clothes of the movie at some point.
00:52 -It's good, we'll see her. -What is it?
00:54 You laugh all day and you tell me.
00:55 Is it possible? We gathered with the movie to see.
00:57 I haven't seen a movie in a while.
00:59 -Come on, let's see now. -You're boring me.
01:01 Let's welcome Eva Petridis and Angel Theofilou.
01:05 Or, the Rekmis.
01:07 Rekmi.
01:09 [singing in Greek]
01:37 -Hello, guys. -Hello.
01:39 Angel, hello, hello, Eva.
01:41 Actually, hello, Eva, hello, Angel. We always start with the ladies.
01:43 -Hello, Grigori. -How are you?
01:45 -I'm fine, and you? -We're very well.
01:47 -Let's talk in the microphone. -Okay.
01:49 Angel, my first question is what's going on in my mind.
01:52 -Tell me. -Did anyone tell you about your sedatives?
01:54 Look, I'll tell you something. What's going on?
01:56 I think we reflect a part of society
02:00 that today is in a different situation, you know?
02:03 -I can't convince you to be calm in these videos. -That's not the case.
02:08 But I want to know how much Angel has to do with this couple thing.
02:14 I'll tell you what's going on. Because I'm also writing about it.
02:18 -It's very close to our personalities. -It is?
02:21 Yes, but our personalities are comically given.
02:25 We've taken it to the next level. You know what I mean.
02:27 Eva, you're the same as I see you now.
02:31 Angel is a bit...
02:34 -No? -No, no.
02:36 Angel is ready to raise the tension even in this conversation.
02:42 -It's romantic, my boy. -We'll talk about it.
02:46 -Eva, how are you? -I'm fine.
02:49 -Where are you from? -From Piraeus.
02:52 -Anadan, Babadan. -And you?
02:54 My dad was born in Egypt.
02:56 He was very young here, and my mom is from Athens.
02:59 -So you grew up in Athens. -Yes.
03:01 I've heard that you met at school.
03:05 -At the drama school. -Yes.
03:07 -Which school? -Vasilis Diamantopoulos.
03:10 -Vasilis Diamantopoulos. -Yes.
03:12 -He's a great teacher. -He is.
03:14 -I didn't have the chance. -You didn't.
03:16 But I have a friend who was a fan.
03:20 He's been a fan. He's told me the best things about him.
03:24 We had the chance to hear stories about Vasilis Diamantopoulos.
03:27 He's a unique personality.
03:29 He's not only a great artist, but a unique personality.
03:32 -Did you finish school? -Yes.
03:35 -How old are you? -I'm 18, and you're 19.
03:38 -I love you. -I'm older than you.
03:41 -He said I'm older. -You look older.
03:44 -We're both 33. -You'll grow up.
03:47 I'm a month older than you.
03:50 -What are you doing, you bitch? -They're going to get us.
03:54 -I don't know, but I'm sure they will. -Stop it.
03:58 -Hello, girl. -Hello.
04:01 -How's it going? -It's a big mess. Will you take us?
04:05 -Both of us? -We can't leave my friend alone.
04:08 -I don't have much money. -Money?
04:11 We don't want money. We want you to take us.
04:14 -Let me explain. -I'm not talking to you.
04:17 -Can we make a stop? -What stop?
04:21 -Perfect! -I told you. We're not going to charge you.
04:24 We want to stay here and die alone.
04:27 -You're losing money. -She's losing money.
04:30 -It's a fact. -Why didn't you tell me?
04:33 We could have made a stop and eaten.
04:36 We could have eaten, but she's got a girl.
04:39 A girl!
04:42 Guess who's driving?
04:44 All these years, you've been involved with theatre and acting.
05:03 We started with our teacher, Giorgos Niliopoulos.
05:08 He took us by the hand and gave us his works.
05:14 -He directed us. -He directed us.
05:17 We continued for a few years together.
05:20 We moved, but we remained friends.
05:23 I was in the middle of TV. I was in the life of the other.
05:28 -I was a kid. -How old were you?
05:31 I was 19, but I was playing at 14.
05:34 -So, if we look for you, we'll find you? -Don't look for me.
05:37 Many times, they write it in the comments.
05:40 "Eva is the life of the other."
05:43 "You'll die and they'll talk about the life of the other."
05:46 You'll find me, but I was a kid.
05:49 -We'll find you. -I was 3 years old.
05:52 -How long did you play there? -3 years.
05:55 -Listen. -What?
05:58 -Don't you understand why I did it? -I had to.
06:01 Yes, if you're a little bit stupid.
06:04 You went and did it with my boyfriend before we broke up.
06:07 -You asked me to find you again. -What?
06:10 -You did it. It hurt me. -Who said that?
06:13 -Your girlfriends. -Anoula. -You loved them.
06:16 Don't make me be stupid. I saw you alone.
06:19 You weren't in school. You were smiling and touching.
06:22 -Did they make you see it? -I didn't do it the best way.
06:25 I got up and left without talking.
06:28 -I didn't expect you to pay me. -What happened next?
06:31 I was in the theater and I was a bit on the edge.
06:34 I had to work.
06:37 You don't live in the theater alone.
06:40 I understand. It's a big truth.
06:43 It's not bad to say that.
06:46 If things don't go well on TV,
06:49 or if the shows aren't commercial,
06:52 you can't do it alone.
06:55 That's the rule in the theater.
06:58 The people who do the theater
07:01 do another job.
07:04 -It's either commercial or whatever. -Yes.
07:07 People from the neighborhood are listening to us.
07:10 -I'm so happy. -It's because it requires a lot of love.
07:13 If you don't love it,
07:16 you have to give a part of your life.
07:19 You have to do other things.
07:22 You have to leave a part of yourself behind
07:25 and dedicate it to the show.
07:28 There has to be financial comfort.
07:31 If there isn't,
07:34 the kids have to know that they have to work.
07:37 You have to understand that it can never happen.
07:40 -Do you know Takis? -No, he doesn't do it.
07:43 -He's a good kid. -Why?
07:46 -He's too young. -What's wrong with him?
07:49 He doesn't do it for his family.
07:52 -You'll change the house. -No, he won't.
07:55 God will take care of it.
07:58 -He's not a human being. -He's a pig.
08:01 -I know him. -You know the electrician.
08:04 -He had a lamp and he came... -And he changed the lights.
08:07 -I'm saying it because he's a monkey. -He is.
08:10 He is a monkey.
08:13 So, you decide to work
08:16 and you can...
08:19 I was trying to do it for a few years
08:22 and then I stopped.
08:25 We had some health issues
08:28 at my mom's house
08:31 and I didn't have the mind.
08:34 -So, you decided to stop acting? -Not that I decided to stop.
08:37 -I took a break. -A break.
08:40 -What about you? -I was doing theater non-stop.
08:43 One season was not enough.
08:46 I didn't quit.
08:49 I never pursued it.
08:52 I just wanted to do something else.
08:55 I wanted to do something else.
08:58 I did the biggest thing I've ever done.
09:01 I played in "Irodio".
09:04 And then the army came.
09:07 -I was 28 years old. -What was your role?
09:10 -I was the basketball player. -Fantastic.
09:13 I saw things from a distance
09:16 because I was forced to pause.
09:19 I wanted to try my own things.
09:22 I wrote my own play.
09:25 I directed it.
09:28 -You never stopped acting? -Never.
09:31 Then the coronavirus came.
09:34 It closed the theaters.
09:37 I decided to start a YouTube channel.
09:40 I started with a new show.
09:43 -What's the name of the show? -Blue, Green, Yellow and Orange.
09:46 -Blue suits the name of the show. -The name of the show?
09:49 -It suits our bag. -Nobody suits the name of the show.
09:52 -What's the name of the show? -Blue, Green, Yellow and Orange.
09:55 -I told you. -How long has this story been going on?
09:58 -How long has this story been going on? -How long has this story been going on?
10:01 -How long has this story been going on? -How long has this story been going on?
10:04 -How long has this story been going on? -How long has this story been going on?
10:07 -How did you come up with the name "REC"? -Kostas is the one who came up with it.
10:10 -Hi, Kostas. -He's the one who took over the technical part.
10:13 I told him that it's a monoplane show.
10:16 I told him that it's a monoplane show.
10:19 We watch ourselves.
10:22 We watch ourselves.
10:25 So we decided to write "REC" and "ME" with ourselves.
10:28 -So I write myself. -Yes, you write yourself.
10:31 -Like we're the ones who write it. -Who was the first Greek capital?
10:34 -Mikonos. -Mikonos, you idiot.
10:37 Who was the first prime minister? Peter the Great?
10:40 -Come closer. -Patissa. -Not so close.
10:43 -Lower your head. -Lower. Lower, Patissa.
10:46 Stop it, you idiot.
10:49 -Which ancient civilization made Machu Picchu? -Machu Picchu?
10:52 -Is that a Pokemon? -Oh, my God.
10:55 -Isn't it like Pikachu? -Eva, which Pokemon is that?
10:58 -Which one? -Munchatchu. -When did he tell you to do it?
11:01 I'll tell you now, because it's very strange.
11:04 Basically, right away, when he told me to do it.
11:07 Because, at that time, just before we started,
11:12 I lost my mom to cancer.
11:15 -And I was... You know. -I understand.
11:19 So he comes and says, "I have this idea. Do you want it?"
11:22 -And I say, "Yes." -You were in a state of depression,
11:25 -but I think... -I had to.
11:28 It was a month. I think the first round was...
11:31 -In my mom's 40s. -He came after the ceremony,
11:34 -and we did the first round. -It's like you're in a dead end.
11:37 I saw the light. It helped me a lot.
11:41 What good has happened to you since you started this story?
11:44 We're in Grigori's show now. What could have happened better?
11:48 -What do you think? -Thank you very much.
11:51 But apart from the response of the world, there were messages...
11:54 Many messages. Lots of love.
11:58 They talk to us on the street. They say, "We laugh so much.
12:01 You make us laugh in this difficult time we're going through.
12:04 We have our sorrows and we laugh." We've received a lot of love.
12:07 -I'll tell you something that touched me a lot. -I see you're lost.
12:11 I'm lost. I always do that. When I think, I get lost.
12:14 Something that touched me a lot, one of the many,
12:18 but I remember it because she was a girl who found us from the start.
12:21 Because YouTube is a slow medium and it takes time.
12:24 This girl, Maria, I won't forget her name, found us from the start.
12:27 And they still send us every episode.
12:29 And she told me, "You helped me a lot when I was going through a lot of sadness.
12:34 And that touched me terribly.
12:37 That we said we'd do something, because we like it, because, because, because."
12:40 And you end up giving a little joy to this black frame that we all have.
12:45 A little joy. Not a little. A lot of joy.
12:47 Because people are looking like crazy to find a way out, to laugh.
12:51 And we ourselves.
12:53 Before the shoot, we might be like, "Oh, this happened at work today. I'm not well."
12:57 And as soon as we start, we forget.
12:59 -We're eating now, because Konstantina's chest... -Well, that wasn't a chest.
13:03 -It was all orange. -We're eating!
13:05 -Good idea. -My child, the doctor opened it.
13:07 -Didn't he take it out laparoscopically? -What laparoscopically?
13:10 -A whole lump. -How can laparoscopically come out?
13:12 It doesn't come out. He did a test with the sympathetist.
13:14 -What's going to happen, guys? Are you going to let me eat? -How can you do this, my boy?
13:18 These are human things.
13:19 -And what happened when he opened it? -My chest broke and the liquid went everywhere.
13:23 -I'm going to do it with this. -Because it's not good for your intestines?
13:25 Not from the intestines, but from what you say, I'm going to do it with this.
13:27 And it's not just that. Now it's passed the organs and you're having a heart attack.
13:31 Another chest. Another chest.
13:33 One more and another. I'm going to go to the hospital and they're going to take it out of my nose.
13:37 Christ and Mother Mary, my boy, how can you do this? These are human things.
13:40 -What are these? Are you going to eat them? -What are you doing, my boy?
13:46 These are human things. Human.
13:49 Now, where can we put our hopes?
13:51 I mean, now they can see us, directors, screenwriters, people who write on paper,
13:57 you are open for your main job, of course.
14:01 Have you left it as your professional hobby?
14:05 -No, I haven't left it. -Because you work somewhere else.
14:08 Yes, I work somewhere else. I haven't left it.
14:12 I just like the security I feel with Angelos.
14:16 So, whatever it is, I would like to be in this environment.
14:21 -Did you get any ads? -Yes.
14:23 -Well done. -Excellent.
14:24 I'm glad about that, because there is such a response.
14:28 Let's say that on YouTube you have 130,000 followers, on TikTok you have 231,000 followers.
14:34 -That's a lot. -Yes.
14:36 Which took us a long time to start TikTok, because I was afraid.
14:40 I'm afraid of the exposure. And I said, "No, it's okay."
14:43 -And we went out a year later. -So, you didn't have a problem going out on YouTube?
14:47 I said, "We are forced to go out there, my boy. We have to hide as much as we can."
14:52 I'll tell you something, but don't be a clown.
14:54 -They see you on YouTube, too. -I'm going to make a cleaning!
14:58 What are you going to clean? Your conscience?
15:00 It doesn't clean, not even with 5-10 kilos of chlorine.
15:03 My face, Angelos, to be beautiful.
15:05 But, my love, you don't want a cleaning to be beautiful?
15:08 You want a miracle. We came here badly.
15:10 To the Virgin Mary's lap. What should we do?
15:12 If you don't know, don't talk nonsense. Tell him how you're going to clean my face.
15:16 With the electric broom.
15:18 -With the vacuum cleaner. -What vacuum cleaner?
15:20 -Will you put it in the toilet? -The vacuum cleaner, my boy, to open my bottom.
15:23 One thing and it's not closed, that's it.
15:25 There have been many times in TV couples that they had to break up.
15:29 I'm sorry to break you up, even phenomenally.
15:33 Have you thought that you might separate ways?
15:35 Yes, many times we have thought about it.
15:37 But that it's a very beautiful condition to cooperate with your sister's friend,
15:42 is a blessing.
15:44 And the confidence, that you have no insecurity,
15:46 I don't say anything and you feel that I'm riding her.
15:49 -That's the great thing, that you talk more than me. -Yes, yes.
15:52 These don't exist. Obviously, here they don't exist.
15:55 And, without a doubt, you're pregnant.
15:59 She put it in my mouth.
16:14 We're approaching the end of our conversation.
16:16 I want you to tell me, are there strange incidents that have happened to you during the shooting?
16:20 Someone here who laughs a lot, you do it in a way.
16:22 -Me? -You do it in a way. What are you?
16:24 I do it constantly, I can't hold back.
16:27 -There are some scenes, however, that we have shot with a lot of laughter. -In the talent office.
16:31 We did one in the talent office. You should see it.
16:34 -We'll see it. -We'll see it.
16:36 It's shocking.
16:38 It was shocking for us that we were shooting it.
16:40 -I'm not saying the result, but the result... -What did you say?
16:42 It was that my aunt had died, and we were going to the procedure,
16:47 and I was crying, you understand, but it was a bit fake.
16:50 -The role. -What was that, my child?
16:52 And Eva couldn't handle the... the... the... the toilet, let's say.
16:58 And we went to the procedure crying, because it was bleeding, and no one was crying.
17:02 -It was impossible. -This.
17:04 -Very nice. What is it? -A wooden chair.
17:06 You are welcome to cry, to cry, to cross, yes, yes, yes.
17:09 My child, we will send you to the last of your travels in the wooden chairs.
17:15 Calm down, calm down.
17:17 I can't! I can't calm down!
17:20 Let me tear my clothes!
17:23 Let me sew my clothes!
17:26 And you calm down, you have stolen from us, this is very expensive.
17:29 -Then, here. -What is this?
17:32 -A walnut. I got a golden horn. -Oh, this is very nice.
17:35 No! Not a walnut!
17:37 My aunt had an allergy!
17:40 And what are you afraid of, my child? You'll take me out of the house?
17:43 You don't see it, this is very expensive. I have to give you a fortune.
17:46 My aunt!
17:49 Let me tear her clothes!
17:51 So, tear her clothes, to prevent anyone from seeing you, show us something else, sir.
17:55 And one with an earthquake, we did an interview on the street where people stop.
18:01 And I cried there, because I had to speak non-stop, non-stop, non-stop.
18:05 And I was confused with my language, I was laughing, I was crying.
18:08 -Are there any stories like that? -Yes, yes, yes.
18:11 At the end of the episode on YouTube, on the channel "Ragme" on YouTube, if you go there,
18:14 -at the end of the episode there are... -At the end of every video?
18:17 -Yes, yes, yes. -We have the bloopers.
18:19 -Where was it? -On YouTube.
18:21 -No, on YouTube. -It's only on YouTube.
18:23 -Only on YouTube. -Only on YouTube.
18:25 -If you go to YouTube... -What is YouTube, because you love YouTube more?
18:28 -I'm on Instagram. -I'll tell you why.
18:30 Because there you have the whole story, my child.
18:33 Every Monday a new episode comes out.
18:35 -Every Monday? -Every Monday.
18:37 And basically, in the week, on social media, we share the scenes that came out on Monday.
18:42 But you can go to YouTube, to Ragme, and see the whole first episode and how it turned out.
18:46 -Oh, I see. That's why YouTube is... -Yes.
18:49 -I love it more. -It's the whole episode.
18:51 -That's it. -Where?
18:53 -I was crying next to you.
18:56 I saw it.
18:58 -That's it. -Oh, very nice. What is it?
19:08 -Our wood-cherry tree. Welcome. Smile. Smile. Cross. Yes.
19:12 -Oh, my God, we'll send you to the last of your trips in the wood-cherries.
19:18 -I'm sorry. I can't do it.
19:24 -I can't do it. I'm sorry.
19:35 -I can't. I'm sorry.
19:37 -I'm sorry what?
19:40 -I see two very kind souls.
19:43 I would like to ask you, if you can put a little romance in this season, it would be good.
19:48 You should know that always love and romance win.
19:51 Even in the darkness and in the blackness that has fallen,
19:54 you see that the souls that laugh and go to get a good message, are like light.
19:58 -I agree 100%. And let me tell you the truth, we may be in tension in most of our scenes,
20:02 but you see that there are two people... -No, we are not. You are.
20:05 -You are. -Congratulations.
20:07 -You are. -Congratulations.
20:09 -You will tell the truth. -Congratulations.
20:11 -Grigori, don't make me a guest now, please.
20:13 -Can I make you a proposal? -Yes.
20:15 -I would like you to start, it's my idea, exactly the opposite of the next.
20:20 -We say it very easily. Let's make an episode.
20:23 -I don't know if it's one. -Don't say the idea now.
20:25 -I would like to meet Angel from here and there. -And be Zen.
20:28 -Not just Zen, but to be a yoga teacher.
20:31 -So, now we do yoga here to relax?
20:35 -Of course, Angel. What do you feel now?
20:38 -I feel all the blood that was in my body, to have risen in my head.
20:42 -Teacher, you don't tell me, how do you say this posture?
20:44 -Chakrasana. -Bad. I had to get the blood out of my mouth, you know?
20:48 -Let's go to the next. -Let's go, let's go.
20:50 -Let's go and have a good way.
20:52 -Ah, how do you say this? -Doggy, you say?
20:55 -No. -You say, don't tell me, don't tell me,
20:58 -Turkey and toilet. -Deep sitting, you say?
21:01 -But you see it? You see it because I'm crazy.
21:03 -Because every morning I'm crazy with his craziness.
21:05 -I have a solution for you. Every morning you will go out on the balcony,
21:08 -You will take a deep breath and you will say hello to the sun.
21:11 -So, for a good day. -How am I going to say hello?
21:13 -Very easy. You are straight, you bend back and then you bend like this.
21:18 -Ah, from bending or anything else, it's up to you.
21:20 -Eva, before I say goodbye, is there anyone you want to thank for all this story so far?
21:25 -Yes. -Me.
21:26 -Angel, really, yes, I would say you, obviously Angel.
21:29 -And Kostas. -And Kostas.
21:31 -Hello Kostas.
21:32 -Are there other people who helped you in all this journey?
21:35 -There are many people. -Many people.
21:37 -And I would like to thank Kostas and Eva, who are with me.
21:41 -But this is the result of teamwork and this is something that I believe in in general,
21:47 -That we must be next to people who have dreams.
21:50 -That is, from our friends who give us their houses to tour with great pleasure.
21:55 -From the shops we said, "Let me tell you, we do this even when we are not in our senses."
21:59 -And we were passing by a pharmacy and we wanted to go back to the pharmacy and we stopped at a pharmacy and we said,
22:02 -"Let's take a tour." And he said, "Who are you?"
22:05 -And we explained to them, "Come on, come in, do it."
22:07 -This is out of love, you understand what I'm saying?
22:09 -And if this didn't exist, this wouldn't exist either.
22:12 -I understand very well what you say.
22:14 -This positive side of people that moves you very much, if you have love,
22:18 -that doesn't ask for anything and just gives space.
22:21 -Thank you very much. -And us.
22:23 -Thank you very much. -I will be watching you.
22:25 -I will be watching us. -And next, Rekmi!
22:28 -Thank you!
22:30 -Thank you!
22:32 (audience applauding)
22:35 Bye!