Lift (2024)
Lift is a 2024 American heist comedy film directed by F. Gary Gray and written by Daniel Kunka. The film stars Kevin Hart (who also served as a producer), Gugu Mbatha-Raw, Vincent D'Onofrio, Úrsula Corberó, Billy Magnussen, Jacob Batalon, Jean Reno, and Sam Worthington.
Category
🎥
Short filmTranscript
00:00:00 [MUSIC]
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00:01:05 [MUSIC]
00:01:29 [FOREIGN] Excuse me, catalog please.
00:01:35 Signore, welcome to Venice.
00:01:38 >> Thank you.
00:01:39 >> Prego.
00:01:42 >> It feels good to be back.
00:01:44 >> How we doing, Tate?
00:01:46 >> The champagnes are nice, so let's wrap this up.
00:01:49 [MUSIC]
00:01:57 >> Prego.
00:01:58 >> No, grazie.
00:02:00 >> You must, they're quite exquisite.
00:02:03 >> No, thank you.
00:02:05 >> How does it feel in the hall?
00:02:06 >> 19 million.
00:02:08 >> Rich.
00:02:09 >> My favorite feeling.
00:02:10 [MUSIC]
00:02:14 >> Gold once, gold twice.
00:02:18 Sold.
00:02:19 >> [APPLAUSE]
00:02:26 >> Thank you, thank you.
00:02:28 >> Please, let's now turn our attention to the next item.
00:02:34 Item number 235 is a painting by Kehinde Wiley titled The Prelude.
00:02:41 Do I have 7 million?
00:02:42 >> In position, London.
00:02:44 >> Checking in from the Thames.
00:02:45 Just taking position near the drop site now.
00:02:48 >> Are you part of Uber Boat Sound?
00:02:52 >> Stay focused, mate.
00:02:53 >> Going once.
00:02:55 >> All right then.
00:02:56 >> Going twice.
00:02:57 >> Let's show them what true artistry looks like.
00:02:59 >> Sold for 11 million to Mr. Molson in Venice.
00:03:04 >> Great, Tekken Boy's got a new toy.
00:03:06 [MUSIC]
00:03:13 >> The Kehinde Wiley sets another record, joining the Hearst and the Franz Mark.
00:03:19 >> Ross.
00:03:20 [MUSIC]
00:03:24 >> [FOREIGN]
00:03:30 >> Local police are in position.
00:03:32 If Cyrus tries to swipe anything, he's in for a surprise.
00:03:36 >> Ladies and gentlemen, it's my pleasure to introduce you to Anne Age.
00:03:41 [MUSIC]
00:03:50 >> As you know, the digital artist has remained anonymous throughout his career.
00:03:55 But today he's here to auction off a single edition NFT.
00:03:59 >> There he is, among the biddets.
00:04:02 >> He's not even wearing a mask.
00:04:07 He's like, here I am.
00:04:08 >> What's it gonna be, Cyrus?
00:04:12 The Wiley's too hard to transport.
00:04:14 The Warhols are a little tired.
00:04:16 >> At least we know he won't lift the NFT.
00:04:19 >> Nothing to laugh to.
00:04:20 >> And now, it's my honor to present Self and Portrait by Anne Age.
00:04:27 >> [APPLAUSE]
00:04:30 >> Comprised of 482 cameras, this mask will create the NFT.
00:04:35 Inspired by Vincent Van Gogh,
00:04:38 the digital art piece will be generated from a live 30 second feed.
00:04:43 Once complete, the NFT will have captured the moment of its sale,
00:04:47 which will include the buyer.
00:04:49 Do we have an opening bid?
00:04:52 >> 12 million.
00:04:54 >> What?
00:04:56 >> Quick, look up Paddle 1305.
00:04:57 >> Registered to John Bradby.
00:05:02 >> Shit, who knows we're here.
00:05:05 >> How'd you know?
00:05:06 >> John Bradby, British mid-century, painted scenes of domestic life.
00:05:11 >> And that gives us away.
00:05:12 >> I'm living in his old studio.
00:05:15 >> Opportunity of a lifetime.
00:05:19 12 million.
00:05:20 >> 12 million is the standing bid.
00:05:25 >> 13 million in London.
00:05:28 15, we have 15 here in Venice.
00:05:32 >> 16.5.
00:05:33 >> 16.5.
00:05:38 >> 17 million.
00:05:39 >> 17 and a half.
00:05:41 >> Welcome to the bidding, Mr. Sage.
00:05:44 >> 18 million.
00:05:45 >> 19.
00:05:49 >> 20 million.
00:05:53 >> $20 million in Venice.
00:05:58 Going once.
00:06:02 Going twice.
00:06:06 >> Ready?
00:06:07 >> Ready.
00:06:08 [MUSIC]
00:06:13 >> Sold.
00:06:14 >> Lift.
00:06:15 [MUSIC]
00:06:24 >> He's making a move.
00:06:25 We need to go in.
00:06:27 >> Go.
00:06:28 >> Bye, bye, bye.
00:06:29 >> Stefano, Andy Amell, Andy Amell.
00:06:30 [MUSIC]
00:06:41 >> Thank you, Stewart.
00:06:43 [MUSIC]
00:06:49 >> Hey Nate, I'm so sorry for the confusion, sir.
00:06:51 I can escort you out.
00:06:52 >> Hold on, I just spent $20 million.
00:06:55 I want my NFT.
00:06:56 >> Perhaps we can make the transfer at our offices.
00:06:58 >> Or how about my yacht?
00:07:01 >> Yeah, okay.
00:07:02 >> Follow me.
00:07:03 [MUSIC]
00:07:13 >> Interpol.
00:07:16 [FOREIGN]
00:07:20 >> Excuse me?
00:07:20 >> [FOREIGN]
00:07:22 >> Subito.
00:07:23 [MUSIC]
00:07:31 >> Catch it.
00:07:32 >> Where's the yacht?
00:07:34 >> This is the boat that takes us to the yacht.
00:07:38 >> Ross, what if Cyrus is making a play for the NFT?
00:07:42 >> I thought he bought it.
00:07:43 >> For 20 million?
00:07:45 No way he has that, it's a con.
00:07:46 >> But the only way to steal an NFT.
00:07:48 >> Is to steal the access code, and
00:07:50 the only way to do that is to steal the artist.
00:07:52 [MUSIC]
00:08:02 [MUSIC]
00:08:12 >> Stefano, [FOREIGN]
00:08:26 >> [FOREIGN]
00:08:27 [MUSIC]
00:08:37 >> Time to play.
00:08:54 [MUSIC]
00:09:00 >> Stop, stop.
00:09:01 [FOREIGN]
00:09:02 [MUSIC]
00:09:10 >> Looks like we've got a tail.
00:09:12 >> What?
00:09:13 >> Fans of yours?
00:09:14 [MUSIC]
00:09:17 >> [FOREIGN]
00:09:27 >> Are you sure this is safe?
00:09:40 [MUSIC]
00:09:50 [MUSIC]
00:10:00 >> [FOREIGN]
00:10:14 [MUSIC]
00:10:24 >> No, no, no, no, no.
00:10:25 [FOREIGN]
00:10:26 [MUSIC]
00:10:36 >> Bye, bye, bye.
00:10:45 [MUSIC]
00:10:55 >> Nicely done team.
00:11:04 >> Put out a yellow notice for N8.
00:11:12 [MUSIC]
00:11:22 >> Thank you.
00:11:39 >> Nice.
00:11:42 [MUSIC]
00:11:45 >> You can take your mask off.
00:11:46 You can trust us.
00:11:49 [MUSIC]
00:11:55 Come on, let's get you paid.
00:11:57 [MUSIC]
00:12:01 Nice doing business with you N8.
00:12:03 >> 20 million.
00:12:04 >> Congratulations N8.
00:12:05 >> Congrats N8.
00:12:06 >> All right, my man.
00:12:08 >> Let's make a toast.
00:12:09 [MUSIC]
00:12:19 >> Did you extract N8's footage?
00:12:31 >> It was on a loop, so all we have is the last 30 seconds.
00:12:34 Here's one angle.
00:12:36 [MUSIC]
00:12:40 >> Stop.
00:12:41 Go back a few seconds.
00:12:42 The other bidder, make him larger.
00:12:44 The cane.
00:12:46 Go back.
00:12:47 Now play it forward.
00:12:48 Stop.
00:12:51 Go back.
00:12:52 Again.
00:12:57 That limp is an act.
00:13:01 Find me bidder 1099.
00:13:04 [MUSIC]
00:13:10 >> Acclaimed American artist N8 is missing this morning following an auction in Venice last night.
00:13:15 >> And it's being reported the artist's own cameras captured his abduction.
00:13:20 >> Interpol has put out a yellow notice asking anyone with information on his whereabouts to contact their local police.
00:13:28 [PHONE RINGING]
00:13:36 >> Look.
00:13:37 It's you.
00:13:39 >> People think I'm missing?
00:13:44 Didn't you tell the auction house you were going to be here?
00:13:46 Oh shit.
00:13:49 Shit.
00:13:52 Holy shit, you guys kidnapped me.
00:13:54 >> Come on.
00:13:55 >> Do you feel kidnapped?
00:13:56 >> No.
00:13:57 >> Who are you, Mr. Bradby?
00:14:00 >> Well, N8, my team and I are real lovers of art.
00:14:05 We love paintings.
00:14:07 >> Video art installations.
00:14:09 >> Sculptures.
00:14:11 >> Photography over here.
00:14:13 >> Street art maybe.
00:14:15 >> But we've never lifted an NFT.
00:14:17 >> So you're a thief.
00:14:19 >> We rescue works of art from undeserving owners.
00:14:22 >> And, well, I took Interpol on a tour.
00:14:25 >> The rest of our team was in London rescuing a Van Gogh.
00:14:27 >> But you bought my NFT, right? I mean, I saw...
00:14:30 >> A legit transaction.
00:14:32 >> We pre-sold the Van Gogh on the black market for $20 million.
00:14:36 Enough to cover your NFT.
00:14:38 >> Then why did you fake my kidnapping?
00:14:41 >> Borrowing.
00:14:43 A human.
00:14:44 >> Leonardo da Vinci sold the Mona Lisa for $25,000 and nobody gave a shit about her for 400 years until someone stole it.
00:14:53 >> That smile is now worth $860 million because there's a crazy story behind it.
00:14:57 >> Just like the one of us borrowing you.
00:15:00 >> And thanks to Interpol and all the free publicity...
00:15:03 >> Well?
00:15:05 >> The whole world now thinks that you've been kidnapped.
00:15:07 >> Which only drove the price of the NFT through the roof.
00:15:10 >> How much did we sell it for?
00:15:12 >> We just closed the...
00:15:14 >> $89 million.
00:15:17 >> What?
00:15:19 >> $89 million.
00:15:20 >> Wow.
00:15:22 >> $82 million.
00:15:23 >> I... I beat Van Gogh?
00:15:26 >> And my calculations are correct. We made $42 million and you made $27 million.
00:15:31 >> Let's make a toast.
00:15:36 >> Alright.
00:15:38 >> To the world's first heist of an NFT.
00:15:40 >> Cheers.
00:15:42 >> Cheers!
00:15:44 >> Round of drinks! A little kind to everyone. Round of drinks.
00:15:49 >> No.
00:15:50 >> Cheers!
00:15:51 >> Where's Denton?
00:15:54 >> Forgery. Fraud. Fraud. Money laundering. Impersonation. Fraud.
00:15:59 >> Grand theft auto.
00:16:01 >> Yes.
00:16:02 >> It was a 1967 Ferrari Spyder.
00:16:05 >> What color?
00:16:07 >> Silver. Walnut dash. Cream leather interior.
00:16:10 >> And you crashed it into a canal?
00:16:13 >> Okay. I did. You know. Easy come, easy go.
00:16:18 >> So... you two go back to Chicago, huh?
00:16:22 >> I've never met this man before in my life.
00:16:29 >> Oliver might know who he is, though.
00:16:34 >> Who's Oliver?
00:16:36 >> Oliver. Oliver!
00:16:38 >> Oliver?
00:16:40 >> Oliver!
00:16:46 >> Oliver.
00:16:47 >> Oliver would have never crashed the Ferrari. He's too responsible.
00:16:55 >> Can I talk to Oliver?
00:16:57 >> Well...
00:16:58 >> Okay, then. Let's talk about Rico.
00:17:02 >> Because thanks to your mess up with the cane, we've got you placing a bid that you didn't have the funds to cover, which is fraud.
00:17:07 >> And because it was over ten million dollars, you're eligible for extradition to the US, where you're facing 20 years to life.
00:17:15 >> Twenty years is life.
00:17:16 >> And your friends are looking at kidnapping, wire fraud, identity fraud, and transportation of stolen property.
00:17:22 >> Did I leave anything out?
00:17:25 >> A little joy, maybe.
00:17:27 >> Boss. Got something.
00:17:30 >> This just came for you.
00:17:36 [music]
00:17:38 >> We're going back to London. And we're taking him with us.
00:17:54 >> Yay.
00:17:56 [music]
00:18:00 [tires screeching]
00:18:02 >> Is Denton still in holding?
00:18:14 >> You mean Oliver?
00:18:15 >> For real?
00:18:16 >> This Oliver, he is a real pain in the ass.
00:18:19 >> Bravo.
00:18:20 >> Come with me, please.
00:18:22 >> I'm in the middle of something.
00:18:24 >> Right. It wasn't a request.
00:18:27 [indistinct chatter]
00:18:29 >> Everything okay?
00:18:36 >> Well, if it were, we'd be out of a job.
00:18:38 >> Listen, I, uh, I need to borrow your friend Cyrus.
00:18:42 >> He's not my friend. And what do you mean, borrow?
00:18:45 >> Well, in the same way that he would borrow a Picasso.
00:18:48 >> I'm gonna offer him a deal.
00:18:50 >> What? No.
00:18:51 >> Yeah.
00:18:52 >> No, no. You do not get to do this.
00:18:55 >> I know you think the art division is some kind of third-rate department.
00:18:57 >> It is.
00:18:58 >> But you do not get to come in here and wipe out a year of my work.
00:19:01 >> That's literally what I'm doing right now.
00:19:02 So why don't you just take a seat and let it sink in?
00:19:04 >> What do you know about Lars Jorgensen?
00:19:15 >> I know he owns a hell of a lot of stolen art.
00:19:17 >> He's done a lot worse than that.
00:19:19 He started as a banker who was legit,
00:19:21 but then began putting his money into terror groups,
00:19:23 bankrolling attacks around the world,
00:19:25 then shorting the relevant stocks and making a fortune.
00:19:27 He doesn't care how many people die,
00:19:29 just how much ends up in his bank account.
00:19:31 You remember the New Zealand plane that went down? 183 dead.
00:19:34 Airline stock plummeted, just like those poor souls.
00:19:37 And guess who made a fortune of shorting that stock?
00:19:40 >> So why haven't you arrested him?
00:19:41 >> That's what I've been trying to do.
00:19:42 I've been trying to do it for years, but nothing has sticked.
00:19:44 Everyone's scared of him.
00:19:46 Except for now I have someone on the inside.
00:19:48 This guy.
00:19:49 Arthur Teague.
00:19:51 Now Jorgensen's been paying Teague to work on something new.
00:19:54 But I caught him, I turned him, and I got him to talk.
00:19:56 According to this weasel,
00:19:58 Jorgensen's been chatting with the hacker group, Leviathan.
00:20:01 >> Leviathan?
00:20:03 >> They're planning some kind of massive strike on water.
00:20:05 Utilities, dams, it's all on the grid now.
00:20:08 >> They could flood a city,
00:20:10 dry up a whole country if they wanted.
00:20:12 Millions could die.
00:20:14 >> And Jorgensen would make billions off it.
00:20:16 He's been shorting stocks and utilities all around the world, right?
00:20:19 And we don't know when or where he's going to strike.
00:20:21 But what we do know is that Leviathan want their payment in gold.
00:20:25 Half a billion dollars in gold, to be precise.
00:20:28 And Jorgensen is going to move it from his vault in London to Zurich in 17 days.
00:20:32 >> And you can't intercept it because it's...
00:20:35 >> Totally legal.
00:20:36 >> To move your own gold.
00:20:37 No.
00:20:45 No, no, no, no, no, no, no, no.
00:20:48 >> You don't know what I'm going to ask you.
00:20:49 >> Yes, yes, I do.
00:20:50 >> No, you don't. No, you don't.
00:20:51 >> You want Cyrus to nick the gold.
00:20:52 >> Well, I wouldn't have used the word "nick", but...
00:20:54 >> You want to rely on Cyrus Whitaker for an operation of this scale.
00:20:58 Trust him with half a billion dollars worth of gold.
00:21:01 >> Yeah, why not?
00:21:03 >> He's a thief.
00:21:04 A conman, a professional liar.
00:21:06 You cannot possibly trust him.
00:21:08 >> I work in a building with a bunch of intelligence agents
00:21:10 and I don't trust any of them because we're all liars, all of us.
00:21:12 What's another one?
00:21:13 >> It is not the same thing.
00:21:15 >> Our job is to do things we don't like and make calls that we don't want.
00:21:17 So the rest of the world can just carry on.
00:21:20 >> What if he says no?
00:21:23 >> Well, I assure you, I have to make sure that doesn't happen.
00:21:25 [♪♪♪]
00:21:28 [♪♪♪]
00:21:31 [♪♪♪]
00:21:59 >> Took you long enough.
00:22:01 [phone chimes]
00:22:05 >> Can I get you a drink?
00:22:08 What is it, tequila during the day, vodka by night, right?
00:22:11 >> I'll get it.
00:22:12 >> All the good stuff is in the back.
00:22:16 >> Yeah, but we wouldn't want you to take all year to find it.
00:22:19 Let me help you.
00:22:20 >> You look good.
00:22:24 [♪♪♪]
00:22:26 >> You know, it is pretty funny that the thing that got you busted was an NFT.
00:22:34 A little tacky.
00:22:38 >> Sometimes you got to roll with the times.
00:22:40 And stop, we didn't steal anything.
00:22:42 That NFT was a completely legitimate transaction.
00:22:44 >> Right. Of course.
00:22:47 >> Am I in trouble?
00:22:49 >> For stealing a van Gogh.
00:22:51 We caught your buyer.
00:22:52 He gave up Denton, Luke and Magnus.
00:22:54 That was real cute, by the way.
00:22:56 Nicking the painting that was in the NFT.
00:22:59 >> Thought you'd appreciate the artistry involved.
00:23:01 >> You stole art, Cyrus. You didn't make it.
00:23:03 >> Are you still pissed about Paris?
00:23:08 >> I'm not going to discuss that with you.
00:23:11 >> No? >> No.
00:23:13 >> Well, I was kind of hoping we could.
00:23:14 >> It was a mistake, okay? An accident.
00:23:16 >> An accident? For a full week?
00:23:19 >> It was five days, not a week.
00:23:21 >> A business week.
00:23:22 >> And if I'd have known who you were, what you did,
00:23:24 it would never have happened.
00:23:26 >> So what about you?
00:23:27 I mean, I thought I was going to dinner with the head curator of the Gagosian.
00:23:30 >> I was undercover.
00:23:31 >> So was I.
00:23:32 >> Not the same.
00:23:33 >> Agree to disagree.
00:23:34 >> We fell for the cover. That's it.
00:23:37 That's all it was.
00:23:39 >> Okay, so what is this?
00:23:41 Are you here to arrest me, Abby?
00:23:44 >> Agent Gladwell.
00:23:45 >> Agent?
00:23:46 >> No.
00:23:50 >> I have been ordered to offer you a deal.
00:23:53 >> Wow.
00:23:57 That's got to sting, huh?
00:23:59 Is that why you're so pissed?
00:24:01 What kind of deal?
00:24:03 >> We need you to steal something.
00:24:07 >> I'm sorry, I couldn't hear you. Do me a favor, say it again.
00:24:10 But slower. Say it slower this time.
00:24:12 >> Gold. A lot of gold.
00:24:14 Half a billion dollars worth.
00:24:16 >> I'm sorry.
00:24:20 >> What's the catch?
00:24:21 >> The owner of the gold is a man named Lars Jorgensen.
00:24:25 You know him?
00:24:27 >> By reputation, yeah.
00:24:30 There's some people that you steal from, there's some people that you don't steal from.
00:24:35 Lars Jorgensen kills both.
00:24:37 It's a hard pass for me.
00:24:39 >> We have you on the Van Gogh, Cyrus.
00:24:44 Denton will die in jail.
00:24:48 If you do this, it's full immunity for you and your crew.
00:24:52 All felonies wiped clean, past and present.
00:24:55 Camilla hasn't seen her family in eight years.
00:24:58 Meeson has a grandmother who doesn't have long to live.
00:25:01 Luke gets to see his poodle again.
00:25:03 Magnus gets to go to the Cajun stage at Jazz Fest.
00:25:06 Denton gets to go home.
00:25:08 And you, you get to do whatever it is you do.
00:25:14 Without looking over your shoulder.
00:25:17 Without looking over your shoulder all the time.
00:25:18 >> Where are you at in all this?
00:25:21 >> What do you mean?
00:25:23 >> What's your role in the operation?
00:25:25 >> This is my role. I make you the offer, that's it.
00:25:27 >> No. No. If we're signing up for this, then so are you.
00:25:30 Look, I know how these things work and if Interpol is involved, that means as soon as things hit the fan, we're left hung out to dry.
00:25:35 But if you're with us, then they can't do that.
00:25:38 >> With you?
00:25:40 >> On the team.
00:25:42 >> Interpol would never allow it.
00:25:44 >> So then ask them.
00:25:46 >> I'll give you no deal. You got 24 hours to respond, Agent Gladwell.
00:25:49 >> No. She's Interpol. Are you crazy?
00:26:03 >> Absolutely not. No disrespect, yeah, but no.
00:26:06 >> It's a setup.
00:26:08 >> It's a half a billion in gold.
00:26:10 >> That we don't get to keep.
00:26:12 >> Yeah, but we get to see it.
00:26:15 >> If we don't do this, we go to jail.
00:26:16 >> She has us on the van go.
00:26:18 >> Plus, and not that this should sway anyone, but it's about saving lives.
00:26:21 >> Saving lives. Lovely.
00:26:23 >> I don't believe in that.
00:26:25 >> No. No. No. No.
00:26:27 >> I don't appreciate the emotional blackmail, Cyrus.
00:26:31 >> This is not emotional blackmail. This is blackmail blackmail.
00:26:36 >> I just want to say that I am liking the vibes here. I think they're good. I think it's fun. I'm on board.
00:26:42 >> Yeah, of course you are. Because you're crazy.
00:26:44 >> We got to stay positive. Come on. You don't have to throw a no at the beginning of every sentence.
00:26:49 >> Get out of here.
00:26:51 >> Hey.
00:26:53 >> Oliver.
00:26:55 >> I love Oliver.
00:26:57 >> Agent Gladwell. I just wanted to introduce you to Oliver.
00:27:04 >> Wow. I have heard a lot about you.
00:27:07 >> Oliver's my favorite character.
00:27:09 >> What about Steve?
00:27:12 >> That's scary.
00:27:13 >> All right, guys. Agent Gladwell has the floor. Let's give her our attention, please.
00:27:16 >> Why should we?
00:27:18 >> Because she caught us. She knows what she's doing. Go ahead.
00:27:24 >> Thank you.
00:27:26 >> Okay.
00:27:28 >> So, 17 days from now, Lars Jorgensen is moving half a billion dollars in gold bars from his bank in London to Zurich.
00:27:38 >> Nice.
00:27:41 >> The gold is packed in a single four-foot square crate, total weight 10 tons, then delivered by truck from the bank to Heathrow under heavy guard.
00:27:49 And loaded onto a sky-sweep passenger plane to Zurich.
00:27:53 So, somewhere between the Bank of London and the runway in Zurich, the gold needs to disappear.
00:28:00 >> The gold needs to disappear. Right.
00:28:03 >> That gave me chills.
00:28:05 >> Well, it's an exciting story. It's...
00:28:10 >> It's impossible.
00:28:11 >> It's not impossible.
00:28:13 >> Oh, this is.
00:28:15 >> Stay positive. We can do this. Try it with me. We can do this.
00:28:18 >> Yo, yo, entiendo lo que dices.
00:28:21 >> Come on, guys, stop. Camilla, I'm with you. All right? I don't know if it's possible.
00:28:25 I don't like it any more than any of you, but we know the rules to our game. When you're beat, what do you do?
00:28:31 >> Accept defeat gracefully.
00:28:33 >> A.K.A. you go to jail or...
00:28:35 >> Look for the nearest exit.
00:28:38 >> This is it. So we do it, we do it well, and we get out. It's treated like any other lift.
00:28:42 >> Examine it from top to bottom, we find a weakness. If there's a way to do it, we find it.
00:28:46 >> None of us want to go to jail. And we damn sure don't want to piss off Lars Jorgensen.
00:28:51 >> Morning, Arthur.
00:29:01 >> See, you didn't make it home from the pub last night, did you?
00:29:06 >> Sorry.
00:29:07 >> Okay, okay.
00:29:17 >> Hey, Jorgensen, you remember Arthur Teague? He used to work for us.
00:29:26 >> Yes, Mr. Teague. I'm sorry I couldn't be there in person. I just arrived at my villa.
00:29:34 >> Please, sir, I'm sorry.
00:29:36 >> Stop begging. It'll just make him more inclined to violence.
00:29:38 >> You were arrested last month on smuggling charges.
00:29:42 >> And yet, here you are, a free man. It's odd.
00:29:46 >> Very odd.
00:29:48 >> Interpol only knows half the story.
00:29:50 >> What about the other half?
00:29:52 >> You should have kept your mouth shut. Now we are going to shut it for you.
00:29:56 >> No!
00:29:58 >> Cormac, feed the dog.
00:29:59 >> No!
00:30:01 >> Please!
00:30:03 >> No!
00:30:04 >> What are you doing?
00:30:19 >> I hope you know your team have been working all night and half the day trying to figure this out.
00:30:23 >> The teachers hated you, didn't they?
00:30:27 >> What? No, I was top of the class. They loved me.
00:30:30 >> No, they had to pretend to like students like you because technically you followed all the rules and you got good grades.
00:30:34 >> What's wrong with that?
00:30:36 >> It's boring. I mean, anybody can do what they're told. Anybody can memorize facts. Anybody can shine an apple on their ass.
00:30:43 >> Oh, and what were you like? Class clown? Wise-ass?
00:30:46 >> I was the opposite. I was silent. I was watching all the kids look at the blackboard, answering the questions the way they thought they should answer.
00:30:56 >> I never looked at the blackboard. I was looking at the questions that weren't being asked.
00:31:00 >> Too cool for school, huh?
00:31:02 >> I saw the path that they were being marched down, and I also saw a different path. A better one for me. So I took it.
00:31:10 >> By breaking the rules?
00:31:12 >> The rules were already broken for someone like me. And if I can remember correctly, you actually broke a few rules that week in Paris.
00:31:17 >> Five days. And yes, I did. I broke the rules for the first time in my life, and look what good it did me.
00:31:25 >> I don't care about them.
00:31:26 >> About what?
00:31:28 >> The rules. Why do you care so much about the rules?
00:31:30 >> Okay.
00:31:40 >> When I was a kid, my mom was headmistress at my school. It was kind of a shithole, but it had this picture. A Hockney print. It had been given to the school in the '70s, and my mom refused to sell it.
00:31:53 >> Because she wanted us to know that we deserved beautiful things. That our school was just as important as some swanky art gallery.
00:32:04 >> That we should all dream big.
00:32:08 >> And then someone stole it. Middle of the night. And I thought, when I grow up, I'm going to find out who did that and bring them down.
00:32:23 >> And did you?
00:32:25 >> No. But I did the next best thing. Interpol.
00:32:36 >> Dream big. I admire that.
00:32:41 >> Oh, no. No, no, no. I'm not doing this.
00:32:50 >> Doing what? What are you talking about?
00:32:52 >> Getting sucked in to a conversation with you.
00:32:54 >> A conversation? Is that dangerous?
00:32:56 >> Oh, how did you put it with your team? Find the weakness, do the job, get out?
00:33:01 >> Is that what you think I did?
00:33:05 >> I know it is.
00:33:06 >> I would never lift anything from anyone that doesn't deserve to lose it. And if I do my job well, the thing I took they'll never know was missing.
00:33:15 >> So you're saying we need to take the gold in a way that Jorgensen never knows it's missing.
00:33:20 >> We're not taking the gold. That's the problem on the blackboard. We're looking at a different problem.
00:33:27 >> We're taking the plane?
00:33:29 >> Nice.
00:33:31 >> The whole plane?
00:33:34 >> There's only 50 people on board.
00:33:35 >> We're not hijacking a plane, Cyrus. It's not the '70s.
00:33:37 >> We're not hijacking anything, Camilla. Don't even use that word. We're borrowing it.
00:33:43 >> Love it. Love it.
00:33:45 >> But how?
00:33:47 >> To take a plane, you gotta fake a plane. All you need is a private jet.
00:33:50 >> Oh, just like that?
00:33:52 >> Yeah. If you can get the planes close enough together, you can swap the radar signature.
00:33:56 >> I like it.
00:33:58 >> Pulling up the flight logs now.
00:34:00 >> See if we know anyone on the sheets.
00:34:03 >> Drake's Boeing is at Farnborough. He must have a gig in London.
00:34:06 >> Too big.
00:34:08 >> The King's Hawker is at Northwold?
00:34:10 >> Too small.
00:34:12 >> Oh, you're gonna like this.
00:34:16 >> You want me to give you my jet?
00:34:21 >> No. I want to rent it.
00:34:23 >> But there are apps for that, man.
00:34:25 >> Or I can get my guy N8 to make an NFT specifically for you.
00:34:30 >> I don't know. My jet is priceless. It's a one-off concept model. NASA R&D.
00:34:35 >> Hell, technically, it's not even legal with the mods.
00:34:39 >> Especially with the glass roof.
00:34:42 >> I'm not even supposed to fly in American airspace.
00:34:45 >> I do, though. It's worth it, too. To watch the stars while, you know, you get your groove on.
00:34:51 >> Here's the thing.
00:34:53 >> Yeah?
00:34:55 >> You just told an officer at Interpol that you've been illegally flying in US airspace.
00:34:58 >> But he...
00:34:59 >> So how about this? We take the plane, and there's nothing you can do about it.
00:35:03 >> Everything is remote-controlled. Doors, lights. Amazing, right?
00:35:11 >> That is a word that you could use.
00:35:14 >> No, no. Don't sit down.
00:35:19 >> Why not?
00:35:21 >> Because I don't know what that stain is.
00:35:24 [Music]
00:35:28 >> Bang, bang!
00:35:30 >> Oh, stripper pole.
00:35:33 >> Oh, oh. And the best part of this, baby, is that the hole of the underneath is a huge LED screen, which we can program to say whatever we want.
00:35:48 [Music]
00:35:53 >> Gucci life.
00:35:55 >> Balls so hard, balls so hard, balls so hard, balls so hard.
00:36:02 >> You don't have to do that.
00:36:04 >> Balls so hard.
00:36:06 >> We get it. We understand.
00:36:08 >> Come on.
00:36:11 [Music]
00:36:26 >> This is the best Interpol could do.
00:36:28 >> You work for the government now, Cyrus. Doesn't it make you feel all warm and fuzzy?
00:36:34 >> No. Not one bit.
00:36:38 [Music]
00:36:42 >> So, let's break it down. We got to make that jet invisible to radar, find a way to get it close to an A380 to swap signals, and crack a safe at 30,000 feet. Piece of cake.
00:36:57 >> Cyrus. You got to see this.
00:37:07 [Music]
00:37:11 >> Sound waves mimic the turbulence of the plane.
00:37:14 >> Fuck. LeBron James.
00:37:17 [Music]
00:37:24 >> With this laser, I could crack this vault anywhere on Earth in 10 minutes flat, but it's got to be on Earth. Up in the plane, the turbulence is going to shake the laser.
00:37:34 >> If I'm a millimeter off in any direction, this vault turns into an impenetrable steel box.
00:37:38 >> So, you need a stabilizer.
00:37:41 >> Steward platform?
00:37:45 >> Steward platform. That's it.
00:37:49 >> Steward platform! Genius! Someone give me a hug!
00:37:54 >> Lot of caffeine.
00:37:57 [Music]
00:38:11 >> I keep getting caught in the A380's wake.
00:38:14 >> Stop it. I've seen you handle much worse. You remember Corsica, don't you?
00:38:18 >> Okay.
00:38:22 >> Camilla needs help staying out of the A380's wake.
00:38:26 [Music]
00:38:28 >> Can you work innate cameras into your stealth mods to give her full visibility around the plane?
00:38:32 >> I mean, at those speeds, it just hasn't been done before.
00:38:37 >> First time for everything. I mean, if anybody can do it, you can.
00:38:40 >> Yeah.
00:38:42 >> Right?
00:38:44 >> I got it.
00:38:49 >> My guy.
00:38:53 >> Me, son? I need a hand.
00:38:55 >> Hey. Too much?
00:38:57 >> Are you going for like Gandalf the Grey or Moses?
00:39:01 >> No.
00:39:03 >> Yeah, that's too much.
00:39:05 >> Am I crazy?
00:39:07 >> Yes.
00:39:09 >> You think I should call it off?
00:39:11 >> No, of course not.
00:39:13 >> I don't know.
00:39:15 >> You're uncertain? I don't think I've seen that before.
00:39:17 >> I just don't like the fact that it's her who asked. You know the history there, right?
00:39:22 >> No.
00:39:23 >> I met her a year ago in Paris at the Biennale. But neither one of us were honest about our circumstances, so.
00:39:29 >> I see.
00:39:31 >> But it was nothing. It was like a week. A business week, not even a full week.
00:39:34 >> Right. I understand.
00:39:36 >> Why do you say it like that? What does that mean?
00:39:38 >> Well, it's just, you know, the way you look at her.
00:39:40 >> The way I look at her? How do I look at her?
00:39:42 >> What are you doing?
00:39:51 >> Are you saying I make that face? I've never made a face like that.
00:39:53 >> Close.
00:39:55 >> Nobody makes that face. All right, how about you stop? Let's stop. You're being stupid. Grow up. You're being childish.
00:40:00 >> All right, look at me.
00:40:02 >> I'm looking at you.
00:40:04 >> Now look at her.
00:40:06 >> You want me to look?
00:40:08 >> Yeah.
00:40:10 >> You look like a damn creep.
00:40:16 >> You proud of yourself?
00:40:18 >> Yes.
00:40:20 >> Right? I mean, what we're talking about, this thing like that, it'll never happen.
00:40:23 >> Why not?
00:40:25 >> What do you mean, why not?
00:40:27 >> Yeah.
00:40:29 >> The same reason that none of us are married, why we don't have kids, why you don't have a personal life.
00:40:31 The game we're in is not compatible with the love life.
00:40:34 >> That's a little lonely, no?
00:40:36 >> Lonely? How about when we party for New Year's Eve at Taj Mahal?
00:40:38 >> I'm saying there's respect and there's admiration and friendships. But is there closeness? Is there intimacy?
00:40:47 >> I just told you, that's not what it is.
00:40:50 >> Right, it's nothing. I know, I heard you. Yeah, you said that. Nothing.
00:40:54 >> Think about it.
00:40:57 >> Thanks, boss.
00:40:59 >> So Luke is working on making the private jet invisible to GPS, but to do the same for the A380, we need a PSID.
00:41:10 >> What's that?
00:41:13 >> It's a surveillance device. It blocks all GPS transmissions from the A380 to air traffic control.
00:41:17 >> But I'm already working on getting the parts. They'll be here tomorrow.
00:41:21 >> Okay, so what's the problem?
00:41:24 >> The chance of us turning on the PSID and the transponder at the exact same moment in two different planes, both moving over 700 miles per hour, is next to impossible.
00:41:35 >> So if air traffic control suddenly sees two planes with the same signal, or if the A380 suddenly disappears...
00:41:42 >> It's over.
00:41:43 >> You can't hack the tech, you gotta hack the people. We're gonna need someone in air traffic control.
00:41:50 >> In Brussels. >> Why Brussels?
00:41:52 >> The minute the plane crosses the English Channel, that's who'll be tracking it till it hits Zurich.
00:41:56 >> But do we know someone in Brussels?
00:41:58 >> I know someone. He's a piece of shit, but I know someone.
00:42:07 [Music]
00:42:09 >> Well, I don't know what this is, but it's not a cappuccino.
00:42:33 >> Screw you, Harry.
00:42:35 >> Hey, I'm trying to help you. I'm being honest. People won't stand for that. Starbucks will come along and you'll be done.
00:42:40 >> I'm not gonna pay for it.
00:42:42 >> Ah, no, no, no, no, no. I'll drink it. I'm just not gonna pay for it. Sort your life out, yeah?
00:42:49 >> Free coffee?
00:42:55 >> Are you not as good as Hal?
00:43:02 >> Harry is an informant. We had to relocate him to Belgium because so many people wanted him dead.
00:43:07 >> I thought you were here to ask me a favour.
00:43:12 >> We are. We need help in air traffic control in Brussels.
00:43:15 >> Someone who can communicate with the pilots and overlook any potential glitches.
00:43:19 >> Glitches? Sounds nefarious. Is this official?
00:43:23 >> Yes and no.
00:43:25 >> Then I could lose my job. I could go to jail. They could pin a terrorism charge on me, so thanks, but no thanks.
00:43:31 >> Interpol will protect you.
00:43:32 >> I really, really want to say yes.
00:43:35 >> You'll be saving lives.
00:43:38 >> I'll pay you a million dollars.
00:43:43 >> Happy to be in business with you.
00:43:48 >> Cyrus, no. We don't have that kind of money.
00:43:50 >> I do.
00:43:52 >> You'd do that?
00:43:54 >> Yeah, it's about saving lives, isn't it?
00:43:56 >> Listen to the man. Listen to him.
00:44:00 >> You wouldn't happen to know anyone who can load cargo off an A380, would you?
00:44:03 >> I might know a few people, yeah.
00:44:05 >> It's Huxley. He wants to see us.
00:44:08 >> Commander Dennis Huxley, London Metropolitan Police Service, seconded to Interpol anti-terrorism.
00:44:20 >> Is that your full name?
00:44:22 >> Let me take a seat. This will be quick.
00:44:27 >> Really?
00:44:28 >> Okay, big dog.
00:44:31 >> So, Arthur Teague washed up on the Irish coast in six grocery bags.
00:44:38 >> What?
00:44:40 >> Who's Arthur Teague?
00:44:42 >> You didn't tell him?
00:44:44 >> Arthur Teague was an employee of Jorgensen.
00:44:48 >> And he was found dead?
00:44:50 >> Yeah, and it's why we think the bankers brought up the tragedy.
00:44:52 >> You're not going to tell me?
00:44:55 >> We think the bankers brought up the transfer to ten days from now.
00:44:57 >> Ten days? That's not enough time. I'm sorry, Abby. I'm out.
00:45:01 >> Cyrus.
00:45:03 >> You're out? I didn't realize this was an opt-in situation.
00:45:05 >> It was when I opted in. And unlike Arthur Teague, I'm smart enough to walk away.
00:45:10 >> You're smart or you're scared? Because you're worried that you're going to get killed?
00:45:14 Because don't worry. You're from the art world and you're small-time.
00:45:17 It's what made you a brilliant choice because no one's expecting anything great from Cyrus Whitaker.
00:45:22 And if you don't do this, I will take away your immunity and I will bring the whole power of the international world down on you and your bunch of misfits.
00:45:27 Comprende, homeboy?
00:45:29 >> You better get your boy.
00:45:31 >> Guys, guys, innocent people's lives are on the line.
00:45:34 >> I will talk to my team. But understand that if we decide to do this, that we're doing it for you.
00:45:47 >> It's not for him.
00:45:50 >> It's for him.
00:45:51 >> See you back in London.
00:45:57 >> Don't say it.
00:46:04 >> Homeboy.
00:46:19 >> Luke? Turn that up.
00:46:20 >> Is this him?
00:46:38 >> Looks like it.
00:46:40 >> Oh my God.
00:46:42 >> Why would anyone do something like this?
00:46:44 >> They'll sacrifice anyone to make a profit.
00:46:48 >> These are just the starters. The main course is in ten days.
00:46:51 >> Ten days? You're kidding, right?
00:46:54 >> No, I'm not kidding. Guys, I'm pulling it. This is no longer our job.
00:46:58 >> What? Cyrus, you said--
00:47:00 >> I said I would. The deal was me.
00:47:02 >> I told you guys when you first joined the crew that I would never let you walk into a certain danger. I'm telling you all to walk away.
00:47:10 >> And what's your plan without us?
00:47:16 >> We'll figure it out. It's not your problem anymore.
00:47:18 >> You're serious.
00:47:20 >> I am.
00:47:22 >> You just expect us all to walk away and let you have all the fun? No.
00:47:25 >> I look like fun to you?
00:47:27 >> Not that.
00:47:29 >> We're dealing with a guy who's willing to kill whatever gets in his way. I'm sorry. It's too much of a risk.
00:47:34 >> You know how much I like risk.
00:47:45 >> It's not just about us.
00:47:46 >> I'm in.
00:47:52 >> Me too.
00:47:55 >> Then--
00:47:57 >> Cyrus, I'm in.
00:47:58 >> Yeah, me too. I can't leave you with this.
00:48:02 >> Count me in too.
00:48:14 >> Yeah, me too, I guess.
00:48:16 >> You can't do this without us.
00:48:20 >> That's work.
00:48:31 >> They really love you.
00:48:36 >> I mean, what's not to love?
00:48:42 >> What did it take you? Like a week?
00:48:44 >> Oh my God. You are really, really easy to hate.
00:48:49 >> Agree to disagree.
00:48:51 >> Five days.
00:48:54 >> I'm impressed. My portfolio thanks you.
00:49:02 >> You wanted proof of concept. Leviathan always delivers.
00:49:06 >> You can end your little demonstration now.
00:49:09 >> Just have a gold ready.
00:49:11 >> I will.
00:49:12 >> I built a PSID so we can make the A380 disappear from radar.
00:49:24 >> But there's one small issue.
00:49:27 >> It looks like a bomb.
00:49:31 >> Yeah.
00:49:34 >> Is that not a bomb?
00:49:35 >> Definitely looks like a bomb.
00:49:37 >> Yeah. Does it separate into parts?
00:49:40 >> In theory.
00:49:41 >> So could you hide those parts and then give each of us pieces?
00:49:45 >> Then we reassemble it on the plane?
00:49:48 >> Hmm. Possible.
00:49:53 >> For you, Abby. Thank you.
00:50:05 >> For Luke.
00:50:07 >> Thank you.
00:50:08 >> And that's for you, Magnus.
00:50:10 >> Game on.
00:50:17 >> Okay, guys. Listen up.
00:50:21 >> We need to intercept the gold before it gets to Yorkson so he can't pay off the hackers.
00:50:26 >> A little more to the left. Just checking the LED screen now.
00:50:32 >> Did we get the pilot that we wanted?
00:50:37 >> Yes. With experience landing in Afghanistan.
00:50:39 >> That's good. He can handle a short, snowy runway on the ops.
00:50:43 >> Camilla, that's when you deploy the drone to Zork and you follow it to Katina.
00:50:48 >> Magnus, I need you to keep an eye on the clock. You got ten minutes once you start on that safe.
00:50:55 >> 1155.
00:50:57 >> So close!
00:50:58 >> When we land, Harris guys will be on the ground to offload the gold onto a train by the landing strip.
00:51:03 >> At the next station, Antipole will be waiting to receive our half-billion in gold.
00:51:08 >> Boo.
00:51:10 >> I like this one.
00:51:15 [music]
00:51:38 >> 938!
00:51:40 >> 938! 938! 938!
00:51:42 >> Yes!
00:51:44 [music]
00:51:46 >> Yes!
00:51:47 >> Go!
00:51:49 >> No.
00:51:50 >> Oh my God.
00:51:51 >> If it was in a movie, it would go like, "Hey, let's steal a plane." And then you put your hand in and people would be like, "Gah!"
00:51:56 >> Stop doing that!
00:51:58 >> Honestly, it's just awkward.
00:51:59 >> It felt like the moment.
00:52:00 >> Read the ring.
00:52:01 >> So how stealth is it exactly?
00:52:04 >> To a reader, it would be like a small bird.
00:52:08 >> Practically undetectable.
00:52:10 >> I don't think I want Molson to have that capability.
00:52:13 [laughter]
00:52:14 >> So you think you can fly it?
00:52:17 >> I guess we find out tomorrow.
00:52:19 >> Rest up. Tomorrow's the biggest lift of our lives.
00:52:24 [music]
00:52:38 [music]
00:52:43 >> This is the outfit you choose? This is what I'm wearing for this incredibly serious operation?
00:52:48 >> Yorkston is going to have guys on a plane. Sometimes the best way to blend in is to stand out.
00:52:55 Nobody's going to suspect the rich douche and his trophy wife sitting in first class sipping champagne.
00:52:59 >> Oh, is calling me a trophy wife your idea of flattery?
00:53:02 >> No. Calling you my wife was.
00:53:05 [music]
00:53:34 [music]
00:54:03 [music]
00:54:12 >> Ladies and gentlemen, welcome aboard Sky Suisse flight 1412 with service to Zurich International Airport continuing to Melbourne.
00:54:20 >> Nervous?
00:54:24 >> Right now? Very much so. You?
00:54:28 >> No. I love every second of this.
00:54:31 Is everybody in position?
00:54:34 >> Almost set.
00:54:36 >> Never better.
00:54:38 >> Good to go.
00:54:43 >> Luke, what about you?
00:54:45 Luke?
00:54:48 Did anybody see Luke get on the plane?
00:54:53 [music]
00:55:01 >> Luke, where are you, buddy?
00:55:03 >> I'm sorry. I couldn't do it.
00:55:07 >> It's just not worth the risk.
00:55:10 >> Last look.
00:55:12 >> All good. I'll see you on the other side.
00:55:15 >> Sorry, boss.
00:55:17 >> No worries.
00:55:21 [music]
00:55:23 >> Misan, how bad is this going to hurt us?
00:55:26 >> Luke had the signal booster, so the PSID will still work, but only if it's close to the cockpit.
00:55:32 >> How close?
00:55:34 >> 30 feet.
00:55:36 >> So someone has to go to the coach bathroom where all the pieces are and take him to the first class bathroom?
00:55:39 >> Yeah. I'll do it.
00:55:42 >> Are you sure you want to take this on?
00:55:46 >> Yeah.
00:55:49 >> All right. Misan, Abby's going to handle the PSID. You just got to tell her how it works.
00:55:53 [music]
00:56:11 >> Okay.
00:56:14 [music]
00:56:24 >> Guys, we've got eyes on us.
00:56:27 Two in first class, three in economy.
00:56:33 [music]
00:56:39 >> Copy that. Keep your eyes open in case they make a move.
00:56:43 [music]
00:57:04 >> Ladies and gentlemen, we have reached cruising altitude. You are free to move about the cabin.
00:57:11 [music]
00:57:21 >> Game on.
00:57:23 >> Just in time. We should be over the English Channel now.
00:57:33 >> Victor Sierra 14-12, Brussels. Continue with 34,000 and expect slight turbulence going over the top of the mountains. It's a low pressure system forming.
00:57:42 >> Copy that, Control.
00:57:44 [music]
00:57:59 [beeping]
00:58:05 >> There you are.
00:58:07 >> Abby, you're up.
00:58:14 >> Ten minutes till we rendezvous with Camilla. You sure you're up for this?
00:58:18 >> Yeah. I'm going in.
00:58:22 [music]
00:58:35 >> This is the captain speaking. We're approaching a low pressure system. Could give us a little turbulence up ahead. For your safety, I've turned on the fasten seatbelt sign.
00:58:46 [music]
00:59:15 >> Shit. No, no, no, no.
00:59:17 [music]
00:59:23 >> Here we go.
00:59:25 [music]
00:59:32 >> Abby, it's me.
00:59:34 >> Baby, I need your help in here.
00:59:38 >> What did you do?
00:59:44 >> You know how to help me fix this.
00:59:45 >> Shit. I don't know. I think so.
00:59:47 >> Abby, what's going on?
00:59:49 >> We're running out of time. Camilla's almost on our tail.
00:59:53 [knocking]
00:59:56 >> Come on.
00:59:58 [knocking]
01:00:01 >> Oh, oh, oh, yeah, baby. Oh, yeah.
01:00:11 [music]
01:00:13 >> Traffic, traffic, traffic, traffic.
01:00:17 [music]
01:00:28 >> Traffic, traffic.
01:00:30 [music]
01:00:34 >> Keep going.
01:00:36 >> How long until the switch?
01:00:38 >> A minute, 30 seconds.
01:00:41 >> Come on, please.
01:00:43 >> Descend, descend.
01:00:45 >> Come on.
01:00:47 [music]
01:00:59 >> Descend, descend.
01:01:01 [music]
01:01:03 >> Descend.
01:01:06 [music]
01:01:15 >> Descend, descend.
01:01:17 [music]
01:01:19 >> Descend, descend.
01:01:21 [music]
01:01:23 >> Descend, descend.
01:01:25 [music]
01:01:32 [music]
01:01:35 [music]
01:01:36 [music]
01:01:38 >> Ha!
01:01:40 [music]
01:01:42 [music]
01:01:44 >> Oh, shit, come on. Come on.
01:01:47 >> Almost there. Almost there, baby. Don't stop.
01:01:51 >> Oh, no, Abby, are you seeing this?
01:01:53 >> What?
01:01:55 >> The board is showing two Victor Sierra 1412s.
01:01:58 >> Oh, it's probably just a glitch. Happens every now and then.
01:02:01 >> I have never seen this before.
01:02:04 >> Are you going to notify Jean-Pierre?
01:02:06 >> Sandra, seriously, I'm going to have to start reporting this relentless undermining behavior to HR.
01:02:10 >> What?
01:02:12 >> You clearly think I'm unable to do my job properly. Is it because of the chair?
01:02:15 >> What? No.
01:02:17 >> Because of your constant challenge in every decision making. It makes me feel attacked and frankly unsafe.
01:02:23 >> I'm so sorry.
01:02:29 >> There, see?
01:02:32 [music]
01:02:33 >> You really should look at your own exam and prejudices, Sandra, yeah?
01:02:37 >> Okay.
01:02:40 >> Go on. Off you pop.
01:02:42 [music]
01:02:44 [music]
01:02:46 [music]
01:02:48 >> Wait, wait, wait.
01:02:50 [music]
01:02:52 [music]
01:02:54 [music]
01:02:56 [music]
01:02:58 [music]
01:03:01 [music]
01:03:02 >> Now it's real.
01:03:04 [music]
01:03:06 [music]
01:03:08 >> Excuse me.
01:03:10 >> Well.
01:03:12 >> Oh, you're his big guy?
01:03:14 >> Mm.
01:03:16 [music]
01:03:18 [music]
01:03:20 >> Harry, I just wanted to say I'm so sorry about before.
01:03:24 >> Were you getting a coffee?
01:03:26 >> No. But I could.
01:03:28 >> Cappuccino, please, from the good place.
01:03:30 >> Are they still good place?
01:03:31 >> Kind of busy, Sandra.
01:03:33 >> Okay.
01:03:35 [music]
01:03:37 >> Victor Sierra 1412, control.
01:03:40 >> This is Victor Sierra 1412.
01:03:43 [music]
01:03:45 [music]
01:03:47 >> We have an AWOS warning coming out of Zurich.
01:03:50 High winds, extreme weather, low visibility and falling.
01:03:53 Flooding on the runway.
01:03:55 >> Zurich Tower is diverting all inbound traffic to the nearest airport.
01:03:59 >> Copy that, control. Yeah, we just felt a few bumps.
01:04:01 Which airport would that be?
01:04:03 [music]
01:04:05 >> Please proceed to Charlie Delta Foxtrot.
01:04:08 Short runway, but it shouldn't be too challenging for a pilot of your skill.
01:04:11 [music]
01:04:13 [music]
01:04:15 [music]
01:04:17 >> Copy that, control. Proceeding as directed. Victor Sierra 1412.
01:04:21 >> Set course to Cortina.
01:04:24 [music]
01:04:27 >> Control to Victor Sierra 1412.
01:04:29 >> VS 1412, go ahead.
01:04:31 >> You are clear for deployment.
01:04:34 >> Roger that.
01:04:36 [music]
01:04:38 [music]
01:04:40 [music]
01:04:42 [music]
01:04:44 [music]
01:04:46 >> Okay, boss. The drone is heading to Zurich. See you in Cortina.
01:04:52 [music]
01:04:55 >> Victor Sierra 1412, confirming your approach to Zurich is on course.
01:04:58 [music]
01:05:00 [music]
01:05:02 [music]
01:05:04 >> This is the captain speaking.
01:05:07 Unfortunately, the weather in Zurich has taken a severe turn.
01:05:11 We've been instructed to land in Cortina, the nearest airport.
01:05:15 [music]
01:05:17 [music]
01:05:19 [music]
01:05:21 [music]
01:05:24 [music]
01:05:25 >> Denton, Magnus, it's vault time.
01:05:28 >> Our friends are getting restless, but we've got to stick to the clock.
01:05:31 [music]
01:05:33 [music]
01:05:35 >> Ma'am.
01:05:37 >> Yeah?
01:05:39 >> I was wondering if you could... well, I'm having trouble with the flight entertainment here.
01:05:43 >> Of course. It's a little bit tricky, isn't it?
01:05:45 >> I was wondering if it's this button right here.
01:05:47 >> Yes. This button right here.
01:05:49 >> This button here.
01:05:52 >> There you go. And then you just pull the keys from the main...
01:05:54 >> Oh, there you go.
01:05:56 >> Is that okay?
01:05:58 >> This is wonderful. I think I'll watch me a movie or something.
01:06:00 [music]
01:06:02 [music]
01:06:04 [music]
01:06:06 >> All right. Mesa, you're up. Lock down outside communications.
01:06:10 >> Cutting off the Wi-Fi now.
01:06:14 [music]
01:06:16 [music]
01:06:18 [music]
01:06:21 [music]
01:06:22 >> Excuse me. There's no vaping on the flights.
01:06:25 >> Oh, Dad, you can't help me. I wouldn't dream, mate.
01:06:29 [music]
01:06:31 >> Take this one.
01:06:33 >> Thank you.
01:06:35 [music]
01:06:37 [music]
01:06:39 [music]
01:06:41 [music]
01:06:43 [music]
01:06:45 >> Ladies and gentlemen, we apologize for the interruption with the Wi-Fi.
01:06:49 We are working to correct the problem.
01:06:51 [music]
01:06:53 [music]
01:06:55 [music]
01:06:57 [music]
01:06:59 [music]
01:07:01 [music]
01:07:03 [music]
01:07:05 [music]
01:07:07 [music]
01:07:09 [music]
01:07:11 >> Mesa, how's the door sensor?
01:07:14 >> You're good to go.
01:07:17 >> Just be careful of that pressure variance.
01:07:19 >> Thanks, Mom.
01:07:21 [music]
01:07:23 [music]
01:07:25 [music]
01:07:27 [music]
01:07:29 >> Showtime.
01:07:31 [music]
01:07:33 [music]
01:07:35 >> Showtime?
01:07:37 [music]
01:07:39 >> Supposed to be cool, all this showtime.
01:07:42 [explosion]
01:07:44 [music]
01:07:46 [music]
01:07:47 [music]
01:07:49 [music]
01:07:51 [music]
01:07:53 [music]
01:07:55 [music]
01:07:57 [music]
01:07:59 [music]
01:08:01 [music]
01:08:03 [music]
01:08:05 [music]
01:08:07 [music]
01:08:09 >> Shoot.
01:08:11 [music]
01:08:13 [music]
01:08:15 [music]
01:08:16 [music]
01:08:18 [music]
01:08:20 [music]
01:08:22 [music]
01:08:24 [music]
01:08:26 [music]
01:08:28 [music]
01:08:30 [music]
01:08:32 [music]
01:08:34 [music]
01:08:36 >> I'm sorry, sir, but you'll have to take your seat.
01:08:39 >> Flanja.
01:08:41 >> Sir.
01:08:44 >> You're a vengeance jerk.
01:08:45 >> All right.
01:08:47 >> Pay your captain.
01:08:49 >> Tell him about a medical emergency, boy.
01:08:51 >> They won't open the door.
01:08:53 >> They will when they know you're the one with the medical emergency.
01:08:55 >> He's trying to get into the cockpit.
01:08:57 [music]
01:08:59 [music]
01:09:01 >> We gotta buy a magnet sometime.
01:09:03 [music]
01:09:05 >> Sorry.
01:09:07 >> Come on.
01:09:09 [music]
01:09:11 [music]
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01:09:33 [music]
01:09:35 [music]
01:09:37 [music]
01:09:39 [music]
01:09:42 [GRUNTS]
01:09:44 [SCREAMS]
01:09:46 [GRUNTING]
01:09:48 [SCREAMS]
01:09:50 [GRUNTING]
01:09:52 [SCREAMS]
01:09:54 [GRUNTING]
01:09:56 [SCREAMS]
01:09:58 [SCREAMS]
01:10:00 [SCREAMS]
01:10:02 [GRUNTS]
01:10:04 [SCREAMS]
01:10:06 [GRUNTING]
01:10:08 [GRUNTING]
01:10:10 [SCREAMS]
01:10:12 [GRUNTING]
01:10:14 [SCREAMS]
01:10:16 Shit!
01:10:18 [MUSIC PLAYING]
01:10:20 [GROWLING]
01:10:22 [MUSIC PLAYING]
01:10:24 [GRUNTING]
01:10:26 [SCREAMS]
01:10:28 [MUSIC PLAYING]
01:10:30 [SCREAMS]
01:10:32 [MUSIC PLAYING]
01:10:34 [GRUNTING]
01:10:36 [GRUNTING]
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01:10:40 [GRUNTING]
01:10:42 [MUSIC PLAYING]
01:10:44 [GRUNTING]
01:10:46 [GLASS SHATTERING]
01:10:48 Come on. We gotta go check on Magnus.
01:10:50 [MUSIC PLAYING]
01:10:52 [ENGINE REVVING]
01:10:54 [MUSIC PLAYING]
01:10:56 Gear down.
01:10:58 [ENGINE REVVING]
01:11:00 [MUSIC PLAYING]
01:11:02 [MUSIC PLAYING]
01:11:04 [MUSIC PLAYING]
01:11:06 Time to check on the gold, were we?
01:11:08 [MUSIC PLAYING]
01:11:10 [GRUNTING]
01:11:12 [MUSIC PLAYING]
01:11:14 [ENGINE REVVING]
01:11:16 [MUSIC PLAYING]
01:11:18 [ENGINE REVVING]
01:11:20 [EXPLOSIONS]
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01:31:10 [EXPLOSIONS]
01:31:12 You know, I didn't trust Huxley.
01:31:15 You're obviously right about that.
01:31:17 But I've always trusted you.
01:31:19 I was never in question.
01:31:23 Now, in Paris, our first week, I didn't
01:31:27 fall in love with the cover.
01:31:30 I fell in love with the way you looked at the art,
01:31:33 the way that you cared about something that wasn't even yours.
01:31:37 Losing you during that week was the stupidest thing
01:31:39 I've ever done in a lifetime full of stupid things.
01:31:42 I don't want to lose you again.
01:31:49 So I got you something.
01:31:52 [MUSIC PLAYING]
01:31:54 Mm.
01:31:55 [MUSIC PLAYING]
01:31:57 [MUSIC PLAYING]
01:31:59 [MUSIC PLAYING]
01:32:01 Liam Dower.
01:32:04 Liam Dower stole your mother's Hockney print.
01:32:08 What?
01:32:10 How did you--
01:32:11 I asked around, found him, found out who he sold it to,
01:32:14 and I bought it.
01:32:15 [MUSIC PLAYING]
01:32:18 You bought it?
01:32:21 For your school.
01:32:22 [MUSIC PLAYING]
01:32:24 [MUSIC PLAYING]
01:32:26 [MUSIC PLAYING]
01:32:29 Now, I want you to hold on to that feeling.
01:32:31 Like, hold it, because there's more.
01:32:33 Another little thing.
01:32:35 A little something.
01:32:36 There's a little more.
01:32:39 We stole the gold.
01:32:41 What?
01:32:42 Yeah.
01:32:43 How?
01:32:44 OK.
01:32:45 The first part you knew about.
01:32:47 The part of the plane you didn't know about.
01:32:50 While we recruited Harry in Brussels,
01:32:53 Magnus dipped hundreds of iron bars in gold paint,
01:32:57 which we sent on our own crates via Sky Speeds Cargo.
01:33:01 On the plane, while we were distracting the guys up top,
01:33:06 Magnus waited until the plane was on the approach.
01:33:10 He swapped the crates.
01:33:13 We just had to guide the real gold out the door.
01:33:15 [MUSIC PLAYING]
01:33:18 [MUSIC PLAYING]
01:33:20 And Luke?
01:33:21 He was never out.
01:33:23 He just had a different gig.
01:33:26 And all he had to do was guide it in for a safe landing.
01:33:29 What did Huxley end up with?
01:33:33 Homeboy?
01:33:35 He got nothing.
01:33:36 [MUSIC PLAYING]
01:33:39 [MUSIC PLAYING]
01:33:42 [MUSIC PLAYING]
01:33:46 Come on.
01:33:47 Let's go meet the team.
01:33:49 [LAUGHTER]
01:33:50 Yeah!
01:33:51 Hey, hey, hey.
01:33:52 Come here.
01:33:53 Oh, we did it!
01:33:54 We did it!
01:33:55 Oh, my little fighter pilot.
01:33:57 That's me.
01:33:58 We did it.
01:33:59 No, we.
01:34:00 We did it.
01:34:01 Luke!
01:34:02 What's up?
01:34:03 [LAUGHTER]
01:34:07 Do you want to do the honors?
01:34:08 Oh, no, no.
01:34:18 I shouldn't even be here.
01:34:20 Come on, Abby.
01:34:21 I think you should.
01:34:22 Come on, Abby.
01:34:23 Do it.
01:34:24 I'll do it.
01:34:25 Do it.
01:34:26 Do it.
01:34:27 Yeah.
01:34:28 Right there.
01:34:29 [LAUGHTER]
01:34:30 [MUSIC PLAYING]
01:34:32 [LAUGHTER]
01:34:33 Woo!
01:34:34 [MUSIC PLAYING]
01:34:37 [MUSIC PLAYING]
01:34:39 [MUSIC PLAYING]
01:34:42 [MUSIC PLAYING]
01:34:46 Here it is!
01:34:47 [LAUGHTER]
01:34:49 Oh, oh, it worked.
01:34:51 That's a lineman.
01:34:52 Does it always feel this good?
01:34:54 [MUSIC PLAYING]
01:34:56 It's never been this good.
01:34:58 [MUSIC PLAYING]
01:35:01 [MUSIC PLAYING]
01:35:04 [MUSIC PLAYING]
01:35:08 Welcome to the team, Agent Gladwell.
01:35:12 Oh, please.
01:35:14 Call me Abby.
01:35:17 Hey.
01:35:18 Hey!
01:35:19 That's a good job, guys.
01:35:20 Come on.
01:35:21 [LAUGHTER]
01:35:24 You get one.
01:35:25 Yeah.
01:35:26 Just one.
01:35:27 Oh!
01:35:28 Oh!
01:35:29 Oh!
01:35:30 [MUSIC PLAYING]
01:35:31 Can I go?
01:35:32 Yeah.
01:35:33 Can I go?
01:35:34 [MUSIC PLAYING]
01:35:42 Hush now, child, and don't cry.
01:35:49 Your folks might understand you by and by.
01:35:56 Just move on up toward your destination,
01:36:02 though you may find from time to time complications.
01:36:08 [MUSIC PLAYING]
01:36:11 [MUSIC PLAYING]
01:36:14 [MUSIC PLAYING]
01:36:17 [MUSIC PLAYING]
01:36:23 Bite your lip and take the trip, though there may be a dead road
01:36:32 ahead and you cannot slip.
01:36:37 Just move on up.
01:36:40 The peace you'll find into the steeple of beautiful people
01:36:47 where there's only one kind.
01:36:51 So hush now, child, and don't cry.
01:36:57 Your folks might understand you by and by.
01:37:05 Move on up.
01:37:08 And keep on wishing.
01:37:11 Remember your dream is your only skin.
01:37:15 So keep on pushing.
01:37:17 [MUSIC PLAYING]
01:37:32 Take nothing less than the supreme best.
01:37:39 Do not obey rumors people say, but you can pass the test.
01:37:46 Just move on up to a greater day with just a little faith.
01:37:55 If you put your mind to it, you can surely do it.
01:37:58 [MUSIC PLAYING]
01:38:14 Just move on up.
01:38:18 Move on up.
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